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تاثير ادارة المعرفة في الكفايات الجوهرية : دراسة تحليلية في شبكة الاعلام العراقي

اسم المؤلف: اكرم سالم حسن الجنابي
اسم المشرف: صلاح عبد القادر احمد النعيمي
الموضوع العام: الادارة والاقتصاد
السنة: 2009
الموضوع الدقيق: ادارة عامة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاستثمار النفطي في منظمة الاقطار العربية المصدرة للبترول OAPEC : مع اشارة للعراق - الواقع والافاق == Oil investment in the Organization of Arab Petroleum Exporting Countries OAPEC - "with reference to Iraq" Reality and Perspectives

اسم المؤلف: احمد رحيم موسى العبودي
اسم المشرف: ربيع خلف صالح
الموضوع العام: الادارة والاقتصاد
السنة: 2009
الموضوع الدقيق: الاقتصاد
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اعتماد معايير الجوائز الدولية للجودة لتحقيق الاداء المتميز : دراسة استطلاعية لاراء عينة من عمداء ورؤساء الاقسام العلمية في جامعة بغداد == ADOPTION OF international Awards Criterions FOR quality TO ACHIEVE THE excellence performance

اسم المؤلف: حسام علي محيبس الرويشدي
اسم المشرف: علي حسون فندي الطائي
الموضوع العام: الادارة والاقتصاد
السنة: 2009
الموضوع الدقيق: ادارة عامة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

السياسة المالية ودورها في الاصلاح الاقتصادي : مصر حالة دراسية

اسم المؤلف: هزاع داود سلمان
اسم المشرف: يسرى مهدي حسن السامرائي | وليد عبد المنعم عباس
الموضوع العام: الادارة والاقتصاد
السنة: 2009
الموضوع الدقيق: الاقتصاد
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

بناء انموذج انحدار لوجستي معدل لحياة الاطفال الخدج في محافظة كربلاء == Building a modified model of logistic regression for a life of premature infants in Karbala governorate

اسم المؤلف: شروق عبد الرضا سعيد السباح
اسم المشرف: عبد الحسين مرتضى زيني | عبد الحسين حسن حبيب
الموضوع العام: الادارة والاقتصاد
السنة: 2009
الموضوع الدقيق: الاحصاء
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

دراسة لغوية للفلم المحور الماخوذ من مسرحية شكسبير هاملت : دراسة مقارنة == A Linguistic Study Of Modern Film Adaptation Of Shakespeare’s Hamlet A Comparative Study

اسم المؤلف: ميسون كاظم علي
اسم المشرف: لبنى رياض عبد الجبار الشيخلي
الموضوع العام: اللغات الاجنبية
السنة: 2009
الموضوع الدقيق: الانكليزية - اللغة
الدرجة: ماجستير
اللغة: الانكليزية
مكان الجامعة: بغداد
الصفحات الاولى:

الحركة النسوية والتمييز العنصري في روايات منتقاة لدوريس ليسينغ == Feminism And Racial Discrimination In Selected Novels Of Doris Lessing

اسم المؤلف: ميسلون خالد علي
اسم المشرف: منذر عبد الرزاق سبع العبوسي
الموضوع العام: اللغات الاجنبية
السنة: 2009
الموضوع الدقيق: الانكليزية - الادب
الدرجة: ماجستير
اللغة: الانكليزية
مكان الجامعة: بغداد
الصفحات الاولى:

الازمة المصرفية في دول جنوب شرق اسيا خلال فترة تسعينات القرن الماضي ودورها في توجهات السياسة النقدية == The banking crise for eastern - south of Asia for ninetieth of the past century and their role in direction of monetary policy

اسم المؤلف: صباح حسن عبد العكيلي
اسم المشرف: قصي عبود فرج الجابري
الموضوع العام: الادارة والاقتصاد
السنة: 2009
الموضوع الدقيق: العلوم المصرفية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الهدف الرئيسي لهذه الدراسة هو تحليل اسباب الازمات المصرفية والتي غالبا ما تكون اسباب اقتصادية ومالية مع التركيز على مجموعة مختارة من دول جنوب شرق اسيواالتي تعرضت الى ازمة مصرفية عام 1997 وهي البلدان المعنية بالازمة (التي عانت من الازمة) ، وكذلك توضيح الاثار النقدية للازمات المصرفية لهذه البلدان والمتغيرات التي تلعب دورا كبيرا في تعميق هذه الىثار بالاضافة الى استجابات السياسة النقدية لهذه الاثار. قد استندت الدراسة الى الفرضية التالية : ان اختلال هيكل النظام المصرفي لدول جنوب شرق اسيواالسمات المؤسسية المرتبطة به تلعب دورا بالغا في تعميق الاثار النقدية للازمة المصرفية. من اجل تحليل الاثار النقدية للازمات المصرفية ودورها في توجهات السياسة النقدية لدول جنوب شرق اسيا خلال فترة تسعينات القرن الماضي، فقد قام الباحث بتقسيم الدراسة الى خمسة فصول | The principle objective of this study is to analyses the cause of banking crisis which is often being financial and economic cause with concentrated on selective south eastern Asian countries that related with such to type of crisis (1997 - 1998). This study also focus on the monetary effects of the banking crisis and the change which play significant role in deepen the crisis in addition to the response of monetary policy of this effects .The study based on the following hypothesis : The effect of banking structure in south eastern Asian countries and the institutional characteristics related with it play significant role in deepen the monetary banking effect crisis .The researcher divided his study into 5 chapters according to the monetary banking effects of the crisis and its role in orientation. policy in south eastern Asian countries during last nineteenth decade. Finely the study finished with many conclusion and recommendations

دراسة مقارنة لتاثير بعض المستخلصات النباتية وبعض الاحماض الكاربوكسيلية في البكتريا المسببة لالتهابات الحروق == Comparative Study of The Effect of Some Plants Extract And Carboxylic Acids On Contaminating Bacteria In Burns Infection

اسم المؤلف: سـعاد خليـل ابراهيـم
اسم المشرف: مهدي ضمد القيسي | جنان مجيد العقيدي
الموضوع العام: علوم الحياة
السنة: 2009
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: جمعت (500) عينة من المرضى المصابين بالحروق من ثلاث مستشفيات في مدينة بغداد للمدة من 1/6/2007 ولغاية 1/11/2007. زرعت هذه المسحات على الاوساط الزرعية للعزل الاولى وتم تشخيصها بالفحوصات المظهرية والبايوكيميائية. اظهرت (489) عينة ملوثة بالبكتريا وبنسبة | • Five hundreds swabs were collected from patients suffered from burns in three hospitals of Baghdad city, for the period from 1st June 2006 to 1st November 2007. The swabs were implanted in order to be isolated and diagnosed by morphological and biochemical tests. • The results showed that 489 swabs were contaminated with bacteria (97.8%), while 11 swabs were not (2.2%). The identification and prevalence of the bacteria was as follow Pseudomonas aeruginosa was found in 148 swabs (30.27%), Klebsiella pneumoniae in 102 (20.26%), Staphylococcus aureus in 79 (16.16%), Escherichia coli in 70 (14.31%), Proteus mirabilis in 52 (10.63%) and Enterobacter cloacae in 38 (7.77%). • Information card for each patient was assigned included age, sex, time of suffering from burns, social status and address.• The degrees of suffering were as follow : - First degree of burns, 201 cases (40.2%). - Second degree, 187 cases (37.4%). - Third degree, 112 cases (22.4). Sensivity test to antibiotic and was done for all the isolated bacteria, and it was found, that, they were sensitive to Vancomycin, Ciprofloxacin, Amikacin, Tetracyclin and Fusidic acid within the percentage ratio of 0.0, 59.1, 3.7, 58.5 and 11.6%, respectively. Also it was found that the investigated bacteria showed high Vesistance to Penicillin G (87.9%), Erythromycin (93.9%), Trimethoprim (100%), Carbencillin (83.9), Cefotaxime (63.4%), Ampicillin (75.9%), Gentamycin (67.9%), Streptomycin (83.6%), Nalidix acid (89.4%) and Linomycin (83.2%). o Searching for the active compounds in the extracts of investigated plants (Linum usitatissimum, Nigella sativa and Eruca sativa) was conducted. It was found, that, the seeds of the three plants contained Glycosides, Alkalis, Flavonoids, Soapiness and Resins, which are not water soluble, but could be detected by the alcoholic extraction. Cumarin was noticed in the seeds of N. sativa and E. sativa only. o Different concentrations of water and alcohol extracts were prepared in addition to the isolation of oils, soapiness and Flavonids. The effectiveness of the extracts was tested at the concentration of 16, 32, 64, 128, 256 mg/ml for all the plants, against the bacteria.o The Phenol, water and alcohol extracts of L. usitatissimum and E. sativa showed high effect against the bacterial species, while that of N. sativa was less affective.o The Minimum inhibition concentration (MIC), was found to be different according to the type of extract and the species of bacteria.o The effects of the organic acids (Acetic, Citric, and Lactic) were tested at concentrations of 0.5, 1, 1.5, 2, 3 and 4% of each acid. An increase in the diameter of inhibition area, related with the increase in the acid concentrations, was detected. It was found that the acetic acid was more affective against the microorganisms, followed by the Citric acid and then the Lactic acid.o on the base of ratios of inhibition area diameters (in vitro), the results illustrated that E. coli was more affected by Acetic acid when the diameters reached 18.75, 21.75, 30.75, 38.25, 40.00 and 44.75 mm, respectively. The concentration of 1.5% was the effective enough against E. coli as diameters rates for P. mirabilis were 19.25, 18.25, 18.0, 22.56, 27.75 and 31.0 mm, respectively, followed by Ps. aeruginosa, S. aurues and En. cloacae when exposed to the optimum concentrations of Acetic, Citric, Lactic acids. The diameters at concentration of 4% were 23.50 and 23.66 mm. o The water extracts from all the involved plants, in addition to the organic acids showed good levels of effectiveness against the different studied bacterial species, when suffered by burns rats were exposed to them. A clear decrease in bacteria numbers in these rats in comparison with non - treated animals, in the swabs removed from the treated and non - treated rats, in addition to the absence of any histophathalogical changes in livers and skins of the treated animals. o Biochemical tests of serums from animals treated with the water extracts and organic acids at concentration of 16 mg/Kg and 18 mg/Kg for seven days and the microscope investigation, proved that these compounds were not toxic.o The effects of the water extracts and the organic acids were studied too from the point of the immunity point of view. An increase in the Levels of IgG and IgA of the supplementary systems C3 and C4 was noticed in the suffered from burns in general. The levels of IgG and IgA tended to be normal after the treatments with the water extract from the studied plants and with the organic acids.o The L D50 of N. sativa and E. sativa was 18 mg/kg while it was 16 mg/Kg of L. usitatissimum.

سمات الشكل في الخزف العراقي المعاصر : الخزافات العراقيات انموذجا == Figure Attributes of The Ceramics In The Contemporary Iraqi (Iraqi Potters) Pattern

اسم المؤلف: هديل سلمان سعيد الموسوي
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن الخزف من الفنون التي تعكس المهارة والابداع وتعد بمثابة سجلا تسجل فيه ابداعات الخزاف طوال مسيرته الفنية، ويبحث عن الذاتية والتفرد في العمل الخزفي ومايميز الشخصية الفنية من تقنية واسلوب كظاهرتين اساسيتين متميزتين للشخصية الفنية، وكان للخزافات العراقي | Is a ceramic artist and art that reflect the skill and creativity and serves as keep a record of the potter's creations throughout his career, looking for self - uniqueness in the work characteristic of ceramic and artistic character of the technique and style phenomenon two basic distinct personality of art.The Iraqi presence of potters and a key role player in the field of ceramic art and the posts it as a great space and reflect their ability to reveal the ideas and philosophical and aesthetic vision that has characterized the specificity of each Potter distinctive. This study is in five chapters, which included the first chapter of the research problem and then the importance of research, objectives, and limitations, has been determined by research into three Borders, which included the substantive attributes of the product in the contemporary the potters during the period between (1960 to 2003). The second chapter, the annexation of the theoretical framework and previous studies in which structure the three detectives, namely : The first topic : which was divided into two parts, I talked about 1 - Introduction to the concept of shape and definition and what it is, levels, shape and form an independent phenomenon and the meanings of the shape. 2 - Construction of the form formative and any which is consisting of himself, which dealt with (a) structural relations of the form, features and specifications. (B) elements and form the basis of composition, which included a number of elements intertwined and overlapping elements make up and nature. (C) The intermediary material (raw materials) and its impact in the shape of the characteristics of investment through to arrange the elements of form material. 3 - Effect of metaphor in characterizing the shape and types of these metaphors and their applications in the art form. The second part was a 1 - systems installation in the shape of a ceramic system and the law of any structure in the shape of a ceramic. 2 - modulation methods and techniques in ceramics, which included work on the modalities for the implementation of the clay and ceramic body. The second topic : the address of the historical foundation of the system form, which included 1 - Characteristics of the art form in ancient times human knowledge at the start and at the age of the caves. 2 - The characteristics of the art form in the old Iraq has covered developments in the study of form in the historical stages in the old Iraq stages. 3 - The characteristics of the art form in the Islamic era, and how different form in the Middle Ages and made his own mark, Art Islamic era, and then 4 - styles and trends affecting the restructuring has been accompanied by contemporary ceramic art pottery modren Iraq artistic schools and trends that have crystallized within the global art movement.The study singled out the third part, references influential in the formation of ceramic output in Iraq and monitor the most important these references, and then shifts the cultural and social co - founder of attributes to form when potters in Iraq, and previous studies that showed the two studies was the points of convergence and divergence, and the indicators gleaned from the context theory. The third chapter represents the proceedings of research and analysis and monitoring of the research community, which consists of a set of ceramic works accomplished by the Iraqi potters for the duration of (1960 - 2003) The number of potters research community (33) Potter, and produced a sample according to the willful manner a number of controls that were produced by depend upon personal and professional has been selected (9) potters research sample, has been chosen for each of five forms of ceramic Potter then analyzed within the framework of criteria and indicators of the theoretical approach to the method of survey and descriptive analysis of the ceramics curriculum description and extrapolation of research and reliance on scientific studies and research dealing with analysis of content of porcelain in Iraq, has been divided into two generations of potters , the first generation represented by the period of time (the sixties, seventies, eighties) and second - generation (eighties, nineties, two thousand). The fourth chapter singled out the findings and conclusions, the results have been divided according to potters attributes of the inventory at each Potter.The conclusions were : 1. The topics of life that represent human forms, especially the man or woman and animal shapes like birds, fish and horses, the main topics selected by the potters and worked within them.2. Social relations have emerged, particularly the relationship of men and women in much of the potters. 3. Any forms characterized by the double is often the representation of the relationship of men and women a diagnosis or by implication, mother and son relationship in the frequency and therefore a clear and readable. 4. Characterized by geometric shapes circle formations - the box - the cube - the rectangle - the ball - the cylinder in the starting line - or internal design. 5. potters adopted the first generation of breeding color and showiness in it, while the second generation relied potters Unification color or the number of colors, sometimes dark, harmonious and blurry at times. 6. Spraying techniques followed potters combriser or sometimes a brush, one of the traditional techniques.7. potters also expanded on the themes and wall sculpture, pottery and construction manual and a little bit to work wheel electric or platelets.8. potters affected by references, heritage and historical art references old Iraqi or Islamic art. 9. The metaphors of a single environmental roses and twigs and metaphors of color Islamic heritage and metaphors such as lines, shapes and decorative designs. 10. Multiplied potters the tendency to realistic representation and abstraction and the abstract expressionist style, sometimes cubical in the representation of shapes. And we ended the search bibliographic sources in Arabic, English and supplements.

تصاميم الاقمشة النسائية وعلاقتها بالمتغير البيئي == Women'S Cloth Designs And Their Relationship With The Environmental Variable

اسم المؤلف: ايناس صالح عباس
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شهدت حياة المراة المعاصرة تطورا في تصاميم الاقمشة النسائية وجاء هذا مصاحبا تنوع الحاجات الوظيفية مما ساعد على تداخل وامتزاج اشكال وعناصر تصميمية مختلفة لا تعبر عن البيئة العراقية. مما استبعد ذوق المراة عن المنتج المحلي الذي يعد خاليا من اي سمة وظيفية تع | Contemporary woman's life witnessed a development in women's cloth designs accompanied with the variety of functional needs which helped in the intervention and mixture of different designing forms and elements that did not belong to the Iraqi environment. As a result, the woman's taste was eliminated from the local product which was void of any functional merit expressing the society (women's) sense of taste and its non - association with the cultural heritage originality of Mesopotamia arts and that what made the cloth designer in Iraq pose his designing ideas eliminating and subjecting the Iraqi environment components according to the functional and aesthetic purpose. From this point the idea of studying the research topic (Women's Cloth Designs and Their Relationship with the Environmental Variable) stemmed. The problem was defined as what was the relation between women's cloth designs and the environmental variable in contemporary Iraq? The research contributed through its significance in the following : - 1 - Identifying and studying the effect of the environmental variable on women's cloth designs. 2 - Developing the functional and aesthetic performance among the designers of texture factories. The research aims included the following : - a. Revealing women's cloth designs through their relationship with the Iraqi environment (items of natural, social, cultural and heritage environment) in conformity with the utilizing function. b. Defining the constructive designing relations suitable in women's cloth designs. The research limits were specified by addressing women's clothes produced locally in texture factories that belonged to the country within the period (1980 - 2000). The second chapter dealt with the theoretical frame including four sections. The first section was (The Variables of the Iraqi Environment through History and Their Impacts on Women's Cloth Designs), the second one (Cloth Designs through Historical Ages in Iraq), the third (The Cultural Heritage and Folklore in Iraq) and the fourth (Constructive Relations in the Designing Unit). Then came the indicators of the theoretical frame and previous studies. The research procedures were defined within chapter three by following the descriptive analytical method of research population which mounted (60) models of the productions of Iraqi factories and establishments for women's cloth designs. While the sample test was purposive mounting (20) models. As to analysis tool, it was represented by the analysis form according to the scientific method and then the analysis of sample models and their discussion. Afterwards, the research results were arrived at, the most important of which were : 1. It was shown that the designer had taken design items from the natural environment rather than from the items of social environment and the mixture between both environments in one design was clear. 2. The absence of the cultural factor and the cultural awareness in women's cloth designs, especially at North region. 3. The facial formal non - adjustment was shown with the functional performance. 4. The weakness in activating the role of constructive designing relations (elements, bases and relations) in a way contributing in attracting the learner (the woman). Whereas the recommendations were : 1. Taking care of continual developments in cloth designs basing on the cultural heritage and reformulating it in a contemporary style characterized with novelty and originality

تاثير استخدام الاكاسيد رباعية التكافؤ في تعتيم انواع الزجاج == Opacifing Effect of Using Tetravalent Oxides On A Few Ceramic Glazes

اسم المؤلف: قاسم نايف جواد العامري
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول هذا البحث وضع قاعدة بيانات ومواصفات للزجاج المعتم وباستخدام ثلاثة انواع من الزجاج ( Lead , Borax , Alkaline ) وبدرجة نضج حراري واحدة هي (960 م)، وتم تحديد نوعين من خلطات الاجسام الفخارية (طين كاؤولين دويخلة الابيض، وطين خان بني سعد). وتم استخد | This research deals with the database and specification of opaque glaze by using three types of glaze (Lead, Borax, Alkaline) and the degree of thermal maturity of one (960c), have been identified two types of mixtures of clay bodies (white clay Kaolin Doeakhla and Khan Bani Saad clay).The use of three types of parity opicity Quartet (ZrO2, TiO2, SnO2) was added in different proportions, starting from 4% and up before damage or distort the glaze.The results have been evaluated and the selection of a sample search through all the models to the system,, the beginning point of opacity and the highest point of opacity before glaze cooled down and stiffened.Was conducted several tests on samples of the glass sample analysis, the most important color and intensity of emulsion and the glaze factory and break it and assess the degree of transparency and shiny and hardness, scratch test, resistance to abrasion and chemical materials.Tests showed that the opaque material used in this research have an impact in giving the mixed color glaze, The whiteness color or close to white and the cubic equivalent opaque (ZrO2, TiO2, SnO2) its ability to opaque the ceramic body make deferent obesities such as shiny opacity, semi opacity, matt smooth, hard matt., and that the causes of darkness resulting from the zircon and tin oxide (ZrO2, SnO2) in the temperature (960 c) remain stuck in the glass of liquid (not melted) and the interaction between them and the vehicle increases as the glaze and add more value attributed to the saturation point of darkness, while the oxide titanium (TiO2) have melted and interacted with the glass of vehicles contributed to a new crystal glaze in the opacity.The microscopic imaging of the samples that there is a direct correlation between the amount of bubbles in the glass and the opaque and the size and opaque, as it turned out that there was a relationship between surface roughness and matt ness waviness and reflected light and its scattering.The laboratory tests conducted were as follows : - - test the hardness Tin gave the highest resistance to the glass harder, while the hardness of the titanium oxides and zircon. - test of scratches The tin and titanium was equal or less to resist scratches, it either zirconium scored higher than the resistance of transparent glaze. - test of acid Tests showed that the glass had not been affected by chemical and acid due to an increase in the proportion of acid in mixtures of glaze and opaque

الواقعية الايطالية الجديدة وانعكاساتها على السينما المصرية == The New Italic Realism And Its Reflections On The Egyptian Cinema

اسم المؤلف: محمد حسن عبد الامير محمد صالح
اسم المشرف: عبد الجليل ابراهيم ادهم
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لواقعية مدرسة من مدارس الادب والفن جاءت بعد الرومانسية في منتصف الخمسينيات من القرن التاسع عشر 0 وبتطور الفكر الفلسفي لهذه المدرسة في الفن برزت عدة مفاهيم للواقعية , وبتعدد الاساليب الواقعية في الفن السينمائي تنوعت الاتجاهات الواقعية , كالواقعية الملحمية | Realism is one of the art and literature schools, it came after romanticism in the middle of fiftieth of the nineteenth century. As the philosophical belief develops for this school in art many realistic concepts appeared. And the pluralism of the realistic styles in the cinematic art led to a vary in realism like epic, communal and romantic realism in addition to the new wave and realistic cinema in Briton. The last one appeared in Italy after the second world war, it was known as new italic realism, it has got new styles and here are some important styles belong to the new italic realism like : using the unprofessional actor, televising out of the studio and using the sneaking camera etc… The new italic styles spread quickly in the cinema in the most of the countries in the world. One of these countries is Egypt which has a very long history in the cinema. In the fiftieths of the last century, a generation of realism appeared in the Egyptian cinema like, Salah abo Safe.Tawfeek Salih, Yusif Shaheen, Henry Barakat and Kamal Al - Sheikh. In the eightieth and ninetieth of the last century, many young directors appeared and they went out of the traditions of the Egyptian cinema which is familiar, and they presented realistic topics. These topics were known by the critics as a new realism or new cinema, like : Mohammed Khan, Dawood Abd - ul Said, Shareef Arafa, Raafet Al - Mihi and Atif Al Taib. So, our study talks about the reflection of the new italic realism on the Egyptian cinema. The research has contained the following chapters : chapter one has contained the research problem which leads us to the following questions : what is the reflection of the new Italic realism on the production of the Egyptian cinematic films? Its importance is shown to the researchers and scholars like producers, scenario writers, critics in the cinematic art and those who are interested in the cinematic art. The goal of the research is to recognize the artistic style of the new realism in Egypt. The lines of the research are specified by the realistic novelistic Egyptian film from 1990 to 1999. Also, the first chapter contains terms specifying. While the second chapter contains the theoretical frame and section one contains realism, the concept, the beginning, the developing and realism in cinema with its varies. The second section contains the artistic styles of the new italic realism. The third section contains realism in Egyptian cinema. The third chapter contains research procedures. The researcher has specified the curriculum of the research depending on the analytic descriptive curriculum which suits the nature of the research and its aims, then the research tool that has been discovered as a sign from the theoretical frame and it has been presented and approved to a council of experts and specialists in the department of the audio and visual. And the fourth chapter contains analyzing three realistic Egyptian directors as a sample and they are : Dawood Abd - ul said and his movie the kit Kat, Shereef Arafa and his movie Irhab we Kebab and Atif Al taib and his movie Laila Sakhina.The fifth chapter contains the results like : 1 - The Director ( Dawood Abd - ul said)used The stylistic sings of the new Italic realism except using the unprofessional actor in his movie (Kit Kat). 2 - The Director (Atif Al - Tabe) used The stylistic sings of the new italic realism in his film (Layla Sakhina). And the conclusions are as the following : 1 - The realistic directors of the fiftieth generation have influenced by the new italic realism and some the eightieth generation has influenced the fiftieth generation and the others have influenced the pioneers of the italic realism. 2 - Most of the realistic directors who belong to the generation of the eightieth have worked director’s assistant with the generation of the fiftieth, this made them get experience Al so chapter five contains the suggestions, the advices , a list of the resources , appendixes and Abstract with the title

عمل الممثل على نفسه لتنمية طاقته الادائية == The Work of The Representative of The Same Capacity For The Development of Performance

اسم المؤلف: فرح طه درويش
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (عمل الممثل على نفسه لتنمية طاقته الادائية) الى اربعة فصول، تضمن الفصل الاول الاطار المنهجي للبحث من خلال مشكلة البحث والحاجة اليه واهميته، وهدفه، وحدوده، وختم تحديد المصطلحات ثم تلا ذلك الاطار النظري للبحث وقد تضمن ثلاثة مباحث : تناول | Its research is marked by the work of the Representative of the same capacity for the development of performance in to four chapters Containing the first systematic research of the problem through research and the need for it... And its importance Purpose of the character.... In conclusion, the identification of terms, and was followed by the theoretical framework of research has included three Investigation : addressing the topic Albailogi to attend the first dimension of the representation during the pre - approach Achtgalih clear disclosure of scientific and technical representative in accordance with the terms of reference Albailoger. Issued while the second topic, which came under the title the relationship between the numbers of self - monitoring and the role that changes in the subjective and objective representative, particularly in the behavioral and cultural dimensions in the organization had its mechanisms (mental psychosomatic) While the third topic in relation to levels of training Almcahdi structure to demarcate the border, the basic components that worked by the representative, particularly in the components (movement, body, rhythm, lighting, sound, music and sound allergen, dress, makeup, theatrical space), Thus Khalsp researcher to the theoretical framework of indicators, then came the third chapter of the research measures during the research community within the limited period of time from 1998 to 2008, and samples tested in search of my three representatives who are, respectively, (Aziz added, Naeem Iqbal, a leading Optimizer ), but a search researcher has used the descriptive approach in the analysis of samples and based on personal interview and tablets as tools for research Alsidiat , Baz came fourth quarter included the results of research and then discuss the proposals and then Altusilt Supplement : No. (1), which contained a list of entrants in the Duration of representatives 1998 - 2008 and Supplement No. (2), which included representatives of the illustrations in their presentations and then read out the play list of sources and references, abstract and then in English.

التوليف التقني في النحت العراقي المعاصر == Technical Matching In Contemporary Iraqi Sculpture

اسم المؤلف: حسين علي محسن
اسم المشرف: علي حسين علوان جمعة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تواصلا مع الفن العالمي كان الفن العراقي ومنذ خمسينات القرن العشرين ينحو باتجاه الفكر التجريبي باستخدام المادة والتقنية والخروج بتوليفات مادية وتقنية تؤكد الجانب الابداعي في الفن العراقي المعاصر، ولذلك فقد جاءت هذه الدراسة لتسلط الضوء على التوليف التقني ف | Since the late years of 19th century, development has turned to be but an integral part of man's life. All fields of life have been developing and this progress has affected the view of life on the part of the human being in general and the artist in particular. As a result of this machine revolution and the rapid industrial progress, the artists could not help making their art cope with the new era. In response to the twentieth century technology, certain changes took pace in the new world of art especially in the artist's performance. On the whole, art turned to be a world of experimentation including both the raw material and technicality through matching to the extent that new concepts came into being : the artist departed the restrictions of specialization and moved into the free multiple and comprehensive plastic art. Since the early 1950's, the Iraqi artists have been creatively. aware of the world - wide tendency of experimentation. This study is an attempt to shed some light on the technical matching in contemporary Iraqi sculpture. It is concerned with the expressive and aesthetic values that stem from the technical matching. It also attempts at showing the stylistic features of contemporary Iraqi sculpture works under investigation. This thesis falls into five chapters as follows : Chapter One is entitled as 'preliminaries'. It divides into the following sections. 1.1 The Problem of the study. 1.2 Significance of the study 1.3 Aims of the study 1.4 imits of the study and 1.5 Definition of terms. Chapter Two is on the theoretical background and review of literature. It falls into three sections : 2.1 The artistic application of technical matching 2.2 Styles of technical matching in contemporary sculpture and. 2.3 Aesthetic philosophy (approach) of technical matching. Chapter Three is on the procedures. It can be outlined as follows : 3.1 The population of the study ( 250 sculpture works by 36 artists along the years 1980 - 2008) 3.2 The sample.3.3 The method ( a descriptive approach to content analysis) and. 3.4 Tools of data collection (observation, interview, and survey). Chapter Four includes the analysis of the samples and display of results. The following are of the results : 1. Matching has been proved through of the application of more than one technique in each piece of work. 2. Matching has enabled the artist to go beyond the limit of the material. 3. Matching has paved the way for the artist to make all possible use of the sense and structure plastic and expressive potentials to achieve a variety of relative values such as the plastic, expressive, and aesthetic ones. 4. Matching has taken place among a number of resources : a. Works of contemporary world. b. Works of (the heritage of) Mesopotamia. c. Popular culture and d. Realities of contemporary Iraq. Chapter Five is concerned with the Conclusions, Recommendations and Suggestions. The following are five conclusions. a. A large number of contemporary Iraqi artists have applied technical matching to their sculpture masterpieces. b. Sculpture has developed a lot through using newly factory products and rubbish. c. Sculpture has turned to be given new dimensions and concepts by contemporary Iraqi artists within the realm of postmodern plastic arts. d. It has been found out that there are new aesthetic dimensions of sculpture work arrived at by the plastic artist through matching. These novel dimensions are in connection with attracting the receiver and stimulating his thinking and. e. The motives of going beyond the limits of the raw material through matching are inherited and deeply rooted in ancient ages. Still these motives are going on nowadays.

الخصائص الشكلية في تصميم الفضاءات الداخلية وعلاقتها بالبيئة المحيطة : دراسة تحليلية للبيوت التراثية البغدادية

اسم المؤلف: زينب فهد عبد السادة
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان ما يكسب العراق وتراثه اهمية متزايدة، كونه واحدا من اقدم المراكز الحضارية في تاريخ الانسان، فقد شهدت ارضه اقدم التجارب والمحاولات الانسانية في شتى صنوف المعارف والعلوم والافكار والاداب، وحقق العراقيون منجزات رائعة في حقل البناء والعمارة والفنون والص | As Iraq is one of the oldest civilized centres of the human history, this gives it an important among other countries. Its land witnessed the oldest human experienas and attempts in different fields of science and art. Iraqis recorded a significant achievement in the fields of building arts, industry and architecture, among these, building was distinguished in Iraq over the ages. Although these building vary in its forms and a functions, houses revealed to be distinguished in its antiquity and variety, also the basis of its planning and architecture and material was the basics of construction other building like temples towers needed for endowment.One of the most essential and formal aspects in Iraqi old or traditional houses is revealed by the high capability of the Iraqi architecture to understand the lard and the environment which represented together by weather and social life, in addition to the functional needs of the house according to the available building materials to achieve a best useful houses for one or group families in cities.The following study is an attempt to reveal the relationship between the formal aspects in design the internal spaces of Baghdad traditional houses and the surrounded environment according to the aesthetical performance to a contemporary internal design in its originality and cultural contents.The research depends on theoretical and analytical studies for the spaces of some Baghdad traditional houses. The study includes four chapters.The first chapter studied the problem important, aims and elefintion of basic term used in this study.The second chapter studied the previous studies and the theoretical background which falls in four sections : The first section studied the notion of from in internal design and the factors which affected it. The second section studies the internal spaces and its formal elements. The third section studied the effect of the environment on the internal design of the Baghdad traditional hoses.In section four there is an explanation of the formal aspects of the internal design in Baghdad : traditional houses.Chapter three is specified to the descriptive method was used to a analysis the sample of the study and represented by two samples of Baghdadi traditional houses in addition to an observational list and analyses core list according to the inductions of the theoretical background because trust of which are used as a variable in anglicizing chapter four includes the results of samples analysis according to which, the conclusions where stated which explain the relationship of the formal traditional aspects with the surrounded environments. Finally the researcher stated a number of suggestions and recommendation for further studies

الاتجاهات الفنية في الدراما التلفزيونية == Artistic Trends In TV Drama

اسم المؤلف: علي زيد منهل
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الرؤية الفنية التي يستند اليها مخرج العمل الفني خلال معالجته للنص الدرامي ووضع الحلول الاخراجية للمشاهد المرئية بغية تكوين واقع جديد مفترض. ومقدرة ذلك الواقع الفني الذهني المفترض والمجسد من قبل مخرج العمل الفني وبما يمتلكه من وسائل تقنية وفنية في توظيف | The artistic prospect upon which the director of artistic work bases his work through the treatment of dramatic text and putting direction solutions for the spectator in order to have a new virtual reality. The director of artistic work, with the technical and artistic means he employs in the dramatic elements, express artistic trends in TV drama and the mechanism of employment. These artistic trends reflect the development in the field of entering the analysis and construction of artistic works in a way that reflect reality with all the contradictions make the TV drama search for artistic procedures and attitudes to express that reality according to the idea, the objective and the method of carrying out that distinguished some from other in the mechanism of working of this or that procedure or attitude expressing the nature of artistic work and breaking the freeze and entering into imaginary and strange worlds that through them establish the ability and design which are formed according to the essence of the text and the manner by which the director of artistic work forms his work. According to the procedures that he finds suitable for posing the idea and criticizing the society and keeping pace with civilization development through the understanding and interpretation of TV artistic works which are based in their mechanism of putting forward on the suitable artistic trends. These trends are usually seen by the director of the artistic work as suitable for the nature of his theme and treating the dramatic components. Therefore, the study falls into many chapters that studied the artistic trends and the mechanism of involvement of the visual works as follows : The first chapter tackles the procedural framework of the study suchlike : The problem… which were formed in the following questions : What are the manners in which artistic trends are employed? What are the visual means and techniques that manifest the artistic trends in TV drama?The objectives of the study were as follows : 1. the manner in which artistic trends are employed in TV drama, and 2. The visual and technical means that manifest the trends in TV drama. The first chapter also tackles the importance of the study and the need for it, the limits represented in studying the dramatic trend in TV drama for the period 1998 - 2000. we have also determined in this the most important terms used in the dissertations (trends, drama, etc.)The second chapter : Included the theoretical framework and the pervious studies including the following inquiries : 1. The first inquiry includes the procedures and dramatic trends. It also includes the most important procedures and dramatic trends starting from the realistic trend and impressive trend. Within these two procedures lies most of the other subsidiary trends which effected the cinematic and TV drama alike. It includes the following trends {Neo - realism, Neo - wave, free - realism, social - realism, direct realism, poetic - realism, symbolic - realism, epical - realism, expressionism - surrealism, Dadaism and avant - garde} 2. the second inquiry : the image according to artistic procedures including {image in philosophy, the concept of artistic image, the senses of image, imaginary image, referential of artistic image, realistic image, impressionist image, symbolic image, expressionist image and surreal image}The inquiry also includes the understanding, analysis, and construction of artistic image and the mechanism of work according to the prospect of the artistic works’ director to manifest the artistic trend. 3. The third inquiry deals with the visual means according to the artistic procedure. This inquiry includes the style of artistic work’s directors in using the technical means through the direction prospect of this artistic work by employing the following {camera and lenses, décor, makeup, fashion, montage, lighting, setting, color, etc.} for the manifestation of artistic trends in TV drama. 4. The fourth inquiry dealt with the dramatic according to the artistic procedures. The inquiry included the employment of the dramatic elements according to the prospect of director. This includes drama and dramatic construction {plot, dramatic personae, language, idea, and image narration. At the end of the second chapter, the researcher tackled the pervious studies that are relevant to the theme of this thesis. There were two main studies that he found close in some chapters to the study herein : The M.A. thesis, 1988 {The Effect of Techniques and Visuals of Global Cinema on the Prospect of Iraqi Cinematic Directors} by Rasad Abdul Jabbar Thamir. The second thesis, 2003 {The Question of Aesthetic in the Trend of Modern Cinema} by Aladdin Abdul - Majeed Jassim. In the end of this chapter, the researcher comes up with the most important indicators that were driven form the theoretical framework making the analysis instruments of the research sample such as items of the questionnaire forms.The third chapter includes the procedures of the study : 1. The research procedures in which the researcher employed the descriptive approach. 2. The instrument of the study : the research employs the content of theoretical framework as theoretical framework after obtaining the approvals of the Board of Experts and Arbitrators on the indicators. 3. the unit of analysis, the researcher depended on the scene and snapshot as the main unit for analysis in his study of artistic work. 4. the sample for the study represented the series which were chosen as a nonrandom sample in compliance with the nature of the thesis. The series are : Bab - ul - Hara {Port of the Lane} - Part I Poetical - realism - series ‘Noor’Symbolic - realism - series ‘Carnival’ Epical - realism - series ‘Rome’ Impressionism - ‘Taken’ Expressionism - ‘Supernatural’ Surreal - ‘Sad Dream’5. The validity of the instrument : the esteemed experts showed a total agreement on the items in percentage (%97.28) The chapter also included analysis for the series that were chosen in as sample of the study. The fourth chapter included the The most important results : 1. the manner in which these visual elements were employed within the relations of adjoining , interrelation , adherence were in the outcome a final image that affirmed the nature of mental image which the director of work draw through the relation of these elements and images with each other justifying the state of employing the curricula and artistic trends, and expressing the dramatic events within the virtual reality of each artistic trend. 2. the director of artistic work produces artistic images that are compound and unrealistic, and cannot be similar to an image or compound in reality to give structure to the content of artistic work. For deepening the strangeness state and the innovation within the procedures and the artistic trend which he sees as appropriate for forming the visual image of the artistic work in TV drama.The most important conclusions are : 1. The impressive method is a living one and has the ability to activate the dramatic event through the self - view that the director produces, in addition to the employment of modern technology in convenience with the TV dramatic work. 2. It turns out that the Dadaism impressive trends have been confined to TV drama as a result of the unreasonable image composition and the hard symbols that cannot be analyzed. Therefore, we see the lack of tackling of these TV dramas. In addition, it included the conclusion that the researcher comes up with in the light of the outcomes. Then, the recommendations such as : Studying the branches of TV art as academic specialty {production, direction, montage, camera, scenario, the visual effects}.Finally, the suggestions that serve the course of scientific researches in the field. The fifth chapter includes the following : The references in Arabic and translatedThe references of films and TV series The references in English

الاتجاهات الحديثة في تصميم المنظر المسرحي العراقي == A New Directions In Design The Theatrical View

اسم المؤلف: دريد هاشم شكور البياتي
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التطور السريع الذي احاط العالم في هذين القرنين كان لابد اليه ان يؤثر في الفن المسرحي وعلى معطيات الثورة التكنولوجية والتقنية في المسرح ليولد اتجاهات مسرحية حديثة اتسعت في فضاءاتها وتنوعت في اساليبها في اعطاء الرؤية لانجاز جماعي والتي وفرت البيئة للمصمم | The fast development which care or happened in the world in the last years was to vhange or effects in the theater views and its born a new theater directions which effects the all hostery of theater.The imagination that should be composed with The nature of the reading the experience in the modern transfering the idea and the role practiced by the designing operation.This thesis eutitues four chapters.first chapter : In includes the methodical searching, the problem of the thesis and the most important of tee research by eulightening on employing the calio in the theatric view and the visual shape. second chapter : This chapter concluded the cadre visual and the pervious studies and the section of the fram visual to the four topics : the first topic (the stages of developing designing of atheatrical view), where is the function show.The seconfd topic contained two section : first the newlist and what after the new list in designer in the theater view. Seond the change of the designer in the theater view.The third topic (the new technological in the theater.Third chapter : In containcel the section of research as well as from the all search.presenting to the views which presents from the Ass.profs.Drs. in the Arts theatre section in the vollege pf Fine Arts university of Baghdad and I choose the some of these from 1980 - 2003 and the watching of a views, pectures and the personly metting which comtaind five view (the last sendebad dewiery, magbith, herostart and the night of barry im actor). Then comes the forth chapter which containd the result of reserch and the inclusion and the abstract of the thesis in english language

المعالجات الدرامية لشخصية الحسين في النص المسرحي العربي == Drama Treatment of Al - Hussien Personality In The Reading Arab Theat

اسم المؤلف: حميد لطيف مريوش الشريفي
اسم المشرف: عبد المرسل فليح الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان شخصية تاريخية مثل شخصية (الحسين بن علي) (ع) برفعة منزلتها ونهايتها الماساوية لابد ان ينعكس تاثيرها النفسي والاجتماعي والديني على الانسان والمسرح حيث مثلت الهاما للمؤمنين والاحرار في جميع ميادين الحياة وعلى مختلف مستوياتها وكان تاثير هذه الشخصية واضحا ج | The historical character like (Al - Hussein Bin Ali) with high dignity and tragic end, hispsychologic, social religious impact reflected on human and theater. He is a symbol of inspiration for faithful and independents people inall aspects of life. He is affected on literature specially theatrical literature.The Arab dramatis deal with this character in a dramatic ways from Karbala events taking from Islamic History.The chapter of Ali - Hussein share in the built of human though. The dramatist dranscript events and chapter in a technical form.This is show us the important of this chapter in the past and its impact in contect poraray human that makes us seek for this chapter and treated in the theater in a technical form.So we look for this character to acknowledge the dramatic feature of this character and the tenses that the Arab dramatist follow it.Therefore the research is divided in to foure parts : 1 - first part : methodical setting included problem and the important of research and the need of the research , the aims of the research, the borders of research.2 - The second part : theoretical setting included three researches : A - First research : the built of tragic character refers to the character in its general shape and its development and the tragic of researcher and different methods.B - second part : historical character : the researcher dealing with the understanding of the historical character in general way and the forms of these character and its important impact on our contemporary human and the utilizing from this character to creat moral worthy and social.c - Third research : dramatic treatment for historical character, the dramatist deals with the treatment of historical character in different tenses, it refers to the treatment of historical character by words and Arabs dramatists.The research tries to collect the different opinions for dramatists and researchers who deal with this subject to stand of the most important opinions about this research.3 - Third part : this part include the steps of research. The researcher counted the dramatic tenses that writing from the character of AL - HUSSAIN since 19131 - 2009 he chooses some sample from research and its three theatrical tenses : 1 - Abdul Rahman Al - Shaeqawi(AL - HUSSIAN MARTYR).2 - Mohammed Ali Al - khafaji(Al - Hussian return again).3 - Abdul Razaq Abid Al - Razaq(Al - Huee AL - Reyahi).4 - Fourth part : this includes the result of the research and discussion, conculion, recommendation and collateral in English language.

جماليات السينـوغرافـيا فــي العرض المسـرحي : نماذج من المسرح العراقي == The Aesthetics of Scenography For The Theatrical Performances

اسم المؤلف: جبار جودي جبار العبودي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في ظل انفتاح العالم على مختلف انواع العلوم والتكنلوجيا والمنجزات التقنية التي شكلت العصب الاساسي في الحياة المعاصرة بدات التجارب المسرحية بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، بدات هذه التجارب محاولات اللحاق | This research deals with the problem concerning the authority of the aesthetic elements in the scenogrphy for any play production and the ability to cause their effects in the final form of the stage pictures. The goal of the thesis is to define the aesthetics of scenography considering the dominating authority for the Iraqi theatrical productions and the role of the main factors in showing the images of the directors and the designers. In chapter two , the researcher reviews the resources dealing with the subjects. Section one of this chapter reveals and discusses the opinions of some scholars about the conception of scenography and the development of its implications through out the history of the theater. The researcher chooses the opinions of the three well - known play directors and designers - Adolf Apia , Robert Wilson , and Taduez Cantor. In section two of the chapter , the researcher discusses the aesthetics of scenography elements - the actor, the make - up, the costumes, the scenery , the accessories , and the theater building architecture. In chapter three , the researcher anal sizes the aesthetics of scenography of, three Iraqi play productions : The first is ( picnic ) adapted and directed by (Ahmed Hassan Mussa) , and ( Jabbar Juddi ) is the scenogerahper. The second is ( Cerfew ) written , directed , and scenogerahpy by ( Muhannad Hadi ). The third is ( The Blood Horse ) adapted ,directed and scenogerahpy by ( Jabbar Juddi ) , The text of this play was adapted from ( Macbeth ) of Shakespeare. In the fourth chapter the researcher discusses the results of his analysis and reaches the following conclusions : 1/ The theatrical performance depends a lot on the visual theater nowadays more than the others.2/ It is important to achieve the harmony between the visual , the auditory, the kinetic element and the dramatic element according to the vision of the director.3/ The aesthetics of scenography could be achieved only in well equipted stage.4/ The authority of scenography dominates the contemporary theatrical performances.5/ In order to achieve the aesthetics of scenography successfully it is necessary to manipulate the plastic elements.
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