Show: 25 50 75 100 Results

Search results: 25 out of 75

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي == The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

Author name: حسين علي جرمط
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

التنوع التصميمي في لوحات المشق الخطية == Diversity In Design Mashaq Handwriting Paintings

Author name: اشرف كامل عبد الامير
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: استهدف البحث الى دراسة التنوع التصميمي في لوحات المشق الخطية، من خلال الدراسات الاستطلاعية التي قام بها الباحث، وجد وعلى حد علمه ان تلك الدراسة لم يتطرق اليها الباحثون من قبل، لهذا وجد الباحث مبررا منطقيا في دراسة لوحات المشق والتعرف على تنوعها تصميمي | Targeted to study the diversity of design in the Mashaq handwriting paintings , and through surveys carried out by the researcher, found and , to his knowledge that the study did not address the researchers before This researcher found in a study rationale plates rima and identify the diversity of design parameter. The study included four chapters, the first chapter includedthe research problem, in the following question : What diversity in design Mashaq handwriting paintings In order to reach solutions to this problem and to achieve the desired results, so research aims to identify the elements of artistic construction plates rima, andidentified by the researcher Balentajat completed in all of Iraq, Turkey, Egypt, and Saudi Arabia.The second chapter includes several axes, including a brief history of plates rima, and building them with technical, design and foundations, while the third chapterincluded the research community boards rima linear and which numbered (97)Chosen from the research (10) samples were deliberate, may follow the researcherdescriptive approach, using this instrument, which were represented form for analysis which is based on dialogue with several oversaw the validity of a group of professors who specialize in this area either Chapter IV represents to reach important results, as it appeared diversity in design plates AlamishqalkhtiahibflAdoption of plates rima processor design variety is based on the methods based on the lack of contention clips, text, or fragmentation of the word into two parts due t othe similarity of characters, or by symmetry and symmetry words of text, contributed treatment sections written word per category of color united in promoting the efficiency of literacy that draw paths lead appointed receiver to track the movement of the characters despite the variation trends, especially within the formations character motor, and the researcher recommended included plates Alamishq the curriculum for the students of the Faculty of Fine Arts, and educational institutions corresponding to them, because of their importance in the diversity of outcomes sin being kept pace with the movement of technical development, sealing the fourth quarter proposal fit to be a subsequentstudy includes oundations Alamchaq pairing between handwriting and paintings of letters nature.

التنوع الشكلي للخطوط المبكرة في المصحف الشريف == The Formal Variation of The Early Calligraphies In The Holly Quran

Author name: كفاح جمعة حافظ
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: The problem of the research represented in a basic question : (What is the formal variation of the early calligraphies in the holly Quran?) The research aims to answer this question mentioned in the problem The research deals with the calligraphing models which arrived to us from the period of prophecy to the end of second century of Hijra , which represented with the holly pages of Quran.The theoretic frame dealt with the following subjects : notating the Quran in era of prophet Mohammed (peace to be upon him),and the material which were the Qurans written on at the beginning of Islam ,the research dealt also with the spreading of calligraphy in the first two centuries of Islam. The second research deals with the variation of Quranic calligraphies at the beginning of Islam.The third research deals with emotions and admiration, then the fourth one deals with spacing between suras and decorations. The last research dealt with what the researcher concluded about the variation of the early letters in the holly Quran through using tables showed that variation.The indicators of theoretical frame and the previous studiesThe researcher followed in his procedures the descriptive approach to come to results that achieve his aims and solve his problem.The sample was chosen deliberately where the number of samples was (10) samples out of (40) models. The tools (form) was designed and submitted to the experts to assure its validity and achieving the aims.The researcher came to several results which are : 1 - Some Quranic calligraphy characterize with simplicity in drawining the letter or the formal building of the page ,on the contrary of other kinds came in high accurate drawining.2 - Variation of the one letter form in the same calligraphy and its appearance in various forms, whether it was connected or disconnected, it helped the calligrapher in finding the differentiation among the forms of the letter and choosing the suitable form in building the designing frame for the Quranic page.3 - The calligrapher , who concerned with drawining the letters , characterized with perfect generally, this seem clear through the models which we got.4 - The pages which were written with the Quranic calligraphy were full of lines wher e their number reached (32) lines, where in other kinds they did not overcome (3) lines ,where their average was (11) lines through analyzing the models. The average of number of the words in the single line was (5) words according to analyzing the samples.5 - The Arabic calligraphy achieved great change in the formal pages for letters and the systems of their building, as a result of taking care of Moslim calligraphers at that time in improving and decorating the Arabic letter and taking care of the aesthetic side of the letters images and their connections to achieve the functional and aesthetic aims in the holly Quranic.6 - The multi - levels systems did not appear at the beginning ,while the simple lining system was adopted in the lines of holly Quranic page ,with appearing of a simple way to form a single letter over the other as in the sample number (6) in the word (aladthab).7 - The decoration became representing the added unity, when it entered on the Quranic calligraphy ,but the calligraphy remained with its Sovereign and dominated role in the holly Quranic.The researcher recommended to make use of his results and vocabulary in supporting and activating the study Curriculum concerned with early calligraphies generally, in the concerned departments within the artful collages and institutes.The researcher proposed studying the variation of the early calligraphies for the next periods as third and fourth centuries and the advanced periods and make a comparison study about their formal variation.

اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة == The Foundation of Building And Designing Wall Plant Ornaments In The Holy Shrine of Imam Kadhum

Author name: سؤدد مشعان حواس
Supervisor name: عبد المنعم خيري حسين العاني
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثلت مشكلة البحث بتساؤل اساس ماهي : اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة ؟ وتجسدت اهمية البحث بالاسس البنائية للزخارف النباتية الجدارية بوصفها ممثلة لتنوع من الفنون العربية الاسلامية وعلاقتها بالمرجعيات الفكرية والفلسفية، | The problem of study is summed up in the following question : The Foundation of Building and Designing Wall Plant ornaments in the Holy Shrine of Imam Kadhum?The importance of the study lies in the bases of building and designing wall Plant ornaments as representing the variety of the Arabic Islamic arts and its relationship to ideological and philosophical references. The present study aims at answering the questions. It also was confined to the external and internal facades carried out on the glazed and marbled slabs in the Shrine for the present status 2012/1433 ah. Chapter Two included the following themes, a short historical review of the emergence of the ornaments in the holy shrine of imam, the most important elements constructing it and the contents of the wall plant ornaments. In addition to the most important vessel, flora and bough existing in the designs of the shrine. Some of these designs include vessels, heart shaped frames and pillars, animals and realistic shapes as well as natural scenes to obtain one basic needs of the shrine as well as the technical shape.The researcher followed in the procedures the descriptive approach in order to arrive at achieving the results of her research. She chose purposely her samples. The sample attained 10 samples out of 191 design. The analysis form was based on the indicators of the theoretical frame and were shown before the experts to verify their validity. According to the analysis form, the samples chosen were analyzed. The following were found : 1 - the weak interest in the organization and adjustment which was conducted on some designs by demolishing some of the slabs and using instead designs that do not suit the old slabs. In addition to the lack of a cadre specialized in calligraphy.2 - the appearance of more than one bough movement inside the one design like (spiral, wavy, circler) which were conditioned according to the requirements of the area and were divided into (dual, quadruple, radial, reticulate) in addition to the free designs. 3 - more than the shape of the form, this spatial occupation of the plant ornaments (vessels, floral) were more,. There are other plant unties like (vessel, heart shape) ornaments. 4 - the designer was inspired in carrying out his color treatment according to the closely allied relations and the chromatic graduation among the colors and the other formations, in order to show the dominance of the appearance on the other formations. 5 - the ornate designer tried to activate the structural bases through his expertise and taste in carrying out the ornament product to achieve unity and repeating them in the artistic ornament work. According to the results reached to by the researcher the following was concluded : 1 - the use of more than one type of ornament in one design (plant, linear, animal. Heart shape, vessel and architectural) in order to accomplish the appearance enrichment as well as to achieve variety. 2 - The use of the technique of carrying out the glazed and veined slab raw to reflect the richness and brilliant color. 3 - The design bases contribute to the process of founding the for structure of the plant ornaments, especially those with identical formations according to the (balance, dominance, repetition, homogeny, variance, unity and variation) to achieve the functional and embellishing objective.According to what the researcher has reached out, and in completing to the benefit and knowledge, the researcher recommends the following : 1 - making benefit of the findings of this research and inserting them in the curricula of the Artistic Ornament studied like the institutes and college of fine arts (Dept. of Archaeology) as well as the offices and institutions concerned with this holy shrines in Iraq. 2 - employing new technique suiting with the moral value of the status of the Holy Shrine of Imam Kadhum in the execution of (outstanding and cavernous ornament) technique with a consideration of the rules and principles of ornaments to vary the executive techniques.In completion to the requirements and to achieve scientific benefit, the researcher suggests making these subsequent studies : 1 - studying the artistic and technical ornaments in the Arabic Islamic art.2 - studying the balance of concepts for the aesthetic concepts to employ Islamic ornaments between the modern and postmodern arts.3 - studying the artistic characteristics of the plant ornaments and designs in the ideological and philosophical values.4 - studying the building of a program to analyze the formation of ornament by the use of computers

الابعاد الفكرية والوظيفية للتصاميم الزخرفية في مخطوطات دار الروضة العلوية المقدسة == Intellectual and Functional Dimension of Decorative Designs in the manuscripts of the Ali Holly Shrine

Author name: سارة فلاح حسن علوان القره غولي
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

جماليات تنوع التكوينات الزخرفية الداخلية في العتبات المقدسة : العراق وسوريا انموذجا == The Aesthetics Composition varieties of the Internal Ornamentation of the Holy Shrines (Iraq and Syria as a pattern)

Author name: زينب رضا حمودي كاظم الجبوري
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

جمالية التكرار في التكوينات الزخرفية الاسلامية == Aesthetic Repetition Of The Islamic Decoratvie Formations

Author name: ايناس نجاح محمد
Supervisor name: حيدر عبد الامير رشيد الخزعلي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

الزخرفة العضوية المنفذة على البلاط المزجج بين جامع السليمانية والعتبة الحسينية المقدسة : دراسة مقارنة

Author name: ايمان شاكر كاظم
Supervisor name: صفا لطفي عبد الامير
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

جمالية التنوع التقني في الزخارف الاسلامية : مرقد السيدة خولة بنت الحسين (عليها السلام) في لبنان انموذجا == Aesthetic Technical Diversity In Islamic Decoration Sayyeda Khawla Bint Al Hussein (p) In Lebanon model

Author name: انسام عباس عبيد البكري
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

جمالية الوحدات الزخرفية في المسجد الاقصى == Aesthetics motifs in the Al - Aqsa Mosque

Author name: اسراء ابراهيم فليح الربيعي
Supervisor name: صفا لطفي عبد الامير
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

الروحي والوظيفي في الزخرفة الاسلامية == The Spiritual And Career In The Islamic Ornamentation

Author name: انمار حميد كريم الكلكاوي
Supervisor name: حسن مجيد حسين العبيدي | عباس جاسم الربيعي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

الابعاد الوظيفية والجمالية للزخارف الاسلامية في مرقد الامام الرضا (عليه السلام) == Functional and aesthetic dimensions of the decorations in the Islamic shrine of Imam Reza (AS)

Author name: سحر عبد العظيم نجم الشمري
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

خصائص الزخارف الاسلامية في المساجد التركية : ايا صوفيا انموذجا == The features of the Islamic decoration in the Turkey mosque (Iya Sofya)

Author name: افراح مالك محسن الفلاحي
Supervisor name: حيدر عبد الامير رشيد الخزعلي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

جماليات التكوينات الزخرفية للمخطوطات القرانية في العراق == Esthetics of decorative formation for Quranic manuscripts in Iraq

Author name: سامرة فاضل محمد علي الفتلاوي
Supervisor name: شوقي مصطفى علي الموسوي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

جماليات التكوينات الزخرفية للمحاريب الاسلامية في العراق == The Beauty of Decoration Formation For Islamic Niches in Iraq

Author name: حسن هادي حسن
Supervisor name: ضاري مظهر صالح العامري
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Babylon - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Babylon
First pages:

واقع الاسس الفنية لريازة قباب جوامع بغداد

Author name: هاشم خضير حسن الحسيني
Supervisor name: خليل ابراهيم الواسطي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تاثير الحرق بالاختزال على الفخار المزيج فنيا وتقنيا

Author name: احمد هاشم عبد الكريم
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad

الاسس الفنية للزخارف الجدارية في المدرسة المستنصرية : دراسة تحليلية

Author name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad

الاسس الفنية للتركيب الخطي : خط الثلث انموذجا

Author name: عبد القادر نبيه مولود
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

نظرية الشكل وتطبيقاتها في التكوينات الخطية == Theory of shape “ gestalt” and its applications In the script formation

Author name: كريم سالم الساعدي
Supervisor name: اياد حسين عبد الله الحسيني
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الوضوح والمقروئية للحرف العربي المبرمج لاغراض التنضيد الطباعي

Author name: وسام جاسم حسين بنانه المفرجي
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

العلاقات التصميمية في اللوحة الخطية الجامعة == Designing Interrelationships in acollective Calligraphic Manuscript

Author name: مهند جواد علي اكبر العبيدي
Supervisor name: عبد الرضا بهيه داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الوحدات الزخرفية في جوامع مدينة بغداد وامكانية استخدامها في منهج الاشغال اليدوية

Author name: حسين محمد علي سامي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad

تقنيات الخزف العراقي المعاصر

Author name: عائدون عبد القادر محمد الانقر
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad

التكوين الفني للخط العربي وفق اسس التصميم في العصر الاسلامي

Author name: اياد حسين عبد الله الحسيني
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
1 2 3