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المعتمد بن عباد موضوعا (شعريا) بين ابن اللبانة الداني وابن حمديس موازنة فنية == AL - MUTAMAD IBN ABBAD IS A POETIC THEME BETWEEN IBN AL - LABANA AL - DANY AND IBN HAMDIS : A TECHNICAL COMPARATIVE

اسم المؤلف: خـديـجـة هاشم عــنـون الــعــوادي
اسم المشرف: ستار جبار رزيج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: Al - Mutamad Ibn Abbad Al - Ashbely is an Andalusian prince and poet who was possessed by alienation and living away from country. His poetry, which is diverse according to the diversity of its purposes, is characterized by nostalgia plaint, remorse anguish, patience bitterness and friend betrayal. His experience of expatriation was not restricted to his continuous plaint for his homeland but also expanded to include the repetition of this experience as he lost his large homeland (Al - Andalus), he also lost his small homeland (Sevilla) which he ruled a period of time. He returned to suffer from its downfall in hands of enemies. This point is what made other poets including Ibn Al - Labana Al - Dany and Ibn Hamdis Al - Saqaly discussed the status of Al - Mutamad as a prince and prisoner. The present study adopts observing, reading and analyzing the presence of Al - Mutamad as a poetic theme in the last poems of Ibn Al - Labana Al - Dany and Ibn Hamdis Al - Saqaly, which contain in their last part deep humanistic moments experienced by Al - Mutamad who suffered from exile and faced his death as a tragic reality. The experiences of being captured and exiled were the important painful experiences discussed by the two poets in an honest humanistic sense since they represent a pure personal expression shared by another that seemed a viewer establishing a diverse reality not experienced by the self. Presenting Al - Mutamad in this sad experience cannot be considered as a declaration of a specific affiliation which relies on a politic theme to penetrate the text for the purposes of spreading and outgrowing. Pain moments are shorter and deeper than filling their gaps by theorizing and its senseless shapes that cannot originate from the heart and do not harmonize feeling especially when these moments are mixed with a sense of deep alienation as in the experience of Al - Mutamad. Poems of Ibn Al - Labana Al - Dany and Ibn Hamdis Al - Saqaly, whose essence is Al - Mutamad, are full of pain of Al - Mutamad's last exile which was imposed upon him by capturing. These poems portrayed the sense of death in the poet's strange consciousness who was suffering from two crises : his alienation from homeland as well as his death away from homeland. This explains Al - Mutamad's patriotism and humanity or their mixing together in a tearful poetic voice full of hope which does not appear in a lot of sad scenes during his capturing. The study consists of a preliminary and three chapters. The preliminary deals with Al - Mutamad's life before and during capturing. Chapter one discusses the poetic language and the role of words, structures and discourse with taking into account the sad atmospheres that the poet lived through his exile after capturing with concentration, condensation and brevity. Chapter two is devoted to explaining the poetic images, the use of these images through discussing Al - Mutamad's issue as well as the role of passion and imagination in expressing the issue of the homeland firstly and Al - Mutamad secondly. Furthermore, it deals with Al - Badiaa in their poetry. Chapter three focuses on the rhythm and its role in dealing with the homeland issue and Ibn Abbad between passion and awareness of homeland issue through adopting approaches including narrative and dialogue to reach at a perfect logical vision of the intellectual and psychological dimensions of Al - Mutamad. The most important conclusions the study arrives at are : 1. The prominence of the reforming and moralizing features in poetry of the two poets in the period preceding the state downfall. Those poets had a historical role via directing speeches to people of Al - Andalus in that era. Therefore, their poetry was characterized by adopting prohibition, interrogation as well as appeal styles as linguistic and technical devices to make the idea received by all people not only by a special class of people. 2. Clarity had a special presence among other technical features adopted by the two poets in the phase preceding the state downfall because reforming approach was required for those poets. Their main concern was not only affecting emotions and feelings of recipients through the music of the text but also making the text (their poetry) full of ideas and meanings that could have been written in prose and this feature was embodied in several axes including : the thematic axis in which most ideas and contents seem simple, superficial and free from any depth and do not reveal ideas and meanings in the poet's mind and his ability to portray life. Moreover, in the linguistic axis most words and structures appear in their highest levels of clarity through their pragmatic existence as well as their linguistic relation within the text. Therefore, this feature made poetic sentences close to prose ones except their special prosodic characteristics. Clarity can be considered as a positive feature if another aesthetic features are associated with it as what has been seen in poetry of some poets such as Ibn Zaidoun, Mohammad Ibn Ammar and others whose poetic language was simple, full of expressing musical rhythm and exciting technical images in addition to the clear coherence within the text.3. Some poems of Ibn Al - Labana and Ibn Hamdis before the state downfall were characterized with the prose feature or what is critically known as reportorial feature and this is due to the clarity of ideas and contents firstly and the prominence of rhetoric characteristic with its technical mechanisms including command, prohibition, interrogation and appeal secondly. Additionally, their poetry was full of pragmatically common expressions and some of which were not harmonious metrically and phonetically. All these made their poetry close to prose

الاخر في شعر ابن هانئ الاندلسي == The Other in the Poetry of Ibn Hani' Al - Andalusi

اسم المؤلف: حسن هادي منشد
اسم المشرف: ستار جبار رزيج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: The topic of my thesis (The Other in the Poetry of Ibn Hani' Al - Andalusi(died 362A.H)) which is one of the topics that emerged as a result of the evolution of life and its expansion . The subject of the other which is prominent these days is the most widely researched among scholars . After the expansion of the Arab ego , it began to aspire to the non - Arab other. Comparisons have been conducted between this ego and the other especially the Roman and the Persian ones.The term , therefore, has emerged as a relative changing concept; its connotations were varied : it denoted all that which was different from the self such as man in contrast to woman, Arab in contrast to non - Arab and the slave in contrast to the master.This study has dealt with the other in the poetry of Ibn Hani' Al - Andalusi. The latter has addressed the other whether hostile or friendly, agreeing or differing with that other. The image of the other has , therefore, been coloured according to the multiplicity of colours of the life of the poet who touched upon the manifestations of the hostile other since the very beginning of one's life as represented by the Omayyad other ; consequently , his sect and religious belief lead him to clash even further . He has faced the Abbasside and Persian other. It was not only this : the poet formed an image for the other different from the hostile image which is the image of the other compatible with his ego or self . The poet has crowned all this with various meanings the most conspicuous of which were the praised other , the woman and the lamented other .The poet did not stop at this point ; rather he tried to form an image for the other through his self because the cultural heritage stored by his self and which was the best aid for him in highlighting the image of the other through the technique of symbolization and mythology which have been employed to uphold the image of the praised. These mythological symbols have represented the other for the poet's self.The research have arrived at the following conclusions : 1. The images of the other in the poetry of Ibn Hani' Al - Andalusi were varied in their being human and non - human and this other may agree or disagree with the self because the self composing poetry has varied as regards acceptance and rejection and reflected the psychological aspects as represented by the ego of the poet.2. The image of the praised other has occupied a wide space of the poets product and this image has carried meanings with numerous forms which became apparent in describing the other/ the praised through epithets revealing the poet's admiration of this other and in which the other embraced the self on the one hand and a close contact and solidarity between the characteristics of the other/ the praised and its religious sect on the other. Therefore, the ego and the other the praised representing the religious faith became compatible .3. The poet depicted one of the levels of the other compatible with the ego and that depiction was the woman in contrast to man . This woman was not separated from him (the man) and the concentrations of the loved woman the other was predominant in his poems whether in his introductions or within his poems and may be a felt reality or imagination . The other depiction was of the mother as in his lamenting of J'afar's and Yahya's mother and it seemed it was an influencing factor in the ego of the poet because he saw in her the mother of which the poet was deprived throughout .4. The research has concluded that the other , the lamented has been represented by the poet through Imam Hussein( peace be upon him) : an expositions which had a dimension for the individual and the Shi'a collective ego because he has depicted the dimension of the Omayyad hostility for the Shi'a aspect of self through depicting Karbala calamity which carried a positive landmark or fingerprintsss in the poet's product , thus it was an expression of the ego or the self

الحجاج في ايات الاحكام

اسم المؤلف: ثائر عمران شدهان الجنابي
اسم المشرف: عايد جدوع حنون
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:

الاتسا ق النصي في خطب واقعة الجمل ورسائمها

اسم المؤلف: ايمان ورد غالي المشعلاوي
اسم المشرف: محمود عبد حمد اللامي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: This thesis his concerned with patterns of textual cohesion of a text in reference to the verbal and semantic connections. Accordingly; this cohesion has clear and particular means which represent one of the seventh criteria of a text mentioned by De Beaugrande and Dressler.Some linguistic studies and theories had been emerged in 0891s among which was the theory of textual language of the seventh criteria which called for whole text constitution rather than to individual sentences. . Texts of Al - Jemel Battle Speech and Theses have been chosen as the sample of the study. Scientific curiosity to notify the modern theory constitutes the main reason behind this study for the purpose of practical investigation. Hence these texts have their special features as being remonstrated being a part of linguistic remonstrating. As a matter of fact the study has divided into three chapters and each divided into sections. Chapter one is about the phonetic cohesion which includes three sections; rhymed prose‚ alliteration and solmization. Chapter two deals with lexical cohesion in the form of repetition and lexical compactness. Chapter three is to consider the syntactical cohesion where three sections are presented; transformation, elision and connection. All of these chapter have been preceded by an introduction and prelude where sentence and text syntax and their differences have been referred to. The subject of context and its function of textual context have also been considered. Moreover, the role of speech, speaker, listener and theirroles throughout the process of textual cohesion to the text is considered via the most related references. The study comes to the conclusion that the element of cohesion and different in their presentation, and the most influential part the sample of the study as a part of the syntactical text. In the same time; it is worth to mention that elements are quite lacking due to insufficient usage.

صورة الذات في شعر الشريف الرضي == Self - Image in the Poetry of Al Shareef Al Radhi

اسم المؤلف: قاسم كريم احمد حمد الخولاني
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The idea of the study is to investigate the poetry of Al Shareef Al Radhi (d.406 A.H.) in a way that leads to the self - image in it. If we want to reach that aim, we should know the self and the image in isolation. Then, observe the poetry that contain it. Al Shareef Al Radhi is a poet that introduced himself to Arabic literature through his poetry.The significance of the study lies in carrying the name of a famous poet whose poetry still recited a thousand years since his death. On the other hand, the type and quality of his poetry that can be suitable to any type of scientific and critical studies.Al Shareef Al Radhi is regarded as the most accurate poet in description in his poetry. His poetry is the most accurate in documenting his life stages , the depth of his personality , and the secrets of his soul. He is regarded as one of the great Arab poets of all times. He was distinguished by the richness of his poetic art and the variety of the topics that it addressed. So, his poetry is regarded as a huge classic heritage that affected the literary and linguistic ideology to the extent that some of the early authors put him on the lead of all Arab poets of all time.Al Shareef Al Radhi was born in the fourth Hijri century (359A.H.) which is the peak of Islamic civilization. The Abbasid age is regarded as the greatest age in the Islamic history. It was the age of civilization, science, literature, intellectual opening. The fruit of that age was the names of the scientists and writers that reached to us. This advance was accompanied by the greatest episodes of political conflicts between the foreign interference represented by Buyid dynasty and Abbasid authority. This led to a great diturbance in the lifestyle ,especially, social life. It1created severe class differences to the extent that some have a huge fortune and others cannot afford their food.Al Shareef Al Radhi's family suffered from those circumstances. Adhudh Al Dawla arrested his father and imprisoned him in the caslle prison in Fars and confiscated his estates in 369 A.H. Al Shareef Al Radhi was only ten years old at that time.This study is divided into three chapters proceeded by an introduction and a background entitled "On the Concept of Self - image : A Theoretical Introduction". In the first chapter, which is entitled " Triggers of Self - occurring and the Crystallization of Image", the researcher discussed the triggers of his poetry which is accompanied by his poetic genius to write the greatest poem. One of these triggers is Islam and his strong faith and his noble origin because his fifth grandfather is Imam Musa bin Jaafar Al Khadhim (PUH) and connected to the golden chain that reaches the Prophet Mohammed (ABAPUH). The other poetic trigger is Arabism that was in his blood and a characteristic of his poetry as well as the social circumstances which is dealt with in a dedicated chapter due to its effect on the poet. His poetry was originated from his suffering. The last section of this chapter was devoted to discuss the poet's genius and innovation.The second chapter discussed the Beduinism which was a characteristic of his poetry by his pride in himself , self - mirror, and sense of exile.In the third chapter, the researcher discussed the compound self concept by following the dominant pattern and religious belonging. It also discussed the conservative self and the rebellious self.2The conclusion discussed extracts of self - image in the poetry of Al Shareef Al Radhi and the following findings of the study : 1. Al Shareef Al Radhi renewed Arabic language and vocabulary by the noble meaning of his poetry and innovating new vocabulary and others derived from imagination.2. His poetry was yearning for the genuine Arabic traditions. He was not affected by the appearances that corrupted the Islamic ethics which was clear in his metaphors.The conclusions also contained a recommendation which is the need for studying the poetic text in a qualitative way because it can respond to any critical method and carries a precious heritage.

القصيدة الومضة في الشعر العراقي المعاصر حتى 2010 م : دراسة فنية == The Coruscation Poen in Contemporary Iraq Poetry up to 2010 : artistic

اسم المؤلف: سجى عبد الرضا هاشم العزاوي
اسم المشرف: نوافل يونس سالم الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Development is still going on in life and all fileds, especiallyliterature. Its development is of crystal clear impact on society itselfas it is regarded the mouthpiece of aggrieved and their righteousvoice. It is my love of poetry that urged me to be directed to thismajor and it was the plase of care and thought. Therefore I madeup my mind to delve in my depth so as to figure out whatsoeverport and cons in the inside of it.After thinking for a while, I have made up my decision, with theassistance of my supervisor, in choosing a topic in literturegenerally and poetry specifically that is dealing with the artisticside. After keen reading and cogniting the topic chosen was TheCoruscation Poem in Contemporary Iraqi Poetry up to 2013 : anArtisic Study I have labored hard to afford a portrait of the artisticvalue of the poem in literary devices system which mightcontribute in the expression. As far as I know, there is no previoussimilar study in the coruscation save the (Coruscation Poem) by(raed Jaradat) in Almustansiriya University which is a Ph.D.dissertation written in 2014 . Unfortunately , I did not have accessto this dissertation nethier in libraries nor by means of the authorhimself . As for me, I have shed light on poets of coruscation fromthe beginnings of the poet Ahmed Safi Elnaja up to the last of the2013 poets, wishing yet that I did not forget any f them.Throughout collecting the information and sources, and embarkingon writing the thesis. I have found out that the outline of the thesisis to be comprising of a perfase, three chapters of three sectionseach and a conclusion .The prefase tackled the scope of the term focusing mainly on thewhere and when was the beginning and flourishing of coruscationpoem, whether it is of valus or not, names it is known in andnumber. The first chapter, which is concentrating on coruscationas image, is subdivided into three section the first dealt with thesimile and its devices that are included in the poem, the secondtackled personification, incarnation and metaphor in the poem inaddition to defining it via my analysis of the poem, while sectionthree was alloted to the metony my image in which I have dealtwith everything comprising metonymy and its artistic image through analyzing the poetic texts.Moreover, chapter tow is dedicated to the study of condensation and is divided into three section. The first contained semantic and stylistic condensation the second was entitled condensation and shadows of meaning while the third was about condensation anachronism and its relation to coruscation poem. In the third chapter I studied coruscation in terms of prosody. It is also divided into three sections; the first was about assonance and alliteration in coruscation and their relation to each other the second dealt with repetition and contrast while the third was entitled coruscation prosody and whether it has a phonetic prosody. It might be worth noting that despite the difficulties and obstacles faced in terms of lack of pervious studies and references, yet, I was capable of achieving this study wishing it to be in the service of literature.

شروح ابيات كتاب سيبويه : دراسة تحليلية == The Reviews of the Verses of Sibaweih's "Al Kitaab" (The Book) : Investigation and Analysis

اسم المؤلف: ابراهيم عبد الرحمن محمد
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Sibaweih's "Al Kitaab" is regarded as the first and the most comprehensive book that reached us. It is was the book that is the mostly studied and investigated among other books. The efficiency in this book was in the originality of expression and the power of the structure.As this book has took a great deal of study, some of the many major scholars conducted reviews, comments, illustration to its verses, and investigations to its structures in most of the capitals of the Islamic states from east to west. Due to its importance, the number of those reviews reached to twenty. The only reviews that reached us are four : "The Review of Sibaweih's Verses" by Abu Ja'afar Al Nahhas (d.328 A.H.), "The Review of Sibaweih's Verses" by Ibn Al Sirafi (d. 385 A.H.), the third review was called "Tahseel Ein Al Thahab" by Al A'lam Al Shantamri (d. 476 A.H.), the last review was by Afif Eddin Al Kufi (d. 696 A.H.) which was a script that is not available in our country. So the study was based on the first three reviews. It is worth mentioning that the review of Abu Ja'afar Al Nahhas was not real. It is either a shorthand of the original review, or attributed to him, which is the truth. The study reached the following conclusions : 1. Concerning the methodology of writing and reviewing : a. The introduction of Al Nahhas's review was too short that did not cover all the aspects; Al Sirafi did not write an introduction to his review; while Al Shantamri's introduction was comprehensive and he was committed to it in his review.b. Al Shantamri followed the same order of the original book in his review while the review of Al Sirafi had some overlap and fusion of some verses. On the other hand, Ibn Al Sirafi's review was random and did not follow the original order. c. Ibn Al Nahhas's review was very brief and sometimes he did not comment on the verses, while Al Sirafi illustrated the meanings of the utterances , the rules, and the examples. Al Shantamri's review was less detailed than Al Sirafi.2. Concerning the basics of grammar.a. The authors paid much attention to irregularities without admitting that.b. The authors used less Quranic examples. In the review of Al Nahhas, 24 examples and seven in the Quran recitiations were used. In the review of Ibn Al Sirafi has 37 examples and seven examples on recitations. Al Shantamri brought 31 Quranic examples and two examples on recitations.c. The authors did not use Hadith in their examples except two examples by Al Shantamri. The study was organized into three chapters preceded by an introduction and followed by a conclusion. The introduction contained a brief illustration on the significance of Sibaweih's work and his use of poetic examples as well as the reviews written on it. It also contained a brief biography of the three reviewers.The first chapter studied the review writers' methods and their resources. It was divided into two sections. The first section discussed the reviewers methods while the second section discussed their resources. The second chapter was devoted to the study of the basics of grammar. It was divided into three sections. The first section dealt with irregularities, the second discussed assessing, while the third discussed reasoning. There was no need to make a section about the reviewers agreements because there was only two points in Al Shantamri.The third chapter was a grammatical and linguistic study to the three reviews. It was divided into three sections. The first section was a grammatical study. The second section was a linguistic study. While the third section was about poetry and poetic license.The study ended in a conclusion of the results of the study followed by a bibliography and an abstract in English

شروح التعريف في ضروري التصريف لابن مالك ت 276 ه : دراسة تحليلية موازنية

اسم المؤلف: هدى داود سليم عبد علي
اسم المشرف: عبد الرسول سلمان ابراهيم الزيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Morphology has a great importance in the linguistic lesson in ancient time and lately, it regards to the internal building of words and which has known in their originality, situations and chapters.But, because the position of this science and its importance, the researcher has been attracted to study morphological study, the researcher selected a study in " Shoroh Al - Mukhter, in Morphology thus the study entitled ( shroh altareef fi dhrory altasreef for Ibn Malik of an analytical and balance study). The study has been divided into three chapters preceded by a preface, followed by a conclusion.Preliminary, the study dealt with the life of commentators and most important explanations print and non - print, in the first chapter the researcher studied commentators efforts and their own curriculum. In the second chapter, the researcher tackled with the resources of commentators and morphological in industry indications. The third chapter addresses the morphological topics in the alshoroh. In the conclusion, the researcher showed the most important findings, including the best explanations of the book, and identifying his figures which have not been studied before, and the statement of their views in morphological issues and clarifies his controversial and status toward it, as well as, this study has allowed the balance between the worlds, a great figure of the seventh century and another one from the world of the flags of the eighth A.H.

مباحث النحو القراني في كتاب الامالي الشجرية لابن الشجري ت245هـ

اسم المؤلف: محمد طه محمود ابراهيم التميمي
اسم المشرف: حسين ابراهيم مبارك التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

الفاظ انواع التمور في العراق : دراسة دلالية معجمية مصورة == PRONUNCIATIONS OF TYPES OF DATES IN IRAQ (A Photographed, Semantic, and Lexical Study)

اسم المؤلف: ضياء احمد حميد حسين
اسم المشرف: نصيف جاسم محمد علي الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study entitled (Pronunciations of Types of Dates in Iraq (A Photographed, Semantic, and Lexical Study)) is exactly interested with searching the pronunciation of dates in Iraq. The pronunciations were really mentioned in old dictionaries. Since thetypes could not be sure by its extinction, or existing because palm trees are renewed continuously. Each planted date nucleus is a project for a new brand restricted to quality standards in breeding from inbreeding. As the new brands are named in new names. Theysignify names of different varieties of (dates). Here, comes the role of Arabic language in revealing the names and since Iraq is the first country in growing palm dates and has brands reaching to one thousand brand, this study was done to gather these brands in oldand modern ages according to reliable agricultural classifications and referring them back to dictionaries, linguistics, countries, eloquence, history, and books of agriculture to stand closely on each significance for each brand. The difference of shape of the fruit color, size, and shape led to support each name with photographs that leads the reader to signify each brand with its name and shape. Some brands documented photographs were not found because of its rare existence, or extinction. This research is divided into two parts, the first deals with a group of special findings of dates like old and modern brands, the methods of manufacturing names of dates according to their color, shape, owner of brand, place of growing the brand, ways of forming and imagery, stages that dates pass by, differences in pronouncing the name in old and modern ages, effect of nearby languages by transliterating and foreign in naming the brands. The researcher shed light on the importance of naming the colors, and dkl (worst brands of dates) and their differences in dictionaries. The significance of brands, dates, types, and sex. As for the second part of this research, it comprises names of dates in Iraq and describing them agriculturally and revealing its significance semantically. Since some pronunciations were gathered from different environments and has, more than one significance the nearest significance was taken. It could be said that this research a photographed dictionary of names of Iraq dates could have linguistic benefit for language and agricultural departments.

المقدمة وعلاقتها بالمتن في كتب النقد الادبي القرن الخامس الهجري مثالا == An Introduction and Its Relationship to the Literary Criticism Books of the Fifth Century A.H. as a Model

اسم المؤلف: حنين وسام جياد عباس
اسم المشرف: علاء حسين عليوي البدراني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: يقوم بحث (المقدمة وعلاقتها بالمتن في كتب النقد الادبي) على بيان اهمية المقدمة كونها تمثل جانبا يكاد يكون متجاوزا عند بعضنا, فهي تمثل اضاءة لما سياتي في المتن, ووظيفتها تبقى فاعلة ومتواصلة حتى تمام المتن, وتاتي اهمية هذه الدراسة في محاولة تضييق شق التباين الذي طغى على دراسة المقدمة بمعزل عن المتن في الزمن الذي مضى, وقد تميزت المقدمة عن غيرها من العتبات النصية كونها تقدم للقارئ خلاصة وافية عن محتويات المتن, وفيها تبرز شخصية المؤلف واسلوبه وذوقه, والمقدمات في تراثنا العربي تعد احدى المكملات الاساسية في كل عمل ادبي, فالمؤلفون قديما ادركوا اهميتهوااولوها عناية كبيرة . وتاتي اهمية دراسة المقدمة وعلاقتها بالمتن في تحديد مدى التطابق بين مقدمات القرن الخامس الهجري ومتونها اي تحديد الخيوط التي تربط بين المقدمة والمتن وكذلك التنافر ما بينهما . وقد اشتمل بحثنا على مقدمة وتمهيد وثلاثة فصول وخاتمة, تناول التمهيد : ابرز المسارات النقدية في القرن الخامس الهجري, مع بيان مفهوم العتبات النصية والمقدمة قديما وحديثا واختلاف التسمية في المصطلح . اما الفصل الاول فكان بعنوان (فلسفة المقدمة في الرؤية النقدية), واقتضت طبيعة الموضوع ان يقسم الى ثلاثة مباحث تناول المبحث الاول (اهمية المقدمة ووظيفتها), اما المبحث الثاني فقد تناول (بناء المقدمة), اما المبحث الثالث فقد تناول (انواع المقدمات) , تبعه الفصل الثاني الذي كان بعنوان (التطابق الموضوعي والشكلي), وهو على مبحثين : الاول منه بعنوان (الجانب النقدي لمؤلفات القرن الخامس الهجري في ضوء الدراسات الحديثة), والمبحث الثاني كان بعنوان (المقدمة وما تطابق منها), اما الفصل الثالث فقد جاء بعنوان : (التنافر الموضوعي والشكلي) وهو على مبحثين ايضا الاول منه بعنوان (المقدمة وما تنافر منها), اما المبحث الثاني فهو بعنوان (المقدمات الفرعية الملحقة بالمقدمة الاصلية), وتضمن البحث خاتمة سجلنا فيها اهم ما توصلنا اليه من نتائج . | The study (An introduction and its relationship to the literary criticism books) states the importance of the introduction which represents almost a surpassing aside to some of us, it represents as a light of what will come in the body, and its function remains active and continuous until the completion of the body. The importance of this study is an attempt to narrow the slit disparity which dominated the introduction in isolation from the body in the time that has passed, the introduction has been characterized from other scripts thresholds that being offered to the reader a compendium of the body contents, and it highlights the author personality and his style and taste. The introductions in the Arab heritage is one of the basic supplements in every literary work, In the past, authors realized the importance that they placed great care. The importance of studying the introduction and its relationship to the body in determining the extent of overlap between the introductions to the fifth century A.H. and its bodies to identify any strings that bind between the introduction and body as well as discordance in between. The study includes an introduction , preamble and three chapters as well as a conclusion. The preamble has been included, the most critical currents in the fifth century (A. H.), with an indication of the concept of thresholds texts and the old and new introduction at different label in the term. The first chapter was titled (introduction philosophy in a critical vision). The necessity due to the nature of the subject that is divided into three sections, the first section dealt with (the importance of introduction and function), while the second section dealt with (building the introduction), while the third section dealt with the (types of introductions) followed by the second chapter, which is entitled (substantive correspondence and formal), which is on two themes : the first part entitled (the critical side of the writings at fifth century in light of recent studies), and the second part is entitled (introduction and what is matched with it), the third chapter is entitled : (thematic and formal discordance), which is also divided into two sections, the first section is entitled (introduction and what is matched with it), while the second section is entitled (sub introductions attached to the original introduction). The study includes a conclusion where it recorded the most important findings or results

فاعلية التركيب في تشبيهات حماسة ابي تمام == The Effectiveness of Structure in Similes of Hamassa Abi Tamam

اسم المؤلف: ابو ذر سلمان شطب مسرهد
اسم المشرف: نوافل يونس سالم الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Simile is considered one of the most important components of poetic imagery. Poets have been fond of it through ages because it gives the text a powerful impact in the receiver because its approach to both sides of simile. So, its texts had a simile image which hold beauty and poetry in it. The researcher chose this literary poet because of being famous in choosing his poetry which is the book "Hamassa Abi Tamam". It has many interpretations which reveals its critical value. Simile had huge presence in this book which incarnates types of similes and colorful tools. It exposes the ability of poets to draw poetic image which frames the procedures of simile and constructions through different periods.The thesis title is "The Effectiveness of Structure in Similes of Hamassa Abi Tamam", which sheds light on the effectivity of structure in formatting poetic similes. The study has been divided into, introduction, three chapters, and conclusion. In the introduction the separation between Eloquence and rhetoric and the effect of simile on them with the effectiveness of structure on simile sentence. It seems that there is a relation between eloquence and rhetoric considered as a view of part to all, that’s why they made the subject of simile described as structure of rhetoric and includes the rhetoric of pronunciation.The first chapter; discussed graphic appearances of variety of simile tools in type of acting simile. The variety formed a graphic design were poets deliberately showing their intentions in an accurate image and most perfect and effectivity of receiver. Their choice of tool in their poetry was based on purposively by caring for both sides structural and displayed. Second chapter; discusses the effect of context in technical structure of simile by being described as a structure from different psychological, social, and educational sides. The poet ensures to concentrate on self - feeling, tradition, habit used by Arabs, or certain culture within limited context. The poet tries hard to draw his image within variable similes, this appears new types of similes with were suitable with technical context and poet's intention. The third chapter; finishes the conversation about the beauty of diversity of similes in structure with showing deletion in some of its aspects, which appears in beauty and its effect on that. It revealed the aesthetic side which is added to the context after deleting the tool or font or both together. Deletion gives a rhetorical meaning different and more poetic with deep imagery. This is the same with fluctuations of similes sides between individuals and structure.The conclusion comes to show the most important results which is concluded in the study like showing aesthetic aspects for structure of poetic simile, and the same with variety of similes tools, and others of technical aspects which exposed the creativity of those poets.The researcher relied in his material of study on resources and several references, most significant was "Dewan Hamassa Abi Tamam". The researcher also reviewed the interpretation of "Dewan Al - Hamassa" in four copies, and "Al - Islobia and Al - Islob for Al - Miside", "Dalial Al - Eajaz Wa Asrar Al - Balagha for Abdul Qahir Al - Jirjane", and other references used in this thesis.

كتاب الهداية في النحو لعبد الجليل الغزنوي من علماء القرن الثامن الهجري : دراسة وتحقيق

اسم المؤلف: حيدر ستار عبد الله الزهيري
اسم المشرف: محمد قاسم سعيد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

المباحث اللغوية والنحوية في (نخب الافكار في تنقيح مباني الاخبار في شرح معاني الاثار) للامام بدر الدين العيني (ت855هـ)

اسم المؤلف: ابراهيم خلف صالح القيسي
اسم المشرف: علي عبد الله حسين العنبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

المجاز في الرؤية النقدية العربية المعاصرة == Metaphor in the Contemporary Arabic Critical Vision

اسم المؤلف: فنن نجم عبد الاله
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study deals with the use of metaphor in different critical studies and how such studies tackle with the contemporary criticism .No doubt that the contemporary rhetorical need more investigation and search in order to see the relation between such studies and the rhetorical heritage, as well as benefit the got from the technical and critical variables which attached the creative process in different periods.Metaphor considered as one of the active and wealthy systems which have aesthetic and semantic value at the same time .Metaphor excludes the apparent meanings and transforms them into deep positive meanings ,such a thing makes the recipient feel the enjoyment the meanings conveyed by metaphor. So, many studies shed more light on metaphor and they engaged in such rhetorical art such as Dr.Mahdi Al - samaraai s study entitled (metaphor in Arabic Rhetoric),such study has great effect in the settlement of the most significant critical principles for metaphor in spite of its different method in accordance with m study.This study finds that there is an influential significance in restricting the introduction to deal with the clarification of the two terms (vision and visions )which show the gap and he overlap between the two terms.The first chapter in this study deals with the traditional trend of metaphor in the modern critical visions , then the chapter is divided into three sections preceded by a prologue that identifies the origin of the traditional rhetoric and its trends . The first section deals with the contemporary critical views who denied the existence of metaphor in Holy Quran and the prophetic traditions, as well as the views which assure the existence of metaphor in Holy Quran and prophetic traditions. While the second section dealt with the fractional and logical views which prevail the Arabic culture - specially metaphor - by Al - Sakaki and others who follow him though many critics refused such vision which takes metaphor away from art, beauty and aesthetic .Finally, the third section sheds light on the previous standard norms about metaphor through the creative achievement .Accordingly, it has been found that many critics had adopted this vision though its danger since it limited the creativity of the creator on one side and dominated the recipient’s taste on the other side .cThe second chapter dealt with the stages of development of metaphor ,practically it has been divided into three sections. The first one studies the metaphorical image and the relation of this image with metaphor in the light of the contemporary critics’ views ,also ,it concerned with the problem of originating the metaphorical image .The second section sheds light on metaphor as one of the poetic tropes with reference to the various visions that of the critics ,also this section includes the poetic study of the prose not to be limited to poetry since the language of prose nowadays dissipated from the daily life language so it has the feature of being literary .Thirdly, we find that the section dealt with the sign and the connection of sign with metaphor to generate the inspiration energy and to acquire sensitive and expressive meanings.The third chapter includes two sections ;the first one dealt with the cultural criticism and the mechanism of the entire metaphor and its impact on the implicit cultural formats through the various environments ,accordingly metaphor might not be considered as a rhetorical trop only but it might include all the format dimensions in the speech and in the receptive verbs .Moreover , it has been revealed that this study has expanded to include more about the cultural criticism and the reason behind this since it is a new term unclear to many new Arabic and western critics. The second section dealt with metaphor through the modern theories which elucidate the philosophy of using metaphor and actually the most well - known theories which tackled the contemporary critics’ views as the replacement theory, and the interactive theory which have a great position in the ancient Arabic rhetorical criticism till the modern age as well as the relation theory , the contextual theory and the pragmatic theory..Finally, the aim of this study with all its rights and faults - is to be the first step in the knowledge way.

الاثر الدلالي للوجوب النحوي في القران الكريم == The Semantic Effect Of Grammatical Necessity in the Glorious Quran

اسم المؤلف: يسرى هادي رشيد
اسم المشرف: غادة غازي عبد المجيد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: his study is concerned with the semantic effect of grammatical necessity in the Glorious Quran. It is one of the efforts to serve the glorious Quran in the issue of semantic effect caused by grammatical necessity and the several terms and topics accompanied with this issue like effect, significance, and necessity. The study tried to investigate each term and its notion separately. It was found that effect has no terminological definition because it is identified according to the science it is applied in. This utterance is available for jurists, interpreters, fundamentalists, and grammarians. Terminology means the agreement on that certain utterance will give certain meaning. Effect, however, does not have any meaning in such context.The semantic effect of grammatical necessity is the semantic result of grammatical necessity in the text to seek semantic connotations, significant and aesthetic values caused by structural alteration like foregrounding, back grounding, focus, ellipsis, etc. compared with the original sentence. This what makes effect the structural channel between the beginning and the end of the text. It is the search for semantic reasons for the issues of grammatical necessity in textual contexts and the relations of the rules and expressions and the investigation of the detailed characteristics and their behavior in the general and specific context "contextual semantics" and the accompanying significance and notions in that context.The study consisted of three chapters preceded by an introduction and followed by a conclusion. The introduction discussed the semantic effect of grammatical necessity : some notions and terms. The chapters of the study were entitled respectively : the semantic effect of the necessity of following or unfollowing order in the glorious Quran; the semantic effect of the necessity of deletion in the Glorious Quran; the semantic effect of the necessity of grammatical joining or splitting in the Glorious Quran. A brief conclusionfollowed the chapters, then, the bibliography of the study.

الجهود النحوية لتدريسيي جامعة ديالى منذ تاسيسها الى 2013 م == The Linguistic Efforts Proposed by University of Diyala Instructors Since Establishing to 2013 AD

اسم المؤلف: اية احسان صادق جعفر التميمي
اسم المشرف: مكي نومان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Arabic language has been , through out the ages , dealt with great concern by specialists be they grammarians or linguists .They took into consideration studying the different aspects of this language in terms of its doctrine , grammar and conjugation . The researcher took the stance to shed much light on its uniqueness . The subject in question is " The Linguistic Efforts Proposed by University of Diyala Instructors from 1980 - 2013 A D .It is of considerable importance through the analysis of which attempts are made to take notes , opinions as well as thoughts of the instructors in question. The study requires following certain restrictions in terms of methods on bases of precision , comprehensiveness and conclusion drawing . Some of which could be summed as : 1. The instructors in question include those have already been employed in university of Diyala while unemployed lecturers are excluded .2. Time dealt with in the study is restricted to the period from 1980 - 2013.3. The adopted approach is mainly based on describing subjects as well as taking into consideration view points given by the instructors.However , the study falls into six chapters . The first of which is devoted to study " References of Arabic Grammar ' . It is subdivided into three sections which , in turn , are to study : listening , constructing grammatical rules and other basic references respectively . The second chapter is concerned with studying grammatical styles .It is subdivided into eight sections the materials of which are discussed as are majorly and in minor instances used by instructors . They are : proclamation , exclusion , interrogation , affirmation , condition , oath , exclamation , and negation The third chapter is devoted to grammatical phenomena analysis . It is subdivided into two sections meant to study grammatical interpretations and origin of grammatical phenomena represented by parsing and prohibition . The fourth chapter is concerned with Grammatical controversy . It includes four sections : origin of grammatical controversy , grammatical controversy between Basri and Kufis' doctrines , controversy among scholars who adopted the same doctrine and personal controversy . .The fifth chapter is to discuss grammatical consolidation and grammatical criticism . In turn , it is subdivided into two sections : grammatical investigation and grammatical criticism . The former is concerned with grammatical consolidation, misconception and investigation while the latter is devoted to criticism types, features of criticism construction, a scholar's criticism of a fellow scholar , grammarians' criticism and grammatical responses. However , the study ends with number of conclusions which summed up the findings of the study. The sixth Chapteris Devoted to Some other Syntactic issues.

النقد اللغوي في المحكم والمحيط الاعظم لابن سيده الاندلسي (ت 854هـ) == Linguistie, Critieism in AL Muhkam wal Muheet ELa’dam of Seedah ELandalusi (D.458H)

اسم المؤلف: وسن شاكر محمود الكرخي
اسم المشرف: علي عبد الله حسين العنبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

اثر الظواهر اللغوية في تشكيل المصطلحات : دراسة تطبيقية في كتاب التعريفات للشريف الجرجاني (ت816ه == The Effect of Linguistic Phenomena in the Formation of Terms An Applied Study in The Book of Al - Tarifat (The Definitions) of Al - Sharif Al - Jerjany (D 816 H.)

اسم المؤلف: صفاء نصر الله ردام جاسم الشمري
اسم المشرف: غادة غازي عبد المجيد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This thesis shows - by Allah's will - the effect of the linguistic phenomena in the formation of the terms , It is not hidden that a term needs to a linguistic means helping its formation. This is proved practically in the book of Al - Tarifat ( The Definitions) . The terms found in this book were form through the cooperation of phenomena such as (Al - majaz) represented in the (semantic development) , also (construction) , (derivation), (linguistic barrowing) exemplified in the (Al - moarab) or what is called (Al - tareeb ). The new which is proved practically in this thesis is the cooperation of two phenomena in the formation of one term. This matter can be new in to two sides : the first the applied side in the certain book ( Al - Tarifat) , and the other side the cooperation of two phenomena in the formation of one term. The thesis proved what the linguists arrived at and it verified also that a term can be formed because of the cooperation of two linguistic phenomena. Examples of this cooperation are ( construction with Al - moarab), ( construction with Al - majaz) , and (derivation with Al - majaz).

شرحا المقدمة المحسبة لابن بابشاذ (ت469هـ) وابن هطيل اليمني (ت812هـ) : دراسة نحوية موازنة

اسم المؤلف: جاسم محمد سرحان
اسم المشرف: حسين ابراهيم مبارك التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

البحث النحوي في مختصر تذكرة ابن هشام الانصاري لمحمد بن جلال الحنفي التباني (ت 818 ه) == The Syntactic Research In (Mukhtassar Tathkira Ibn Hisham Al - Anssary) By Muhammad Bin Jalal Al - Hanafi Al - Tibbany (D 818 H)

اسم المؤلف: علي عبد الخالق كاظم الشكري الجبوري
اسم المشرف: مكي نومان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: مختصر التذكرة للتباني ( ت 818 ه ) هو اختصار لكتاب التذكرة لابن هشام الانصاري ( ت 761 ه ) , والذي يعد مفقودا , حيث اختار التباني من مسائل التذكرة الموزعة على خمسة عشر جزءا ( اربعمائة وسبع عشرة ) مسالة , واحتوى مختصر التذكرة على مسائل في المعاني والنحو والصرف واللغة 0 وقد وزعت مادة البحث على مقدمة , وتمهيد , وستة فصول , تتلوها خاتمة , وكانت على النحو الاتي : التمهيد : التعريف بالتذكرة ومختصرهواالتباني 0الفصل الاول : اصول النحو 0الفصل الثاني : المرفوعات 0الفصل الثالث : المنصوبات 0الفصل الرابع : حروف الجر 0الفصل الخامس : التوابع 0الفصل السادس : الافعال 0 وتوصلت في البحث الى النتائج الاتية : 1 - ان مختصر التذكرة كتاب مهم عوض عن ثروة لغوية ونحوية كبيرة جدا لجهبذ من جهابذة علماء عصره 02 - اعتمد ابن هشام في التذكرة على اصول النحو جميعها من سماع وقياس واجماع واستصحاب حال 03 - اغلب مسائل التذكرة هي ردود خلافية خالف فيها ابن هشام الانصاري علماء سبقوه , كسيبويه وابي علي الفارسي , وابن الحاجب وغبرهم , وكذلك علماء معاصرين له 0 4 - كان ابن هشام حياديا في النقل عن البصريين والكوفيين فقد وافقهم في مسائل وخالفهم في مسائل اخرى 05 - استعمل مصطلحات نحوية خاصة به , منها تسميته (لا) الزائدة ب ( لا المعترضة بين الجار والمجرور) 06 - ذكر مصطلحات بصرية مثل ( النفي) , ومصطلحات كوفية , مثل ( النسق | Mukhtassar Eltthkira to Al - Tibbany (D 818 AH) is an abridgement to Al - Tathkira to Ibn Hisham Al - Anssari (D 761 AH) which is considered to be a lost copy. Al - Tibbany chose a four hundered and seventeen issues in Semantics, Syntax, Morphology, and Linguistics . This study is divided into an introduction, a preface and six chapters. The preface dealt with defining Al - Tathkira, its abridgement and Al - Tibbany. The chapters were entitled as follow : Chapter one(The Origin of Syntax), chapter two (The Nominatives), chapter three (The Accusatives), chapter four ( Prepositions), chapter five (The Dependencies) annd chapter six (The Verbs) . The research had reached to the following conclusions : 1 - Mukhtassar Al - Tathkira is an important book which forms a linguistic and syntactic treasure .2 - Ibn Hisham depended on all the origins of syntax, like acceptance by means of usage, analogy, consensus, and haal accusative .3 - Most of the issues in this book are controversial to Sibawayh, Abi Ali Al - Farisi, Ibn El - Hajib and other contemporary linguists to Ibn Hisham . 4 - Ibn Hisham was neutral in quoting from Bassrah and Kufa schools as he agreed with them in certain issues and refuted them in others .5 - Ibn Hisham used special syntactic terms like parenthetic (Laa) between the subjunctive and accusative, between the assertive and jussive, and between the preposition and the genitive .6 - Ibn Hisham used some Bassri terms like (condition) and Kufi terms like (coordination, recompense and shortening) .

الاخر في الشعر العراقي 447هـ - 547هـ : دراسة تحليلية فنية == The other in the Iraqi poetry (447 AH 547h) An analytical study of art

اسم المؤلف: احمد سعيد محمد
اسم المشرف: زينب فاضل احمد النعيمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The subject of other is not new issues, but the conflict of self and ego and us within poetic ability and substantive production concepts have made this topic curriculum researchers in studies of poetry, and perhaps the Abbasid period during the Seljuk presence of important eras which carries harbingers of literary and historical events dominated the Iraqi poetry , production phenomena and topics and one another, our study was the disclosure of this phenomenon, and his possessions and poetry texts.Selection has occurred in the study on Iraqi poetry; the Abbasid caliphate center and a theater a lot of invasions and battles and strife, as well as internal divisions, which reflected negatively on the Arab state and the emergence of dissension and infighting movements, the year (447 AH) was started presence Seljuks in Iraq after the elimination of Albuehi presence and the accompanying events influenced in directing public literature and poetry private, and the resulting phenomenon (the other) from the coalition and the difference in the subjects.The subject structure based on three chapters preceded an introduction included the reasons for choosing the subject and objectives of the study and demonstrate the extent of taking researchers of this phenomenon in other subjects, and to clarify the structure underlying subject, and comes after the introduction pave clarifing the researcher another concept illustrates the language and idiomatically, with the brevity of the political situation and economic and cultural in Iraq in the period of study, and to clarify the nature of existence and the Seljuk princes and its impact on the duration of the study.The three chapters are, the researcher dealt with in the first chapter of which the other recombinant, which is divided into three sections, thecfirst of which the other entitled acclaimed, which included exposure to the other Arab acclaimed and other national acclaimed and other religious acclaimed, and the second of which was entitled the other madrigal him and was on two kinds : women spinning and spinning the male, and the third of which was entitled winery, which has comported with the spirit of the poet and aspirations to escape from the bitter reality loaded worries and sorrows.The second chapter was titled different other, first section was of it is a reflection of the other satire explaining satire poets strata of society in various segment, and second section was entitled separation in which the researcher explaining two kinds of parting : moral posed abandonment, leave, remoteness and so on, and material represented death, which is the voice of the yard, and the third section titled graying as well as its effects on the poet psychologically and then breaks the poet that appear in the texts of poetry.The technical study has taken into the third chapter. The language and structures were the material of the first section of it, and the image of poetic material for the Study of the second section, and the music poetic material for the Study of the third section, followed by the technical study conclusion includes the most important findings of the study, then the list of sources and references that depended on the researcher in the subject and abstract in English language .The coalition and the difference issue are subject to the same poet through her love and the reluctance of those around, the poet is comport with the other remembrance of his virtues and veneration as in the acclaimed, and different with what decries of other recipes, and the harmonious coalition with the conscience of the poet in the image of women between beauty and intercourse, and the various with broadcasts actions of different feelings like parting and dams.dArab acclaimed has dominated the poetic texts that deal with other acclaimed at the national expense of the other, which did not get much luck of praise, and perhaps approach with the occupation as well as lack of awareness, many of them Arabic language and lack an appreciation for the language of poetry has taken large proportions in the minds of poets that reflected negatively in the texts of poetry.Spinning has become a cause for the emergence of recombinant other poets in the experiments between emotion and feeling, image of women not only are part physically, but promised to signify emotional objective existence of ego poet in scattered images of the other recombinant.The existence of the other phenomenon spinning by male was an extension to the previous eras of the impact of mixing with other Arab tribes, it is from the second century AH data through the sinking of some poets urbanization, luxury and fun on the boards of drink and hosing of boys Persians and the Romans.Winery mixed with other topics have been mentioned, and more are found in the spinning and separation, in Spinning looks like a poet spittle beloved and saliva like winery, while in parting poet describes the state of stunned and grief and distress that screaming his head as a result of separation, reflected the winery urgent desire poet stability and psychological dimension of the variables social, hair winery came in this era strophes poetic or short poems or verses scattered.We have found that one in Iraqi poetry different his image has been focused on the arts are three : (satire, separation, gray hairs), and the satire has taken poets of different ways, including individual satire and collective satire hostile tribe or enemies and their armies, and tends poet sometimes satire is wise ever and days and what it does with its people, and jokes and we found satire beloved, satire friend and make them a target for another satiric in different part, came the other imageesatiric reflection of discontent poets and anger at the other rational and non - rational in life between cursing and reproach, grandfather and humor, and derision, inclusive of all strata of society.The parting varied repercussions in the texts of poets between the parting moral in the departure and remoteness abandoned and weird, material and parting represented death and the yard, and poet fluctuated between longing and loving memories with folk and nostalgia for the place, or the pain and anguish and refraction.Another gray hairs in different obsessed tragically in the hearts of poets has the form; because the most important signs of the paradox of youth and the reluctance of women; so he was associated with the gray hair in sometimes complaining and bemoaning, mention past year, it is a symbol of stress and grief and confusion and dispersion

ملامح الخيال في قصص الاطفال في العراق من (1970 - 2003) : دراسة موضوعية - فنية == The fiction in children's tales in Iraq (1970 - 2003)Objective - Artistic Study

اسم المؤلف: ابراهيم عبد الرضا رشم
اسم المشرف: يونس عباس حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاتساع اللغوي في منهج الدكتور مصطفى جواد

اسم المؤلف: حسين عامر جرمط
اسم المشرف: علي جاسم سلمان
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After, we finished the preparatory year successfully with grace of God, the subject of my letter entitled (linguistic breadth in the curriculum of (Dr. MUSTAFA JAWAD) which highlights the philosophy of the Arabic language and trying to highlight an aspect of after darkness suffered loss at the hands of her sons before others.Dr. MUSTAFA JAWAD was one of those extraordinary as old hours and days of the search, investigation and due diligence has been encouraged by what distinguishes him from the powerful memory and functioned in the fields of investigation and history even in the days of his illness busy unzip the language.Dr. MUSTAFA JAWAD was not the first played in the development of grammar, widen it but Orbiter finds that there are many differences between some ancient founders of some and some latecomers owners texts and annotations and footnotes not in terms alone, which is developing the evolution studied also, but in the development of substance as whole, are arranged The message in three seasonsIn conclusion, I hope that I have been able to achieve with Big presented from a modest effort, and Praise be to Allah, the Lord of the worlds

تجليات العنف النسوي في سرديات نوال السعداوي

اسم المؤلف: ريهام جلال شتار
اسم المشرف: زينب هادي حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study has addressed the subject of "Violence in Arab woman stories, Nawal AL - Sadawi as a sample". The research is divided into preface and three chapters. Preface dealt with general view about the concept of violence and its historical roots in civilization.First chapter was under the title of "motives of violence in the literature of Nawal AL - Sadawi". This chapter consisted of two topics, first topic was under the title of socialmotives and addressed the role of education and media in violence.Second topic addressed religious motives and wrong interpretation of the spirit of religions and its essence.Second chapter was under the title of "Patterns of violence" which consisted of two topics, first one dealt with material violence, included physical violence and sexual violence.Second topic included moral violence which include "psychological, symbolic and political violence".Third chapter included fourtopics, first dealt with circumcision, second topic dealt with equality, third dealt with "crimes of honor ". Forth topic dealt with "phenomena minros marriage". I made use of many references in my study such as criticism book "rationality controversial in critical theory of Frankfurt school" by Kamal Abu Khair, guidance of literary critic" lightening of more than seventy trends and terms of writers, Myjan Al - Riweily, Dr. Saad Al - Baziss, besides some psychological books such as : Violence and aggressiveness in psychological analysis "structural reflections" by the writer Dr. Ali Asad Watfa.aThe study concluded with some important results : -  Social upbringing and schools has great role in confronting violence against women. Media has an important rolein outbreak of violence which needs changing the mechanism of media.The researcger has reached to an important point that society, religion and politics all consecration and strengthen the concept of violence against women one way or another.
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