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المعالجة الفنية والجمالية للصورة السينمائية في اعمال المخرج الامريكي (مارتن سكورسيزي)

Author name: عبد الخالق شاكر قاسم
Supervisor name: رعد عبد الجبار ثامر
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

المضمون الاجتماعي في النص الدرامي التلفزيوني : دراسة تحليلية في المسلسل التلفزيوني العراقي للفترة 1992 - 1996

Author name: ابراهيم نعمة محمود
Supervisor name: صباح ياسين
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الاسس المنهجية للاخراج الاذاعي : دراسة في الدراما العراقية

Author name: عبد الباسط محمد علي مهدي الحفار
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تشفير الشخصية النسائية العربية في الدراما التلفزيونية

Author name: هويدة عبد الهادي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
University location: Baghdad

اثر مكونات الخطاب الدرامي في انتاج مسلسل رجال الظل انموذجا تطبيقيا

Author name: حسن هادي العجيل
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
University location: Baghdad

الموقف الفكري للبطل التراجيدي في الفلم الملحمي == The ideological stand of the tragedian hero in the legendary film

Author name: اسيا جبار الربيعي
Supervisor name: صباح الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

اشكالية المصور التلفزيوني في نقل وتجسيد الاحداث المباشرة : قناة ابو ظبي انموذجا == The Difficulty of T.V Cameraman in moving and embodying direct events Abu - Dhabi channel as a sample

Author name: ثامر جعفر احمد
Supervisor name: عبد الجليل ابراهيم ادهم
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

وظائف التكرار لتعميق المعنى في بنية السرد الفلمي

Author name: دنيا عبد الحافظ احمد القباني
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الواقعية الايطالية الجديدة وانعكاساتها على السينما المصرية == The New Italic Realism And Its Reflections On The Egyptian Cinema

Author name: محمد حسن عبد الامير محمد صالح
Supervisor name: عبد الجليل ابراهيم ادهم
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: لواقعية مدرسة من مدارس الادب والفن جاءت بعد الرومانسية في منتصف الخمسينيات من القرن التاسع عشر 0 وبتطور الفكر الفلسفي لهذه المدرسة في الفن برزت عدة مفاهيم للواقعية , وبتعدد الاساليب الواقعية في الفن السينمائي تنوعت الاتجاهات الواقعية , كالواقعية الملحمية | Realism is one of the art and literature schools, it came after romanticism in the middle of fiftieth of the nineteenth century. As the philosophical belief develops for this school in art many realistic concepts appeared. And the pluralism of the realistic styles in the cinematic art led to a vary in realism like epic, communal and romantic realism in addition to the new wave and realistic cinema in Briton. The last one appeared in Italy after the second world war, it was known as new italic realism, it has got new styles and here are some important styles belong to the new italic realism like : using the unprofessional actor, televising out of the studio and using the sneaking camera etc… The new italic styles spread quickly in the cinema in the most of the countries in the world. One of these countries is Egypt which has a very long history in the cinema. In the fiftieths of the last century, a generation of realism appeared in the Egyptian cinema like, Salah abo Safe.Tawfeek Salih, Yusif Shaheen, Henry Barakat and Kamal Al - Sheikh. In the eightieth and ninetieth of the last century, many young directors appeared and they went out of the traditions of the Egyptian cinema which is familiar, and they presented realistic topics. These topics were known by the critics as a new realism or new cinema, like : Mohammed Khan, Dawood Abd - ul Said, Shareef Arafa, Raafet Al - Mihi and Atif Al Taib. So, our study talks about the reflection of the new italic realism on the Egyptian cinema. The research has contained the following chapters : chapter one has contained the research problem which leads us to the following questions : what is the reflection of the new Italic realism on the production of the Egyptian cinematic films? Its importance is shown to the researchers and scholars like producers, scenario writers, critics in the cinematic art and those who are interested in the cinematic art. The goal of the research is to recognize the artistic style of the new realism in Egypt. The lines of the research are specified by the realistic novelistic Egyptian film from 1990 to 1999. Also, the first chapter contains terms specifying. While the second chapter contains the theoretical frame and section one contains realism, the concept, the beginning, the developing and realism in cinema with its varies. The second section contains the artistic styles of the new italic realism. The third section contains realism in Egyptian cinema. The third chapter contains research procedures. The researcher has specified the curriculum of the research depending on the analytic descriptive curriculum which suits the nature of the research and its aims, then the research tool that has been discovered as a sign from the theoretical frame and it has been presented and approved to a council of experts and specialists in the department of the audio and visual. And the fourth chapter contains analyzing three realistic Egyptian directors as a sample and they are : Dawood Abd - ul said and his movie the kit Kat, Shereef Arafa and his movie Irhab we Kebab and Atif Al taib and his movie Laila Sakhina.The fifth chapter contains the results like : 1 - The Director ( Dawood Abd - ul said)used The stylistic sings of the new Italic realism except using the unprofessional actor in his movie (Kit Kat). 2 - The Director (Atif Al - Tabe) used The stylistic sings of the new italic realism in his film (Layla Sakhina). And the conclusions are as the following : 1 - The realistic directors of the fiftieth generation have influenced by the new italic realism and some the eightieth generation has influenced the fiftieth generation and the others have influenced the pioneers of the italic realism. 2 - Most of the realistic directors who belong to the generation of the eightieth have worked director’s assistant with the generation of the fiftieth, this made them get experience Al so chapter five contains the suggestions, the advices , a list of the resources , appendixes and Abstract with the title

الانتقالات بين التنظيم السردي والاثراء الجمالي في الفيلم الروائي == The Transition Between The Narrative Organization And The Richness of Beauty In The Narrative Film

Author name: خضير عبيس جياد القريشي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان قضية الانتقال على مستوى الخطاب الفيلمي, هي قضية الانتقال البصري اي تغير بؤرة التركيز في عملية تحول وانتقال من بؤرة سردية الى بؤرة فكرية وجعلها مركز الاهمية والانتقال. والكثير من التبعات التي تلزم ذلك المشهد الفيلمي, وتستدرجه تبعا لمتطلبات ذلك الخطاب وب | There is a clear coup at the Mongol, at the transition from the metaphysic to modernism and after appears the portraiting process that encode every dramatic ,literary, economical, scientific - scene in a film, with lots of effects that adheres to the scene and coincides the hierarchy of that speech ,and in the way that works with it by every means of communication, where cinematic portraition has delt with , the narrative transferring as a means of connectivity to the narration of films, whose importance comes from its being one of the cinematic language elements and the connection between the units and the narractive scenes in the film narration which has been formed with arts equation : formafive, dramatic, cinematic, in all reading necessaties for the show, mechanism and idea. The innovation of beauty is read with a new different equation, inferred from the story and the novel, cinema, theatre, dancing m curving, and this result can greatly affect the reader to understand the film scene, through the movement of its parts and turn down its outlook and inner side in the reading to reach the transactions or contradictions exists in the film, to be adjusted to accommodate the commencement and multi - reading For the show through informing and inferring for unfinished reading. So, the researcher decided to deal with (the transition between the narrative organization and the richness of beauty in the narrative film ) , as a field for his research. The researcher is composed of an abstract and for sections. The first section includes the framework that embodies the problem of the research and the need for it in this section specified the method in which movements applies the narrative organization and beauty richness in narrative film , and the way in which transitions are represented in extending the film tale which makes it start forward to research about the boundaries of meaning and significance in the narrative film , then the importance data as a means of connectivity in the film narration and how to activate it , so that the film tale would gain meaning or moving on the transition levels in the narrative film and connect the parts of the film tale. So the purpose of such researchers is to state the paradox in the term, perception and its definition to establish theoretical concepts, important for researcher and presenting these concepts on film vision and the partial applications coincide it in the cinematic work through the role that narrative transitions play in developing the film tale and giving the meaning that it aims. The boundaries of the research.The special boundaries were open since that the cinema is not an innovation that can be specified by a place in the world; but, innovation is sprung in every place in the world in the cinema production.So is the time boundaries the research is not limited to a period of time ; but exists on the film performance all over history ; and for the purpose of the research , the researcher specified the period of time since it came with specimens of films that worked the narrative transition in such a way that it could present her innovation role in connecting the parts of the film tale and in film specimens that belong to the modern narration , then specifying and defining the terms (transition , narrative organization ,and richness of beauty procedurally.. Section two : theoretical framework It includes three parts : Part one (narrative transitions in the expressing means one of art.) that deals with the transition process in the collective art from a locative art to subsequences of time, the researcher believes that transmission are limited of the portraits that contain more than one action allowing to move from one action to the other , and the researcher also deals with the transition in the narration of the novel since it is the nearest to the film art and the time separation that occurs in the narrative process of the novel , as it has transmission on the level of the time ,place ,and action and the reciprocal relationship between the novel and the film to make use of the novel technique in the narrative , and the novel to make use of cinematic techniques in the process of the production and the movement of the camera , and that was connected to the novel since there is a similarity between the novel and the film.They are under the same reading which is the narration with reservation to the specification of each expressing medium with what each own of the specifications of the other medium Part two : (Transition in the narrative film) It deals with the mechanism of transition and the process of its occurrence on the level of the film performance since it is complementary for the work of art, or describing it as a necessity of beauty on the collective and formative level of the narrative film and the transitions of the production in the technical side of the narrations works by the elements of the cinematic language which is considered as one of the transition means between the action and pushing the film tale forward. Through innovative effect that expresses it in an audio and video tape. Part Three : (richness of beauty in the narrative organization for transition) It is the innovative mechanism that accomplish the narrative structure process for the film tale through its similarity and difference in the arranging process for what is narrated in the film, performed or not. There are trails, inferred in the research, which the researcher used as a guide to analyse his specimens that has been submitted to some experts in the acoustics and vision department; which are : 1 - The narrative transition is represented for the necessity to change the career of the narration specimens in the novel film; so, it produced a kind of action Development and discovered new in formation.2 - The narration depended on the backlash or the professy action which leads to complete the tale in the expressing way which is clear for the receiver.3 - The function that transition performs is the series of transmissions between one section and another of the relations, represented among the things produced to make the tale be understood and of references and its contribution in transition between views in objective narration specimens to self and vice versa on developing the film action.Section three : performance setting. Three film specimens are analysed in this section. First : love in them of choleru. Second : The reader. Third : Babel.Research Performance it is the references of the theoretical framework which exports have agreed on with some modification for some references sadapting the research performances. Unity of analysis : The whole film scene. Section four : It contains the results, conclusions, recommendation and suggestions of the research.Some results of the research.1 - The narrative transition represented an important aspect in changing the direction of story narration , producing a picture between the objective and self narration in the novel film.2 - The transition established the connection of two or more stories to clarify the relationship among them, though they were uncongenial in the daily life and not apparently connected, but it is produced for ideal cases in most of its aspects and not available for the regular receiver.

التدليل العلامي في افلام لارس فون تراير == Semiotic Semantics In Lars Von'S Movies

Author name: حسن قاسم مطشر الساعدي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينطلق البحث في محاولة لتاشير اهتمام سيميائي بالتجارب السينمائية المتميزة في السينما العالمية عبر تاريخها الطويل، ابتداء من عفويتها التي سحرت المشاهدين بتصوير وصول القطار الى المحطة، وانتهاء بالدهشة البصرية من افلامها الحديثة التي غلبت عليها تقنيات الغرا | The research stems as an attempt to indicate the natural magic interest in distinct cinematic experiments in the world cinema through its long history, beginning from its spontaneity which fascinated the audiences by shooting the train arrival to the station, and ending with the visual surprise at its modern films dominated by the technical graphics, within two main axes : the trial to associate among those experiments which their indicative features and the indicative structure they represent on one hand, on the other hand observing the new experiment to find different formats of semiotic semantics in new, distinct and good works for analysis and theoretical framing processes which the researcher endeavors to apply them and the trial to find a real example for them through cinematic text which the researcher thinks it represents a suitable sample for search and operation. The movies had been classified on analogical bases (realistic and impressionist) which were two main attitudes within them the cinema began to develop until the structuralism and the sign science appearance at early 1970s. The natural magic borrowed from eloquences its search methods to reveal the semiotic and semantic structure owned by the cinematographic images; therefore, this study represents an attempt to read the semiotic semantics in intended film texts using the natural magic analogical effort. The study entitled (The Semiotic Semantics in Lars Von's Movies) included four chapters as the following : The first chapter (The Methodological Frame) addressed the research problem displaying the avoidance of many studies from studying the cinema unless through deliberative starting points, so they were implicative studies related to what said in the movie and not to how it was saying. Consequently, the way to that was knowing the structure of the semiotic semantics in the cinematic film in which it saw the modern criticism of the natural magic method with semiotic value that could be count. The research addressed the research significance and its analogical location among the natural magic studies in the field of cinema. The chapter contained the aims put by the researcher and the limitations within which the research worked. The second chapter (The Theoretical Frame) came including the rules previously established, which the overall operating on them would be the application of some of them, or with some changes besides preserving the general lines of the critical achievement. The search first would be through the first section (The Natural Magic of the Cinematic Image) on the signalization of the cinematic image which due to its iconism resembling the reality it depicted, referred to or symbolized, formed the secret of its excellence, after an inevitable analysis of the sign in general as being an icon, indicator or a symbol. After distinguishing the weak iconism resembled by the planning, and between the direct iconism and the metaphoric iconism established by the successive and compound images in shots, scenes and chapters inside the movie, through this resemblance embodied by the similarity between the cinematic image and the realistic subject it shot, we could read that image in natural magic. Then the research dealt with (The Indication of the Cinematic Sign) the title of the second section in the cinematic address which arranged its images as its language, the open and closed text, deliberative, perceptive, psychological, social and cultural contexts, and the codes through the association of the cinema functions with its meanings closely due to their being video signs, and the transformation of the perceptive example represented by the signs into an indicative example related to the cinema via its video and audio languages which distinguished it from the remaining arts. The research presented in the third section (The Semantic Elements in the Cinematic Film) the filmic narration, the filmic shape, the operating mechanisms of indications in the elements of the cinematic language through adopting (linguistic - cinematic) inducing techniques contribute in exploding the closed structures at the level of the shape, evacuating the filmic text from the dramatism at the narration level rich of playing with times and multiplicity of viewpoints, and using the repetition and overlapping which restore, paste the text segments with an internal and external vision hanging in time and place, and liberate it from mixing with other text. Then, the researcher discussed a group of previous studies covering the natural magic in the cinematic art and some of their sections mingled with the study sections, afterwards the researcher came out with six indicators, i.e. types of indications constituted from the theoretical frame, the researcher wanted to indicate through them what the research tried to confront by exposing them on a committee of experts and specialists who modified them in a way fitting the research. These indicators were summarized in six types of semiotic semantics : intensified and compound indication, transformed indication, additive indication, individualized indication and the accompanying indication, all of which were applied to the sample. The third chapter (The Research Procedures) consisted of two axes : First : the research method where it was relied on the descriptive analytical method, the analysis unit, elected filmic sample, the reasons behind selecting this sample in a way fitting the research nature, and the reasons laid by the researcher for defining the sample. Second : the sample discussion submitted to the analysis according to the indicators extracted from the theoretical frame. The selected filmic samples consisted of three movies for the Danish director (Lars Von Trier) : 1 - Antichrist movie. 2 - Dancer in the Dark movie. 3 - Dogville movie. These three movies were selected because they were distinguished works, since the second movie was awarded the golden palm prize in Cannes cinematic festival, while the movie song (everything I saw) performed by the movie heroine the singer (Burk) written by the director (Lars Von) was awarded the Oscar prize as a best song. The other two movies were praised among the cinematic and critical circles. For information, the director (Lars Von) gained prizes from Munich cinematic festival and won the golden palm prize twice. The fourth chapter came with the research results, the most important of which were that the image had a tremendous number of signs forming the analogy and contrast processes among them to produce the predominant meaning which the maker wanted to uncover. It was relied on the receiver's awareness in reading the coded structures inside the space of the shot or scene which altogether led to reveal the levels of the semiotic structures producing the meaning. Then, the research arrived at conclusions and suggestions. Finally, the researcher's recommendation came asserting the importance of the natural magic method in the cinematic criticism and the necessity to expand working with it within the department methods for the undergraduate and higher studies. Afterwards came a list of the research references, a group of appendices and an English abstract

جماليات بنية الخطاب التلفزيوني الموجه للطفل == The Aesthetics of Constructing T.V Discourse For Child

Author name: هناء خضر يوسف
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يشكل الطفل بنية حيوية يصعب الكشف عن جانب من مكوناته الانسانية دون الرجوع الى البنية الكلية، انه شان الخطاب التلفزيوني، فهو يشكل بنية متكاملة يصعب النظر الى مكون من مكوناته في معزل عن تلك البنية العضوية التي تؤسس وحدته الكلية، وهناك عناصر لا يمكن تجاوزها ع | Child is considered as a vital construction which is difficult to discover any thing about his human components unless go back to his total construction. It is a concern of T.V discourse because it represents a total construction which is difficult to watch any component is aloted from the organism construction which establish his unity. In addition, there are other elements which can not be avoided when searching about the reasons of constructing any discourse especially T.V discourse for child. These elements fall among the audio visual construction and become very important in its communicative - technical role or in its aesthetic - expresional role to add more meaning and contribute to improve the aesthetic teste in child and develop his character.However , the following study is going to study this case and falls in five chapters. The first one is ascribed for the theoritical background, and the problem of the study which Represented by the following question : What are the characteristics of constructing T.V discourse for child, and how to employ the elements of audio - visual construction in this discourse to represent the aesthetic qualities which attract the child interest.The aims of the study concentrate on : - The automation of receiving in child. - The aesthetic - expresion employment of the audio - visual elements in T.V discourse for child.The limitation of the study is confined to T.V films for child within the age 9 - 12 year, regardless with a limited time because the study is studying the artistic aspect of all films away from the date.of its fits productiong or showing.Chapter two comprise the previons studies and the thearitical background, the researcher found two close studies for hers while the thearitical background includes these three sections : - - The psychological receiving in child in which, the researcher shed light on the concept of communication and its effects on the sensational and psychological perception in addition, she studied the age division of child and the factors which effected the efficiency in child. - The elements of discourse construction : This section studied the most important element. of montage and audio - visual. This is to now the impact of expressional and notional emplaymention on discourse for 9 - 12 year child to achieve the cognitive and aesthetic aim of discourse. - The aesthetics of discourse between testing and conception : This section includes the concept of aesthetic, conception and aesthetical testing in child, and how he feel in art. The researcher, then, draw up the theoretical background and the instrument of the study atter they were exposed to ajury of experts.Chapter three includes the procedures of the study which had been adopted by the researcher to analys the selective sanples of the study which were 1 - the film (Garfield) 2 - the film (Bridge to terabithia) 3 - The film (Edde’s cook) and the justification of selecting these samples in addition to the research instrument and the unit of analysis.Chapter four includes the analysis of selected samples and concluding the final results which where included in chapter five, then the results of the study.Which are as follow : - 1 The variaty of discourse ideas for child straint from his essencial needs and the system of educational , social and cognetive values.2 Using the simple plot in which a strugle between mind and intellegent will appear instade of body violent.3 Lighting had an effective role to attract the attention of child and delighted him.4 Concentrating on natural colures as an indication vitality and loving the life.5 Fashion had an effective role to discover the psychological aspect of the character.6 Simplicity were adopted in the language of discourse for child.7 Songs , effects and music play an important role for entertaining and amusing the child.8 Montage is depending on longitudinal style to sequencing the events and employing the process of clipping , cutting and mixing. Finally , the researche state the conclusion according to the results of study , and some necessary recommondation and suggestions for further study to cover all the gaps. this study because it needs a specific researcher. Then the researcher end the study by the lislt of references and appen dences and the abstract in English.

التجارب الاخراجية النسوية في السينما العربية == The Female Directional Experiments In The Arabic Cinema

Author name: ايمان حمادي عبد الامير محمد علي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: استعانت المراة منذ القدم بالعديد من الوسائل للتعبير عن نفسها. وقد تطورت هذه الوسائل بصورة تدريجية عبر مراحل التاريخ. فلم تجد منفذا يعبر عن ذاتها افضل من السينما، لتنقل عن طريقها الكثير من المعلومات والافكار والمضامين لكونها تمثل اشمل واعمق اداة فنية، وفك | Since ancient times women used many means to express themselves. These methods have evolved gradually through the stages of history. Did not find an outlet for expressing themselves better than the movies, meant to deliver a lot of information, ideas and content as they represent a broader and deeper technical tool, and intellectual able to express the problems of society revealed its specificity, thus contributing to the development and change. Since the beginnings of the establishment of cinema in the Arab world women were very enthusiastic to promote the cinema of the Arab and able to occupy the great work of art representative and prolific and productive, as well as fought battle of film directing, has emerged since then, the names of the output pioneers were able to defy the silence and isolation and Imahdn the way for other outputs and register the lead in directing fiction of Arab women and they (Aziza Amir, and joyful Hafez, Fatma Rushdi, Amina Muhammad), then followed by having so many names and from different Arab countries were able to prove their presence and play a full role in the process of intellectual development that fall within the the door of development and the impact that Iozvhn see them through the technical work of art to choose to and affected.Which managed to films made of them reverse the problems of society and from the problems of women through Enayathn content - references and intellectual as well as the technical aspects that go into the heart of the artwork.I found these concepts resonate through the contents of the present research came Title (women's directorial experiences in Arab Cinema), which can be summarize as follows : Find attended several of the chapters, the first chapter dealt with the problem of determining the research questions formulated in accordance with : Would the director was able to acquire speech reflects the aspirations of the film or only on the man? Is it the form of facts to the different perspective of women in community issues? Is there is privacy in dealing with these issues? The features of that discourse and modes of formation of a cinematic visions and the difficulties of entry in the realm of film directing.The objectives of the research are : 1. Disclosure on the topics addressed by the women (the director) in Arab cinema.2. Disclosure on the mechanisms of recruitment of directorial vision and their relationship to highlight the intellectual content.The second chapter covered a theoretical framework which consisted of several sections included : the first output from the experience of Women in Arab cinema extrapolation historically.The second included the topics addressed by the filmmaker.And take care of hiring the third directorial vision to highlight the intellectual content into the work of filmmaker and he went out the theoretical framework is a summary of indicators of substantive literature search.The third chapter action research has contained the research method chosen by the researcher in order to bring the nature of the research is descriptive method, which involves the analysis, then the research sample was chosen Qsidia, and search tool, and the unit of analysis, and certified tool.Chapter IV - where the results were focused on two parts : First - What is the subject of directing feminist attached (there are linking a clear and explicit issues faced by women and was bringing it through the intellectual content within the imaginary events).Second : The technical wizards for Women directorHence the conclusions may carry this chapter also the recommendations and proposals, as well as on the last page contains a list of sources, and then supplements and finally there is the abstract in English.

القيم الاجتماعية في افلام محمد شكري جميل == Social Values In Mohammed Shukri Jameel Films

Author name: علاء مكي عبد الهادي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث التعريف باهمية الفن بشكل عام والسينما بشكل خاص من خلال امتلاك خاصية التاثر والتاثير في المجتمعات الحديثة، واعطاء لمحة موجزة عن اهتمام اهل الحضارات الاولى في العالم في هذا الجانب لاسيما في العراق القديم وشرح العلاقة بين الفن والمجتمع التي تش

التوظيف الفني والجمالي للخيال في الخطاب الصوري الموجه للطفل == Aesthetical And Artistical Use of The Imagination In The Audio - Visual Message Directed To The Children

Author name: شذى حسين محمد العاملي
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The two media technique, film and virtual reality, use variety of technology to form a represented copy of perceptible reality. Like imagination, the two try to present a form of reality that induce a mental concepts which goes begond what is perceivable by the senses.In accordance with his imagination (techniques) the child finds himself in a state of transmigration and emotional involvement with what is going on the screen. He engrosses in a total isolation of the world around him and indulges in a sentiment communication with the film events.In his school age, the child's imagination. Grow as his mental abilities expand from, to more creative and combined, this can be enriched by watching film and TV stories which have heroes and adventures.The innovators in the film and television industry are leading the children into acomlete fancy world by using a third dimisions pictures and stereo digital audio.As result of the huge advance in the field of special effects, film became a whole special effects work engaging our senses.The researcher presents three pattern of imagination taken from the real child imagination which creati8ng a whole crazy world such as the fantastic events of Alice in The wonderland, or science fiction world that allow people to travel to the future or to the past.The perfect combination of a real world and imaginary world in a story, fascinate the child and put him in a warm and spontaneous feeling

توظيف الدراما في الاعمال التعليمية التلفزيونية == Employing The Drama In Educational TV Works

Author name: عدنان كاظم منسف علي
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: على مدى تاريخ الحياة الانسانية بقيت الحاجة ماسة للتطورات التقنية التي تزامن المسيرة التعليمية بمختلف تدرجاتها ومستوياتها بسبب العلاقة الجدلية التي ربطت ما بين التعليم كحاجة انسانية واجتماعية وما بين التطور التقني كوسيلة تساعد في تذليل الصعاب وتيسير استخدا | Over a range of human life history, the need remained urgent to technical developments that concur the educational course with its different gradations and levels due to the controversial relation associated between education as a human and social need and the technical development as a means helps in surmounting the difficulties and facilitating the use of cognition to serve and promote the society; therefore, this study tried to take the suitable ways to achieve the maximum possible advantage of education effectiveness through employing the available means to increase the productivity of education like using the drama and employing it within the educational TV works in order to help in adding a kind of suspense and excitement on those TV works and increasing their attraction in the target audience. Hence, the researcher divided his research entitled (Employing the Drama in Educational TV Works) into four chapters. The first chapter came under the title (The Methodological Frame) including the research problem summarized in the following question (What is the role of drama in the educational works and how is it employed in those works? And what are the artistic treatments of drama in the educational works?). The researcher referred to a group of aims he intended in his current research process which were as the following : 1 - Identifying the forms of employing the drama in educational TV works. 2 - Revealing the drama treatments in educational TV works. As to the research limitations, they are confined to the study of drama works of Iraqi, Arabic and international educational programs and movies for the period 2005 - 2010. The second chapter was entitled (The Theoretical Frame and Previous Studies) including three sections under the following titles : Sections one/ The Drama and Education Technology under the contemporary TechniquesSection two/ The Forms of Drama Employment in Educational TV Works Section thee/ Artistic Treatments of Drama in educational TV works This chapter also included a number of previous studies approximate this study. The researcher also got out with a number of indicators as a theoretical summary of what the theoretical frame revealed. The third chapter addressed the procedures done by the researcher consisting of the method used, research population, research sample and its selection justifications as well as the research instrument and the analysis unit besides the analysis of the selected TV samples (Prophets' stories - Dora - the Ice Age - Fridge - Tilley Tapez). The fourth chapter contained the final results, the most prominent of which were : 1 - It was shown that some educational TV works accept the work of drama in them and employing it within their internal structure with variant ratios according to the form of artistic treatment of drama elements and the nature of directing vision of the work maker. 2 - The dolls used in educational TV drama works had a great capability of explaining and conveying the scientific material to the target audience through the fantasy form of dolls presented through the reality of drama characters. 3 - The researcher observed the distinct employment of picture scientific imagination in cartoon films taken from realistic scientific facts within the structure of educational TV works executed by cartoon films with methods facilitated the process of addressing the scientific topic and embodying it in an artistic, interesting, exciting and attractive form to the receiver.4 - It was shown through the analysis that the TV works executed by the three dimensional (3D) technique were the most working and effective types as embodying the drama characters and places in a semi - realistic way. The research also arrived at a group of conclusions, recommendations and suggestions as well as a list of references and sources the researcher relied on in his research besides some appendices and the research English abstract.

التوظيف المجازي للصوت في الدراما التلفزيونية

Author name: احمد عبود العسال
Supervisor name: عبد الباسط محمد علي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يحتل الصوت في الاعمال الدرامية التلفزيونية، مساحة واسعة على مستوى التوظيف والتعبير، فالى الجانب الوظيفي لعناصر الصوت من حوار وموسيقى ومؤثرات وصمت في تشكيل ودعم البنية السردية للصورة في العمل الدرامي اصبح اليوم وفي ظل التطورات التقنية للصوت قيمة جمالية في

المعالجات الاخراجية لموضوعة الغياب في المسلسل الدرامي التلفزيوني

Author name: عبد الصاحب بزون
Supervisor name: طارق عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لا تكاد تخلو اي موضوعة او قصة درامية في اي مسلسل تلفزيوني من موضوعة الغياب، وعلاقة هذا الغياب بما هو حاضر ومجسد في الصورة، وانطلاقا من تجربتي المتواضعة في الاخراج التلفزيوني، لاسيما المسلسلات الدرامية التلفزيونية، وجدت ان هناك اهمية قصوى في التعامل مع الغ

المعالجات الجمالية والفكرية لحكايات الف ليلة وليلة في الخطاب السمعي البصري العالمي == Aesthetical & Intellectual Treatment of One Thousand Night And Night (Arabian Nights) At The Global Audiovisual Discourse

Author name: صالح علي الصحن
Supervisor name: صباح مهدي الموسوي | متي عبو بولص
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: اذا كان احد الاسباب التي دعت الى اختيار موضوع الف ليلة وليلة مادة بحث هو الاهمية الكبيرة التي لاقتها الليالي عند الغرب، فان تعدد اشكال الاهتمام والتناول هو الاكثر تحفيزا، والاشد فضولا، لمعرفة كيف ينظر الينا الاخر بخطاب سمعي بصري، وذلك ما اشارت اليه ا | One of the reasons to select one thousand night and night as a material , for its great importance in the west and variety kind , from attention and dealing with it that is most motivated The more curiosity, is how the other look to us. And that the reply of art, culture map and its races engaged several kinds and forms , from the ways of dealing , and difference of styles. that increase us proud as Arab and Orientals , the owner of one thousand night and night , that appear in aesthetical & intellectual aspect among international culture. ((This book needs it urgently, in international group of Art and as source of pleasure with out any end , and it is an international photo book. In spite of all nations told folk stories , but this magic book is enough for us )) and that the researcher had design research plan By chapters. Began in methodical frame , to expose research problem and its need for it and the importance of the research , and the aims of research and to limit the border of the event for rhetorical frame and previous studies the researcher divided in to three topics , first , one thousand night and night in Arabic tells , and that concentrated to discover description of old Arab narration and role of book , one thousand night and night in it period of rising the book and act of receiving from the others. And discovering the narration style in Arabic night and the composition of narrative structure and way of tale with frame , and diagnosis wonderful aspects in tales and multi - point of views. The second topic dealing with the size of interference it in international culture and that began with the first beginning for translation these nights and its development to pass to European arts in stage , music , constructed arts , cinema , and television , 1 - This lines were written by the writer HERMAN HIS , FAKHRI H. ALKASAB (( Famous people 's opinion the book of AL - LYALI which is well known public Folk journal , State house for Cultural Affairs , Baghdad 1989 ) page 150Also in the international poetry and international novel and story tat discovered by wide horizontal Where Arab nights emphasized on its art position in international culture generally. The third topic dealing with fields of cinema and television and level of adoption of one thousand night and night that complied with rule and requirements of optical language , after it limited forms of dealings and level of Treatment , and that represented by figure , tale frame , and wonderful description sex and oriental environment , and also searching to discover critical analysis reading , for a great numbers of films , and TV program produced on the international level while it take one thousand night and night as subject. The researcher discovered the clear differences in aesthetical & intellectual Treatment and the act of different faced by Arab nights , from clear difference in the way of adaptation near or far , In part with out intellectual and aesthetical attitude , for the producer and manufacturer of optic work. The researcher came out with sane important indications, such as multi forms of dealing and diversity of level of Treatment, and the role of act form with optical and audio element in aesthetical enrichment and these treatment include multi aims. And regard attempt of translation for content historic origin for Arab nights intersect with culture of the orient and the west in some times. and in Arab values. The third chapter depend up drawing procedures of the research and to limit methodology and its sample , and to identify its tool , depending upon unite of analysis represent in optical sceneThe research selected three analysis sample , the first is cinema film. Second TV services and third TV film with cinema spirit. Where there are rich material benefit the research to detect , analysis and arriving aims. The four chapter, the research came out with same results such as diversity of forms of dealing with one thousand night and night tale and that dealing carry different point of views , able to be erosion the speaking and figures and take it as an argument To put the orient in the lower stage and respond with civilized struggle matter Although , this dealing holding with oriental type of telling , and effected with it. After making technical high skills available in aesthetical Treatment according to point view of the west. The researcher , emphasized on some notes in result field is that Arab tales are rich heritage , enriched a lot of international works , diversely with its intellectual contents and its aesthetical Treatment , and with some diversity in opinion on intellectually and aesthetically. The research , recommended some suggestions to draw attention to one thousand night and night tale , and transfer the important events to audio - optic work , and never leave to erosion by others.

الفيلم الوثائقي واشكال تناول الواقع فنيا == Documentation Film And The Forms In Which Deal With Art Fact

Author name: كاظم مرشد سلوم
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يجمع الفيلم الوثائقي بين انهيار برج التجارة العالمي وبين طريق الحرير، بين تلوث البيئة وتاريخ الاسكندر المقدوني، بين الحرب العالمية الثانية وبين عالم الطيور، بين دب القطب الشمالي وبين عادات وطقوس الهنود الحمر، فمنذ بداية اكتشاف السينما، وهي بداية وثائقية | The documentary film collects between International trade tower and the Al - Hareer road , between the pollution of environment and the history of second world war , the science of birds. Between the north arctic bear and habits red Indians. It’s the documentation film.Since the beginning of cinema discovery , it’s the beginning of documentation , it's simple but excite in same time. because the population seen in the first the fact and all includes forms in front of movable picture. When the two brothers Lomer record daily the motion of worker in the factories while the rail reach to the station to develop the after that the documentation cinema in spite of the competition between them and the novelist cinema , so it's unequivalent competition for different causes. Where , it used while documented the wars and struggles in various fields. Especially in the first & second world war, there were many films produced to notify the role of military propaganda, up to reach the films of nature and geographic regions , show how does the organs life style, when entering the world of cultural and thought sides for societies. All of that done by deal with real facts , with art and creative form , as a result the reporter were documented most of the world events while the moment of occurrence. This research entitled the documentation film and the forms of dealing with fact fall in four chapters. The first one is methodological frame , conclude the introduction and thesis problem in which answer the following question (what is the features of documentation films for the fact art. The importance of the research. The Second chapter include the theoretical frame and the previous studies , in which divide in to three topics : First one for the truth philosophy and the documentation films , in which deal with the real and limits of subjective and bibliographic. While the third one discuss the beauty features of documentation films , where acquire from the beauty from the fact , or from the place in which the film.So, the applications engaged by the researcher to analysis the samples in which selected , as well the aim of the research. Also include the methodological depicted in the research , the reasons to select this style in addition to the research tool. The fourth chapter dedicated to extract the final results in which concluded also expose the most important results , further to recommendations so as for the literature reviews. The research no longer forget to list the used references in which adopted by the researcher , English language abstract also include.

الاساليب الجمالية والفكرية للاعلان التلفزيوني العراقي المعاصر

Author name: ماجدة سلمان محمد
Supervisor name: عبد القادر خلف الدليمي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتميز الاعلان بانه قوة اقتصادية واجتماعية، ويعتمد نجاحه على ما يتضمنه من قيم فكرية وجمالية، وليس مجال بحثنا العمليات التي يحيل اليها النشاط الاقتصادي للاعلان، فقد حاولت انماط من الاعلان ذات سمات جمالية وفكرية ان تخرج عن النموذج الاستهلاكي الى افاق اكثر ان

الرؤية الفنية في تجربة جعفر علي == The Artstic Insight In The Experiment of Jaafer Ali

Author name: سلام يوسف دبي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان التصدي لتوثيق ودراسة حياة وتجربة مبدع ليس بالعملية اليسيرة مثلما يبدو وخاصة في بلد مثل العراق الذي شهد صراعا وحربا جعلت منه بلدا يكاد ان يفقد الذاكرة بنتيجة حالة اللااستقرار الذي جعل الكثير من المبدعين ان لا يجد ظرفا مناسبا لتوثيق حياته ومن المبدع | The Intercepting for The Documentation & study of the life & Experiment of a Creative Individual is not an Easy Process as it appears Especially in a country like Iraq that Witnessed war & Struggles that made him as a country that almost losses his Memory in Result of Non Stability Condition That Made A lot of Creative Individuals not Finding a Prorates Circumstances To Document Their Life's , & Those Creative Individuals who Documented to Their Artistic Biographies have been Vanished here & there or Have Terminated By The fires of Wars.So The researcher have Suffered Greatly In his Studying the Artist Jaafer Ali & to Get His Productive Achievements for this Variety artist in The Field of Movies , Radio , Television & Theater For The researcher had found that most of these information in the memory of those who lived with Jaafer Ali & those related to him , & The researcher had Acquired a Paper cuts or Notes Had been Writhen here & there or some articles or Artifacts have been Acquired & it been Convinced That is in Total Does not Form The True Image for Artist Jaafer Ali , & in the In lighting of What Was Available to the researcher From Resources This Research Has Been done about the Artistic Vision in the Experiment of Jaafer Ali Which Contained Three Chapters : - First chapter : - comprises the methodic frame, which handles the themes of the research like : - How Did Jaafer Ali Insights Reveled In his Creative achievements , & what is The Resources That Made him A Multiple Visionaries Individual?.As For The Aims of research : - 1 - The Documentation of An Iraqi Creative Individual In the Field of Culture & Arts.2 - Studying The Achievements of that Creative Individual In the Area of Theater , Movies & Television.3 - In lighting His Experiments In Movies Through His Feature & Documentary Films. The second chapter tackled theoretical frame & Previews Study's which includes Three topics : - 1st topic : - Grown up & Forming in the Effect of Cultural & Artistic Realty : - Which is A Phase Jaafer Ali Was Formed in The Shadow of Social & Cultural Realty That Was Various , & his Affection of With The Greatest Iraqi Culturists , & His Grew in Time Period that was Rich with mind liberty , So He Makes his way according To The Ambitions of sophisticated Individual That Claims the Pronouncing of His Visions , He Managed To Study English Literature In The Literatures College , Than He Headed To Study Cinema In the United States , After His Return He Started To Lecture In Fine Arts Institute & Fine Arts Academy in Deferent Cinematic Art Fields , & The Topic Also Included His Practical Life A Teacher , Musician , Interpreter , Cinematographer , Actor , Critic , & Writer In Addition To Some psychological Crisis That Happened To Him. 2nd topic : - It Includes Technical Expertise 7 Artistic Visions in The Field of Theater & Television , & The Interest That Jaafer Ali Was Reflected On The Composition Between Theory & Applying That Makes Him Capable of His Instruments & Implying it to Manifesting The Contents & Thoughts for the Scripts in Television & Theater , were Theater was The First Lunch in His Technical & Artistic Experiment Through What Been Achieved in Theatrical Plays Were Most Signified One Was Vetrock & Many Other Television Plays Like (Satra Vosan).3RD topic : - The Artistic Vision in His Cinema Experiment : - This Topic Includes A Briefed Historical Reading for The Facts of the Iraqi Movies Production Movement & the Economical & Political Circumstances , Its Divided To Three Periods ; - 1st - From The Year 1946 till the year 1959.2nd - From The Year 1959 till the year 1975.3rd - From The Year 1975till the year 2003. And Remembering some of Jaafer Ali Four Documentary Films Which are : - 1 - The Collector ( Al - Jabi).2 - The Turn ( Al - Munaataph).3 - Years of Life ( Sanwat Al Omer).4 - Narcissi The Bride of Kurdistan ( Narjes Arws Kurdstan).And Two Feature Films are : - 1 - Women & Work ( Al - Maraa Wal Ameel ).2 - Askerrian Shrimp ( Al Rawdaa Al - Askerrian ). This Topic Also Shows The Foundational Role of Jaafer Ali To Establish The Department of Cinema In The College of Fine Arts.The 4TH chapter consists of the research procedures including the Research s' sample that the Researcher analysis of the samples.And The Most Important Results That The Researcher Have Included : - 1 - In Spite of the Specialty of the Research s' sample By Its Narrative Construct & the Shortening of the Dramatic Act but was Able to show the daily life of the Iraqi people & its Suffering through a Bus Journey in The Film The Collector ( Al - Jabi) , & The Political & Social & Economic Reality For The Country & The Agony of The Iraqi Culturist In the Shadow of These Circumstances in the Film The Turn ( Al - Munaataph).2 - It Was Clearly Obvious the Effect of the Poverty & the Lack of Techniques that used in these Film Samples Which Reflected on the General Artistic Shape To The film , For This Lack Had Sustained The Camera Freedom In Movement & Taking More Expressional Angles , & This Lack Also Reflected In The Lightening Composing In A Amount of Scenes Especially The Night Vision Scenes For the Most Was Humble & Modest.

دور عناصر الوسيط الفني في اخراج الافلام التعليمية == Artistic Mediator Elements Role In Teaching Films Directing

Author name: عبد الله حسين حسن الجنابي
Supervisor name: جاسم الصافي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: اصبح من البديهي النظر الى التعليم على انه الاداة الفعالة والضرورية في الوقت ذاته لبناء المجتمع المتطور المؤمن بالعلم وبمقدرته على حل المشاكل كافة التي تعاني منها الشعوب جميعا.ولقد ادت التطورات العلمية والتكنولوجية وتطبيقاتها العملية في ميادين الحياة الم

تحليل الخطاب السينمائي عند يوسف شاهين في ضوء اشكالية الاشتواق والتغريب

Author name: حمودي جاسم حمود
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad

نهاد علي بين الرؤية الفنية والرؤية الفلمية

Author name: هيثم الياس يوسف
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
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