عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 1,515

تقويم تصاميم صفحات مواقع الوزارات العراقية على الشبكة الدولية للمعلومات Internet == Rectification the Iraqi Ministries` Home Page Design on the Web

اسم المؤلف: بشار شامل كاظم حمد الخفاجي
اسم المشرف: اياد حسين عبد الله الحسيني | مؤيد عبد الرزاق فاضل
الموضوع العام: الفنون الجميلة
السنة: 2005
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الصمت في نصوص اللا معقول : دراسة تحليلية - نقدية == The Silences in Absurd Texts Analytical - Criticismcal - Study

اسم المؤلف: سافرة ناجي جاسم الميالي
اسم المشرف: ثامر كريم عبد
الموضوع العام: الفنون الجميلة
السنة: 2004
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

مناهج النقد وتطبيقاتها في النقد المسرحي العربي المعاصر

اسم المؤلف: رياض صبار سندال
اسم المشرف: جميل نصيف جاسم التكريتي
الموضوع العام: الفنون الجميلة
السنة: 2005
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تقويم اداء طلبة فرع التربية الفنية بكلية المعلمين - الجامعة المستنصرية في خط الرقعة == Evaluation Of Art Education Student’s Performance in Al - Ruqa Calligraphy

اسم المؤلف: عطية وزة عبود الدليمي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المتحول الاسلوبي في اعمال الفنان ماهر السامرائي == The Stylish Conversable of Maher Al - Samaraee’s Works

اسم المؤلف: علية يونس ثجيل
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشكالية الجميل في الاتجاهات السينمائية المعاصرة

اسم المؤلف: علاء الدين عبد المجيد جاسم
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

شفرة التجريد بين التواصل والمفهوم الجمالي في الرسم الحديث == The Abstrctess Code between Communication and The Aesthetic Conceptiu Modern Painting

اسم المؤلف: عبد الكريم جبار مجيسر
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التنوع التقني ودوره في اظهار القيم الجمالية التصميمية في الملصقات == The Technical Variety and its Roll in Presentation of the Designed Aesthetic Values in Posters

اسم المؤلف: عبد الجليل مطشر محسن النوري
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التراث والمعاصرة في التصميم الداخلي للمقاهي البغدادية == Heritage And Contemporary In The Interior Design of Baghdad Cafes

اسم المؤلف: سداد هشام حميد
اسم المشرف: مقداد حيدر الجوادي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الوظيفة الدرامية للموسيقى في عروض مسرح الطفل العراقي == The dramatic function of music in the Iraqis Child Theatre

اسم المؤلف: زيد سالم سليمان
اسم المشرف: علي عبد الله فجر
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

جماليات توظيف العدسات طويلة البعد البؤري في تصوير المناظر البعيدة == AESTHETICS OF FUNCTIONAL PLACEMENT OF LONG FOCAL DISTANCE LENSES FOR PHOTOGRAPHY OF REMOTE SCENERIES

اسم المؤلف: زياد طارق شاكر الدليمي
اسم المشرف: عبد الجليل ابراهيم ادهم
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اليات البناء الحركي للمشاهد البوليسية وكيفيات توظيفها في الدراما التلفزيونية العراقية

اسم المؤلف: بهجت عبد الواحد عبد الله
اسم المشرف: حمودي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

جدلية العلاقة بين البنية الوظيفية والبنية الجمالية في التصميم الداخلي == The Dialectical of the relationship between the Functional structure and the Aesthetic structure in the Interior Design

اسم المؤلف: بدرية محمد حسن الحاج فرج
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

مرجعيات الصور الذهنية في منحوتات الاطفال : دراسة تحليلية

اسم المؤلف: مصطفى ممتاز الياور
اسم المشرف: قاسم حسين صالح
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

صعوبات تنفيذ مهارات الالوان لدى طلبة المرحلة الثانوية في انجاز اعمالهم الفنية وعلاقتها بالاضطرابات الادراكية البصرية

اسم المؤلف: الاء رضا عبد الحسين
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد الادراك الحسي عملية تاويل الاحساسات تاويلا يزودنا بمعلومات عما في عالمنا الخارجي من اشياء, او هو العملية التي تتم بها معرفتنا لما حولنا من اشياء عن طريق الحواس, اذ يحتل موضوع الادراك اهمية كبرى لدى المختصين بالدراسات النفسية عموما والمهتمين بعلم النف

التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها == Distortion In The Beauty Of The Design Of Street Furniture And The Methods To Remedy Them

اسم المؤلف: بان محمد شاكر الطائي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تتناول الدراسة الحالية (التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها ) بصورة اكثر شمولية من مثيلاتها لما لها من اهمية في ذائقية المتلقي من خلال البعد الوظيفي والمظهري لاثاث الشارع مع الحفاظ على الهوية والخصوصية في التصاميم , وان مشكلة البحث تحددت | The Current Study deals with(distortion in the beauties of Street Furniture Designs and how to remedy them), in more comprehensive manner than other similar conditions, because of the importance to reflect in the taste of the recipient by the function and the visual aspect of street furniture with maintaining the identity and privacy in the designs , and the problem of the research was out lined in the following question : What are the aspects of distortion in the beauties of furniture used in local areas (street furniture) and methods of treatment ?As for the importance of the research , it was focused in raising the level of taste for beauty of the recipient by determining the distortion taking place in the beauties of the design with finding means to fix this distortion while the research aims to specify the concept and type of distortion taking place in the beauties of street furniture as for the research limits they were outlined by the subject of distortion in beauties of the design of street furniture units used in public areas and how to fix them , in Baghdad /(Alwaziriyah) for the duration(2009 - 2014).As for the procedures of the Research the descriptor method was employed with accrediting a questioner from, which specified the basic axis of analysis, and the researcher have found out the following important results : The distortion took place in the percentage and in some models with a distortion in the visual communication as a result of misuse as the metal ore was distorted because of the bad joining methods which was affected in the climate conditions in several models.The most important conclusions : When the designer ignores the design foundations and the relations the distortion appears unintentionally in the appearance of the industrial product and by choosing some types of ores and joining methods and failing to use good painting , this create is an obvious distortion in these units because they were exposed for different environmental and climate effects which have contributed in creating the distortion , and the research ended by offering a set of recommendations and proposals.

البعد الجمالي في التكوينات الابداعية للخط العربي == Aesthetic Dimension In Linear Formations Creative Calligraphy

اسم المؤلف: كريم سالم الساعدي
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد مسالة الابداع والابتكار واحدة من اهم المسائل التي تشغل الانسانية في شتى مجالات المعارف والعلوم والفنون، فالابداع سمة العصر الحديث والطريق نحو النمو والرقي الحضاري، ولا يستثنى اي حقل معرفي او جمالي من الانشغال في قضية الابداع والابتكار فهما وسيلة التا | The issue of creativity and innovation is one of the most important issues of concern to humanity in various fields, Creativity characteristic of the times and the road towards progress and prosperity.To Aisttny any field of cognitive or aesthetic preoccupation with this issue, they are the means of meditation deep problems in order to develop solutions to the original and suitable.In Arabic calligraphy, which still indicates many of the questions and give a lot of fields of research is the study of dimensions of creativity is very important to deepen in the region to focus on the aesthetic and artistic objectives.When not studied this issue extensively, has directed the researcher to study through the four seasons, wondering in his first season for dimensional aesthetic that is available by formations linear, and attributes its transformation into a formality creative new leaves the context of traditional and maintains the rules discreet Arabic calligraphy.In the theoretical framework have addressed researcher in three sections to the concept of linear creative formations, as well as the characteristics of the formal and aesthetic and semantic configurable linear, and the effectiveness of Marja receive text language as a springboard aesthetic creative founder of the degree zero aesthetic in modern linear configuration.This included the third chapter action research to analyze the models selected sample and the approval of the orientations of the search, the according to a set of pillars appropriate to achieve the objectives of the research, and seal search a bid for the results showed the contribution of infrastructure design and processing of the contents of the text, and overlapping techniques races other technical in the incorporation of the dimensions of the aesthetic and creative in the configuration linear , as demonstrated by the conclusions of the possibility of achieving the objectives set for the search through the system prepared by the researcher and down to develop a set of recommendations and proposals.

تقويم تدريس الطلبة المطبقين في قسم التربية الفنية اكاديمية الفنون الجميلة جامعة بغداد == Evai.Vation Teaching Practice Of Students In Art Education Depar'L'Ment Acadj!My Of Fine Arts Tjniymsity. Ot Baghd.Ad

اسم المؤلف: عبد المنعم خيري حسين
اسم المشرف: سعدي لفتة موسى
الموضوع العام: الفنون الجميلة
السنة: 1986
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Evaluation is considered as a vital factor in the·education.field.Preparation of the art teacher academically and the practical education, appliance in the high school is a funda11entai part in theoretical student preparation in four years duration.When any element of artistry educational occupational l does not exist, it may affect efficiency of (student/teache ) during practical application.us to study the practical aim~ The necessity requires from that they must exist in the behaviour of student/teacher during training perlod. The importance of research is to explode from the followingpoints : 1 I Academy of Fine Arts requires such'study, this is ascientific study in the qualified field of art educa•tion.2 It shows the internal efficiency of Art Education Department in ~he Academy of Fine Arts··, Univer

البناء التشكيلي للرسوم الموجهة للاطفال == The Formation Structure of The Painting For Children

اسم المؤلف: كاظم عبد الزهرة رسن
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Developed countries got interested in comic stories after they touched the amount of their broad impact on the development of the child 's perceptions and influence on the growth of his character , and reached this limit interest forcing governments themselves to the legislation of laws that regulate and develop basic obligations and the rules of this art.It was a comic fount major supplying communities with knowledge and science and the publications that contain Comics spread widely distributed millions of copies and were conducted in the world hundreds of thousands of research studies and articles about this art , while the remaining Arab world and the Iraqi JH particular deals with this art has led to marginalize him , what was a major reason for the decline in the level of what is produced in this field of fees , in the Arab world is seen drawing for children as a limited role on decorating books and magazines is not seen critics and researchers to outcomes that will be drawing the bulk of them , but from the perspective of educational denial role art - making communities.From here came the attention of the researcher and its insistence on research in the history of this art and details and patterns , trends, and especially after it was discovered that the Arab Research and Studies in this regard are not available at all Never before an Arab researcher that the research in this field.Can be summed up what he had done researcher in this research are as follows : Researcher touched in the first quarter of the research to the research problem , and the spatial and temporal boundaries , and goals , and the definition of terms for a definition of the research linguistically ,in termly and procedurally.In the second chapter , which included theoretical framework , touched a researcher in the first section to the child's personality and how to grow , noting that growth determinants and reviewing the school when it came , in the fields of psychological and social science theories.While the second part consisted of comics history with a review of the most important patrons referring to the history of censorship art Alcolmx and laws enacted by governments because of the spread of this art is widely and people wanting it.In the third section reviewed the researcher styles and trends pursued by graphic artists are important in the world referring to a group of professional painters who left a clear imprint in the history of this art.While ensuring the fourth section a review of the history and active storyboards in Iraq , and was talking about the pioneers of this art in

المنظومة الضوئية وتغير المكان في العرض المسرحي العراقي == Lighting System And The Change of Place In Iraqi Theatrical Show

اسم المؤلف: علي محمود محمد السوداني
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

ما بعد الحداثة وانعكاساتها في سينوغرافيا العرض المسرحي العراقي == Postmodernism And Anekasthe In Scenography Supply Iraqi The

اسم المؤلف: فيصل علي شرين الدوسكي
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن المسرح من الظواهر الحضارية الانسانية، اذ يوصف بالتطور على مستوى وجود الانسان بمستواة التاريخي، ويعد قديما على مستوى ظهور الحضارات الكبرى كما هو حال حضارة وادي الرافدين، ووادي النيل، والحضارة الاغريقية...الخ.ويمكن لقاريء تاريخ المسرح ان يلتمس ت | The art of the theater phenomena of human civilization , as described evolution at the level of the existence of the historical rights to its level , and is out of date at the level of the emergence of great civilizations , as is the case with the civilization of Mesopotamia and the Nile Valley and the Greek civilization... etc..A reader theater history to seek the development of the theater with Greek civilization and Romania to disclose material and references and institutions with beginnings and growth , which differed in which researchers , but what can we adopt in this thesis is what constitutes the structure PRESENTATION formal and dynamic game play as the development of methods Manifesting dazzling accompanied this growth of civilization , which can be described as the growth of tissue adopted all the knowledge available in the neighborhoods of the investment game play , including the science of optics and physical blocks and the lighting and colors and different... etc. Alaihamat of Science neighboring possible to utilize them in a product of game play.This as well as the evolution and transformation of aesthetically pleasing as a result of shifts in the structure of consciousness itself , and appointed to the nature of beauty and the beautiful , including changes to the historical level of movements and technical approaches , which as the variable information on the level of art history , or philosophy of art history , and is the idea of post - modernism , and their productions of the most important aspects of development and transformation in the taste of the Assembly, which swept the arts and literature , and all the creative structures of human civilization , including the art of theater that has been affected by and produced what we might call postmodern theater , which skips steps intellectually and technically.One manifestation of the modern theater transformation broad scenography theater , which was adopted approaches and trends of modernity , starting from Impressionist and passing Baltkaaabah and symbolic and Dadaism and the end Balsraalah , but that theater modernism influenced by the art of assembly and installation , which is one of the arts postmodern At the time of modernity itself and it is normal because the interval between modernity and Beyond separator default, can not be entirely watershed where things are a lot of overlap.The postmodern art , particularly theater , has achieved the outcomes of the task can be half to proceed with actors , which will reveal the institutions of post - modernism itself , and these outcomes with regard to the art of body art of the earth , and Video, and digital art , and these trends that form the structure of post - modernism , and found its place fertile in the art of theater in its system design.The Iraqi theater of theaters in bold and call variables which surprised theaters in the neighboring countries and the manifestations of this is what we find in the daring design creations , especially theater scenography of postmodernism.The researcher found that this trend did not take his scientific position and described dimension for analysis and exploration and drilling flour , despite the importance of the subject and seriousness because a shift in the overall environment for viewing theater , directed towards the form that builds scenography theater as an important center and active in PRESENTATION , which shows the importance of this research and the need for him as well as the goals and limitations cited by the researcher in the first chapter of this thesis and after the completion of the researcher to this chapter represented a systematic framework for the search , and then the definition of terms , the frame of mind of knowledge ( theory) is built on the following according to the detective.To enable the researcher of the mechanism of scientific research the exact terms founded and bases to reveal the secrets of this organization and to realize the verdicts Almazmrh and which was governed by a set of structures and cultural patterns , social, economic and even psychological linked Bmarjaaat doctrinal through First research of the second quarter , which was under the title ( the philosophy of modernity onwards ) of this section has been detected philosophy of modernity and their references and their origins and transformations to the postmodern.The second section devoted to ( artistic forms of art postmodern ) because the subject of modernity and beyond is the fabric represents all aspects of civilization kinds Mstdeih inclusiveness and interaction of all aspects of culture change that was philosophically and politically or scientifically or technically , and calls for change and openness to the new.The third section ( Alcinogravea and a mechanism to engage in postmodern theater ) reveals that the correlation between design and architectural Alcinogravea stage and the mechanism of performance and technology that have subscribed to a set of elements and mechanisms that shape the visual presentation of the playwright. Reading is the new scenography in postmodern theater allows for the recipient that explains the artwork in his own way , but re - formed , and according to his reading on what he sees and diversity of stylistic trends of the scenography depending on the variety of trends and styles in the era of post - modernism.After he finished his research researcher kits through detective theoretical , intellectual and technical moved to the third quarter , which represents action research as beginning with his community and his research samples and method , and the method of sampling Mentahja intentionality of the total samples of the title in question and the justification for the selection of samples.Finally, it was the fourth quarter , representing the results and conclusions reached by scientific research which has important consequences on the theoretical level analytical and exploratory and finally the level of future default.The researcher presented at the end of his research recommendations was for supplements that include interviews and research provided by the professors thought and literature, theater and the creators of the design at the College of Fine Arts Mtfdilan thankfully they are both professors Prof. Dr. Fadil (Sami Abdul - Hamid ) , Dr Fadil ( Fadel Khalil ) Dr Fadil ( Salah reeds ) , Dr Fadil ( Abbas Ali Jaafar ) Dr Fadil ( star Haider ) , Dr Fadil ( Hussein Altk ) , Dr Fadil ( Mohammed Abdel - Rahman al - Jubouri ) , Dr Fadil ( Aqeel Muslim).Finally, like the researcher a statement that art ( scenography ) postmodernism in the Iraqi theater is an art recently has been associated with the renaissance of the theater , after the arrival of creative artists from Europe , including the artist ( Kadhim Haydar ) and artist (Sami Abdel Hamid) and artist (Ibrahim Jalal ) and artist ( Fadel Khalil ) and artist ( Salah reeds ), which is an inexact art and composite difficult to interact with it and achieve results , making its employees do not complete the fingers stop per numbering they Mtfaalon in the level of their offspring quantitative and qualitative , and many of the constraints facing the working art Alcingravea , including constraints and objective thought , because theater postmodern disregards the form and terms of reference or foundations or private art techniques , each work has its style and its terms of reference and ideas that are different from the other work

معطيات المعرفة العلمية للمتحول التقني في المنهج الصناعي == Personal Representative And Performance Between The Epic Theater And Gala Theater Offers In Iraq

اسم المؤلف: صلاح نوري محمود الجيلاوي
اسم المشرف: قدوري عراك صكر | هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current study entitled (the given scientific epistemological knowledge for the technical transformation in industrial product), approached the subject of design in general, and modern industrial product design, in particular, which employed modern techniques and have new concepts and ideas, which was the main element in making significant changes in product appearances. the first chapter included the research problem which it concentrate about identifying the epistemological systems and structure and foundations, which allows us to understand the mechanism and relational components of industrial product , according to that knowledge that contribute to the activation of mental images and imaginative abilities of industrial designer, and reproduction of ideas that used in identifying the technical transformation for that product. According to that, the research problem has crystallized by these questions : 1. does the scientific knowledge has contributed in evolving the product design, and how techniques effected by the upcoming of scientific knowledge? 2. the extent to which the Awareness of industrial designer expertise cumulative knowledge gained through the stages of time?While the importance clarified through the data of scientific knowledge and the overlapping with art, since such interference can appears the values of artistic techniques of product design, so the detection of creative achievement system of scientific knowledge of pure mathematics, physics, chemistry, and technical aesthetic knowledge that appear in the design of industrial product which brings us to an account of the movement of pattern of the mental mechanism visualization and call for a stylistic vocabularyof industrial product to deal with, as it shows the followingimportant points : 1. The pattern movement of mental perception mechanism with which industrial designer generates from which new and innovative ideas based on the accumulation of knowledge, which stores them in memory and call the vocabulary of industrial product and stylistic interaction. 2. The scientific construction mechanism of knowledge and expertise to the industrial designer can be the organization that operates the juxtaposition actor and moving in the structure of the fabric with Other cognitive knowledge. The study aimed to detection and identification knowledge for scientific knowledge and its relationship to technical transformation and their implications in the design of industrial products.And the study formed of four chapters, the first chapter is the research problem and its importance and its objectives and its borders and determine the terms. the second chapter contains on previous studies and theoretical framework , which included four sections. First section dealt with the aspects of philosophical scientific knowledge , and ensure the second section shifts the intellectual , philosophical and tracks applied , and the third section , entitled the concept of technical and its applications in the design , and the fourth section has dealt with the concept and awareness of modern aesthetic and the crux of this chapter, a set of indicators has dealt with Chapter III action research and methodology, as the researcher adopted a descriptive approach in the processof describing and analyzing models of the sample , while the Chapter IV describes the models and analyzed by form axes of analysis developed by the researcher , and the results and conclusions.Chapter four includes models described and analyzed by analysis axes form developed by the researcher, and the results and conclusions. the most important results that emerged from the study are as follows : 1. Diversity in the techniques of high - quality has contrebute in the devices used to distinguish according to specialties.2. the use of new materials in not used of industrial products with a new characteristics, helped achieve the concepts of reductionism and simplicity, durability and ease of use and the possibility of high composition.3. The presence of correlation between technique based on scientific knowledge and applications that have emerged in the experimental applications of industrial product which suited with the mechanics of the user, allowing him to a great deal of activities embodied in scientific knowledge and scientific applications.4. the Change in human behavior and activity through the interaction of functionality, which has contributed to the aesthetics and functionality of the product as a result of the employment of scientific knowledge and its implications, which appeared during the experimental applications. The most important conclusions that emerged from thestudy were : 1. The technologies evolve continuously invested scientific discoveries, and there is no doubt it is one of the effective means to overcome the problems facing the process of development in the industrial products , and this continuity in progress constitutes an important factor in the accumulation of knowledge, which in turn lead to progress and impressive innovation overall of human activities in those products. The technical evolution is an interconnected and connected to start one of them up where the other and in spite of the diversity of techniques between the equipment and the materials and information , but it all involved in creating the products of design will transfer industrial products from traditional character to the modern technical nature, which it need to integrate them , to systems more sophisticated , namely, ( Smart systems )2. The adoption of advanced scientific knowledge has been led to intellectual shifts in the designs of industrial products in terms of function and aesthetics, which gave the impression that intellectually to the role of knowledge in the development of the social life of the user.3. the scientific knowledge Contributed to improved in making changes to the concepts held by the industrial designer See Through accreditation and keep up with new technologies, and this will be achieved throgh the product which it has cognition communication between that and the user, and this is reflected in the designs of industrial product to suit the needs and functional requirements and aesthetic that fit with the taste of the user.4. That most of the techniques employed in contemporary designs of industrial products and its evolution, which is characterized by a technical Nanotechnology and technical tactile and digital technology and radiation, artificial intelligence and pooling of modern materials, which contributed to a change in systems of formal and functional designs in industrial products

جماليات توظيف برامجيات الحاسوب في سينوغرافيا العرض المسرحي == The Aesthetics of Employing Computer Softwares In The Scenography of Theatrical Show

اسم المؤلف: راوية جبار حسن
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح يعد حصيلة لتكامل النص مع الاداء الصوتي والحركي للممثلين ومدى انصهارهم مع المنظر والاضاءة والازياء، وهنا تظهر امكانية استخدام برامج الحاسوب في جزء من المنظر والمؤثرات الصوتية والضوئية وباستخدام تكنولوجيا العرض هذه مع بعض برامج الحاسوب مثل ( 3D G | The theater is considered as a product of text integration with voice and kinetic expression of the actors and their interaction with the scenery, lighting and costumes. Hence, we can find a possibility of using a computer in a part of the scene, sound and lightening effects. Using display technology by some computer programs such as (3D Graphics) and (Virtual Reality) can configure the sense of depth and different views that commensurate with the desired show. It is also characterized by dynamic capabilities which are not available in the traditional decor based methods. For example, dynamics allow making a change on the display elements with taking advantage of other video presentations to be an integral part of the background. The actual or real effects are to invest the non - final maximum energies for the PC in the creation of artwork tools and symbols, reproducing voice and image so that it its impact on viewers (sometimes) would exceeds the reality and beyond sometimes. The actual effectsoffer its tools to the computer user; would make it dive into an experience that is so close to reality. So the researcher has divided her research into four chapters : Chapter I - Research methodological framework : it includes the research problem, its importance, the need to it, its goals and limits. It ends with defining the following terms : (beauty, employment, software, computer, theatricalscene) Chapter II - it contains a theoretical framework for the research and previous studies, including four sections : First : the aesthetics of modern experiments in the formation of the scene. Second : technology and experimental trends.Third : the aesthetics of design by the computer (Digital Arts). Fourth : lighting devices used in modern theater. Finally, this chapter shows the indications that the theoretical framework ended up with.Chapter III : it includes the research procedures which the whole research was consisted of. It is limited to the Iraqi and Arabic theatrical performances. The samples of the research on the other hand were deliberately chosen by the researcher and for the following rationales : 1. The samples represent the research problem, its importance and its objectives. 2. The extent of disparity between the theatrical directors which the researcher has highlighted their scenes on a play that was embodied by their theatrical shows. 3. Archival sources of theater shows provide the sample of the research. Regarding the research methodology, the researcher has adopted the analytical approach in the presentation of theoretical framework, also adopted the descriptive approach in the presentation of samples brought by the whole research.As for the research tool, the researcher relied on the indicators that resulted from the theoretical framework.The research samples are : 1. Adding Machine directed by (Ronald Wells)2. theatrical play (Play) directed by (Lance Jarafa)3. The use of technology in the play of (Othello) directed by (Salah Qasab).Chapter IV has included research results and conclusions, then the list of resources and supplements. Finally, it ends with an English abstract.

نظريات الاتصال الحديثة واسقاطاتها الفكرية على المنتج الصناعي == The Modern Communication Heories And Their Intellectual Impact On The Industrial Product

اسم المؤلف: جاسم احمد زيدان
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Industrial design is regarded as an intellectual and cognitive product that is developed with accordance to the analytical awareness of man interpreting accordingly the external existence with the means of senses which human and other creature have. The senses are the window overlooking the external world and the environment. The form the beginning of mediation and observance and concentration and the formation of depictions which work according to the innovative imagining.Therefore the industrial design is regarded as one of the important pivots of the fine arts. These pivots revolve around the bases of how to convey meaning or the design of the idea to the users or the receivers in the clarity with hindrance to the understanding.The language of visual communication which scientific ad practical bases are formed according to the modern theories of communication. It is the language of modern communication of signs and relations are connected together. The modern theories of communication have offered developed system of communication to the user. But these face the problem of awareness and culture in the confrontation of the developed industrial products (multi - purpose digital devices) as means of communication in finding utilities.Upon the above, the researcher preferred to found the problem of his study through revealing the reflections which are formedby the modern theories of communication on the industrial product of the electronic device (Smart TV, Smart Camera, interactive board, Tablet PC, Smart phone).The study aims at the following : 1 - Investigating the modern theories of communication ad their intellectual impacts on the industrial product.2 - Analysis of sample of modern industrial products to know the effect the modern theories of communication in the development of product.In order to verify these objectives, the researcher founded a theoretical framework that tackles the philosophical backdrops to knowledge and communication and put the following (3) inquiries : First inquiry : The relationship between sensual visual realization and communication.Second inquiry : the modern theories of communication and their application fields.Third inquiry : the aesthetic thinking and its relations to the theories of communication and their impact on the industrial product.The researcher comes up with a number of indications which resulted from the theatrical framework depending I the design of the instrument which is the content analysis form of the industrial product specified in the sample.In order to determine the modern theories of communication that could be concord with the samples of the study, the researcher made a survey of the opinions of the experts in these theories. They referred to him to the theories of (McLuhan - Diffusion and innovation - selective effect - developmental technology).The research community was confined in the products of Samsung ad Sony institutions. The researcher chose a sample of (5) products after consulting the experts in the field of industrial design. The, these samples were analyzed according to the analysis form prepared for that purpose, which was subjected to the validity coefficient test by exposing them to the group of experts.Based on the analysis conducted for the sample, the researcher came up with a number of findings : 1) The structure of the sample was characterized by an apparent functional value and utilization which the user can touch and enjoy in their aesthetic function.2) The sample was characterized by digital products with aesthetic value especially in relation to the outside form of these products which contain attractive points emerging from the utilizing features for every type. This created a form of power in the taste.3) There is a clear reflection of the modern theories of communication on the functions of the industrial productsof sample in the functional and utilizing ad aesthetic aspects.The most important findings are the following : Upon these conclusions the researcher made a number of recommendations which are :
1 ... 22 23 24 25 26 ... 61