Author name:
ازهار كاظم كريم الشريفي
Supervisor name:
عباس جاسم حمود الربيعي
Abstract:
كان الفنان ضياء العزاوي من الفنانين الذين لهم الاثر البارز لتاسيس فـن عراقي ذي خصوصية وطنية وقومية تستند الى تراث فني عريق ولغة معاصرة قادرة على التواصل مع منجزات الفـن الاوربي والعالمي الحديث. غير ان الفنان العزاوي خاض تجربته الفنية في سياق اجتماعي وثقا | Dia Azzawi, an artist of artists who have a prominent effect of the founding of the art with the privacy of Iraqi national and national heritage of art based on ancient and contemporary language that can communicate with the achievements of European art and the modern world. However, the artist - Azzawi fought experience of art in the context of various social and cultural, the contemporary - Azzawi, the conditions of war experienced by the Arab world and the struggle of the Palestinian cause against the occupation and suffering experienced by Arab intellectuals and the Iraqis during this period. Finally, the migration to the west in the direction opposite to the flight Jawad Salim, who studied in Europe and returned home, where al - Azzawi be in Iraq, then technically he journeyed to Europe. This dye experience technical features artist who is looking for innovation across the horizon of his dialogue with Western art and a new life, not the horizon of incorporation alone. Hence, al - Azzawi was launched in an attempt to confirm its presence in the present art world and his desire to maintain its root in the soil that extends the Arab world and the preservation of his artistic map of his country, Iraq. At the heart of current research in the study (in the fee structure design Dia al - Azzawi) is divided into four chapters, Chapter I contains an account of the research problem has summarized the problem of current research questions has the following : 1. How could the artist Dia al - Azzawi of the control structure design in his work that combines abstract formalist approach, despite his eagerness to sacrifice the intellectual content of the painting? 2. How does the artist Dia Azzawi visual compositions with the work that is rich with symbols of heritage, diversity on the one hand, which seeks to keep up with modernity in the drawing on the other? 3. Can the artist Dia al - Azzawi of the development of the structure design in works of art on the diversity of sources of inspiration and employment Aharovi heritage, literary and poetic to be commensurate with all of these trends? 4. Can the artist to make works of art with a list of complementary relationships between form and meaning and their conformity or disagreement with the purposes of property across my design a system based on technical grounds between the meanings of the structure design and ideas that are the basis for its engine of the year? Search has been divided into four chapters, which included the first, the definition of the problem of research and its importance and need for, and purpose of the research summarized by define structure design fees Dia al - Azzawi. Also included the first chapter defines the limits research, and determine the terms contained therein. The second chapter, a theoretical framework for research, has been divided into four topics, addressing the first part, the nature of the structure. And studied the second design processes, while the third topic dealt with the design features in the drawing contemporary Iraqi, The fourth topic was addressed in the design construction Ramps fees Dia al - Azzawi. Chapter also included a presentation of the previous studies and discussed. And ensure the process for the third quarter, the research community, and a sample search, search tool, and analysis of the sample, as well as statistical tools and sports, also included an analysis of the twenty - act of the artist Dia al - Azzawi. The fourth quarter included the results of research, and a number of findings of the researcher, including : 1. Technical design at the Dia Azzawi, subject to the disposal of the artist forms which deprived and treated to a limited extent of the reduction and simplification maintains close ties to their assets from the real world and tries to merge with each other and detract from the completion of the core parts, which establishes its basic structure. 2. Forms when an artist Dia Azzawi, a solid and coherent does not always tend to turn and disappearing in space imaging is always surrounded by the limits established institution strongly about the land and the land itself is a strong and consistent surface gives the impression of the possibility of diving in the folds or Oguarha away, and the forms themselves are always crowded in large spatial space is punctuated only in limited spots do not weaken the cohesion. 3. The structure determination of Dia Azzawi, based on a ground area containing all of his thoughts and symbols, these interiors are the focus of his genuine interest above can establish different types of configurations always remain consistent with it is based on the floor of aesthetic and technical court. Also included the separation of research findings, and some recommendations and proposals, and disclosure of sources of Arab and foreign research, and a summary in English.
