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سيميائية التصميم الزخرفي الاسلامي على البلاط المزجج

Author name: صفا لطفي عبد الامير
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

انتاج زجاج الرماد واطئ الحرارة وتطبيقاته على الاطيان الحمراء == LAW - HEAT ASH GLAZE AND ITS APPLICATIONS ON READ CLAY

Author name: سامر احمد حمزة الكرادي
Supervisor name: عبد الهادي محمد علي العزام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

جماليات التجنيس في الخزف العراقي المعاصر == Aesthetic of Anagram in Present Iraqi Ceramic

Author name: تراث امين عباس الخفاجي
Supervisor name: عبد الهادي محمد علي العزام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

اثر السمات الفنية لفخاريات العراق القديم في الاعمال الخزفية العراقية المعاصرة

Author name: علي كريم الرواف
Supervisor name: عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

توظيف الحرف العربي في الخزف العراقي المعاصر == Functioning of the Arabic letter in the Contemporary Iraqi ceramic

Author name: ابتسام ناجي كاظم علي السعدي
Supervisor name: عبد الهادي محمد علي العزام | عباس جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Art Education - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

تنوع الانساق البنائية للاشكال المنفذة على الخزف الاسلامي == The Varietyof Structural Systemsof Fromsinislamicceramics

Author name: نصير جواد موسى الكرعاوي
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

دلالات المكان في الرسومات المنفذة على الخزف الاسلامي == Connotations of Place In Graphics Executing On Islamic Ceramics

Author name: ثائر حاتم هاتف احمد الجباوي
Supervisor name: جبار حنون مهاوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (دلالات المكان في الرسومات المنفذة على الخزف الاسلامي), والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحدد بالتساؤل الاتي : ما هي الدلالات الفكرية والبنائية المرتبطة ببنية المكان في الرسومات المنفذة على الخزف الاسلام | This research deals with the study of (connotations of place in graphics executing on Islamic porcelain), which fall in four chapters : the first chapter include presentation to the research’s problem and specified with following questioning : intellectual and structural connotations associated with the structure of the place in graphics executing on Islamic porcelain? came the importance of the research and the need for it, in terms of it represents theoretical and practical reading to the products of Islamic porcelain in Fatimid era through analytical level to connotations of place and bear of artistic necessaries connect in intellectual content to the image of the artwork and the impact done in porcelain ,to sheds the current research light cognitively and scientifically on connotation of place in graphics executing on Islamic porcelain though out the Muslim artist on the nature of place as a space and turn it into symbols and signs of spatial. the need for this research it’s being represents attempt by the researcher to fill the vacuum in this important space of artistic forming fact that the subject needs to be enriched in this field of research , down to the desired results, The objective of the study lies in : ( know connotations of place in graphics executing on Islamic porcelain ). And identifies research in study outcomes the Fatimid porcelain executing materials and different oxides on the surfaces of these porcelain productions in Egypt, within the specified of time period between (969 AD - 358 AH), (1171 AD - 567 AH). The second chapter : has included theoretical framework and previous studies , and which contained three sections : the first section deals and which included two axes ,the first axis significance between the concept and terminology , the second is understood place and the data in the arts , the second section deals with study of the structure of place in the art of ancient civilization ( Iraqi and Egyptian ), the third section included two axes the first axis deals with the study of the place in Islamic art while the second axis deals with approaches of place in products of Islamic porcelain. And seal the theoretical framework with set of indications and previous studies. the third chapter deals with procedures of research which include identifying research community and selection of the research sample the amount of (15) porcelain work, then the search tool and description and analysis of sample. While the fourth chapter included the research results and conclusions, as well as the recommendations and suggestions, Among the findings of the researcher is : 1. The aesthetic connotation for place plays prominent role in the Islamic porcelain products and through osmosis properties the shape and meaning where mobile. 2. Islamic porcelain products showed clear interest in the nature of visual of the realistic place as in the models ( 11, 12, 13 ) and the imagined as in models (2, 9) and symbolic as in models (1, 3)3. Affected by the nature of the place in graphics executing on the products of Islamic porcelain, what is essential to the formal inclusion of the structural units (linear and colorimetric and volumetric and touch and space) as in models of search sample. And the conclusions reached by the researcher is : 1. Influenced the nature of the technical characteristics for systems formation the Islamic art and specifically (photography) on methods produce porcelain Islamic in terms of unity and diversity , lack of interest manddour, and stay away from materializing animate beings , abstraction , repetition and vacuum processing. 2. Manifested structure of place technically, on level of materials and raw materials and oxides, to expression of the characteristics demonstrated of image, as well as the fact pattern of connotation aesthetic that are associated with type of place and nature reveled. 3. Not limited to the place indication in Islamic porcelain within the two dimensions aesthetic and functional, but only becomes touching the regulatory nature of the graphics or graphic scene executing on the porcelain surfaces , link to substantial data of the place, nature and philosophy

تاثيرات مدارس التصوير الاسلامي على الخزف الفاطمي == Effects of The Islamic Photography Schools Fatimid Ceramics

Author name: باسم جعفر جاسم الاسدي
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: عني هذا البحث بدراسة (تاثيرات مدارس التصوير الاسلامي على الخزف الفاطمي) وتضمن اربعة فصول, احتوى الفصل الاول منها للاطار المنهجي للبحث، وتم من خلاله تحديد مشكلة البحث بالتساؤل الاتي : ما تاثيرات مدارس التصوير الاسلامي على فن الخزف الفاطمي, الذي تحدده هدف ال | Me this research study (Effects of the Islamic imaging Fatimid ceramic art schools) included four chapters, the first chapter of the framework of systematic research contained has been through identifying the research problem by asking the following : What is the Islamic imaging Fatimid ceramic art schools effects, which sets the objective of The study in the light of this question, the disclosure of these impacts for the schools of Islamic imaging Fatimid ceramic art, as well as the importance of research and the need for it and then identify some of the terms that have to do the title search.The second chapter (theoretical framework) and previous studies have contained three sections, the first section of which meant the study of the intellectual, aesthetic and expressive and semantic effects of imaging Islamic schools that preceded the Fatimid period, which corresponded with them temporally. While the second section contains the features and technical characteristics of Islamic art in.The most important imaging the schools, either third section has included the study of Islamic ceramic art in general and focus on ceramic art in the Fatimid era, then seal the theoretical framework defining a set of influences that contributed to the design analysis form has the second chapter also contains the previous studies that have to do study Researcher.The third chapter (research procedures) which defined the research methodology, which adopted a researcher in the sample models so I chose the descriptive method, content analysis, and Chapter III contains the study population who identify with the analysis (136) model to choose the researcher through them and consulted experts with specialization and near (20) model according to the way intentionality (selective) problem percentage of 15% and in the light of a rationale and after sample models and complement its analysis appeared in the fourth quarter set of results shown by the analysis of the models in the forefront of these results : 1. The products of the Fatimid ceramics demonstrated the impact data of Islamic art in terms of reference considered intellectually, aesthetically pleasing and expressive actor.2. influenced Baghdad school methods and in particular the Abbasid period clearly on schools that came after temporally and which ones Fatimid period.3. Iranian imaging techniques contributed schools (Persian) on the plant porcelain Fatimid adoption with Adamic and animal shapes and forms of the vehicle.Then select the researcher set of conclusions that are related to his studies, which include : 1. Fatimid potter showed a pattern of air definition Bmnetje which included the signing on behalf of the first product in the history of Islamic art.Then followed by some of the recommendations that require the researcher identified.It is then proposed a set of studies comes in the forefront : 1. The effects of imaging Islamic schools in Ottoman ceramics (Turkish).2. Effects of the Islamic photography on contemporary European porcelain schools.The researcher seal the study singled out lists of the Arab and Islamic sources.

دلالات المفردات التراثية والطبيعية في الخزف العراقي المعاصر == Semantics Vocabulary And Natural Heritage In Modern Iraqi Ceramic

Author name: مثنى رياض علي القريشي
Supervisor name: صفا لطفي عبد الامير
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يعد التراث من القيم الحضارية، وهو مؤشر لحجم اصالة الامة ويعد عنصرا فاعلا في اصل وتاريخ اي امة من الامم، وان السعي لربط الموروث الحضاري القديم لامتنا بالتقنيات الجديدة المعاصرة، فانه ينتج عنها فن معاصر ذو قيمة جمالية ومعرفية متميزة وتشكل جسرا رابطا | Heritage is one of the values of civilization, which is an indicator of the size of the authenticity of the nation and is an effective element in the asset and the history of any nation, and seek to link the ancient cultural heritage of our nation's contemporary new technologies, it produces about contemporary art is aesthetic and cognitive value distinct and form a bridge link between the past and in the future. Within this framework, looking message on how to achieve this by including the vocabulary of this heritage on the ceramic business, which can be a mirror for this port heritage to contemporary ceramic surface. For this purpose, it has adopted a search on this analytical study of this vocabulary where research is divided into four chapters : the first included on identifying the research problem, which crystallized in the following question : Are there implications for vocabulary heritage and natural in contemporary Iraqi porcelain, then the importance of research, which may contribute to the documentation Cultural Heritage of Iraqi artists and works to complete the march of other research that preceded it, especially in the field of ceramics and folklore Iraqi heritage. The objectives of the research were identified as : detecting signs of vocabulary and natural heritage in contemporary Iraqi porcelain through research sample analysis. The second chapter of previous studies has included theoretical framework, which included three sections Head : The first section contains the concept of significance in art where he addressed the concept of semantic and determine its characteristics, while the second section has included the first two axes was Vocabulary heritage in contemporary Iraqi porcelain, while the second axis has was a natural vocabulary in contemporary Iraqi porcelain. The third section dealt with the emergence of pottery and contemporary Iraqi history since its inception and up to prosperity. To end the most important theoretical framework indicators. The third chapter is devoted to research procedures included the research community consisting of (80) decorative model, where they were relying on descriptive analytical method for the analysis of the sample, which included (18) pursuant Khozvin Iraqi artists. The fourth chapter contains the findings and conclusions reached by the researcherResults : 1. Heritage was founded in contemporary Iraqi porcelain signs new relationships unfamiliar between tradition on the one hand and between the intellectual and social dimensions of human life on the other hand, Mrtkie level accomplished ceramic and adding to it a technical dimension aesthetically pleasing, regardless of the temporal and spatial forms of relationships, and the escalation in return, which is an internal and Ojaddana through deepening expressive and symbolic values presented within formality done.2. came vocabulary heritage Iraqi contemporary ceramics carries within semantics design through the adoption of the mark or symbol that carry expressive feature takes a modernist character, which gave the potter Taoulih structure and wide inside carrying signs and pictures of NES.3. resulted in sample analysis for the presence of cultural and civilizational speech broadcast on contemporary ceramic work, and is determined by which side of the established semantic structure in porcelain inspired by the experience of the bases of religious heritage, cultural heritage, folk heritage is deeply technical content in the history of Iraq.As the researcher's conclusions, inter alia : 1. Iraqis artists sought to expand the semantic openness in ceramic art and achieving diversity in Astelhamanm vocabulary of semantics heritage in contemporary Iraqi porcelain through the diversity of shapes and structures and techniques of contemporary art.2. The nation heritage industry and the product of the people of civilization, which is a product of culture, values and affiliations of those of the nation and the people and can be a detection tool the past and embrace the present.3. The Iraqi contemporary ceramist focused consciousness to read and live with inherited according to the results obtained from international experiences Fine read Mesopotamian cultural heritage and trace the evolutionary stages of the art techniques. The study concluded with a series of recommendations and proposals related to the development process in other areas of study and update of interest, followed by a list of sources and references, appendices and summary in English.

بـــنية الاشــكال المنــفذة على الخـزف الاسلامي (الصيني والعثماني) : دراسة مقارنة == Shapes Structure Executing On Porcelain The Islamic Chinese And Ottoman : A Comparative Study

Author name: كريم شاكر كريم عباس الحمزاوي
Supervisor name: صفا لطفي عبد الامير
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تمتلك الاعمال الفنية الخزفية الاسلامية تنوعا كبيرا في بنيتها الشكلية , وهو ما قد يرجع لاتساع رقعة العالم الاسلامي وتعدد الاقاليم والمجتمعات وما تملكه من مورث حضاري فكري او ثقافي , امتزج وتجانس مع فكر العقيدة الاسلامية ليصبح فنا جديدا يسمى بالفن الاس | Islamic decorative artwork has a great diversity in its formalism, which may be due to the expansion of the Islamic world and the multiplicity of regions and communities and owned by Gene civilized intellectual or cultural, mixed and homogeneity with the thought of the Islamic faith to become a new art called Islamic art, and here the case of diversity and differences arise in artistic patterns and styles between those regions and communities, but that has not spared in the formulation of the unity of Islamic thought, and most important of these are Chinese - style Islamic and Ottoman.Muslim artist sought and attained creative in dealing with the vocabulary of nature and technically processed through modification and innovation, to be able to highlight the structure of the new show formal aesthetic and functional role to her, and to suit the spirit of the Islamic faith. Hence this research to study (the shapes executed on Chinese porcelain and Islamic Ottoman architecture), which included four chapters : The first chapter discusses a presentation of the research problem, which summarized by asking the following : (What is the structure of the forms executed on the Chinese Islamic ceramics and Ottoman? What are the Elite Astgalhma in both technocracy?), As this chapter included a presentation of the importance of research and the need for him while outlining the purpose of search (b detect executing shapes on Islamic ceramic structure), and confined limits Fin temporal the period (from the Horn of M / E to the period M / E) The spatial were (China - Turkey).The second chapter of the section has three sections, namely : First topic : the Chinese and the Islamic Ottoman porcelain (historical impact) brought together several themes : Islamic art - what it is - its properties.Islamic pottery in the Umayyad and Abbasid era.Chinese porcelain included : Introduction historical - Islam and China - the Muslim Chinese porcelain.Porcelain Ottoman included : Introduction historical - Islamic Ottoman ceramics.While came second topic : constructivism art form in Islamic art. He incorporated several themes : The concept of structure - characteristics - traits.Concept form - perception - the structural elements of the form.The third topic : the Islamic Decoration (Chinese and Ottoman) brought together a number of themes : The concept of decoration - relations and methods of structural form - Types of Islamic motifs.Islamic ceramic types.Style Islamic Chinese decorative.Style Islamic Ottoman decorative Then followed by a theoretical framework indicators. The previous studies did not find the limits of science researcher previous studies converge with the current study. So this study to be a virgin. The third chapter procedures Find where annexation to the research community and of number is (98) of different types and measurements Khozvia act (dishes - dishes - tractor - vases), has identified a researcher sample purposely and number (16) sample, (8) made of porcelain and ( 8) of the Ottoman ceramics. This chapter also included a search tool, and the methodology of research and researcher adopted the method of structural analysis in line with the nature of the research and its requirements.The fourth chapter set of results, most notably : 1. Chinese porcelain and Islamic Ottoman numerous transfers in terms of form and content, it varied forms (between vegetation shape, engineering, and animal and written) and his travel at different points in time.2. Both the Chinese potters and Ottoman forms Implementing treated on the surface of the ceramic form realistic approach through simple modification in order to Zaarha in decorative art adorns its products.3 - owning Chinese motifs formats characterized by authenticity and whether the quote from the ancient Chinese heritage or the environment surrounding the artist, as these colors or shapes appeared in the Ottoman motifs as forms borrowed or imitated is what I mean by Ottoman artist.4. Adoption of the Chinese and Ottoman artist on two girls two colors to highlight different shapes and Show aesthetic and functional role of color, namely : A. tonal structure composed of blue and white colors of between figure and ground.B. Structure color adopted the diversity chromatography shapes on a white ground.The conclusions was among them : 1 - potter recognized not only eat a certain form but varied forms executed in the ceramic surface.2 - possibility and the ability of the Muslim artist on the perception of space available and consistently exploited in the distribution of decorative vocabulary and included within the divisions adopted on subdivision surfaces.3 - Islamic art of having the spirit of coexistence and harmony with other arts and the possibility of including the quote and organized according to the vision of Islamic and drafting.This is followed by a set of recommendations and proposals that the researcher finds that it may be complementary to the current study.This was followed by a list of sources and Arab and foreign references, and then followed by appendices and abstract and English title.

زجاج الخزف الحجري المطفئ وتطبيقاته على الاطيان العراقية == Matt Stonware Glaze And Its Applicatins On The Iraqi Clay

Author name: جمانة محمد خليل النيار
Supervisor name: سامر احمد الكرادي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

التعدد التقني في اعمال الخزاف ميتشيل كرافتون == Multi - techniques in the works of the potte Mitchell Crafton

Author name: ايات عبد الستار عباس
Supervisor name: احمد عباس سعيد
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

المقاربات المضامينية في موضوعات الفخار الرافديني والفارسي == Similarities Content Mesopotamian And Persian pottery

Author name: عمار عبد الكاظم مهدي الكريطي
Supervisor name: محمود عجمي جاسم الكلابي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

جمالية الاعمال الفخارية النحتية في حضارتي العراق ومصر القديمتين : دراسة مقارنة == AESTHETIC OF THE SCULPTURE POTTERY WORKS IN THE ANCIENT IRAQ AND EGYPT CIVILIZATIONS comparative study

Author name: حازم عبودي كريم السعيدي
Supervisor name: محمود عجمي جاسم الكلابي | عبد الهادي محمد علي العزام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

امكانية استخدام مادة النفتالين في اختزال زجاج الخزف == POSSIBILITY OF USING NAPHTHALENE IN REDUCTION OF CERAMIC GLASS

Author name: وسام عبد الكريم جاسم
Supervisor name: عباس عبد الحسين كويش
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

الحركة وفاعلية النسق البنائي للتكوين في الخزف الاسلامي الفاطمي == Motion and effectiveness of layout structural constitution in Islamic Fattimid ceramics

Author name: ميساء سليم عبد الواحد الخفاجي
Supervisor name: جبار حنون مهاوي | محمود عجمي الكلابي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

انتاج خزف بركاني وتطبيقه على الاطيان العراقية == The Production of Ceramics Volcanic and Applied on Iraqi Clays

Author name: منذر محمد سليمان محسن الجلبي
Supervisor name: محمد حمزة المعموري | عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

امكانية استخدام مادة الاسمنت في انتاج زجاج الخزف == The Possibility to use cement material in producing Pottery Glase

Author name: محمد شاكر علي الركابي
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

فاعلية اللون في الخزف العربي المعاصر

Author name: فراس حسن حليم العبيدي
Supervisor name: سلوى محسن حميد الطائي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

تمثلات المشاهد الطقوسية على فخار العراق القديم == Representations ritual scenes on pottery the old Iraq

Author name: غفران رزاق كاظم
Supervisor name: عامر خليل ناصر الشجيري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

المفردات الدينية وتمثلاتها في الخزف العراقي المعاصر == Religious vocabulary and Tmtheladtha in contemporary Iraqi faience

Author name: علي غضبان سكر علي الحسناوي
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

استخدام تقنيات حرق متنوعة ومتغيراتها على السطح الخزفي == Using diverse firing techniques and variables on ceramic surface

Author name: علي صلاح فلاح السلطاني
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

قواعد موضوعات فن السلطة المنفذة على فخاريات العراق القديم == The Bases of the Topics of the Art of executants Authority On Ancient Iraq Pottery

Author name: علي جرد كاظم الحميري
Supervisor name: حامد عباس مخيف المعموري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

تقنية التلوين باضافة تراكيب من اكاسيد شائعة في زجاج الخزف == The Coloring Technique By Adding Formulas Of Widly Known Oxides Into Pottery Glaze

Author name: سامر احمد حمزة الكرادي
Supervisor name: عمار عبد الحمزة حبيب | محمد حمزة المعموري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

دلالات الحركة للمشاهد التصويرية في فخار العراق القديم == Semantics Movement of Scenes Pictorial in Pottery Ancient Iraq

Author name: زيد عباس ديكان
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
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