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التناص في شعر حميد سعيد Intertextuality in Hameed Saeed’s poetry

اسم المؤلف: يسرى خلف حسين
اسم المشرف: ابتسام عبد الستار محمد الطائي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: بغداد
الصفحات الاولى:

اثر الثقافة الغربية في ادب جبران خليل جبران

اسم المؤلف: هديل نشات اسود العبيدي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2009
مكان الجامعة: بغداد
الصفحات الاولى:

الاراء النحوية لاعلام النحو في كتاب التخمير للخوارزمي (617هـ) : دراسة تحليلية Grammar Views of Famous Grammarians on Al - Takhmeer Book by Sadrul Afadhil Al - Khawarizmi (died 617 Hijri) An Analytic Study

اسم المؤلف: علاء احمد زغير
اسم المشرف: فائزة عباس حميدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: بغداد
المستخلص: In the Name of Allah, the most merciful, the compassionate. Praise be to Allah who created man and taught him to speak. Peace and blessings be upon the master of creation and messengers, Mohammed bin Abdullah and his progenies and elite companions. Al - Takhmeer Book is regarded as one of the explanations of Al - Mufasal that written by Al - Zamakhshari and one of Arabic Language sciences that Grammarians studied, explained and commented that is why Al - Takhmeer of Al - Khawarzmi was a great resource when reading the grammarians' views and their directions . Al - Takhmeer Book had many grammatical issues which need to be explained and studied. This study is an attempt to discuss grammatical views which were in the book of Al - Takhamer. Our purpose of that is to discover what Arabic grammarian's opinions and if they had followed in their scientific views or their opinions which were just a criticism and trends to the other's opinions only. The methodology of the thesis is not contrary to the division of Al - Khawarizmi to his book but it is a compatible. The thesis is divided into an introduction, four chapters, and a conclusion. The introduction includes information about Al - Khwarizmi and explaining his method of introducing the grammarian material and his position from grammarians in his book " Al - Takhmeer ". Chapter one composes of the grammatical views concerning nouns. Chapter two tackles with the grammatical views about verbs and the chapter three deals with the grammatical views regarding the letters and articles. And the fourth chapter is about the grammatical views in different issues like coordinators, pronouns and relative pronouns. In the conclusion, the researcher comes up to the following : 1. Al - Khawarizmi was not just a Grammar Scientist, but he was also a scientist in Literature, Theology, and Qur'an Explaining(Al - Tafseer).2. He was having a hard style in discussing other Grammarians' opinions.3. He was not a follower of a specific school in Grammar, but he was an elector of the opinions that he believed agree with his own views regarding grammar
الصفحات الاولى:

الروافد الادبية في شعر الجواهري

اسم المؤلف: رحيم عليوي حسين الساعدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2007
مكان الجامعة: بغداد
الصفحات الاولى:

سردية الخبر في كتاب زهر الاداب وثمر الالباب وذيله جمع الجواهر في الملح والنوادر للحصري القيرواني ت 453هـ Story Telling in the Book "Zahr Al - Aadab Wa Thamar Al - Albab" & its Appendix "Jami' Al - Jawahir Fi Al - Moluh Wa Al - Nawadir" By Al - Husari Al - Qairawani (Died in 453 AH)

اسم المؤلف: تغريد خليل حامي
اسم المشرف: رائد حميد مجيد البطاط
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: بغداد
المستخلص: After the journey of continuous research between those papers enjoyable and after overcoming the stone stumble and the rise of difficulties, the study reached a number of results were the fruit of the research, the most important of which : 1. The AL - hosary of Kairouani in his book "The Flower of Letters" and his collection of essences is not hardened in attributing some of his news, and he did not have a clear position in attribution. He did not provide news that is devoid of sind, This may be due to the fact that it is news that aims at enjoyment and entertainment, as it includes judgment, salt, and generosity, which is not useful for attribution, and is not harmed by what was omitted from it, because what is important in the news is enough and what it evokes in the reader of pleasure and artistic pleasure. 2. The structure of narrative initiation in the news of AL - hosary Kairouani as a structure commensurate with its position in the first speech makes the initialization distinct from the rest of the elements of the text of the story, because this structure comes from thecontent of the text and style are born the essence of the inception and base, And follow - up and interaction with him.3. The endings in the news of the AL - hosary does not come apart from the rest of the elements of the text of the news, but is the product of the text, it is a lock and the end of any beginning, and the last that remains in the audio text.4. The sarcastic news is synonymous with all the meanings of ridicule and ridicule based on the funny comic criticism based on the image to achieve the points of the drawback of psychological, physical or physical defects, and exaggerating the portrayal of thisdefect in different and varied ways. 5. The comic news shows the joke and humor and all the enjoyment of the circumstance of speech with the aim of laughter and self - recreation. So laughter is a picture of images of transcendence on reality, as it casts the curtain of unrealism and raises concerns with seriousness.6. Realistic (realism) news is focused on portraying the reality in its most precise detail, based on the reference to real events that reflect temporal and spatial determinants, and are based on historical and literary references that have contributed greatly tothe production of different human positions. 7. The narrator in the news of the AL - hosary Kairouani the basic functions that we have identified by the clarification and statement of contents and objectives according to the modern narrative methods, because the narrator is committed to the readerof the function of the presentation of consecutive events causally and logically so his position is very dominant and wide, and with the breadth of its position varied and varied in this The news is narrative function, documentary function, suspension function, coordinating function, communication function, and expressive function.8. The study of the overlap of the prose species in the structure of the news of the exclusive of the possibility of overlap and the differences between them according to the principle of systematic accumulation of news, because this accumulation cannot be basedonly on the rule of integration elements of the text of the information of the characters and times and places and events consecutive sequentially, Between petty races based on the traits and dominant elements that have formed a prominent presence anddistinctive in this news as for the overlap of hair in the structure of the news, the hair formed an organic unit with the text of the experimenter, since the relationship and overlap between them is clear and clear, and exclusive in this employment of the energies ofpoetry and its potential to serve the text of the story to make the recipient more confident and credible in narrated, and to emphasize the importance of news and reality, The relationship of the news to the hair was revealed by two demands : the functions of the hair overlap in the structure of the story, the overlap of the poetic story in the structure of the news.9. The characters in the news of AL - hosary were animated as a vital component of various consecutive events, causally and logically connected. In addition, these characters vary in terms of their movement and stability within the structure of this news, whether they are a developing person or a static, but the methods adopted by the exclusive in the presentation of his characters, is the analytical way and representation.10. The construction of time in AL - hosary news of has been based on the natural time, both historical and global, to achieve that intentional goal is to show a clear picture of the recipient of the time of the occurrence of events and events important from the lives of actors active and interactive in this news, The recovery technique has a more distinct and clear presence than anticipator y technology, because it has multiple functions and goals, and to highlight past positions and events that make a clear contribution to building this news in form and content. 11. From AL - hosary study of the structure of the place we found that there are three main patterns in the news of the place of the family, the hostile place, and the historical place, and we have mentioned these patterns according to the abundance of them in thebook. 12. In the study of the event and the structure of the event, three basic patterns emerged : the sequence, the format of the layout and the frequency format. The sequence was clearly and more conspicuously present in the construction of the event, perhapsbecause of the causal sequence.
الصفحات الاولى:

شعر رزوق فرج رزوق : دراسة موضوعية - فنية

اسم المؤلف: ندى سالم عيدان الطائي
اسم المشرف: ستار عبد الله الناصري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2004
مكان الجامعة: بغداد
الكلمات الدلالية:
  • فصل الموضوعية
  • اللغة الشعرية
  • الصورة الشعرية
  • موسيقى الشعر
الصفحات الاولى:

المفارقة في مقامات العصر العباسي Irony In Maqamat Of Abbasside Era

اسم المؤلف: تغريد ضياء مشفي الفخري
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class
الصفحات الاولى:

تقنيات السينما في الرواية العربية 2000 - 2015 Cinematic Techniques In The Arabic Novel From (2000 - 2015)

اسم المؤلف: جبار سلطان حسن
اسم المشرف: يوسف محمد جابر اسكندر
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: The Arabic novel with its regional orientation has not been isolated from the novel in general, since it employs a lot of cinematic techniques, proving, meanwhile, that it is open to other arts, keeping up the vibe of renewal and development, because many writers wrote with cinematic awareness and cinematic technique. This elicited the researcher to delve deeper into the effort found in the novels to achieve new modes of expression, which rely heavily on the image and the cinematic formation to maintain the tools to elevate the narrative speech, granting it the necessary narrative identity, which is featured with innovation and high narrative performance. The study is preceded by a forward, which tackles the definitions of concepts that are relevant to the study such as technicality, the concept of cinema, its techniques, and its impact on the Arabic novel. It also highlights the term "New Arabic Novel", and the classification of the novels under study according to it. Examining eventually the studied novels and the criteria of selecting them. The study falls into three chapters beginning with theoretic entries giving sufficient idea about each technology. The first chapter highlights the scenario. It is divided into two sections; the first includes types of scenario in the Arabic novel; the second is about the elements of scenario in the Arabic novel. The second chapter highlights the functions of the camera put into application. It falls into three main sections; the first tackles the corners of the camera, the second tackles the movement of the camera and its steadiness, and the third tackles the duration of the shots. The third chapter discusses the impact of montaging on the Arabic novel. It is divided into two main sections; the first is entitled "The Narrative Montage in the Novel in its Four Types : Horizontal, Reverse, Parallel, and Alternative Montage"; while the second tackles the Expressive Montage in the novel in its two types : the ideological and the rhythmic. The Conclusion sums up the findings of the research and the proposed recommendations.
الصفحات الاولى:

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

اسم المؤلف: وسن علي عبد الحسين الزبيدي
الجامعة: جامعة بغداد
اسم المشرف: صبحي ناصر حسين
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
الصفحات الاولى:

اشكالية الخطاب العربي في (الكتاب) لادونيس The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

اسم المؤلف: وداد هاتف احمد وتوت
الجامعة: جامعة بغداد
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.
الصفحات الاولى:

صورة الكورد في الرواية العربية في العراق ( من 2000 - الى 2015 ) Picture Of The Kurds In The Arab Novel In Iraq (From 2000 - To 2015)

اسم المؤلف: هديـل حسام الدين احمد
الجامعة: جامعة بغداد
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: Novel has been academically occupied for more than a decade in our country as it could expand and take up a place comparable to poetry, and it was the best way which could express a nation that had no stability and for it is the closest to reality, I have found an appropriate way through it to study the nature of the relationships between the components of this country(my country), so I can participate in restoring some of our image on the statement of how it was originally portrayed and what the lines of deformation are or the lines of fake beauty through which it was painted as well as how far it is realistic.The research field was to study the other people (Kurds) and be fully knowledgeable of who they really are.Here we are researching about the Kurds as other people and how the Arabs portrayed and imagine them, the Kurds who are different from the Arabs in terms of nationalism, language and culture and who have in common with each other in terms of living in the same country.How was the image portrayed? Was it negative or positive? How was the relationship between the two people politically inside that unified space? , this is what we are endeavoring to answer through our research relying on the following plan : Preface (portray of the latter (Kurds), concept and representation) : Theoretical presentation, in which we handled the concept of the portray, the latter, representation and idioms related to the latter (Kurds) as well as the ideology as an effective factor in establishing the portray of the Kurds.Regarding chapters and how they are divided, the thesis was in three chapters, each has two sections (researches).Chapter one is entitled as (the political portray of the Kurds and the ideological representation), in which we handled the relation between politics and ideology and literature; therefore, it was classified into two researches (sections) : The first one is (political portray/against the Kurds - with the authority), we stated how the political events affected between the two nationalities in establishing a negative image (portray) about the Kurds and how that taken portray leaked out. We handled novels which could be described as political ones in which there were political portrays formed against the Kurds.The second is entitled as (political portray/ with the Kurds - against the authority), we presented the events which resulted in meeting between the Arabs and Kurds as well as handling novels which contained positive images for the Kurds.Regarding the second chapter, it handled how the social relationships between the two parties (the social image of the Kurds) in the novel and it are divided into two sections (researches) : The first entitled as (Kurds are self participant - peaceful coexistence) in which we presented the meaning of peaceful coexistence and we also handled the novels which depicted the Kurds as participant to the Arabs through presenting portrays of peaceful coexistence between them.The second is entitled as (Kurds are self - paradox - self transformations and persistence) in which we presented an explanation for self concept and we studied novels depicted the selfness of the Kurds which was transformed, changed or dispersed in terms of identity and portrays for characters which were maintained in identity as well as our endeavor to state the formation of women's selfness.As for the third and last chapter, we took a pause at the nature of establishing the portray of the Kurds through establishment of technical studied novels (technical portray of the Kurds in the Arabic novels and it is in two researches : The first is entitled as (place shifts) in which we presented a theoretical presentation about the place and we handled the place shifts (the Kurd or how he is related to it) and its significance in the novels which presented portrays for the Kurdish environment and the places which were the settling ones for them.The second one is entitled as (point of view), it contained a theoretical introduction about (point of view) and then we studied point of view and visions in novels, subject of study as point of view establishes a technical standard in dealing with events from an angle.Eventually, we finished our research reaching to a closure which included all what we had come up with, I tried in my research(study) to answer all the questions that we put forward in the introduction and research them even relatively and prepared a summary for critical reading through which I endeavored to analyze novels and decode them.
الصفحات الاولى:

المفارقة في الشعر العربي الحديث : محمد مهدي الجواهري انموذجا The Irony Of Arabic Potery Mohammed Mehdi Al Jawahiri - Model

اسم المؤلف: منتهى حسن محمد علي الانصاري
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: The Litrerary work is based on the paradoxes of multiple type and closely to related to humans and are often dump thwsw paradoxes between reality and fantasy produce paradoxes overcrowded as a shortcut to the life and existence which creates dimension Tagged couped by myself charged depending on the languge dose not say do not teel Ihave served the term irony area and wide in the arena cash because of its significant impact in the context of a literary work provide him with art card and aewsthetic fantastic as well as what permeates built linguistic elusive art unintended running thought the recipient not to mention their impact emotional and psychological in itself fit As students of science and kneledge we are looking for all that is useful in order to present it a scientifice way and the Academy allws for the largest possible number see it and benefit from at the same time Ihave dealt with many of the graduate student in various universities this topic and Ozvoh in various models they ate study and analysis and are beautifui and under the supervisions of professors qualified which studies in the hair such as : The irony of hair pioneer study in the product of the pioneers in free verse Hamza Faleh University did not understand the irony stands as a stand or graphical format or any case falls under this concept when the fild of hair only of but extended to many other creative races such as the story and novel and shrinesEating boot Investigation for the emergrnce of irony Tgosais historically through the sequence that leads to irony in the reference book but under different name to be crystallized and became a term commonly dealt with critics and researchers in the modern era starting from the age of philosophers Greeks up to the heritage of ancient Arab in which she was irony.The primary sources related to the subject matter was the most important of which was adopted in this research study it was basically the book irony and its characterisvs its author.De Landed academic study of this article on boot chapters branched turn to SSIand then to the demands as required by Article scientific and availability and a conclusion of the most important results of scientific research.1 - boot : included Study : Roots In the first chapter it addressed in a simple and moving away from the repetition and redundancy to avoid boredom when the receiver was the study of his autobiography for knowledge and take it for the purpose of controlling this phenomenon literarynirony in his hair.The events in that period make him about set of contradictions and paradoxes poetic tensions surrounding his work made about a set of contradictions and paradoxes poetic tensions surrounding his work in building traditiol and pome style and Gazetteer Tension between individual content and complexity of the problems because of the values and ideas and names as national and social justice As political events social and cultural : that prompted some poets rid of classical poetry to engage with their hair to address the topics. New purposes required by the need of the times and events. The jeweller found plenty of room for political purposes in creative aspirations with a shift from form to content. Believing that real innovation is in construction and content then it does not matter how old systems or modern to produce a new style do contribute to ridding the Arabic poetry of contrast between from and content. Ihave a balance between the national and artistic commitment through its relationship with reality and his ideas, and social value, as occurred in the jeweller poets and critics amony the paradox does not meet ; tradition and modernity. This heterogeneity has produced an organizational relationship, different linguistic language classical poetry ; a living language realistic, simple , capable of offering professional experience between anomalies and substantive.The suffering of the jeweller because persecution of his regime in the 1930 was the cause of artistic creativity , and has a sharp u - turn in critics counted a jeweller.2 - INorder to learn why literary phenomenon in the entire Cabinet , it is necessary to identify the most important reasons that have had the upper hand in its appearance. As is well known , if the inquiry , you must follow the clues to access knowledge. It included a chapter on the four demands of the task in the life of a jeweller , and arguably credited Preveza poet of irony in the critical period reasons that make him a poet of irony , addressed four topics included life , along the years , until his death.It is also known that the the poet Ibn environment , cannot tell his character only by intensive study of the living environment , and the conditions that encapsulates his life , where areligious man from a family committed to the culture of Najaf. Itried to display why make it personal resents the cleric , with evidence of his selected poetry , every person has a node , make him a poet , so he came a bookworm to show the negative impact of some sick souls in this domain , which worked hard to spread decadence and intellectual underdevelopment society as long as they enjoy the authentic cultural roots , place over millennia.He lived throughout his life Al - jawahiri , either within the home or outside , closely associated with doubt , with his countrymen. So the public image in his poetry , which shows the extent of mzlomiatha , in the time period coincided with the jeweller and the poet at the same time , he devoted himself to claim their rights from the oppressors , the various types of literary and rhetorical methods in order to reach the goal to the right of the disenfranchised. Defending the people standing in the ruling authorities of his time , the ruling was unjust in his poetry the most wonderful pictures and mastered for this hayer autocrat , radio and photographic methods of injustice and oppression , bot in a modern classic Arabic literature through his sincere. all these images in his poetry came with a choice of Cabinet models to show the irony that he wanted. And in the grandest literary way.And so discriminate topic of alienation and longing in a temporal paradox at all time sentimental style , psychological motivation and have varied reasons for resorting to organized in depth. What struck Iraq disasters and tragedies have made him a distinctive ground to produce a color psychologist. The alienation and nostalgia are the paradoxes in the poetic text ; as any alienation and nostalgia of the same coin. Known poets and Iraqi poet especially breathtaking passion and depth of IMDB, and the griel of the successive and significant expression of central systems for various poetry , not his feehings away from events and the paradoxes of his day , often emotional sensations close to ask to read or recite the political reality , and the events and hardships. The exile and alienation are concepts inseparable from the poet in his homeland and the homeland itself , and that alienation is the resulf of alienation and estrangement which both eeird and not vice versa.It has equal opposing the standards has the reality within his homeland Iraq. The temporal paradox achieved by temporal framed , shock and breaking the horizon of expectation , and the time given for the event has tagged a guide , mentioning husband. and that each of the contrast is essential to the existence of the other , Indeed necessary to understand its meaning , and integrated with the show big time paradpx in existence. And the other two facets of the same currency involving life and death , a stream gushing future is sooner or later death majestic.Is present is salvation weistra with time since wanted him no can be prepared by the incapacitated , or left , or an ally , or their death. Life had value because of the inevitability of death. The technical study structure of paradox being rhetorical formula (lumberjackrhetorical and metaphorical). Where anomalies the methods trakibih jeweller linguistic variety came within a method call and question marks , and the irony of all depends on the irony of these methods , through emplpyment in the most poetic purposes associated directly with a jeweller , a lament , and alienation and nostalgia. And within the semantic study of rhetoric metaphor , and simile , we prove that the irony one rhetorical arts , sigle missed far from other arts. As is the case in many metaphors and rhetorical art appear a;ongside the most supported and embellished and ignite beautiful , intellectually dimension helps communicate the message of the poet , his idea to the recipient , such as pervasive in the art of metaphor and simile and a certain God is good
الصفحات الاولى:

التركيب النحوي في شعر زهير بن ابي سلمى

اسم المؤلف: مصطفى حامد مصطفى الخزرجي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2006
مكان الجامعة: بغداد
الصفحات الاولى:

البناء السردي في شعر الحروب في القرن الرابع الهجري المتنبي وابو فراس الحمداني اختيارا Narrative Structures In Poetry Of Wars In The Fourth Century For Hegira Al - Mutanabi And Abu - Firas Ai - Hamadany

اسم المؤلف: مريم جعفر صادق
اسم المشرف: افتخار عناد اسماعيل الكبيسي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: In The name of Allah The merciful Praise to Allah , horde of The worlds ,Prayer and peace on The most honorable human being of Allah wholes mohammed. The narrated since The ancient times one of The literary creativities but it met with great in tersest from newly student , where These studies done on The study of Arabic literature according to The old terminology of modernAnd ran it through what wrote in many books dealing with literature poetry and prose.This study is one of The attempts to demon strate the features of The narratiue in the arab Abbasi poetry of the novel of war in AL - Mutanabi and Abu firas - Al Hamadaui poetry, because of their time witnessed internal wars and foreign wars. Abbasi narratiue has been studied in many of the arts such as letters , shrines and stories as well as poetry , so his do coral thesis entitled : narration narrative structure in the poetry after second Abbasid era , and The narrative in bogeyed(tightwads amodel) , and many of the studies The nature of the subject of the letter was re uired according to the three chapters pre ceded by an introduction and boot folioed by a conclusion. so pared the narrative language and idiomatically to the Arabs and the west first and balance between the nature of the narrative and the multiplicity of the terminology news , story , storytelling ,study : personal decided in to the head and secondary in the first section while the second part , came the methods provided by the characters directly and in directly. The second chapter which debit with : circum stantial time and place , asit was the first topic is dedicated to time in accord ance with the chvonological order of Balasthag and retrieval , while the secnd section dealt with by the military place whether open space or enclosed the third chapter looking for : the first about the typesof euent , and howil began and how the narrator of events stamped. And then it ended with a condusion of this study in which the main results were presented that have been reaehed , followed byalist of sources and references approved.It was nat my education free of some of the difficulties experienced by, but l cannot help but offer uery much for each of the supportedme ,with acapacity of issuedand great con fidence and never donating to the guidauce and advice. prasebe to Allah and Allah bless Muhammad and his companions..
الصفحات الاولى:

شعر الرصافي الرفاء البلنسي : دراسة موضوعية - فنية

اسم المؤلف: خالد شكر محمود صالح الفراجي
الجامعة: جامعة بغداد
اسم المشرف: عبد الرحمن كريم عذاب اللامي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: بغداد
الصفحات الاولى:

الخصائص الاسلوبية في شعر ابي فراس الحمداني (ت 357هـ) والمعتمد بن عباد (ت 488هـ) : دراسة موازنة Style Characters In Poets Of Abi Firas Al - Hamdani And Al - Mu'Tamid Comparative Study

اسم المؤلف: محمود خضر جمعة جربوع الفرهودي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2009
مكان الجامعة: بغداد
المستخلص: تعد الخصائص الاسلوبية من ابرز المقومات اللازمة للدخول الى صميم العوالم الفكرية والنفسية لشاعر، او لطائفة من الشعراء عاشوا ظروفا سياسية واجتماعية واقتصادية وثقافية متماثلة في عصر واحد، او عصور مختلفة، اذ ان الخصائص التي تتوزع على مستويات عدة تدخل في شعي | Thanks to Allah and Pray and Peace on his prophet Muhammad with all his relations and followers.The style characters are considered as a main distinguished necessitate elements to enter in essence of intellectual and psychological worlds of the poet, or for the group of poets those who lived in similar political, social, economic and cultural conditions at the same time or in different times, the characters which are distributed at number of levels, are enter in language details in their pronunciations and structure, also in internal and external rhythmic of this language, in the methods of using them and in indications which are lead by using special individual using in every poet or group of poets, in addition, the study of these characters and to balance between them showed the features of acuity and creation entered in aim of touching the basis of technical creation in pomes of poets.So I dealt in research ( Style Characters at Abi Firas Al - Hamadani and AL - Mu'tamid Bin Abad Poets Comparative study) in style characters in poem of two most greatest poets in sentimental pomes, this study divides to two parts, first one is specialized to study these characters by two chapters first one is on the life of the two poets, to know the conditions of their life, and to specify the main points with reasons beyond saying pomes.Chapter two at the first part specialized for studying the (style characteristic in Abu Firas Pomes) this chapter includes four sections, section one concentrated on the ideas of poets within three main sides which are represented the personality embodying, and to show love situation, and expressing the fascinating experience, section two talked on poems images, section three included the linguistic structures representing by requested and composition styles, chapter three contained the external poem music represented by measure and rhyme, also the interior music represented by repetition, and to bring the rear to the fore, homonym.Chapter three from first part specialized to study the (style characters in Al - Mu'tamid Bin Ebad poet), as in chapter two divided to four sections, first section talked on ideas, second on poetic images, third on studying linguistic structures, and fourth one dealt with internal and external music.Part two shade a light on the balance letter between two poets in one chapter included four sections, first one for the balance between the ideas of two poems, second one specialized to poetic language, when section three for the poem imagination, and at the end the section four dealt with emotion.So in this way, thesis will be finished and researcher arrive to the main important results, that the poem is the nature of the two poets, also the two poets could express themselves and embodied their personalities in their poets, research could also recognized the good using of vocabularies by two poets, and their function, researcher emphasis also on the weakness of imagination at Abu Firas, with over emotions on imagination image than Al - Mu'tamid, and showed the strongest of emotion to every one, which were reached some times to passionation especially in fascinating poets.These are the most important results in research, could researcher showed them by Allah supporting and gratitude, so we thank Allah in achievement of this research.
الصفحات الاولى:

النزعة الانسانية في الشعر الاندلسي في عصر الطوائف

اسم المؤلف: محمد عبد الرحمن محمود الفضلي
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2006
مكان الجامعة: بغداد
المستخلص: My thesis "Humanitarian Inclinations in Andalusian Poetry during the Age of Princelings" is composed of introduction, preface, and 2 chapters, each includes 2sections. The first section of the first chapter tackles the most important ages Andalusia had undergone before the Age of Princelings, and most prominent poets thereof. As for the second section, it tackles humanitarian inclinations in Andalusian poetry before the Age of Princelings. The first section of the second chapter exposes biographies of most prominent humanitarian poets of that Age, while the second section discusses humanitarian inclinations during the Age of Princelings.The preface includes information about humanity and its meaning in literature, and about sub states and princelings at the Age of Princelings.In short, my thesis exposes the humanitarian problems facing Andalusian poets being spokesmen of typical Andalusians. The problems used to be many whereas their solutions used to be almost "nil" because to fund deficiency due to the events they were exposed thereto subsequent to dividing their country into sub states and princelings as a result of their kings' misbehaviour, tyranny, and plunge in lusts, wine, impudence, effemination and invasion to enlarge their kingdoms. The victim was none but the typical Andalusian having to bear the rulers' tyranny as he was burdened with huge amounts of taxes he had to pay… he would see his money go to rulers squandering the same on their lusts whereas taxpayers were in bad need therefor to provide their families to improve their living… that was very painful. Hence, many found themselves obliged to leave their families, children and homes to get rid of that tyranny. Others were thrown into prisons and expatriated… the reasons were numerous and trivial. Andalusian poets undertook to depict all tragic events and scenes via rime, dictions, and figures of speech. So, they were not safe from the rulers' tyranny. Therefore, many poets emigrated… many were thrown into prisons… many were deported…Once you want to get acquainted with Andalusians' sufferings at that time, my thesis is exposed for you to read its contents and get knowledge thereabout… May God grant us success and prosperity.
الصفحات الاولى:

التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings

اسم المؤلف: محمد عادل جاسم حمادي
اسم المشرف: نصيرة احمد حمزة الشمري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2017
مكان الجامعة: بغداد
المستخلص: تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references
الصفحات الاولى:

الغربة والحنين في شعر الجواهري

اسم المؤلف: محمد حسون نهاي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2007
مكان الجامعة: بغداد
الصفحات الاولى:

البناء الفني في شعر ابن زمرك الاندلسي 797هـ The Technical Struchure Of The Verse Of Ibn Zumrak Al - Andulsi

اسم المؤلف: علاء طالب عبد الله العاني
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2007
مكان الجامعة: بغداد
المستخلص: Islam ruled Andalucia for eight centuries during which Arabs Iaid the foundations of a great civilization. Andalucia became the bridge on which the Arabic culture crossed to Europe. When conflicts and domestic differences spread, the nation split up and became too weak to stop the Christian attacks in the north of the island. However the Arabic cultural heriage remained as a witness of the Arabic mental talent represented in various fields of Knowledge. Hence research work should reveal those distinguished masters of literature and their precious treasures. Ibn Zomrak was of those masters who marked an important stage out in the history of Arabic thought in Andalucia during a critical period of a threating collapse. He lived in the first half of the eighth Higri century and became one the distinguished people of the cultural movement in Grenada where litrary life flourished despite the deteriorated political conditions and the retraction of Arabic rule and the fall of the big bases in Andalucia. Ibn Zomrak was one of the Andalusi poest hose poetry was characterized by Keebing the inherited from and exploring new ideas , meanings, and images. He was one of many other poets whose potry needs to be exblored and revealed to readers to establish one pillar in the Andalusi studies. This study attempts to shed light on one of the poets of Andalucia whose poetry was scattered out in various Andalusi and east and west Arabic countries. The study collected, analyzed and verified his poetry and put it in its proper place among the poetry of his contempoatry great poets such as Ibn Elkhateeb, Ibn khatima, Abi - El - Bakaa, as he had a great aristic talent of writing poetry. The study is made up of an introduction, four chapters, and a con clusion. The introduction deals with the poet's evvironment which represents the geographical, political, cultural and constructional aspects of Granada; the birthplace of lbn Zomrak, and all of its surroundings such as hills, mountains, rivers, gardens, etc. In the introduction l referred to the policy adopted at home and abroad and the treaties of reconciliation and and friendship between the Kingdom of Granada and its neighboring countries. part of the inteduction tackled the conflicts among the members of the ruling family and the political relationships between the Kingdom Granada and the friendly Kingdom of Morocco ( Kingdom of Bani Mareen ) and the enemy Christion Kingdom of Castilla and Argoon. Then I dealt with the cultural environment and the literary development as a result of Bani Nasr's encouraging of a group of distinguished poets, thinkers, linguists, scientists, and doctors and the establishing of Yousofiya School and recruiting the best qualified teachers for it
الصفحات الاولى:

المتن والهامش في الكتاب لــ ادونيس : دراسة نقدية Text And Margin In Adonis's "The Book" : A Critical Study

اسم المؤلف: عز الدين صخي خضير
اسم المشرف: عصام عسل حسن العتابي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2006
مكان الجامعة: بغداد
المستخلص: The thesis deals with the text and the margin in Adonis's "The Book" A Critical Study. It describes the central saying which dominates the content of The Book on special level. On the other hand, It dominates the history of the population on public level. It is a hegemony throwing light on Adonis's view point who has uttered the culture of the transformed text. It springs from philosophical basis, believing in the principle of move due to the move of reality, leading to guarantee the Adonisian pure transformation, that forms an intellectual, knowledgeable, innovative and aesthetic break off with what is prevalence in the Arabic and global cultures.Adonisian text is interwoven one; many philosophies and culture has melted within it. Therefore, his text is a combination of poetry and intellect simultaneously. The Graphic and textual structure of the Book has gained a special importance; on hand described as a new innovative writerly text, history is dissolved within it. On the other hand, described as a science embracing all types of cultures - sometimes they cross with poetry and other time they meet with it. The former reveals the hegemony and persecution; the latter glorifies the innovation and liberation, and between this and that the opposition between text and margin, emerges the former glorifying, and the latter critical, within them dialectic occurs at which time is existed in its three dimensions (the past, the present and future) - exposing and knowledgeable - leading to the victory of the text over the margin and that is through presenting unified and comprehensive vision about reality. Its principal relies on the principle of motion; It leads the necessity of transformation. Through the induction of the whole content of "The Book" it turns out that the graphic and textual structure same as pyramid; religion serves as its basis, cylinder is composed of text and margin, and its top is the vantage point. So the start is deconstructive mode, its conflict is exposure and the salvation / vision, A structure each part of it inescapably depends on the other; and this combination of parts leads to vision / salvation. The hypothesis of thesis attempts to be proven from the introduction to the conclusion. It divides thesis into an introduction and three chapters discussing the reading of the text and margin in Adonis "The Book"; it depends on three pivots; first fundamental; second foundation; and the third the term which seeks for the potential exemplar of knowledge beyond Adonis's creative and intellectual idea. On the light of the exemplar, the term "the text and the margin in The Book" will be specified. The first chapter is The start / Deconstruction which discusses the tools of Adonis's critical view point toward The Stable / The religion. The first tool : the rebellion against the sacred; the second : the glorification of sin. Chapter two is The Conflict / the revelation which throws light on the dialectic of text and margin leading to exposing knowledge. That is achieved through three points; first is the combinative structure of The Book; the second is the dialectic the history of authority / the margin. The third is the dialectic of glorification / the body. Chapter three is salvation / visions which consists of a comprehensive vision discussing its singularity and its optimistic / pessimistic dimensions. The systematic and academic process of thesis ends up with conclusion which recapitulates the important results of the research, on intellectual level is that man in the absolute center of universe. On the creative level is that poetic writings do not correspond with axioms. However it is a perpetual transformation producing suspicion and anxiety in all certainties.
الصفحات الاولى:

المراة العراقية في سرديات السجون والمعتقلات Iraqi Women In Prisons And Detention Centers Narratives

اسم المؤلف: صابرين سمير عبد الخالق
الجامعة: جامعة بغداد
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: This study contributed to the elucidation of important aspects of Iraqi women experience in the narratives of prisons and detention centers, through research and exploration in the literary productions without writers and writers Iraqis, reviewers image of women in political prisons as a counterweight to the power of man's endurance and commitment to ideological Bmwaagafhn and Aatqadathn intellectual, political, and presented to readers and learners.After dig deeper in a number of prison and narrative texts adopting technical analytical approach with historical and social dimension, showing the true and pre - eminent role of women experience prison and wrote about these informative and varied stage, women from different walks, including Islamist and left - wing oriented all suffered the experience of oppression and imprisonment, endured a lot of pain and agony. The study was initiated efforts to talk about the outlook literature prisons, and the statement of the concept of the prison, and then move on to the statement of historical extension of the hand, and the difference between ordinary prisoner (criminal) political prisoner and the prisoner and the prisoner on the other.Either The reality and the imagined narratives in the prisons, the study indicated in the first chapter to the two forms of texts, the first reflected the realistic experiences, and represented the second imagined texts. This was followed by talk about the relationship between literature, politics, and the political novel, and how policy has become present in the core of our lives, and then produced literature taken from the world of prison, a place and a world and a theme also addressed the role of Iraqi women in the field of political action.The woman's figure axis narratives in prisons and detention centers came a detailed explanation included all about character, and its concept and its importance, and patterns together with the main and secondary characters and characteristics and relationships, this is dealt with the second quarter. As well as the implications of intimacy and hostility, emerged through the narratives Elzimkanah infrastructure in prisons and detention centers in the last chapter of the study, which in turn wire two - way, from the first time and he went to his concept and its importance in the construction of the events and the techniques used in it. And the second to build a place and its characteristics and the impact of the places on the characters, the places have also been divided into open and closed, all by a sense of the characters that inhabit it and thus ended the semantics other Mqsidih The intimacy and hostility.
الصفحات الاولى:

النظرات والعبرات للمنفلوطي : دراسة بلاغية

اسم المؤلف: شهد محسن عبد
الجامعة: جامعة بغداد
اسم المشرف: عبد الهادي خضير نيشان
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: this study dealed with al - manfaluti's literature , looks and lessons (rhetorical study) according to the analytic method.it studied rhetoric , semantics preface and upgraders verbal.it included an introduction , preface and three chpters.the preface dealed with al - manfaluti's literature within the rang of criticizes and the criticizers opinions about it. the first chapter was rhetoric which studied simile , mataphor trope and metonymywhilst the second chapter was named (semantics) in which studied structures fronting , delation , omission , stating, definition , un definition statement methods : - interrogative , command , prohibit and vocative where as the third chaptertalking about upgraders verbal in its both phonetical types like , rhyme and paronomasia.and abstract like : - antithesis , compasability , good reasoning , qouoting and modulation.as the conclusion had the core of the result of the research
الصفحات الاولى:

الهجاء والسخريـة في شعر الحطياة وابن بسام البغدادي : دراسة موازنة Satire And Sarcasm For Al - Huttaya’A And Ibn Bassam Al - Baghdadi A Balanced Study

اسم المؤلف: سلمى كاظم نمر العتابي
الجامعة: جامعة بغداد
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: After this long journey in the world of references and resources which have given me a lot of enjoyment I am about to embark on the end of my journey, here we should mention the most important results of this research : The way of balance was not easy, but risky because it is a thorny way and comprehensive process. Balancing between Al - Huttaya’a and Ibn bassam Al - Baghdadi - in their satirical sarcastic poetry she light on whatever concerned the two pets and revealed the hidden aspects of their lives and the influences in their satirical course depending the analysis and deduction in an objective way. The research revealed the circumstances surrounding the two poets. Their effect was one which is the hard circumstances that surrounded them and created two troubled, worried and troubled characters. There were incentives for their satire and sarcasm some was psychological and some was personal, social or political. The psychological incentive was stronger for Al - Huttaya’a while the political incentive was for Ibn bassam.For the trends of satire and sarcasm for the two poets, they share some and each was unique. The subject of satire which they share is self - satire, family (father, mother and siblings), the social segments like stingy people, cowards, liars, fools, etc. Also, they satirized the statesmen like caliphs, viziers, and rulers. The technical study took the great part of the balance the two poets for the inquiries and sections included, especially imagery like simile, metaphor and metonymy. For language they differed from each other in some aspects like the satirical tone : Al - Huttaya’a was characterized by his Bedouin language with its eloquence, while Ibn Bassam's language is simple and popular. The poetic segment is the dominant form on their satirical verse. They used some of the technical methods like interrogation, imperative, prohibition, interdiction, vocative, etc. The poets’ interest with the poetic rhythm : internal and external, in terms of meter and rhyme, the two poets did not get away from the meters of Artbaic poetry which were found by Al - Khalil bin Ahmed Al - farahidy. They also cared for the aesthetic devices like repetition, inlaying, segmentation, calembour, paronomasia, antithesis and opposition, etc.In the balance of critics, the two poets have gained a high satirical rank. Both were masterful of their arts and they were called ‘the poets of satire.’The satire of Al - Huttaya’a is modest and away from obscenity while that of Ibn Bassam was obscene.Al - Huttaya’a was outstanding in personal satire, while Ibn Bassam was remarkable in his political satire due to the bad political circumstances. Finally, this study tackled the hidden aspects of the two poets Al - Huttaya’a who lived between pre - Islamic period and Islam and Ibn Bassam Al - Baghdadi who lived in the Second Abbasid Era.
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شعر النصح في عصر بني الاحمر : دراسة موضوعية فنية 635 - 897هـ The Advising Poetry In Bani Al - Ahmer Era " An Artistic Objective Study 635 - 897H

اسم المؤلف: سرى ظافر سلمان
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: In this study , which is entitled ( The Advising Poetry in Bani AL - Ahmer Era " An Artistic Objective Study " ) , I dealt with the concept of advising and how the poets utilized this concept in their poetry production not only to reform their society but also to preserve the last remaining of what they had from Andalus.This kind of these themes emerged in that dark period of Andalus history.The study is divided into three chapters preceded by the introduction and followed by the conclusion.In the introduction , we difined the advice and also showed the dimentions of its effect on a society.The first chapter deals with an objective study which is divided into two sections ,the first one deals with religious advice while the other deals with social advice.The second and the third chapters both are dedicated to the artistic study.The second chapter is divided into two sections, the first one included the poetic lexicon as well as the prominent styles which were adopted by the poets in their advising while the other dedicated to the artistic image.The third chapter,which deals with the poetic rhythm, cosists of two sections, the first section is for the framing rhythm (external) and the other is for the internal rhythm.Finally, the study ended up in the conclusion which summarizes the most important findings of the study
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