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نظرية الحل الابتكاري TRIZ وانعكاساتها في التصميم الصناعي == Theory of Inventive Solution (TRIZ) And Their Repercussions In Industrial Design

Author name: محمد علي حسين القيسي
Supervisor name: قدوري عراك صكر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The importance of the research is the importance of the theory of (TRIZ), which are based on the scientific method resulting from the analysis of the content of more than two million patents, founder of (TRIZ) was Genrich Altshuller, it assumed that the principles of general creative form the basis of the output of creative and that these principles can be identified and transferred to others to make the innovation process more amenable to learn. It recognize as the most important theory of the task, as adopted in more than (50) major international companies, including Company (Boeing for the aircraft industry and Toyota Motor).To summarize the research's problem, there is no publication of TRIZ theory concerning industrial design, the goal of the research is to characterize and employ a matrix of contradictions for the purpose of contradictions matrix Created especially to industrial design. The search Limit to traditional TRIZ theory (1973), which includes a matrix of contradictions, which contain in its composition, the forty principles and the 39 engineering standards as objectives limits, the research contain its theoretical framework of four sections, the first section dealt with the creativity and its theatrical concepts. This has been confirmed that the creativity and innovation cannot be taught or trained or acquisition, as well as the concept of creativity after the first quarter of the last century which showed that creativity could be educated and transformed.The second part of the research explain TRIZ theory and nine of their instruments, The tool matrix contradictions have been allotted for the Study of particular axis as the basis for the study.The third section has dealt with the contradictions and i matrix Included on the study of the concept of contradictions besides reviewed the (39) engineering standards and forty principles, the fourth section studied eight previous TRIZ's studies.The most important findings of the study was achieved the contradictions matrix model of industrial design, which Includes on (20) engineering standards and (40) principle. These principles characterized of the examples used to explain them was new which is taken from the field of industrial design and pro

التمثلات الفلسفية للحداثة في خطاب السينماتوغراف == Representations Philosophy of Modernity In The Structure of Assets Cinematograph Speech

Author name: ماجد عبود الربيعي
Supervisor name: محمود اكباشي خلف الزبيدي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Form engaging in philosophical modernist structure speech Alcinmaturav phenomenon articulated it and the latest irregularities unprecedented make it produces or generates a logic of its own and in order to examine this Alachtgalat This study tagged ( representations of philosophical modernity in a speech Alcinmaturav ) which are arranged through the chapters four came first in which the title frame systematic and included a research problem and its importance and its goals and limits of the most prominent and the terms contained in its title as well as the paragraph previous studies. While the second quarter and marked the theoretical framework on four key sections as follows : First research \ entrance to process philosophy historically , functioning Alcinmatugrave.The second topic \ philosophical trends and strategy in assimilation.The third topic \ modernity ( the project and assimilation Alcinmatugrave.The fourth topic \ representations philosophy of modernity in the structure of assets Alcinmaturav speech.The researcher reviewed the first section of the panorama of historical experienced by the philosophy through the ages , pointing to the most prominent names of the task and milestones witnessed by philosophical thought , while touched second section of the most important trends philosophical shining four trends are ( pragmatism and existentialism and Marxism and idealism ) and noting some of the Achtgaladtha and Tmtheladtha Alcinmaturav in the structure of speech , and singled out the third section of the contest in the term and concept of modernity and its most prominent thinkers of the Enlightenment and in the film Achtgaladtha Alcinmatugrave money while the fourth section to the practical applications of philosophical representations of modernity in the structure of the elements of audio and visual components of speech Alcinmatugrave.Through review of the most prominent theoretical perspectives and institutions Alalstamologih constituents thought the philosophies of modernity researcher unearthed a number of indicators conclusion theory for the second semester and adopted as one of the research tools and a standard measure by the elected Qsidia research specimens.The third chapter , entitled action research has consisted of research methodology used and the research community , and specimens marked by models film following ( The Last Samurai , The Devil's Advocate , Mr. Nobody , Homes in that alley, an avatar ), which cited a researcher some justification for some reason selected , and also contained this chapter the search tool and the unit of analysis as well as samples paragraph film , which relied on what Achtgah researcher of the standard indicators of research theoretical framework after obtaining the approval of the Committee of Experts and Mahknyn it.The fourth and final chapter has been included on most final results derived from the analysis of the samples of the five film and that was the most prominent : 1 - The statements and perceptions problem of philosophical thought Batjahath four ( pragmatism , existentialism , Marxism , idealism ) and Tmtheladtha in the structure of speech Alcinmaturav remain in character and descriptive abstract , and remain within this space even linked to the content is appointed in life or art , and then reflected across assets or elements pampering filming to produce a concept or connotation.2 - show that modernity has Mthaana irregularities within the drift has specific knowledge of their requirements and the logical and technical reflected in the building and the Metn Gaii speech Alcinmaturav unconditionally college , but his being in positions Mtaana it ( footage , scenes , parts, chapters.... etc. ).3 - to remain philosophical representations that the receiver always seek effective and positive for the acquisition of meaning and understanding of the significance , and that the psychological needs of the recipients constantly intervene to read or identify those representations , and Lighting essence through the structure of the assets of the synthetic speech Alcinmaturav.It also included a chapter on conclusions Achtgaha researcher of search results and recommendations as it deems necessary , as well as suggestions for future studies of the suffix with the thrust of this study In conclusion cited researcher list of sources and scientific references adopted in consideration and some supplements and abstract in English.

التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية == Conceptual Transformation In The Structure of The Ornamentation Islamic Architecture

Author name: وسام كامل عبد الامير
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول الفصل الاول مشكلة البحث التي طرحت التساؤل الاتي ( ما هو التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية ؟)، ويهدف البحث الى كشف وتحديد التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية على الصعيد الشكلي والوظيفي والتعبيري في ضوء حدود تمثلت | First Chapter deals with the problem of the research which presents the following question(What is the conceptual transformation in the structure of the ornament Islamic architecture ?) The research aims to disclose and specify the conceptual transformation in the structure of the ornament Islamic architecture at the phases of formal, functional and expressive in light of the limits of ornament components in all its kinds in Islamic architecture within Iraq , Turkey, and Iran for the duration of 1563 AD to 2009 AD. Second chapter discusses the theoretical frame of the following subjects : The meaning of converting and its philosophy in Islamic art at the phases of self and subject , the philosophy of concepts in Islamic ornament as perfection and order and repetition and decoration and unity and variety and movement and rotation and accuracy and workmanship, and the styles of formulation of decorative shape represented in modulation style and style of abstraction , and the structure of the decorative in Islamic architecture at the phases of decorative components and spatial organization and processors colorimetric. Third chapter includes the research's procedures which includes the follow of descriptive approach in the light of research's sample which includes 375 shapes non - recurring. 20 shapes were selected embodied the research's sample according to the method of intentional selection. The tool of the research was designed ( analyses form) and shown to experts in order to obtain their reliability and validity and then analyses of the samples. The fourth chapter includes the results including : 1 - to pursue the conceptual transformation of the ornament structure in Islamic architecture within several axes such as formal, functional and expressive. formal phase includes the following ; 1 - 1 style of shape's formation in terms of the type and quality. It is represented in some methods such as (offloading , replacement , integration ( formal slurring) , substitution , magnification and reduction). 2 - Conceptual transformation of ornament structure at the level of functional side embodied in transmission from the ornament role to openness of the performance of the dual role (decorative - communicative) reflected by designed components through dual superficial structure by two different ornament sorts ( calligrapher - plant ). Transmission from ornament function to the representation of narrative phase presented by details of decorative structure which reflect realistic scenes of life include various expressive subjects. 3 - Conceptual transmission of the ornament structure on the expressive level which is embodied by transmission from imitation of images of the natural existence world ( plant - animal - clouds) , cognitive existence world ( geometrical ) postural (calligrapher) which depends on the metaphor , comparison , and equivocation between the real shape and ( true ) and decorative transmission ( metaphor) via visual signifier and its attribution which is involving the concepts can be understood through phenotypic approach to the ornament icons which state subjects such as ( fighting scenes with fabled creature , hunting scenes , beyond being of the world as a man has two wings ).4 - concept of perfect ness embodied through presenting several comprehensive image to the details of ornament structure which reflects the side of realistic existence elements with shapes that represent this vision in terms of quantity (creation of unilateral and bilateral and multi ornament sorts ) and the quality ( symmetrical , non - symmetrical , round , sidelong , frontal , compound , start of emergence , medial site , final site , small size , large size ) and the type ( plant , geometrical , animal , calligrapher , astronomical elements , supernatural). Transformation of the concepts of the integrated form ornament sort ( bilateral , tripartite , quaternary) depends on the integration with other via combination and replacement between the different parts.The study recommends providing care for the accumulated ornament heritage throughout centuries when maintenance and renewal given the contents of innovative treatments in formulating the shape and concepts within it , which reflects the growth of thought and its appearance applications through a formal shifts represent addition of quality different from the prevailing in the achievement side , and the possibility of opening up its functions to cover the fields of design carpets and paintings. The study suggests references of shape and its representations in the structure of ornament Islamic Architecture.

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية == The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

Author name: عبد الخالق سمين فتاح
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.

تصميم تعليمي تعلمي لتنمية التفضيل الجمالي لدى طلبة قسم التربية الفنية كلية الفنون الجميلة == Instructional Design For Development The Aesthetic Preference To Students In The Department of Art Education - College of Fine Arts

Author name: سهاد جواد فرج الساكاني
Supervisor name: صالح احمد الفهداوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The world of today is facing a number of rapid and sequential changes represented in the great technological and scientific advancement in all the fields of life.In addition to the revolution of telecommunication and information which causes the duplication of human knowledge. Therefore, education is not living in the age and its changes, it remains static, retarded and does not help to live in this age, and develop their different knowledge fields. This includes the preference of aesthetic aspect and everything that surrounds the age of communication, satellite and electronic technologies, and remote sensing.In the light of these transformations, the need for developing the human mental capabilities for tasting the features of aesthetic phenomenon which regarded one of phenomena difficult to measure. The question that is repeated frequently is how humanconscious can receive the aesthetic value and forming it in the light of its relation to the surrounding? And what will emerge on the trip of his\her responding to the various phase when enjoying the artistic work (plastic tableau) which increases the vision in more complexity of the life of man as a receiver. All these questions objectively formed down the important sense a of this study which is based on a survey study that the researcher had conducted through which she wanted to know the level of aesthetic preference level for the receivers in the Department of Art Education towards the plastic painting in modern painting. The results indicate a low level in the cognitive field (cognitive dimension) and artistic field (artistic dimension).Thus, the researcher saw a need to conduct an experimental treatment through the study on the modern methods of teaching. The objective she wanted has been achieved, therefore, she preferred to found a theme through the problem which she called thefollowing title (A Instructional Design to Develop the aesthetic preference to Students in the department of Art Education - college of Fine Arts ). On that basis, the researcher adopted the general model in the design called (ADDIE) model with strategic orientation of mind maps in the A pedagogical - instructional Design made up of four pedagogical - instructional units of 16 instructional lessons and provided with a group of pedagogic alternatives displayed on CD according to Power Point and Microsoft programs as activities that deepen and enrich the content. Along that, the community of the study is the Department of Art Education\ Third year in the college of Fine Arts - Baghdad University and the College of Basic Education in Al - Mustansrya University consisit of 116 students. of those a sample of 60 male and female students were chosen and they were distributed into two groups one is experimental of 30 students college of Fine Arts - Baghdad University and the other is from the students of College of Basic Education In Al - Mustansrya University. The two samples were matched in terms of variables of (age, sex, teaching, intelligence, pervious knowledge, the level of aesthetic preference). The procedures of the study also requires a design of prior unit for the mechanism of using the mind maps inside the pedagogical - instructional Design and the pedagogical program in the present study. In order to measure the effectiveness of the program, the researcher built two tests to measure the cognitive aspect made up of (24) items to measure the patterns of cognitive preference (recalling, critical, principle, application), while the other text measures the artistic dimension of the students' preferences towards the painting in modern art. It is made up of (10) test items depend on the realization of the aesthetic organization for forty impressionist paintings by the learner. These tests were applied after the verification of their validity and constancy in treating the different statistical processes (before and after). The experiment lasted for two months. The researcher used the T - test for two independent samples and Eta square to find out the effectives in showing the results of this study, she also used Ch - square to find the validity and reliability of the test items as well as the difficulty equation and theeffectiveness of the alternatives. In addition to that, she used Pearson Correlative coefficient to find the internal consistency of the testing items through the equivalence. She applied Kudor - Richardson (20) and alpha - Cronbach equations.The most important finding of the study is the excel of the experimental group over the experimental group in dimensional and observational application represented in the test of cognitive preference in (recalling, critical, principle, application), and thetest of artistic preference. Also, the pattern of application assumed the first position among the other patterns which indicates the clear effect which it has on the application of the program on the experimental group in comparison to the control group. Bothdimensions (cognitive and artistic) refer to the high level of artistic preference for the targeted category in the present study. That is attributed to the effectiveness of the using of the mind maps in the light of (ADDIE) model in the program designed in this study ininstructional the pedagogical skills. The most important finding of the study was the effectiveness of using the general model in the instructional design with strategic orientations in the mind maps and in the acquisition of expertise of development and the amendment of patterns through the artistic - cognitive dimensions that stimulated the process of multiple thinking for the learners.The researcher recommended that the researcher should generalize the necessity of using the pedagogical - instructional designed in this study to teach the subjects related to the development of the aesthetic for the learners within the items of the Arteducation and depending on the pedagogical - instructional Design and (ADDIE) model in the developing of the field for aesthetics if the plastic arts and other arts for the effectiveness of these programs in facilitate the instructional in the different fields.The researcher also proposes a number of suggestions the most important of which was the application of the pedagogical - instructional design and (ADDIE) to develop the psychophysical and ecological variables on the various fields within thespecialty of the college of fine arts as future academic study

تطوير التفكير الناقد لطلبة الدراسات العليا في التحليل والنقد على وفق استراتيجيات التعلم البنائي == Developing of Critical Cogitation For Postgraduate Students In Analysis And Criticism , According To Constructivist Learning Strategies

Author name: وسام احمد شهاب المطيري
Supervisor name: عبد الكريم لعيبي الربيعي
General topic: Educational Sciences
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان التربية المعاصرة تسعى لتعلم الفرد كيف يتعلم وكيف يفكر، وان هذا يعد من اهم اولوياتها، اذ ان هذا الهدف يمنح المتعلم القدرة على التعلم، ولان العصر الحالي يمتاز بالسرعة في انتاج المعرفة والتغيرات التكنولوجية، اردنا من المتعلم ان يكون ذا كفاءة عالية من ناحي | The contemporary Education aims to instruct the individual how to learn and think , this is the most its priority ,this target gives the literate ability on learning , due to present time distinguish by speed in knowledge production and technology variations , we want from the literate to have high competent in his thinking cause it is important to develop cogitation skills especially skills of critical cogitation , the acquiring of cogitation skills in general and critical cogitation in particular achieves affirmative impressions on literate ability of learning and creation and making correct decision on creative product quality. The revelation of unknown and veiled contexts in art actions determined the developing of cogitation skills, and it connect with developing supreme intellectual skills, which will reflect positively on knowledge and critic ability for the literate on one side and to improve learning level on other side.The fast developing for cultural constructs of societies made the world by what it owned of thoughts and believes ,adopting similar pattern to some extent , so it becomes more important to fortification the literate from submission and subordination beyond substantive ideas and excess at inner meninges to facing challenges ,also develop his critical cogitation and promote his tendencies towards learning process. Critical cogitation is a compound process works on submitting certain idea to verification and on this evidence would be collect and verify it , then will be decided to accept or reject it , depending on certain criteria ,so the matter of development accompaniment becomes a target and feature accompanying contemporary Education ,the arranged instructional programs has adopted mission of developing critical cogitation at literates, these programs were prepared according to theoretical basis taking into consideration actual needs of literates especially constructivist theory which will reflect affirmatively on improving literates performance in general and the artist literate in particular, and this what Art Education Department in Baghdad University had adopted in particular represented by efforts of postgraduate (PhD) professors especially to direct the studies to deals with real problems and find solutions for it and improve the result of literates , there will not be reliance on this matter unless make an experimental study to insure of sufficiency of such programs , thereby this study took place and current research treat to its problem represented by follows questions : 1 - what the effect of designing propose instructional program according to (LOGAN) sample in develop critical cogitation skills for postgraduate students ?2 - Does the strategies of constructivist learning are sufficient to advance the level of critical cogitation for postgraduate students? The research comprise of Four chapter in order to understand the research problem and attempt to solve it, First chapter includes (method frame) which involves (study problem and its necessity, study significance , study limits and determine, identify, discuss idioms of the study ), current research determined its aim by follows : (( Develop critical cogitation of Postgraduate students / PhD in analysis and criticism)) Thus , the researcher put two minor aims ,they are : 1 - Design instructional program ? according to (LOGAN) sample in instructional design depending on constructivist learning strategies to Develop critical cogitation of Postgraduate students.2 - Measuring Efficiency of instructional program through apply it on empiric sample of postgraduate students (PhD) at Art Education Department through the following : A - Measuring level of critical cogitation skills through criticism approaches in recent painting art in epistemic manner. B - Measuring level of critical cogitation skills through literate activity in analyzing and criticize recent painting art in practically manner.Researcher puts the follows null hypothesizes to verify the mentioned aims : 1 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of knowledge acquiring test , pretest and posterior critical cogitation.2 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of proficiency test , pretest and posterior critical cogitation.3 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of knowledge acquiring test for critical cogitation at posterior and consecutive application.4 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of proficiency test , for critical cogitation at posterior and consecutive application. The current research is limited to : Postgraduate students / PhD at Art Education Department / College of Fine Arts / Baghdad University. for the academic year 2013 - 2014 , in critical cogitation skills of analyzing and criticize subject , ( Pragmatic criticism , post colonially, cultural criticism , Gender criticism ) in Painting Art. Researcher enclaves study idioms by discussing whereas linguistic and idioms identification , to product procedural identities help in achieving research aim. Second chapter includes theoretical frame for all related to research subject ,as it consist of three topics , each topic deals with significant frame of problem nature, First topic deals with (critical cogitation) , The second deals with (analyzing and criticize) , Third topic deals with (Constructivist Theory and constructivist learning strategies), researcher tried to involve multifaceted and study assets with Arabic and Foreign available and recent sources, also researcher promote the theory frame with intellectual maps in addition to involve this chapter the previous studies which come close of research components and discuss it , in order to enable researcher to conclude the indicates of theory frame , previous studies had help researcher in built his test tools and apply study experimenting. Third chapter deals with research measures which contains designing instructional program according to constructivist learning strategies ,depending on (Logan) sample in instructional design and two research tools which represented by proficiency and cognitive critical cogitation test , his items ( 26 ) varies to ( conclusion , proof evaluation , hypothesizes and axioms perception , deduction ,commentary ) , it worth noting that research population represented by postgraduate students /PhD Art Education Department reached (8) students male and female , research sample represented by all population due to its small size reached (8) students for academic year 2013 - 2014, hereafter the two test (research tools) submitted to validity procedures by presented to experts who are specialized in art education teaching methods ,analysis ,criticize , evaluation and measurement , after assurance of commissioning research tool through applying on prospective sample represented by (8) both gender postgraduate students of Baghdad University / College of Fine Arts / Art Education Department , and accounting distinction level ,Essenes and hardness and appropriate time to apply test items, it becomes ready for application on pre mentioned research sample , following design of research experiment which consist of one experimental group and after fixing the variables ,the group submitted to pretest and then concentrate variable (instructional program to develop critical cogitation in ( analysis and criticism) for (7) weeks to the amount of (2) hours weekly , the total hours of experiment reached to (14) hours, experimental group had been taught by analysis and criticism subject professor of postgraduate studies (PhD) with presence of research professor supervisor and researcher for the period from 26/02/2014 to 23/04/2014. After completion of experiment application , the pretest performed on the group using statistical devices ,comparison made between result of prior test and posterior test and separate answers to make researcher reaches collection of results according to null hypothesizes aforesaid to detect the perfection of posterior application in two exams ( cognitive –proficiency) , which indicate affirmatively on independent variable efficiency ( Instructional Program) , by accounting of influence size (R2) we had been able to recognize the credibility of differences of research variable to be proof that obvious effect of instructional program on the cognitive and efficiency acquirement level for experimental group students, it was clear that (T - Test) value is (4,7471 - ) it is a statistic function value at level (0,05) , (d) value is (2,570 ) and it is accepted value , thus we reject null hypothesize and accept substitutive hypothesize , that means there is variance of statistic function at level (0,05) of critical cogitation skills application level in analysis and criticism subject of paint art. A sum of conclusions had been reached according to the light of results ,most important are : - 1. there is weakness in acquirement level of students critical cogitation skills , this had affirmed by research items and pretest of critical cogitation skills.2. importance of organize the instructional environment through principles instructional design according to constructivist learning strategies sights , and direct the didactic process advance towards fulfillment planned objectives.3. priority of constructivist learning strategies in comparison with other strategies in developing critical cogitation skills.4. efficiency of design (Logan) on the used traditional methods of teaching analysis and criticism subject within study sample in develop critical cogitation and make decision to solve didactic problems.5. there is contradiction in effect of used strategies on developing critical cogitation skills.6. efficiency of using (change conceptual) strategy at presentation of new concepts for the student which related to didactic environment that he belonging to.7. efficiency of using learning course strategy in developing (proof evaluation) skill by supporting pragmatic criticism knowledge for postgraduate students (PhD) in Art Education Department.8. Demonstrate implicit meanings of post colonially by effect of using ( suggestion hypothesizes and axioms) according to constructivist learning strategy (Yager) sample.9. Deduction skill could be develop on literate through concentrated learning strategy about the problem according to gender apprehension.10. Appearance of high level at literates in terms of cultural criticism by applying strategies figure (VEE). After reaching sum of introduced conclusions , number of recommendations and suggestions had reached ,most important of it are : - 1 - Adopting the suggested instructional program according to constructivist learning strategies in teaching postgraduate students , University of Baghdad / Art Education Department , for it effect in developing their critical cogitation skills.2 - In regard with proof of efficiency of suggested instructional program in developing critical cogitation skills at postgraduate students (PhD) Art Education Department , it is recommended to circulation use the program from art education departments at fine art colleges and education colleges at country universities.3 - Insertion of study subjects items , subjects related to constructivist learning strategies, in art education departments at fine art colleges and education colleges.4 - Adoption critical cogitation skills in analysis and criticism subject as a tools through it perform the intromission in deep penetration of aesthetic text.5 - Take into consideration training the teaching staff within program of University teaching methods center on teaching design and didactic materials and enhance their ability of using didactic design samples.6 - Allocation subjects in teaching methods courses at University didactic level as regard to styles of developing students ability in cogitation generally and improve Critical cogitation skills in particular.7 - Concerning of art education laboratories at least on postgraduate level and supply it with equipment and appropriate devices. On the other hand ,Suggestions : - 1 - Making a study to identify the efficiency of constructivist learning strategies and develop aesthetic privileging in ( aesthetic philosophy ) subject ,according to introduction (STS) for postgraduate students (PhD) Art Education Department , Art Fine College / Baghdad University.2 - Making a descriptive study to identify level of critical cogitation skills to solve technical problems for postgraduate students at Art Education Departments , Art Fine College / Baghdad University , in comparison with postgraduate students at Art Education Departments at counterpart colleges. 3 - Making studies to build suggestion study units according to constructivist learning strategies and contrast it with traditional used units in methods at level of ( Bachelor Degree) at Art Educations Departments. A list of Arabic and Foreign sources , periodicals and University thesis were regarded to.

الاشكال والانواع الغنائية في الموسيقى العراقية == Forms And Types of Singing In The Iraqi Music

Author name: زينب صبحي عبد حسين البياتي
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تنوعت الاشكال والانواع الموسيقية والغنائية واختلفت وفقا لمعطيات مكانية وزمانية، ومن ثم فهي تبلورت بوصفها محصلة للعلاقة بين العناصر التي تكونت منها : اللحن والايقاع والتعدد الصوتي والطابع الصوتي والنص. وتضم الموسيقى الاشكال والانواع الغنائية بجانبيه | Musical and vocal forms are varied and differed according to spatial and temporal criteria. Forms have been crystallized because of the relationship between constituent elements such as melody, rhythm, harmony, tone colour and text. Music includes forms and types of systematic and popular folk singing. These forms have been changed and developed by time, and new forms were generated according to different cultural, social and artistic influences. Iraqi music is replete with many forms of singing; systematic, popular, secular and sacred. These forms can be divided geographically or in terms of demography. In addition, the overall circumstances and events, through the history of Iraq, have played a role in the crystallization of new and modern forms and types. Moreover, some forms are evolved from older forms that became richer and more complicated than the older version. Furthermore, there are different factors that affect the structure of musical forms and singing types, such as the cultural, social and economic factors. In fact, all that was innovated of singing forms is a true reflection of the reality of the Iraqi daily life and simulation of this life’s different conditions.Forms and types of singing had increased and developed faster than the musical instrumental forms, because the Iraqi musical culture preferred to practice singing forms in their ceremonies. However, unfortunately, these forms and types have never been collected, preserved, documented, archived or studied. Therefore, I have decided to study this topic. This research is important as it presents an academic study of the forms and types of singing in Iraq. In addition, it participates in preserving these valuable forms and types. Moreover, this thesis is the first study of such topic in the academic and musical field. Furthermore, this study will fill the gap in the Arabic musical library and will assist the researchers in this field of study. However, the purpose of this study is to define the structure of the singing forms and types in the Iraqi music. This study will cover the period from 1921 to 1941 in the city of Baghdad; it focuses on the Iraqi mundane forms and types of singing in the Arabic language.The second chapter includes the theoretical framework and the previous studies. The theoretical framework consists of four topics; the first is “the structure of the musical forms and types”, the second is “singing forms before and during the Islamic period”, the third is “music and singing in Baghdad from 1921 to 1941” and the fourth topic is “the analytical standards of the musical and vocal forms”. In the end of this chapter, the results of the theoretical framework were presented. The researcher did not find a previous study that dealt with the topic of this research.The research’s procedures are presented in the third chapter, where the researcher defines the methodology and the samples of the study. The entire sample consists of 112 songs and the randomly chosen samples are 24 songs, which are divided into a specific category according to its types or form. The main tool of collecting the required information was the “Interview technique”. The main tool of the analysis was a specific analytical standard, which was created, tested and applied on the selected samples by the researcher.The results, conclusions, recommendations, suggestions, list of resources, appendices and abstract of this study are presented in the fourth chapter.

بناء منهج تعليمي لمادة المشروع في قسم التربية الفنية على وفق الاسس النقدية والتقنية للفن الشعبي == Building of An Instructional Curriculum For The Project Subject In The Department of Art Education According To The Critical And Technical Basis of Pop Art

Author name: ميادة عبد الرحمن فليح العيساوي
Supervisor name: ماجد نافع عبود الكناني | سلام جبار جياد
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يهدف قسم التربية الفنية الذي يمثل احد الاقسام العلمية في كلية الفنون الجميلة، الى اعداد الطلبة وتاهيلهم لمهنة تدريس مادة التربية الفنية المقررة في مدارس المرحلة الثانوية، لذلك فان برنامج الاعداد ينبغي ان يتضمن مجموعة من المقررات الدراسية التي تشمل الجوانب | Since Department of Art Education is one of the scientific department s in the College of Fine Art, then this Department aims at rehabilitate students and adopt them for the career of teaching the subject of art education for the secondary schools. Therefore, the programs includes a set of curricula textbooks that include educational and psychological aspects as well as some artistic. On that basis, the researcher preferred to co duct an experimentation to one of the concepts of postmodern art called (pop art) through building a method depend on one of the concepts which would help students of the subject to carry out their art projects according to scientific steps included in the present study (planning - evaluation). Training of the use of art skills conducted by pop art artistic and promote it for students who carry out their projects represents an artistic cultural process that requires much experience and high level skills according to their mental abilities and intellectual readiness as well as their previous expertise and how they are affected by it. The researcher prepared a theoretical frame that include subjects about pop art and the factors which founded that art as well as the sources of its emergence and the most important arts is who have supplied that art with their worlds hat depended on the daily life (familiar - unfamiliar) with previous references of that art and cultural mass media that have propagate it. The procedures of the study depended on the descriptive method (content analysis) as it is the most suitable procedure to realize the objectives of the present study. She tackle in the chapter the community of study that included 100 works for 10 artists who were chosen randomly. then she derived (carryout) the consisty of tools.The researcher analysis the works by anaujsis the onception of (100) of wark arts. then analsis of building for those ten Artist to support the curriculum so, the researrchn gets the critical and techuical bases of bob art schod by discovering thenm , the researchan depends on them to built the curriculm which is considered one of the aims of research.After that the researcher built the suggested method of the art project subject in the department of art education. The project included the instructional objectives about the theme of the project and its steps represented in determining the problem and in planning the project and then carrying it out.The most important conclusions were : 1. Working on finding new mechanism in organization the structural organization of the art project through directing the students to insert the available raw materials in his environment (ready and not ready) and employ them as material outputs in relation to the reality of Iraqi society.2. Taking to the technological developments in carrying out the idea of project work and use what is available of photographs for some of the art and political persona as well as packages of food and drug products.The most important findings are : 1. Using the suggested method for the project subject in the departments of art education in college of Art Education as it included the instructional contents for w whole academic year. 2. Inducing the educational institutions and researcher alike to translate resources and literatures that have treated pop art as it includes as it includes rich information and the familiarity of uses in many artistic institutions or by artists. The researcher suggestion is , haw to buitt instructional program according to building treatment structural to derelop the plastic Arts student skills.And joput the pop ant and tecniqne bases in acheavement of recommendation of handkerchief subject.

الاتجاهات الفنية في الدراما التلفزيونية == Artistic Trends In TV Drama

Author name: علي زيد منهل
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الرؤية الفنية التي يستند اليها مخرج العمل الفني خلال معالجته للنص الدرامي ووضع الحلول الاخراجية للمشاهد المرئية بغية تكوين واقع جديد مفترض. ومقدرة ذلك الواقع الفني الذهني المفترض والمجسد من قبل مخرج العمل الفني وبما يمتلكه من وسائل تقنية وفنية في توظيف | The artistic prospect upon which the director of artistic work bases his work through the treatment of dramatic text and putting direction solutions for the spectator in order to have a new virtual reality. The director of artistic work, with the technical and artistic means he employs in the dramatic elements, express artistic trends in TV drama and the mechanism of employment. These artistic trends reflect the development in the field of entering the analysis and construction of artistic works in a way that reflect reality with all the contradictions make the TV drama search for artistic procedures and attitudes to express that reality according to the idea, the objective and the method of carrying out that distinguished some from other in the mechanism of working of this or that procedure or attitude expressing the nature of artistic work and breaking the freeze and entering into imaginary and strange worlds that through them establish the ability and design which are formed according to the essence of the text and the manner by which the director of artistic work forms his work. According to the procedures that he finds suitable for posing the idea and criticizing the society and keeping pace with civilization development through the understanding and interpretation of TV artistic works which are based in their mechanism of putting forward on the suitable artistic trends. These trends are usually seen by the director of the artistic work as suitable for the nature of his theme and treating the dramatic components. Therefore, the study falls into many chapters that studied the artistic trends and the mechanism of involvement of the visual works as follows : The first chapter tackles the procedural framework of the study suchlike : The problem… which were formed in the following questions : What are the manners in which artistic trends are employed? What are the visual means and techniques that manifest the artistic trends in TV drama?The objectives of the study were as follows : 1. the manner in which artistic trends are employed in TV drama, and 2. The visual and technical means that manifest the trends in TV drama. The first chapter also tackles the importance of the study and the need for it, the limits represented in studying the dramatic trend in TV drama for the period 1998 - 2000. we have also determined in this the most important terms used in the dissertations (trends, drama, etc.)The second chapter : Included the theoretical framework and the pervious studies including the following inquiries : 1. The first inquiry includes the procedures and dramatic trends. It also includes the most important procedures and dramatic trends starting from the realistic trend and impressive trend. Within these two procedures lies most of the other subsidiary trends which effected the cinematic and TV drama alike. It includes the following trends {Neo - realism, Neo - wave, free - realism, social - realism, direct realism, poetic - realism, symbolic - realism, epical - realism, expressionism - surrealism, Dadaism and avant - garde} 2. the second inquiry : the image according to artistic procedures including {image in philosophy, the concept of artistic image, the senses of image, imaginary image, referential of artistic image, realistic image, impressionist image, symbolic image, expressionist image and surreal image}The inquiry also includes the understanding, analysis, and construction of artistic image and the mechanism of work according to the prospect of the artistic works’ director to manifest the artistic trend. 3. The third inquiry deals with the visual means according to the artistic procedure. This inquiry includes the style of artistic work’s directors in using the technical means through the direction prospect of this artistic work by employing the following {camera and lenses, décor, makeup, fashion, montage, lighting, setting, color, etc.} for the manifestation of artistic trends in TV drama. 4. The fourth inquiry dealt with the dramatic according to the artistic procedures. The inquiry included the employment of the dramatic elements according to the prospect of director. This includes drama and dramatic construction {plot, dramatic personae, language, idea, and image narration. At the end of the second chapter, the researcher tackled the pervious studies that are relevant to the theme of this thesis. There were two main studies that he found close in some chapters to the study herein : The M.A. thesis, 1988 {The Effect of Techniques and Visuals of Global Cinema on the Prospect of Iraqi Cinematic Directors} by Rasad Abdul Jabbar Thamir. The second thesis, 2003 {The Question of Aesthetic in the Trend of Modern Cinema} by Aladdin Abdul - Majeed Jassim. In the end of this chapter, the researcher comes up with the most important indicators that were driven form the theoretical framework making the analysis instruments of the research sample such as items of the questionnaire forms.The third chapter includes the procedures of the study : 1. The research procedures in which the researcher employed the descriptive approach. 2. The instrument of the study : the research employs the content of theoretical framework as theoretical framework after obtaining the approvals of the Board of Experts and Arbitrators on the indicators. 3. the unit of analysis, the researcher depended on the scene and snapshot as the main unit for analysis in his study of artistic work. 4. the sample for the study represented the series which were chosen as a nonrandom sample in compliance with the nature of the thesis. The series are : Bab - ul - Hara {Port of the Lane} - Part I Poetical - realism - series ‘Noor’Symbolic - realism - series ‘Carnival’ Epical - realism - series ‘Rome’ Impressionism - ‘Taken’ Expressionism - ‘Supernatural’ Surreal - ‘Sad Dream’5. The validity of the instrument : the esteemed experts showed a total agreement on the items in percentage (%97.28) The chapter also included analysis for the series that were chosen in as sample of the study. The fourth chapter included the The most important results : 1. the manner in which these visual elements were employed within the relations of adjoining , interrelation , adherence were in the outcome a final image that affirmed the nature of mental image which the director of work draw through the relation of these elements and images with each other justifying the state of employing the curricula and artistic trends, and expressing the dramatic events within the virtual reality of each artistic trend. 2. the director of artistic work produces artistic images that are compound and unrealistic, and cannot be similar to an image or compound in reality to give structure to the content of artistic work. For deepening the strangeness state and the innovation within the procedures and the artistic trend which he sees as appropriate for forming the visual image of the artistic work in TV drama.The most important conclusions are : 1. The impressive method is a living one and has the ability to activate the dramatic event through the self - view that the director produces, in addition to the employment of modern technology in convenience with the TV dramatic work. 2. It turns out that the Dadaism impressive trends have been confined to TV drama as a result of the unreasonable image composition and the hard symbols that cannot be analyzed. Therefore, we see the lack of tackling of these TV dramas. In addition, it included the conclusion that the researcher comes up with in the light of the outcomes. Then, the recommendations such as : Studying the branches of TV art as academic specialty {production, direction, montage, camera, scenario, the visual effects}.Finally, the suggestions that serve the course of scientific researches in the field. The fifth chapter includes the following : The references in Arabic and translatedThe references of films and TV series The references in English

الابعاد المفاهيمية لما بـعد الكـولـونيالـيـة فـي الرسم العراقي المعاصــــر == Dimensional Conceptual of Post - Colonialism In Contemporary Iraqi Drawing

Author name: ناصر سماري جعفر
Supervisor name: شوقي مصطفى علي الموسوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي الابعاد المفاهيمية لما بعد الكولونيالية في الرسم العراقي المعاصر , والذي يسلط الضوء على اهمية الابعاد المفاهيمية في تكوين بنية الخطاب الثقافي العراقي بشكل عام وفي الحقل التشكيلي بشكل خاص. وقد احتوى البحث اربعة فصول,عني الفصل الاول بال | Current research deals with the " Dimensional Conceptual of post - colonialism in contemporary Iraqi drawing", which highlights the importance of conceptual dimensions in the formation of the Iraqi cultural discourse structure - in general, and in particular in the" PLASTIC ARTS" field. This research consist of four chapters, the first quarter transacts with the methodical framework of the current research represented by the content of the research , its importance and the necessity of such research which have been evolved due to the post - colonial discourse along with the urgent of disengaging from the colonial center through concentrating attention to the monetary theory of the post - colonialism literature both in criticism and literature itself , then to retort to the effects of imperialism and European intellectually, cognitively and artistically. out of this cultural narrative, some kind of a problematic obstetric had overshadowed - generally - an ideological results and - particularly - upon the contemporary Iraqi plastic art discourse which proposes an opposed outputs that rejects the colonial other by the means of contemporary cognitive ,artistic and technical techniques.The research aims to detect((conceptual dimensions of post - colonialism in contemporary Iraqi painting )) by revealing the mechanics by which the post - colonial act in painting. the study limited to the products of the Iraqi paintings to the period (2003 - 2015) to identify cognitive structure and cultural impact to the Iraqi plastic art. The second chapter includes an explanation of the theoretical framework and post studies, which included four topics within the vision of intellectual, philosophical and aesthetic implications ,the first topic addresses colonial discourse( references& characteristics), which contains three sections : First colonialism and the absent identity issue while the second contains the fundamental elements of the colonial discourse overcoming factors which have been recognized by colonial distortion of history and the language of the colonizer , his models, and up to the third section : of cultural and community awareness between opening and isolation to the other.the second topic deals with (conceptual dimensions of post - colonial practice and leadership), which includes two sections , first deals with the conceptual dimensions of : hegemony , mastery culture, racism , language, marginal ,the idea of recalling ideologies and the major narrations while the second sections deals with post - colonial discourse in contemporary ,modern and feminist criticized impacts , while the third one deals with the foundation process and displacing the other traces ( references and the prospects ) by the limits of foundation idea , peculiarity of the tradition and identity in the post - colonial discourse. The fourth topic addresses applications of the post - colonial ideology in the contemporary art within the European and Iraqi contemporary plastic art , it ends with several theoretical frameworks which helped the researcher with the research samples analyzing procedures. the third chapter deals with the research procedures based on applications of the conceptual dimensions of the post - colonial theory in contemporary Iraqi painting through searching procedures which contained 200 community with 20 samples.The fourth chapter includes the research results where some of the most important are : 1) varied methods of expression of contemporary Iraqi artists in the period that followed the occupation of Iraq in 2003, according to stylistic vision up to the performance levels of heated experimenting encoding and flatness and abstract concepts that depend on post - colonial.2) Art has become the issue of Iraqi contemporary painter emphasizes selective speech of the tragic events and social suffering that produced by Iraq invading war in 2003 and the sequent tragic events then after like series of terrorist (attacks ,bombing, killing and captivity and slaughter..) which was fertile material for the Iraqi artist. research also rises several conclusions includes : Contemporary Iraqi plastic art ( painting for instance) results shows patterns of a cognitive accumulations which directly effected by post - colonial impact within some levels of epistemic patterns that framing conducts of connections and disconnections channels among oriental and western given criterion of engaging between art and knowledge Research has came up with a significant recommendations like implementing researches that deals with criticizing post - colonial culturally and cognitively within the courses of artistic criticism in colonized countries since it will enhance the cognition of knowledge within their culture towards the post - colonial and support the foundation of post - colonial awareness in all countries suffered of colonialism Also research induces several suggestions one of the most important ones : Representations of the post - colonial discourse in the Arab plastic art.

تحولات الرسم في فنون ما بعد الحداثة واثرها في تنمية التفكير الناقد لدى المتعلمين : منهجي التلقي والتاويل انموذجا

Author name: فاطمة محمد عبد الله العنبكي
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت تحولات الرسم في فنون ما بعد الحداثة بالتبدلات الفكرية التي اتسمت بها فترة ظهورها، مما جعل الباطني واللامرئي اساسا في تحول العياني (البصري) على صعيد التقنيات والمعالجات اللونية والوسائل البصرية الاخرى. وبفعل التحولات الفكرية التي رافقتها مسارات جديد

المقاربات الوظيفية بين انظمة تمثيل الخبرة وكفايات طلبة التربية الفنية المطبقين في المرحلة الثانوية == Functional Approaches Among Representation Systems Expertise And Efficiencies of Art Education Students In The Internship Period For The Second Grade

Author name: ندى عبد الهادي مهدي
Supervisor name: رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Today technology and the informational revolution that swept the modern world had raised many challenges imposed itself on the various areas of life. When the education was the cornerstone of the society development and modification, so it became due to have researches to discuss the traditional teaching methods that dealt with students as empty vessels need to be filled. At the same time, technology has become the most influential in a student's life; therefore it became necessary to find a countervailing force to the effects of technology that attract the attention of the learner.In this point the research issue has been launched according to questioner study had conducted by the researcher. The object of the study was to determine the art education students for their represent systems of experience as preferable learning styles, as well as the efficiencies of the diversification of motivation as capabilities should possess by the new teachers (Art education students) for teaching art during their preparing in the internship period.The result of the study was disapproved that. Accordingly, the researcher found the necessity to search in the teaching methods in art education take into account of the internal efficiencies of learners by develop a plan in the search in “Functional approaches among the expertise representation systems and the efficiencies of art education students in secondary level internship.” The sample was chosen among the student of the fourth grade - the department of educational art - Baghdad University, the size of the sample was(107) both males and females. the researcher had justified the variableswhich is the age, gender, and previous experience for the participants - the researcher had used many statistical methods in here procedures and the study result, they are - x2 One Sample test, Ttest For Two independent samples, Weighted mean, and Pearson’s correlation coefficient. The most important findings of the current research is the patterns of the special students acquired experience was formed by the influence of their raising environment which is the foundation of their learning abilities to become a secondary school art teacher in their internship period. The conclusion of the research was about the concept of intelligence for Gardner. The researcher found that concept have lacks scientific basis. Gardner dealt with this concept as skills, outputs and mental processing without thorough scientific explanation. And his procedural concept for the abilities was limited in four abilities represented by visual capability, audio capability, kinetic ability, intuitive ability. It is not 8 ability. Therefore, the researcher believes that the concept of contemporary intelligence that has been raised in the current search is the alternative for the multiple intelligence concept for Gardner.The functional approaches among representation experience systems and efficiencies of the diversification of motivation is a Form consist of four areas for student evaluation while the internship time for the secondary level students. The researcher has recommended a number of recommendations on the basis of what has been inferred, as well as offering some suggestions based on to the new concept of intelligent

المتغير التقني في اساليب التشكيل المعاصر : العراق، مصر، المغرب انموذجا

Author name: ميسر علي احمد القاضلي
Supervisor name: هادي نفل مهدي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يسلط البحث الضوء على مفهوم يؤكد ان العمل الانساني الاولي يتضمن فكرا يتجذر بمعطى تقني ويصبح الانسان فيلسوفا في عمله ومن هذا المنطلق تكون الثنائية بين العقل والممارسة مكافيء موضوعي لعملية النمو والتعبير، سواء في الفن ام في غيره.وانطلاقا من واقع الحركة الت | The research sheds light on a concept asserts that the primary human action in clouding thinking that deep rooted with technical fact and man becomes philosophical in his work and from this starting point the wedding between mind and the practice is as objective coefficient for growth and expression process. whether in art or in others.Stating from the realty of the plastic movement in said countries and with in the limitation of science and objectively and through transforming from the stationary to changeable and what was abase has become contrast, and these changes has risen a number of inquires most important of which : 1 - Does the modern art depending the median as a message.2 - Dose the modern civilization of artificial dimension in a physical world pushed the artist to take the path of empirical science.3 - Dose technology intervened in specifying the physical concept for the optical surface. In light of these facts the objective of the research specified by the following : - 1 - Detecting the manifestation technology and the formulation components for the optical surface structure of the modern plastic.2 - Detecting the technical variable in modern plastic styles in Iraq, Egypt and morocco.And the research has eliminated with the limitation of objectivity represented by technical variable and time limitation after the second world war (from 1945 to 2008)And then the second chapter ( the knowledge from work) The first category displayed the recognition concept of the style where it deals with some philosophical concepts which confirmed that the creativity progress doesn’t at some extent, but they are continuous trams formation imposed numerous pressures on the artist. Influenced in creative process and examining it and expressional means of thoughts in away suitable with esthetic and knowledge values.Also the research also displayed the technical concept where it links the philosophical concept of the technology with the scientific research in light with the intellectual products and the society and life systems and the consideration values.As for the second category, which discussed the optical product, represented by thought which proceeds physical nature of the application action, and this leads that each artistic work its distinguished nature of its impact, from the reality of optional will and specifying, the for the whole art to be in the logic circle out the artistic work and just entering the optical circle , becomes a will and sensitive, and the raw material has formed a value and underlying bases of the optical surface as an essential base in foundation of the esthetic values and it may exceed this, that the raw material to be the work itself.And the plastic schools are considered of important for the plastic products, where the artist asset, through the construction systems upon the integrity of the product, and its influential, expressional and esthetic, thus and due to this concept, their figures are established , constructive relation figures ,the relation of the whole to the part is judged or vice versa with mode differs with the plastic components.Also the third category of the second chapter included the technology and the performance in art, where the technology is found in the middle of modernization, and the category has displayed the means and the historical changing of technology, we could find the interventions between the industry impacts upon the art technologies, over ages, also the category illustrated the technical transformation from the made to the ready made, the Dadaea'a movement has adopted the art transformations from the made to the ready made and that was a reflection to intellectual and technical uprising seeking for arouse the chaos among various cultural activities and to reduce the interval borders between the art and the other cultural activities, and recourse to construct to the adherence and assembling through using a strange material from art including the valueless ,common and the consumed and food waste to enter new technology in the context of the artistically work or made it afterward isolating it from it's special reality to an artistically works stand upon by itself. Also the research illustrated the assembling art and the unusual technology, the art is striving to deviation of its traditional methods, and the artist seeking the strangeness in away that provoke the recipient regardless from the esthetic values and the academic mimics. As for the third chapter which illustrated the historical root of the plastic art in Iraq. Egypt and Morocco and it deals with the foundation stage, forerunners and the artistic groups which are established due to intellectual concepts leads to technical and stylistic changes, also the chapter has illustrated the most important references through the proceed of the plastic artistic movement of social, cultural and historical references and the effect of the western arts and modern technologies.As for the fourth chapter which illustrated the procedures of the research and choosing the research society and its sample, in which the researcher has depended on the intentional option based on the artistic experiences and the technical changes and the stylistic one each artist depended.The researcher has depended the descriptive analysis procedure to analyze the samples and depending the indications extracted from the knowledge framework that comes within the axes of the optical research of the plastic products and the constructive systems on which the artist depended, and the demonstration technologies and the pressure references, the style and the trend, as for the fifth chapter which included the research results ,and the conclusion, recommendations and the suggestions, and the research has concluded to the following out comes : - 1 - The artists depending a strange technologies in constructing the optical surface and with local implications. 2 - Some humble technologies have appeared, that we could related to the conceptual arts, but I could not find in artists experiences in the three countries that refers to practicing artistic technologies trends after modernization such as the body art, the earth art or the graphic art and the performance….. etc.3 - Some artists trans pass their experiments technology to traditional technology in the concepts of type to non - type through the interrelation of types.4 - Some of artists have mobilized environmental artistic works, act upon the recipient participation, also others act upon to mobilize using of the artistic work ,and water , earth surfaces and environmental spaces were used as a display media.The research was ended to diagnosis some recommendation and suggestions that support the research and expanding the knowledge base.

التحولات التقنية لمناظر المسرح العراقي خارج مسرح العلبة == Technical Moves of The Iraqi Theater Views Outside The Box Theater

Author name: منى سلمان محمد
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ساعد النموذج المغلق بوصفه تجربة سابقة على تاسيس تجارب لاحقة وخلق حيز مسرحي يتكشف عن تشكلات جديدة لخطاب عرض يعتمد مشهدية منظرية لا تمت الى مرحلة زمنية بصلة، وان تعدد القراءات يستدعي تحولات ومتغيرات مستمرة للامكنة المتخيلة ضمن صياغات لامكنة مستقبلية، اذ ظه | The closed model helped as a previous experience in setting subsequent experiences and in creating a dramatic apace that discovers new selections for dialogue depending on a panorama that is not related to any era. The many readings require continuous changes for the imaginary place within formulas for future places as there have been diversities to activate the place because it is related with the philosophical idiogy for each era.The Greek texts were characterized by the stability of the panorama without a change and the harmony within the unit as it was related with the political idiology of the era. While the panorama in the Roman stage depended on the shape and style of the Greek panorama until the appearance of the panorama taken in 100BC. The philosophical view of the medival panorama was influenced by the church view of place consisting of three parts : Sky, earth and hell.The foundations of panoramas in the vision and philosophy of the renaissance era came as a result of having a different view of the new world that made it lose its faith in the past through duality in the areas of sciences, philosophy and political doctrine. The panorama changes influenced the spectacle view of each era. The many places expressed the depth of place, their, out, tangeable, imaginative and objective. In addition, the light director helped in inventing big spectacles. Illumination tends to distribute the shadows and to multiply the places and to have changes in vision to turn the equation in the traditional theatre in that it adds a new existence within an extended frame or flexible space. From here transfer is done from "the Achledes place to an undulated extension". The Achledes place has its own characteristics in which it becomes limited away from the subject of research or exploration. But the technical changes through out the theatre eras made the feature of getting away from the tradition of place, its principles and rules among the most important aspirations towards new horizons for a theatre expressing a future vision. Therefore, the theatre worked with optical corners in finding new formulations that changed the vision cites through selectional and portrayal understanding to make the panorama open to modern currents in viewing the era that helped in choosing places for showing in the circus sequares, streets, churches and relics. Accordingly, the research is divided into four chapters. The first includes the systematic frame - the problem, the significance, the importance which sheds light on the dramatic view and its changes. As for the aims, they are set to find out the technical moves of the Iraqi dramatic shows outside the theatre of box. The scope of the research has come through standing the panorama and its technical moves that come according to the special boundaries of Baghdad from 1987 - 1999. This chapter ends with a list of definitions.The second chapter, the theoretical frame and the previous studies, is divided into three sections, the first deals with the technical moves of the international theatre, the second with the technical moves of the modern age and the third with the types of shows of the theatre of outside the box. The third chapter deals with the procedure including, the community, sample, method, tool with an account about the technical moves the Iraqi theatre had and an analysis of the samples. The fourth chapter is about the results and discussion. The research ends with a list of sources and references in Arabic and English.

مقاربات الملحمي والغنائي في مسرحيات جليل القيسي == Approaches Epic And Lyric In Plays Jalil Al - Qaisi

Author name: علي حلو داشر
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل عملية تحديد انماط مقاربات الملحمي والغنائي ومرجعياتهما في نصوص ( جليل القيسي ) المسرحية، ضمن بناء منظومة العلاقات الداخلية للنص وتشكلها وتفاعلاتها وتصادمها، عملية تعرف وازالة غموض عن تلك الانماط التفاعلية لمكونين رئيسيين في البنية الدرامية للنص ا | Represent the process of identifying patterns approaches epic and lyric and Marjayatema in texts ( Jalil al - Qaisi ) play, within the building system internal relations of the text and posed and their interactions and collisions, a process known and remove ambiguity from those patterns interactive two main components in the structure of the dramatic text theatrical local contemporary Iraqi by shedding light on the mechanism enrichment or interaction in order to understand, since this Altsahir leads to the production of the act drama within the structure of the dramatic text, all this and that is recognized through the adoption of local experience is important, replete with accomplishment artistic and literary (texts plays Jalil al - Qaisi), as a model subjected to analysis and study for marking the movement of the epic and lyric, since this analysis is reflected in turn deepen the awareness of the aesthetic techniques of theatrical and dramatic text pointing problematic border artistic and aesthetic in the installation of the dramatic action. The research consisted of four chapters, as was the research problem, approach the epic and lyric drama, in how to build a theatrical text local, and marking the problematic border artistic, aesthetic, installing act drama, the need for research, raising awareness of the aesthetic techniques text dramatic theater, and see the local experience distinctive in the Iraqi theater of contemporary writer (Jalil al - Qaisi), and the importance of research, the need to deepen the search experience local theater " at the level of authoring dramatic, and elevate it, as stating Find playwright, critic, and researcher in this field and all those concerned to study the theatrical text in academic institutions for theater Arts and workers in the fields of media, and the aim of the research, shed light on how the production of the act drama by the interaction between modes literary, epic and lyric, in texts ( Jalil al - Qaisi ) play, the research methodology, and descriptive, and the research community, texts plays ( Jalil al - Qaisi ), and the selection of the research sample, poem, the most important findings, the emergence of patterns of interactive between the epic and lyric, worked to enrich the structure of drama within the events of the play - Qaisi mounting toward the teleological particular, the most important proposals, the adoption of such patterns interactive between the epic and lyric as cases must create them in the production of the dramatic action within the structure of the text theatrical dramas

المرجعية العقائدية للنحت العراق القديم : دراسة تحليلية == The Religious Reference of The Ancient Iraqi Sculpture : Analysis Study

Author name: حمد سلطان ضرغام السعدون
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Old Iraqi Sculpture related since first existence with solid relations with religious thought, sculpture and religious belief are correlated phenomena since their first existence ,got them clear developments impact on each other.This study entitled (The Religious Reference of The ancient IraqiSculpture) are looking for Religious reference to old Iraqi sculpture , is an attempt to answer the questions posed by researcher in the problem included in the first chapter , this study included four chapters the first chapter devoted of a methodological framework for the research which include the definition of the search problem that summarize with the following questions ;Is there are a relationship between sculpture and religious belief ?And if there is really some kind of relationship, what kind of relationship ?And how the religious factor impact in the shape of the sculpture ?How religion executed in sculpture ?The chapter also contains the definition about research goals, which included two objectives ;Identify the ideological reference in old Iraqi sculpture - Identify the impact of sculpture on religious beliefs in ancient Iraq - The research identified with the study the works of sculpture of the religious and ideological content formats in relief sculptureand in the stereotactic and researcher excluded cylinder and flat seals from his research because it is of special technical nature and the objectives of production differ from the objectives of the stereoscopic and prominent sculptures that produced in purelyreligious goals as study identified with sculptures dating back to the time period from 3500 BC to the end of the Assyrian State in 600 BC and chapter including the definition for some terms needed.Chapter II devoted to the theoretical framework which contained three topics were allocated to ;Study the assembly thought and religious belief with the old man. - - Religious thought in ancient Iraq and the Gods that enshrined and worshipped in all periods of history of ancient Iraq. - Study of myths and rituals being a theoretical and practical framework for religion in ancient Iraq. - it is also included previous studies and a summary of the theoretical framework.The third chapter devoted to study of the dialectical relationship between the sculpture and the old Iraqi beliefs and the effects of each other and serves as the research process where the researcher analyzes the works in accordance with the relationship between the content of religion, signs and symbols and properties of the Gods mentioned in myths as evidence from which to infer a relationship between sculpture and religious beliefs and the effects of each upon the other, the models studied based on time periods that belonged to these models ; - ( Sculptures dating back to 3500 BC (4th millennium BC - Sculptures dating back to 3rd millennium BCSculptures dating back to the second millennium BC - - Sculptures dating back to the first millennium BCResearcher made these historical divisions because of religious content in works of sculpture and similar with each other along thecivilized period and researcher selected his sample models intentionally according to the chronology of civilized specific roles within search.The sample included 22 model and studied as descriptive analytic study to research religious relationship by offering clues in mythology and belief, rituals, the researcher selected his sample according to the following principles ; - A comprehensive sample for specified period of time and represented the original community, original representation. - So 4 models were selected from the first half of the 4th millennium BC and 6 models of the third millennium BC and 9 models of the second millennium BC and 3 models of a first millennium BC because the faiths in ancient Iraq are an extension of each other and the objectives of this study do not endeavor to know the religious method or sculptural method but endeavoring to execute its objectives in identifying religious authority in Iraq's ancient sculpture and the impact of sculpture on the faith.So researcher don’t confined in selecting his sample with parity with the number of representing models for each period but sought to choose models that lead to achievement of research objectives.The researcher adopted a note based on extrapolation and inference as two approaches can be used in the analysis of selected models, benefited of intellectual and religious indicators within the context of theoretical framework.The research found a set of findings and conclusions contained in chapter IV and one of the most important results are ; - 6 old Iraqi sculpture fully related to religion as the most important tools of expression since the fourth millennium BC and became identified to the temple. - 5 Statues of ancient Iraqi Gods exceeded the range of thought is partial to what is total and contributed to the transformation of the individual and diagnosed case to a full spiritual representation. - 4 The old Iraqi sculptor photos Gods with human body and outfit the human mind interprets things as accepted by thesenses and Gods image became reflected image on the cult of the ancestors in the middle stone age and the Neolithic. - 3 Iraqi prominent sculptures embodied the religious legendary narrative thought is a mental image built with stone, backed clay, and metal. - 2 the old Iraqi Sculpture expressed in the first reference of religious belief which is based on the libido, the perception of religious thought imagined that the universe has become through a relationship with Goddess marriage.The most important conclusions ; - Old Iraqi sculpture organized under of the religious establishment and reflects the mystical spirit as one of religious ritual. - Old Iraqi mind create religious rituals as a unifying social phenomena. - The old Iraq mind characterized with the ability to justify everything related to religion and explained and there are always ideas justify accidents and disasters inflicted on human

جماليات تحولات المنظر في عروض المونودراما العراقية == The Aesthetics of Scene Transformations At Iraqi'S Monodrama Plays

Author name: فرزدق قاسم كاظم عبد الله
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: شكلت عناصر بنية التشكيل الجمالي لتصميم المنظر المسرحي في عروض المونودراما نقطة ارتكاز مهمه في بيان صياغة تحولاته التي تفرض سيطرتها على المتلقي، مما يدفع به الى ان يتفاعل معها ليستقرا دلالاتها وفق دائرة الاحداث والتي تاخذه بعيدا في عوالم الروح الامتناهيه ح | The sequences of elements of scene structure transformations at the monodrama plays play an important role to demonstrate its aesthetics that impose its control upon the audience, which push them to react with these transformations to recall their signs in accordance to the events and take them so far to infinite soul worlds, where sensitive and ideological enjoyment are generated; thus, this thesis titles (The Aesthetics of Scene Changes at Iraqi Melodrama Shows) came into being. The researcher determined its scientific paths at four chapters. They are : The First Chapter : it included the syllabus framework and contained the problem of the research and its need. The problem is determined by the following question : How did the designer deal with the Play Structure Elements changes of the scene till showing them to the aesthetic reading at the melodrama play? The activating the aesthetic of play scene form structure elements via their changes during the melodrama play leads to enrich the mental and sensitive realization of the audience; as there is no similar study specialized in this theme, the need for this study raised. It also contained the importance, aims, limits and terminology (Aesthetic - transformations - Play Scene - Monodrama). The Second Chapter : its included the theoretical framework that contained four parts. They are : a - Part One : The Aesthetic Concept at The Western Philosophy.b - Part Second : The Scene at the Modern Play Trends c - Part Third : The Scene transformations and their signs at the Play. d - Part Four : Elements Visual Occupation at the Monodrama Play. This chapter contained as well a list of previous studies that dealt with monodrama as main theme, such as : 1 - Hussein Ali Haref’s Study (The Technical Features of Monodrama). It as a literary study related to the melodramatic text. 2 - Nuha Abbas Jawad Sheweleiah’s study (Alienation at Iraqi Monodramatic text). She interested with Alienation concept at the monodramatic text. Then she reached the indications that resulted from theoretical framework. These indications are : a) The elements of aesthetic form structure of the play and its features of the audience sensitive reactions and motivate them to react to recall its expressive signs that grant them metal and sensitive enjoyment. b) The mechanism of aesthetic scene transformations move into two directions; the first : Iconic Aesthetic transformations and The second : Symbolic Aesthetic transformations. The Third Chapter : it represented the Methodology Framework. It contained the community, syllabus, tools and methods of selection and analyzing the samples of the research. The sample contained the following plays : 1. (The Hunchback) monodrama, the scene is designed by Falah Ibrahim 2. (Achilles Return) monodrama, the scene is designed by Emad Mohammed 3. (I at the dark research) monodrama, the scene is designed by Awatif Naem4. (The Gone Days) monodrama, the scene is designed by Sami Al Hesnawi5. (Alienation) monodrama, the scene is designed by Suhail Al Bayati. The Fourth Chapter : it included the results, discussions, conclusions and suggestions. The most important results are : 1 - The designer achieved the ideological aesthetic reading of the monodramatic scene in accordance to structure form elements transformations within the limits of the symbolic level at the monodrama plays (the samples analysis).2 - The designer sought to use slight raw materials to build the scene order to enable the actor to change its aesthetic particulars in harmony with the events during the play as is the case with (The Gone Days) and (the Hunchback). Finally, the researcher fixed a list of references, supplements and this English Abstract.

جماليات الماكياج في عروض المسرح العراقي == The Aesthetics of Make - Up For The Iraqi Play

Author name: ذكرى عبد الصاحب عبادي
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اعتمد بناء وتشكيل الصورة المسرحية من انبثاق المسرح حتى يومنا هذا على صور شعرية وفن معمار الفضاء المتسع المعاني والدلالات التي تتسم بها الشخصية المسرحية وما يحيط بها والتي من خلالها يتلاحم المتفرج بالممثل في اجواء تطهيرية صادقة المشاعر والاحاسيس اتضحت ملام | This research deals with the mechanism and the aesthetics of make - up for the Iraqi play performance. The problem of the research concerns with the imitation of natureand the principle of illusion of reality and to what extent the artists of make - up tried to achieve. In chapter two : the researcher discusses the aesthectic frame of make - up according to the ideas of the philosophers.The chapter discusses The scintefic frame of make - up such as Anthropology , Biology , Sociology , Psychology and Anatomy.This chapter also deals with the artistic frame of make - up Concerning Design and Compotion so the effect , of the elements of the other aspects of theatre Visual such as costumes , scenery , lighting on make - up concerning line , shape mass , Color , and texture. chapter three of this research deals with analyzing the mechanism and aesthetic aspects of make - up in five Iraqi play productions. The researcher reaches the following conclusion : 1. The straight make - up were used for most of thos plays and character make - up for som of them.2. There was no need too achieve the principle of illusion of reality for the make - up of the samples.3. In one of the samples the artist of make - up used the Clay for covering the faces and bodyes of the actors instead of vsing the materials of make - up. 4. some of the aesthetic touches were used for few characters.5. No effects of the other elements of the visual Theatre on make - up appear specially the effects of the stage lighting.

جماليات التعبـير في التصوير الاسلامي == Aesthetics of Expression In Islamic Imaging

Author name: محمد عبيد ناصر العـناوي
Supervisor name: جعفر عليوي الخفاجي | فاخر محمد الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (جماليات التعبير في التصوير الاسلامي )، وهو يقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث، واهميته والحاجة اليه، وهدف البحث وحدوده، وتحديد اهم المصطلحات الواردة فيه.فتناولت مشكلة البحث موضوع (جماليات التعبير في التصوير | This dissertation studies (the aesthetics of expression in the Islamic imaging), which consists of in four chapters, the first chapter is devoted to a statement of the research problem, and the importance and its value, and the aims of the research and its limits, and to identify the most important basic terms in the study. The research subject (the aesthetics of expression in the Islamic imaging), describes arts as an important a means of expression and the needs and concerns of human religion, as a result of spiritual and psychological human to need beauty, he began groping for meaning and forms in outer reality, self - sense and then take reflected in beautifully artistic product, Islamic civilization was not far from such innovations in the field of the arts, a variety of artistic schools which differed in their methods and varied in its conclusions that were influenced by religion that espouses, these schools contributed significantly and directly in the nature of the themes and ideas, beliefs and accidents expressed in various areas of the arts, and here emerged the role of Muslim artist expressing the philosophy of the age in which the belonged to more than creative concepts prevailing, which surrounded the artists within the boundaries of the Islamic nation or its neighboring civilizations, but he had dialogue and taken from the past or contemporary achievements and several pictures. Throughout the Islamic thought and religious belief, which had a wide resonance in the community movement, and his habits and his perseverance , and culture, so it has to reflect the patterns and common forms of matter and during the event, expression, idea and content. Hence the problem of the current research has arisen through answering the following question.How did a Muslim artist express his constructive and aesthetic production?And raised the importance of the research by highlighting the focus on the Islamic imaging expression and clarify the concept in a constructive process. That the first chapter, contains the aim of the research which is : Detecting and identifying the aesthetics of expression in the Islamic imagingThe limits of the research are identified by studying the aesthetics of expression in the Islamic imaging for the period (635 e - 1090h) (1237 m - 1680 m) and within schools (Iraqi, Iranian, Turkish, Indian), as well as a review of the basic terms such as : (beauty, aesthetic, expression, photography)The theoretical framework consists of three section : The first section, is devoted to the concept of beauty in philosophical Islamic thought, starting from Greek philosophy as paving the Islamic philosophy down to the thought of the aesthetic of (AL - Kindy) , (Farabi) , (AL - Tawhidy) , (Ibn Sina) , (AL - Ghazali) and (Ibn Arabi(.The second section contain the expression between form and content, and in it (the concept of expression, expression in primitive art, concept of form, the concept of substance, bilateral form and content, in the form of expression relationship, a relationship of expression with content, the relationship of expression with( the substance. The Third contains axes : The first axis included the aesthetics of expression in the Islamic art through the entrance of Islamic art, and references of Islamic Art, and the characteristics of Islamic art represented monotheism, unity, movement, and abstraction, as well as the attributes of expression in the products of Islamic art through the Islamic decoration, and calligraphy, and architecture, and porcelain. The second axis included the expression applications in the products of the Islamic imaging through the emergence of the Islamic imaging, the impact of prohibition in the Muslim imaging, as well as the aesthetics of expression in the Islamic photography schools (the Iraqi school , Iran , Turkish and Indian Schools). Then the researcher displayed the previous studies. The third chapter contains the procedures the study : including the study and selection of a sample of appointed adult (22) stylized Islamic imaging divided into six miniatures graphical Iraqi school and the Iranian school, and of five miniatures of Turkish schools and Hindi, then the of tool Analysis of the sample. The fourth chapter included results, conclusions, recommendations, and suggestions/ Among the most important findings of the researcher : 1. The expression feature of the Iraqi Islamic her miniatures have a renewable energy, because it combines the tangible and intangible images of , the natural shape and religious symbol.2. aesthetic expression in the Iraqi school emerged through the form in flatness and distracting leisure and work on the principle of the solenoid and linear perspective in art forms relationship with each other and in the spatial relationship with the space.3. It appears that solenoid perspective evident in the Islamic Persian imaging through visual movement in focusing when look at the people in the middle of miniatures and then move to neighboring hubs in a mechanism to create artistic works refers to the aesthetic side of artistic expression.4. the aesthetic expression appeared in Turkish school in an expressive narrative way through realistic transport which is not far from the realistic reproduction of forms inspired by nature5. repetitive conte xts in Indian School characterized by esthetic harmony by simulating the shape imparted to the aesthetic expression of Indian photography. The researcher concluded the following : 1. Muslim artist based in the Muslim imaging schools to evoke the determinants of structural elements and organizational foundations, which represents the need to do the aesthetic expression and an attempt to understand the link - state equalized between reality and ways of expression.2. Islamic environment features reflected a clear impact on the structure of Islamic art in general and photography in particular, the structure was considered as an indicator of citizen reveals the nature of the link between the environment and aesthetics works expression in Islamic miniatures.In addition a number of recommendations, suggestions, Arab and foreign references and appendices, the abstracts in English have been displayed.

جماليات البناء الكنائي في الفلم الروائي == Aesthetic of Metonymy In The Feature Film Dessertation Submited

Author name: اسيا جبار خلف
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم "جماليات البناء الكنائي في الفيلم الروائي" ويستهدف دراسة موقع الفلم الروائي من البلاغة بوصفه علما استقر في اللغة الطبيعية ووجدت له مقاربات في الفنون المجاورة، وكانت الكناية احد الاساليب البلاغية المتضمنة في علم البيان احد مباحث البلاغة | The research entitled "Aesthetics of metaphorical construction in Feature Film" aims to study the position of feature film in figurative language as a science settled in natural language that found approaches in neighboring arts, further, metaphor is one of the implemented methods in rhetoric as rhetorical device.Film, as craft language, obtains from metaphor as a main source to the film structure and its metaphoricals', and, if metaphor means, in language, the indication of a meaning by using a subsequent and synonym for it, intents to cover and shade therefor we switch from using the specific word that represent meaning to a synonym, so, meaning according to Jarjaani : speech system; while aesthetically it has a special regulation. For direct and repeated speech losses its aesthetically because of habit. Then meaning in metaphor doesn't use current meaning, instead it deals with "meaning of meaning". We can see linguists who attached symbol, indication, allusion and periphrasis to metaphor kinds. So texts are renewing with the renew of meanings. Metaphor refers to something by other that equals it in reality known to people but with new meanings, because if a meaning is settled and widespread would not catch attention or raise the aesthetic sense for it became so common, and this is what we see in film as it extrapolates the meaning through the realistic references, and the difference between standard and common film is that the first chases the invented meaning regarding arts aesthetics while common film is captive to current meanings that doesn't draw attention.This research consists of a summary and four chapter, the first includes methodological framework and the question of this research and the need to it. The question is formed as follows : "what is the aesthetic of metaphorical construction of feature film?".The need to such researches is to be at hand of researchers in Cinematic science to find out rhetorical prospects of cinema arts to be an aesthetic addition in film theorizing and application.While the importance of the research is due to be the first of its kind representing the metaphorical applications as they are the base of feature film leading film art to achieve a privilege in metaphor field in which cinema is operating in, on the grounds that the first task of the film is aesthetic of film image, and paying attention to the widening scopes that the metaphor repletes by neighboring reality in a creative way, not only a humble conveying that set and settled.The limits on this research are spatial limits are cinema worldwide anywhere can be found, temporal limits are (2001 - 2011), and finally mental limits are novelist metaphor.The second chapter includes three sections. The first concerning : metaphor from word eloquence to image space : in which the term (metaphor) is followed with Arab linguists depending on Arabic rhetoric as guide, so Simile purposes and eloquence will lead us to the question of this research, which leads to the necessity of studying semantics and metaphor as linguistic concept and rhetorical device the thing found with well - known Arabic heritage scientists : Al arabi, Al - jahihd, Al - mubred, Aba ubaida, Ibn almu'taz, Qudama Bin Ja'far, Abo Hilal Alaskari, Ibn Rasheeq Al qirawani,Ibn Sinan Al kafadgi , Al Jurjani and others.The chapter stopped at the concept of art image and film grand theories such as simulation, emotional and formalism theory.The scorned section concerns metaphor application in novelist film. Where image metaphor is treated which Derives its representation from photographical origin through the notion of : Arnhem, Andre Bazin, Eisenstein, Christian Metzm and others.The section concludes that what cinema has added to world understanding is the usage of reality in an eloquent way so the metaphorical construction take into account natural language eloquent while it draws its metaphor of cinema - tography through its special expressive medium.The third section entitled, the aesthetic employment of metaphorical construction in feature film, in which natural language doesn't present full metaphorical texts through its linguistic contexture, while film is a metaphorical contexture in each shoot and scenes.So, such kind of researches should comes out with the theoretical framework indicators, one of them is : 1 - The film aesthetic and metaphor happen through dialectic cinema narrative and the film form to build metaphor system through gathering partial metaphors.The research, as researches goes, contains conclusions such as : 1. The film aesthetic metaphor comes from the fact that the film art is an art on the term in which the film form differs from the exact picturing of reality.2. Also, the research comes to many derivations like : Metaphor in cinema is a basic and genuine element in film creativity which cinema is based on in its construction.

جدلية العلاقة بين الانتاج والتقنية الرقمية لتفعيل البعد الجمالي والدرامي للخطاب السينماتوغرافي == The Controversy of Relation Between Production & Digital Technology To Activate The Dramatic & Atheistic Dimension For The Cinematographic Letter

Author name: براق انس المدرس
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: من غير الممكن عد الفيلم السينمائي او المسلسل التلفزيوني الا بكونه انتاجا ينبثق الى الوجود بعد عدة عمليات انتاجية خلاقة تحققها مستويات ثلاثية متعالقة تاخذ على عتقها عمليات التخليق وعلى حد سواء المستوى الانتاجي : الذي يعتنى بالجوانب الادارية، والاقتصادية، وال | The Movie or TV dramatic series represents the print that dissolves to the level of production Operation, & here the Controversy of Relation has come true between what is on the screen & what is absent in building the pattern & type of image Construction with all its joints, saw you can't see a Film or TV series only as the production Cinematographic Letter, & what the searcher indicated of this interference between Image & of one Side & Production on the other side, which is the seclusion of Critical & Technical Studies that is Specialized in studying the Medium Elements Language.Although studying the meaning production digitally, that is the software of Computers & digital effects which is the pioneer of many specialized academic studies for this medium, & the Predicament is, there is no previous studies Specialized in the effect of Exchange of Production Science & Digital technical Evolution, & the methods of handling this progress by stepping ahead what was Familiar traditionally & that was the main booster to the searcher to select his research Subject in the following address (The Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter ). For that the searcher has divided his research into five Chapters, the 1ST one Came in the (Methodical Panel) which presents the research Predicament (What is the Basic Form Lines for the Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter?),than Mentioning the importance of research , Aims of research , its limits & finally the Terms Definition in the Research Title. 2ND Chapter (Theoretical Panel & Previous Studies) which the searcher divided it into 3 Sections : - 1ST Section : - Which Discuses the Production Philosophy & the nature of cinematographic Letter.2ND Section : - That Defines the Technical & Productive Variable in Image Construction. 3RD Section : - That studies the Action Dramazation & the Atheistic Signified of the Cinematographic Letter nature.To conclude these sections by emitting the indicators that was relied on by the searcher that was certified by a panel of experts & Judges, to end this panel with the Previous Studies. 3RD Chapter : - ( Research Procedures) which Contained Research Method, Research Instruments, Research Society, Analyses Units, Research Specimens, Instruments Authentication, Analysis Steps.4TH Chapter : - Which was the Analysis of Research Specimens as Follows : - 1 - Prometheus (Movie).2 - Man of steel (Movie).3 - Falling Skies (TV Serial). 5TH Chapter : - (Results & Conclusions) : - this research has come out with several results after Specimens Analysis, & as follows : - 1 - The digital techniques interfered with all the joins of cinematographic Medium which leads to use a precise Variability to have an Image to the technique that reacts with Production to revel the Atheistic Quarteria, also Dramatic Activation, as we previewed it in Research Specimens. 2 - The techniques have the ability to Create Space in High Precession & Less Expenses, for having an Image with clear Atheistic & Dramatic Clearance, as it in Research Specimens. Than The Searcher has Added Conclusions, Recommendations, Suggestions, Reference List, Appendix & Finally the English Language Abstract.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة == Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

Author name: لؤي عبد علي مهدي الشكرجي
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

تقنيات المسرح التجريبي وتطوير اداء الممثل نماذج من المسرح العراقي == The Techniques of The Experimental Theatre And Developing The Actor’s Performance (Samples From The Iraqi Theatre)

Author name: مظفر كاظم محمد
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The problem of this research is in answering the following question. How did the experimental’. Theatre techniques contribute in developing the performance of the Iraqi actors? The Goal of the research is to have knowledge about the actor’s training according to the techniques of the experimental theatre. Chapter two deals with the review of literature and includes three sections. The first section reviews the history of acting techniques throughout the ages. The second section discusses the theories of acting and the actor’s truing. The third section discusses the technique of the experimental theatre that concerns the actor’s performances, such as improvisation, the theory of ploy, the ensemble work. The researcher reviews those technical practices at same of the experimental companies like the living theatre, the group of Arianne Mnochkine , the open theatre of chicken, and the Odin theatre. In chapter three, the researcher chooses intentionally five Iraq theatre productions as samples for his research. The chapter contains adscription for the performance of each play and analysis for the actors of the main role in each production according to the techniques of the experimental theatre. The five productions are; (1) The Ritual of Sleep and Blood. Which is an adaptation for (Macbeth), directed by Sami Abdu ـ Hameed.(2) I apologize my master, the lessen ended, written Awatff Naeem , directed by Haythem Abdul. Razzaq.(3) Women at War, written by Jawad Al ـ Assadi, directed by Kadum Al ـ Nassar.(4) Curfew, written and directed by Muhaned Hadi.(5) Under Zero, written by Thabit Al ـ laythy, directed by Imad Mohamed.In chapter Four the researcher reaches the following conclusions;1) The techniques of the experimental theatre have been practiced by the Iraqi theatre groups to sonic extent.2) Using those techniques result in spontaneous acting and without artificial expression.3) At is impossible to use those techniques unless the play text is not traditional in it is structure.4) The experimental theatre has it is own characteristics such as simplicity and clarity. It also depends a lot on using semiotics in it is performance.

تفكيك الزمن في الخطاب المسرحي

Author name: جبار حسين صبري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت الزمانية باشتراطات التمرحلات الفكرية المتعالية فجاء الزمن موثوقا بتشفيرات كل مرحلة، ومن ثم متغلغلا في افهومات او اليات الخطابات الفرعية مثل : الفن، السياسة، الادب، المجتمع، الاقتصاد..وصولا الى تمفصله في جزئيات تلك المفاهيم ومعايشته او تاطيره لتلك ال

تطبيقات التاريخانية في رسوم مابعد الحداثة == The Application of Historicism To Post - Modern Painting

Author name: ازهر داخل محسـن
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: التاريخانية مفهوم معرفي اطر الثقافة النقدية الفلسفية والجمالية والايديولوجية والعلمية، على ضوء منظومة معرفية تاسست برؤية الماضي كمعطى ابداعي لتستثمره في الحاضر بفعل ازاحة الفواصل والابعاد الزمنية ( الماضي، الحاضر، المستقبل ) فاقرت ان الابداع نسق عابر ل | Historicism is an umbrella term that can be used to include several aspects of culture; namely, the critical, philosophical, aesthetic, ideological, and scientific ones. It refers to the schemata that considers the past as a creative source by applying the process of transition - and - dimension displacement in relation to what is so called past, present, and future. According to historicism, creativity is a track that penetrates both place and time and draws types of existence and situations beyond all that was found earlier. Hence, historicism is the other face of the philosophy of history as it is after discovering the laws of social change and progress drawing attention to the great transformational processes underlying human civilization. It interferes philosophically with history and its broad field of interest. As a scientific concept, historicism through revisiting earlier products and trying to free them from the limitation of registering and recording aspects of documentation. By doing so, historicism deals with each earlier product as a source of critical thinking that could pave the way for a new interpretation. In this case, historicism acts as the awareness underlying the future work of art. That is why, the research work, in question, has treated historicism as a critical term and a scientific process of identifying and analyzing a set of recent readings and their effects on the creative post - modern painting. In other words, this study, which falls into four chapters, is an attempt at applying historicism technically to post - modern performance. Chapter One presents the problem of the study in the form of the following two questions : - How is historicism generally realized across plastic arts? - What are the evaluative and mental criteria followed by the post - modern painters to provide the work of art with aesthetic, ideological, and dialectical effects.This chapter also refers to matters such as the significance, limits, and aims of the study. It ends with procedural definitions of some terms. Chapter Two is a theoretical framework of the study. It divides into three sections. The first section deals with the nature of the philosophy of history and historicism. This section has got the following four headings : ( I ) About history, and Philosophy of History( 2 ) The Concept of Historicism ( 3 ) The Concept of New Historicism( 4 ) Historicism and Modern CriticismThe second section is on historicism and interpretation in modern painting. This section has two introductory notes : historicism as an interpretive product and the representation of historicism in modern painting. The third section is on historicism and experimentation. It falls into two aesthetic and scientific subdivisions : First, historicism and the mechanism of experimentation in modern and post - modern painting and secondly, historicism as a reading in the post - modern painting. Based on the theoretical framework, a number of parameters were pointed out to be the bases on which the analysis of the sample are conducted in Chapter three. Chapter Three is on the procedures in relation to the population, sample, which consists of 20 subjects. It also tackles the descriptive approach, the tool of data collection, and the techniques or mechanism of analysis. Chapter Four is entitled ‘results and conclusions’. Among the conclusions the following are worth mentioning here : 1.Historeism is not a succession of similar eras, neither is it a set of successive similar closed periods. Actually, it is a combination of new complex creative attempts, visions, and strategies. All of these matters penetrate stages and samples and reconstruct them according to novel standards or bases. To history, Historicism means progress and development that match with what the society is witnessing and at all levels.2. Historicism is an attempt at repeating the work of art but in accordance with a contemporary vision and a progressive act to make it more technical and more aesthetic. The earlier work is made use of in two ways : first, a contemporary artist reconstructs the work of art carried out earlier by another artist; and secondly, or the same artist repeats his earlier attempt but with some modern mentality and better awareness.3. Progressive historicism tends to turn, in its post - modern works, to earlier or modern paintings within a newer starting point. There are technical differences between post - modern paintings and their modern counterparts regardless of the similarity of style.4. Analyzing and deconstructing the European modern and post - modern paintings in terms of historicism readings of borrowing have been conducted with reference to form, content, symbols, and reference as these are semantic aspects bearing in mind the relationship between reference and referee. 5. The openness of the visual text of the post - modern painting is considered to be a return to earlier masterpieces on the part of the post - modern artist who cannot help employing new technicalities, new forms, and new mechanisms that are different from those of the earlier work.

تداخل اساليب الاداء التمثيلي في عروض المسرح العراقي == Interlinking of Artistic Performance Styles In Iraqi Theatrical Shows

Author name: عتاب جاسم نصيف
Supervisor name: عادل كريم سالم
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتفق كل الباحثين والدارسين في حقل الفن المسرحي ان لفن الاداء التمثيلي اسلوبين اساسيين احداهما (تمثيلي) والاخر (تقديمي) من حيث الاداء اذ تنضوي تحت لوائهما مدارس تمثيلية عدة منها الكلاسيكية والتعبيرية والواقعية والرمزية...وقد تولدت عنهما اساليب ادائية شتى | All the Researchers And Students In The Field of Theatrical Art Agreed upon That the artistic performance has two basic styles one of them is (performance) and the another is ( introductory) they included numerous performance schools among them the classical, realistic and symbolic schools…… From them numerous performance styles have been originated, opining avenue to the actors to introduce numerous of these performance styles with in the numerous concept of and interlinking of artistic performance in the single theatrical show. For achieving the purposes of the researcher in her thesis to recognize the machinery of artistic performance in single theatrical show so the research has come under the title (interlinking of artistic performance styles in Iraqi theatrical show. The research includes four chapters.The first chapter concentrated on the systematic frame of the research whereas the research problem dealt with an obstacle deters the actor performance considered the basic authority and the active element in theatrical show address which is as a result of the numerated school performance and their styles perplexion has prevailed in the theatrical performance so the criteriia have become imbalance as a result of ignorance resulted from this interlinking and non - distinguishing and awareness to the reality these styles, also the chapter includes the importance of the research ,its aim ,limits and assign the terms, while the second chapter includes theatrical frame , it contains three main categories under titles The first category : - the concept of interlinking in which I have displayed in this category the most important psychological, and Knowledge fundamentals of the interlinking concept The second category interlinking of artistic performances which I have reviewed the interlinking of styles in theatrical show of reading the text in a contemporary directory vision which will be subjected to the interlinking of new economical, political and social relations this will lead to interlinking in artistic styles which connected in its circumstances, stage and its reconstruction in away conform to the nature the direction of the modern vision. While the third category includes the machineries of interlinking of artistic performance styles in theoretical directions, I have displayed in this category techniques of artistic performance styles and its methods. The theatrical frame has produced indications, the most prominent of them are : - 1.Interlinking of artistic performance styles the in the research of new performance styles, new the artistic performances connected another styles references temporary connected with harmonious interlinking unity, in which the principles of mixing organizing, diversity , balance, harmony and rhythmic achieved the artistic effect which represent aesthetic tendency to attain the communication process between the actor and the spectator.2 - Mixing of artistic performance styles randomly doesn't mean in a random method without subjecting to unified harmony for their diversity with in the diversity concept in the unity, interlinking in styles, whereas the interlinking always move on the base of finding a central focus in performance in which and through them another performance styles move after interlinking with units of building personality, scene and action.The third chapter based on measures taking frame and it includes the structure and the specimen of the research that are represented in elected shows of the Iraqi theatre like ( Oteil in the kitchen), ( Macbeth) and(the Ghost)I have displayed in the most important and conclusions in the fourth chapterAmong these results : - 1. Thearitcal artistic performance styles interlinking which is process of liberating the actor tools from their usual expressional mode, and oriented towards new animation and movable existence being the interlinking in its essence mean movement concluded by the action in its dealing with things for revealing its hidden secrets then representing them in forms, images and expressional contexts of theatrical show address.2.Theatrical artistic performance styles interlinking means the organized technical and aesthetic structure of the whole relations of these styles inside the performance structure within central harmony, it is creative action in organizing the action of the actor and it is equivalent to organizing his tools. The research is terminated of foreign and Arabic sources and the abstract in English language and appendix with pattern of Iraqi theatre.

تحولات بنية التطهير في النص المسرحي == Transformations of Structure Catharsis In Dramatic Play

Author name: محمد مهدي حسون راهي المياحي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يخوض البحث الحالي في دراسة المفهوم الجمالي للتطهير وتحولات البناء الفني للتطهير، بوصفه غائية بنائية يقاس على وفقها تحولات المنظور الجمالي للمنتج الابداعي، وضمن الفضاء التاريخي لهذا المنجز، في زمانه ومكانه..فالتطهير هو موقف للذات تعانيه باشتراطات تجربتها | Since his first steps in existence, the human being followed mental or sentimental or instinctive activities in order to reach to the state of tranquility and stress reduction between the requirements of the self and its propensity for differentiation in this world, and between the conditions of the world and its laws. These activities were issued by the first act of the human, starting by worship, and through worship came tranquility which leads to the power of the ritual and the flooding of spiritual energy of the self being differentiated in this world and reforming the conditions in the line with the self, i.e. changing the world humanly and this is the principle of the civilization. Through the evolution of repetitive practice of worship and the growth of its aesthetic awareness, emerged the art work and the aesthetic practice which its basic point is catharsis.In a philosophical perspective through bilateral self/world argumentative conflict, the self gains some of the world`s themes. These themes forms through their hazards and threats to the self, a prior criterion to moral and manners standards such as; danger, panic, fear, murder and loss. These are threats by the world, and their opposites are the need of the self to what is against them to sustain survival such as; safety, peace, tranquility, goodness, justice, honor, loyalty and honesty. But the fact that the outside world is always threatening, keeps the self in constant sufferings for the absence of the catharsis out of the art work and the aesthetic experience, which must be the basic aspect in the creative structure of the work - theatre. when it is there, the aesthetic factor is also there but when it is absent, the whole experience is becoming incomplete. Therefore, the multiplicity of artistic structure of the text as a basis of theatrical presentation, which leads to catharsis and that was what occurred of shifts in the functional concept of catharsis. Thus, this study comes to explain the concepts and procedures of the transformations of structure catharsis in theatrical text. In the light of this study, the following chapters have been resulted : Chapter One : the methodological framework that contained the problem, the significance and the limits of the study; in addition to identifying some of the idioms mentioned throughout the whole study.Chapter Two : the theoretical framework that contained the following sections : Section One : Catharsis in philosophical speechFirst Hub : Catharsis in Metaphysics Speech / Classical Second Hub : Catharsis in Modernism Speech / Realism Third Hub : Catharsis in Postmodernism Speech / Expressionism Section Two : the Mechanisms of Catharsis in the elements of dramatic structure First Hub : Catharsis in PlotSecond Hub : catharsis in personality Third Hub : Catharsis in ThoughtForth Hub : Catharsis in LanguageSection Three : Aesthetics of catharsis in theatrical speech / Indications of the theoretical framework and previous studies. Section Three : the Procedural chapter in which samples had been analyzed as follows : 1. The play of "Oedipus the King" of the Greek writer Sophocles - translated by Taha Hussein.2. The play of " al - huor al - ryahi" of the Iraq writer abed alrazaq abed alwahid.3. The play of "the House of Agoesar Holm" of the Norwegian writer Henrik Ibsen - translated by Tamader Tawfik.4. The play of " Ana omak yashaker " of the Iraq writer Yosef Al - any.5. The play of " allawha" of the british writer Harold pinter.6. The play of " Mythical Reality" of the Iraqi writer Ali Abd al - Nabi al - ZaidiChapter Four : it contained the results, conclusions and recommendations. Then, a list of sources, references and an abstract in English.

فنون ما بعد الحداثة وتمثلاتها في التشكيل العراقي المعاصر

Author name: تحرير علي حسين الجيزاني
Supervisor name: مكي عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The present research is concerned with investigating the embodiment of the Postmodernism Arts, their styles and their artistry trends in the experiences of the modern Iraqi plastic Arts. No doubt that the postmodernism philosophy with all its details, associations, contradictions, which is also called postmodernism phase, has attracted the Iraqi artists inside and outside Iraq. This interest has emerged from the artists wish to convoy the new styles, techniques modes in the world, ideologically or practically in Art.The present dissertation lies in four chapters. The first includes the problem of the research, its importance and value. The problem of the research is limited to the identification of the becoming of the postmodernism arts in the modern Iraqi Plastic view, and that is after the openness of Iraq on the world and the contact of the Iraqi artists with the artists in the world. The following questions embody the problem of the research : has the postmodernism ideology any effect on the modern Iraqi artist? has the postmodernism techniques any effect in to change the aesthetic view of the modern Iraqi plastic proposals? does the dissidence in the Iraqi classic styles of Art, being affected by the aesthetic system of postmodernism, open the way for the procession and involvement of the receiver of the visual show.The importance of the study is embodied in shedding light on the artistic styles of the postmodernism plastic Arts in the Iraqi artists' works. The study also aims at detecting the embodiments of the postmodernism arts, their styles and techniques in the performed modern Iraqi plastic arts.The study is limited to the objective analytical study for the ideology and techniques of the postmodernism plastic art in Iraq; on the other hand, the local limits include the artistic results of the Iraqi artists' works inside and outside Iraq, which is in addition to the analysis of their pictured works which are performed from 1993 to 2013.Chapter Two includes the theoretical background fro the study which includes three sections. Section one includes two axes : the first tackled the notion, as well as the principles, of modernism as it is the phase that proceeded postmodernism, so that it possible to be aware of the notion and principle of the postmodernism phase, which was base on demolishing the modernism basis. Hence, this section propounds the notion and principles of the modernism phase and its visual applications. On the other hand, the second section is concerned with the notions and principles on which the postmodernism phase is established, for it tackled the prologues of the formulation of the postmodernism phase as well as the historical roots for the appearance of the postmodernism notion. That is in addition to the characteristics and ideological starting off which the postmodernism phase was based on and the extent to which the postmodernism phase affected on the Arab world and the effect of the latter on it.Chapter Two deals with the postmodernism data in the visual field, for it includes two sections. The first tackled the artistic characteristics of the postmodernism plastic art such the opening of the visual show, the association of the technical styles and the incoherence and fragmentation in the artistic works of the postmodernism phase. That is in addition to the oddness, obscurity, sarcasm, shocking, and amazement which it attains in the receiver. The study also tackles the role of the pictures and media in the postmodernism artistic products. The second section deals with the important trends of the post modernism arts, starting with the abstractive expressionism with the end of the craft. Section three exposes the postmodernism features and modes of the Iraqi plastic art career, propounding the commencement of the Iraqi plastic movement, starting with the pioneer generation to the present time. This includes the products of the Iraqi artistic works which embody the postmodernism styles. These sections show someaesthetic, philosophical, ideological and artistic indications, being included within the theoretical background.Chapter Three includes the procedures of collecting data about the Iraqi artistic society to be included in study for the period from 1993 to 2013 AD, and about their artistic work inside and outside Iraq. The samples of the study include twenty five artistic works chosen on purpose to fulfill the aims of the study. The researcher works on the descriptive and analytical mode to analyze the samples with reference to the artistic, aesthetic, philosophical and ideological indications, to be coincided with the theoretical background for the formulation of the study.Chapter Four includes the conclusions, recommendations and suggestions depending on the practical side of the analytical study. Here is a brief about the results of the study.1 - The dissidence of Iraqi artistic works from the classic art system which proposes the existence of a limited center inside the framework; thence, the works divert to another form based on the absence of the centrality as those in the western postmodernism art.2 - The demolishing in the structural and constructive order of relations inside the performed artistic structure through breaking the classic perspective as the artist depends on the open show space.3 - The figure appeared as multi - category (non - naturalization) due to the Iraqi artist working on the non - naturalization principle, being one of the most important secretion of the western postmodernism; that is through the interference between the structural systems of the techniques in sculpturing, drawing, architecture, designing and photographing.4 - Activating the personality of the artist and with a bigger liberality to formulate and choose his figures, without being monitored by the former governmental regime.5 - The initiation of new styles for the Iraqi plastic art after 2003, diverting from the prevailing ideological career to present a free ideology carrying the embodiments of the western postmodernism.6 - The social and political changes were implicated in the Iraqi plastic art and with new presentation depending on the assembling, constructing and the ready made thing with the characteristics of the western postmodernism.7 - "Shock and surprise" was a characteristic in the western postmodernism arts reflected on the performance of the Iraqi plastic art; that is when the Iraqi artist used strange and mysterious materials in the structure of his performance according to the modes and techniques of the postmodernism.8 - "Media and advertisement" appeared clearly and widely in the theme of some Iraqi artists' plastic works, especially those which conveyed the information actions.On the basis of the above mentioned findings, the following is concluded : 1 - The social, political and economical changes in the Iraqi structure as well as the living circumstances such as war, destruction and setbacks have a big effect on the Iraqi artists' spirit.2 - After 2003, the Iraqi artist tried all the universal artistic techniques and styles, whence he had been isolated and banned by the Iraqi former regime. This gave him a chance to know the modern modes of art.3 - The Iraq modern art is based on connectivity and cultivation with the others in the world, as well as communicating others and exchange opinions. The Iraqi artist was freer to exemplify and present his aesthetic themes.4 - For the Iraqi artist to be able to travelling abroad after the fall of the former regime, holding shows and being introduced to different cultures and arts a wide effect to make the works seem with universal traits.5 - Experimenting according to postmodernism art styles encourages the Iraqi artist after he was despair of the traditional modes which he worked with before, since these new techniques are modern and more interesting.6 - The internet, celphones and media has a big role to see all the artistic styles that the universal artist can present, that is in addition to the ease of communicating any other artist or a show.7 - The prevailing of TV programs in the Iraqi society, as it becomes easy for them to watch the world, as well as the awareness of the Iraqi artist to what happens in the world, helped him to dedicate these on the artistic performances of his works.8 - As globalization, politically, culturally, economically and militarily, launched the Arab world, including Iraq, this affected greatly on directing the Iraqi artistic performances to embody the existential anxiety and expatriation of the Iraqi

التفاعلية بين الضوء والمنظر في انتاج دلالة العرض المسرحي == Interactive Between Light And The View In The Production of A Theatrical Show

Author name: فلاح كاظم حسين سلمان
Supervisor name: رياض شهيد علي الباهلي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان مسالة تكامل الفكر الانساني تجاوزت تداخل العلوم المتعاصرة لتعطي بعدا تفاعليا اخر، وهو ان الفكر الانساني في اي حقبة ليس وليد لحظته، وانما هو تراكم فكري منذ بدا الانسان الاول تجاربه واكتساب معارفه وخبراته، وهذا يعني ان تشكل معارف الانسان اليوم ليس من انت | The issue of the integration of human thoughts beyond the issue of overlapping Science Almtasrh to give dimension to interactive else , which is that human thoug in any era not the result of zth , but it is the accumulation of intellectual since the eginning of the first human experiments and the acquisition of nowledge and experience , and this means that constitute the human nowledge today is not the production era it is consequential to what preceded the production of an intellectual , and verlapping with, has also become interactive according to data recent tudies impact open Tagged reacts and Itlahak with it , as everyone with one intention , which is the same that the *problems which saw *phenomenology , it establishes in the world and Deitna humanitarian progress is not philosopher and psychologist only , but the artist also assertions raise Tfaalath technical creativity , and then he basically for something for the world to submit views and images are open , and that Aaadana always something else we see who shows the convergence of art in the form of what can be called Baltmathlat in infrastructure " ( ) , and because theater is a human activity provides the shape and composition of the creator aims to retrieve the life experience of self , or the structure of a virtual experience virtual produced fantasy conscious within formats and builders of light revealing the contents of the environment implausible and interaction by the receiver where the logical relationship that is supposed to be between the real world and the world of the assumption that is an interactive theater so that it is viewable add intellectual and conceptual knowledge to his regime , it is not only in accordance with the artistic vision and aesthetic intentionally designed to be employed in the technical structure of the play , in order to have a public value in an impressive receiver.The aim of the technical development of the industry landscape playwright and use be linked to meeting specific requirements in terms of reducing the effort required to perform the job with industry conditions and appropriate elements aimed at creating a sensual pleasure associated with the senses of all , it has undergone the light of the developments of several technical , different ages, and varied its importance in each point in time , and within the overlap speed and technology , it has been breached theatrical space , the move paved the way for the theater to get out of rigidity within the forms adopted modern technology in the formation of light dependent uses synthetic within the relationship - related interactive and technical transformation for those elements that formed a quantum leap in the origination and achieve good business where not addressed by researchers in addressing this aspect to maintain the continuity of the bid and raise the offer theater , so the researcher finds that puts search an indication of the importance of light and its role within the relationship of synthetic and nature of the energy proliferating in the production of the play by the qualitative and the application of the method and details are done , so it will answer the researcher on the following question : Mather interaction relationship between the light and the view through the installation process and advanced technologies to produce the display indication , here was a proposal from the title search ( ( interactive between light and landscape in the production of theatrical presentation indication)).

جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة

Author name: اديان يونس ياسين الربيعي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي الموسوم (جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة) تقصي تيارات فنون ما بعد الحداثة ومظاهر الفعاليات الاجتماعية والثقافية التي ظهرت داخل مدينية المجتمع الغربي، الذي شهد الانجازات العلمية والادائية بعد الحرب العالمية الثا

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

Author name: ايناس عبد الحافظ احمد القباني
Supervisor name: عبد القادر خلف الدليمي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

التجارب الاخراجية النسوية في السينما العربية == The Female Directional Experiments In The Arabic Cinema

Author name: ايمان حمادي عبد الامير محمد علي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: استعانت المراة منذ القدم بالعديد من الوسائل للتعبير عن نفسها. وقد تطورت هذه الوسائل بصورة تدريجية عبر مراحل التاريخ. فلم تجد منفذا يعبر عن ذاتها افضل من السينما، لتنقل عن طريقها الكثير من المعلومات والافكار والمضامين لكونها تمثل اشمل واعمق اداة فنية، وفك | Since ancient times women used many means to express themselves. These methods have evolved gradually through the stages of history. Did not find an outlet for expressing themselves better than the movies, meant to deliver a lot of information, ideas and content as they represent a broader and deeper technical tool, and intellectual able to express the problems of society revealed its specificity, thus contributing to the development and change. Since the beginnings of the establishment of cinema in the Arab world women were very enthusiastic to promote the cinema of the Arab and able to occupy the great work of art representative and prolific and productive, as well as fought battle of film directing, has emerged since then, the names of the output pioneers were able to defy the silence and isolation and Imahdn the way for other outputs and register the lead in directing fiction of Arab women and they (Aziza Amir, and joyful Hafez, Fatma Rushdi, Amina Muhammad), then followed by having so many names and from different Arab countries were able to prove their presence and play a full role in the process of intellectual development that fall within the the door of development and the impact that Iozvhn see them through the technical work of art to choose to and affected.Which managed to films made of them reverse the problems of society and from the problems of women through Enayathn content - references and intellectual as well as the technical aspects that go into the heart of the artwork.I found these concepts resonate through the contents of the present research came Title (women's directorial experiences in Arab Cinema), which can be summarize as follows : Find attended several of the chapters, the first chapter dealt with the problem of determining the research questions formulated in accordance with : Would the director was able to acquire speech reflects the aspirations of the film or only on the man? Is it the form of facts to the different perspective of women in community issues? Is there is privacy in dealing with these issues? The features of that discourse and modes of formation of a cinematic visions and the difficulties of entry in the realm of film directing.The objectives of the research are : 1. Disclosure on the topics addressed by the women (the director) in Arab cinema.2. Disclosure on the mechanisms of recruitment of directorial vision and their relationship to highlight the intellectual content.The second chapter covered a theoretical framework which consisted of several sections included : the first output from the experience of Women in Arab cinema extrapolation historically.The second included the topics addressed by the filmmaker.And take care of hiring the third directorial vision to highlight the intellectual content into the work of filmmaker and he went out the theoretical framework is a summary of indicators of substantive literature search.The third chapter action research has contained the research method chosen by the researcher in order to bring the nature of the research is descriptive method, which involves the analysis, then the research sample was chosen Qsidia, and search tool, and the unit of analysis, and certified tool.Chapter IV - where the results were focused on two parts : First - What is the subject of directing feminist attached (there are linking a clear and explicit issues faced by women and was bringing it through the intellectual content within the imaginary events).Second : The technical wizards for Women directorHence the conclusions may carry this chapter also the recommendations and proposals, as well as on the last page contains a list of sources, and then supplements and finally there is the abstract in English.

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم == Utopia In Contemporary Industrial Product And Its Impacts On The User

Author name: اياد خلف ياسين
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

التكوين المهني لطلبة التربية الفنية في ضوء تكنولوجيا التعليم الحديثة == The Professional Formation of Art Education Students In The Light of Modern Instructional Technology

Author name: امل حسن ابراهيم الغزالي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان التقدم العلمي والتكنولوجي السريع يحتم على البلدان المختلفة اعداد ملاكات مؤهلة مهنيا وفنيا وتربويا تمتلك الخبرات والمعلومات والمهارات التي تساعدهم على تتبع طريقهم بانفسهم وتحديد علاقات واضحة بما يحيط بهم من احتمالات ومتغيرات، ولذلك اصبح انتشار التربية و| These fast scientific and technological advances have made it necessary for different countries to develop qualified staff professionally, technically, and educationally and equip them with expertise, information and skills that help them follow their way by themselves and identify clear relations of the changes around them. Consequently, the dissemination of education and methods of teachings in a country have become a yardstick for the scientific, social, and cultural advancement of that country, and the focus on the scientific thinking has become the major part of society advancement.Problem of the StudyBased on this, the problem of this study deals with the professional formation of Art Education students in the light of modern learning technology data. This study is based on a survey study conducted in intermediate schools and designed to get acquainted with the most modern technology techniques used in teaching. It is also based on a study questionnaire designed to learn about the opinions of experts about the importance of the role teaching technology to develop a model of the professional formation of a student of Art Education who is to be prepared for the teaching career. For this reason, the researcher has identified the importance of the study with the following : to know the professional development in the light of data related to modern teaching technology of the Art Education student to make use of it to prepare the student technically and scientifically to give him the chance to obtain the permit for teaching Art Education.Goal of the StudyTo provide a proposed perception on the professional formation in the light of modern teaching technology data to serve as a scientific approach to allow the student to scientifically and professionally ready to teach Art Education.To achieve this goal, the researcher poses the following questions : 1 - What is the type of technology that is included in the formation of the professional preparedness of the Art Education student? 2 - What are the training methods of the education model for the art education student to allow him use modern methods of teaching?3 - What are the assessment methods in the model of professional formation for the art education student in the light of the modern teaching technology?Population of the StudyThe sample of the population of the study consists of 27 experts in different specialty (art education, teaching methods, plastic art, theatrical arts, educational psychology, measurement and evaluation, and computer sciences). The researcher has used them to know the validity of the proposed professional formation model in this study to be an approach to allow the student to be a teacher.An approach for the analysis of system was prepared to serve as a theoretical framework that is consistent with the nature of the current study. It aims at learning the inputs, processes, and outputs of the professional formation model. A survey containing 149 items has been prepared. The survey was distributed on three areas : formation for preparing a teacher for art education; formation for training the art education teacher; and formation for evaluating the art education teacher. This tool was presented to a group of experts using the Delfi method which includes three rounds to know the validity of this tool in measuring the goal used for. To reveal the results of the study, the researcher used a number of statistical methods such as Copper Equation, degree of quality. Among the results reached by the researcher are the following : 1 - Ensure high quality in performance by getting acquaintance with the professional technological practices by using different means;2 - Master the scientific material by knowing the theoretical studies to be confident of his scientific sources. ConclusionsThe researcher concluded the following : 1 - The professional preparedness of the art education student in the light of the modern teaching technology ensures the increase in the effectiveness of the theoretical expertise in teaching. The technological knowledge is a means of thinking and innovation to grow by providing him with intellectual information and basic concepts of technological data and how to use them to refine and improve his knowledge;2 - The professional training of the art education student in the light of modern teaching technology ensures high quality in the professional and teaching performance to be able to use the modern teaching methods; and3 - The evaluations of the art education student in the light of the modern teaching technology reveals weaknesses in the professional performance, and hence addresses it and enhance strengths to support his full understanding for the different needs of the students and their abilities to make use of modern teaching methods.Suggestions : The researcher provided several suggestions including : 1 - Generalize the professional formation model for art education students which she has come with to educational institutions to be taken into consideration when developing terms for appointment.2 - Evaluate the academic curricula for the sections and colleges of Art Education according to modern teaching technology data to keep pace with the technological development.The researcher suggested the following studies : 1 - Studying the status of the professional formation of the art education teacher according to the modern teaching technology data;2 - Enrich programs of preparing the art education teacher with more context in the field of teaching technology; and3 - How far current art education programs are enough in developing technological profession formation in art education students; The researcher presented a group of references which she had made use of in its current study and provided annexes and ended with an abstract in the English language.

التقابل بين الرسم والفوتوغراف في التداوليات المعاصرة == Paeallelism Between Painting And Photograph In Contemporary Communicatives

Author name: الهام صبحي عبد
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The emergence of photography and the invention of the camera have a fundamental effect on all the ¬branches of the artistic field such as painting, sculpture, media, advertising, newspapers and magazines. Since the inception of photography, it has diligently sought to approach the level of the art of painting. With the passage of time, and because of technical and technological development, the roles have changed. The art of painting persistently sought to approach the level of this small machine, and tried to mimic its accuracy in the embodiment of details. Photography was able to possess the art scene and to give an unprecedented prevalence for the art. For this conflict, which generated between painting and photography, the researcher decided to study the impacts and the effects between them. For this conflict, which generated between painting and photography, the researcher decided to study the affect and the impacts between them through this study, which is titled as ‘Concordance Between Painting and Photography in Contemporary Circulation’.This study consists of two chapters; the first includes the problem, aim, importance, terms’ definition and the boundaries of the research. The second chapter includes the theoretical framework and previous studies. The theoretical framework consists of two topics, the first is the art of drawing and photographic metaphor, which discusses the role of photo and its impact on the recipient, the simulation of painting to photography, the adaptation and usage of painters to the camera in their works and the connections between drawing and photography through modern artistic trends and postmodernism. The second topic is the historical root, iconography, technical transformation, photography, drawing with light, digital photography and graphics, which deals with the invention of the camera, the emergence of photography and the transformations that have occurred on the camera. In addition, this topic discusses the development of this machine, which was transformed from a large box to a very small item, which is become accessible to everyone. Moreover, this topic explains how this development has helped artists in the production of works that record fine details of objects, which cannot be seen with the naked eye, and how those works strongly competed drawing. Finally, this topic shows the impact of photography on the graphic art.In the end, the results, conclusions, recommendations and proposals were presented and the abstract and the title of the study in English were provided.

المقاربات الوظيفية بين عمل المخرج المسرحي وسيكولوجية الطفولة == The Functional Approaches Between The Work of Theatrical Director And The Psychology of Childhood

Author name: خضر عبد خضير
Supervisor name: ضياء جعفر صادق | صباح عطية سويبج
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤكد الحقائق العلمية ( السيكولوجية) على الاختلافات الجوهرية التي يتمتع بها عموم الناس في ادراكهم للمؤثرات الخارجية التي يتعرضون اليها وبالتالي فان المتلقين للعرض المسرحي يتباينون في فهمهم للخطاب السمعبصري وفي تفضيلاتهم الجمالية، الامر الذي عزز الضرورة لو | Emphasizes scientific facts (psychological) substantial differences enjoyed by the general public in their perception To external Influences, which They are exposed Thus, the recipients of the theatrical presentation they Contrast in their understanding of the auditory and optical speech and In their aesthetic preferences, Command Which reinforced the necessity for the existence of more than level to this speech, Based on the needs of the targeted group and their desires and psychological composition. Accordingly, the researcher conducted a exploratory study to know the opinions of directors dramatists about their excretory work and its relationship with the psychology of childhood Stated the researcher, In establishing the problem his research on the results of those exploratory study where identified the problem in follows wondering : Is there a functional approaches between the work of theatrical director and the psychology of childhood in theatrical shows for children at the Baghdad governorate theaters?Summarized the importance of the current research in that it will highlight on nature of the procedures and the means and methods which must on the theatrical director followed and which are not inconsistent with the scientific results of the psychology of childhood and consistent with Occurred developments in this side, therefore the, This research may contribute to the development of children's theater in Iraq. The current research aims to : 1 - detection of functional approaches between the work of the director in the field of children's theater and the psychology of childhood. 2 - building standards for the work of theater director in the field of children's theater, according to the psychology of childhood. The research community consist of the two axes, first : the directors who provided theatrical performances addressed for children, who are (25) way out theatrically, the second : limited by their offers theatrical presented on the stages the city of Baghdad for the period between 2003 to 2013 thus the researcher choose a random sample from each axis of axis above and chose eight shows for eight Directors. dramatists and To achieve the objectives of the research was to build two tools to gather information, the first was represented (form interview directors) and included in its final form (38) question, addressed by the researcher to (12) director from the community members the his current search, The second was represented (form analysis offers) and included in its final form (31), paragraph adopted a researcher at his analysis of the sample offers, were subjected the two tools to the conditions of validity and reliability depending on the statistical means of the following : - Equation (Holsti) to calculate the reliability coefficient. - The percentage to calculate validity the vertebrae the analysis form.The results showed that the Iraqi director in the field of children's theater has approached his job directorial somewhat psychology of childhood, The weakness that Permeated some sides of his work was offset by strength in other sides and the decline in the balance of paragraphs that appear in some of the presentations was offset by a clear rise in other offers. Researcher reached to a set of conclusions including : - The psychology of childhood from the most important fields of psychology Which must the theatrical director who works in the field of children's theater to familiarity with it and get to know the details and relied upon in his directorial job To be eligible for the achievement of the objectives of the Children's Theatre through investment its scientific truths that he Provided it to them. - Varies Directors, dramatists who working in the field of children's theater in the extent of their investment for scientific facts (psychological) and inspiration it the when doing their jobs directorial for cemented their presentations the play. The researcher recommended in some of the recommendations, including : - Focus on Teaching Material (Child Psychology) and increase the hours of its shares of study in the colleges and institutes of fine arts, especially departments of art education. - Inclusion of all children without exception scenes play through a project sponsored by the Ministry of Education or the Ministry of Culture covers all governorates of Iraq to devote love theatrical art in children and improve aesthetic they feel.The researcher suggested conducting some studies, including : - Mechanisms of action of the director in Children's Theatre according to psychological processes of simple for children

المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية == Experimentation Trials In Cinematographical Films And Their Presentati

Author name: بان جبار الربيعي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم "المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية" يتصدى لمشكلة مهمة في التنظير السينمائي هي التجريب في الفن السينمائي.ان مشكلة التجريب طبعت تاريخ جماليات الفلم بشكل استاثرت فيه بكل تاريخ السينما ومراحله المختلفة، والغريب في ا | The research is trying to tackle an important problem in the “cinematic theorizing “which is the experimentation in the cinema art. The experimentation problem prints the history of the film creativities in the way that it covered all the cinema history in its deferent stages. Surprisingly, we couldn’t find clear defintion for this term nor the logic that is work in, also there weren’t specific limitations between the Experimentation as a creative act and the Synthesis that covered by creativities, morever the experimentation term and using other different terms that almost erase the experimentation term, then the problem became much more difficult when the researcher found many illusions affecting the term of experimentation and its relation with the term of “modernization “which considered as a Vague term due to its different definitions in the resources that explained it.This research includes a summary and four chapters; the 1St chapter was like a methodical framework for the research and it includes Introduction to understand the kind of the research then “the problem of the research and its necessity”. So the problem of the research identified by the following.What are the Experimental trials that print the cinema film?What is the limitation of experimentation? And what kind of logic can control it in the filming show on the screen as a basic visual reality?The researchers other the individuals interested are in need for such researches to solve the ambiguity that occurs in the fundamental terms related to the development of all cinema sciences. The objects of the research were to uncover “what are the Experimentation and of the logic of its effects “as a filming show appeared on screen. The place factor was widely open for the research because the cinema creation is not a limited by a place also because the creation come out from everywhere with a cinematic production, concerning to the time factor, the researcher found after its putting in mind of the Experimentation that the from the begining of the third millennium until this moment of the writing the research a period of most understanding and growing for the Experimentation cinema despite not forgetting, anyway, the previous important trials.The research added previous studies to its methodical framework, believing that such studies should precede the writing of the research in order to be its guidance in the positive negative way its issue. Chapter II includes three sections; the first section was “the expircal cinema the term and concept” this section addressed to all the Experimentation practiced by cinema as a creative art, but during discussing all of this, the section excluded the experimentation in the silent cinema, allegedly that the right Experimentation is accomplished by envolving all the cinematic language factors, since the silent cinema doesn’t have the sound factor the silent cinema miss, subsequently After further study, the researcher found that the Experimentation in some aspects needs a a longer reactive time in order to find the range of its disclosures so the short movies also have been excluded from the research, the emphasis has been put on by the usual narrative cinema, those movies which fund the movie Film industry by attravting huge masses the people who buy the expensive tickets for the sake of this art, it rendering the art of the age indeed in terms of its popularity that exceeded any other art, conseauently excluded the Experimental film made for the elite Which is displayed indoors then disappeared to be found only in the cinema archives.The experimental film presented by this section is the movie that never gives up its fans nor its experimental and creative discoveries and both are difficult demands, the movie that achieved those demands is the movie that add something to the cinema art as experimentation use for the first time in the cinema language or narrative filming or the shape or all together.The section refers to the relation between the modernism and the experimentation, and tried to put both terms in its own range.The second section entitled “experimental generation”, it was an attempt to go through the experimentation as a human significance practiced by the mankind, identifying how the human creativity introduced something in certain time and hide things to be discovered in another period, it’s about to say that experimentation does not to “narrow” through surrender the usual techniques and looks for a new technique not recognized yet. The section concludes that the cinematogra one experimentation hides in the previous experimental films prior the expreimation because it refers to something related to the cinema language or film narration and figure, through the study of the movie as semiotic text in addition to what it content of text signs cohere into a linguistic significance effected to the traditional and experimental film, but the research focused on the semiotic of the experimental film through understanding the means that insure the right use of the expressive tool.We will study also the linguistic system for the experimental film and what it contains from text, context or message and all the conceptual system which came from the science of signals that started basically from a philosophical approach which is the Logic adopted by the signals, so the Logic is the tool directed by the mind to realize things and the semiotic is the science which enables us to know the logic of signals due to its signals roots found in the same logic, here we reach to a fact that It is not possible that we impose the standard science logic upon the art.In this section has we have taken advantage of avaluable lesson on lecture regarding the (science of signs and semiotic) especially the lecture of “the original signalsand the subsidiary ones and how they work in the experimental film” Perhaps the stopovers in some of the top actors who involved modernity & experimentation will become a necessity for such section like (Bonweel, Bazolini and Ghodar) whom considered the film art is a wide open area for the experimentation and creativity.The third section involved in the” experimentation in the cinema and the neighbor artistic fields. like poetry, novel ,painting ,theater and others.the section came to an important result which is the film art in its experimentation possessed the major part of originality either in the film figure or narration, moreover the film art regarding its tale said that it use all the experimental narrative discoveries for its interest due to the ability of its expressive tool to cover the elements whether narrative or artistic It is inevitably, the research figure out signs to use it as guidance to analyze its components, so all its signs that subjected to evaluation of the exports had covered what the research contained from analysis and the signs were as the following.1. Experimental film is the film that presents unexpected trials for the factors of the cinematic language which insure its unique signs functions, either if it was picture the unbelievable role of the camera lights the movements time and place for a factor or some or them of all of themThe third chapter contains the research procedure included the research approach which is a describing approach and the research sample which contained three films which are 1. Dialogues with other women 2. Dogh feel 3. Sin city The research tool was the indicati of the theoretical frame that agreed by the experts with amending some other components that touche the surface of the indicator but not its essence that’s mean that the experts completely agreed on this signs while the analysis unit was the complete filming scene.The research started to analyze its three samples according to its signs and it’s important for such research to include results, conclusions, recommendations and suggestions.The results of the research1. The research presents filming figures taken from its experiment in the filming language and narration, and it is not an imposed figure on its experimentation.The research also had several conclusions which are: - 1. The experimentation in the filming art didn’t come from emptiness; it was the continuation to a deep accumulation in various efforts exerted by various creators.The research recommended to study the experimental documentary film and to study the short narrative experimental film to add the benefits of this experimentation to the long narrative experimental cinema in the usual mass production and enriching the free direct cinema and the underground cinema, thus the research ended with its different recourses, appendecies and English language summary

دور التربية الفنية في تشكيل الوعي الجمالي الاجتماعي == The Role of Arts Education In Forming Social Beauty Awareness

Author name: صلاح رهيف امير الزاملي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تتمثل قوة الامم اليوم في قدرتها على بناء الروح العلمية والنقدية لابنائها من اجل الحياة في عصر واسع في قدراته واندفاعاته المعرفية، التي تتحدى العقل الانساني تفوق امكانات الخيال والتصور، من هنا تاخذ قضية الوعي الانساني عموما والجمالي خصوصا اهميتها وحضورها | The power of nations today is represented by their ability to build the scientific and critical spirit of their people in order to live in the age of wide learning abilities and rush which challenges human mind in spectra's that one higher than the imagination.thus, human awareness in general and beauty specifieally take their importance and presence in the heart of each knowledge and awareness.The process of forming and development is considered necessity and for all these nations , peoples and societies among them our big society in which we live which includes education - learning environment that needs this human awareness and social beautiful awareness. Thus this awareness needs human and material abilities to form and develop.Thus, arts education is considered one of these mechanisms which contribute in its formation through its modern elements and trends.Thus the researcher works to give future image before the planners of arts education text books considering experiences that contribute in forming beauty awareness through social theories.Thus, he introduces this experience to contribute in developing arts education first ,then promote this subject to take its natural among studying subjects as it concerns to change the behavior of learner.Among them ,how to develop his awareness and sensitivity towards the beauty of the things that appears in his environment and how to deal with it.Then the ability to employ them in his daily life.This subject could be reflected in its objectives on the learners' life.Consequently we shall have a generation cope with the changes in the future.This research aims to : 1 - Know the role of arts education as a social process which contribute positively in forming social beauty awareness 2 - Forming textual structure of philosophic and thinking visions to activate test and beauty awareness such as the researcher vision in introducing outlines for a proposed course for arts education includes objectives , experiences and learning activities. Theoretical frame considered them in aspects represented in (beauty awareness ,social theories and the concepts of modern arts education ) The third chapter includes the procedures of the research which are based on two types of methods represented in description analytic method and developing method.The society of the research was limited in three axis : First ; For the experts of scientific, education and art specialty to take their opinions about the validity of the enquiries of theoretical frame and truth of the research instruments as well as show the elements of the researcher's vision of the art education course that includes ( learning objectives ,behavioral objectives , learning contains and learning activities ) on them.Second : Male and female teachers of art education for secondary stage in General Directorate of Rusafa /3 whos opinions were taken for the learning objectives and their abilities to analyze and form it behaviorally to agree with the learning contains of art education guidance for this stage in 2009.Third : Male and female students of the secondary schools from the same directorate. A sample from them were addressed the test of social beauty awareness.After theses propping studies ,based on surveying for previous studies and resources ,viewing their philosophic and thinking aspects and according to the objectives and procedures of the research which works to collect data and information it benefit in showing the results the research was conclude to in introducing the vision to proposed course for art education including objectives, experiences and enriching activities.The dissertation came up with several recommendation of which as : 1 - Taking into consideration the results of this research in the way that activate the area of social and beauty awareness for the learners according to art education roles and various fields such as modern trends(history of arts ,science of beauty ,criticism ,art test, art product ) 2 - The necessity renew studying courses and courses of secondary stage specially art education and transferred to modern and scientific subjects and concern of technological contributions ( electronic learning ,electronic , library ,electronic museum.etc…)

الاساليب الشعرية في النص المسرحي == Styles Poetics In The Theatrical Text

Author name: عبلة عباس خضير
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research deals with the conceptions of poeticalness as they are considered significant ingredients for the formation and construction of contemporary dramatic texts. Because the dramatic text can provide suspense, tension and curiosity for the recipient throughout the dramatic structure molded with the poetic components and techniques, poetry forms an action factor in the formation of the discourse of the contemporary dramatic text which makes use at the poetic structure and methods, so that new spaces are made available for the recipient to mark a scenario between the essence of the text and the essence of the recipient to produce the meaning contained in the dramatic text in a form that is like a chemical equation with different results according to the nature of the mixed materials which represent in this connection the text and the recipient, and thus poetry opens wide directions and lines for their entrance into the domain of meaning. Therefore, the researcher finds it important to study the conceptions of poeticalness and how they work with in the dramatic text, and their aesthetic values. The study is made an analytical one for the sake of finding out the components of the dramatic text, as seen throughout this perspective, which plays, at a high level, its role in the contemporary textual discourses as a whole. The researcher has set a plan for achieving this aim. The plan is summed up as follows : The researcher presents the first chapter which consists of the problem of the research, its significance and aims. Chapter Two is divided in to the following sections : Section one : The concept of poetical nessSection Two : Techniques of poeticalness and the systems of the dramatic conflict. It consists of : First : The poeticalness of rhythm in the dramatic text. A. RepetitionB. ContrastC. Juxtapontions and parallelsSecondly : poetical ness of the structural phenomena : A. Brevity B. Violations of the rulesC. Role transformationD. Emphasis and EllipsisThirdly : The poeticalness of meaning : metaphorical meaning Section Three deal with the aesthetic poetic levels in the dramatic text.Chapter Three presents an analysis of the samples according to the theoretical references. The samples are chosen from effective and typical specimens according to the level the dramatic writings and compositions in Iraq. The Plays chosen are : 1 - Speak o Stone, by Muhaiy AL_Dean Zangana2 - A City Full of Knives, by Jaleel Al_Qaisi3 - The Nights, by Dr. AKeel Mahdi4 - The Door, by Yousif AL_Saig. 5 - Heaven opens lately, Falah shakir Chapter Four consists of the findings reached at by the researcher throughout analyzing the chosen samples conducive to the results, recommendations and suggestion, which contribute to shedding more light on the conception of poetical ness. Then The researcher has attached this research with a bibliography, which shows the reference books the researcher has adopted during the course of this research and study. The researcher has also made an outline of this study in the English language.

العقلانية التطبيقية في التشكيل المعاصر : دراسة تحليلية == Applied Rationalism In Contemporary Plastic Arts Analytical Study

Author name: نبراس وفاء بدري
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤمن العقلانية التطبيقية بتحاور مناهج فلسفية عدة ؛ اذ تسعى الى المصالحة بالتركيب العاطفي بين الاضداد ؛ اي التاليف والتركيب بين التناقضات الميتافيزيقية ( ميتافيزياء العقل وميتافيزياء الواقع ) منطلقة من ثنائية لا من وحدة ؛ فهي فلسفة الرفض الذي يعني الاحتوا | Applied rationalism believes in the dialogue of several philosophical methodologies. It seeks to reconciliation through the sentimental composition between opposites ; which means the authorship and composition between metaphysical contradictions ( metaphysicality of the reason and metaphysicality of reality ) originating from duality and not oneness. It is the philosophy of rejection which means containments , i.e. it is dialectical and undialectical. Applied rationalism with its movement from thought to reality is an open philosophy which believes in selective methodology and objective criteria via a wide system of criteria. The study of art and aesthetic as all philosophical researches is subjected to a framework of mind which specifies the affiliation , thus we have dealt in this research with the study of applied rationalism in contemporary plastic arts since we believe in this rationalism which starts from instantaneous time , and then a philosophy for action and after that a comprehensive methodology with a philosophy of creative construction which does not stop. This means that it is described as a doctrine in giving births by adopting phenomenology and psycho analysis in each of the two contradicting fields ( science and art ) which seek authorship and composition between them.The study consists of four chapters. The first chapter takes interest in the methodological framework of the research. The problem of the research starts from the enquiry concerning ( what is the explanation of the dialectical relationship between scientific thought as specified incident and the imaginative , poetic , dreaming and meditative incidents which can formulate a plastic art ). Its hypothesis is represented by ( irrationality of postmodern art is an applied rationalism ). The research aims at ( established aesthetic and artistic critical vision depending on applied rationalism method and disclosing the mechanisms for the working of applied rationalism in contemporary plastic arts ). The limits of the research consist in studying the Bachelardian applied rationalism and art production in contemporary plastic arts which belongs to artistic movements succeeding world war II in the United States of America and Europe. As well as the methodological framework , the first chapter consists of a presentation and discussion of previous studies related to the research subject.Chapter two sets to undertake the theoretical framework of the study and consists of two sections. The first section is concerned with the study of rationalism and its transformation from abstraction of mind to abstraction in performance theorizing , and dealt with : rationality , experiential rationalism and applied rationalism. The second section deals with the transformative of Bachelardian applied rationalism ( Bachelard theory of aesthetic in creative imagination and artistic image ). It is interested in the study of the essence of Bachelard imagination and day dreaming as an imaginative instrument. It also deals with the study of phenomenology of poetic image ( artistic ) by Bachelard from point of its creativity and reception. The second chapter concluded to an aggregation of points which reveal a criticizing , aesthetic and artistic vision according to the methodology of applied rationalism. The third chapter is devoted to the procedures of the research and consists of its community , sample , instrument used , methodology and analysis of sample. As for chapter four , it consists of the research results , conclusions and recommendations. A number of basic results have been reached which achieved the aim of the research , such as : 1. Cotemporary plastic arts are characterized , as existence , by circularity , i.e. round existence ( Phenomenal ). Art departs objective reality and returns back to it. Thus , there is a kind of succession between subjectivity and objectivity. 2. There are epistemological obstacles and obstructions : common sense , generalization , verbality , essentiality and animism. These are the source of unity of artistic work in contemporary plastic arts.3. Contemporary plastic arts perform materialistic imagination and presents it over formal imagination. Materialistic imagination relegates essence and transports it to a case of trope or symbol not abstracted from sense or reality. 4. Poetic day dreaming which is considered an isolation phenomenon and passing psychological case is an instrument of imagination for extracting objectivity in contemporary plastic arts. 5. The contemporary plastic arts are formative not given , i.e. the are facts ( events ).Thus , the artistic image in contemporary plastic arts is posterior not prior and is a neonate of emotional authorship and composition between opposites ( metaphysical contradictions ). 6. Contemporary plastic arts are characterized by openness , i.e. the capability of review and exegesis. They declare the death of the image and realization of form , not as an essence which is unpenetrating but in its description as incomplete and unspecified , i.e. a domain of capabilities.7. Contemporary plastic arts rise as a result of identification of reception and creativity , a continuation between the artist and recipient through a separation , i.e. the artistic image ( origin ) in which the artistic work leans on regarding it as a medium that inspires raw senses ( subject ).The conclusions reached are : 1. The irrationality of postmodern art is applied rationalism , i.e. contemporary plastic arts are considered applied rational.2. Contemporary plastic arts are psychological - epistemological , they conduct a total behavior via construction and authorship between function and structure.

الريادة الجمالية في الرسم العراقي الحديث == Aesthetical Pioneer In Modern Iraqi Painting

Author name: عمر مجبل جبر المطلبي
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الريادة احدى اشكاليات ومظاهر التحديث في الابداع ومنه ماحصل في الفنون التشكيلية عبر التاريخ، وتكمن اشكالية الريادة اساسا في تصارع التاريخي والجمالي والمفصلي وتداخلها بحيث يشتركون بما لايمكن معه فكاك الخواص المتداخلة والظاهرة في تشكلات المنجز التشكيلي | Pioneer was distinguished as a dispute or conversation elements in describe and criticize modern art. Pioneer here doesn't mean some thing old or former historical events exclusively, but it is mean a process of forming pioneer phenomena as completing entity in a way to be able of breaking what is common and enters in new also imposing its change in art movement, it is distinguishing a separation, which creates a changeable, the last one is considered as a companied property for aesthetical pioneer styles. Also In art the process of works can not be worked separately, but the element of effect and affect is control at the work, and by the Pioneer creating, the image of stage will be and history of movement will be formed according to the aesthetical indications of institution which always depend on creative element. As creative has a degrees and levels also in aesthetical indications their degrees depend on creative degrees in forming phenomena and creating separation which take at it is shoulders imposing historical changeable.So researcher concentrated that the study will be at what aesthetical Pioneer mean and work which are the base in change in modern art. According which we mentioned above the study of this subject has four chapters.First one is a procedure frame beginning with problem of research explained the nature of term which contained number of interiors which showed the problem in determining frame and to reach at determining the jelly and form of term after then. And driving in roots of the subject starting from Pioneer movement generally (Internationally) arriving at aesthetical Pioneer in Iraq and this is a subject of this study (research) by observing two aims of research first one is determining the concept of Pioneer historically and then aesthetically and then showing the features and affective varieties in forming the Pioneer phenomena in modern Iraqi drawing, in addition to the term of aesthetical Pioneer terminology and measurement.In chapter two the study of theoretical frame three parts, distributing the parts of study in attempt of showing the form and content of Pioneer movement.First section is about the concept of Pioneer in its historical form and then determining their forms within old historical periods and changeable movement through times arriving to determining elements which begin to establish the concept of aesthetical Pioneer by changeable towards more self - work in art.Section two concentrated on Pioneer in art and creative term (aesthetical) and this is a base of creating aesthetical exploring creative creation in view changeable which control in aesthetical concepts through history and expanded in create styles which achieve the self - created within aesthetical exploration changes, that the styles have a direct forming in their latest stages from aesthetical Pioneer in history specially in modern.Then we found that is necessary to shed a light at the twentieth century as a directed representative of modern concept which the former studies stages struggle to arrive, so it's the point to enter to chapter three by pay attention at the aesthetical Pioneer in century time, changeable movements, the space of Pioneer expansion which formed in that time, and print a stamp of modernization at its aesthetical image.Chapter three included the measurements of research by determining research society and depended on selected samples intended way according what indicators separated in determine the concepts which dealt with subject of research in addition to the opinions of experts in this matter which are served this research. Chapter four contained the results and recommendations. 1/Chapter four includes the results and conclusions of research which are related with researches' targets, and the extent of the relations of the indications by theoretical frame and what is produced by the process of samples analysis with the showed figures of study, the most distinguished one is 1/ esthetic pioneering, although it is relation with history movement, but it doesn't accept to separate or deflect in style of Art Movement inside history2/ The transferring from general in former time to self in times after Al - Kawti was the real emerge in what known now esthetic pioneering, so the turning is the companied feature of pioneering nature.3/ Pioneering is shown by style of turning and deflecting and then the context changing in Art this declination in Art and in communications as a result of breaching which lead to change the method which is became tradition need to new pioneering.4/ one of the important condition of pioneering is to put an effect on next experiments which are emphasized and make it a base joint to be esthetic pioneering.5/ changing towards modernization was result of needs and inter pressures has a relation with time itself which is more verities in common world.6/ the modernization time is the time of increasing in generating individual styles and pioneering especially in twentieth century.7/ the form of esthetic pioneering is determined according to the nature of reference which is feed it some of them return to the historical hypothesis other for tradition, also the changes in western, history, modernization, tradition, local and western all of them emphasis the type of pioneering in Modern Iraqi Art.8/ one of the most important phenomena in pioneering in Iraqi draw was style creation as a result of merging between tradition and modernization as a result of searching on existence the modern Iraqi draw identity which is considered as an important element in Modern Iraqi draw. Some Conclusions are : 1/ It is not important that every painter be pioneer, but pioneer the person who make a creating discovery and he makes a deflecting in Art movement so to form its pioneering.2/esthetic pioneering begin from artist liberation from subject and changing the art view which is full of subjectivism.3/ style is one of the important element of pioneering it lives in style atmosphere which is created by pioneering and to be responsible of style creation and making historical extension of this pioneering.4/ searching on reality is the pioneer duty which is to be first discovering of esthetic reality by its art means and creative view.5/Pionner the person who is struggle for self –independent which was obeyed from many times to the history events by arriving for individuality and strangeness, these are the most important elements in pioneering in modern styles. 6/ Modern Iraqi Painting considers one of the pioneering experiment within the frame of Arabic east.In addition, researcher submits some of recommendations and suggestions which find them important for future criticism studies, such as : 1/ Look at the pioneering as a science, it is an establishment depend at it self and responsible on historical changes in History Art Movement.2/ esthetic pioneering is one of the aesthetic face so look at esthetic achievement by its first structure to achieving the principle of procedure specialty in phenomena study.3/research advice to study the pioneering effect which is responsible on arriving of pioneering effect, and its time that need to create its effect.Besides, some suggestion by researcher to expand in study and understanding the pioneering as a basic joint of aesthetic, with list of references contains the references of thesis besides the locations of interne which are used by the researcher. And at the end number of appendix with appendix of figures' photos and appendix of samples besides experiments information papers.

الروافد الجمالية للفكر الاسلامي وتمثلاتها في التويين الزخرفي == The Aesthetic Resources For The Islamic Thought And Their Embodiments In The Decorative Arrangement

Author name: امين عبد الزهرة ياسين النوري
Supervisor name: كريم حواس علي الساعدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: ما هي الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي )؟ ويهدف البحث الى الكشف عن الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي الموظفة في التصاميم الزخرفية في الواجهات الخارجية والداخلية للعمائر الاسلامية ( العتبات والمساجد و

التوظيف الفني والجمالي للخيال في الخطاب الصوري الموجه للطفل == Aesthetical And Artistical Use of The Imagination In The Audio - Visual Message Directed To The Children

Author name: شذى حسين محمد العاملي
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The two media technique, film and virtual reality, use variety of technology to form a represented copy of perceptible reality. Like imagination, the two try to present a form of reality that induce a mental concepts which goes begond what is perceivable by the senses.In accordance with his imagination (techniques) the child finds himself in a state of transmigration and emotional involvement with what is going on the screen. He engrosses in a total isolation of the world around him and indulges in a sentiment communication with the film events.In his school age, the child's imagination. Grow as his mental abilities expand from, to more creative and combined, this can be enriched by watching film and TV stories which have heroes and adventures.The innovators in the film and television industry are leading the children into acomlete fancy world by using a third dimisions pictures and stereo digital audio.As result of the huge advance in the field of special effects, film became a whole special effects work engaging our senses.The researcher presents three pattern of imagination taken from the real child imagination which creati8ng a whole crazy world such as the fantastic events of Alice in The wonderland, or science fiction world that allow people to travel to the future or to the past.The perfect combination of a real world and imaginary world in a story, fascinate the child and put him in a warm and spontaneous feeling

التمثيل الرمزي الزماني - المكاني في تصاميم الاقمشة النسائية المعاصرة == The Symbolic Representation of Temporal - Spatial of Women'S Fabric Design Contemporary

Author name: زينب عبد علي محسن الزبيدي
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: جاء موضوع الاطروحة الحالي للاجابة عن تنوع تصميم الاقمشة كنشاط ابداعي يتضمن الرابطة للزماني_المكاني لكي يتاسس في ضوءها التمثيل الرمزي للجمالية او الوظيفية وفي ذلك تضمينا عن الحقائق والقضايا الحياتية ليتحد شكلا ومضمونا تجديديا قائم على هوية وثقافة الم | Design as a science has its aspects Fine and functional, and has taken form and content new express the spirit of talking through the use of the all - new data the development of scientific and technological era, so the design is a creative activity includes innovative data in the fields of humanitarian needs, which may be aesthetic or functional, is Method on two types of varieties stuff their relationship Fates symbolic representation through this link and be Taming expressing the facts and issues of life Aloha based on the identity and culture of the community in a particular place and time and therefore have the symbolic representation expressing these cultural artifacts, including General Arts and designs fabrics in particular Time, place and in printed forms manifested leads us to the symbolic representation. Intends to research problem in the symbolic representation of the absolute and not subject to the laws of age to understand the full understanding of science. It is almost human understanding of the meaning of existence to go to the knowledge that endless expressed stretch between the outer his world and his world creative represents things and meanings in different modes of Altmthel.ohms creative activity is a set of mental skills like thinking, accompanied by a high sensitivity that will contribute to creating suitable climate to imagine or visualize innovative form, and is subject to building shape of the operations of the mental and visual thinking to organize the vocabulary of lines and spaces, colors and spaces are manufactured pattern is visible, and in accordance with the foundations and private elements of this figure comes out in the form of aesthetic organization, stages of thinking is based design in two phases of two thinking mental thinking (mental) and think mental is the first design stages as directed and motivated to process design symbolic representation expresses the extension between the world outside the designer and his world creative represents things and meanings in different modes of representation across cultural shifts across times and places in successive communities, based on the foregoing progress the researcher asked her questions as contained in the first quarter, which included the research problem and its importance are as follows : 1. What are the attributes of the symbolic representation in the light of the time variable in the design of women's contemporary fabrics?2. Maahmah spatial and temporal environment in women's contemporary designs fabrics?3. Does the symbolic representation is based in fabrics Women contemporary trend designer of innovative self - expression in different times and places?The objectives of the research were identified as follows : (1) detection of symbolic representation Alzamani_ spatial designs in women's contemporary fabrics. 2 - identify the tendency of self - expression of the designer in different times and places. 3 - identify the extent of the compressor role ideological or cultural or historical in the symbolic representation of women in contemporary designs fabrics.The search has been identified limits of the substantive limits : the symbolic representation of temporal - spatial designs in women's contemporary fabrics. And temporal boundaries : 2013 - 2014 and the spatial boundaries : Fabrics Arab and international fashion houses. And then went to the researcher to identify discussed terms.The second chapter guarantees the four topics dealt with in the first part, the symbolic representation of the meaning and concept of the second section, which dealt with the symbolic representation of time and place in the women's cloth and then the third section, which included time assets and representations symbolic designs women's fabrics and finally the fourth section, which dealt with the structures of time Avatar in the design fabrics women and the most important Masaya his theoretical framework. Then the third quarter, which contained the methodology and procedures for research and analysis of the research sample models. And finally the fourth quarter, which included the most important results that came out of the researcher and most important : 1. The most representations Avatar in the sample representations models Inspired stylists from the environment vocabulary heritage abstract engineering has represented symbols of communication and interaction with the environment is part of the community and covenantal, as varied representations Avatar depending on environmental factors can be varied with shapes and symbols quoted representations of Avatar move spaces own environmental symbolic representations of the universe and the creation of new relationships to formations as in models (2, 3, 8.5.(2. afternoon the use of representations space - time belief of the Islamic ornamented lines Arab Varmus represented open to interpretation formula varied interpretations and meanings varied dramatically, life and semantic provided metaphors rhetorical and wide to reach some of the meanings that he expresses his ideas through art and design, and one of the features of this interpretation out icon of the present time and positioning in future. As in the models (1.2, 10).3. The direct and indirect effects closely related to the environment, social life and formed the identity of the symbols used based on environmental factors through affiliation designer geographically and environmentally Vest affiliations and identity expressive code Knot representations symbols creative place environment consisted of symbols derived by the designer of nature which may components and varied vocabulary, as in the models (2.3, 5 and 6.9).4. characterized by decorative shapes and representations Avatar used in the models character civilized formative for several civilizations mixed with different cultures, including Islamic, which took Urbis character, Avatar has represented human practices in any culture was, which produced a reality and not flipped him, because he is one unit associated with a number of relationships constructivism, intellectual and space - time and formed its content within a single format and mingled performance art in which cultures and times and places, as in the models (2.5, 8, 10).

التصور الذهني وفلسفة التشكل في التصاميم الكرافيكية رباعية الابعاد == Intellectual Conception And The Philosophy of Formation of Four Dimensional In Graphic Design

Author name: فلاح حسن علي العتابي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Researcher found the importance of studying the topic of Intellectual and structural design idea in graphics designs, because not to address this issue by scholars, and the researcher presented his thesis tagged (Intellectual conception and the philosophy of formation of four dimensional in graphic design ) to fill Containment of research.The Thesis has four chapters. The first one talked about the problem in the search centered on President (Formation of the design process and design construction) and respect which the steps and rationale invent designer, and adoption of any level of thinking. And show the principles and the methods of intellectual, philosophical, and the relationship between philosophy conception in graphics four - dimensional designs, and procedural dimensions associated with the practical application.This chapter discussed the objectives of the research, which was to identify the vision intense evidentiary of intellectual conception, and accordance with the basic foundations of functional building and aesthetic considerations.The second chapter, focused about the theoretical framework of four sections, the first one, explained the subject (fantasy and building of Intellectual and creativity, and apply the creative process, as relates with Intellectual conception of design, perception and form, which active the problem. Therefor this study contributes for understanding the stages of design process.The second section, the researcher talked about the idea and thinking appearance. And then reaching to goals of design. That’s means the design specified direction of our thinking during the problem subject, and also helps us to focus for reaching and getting a short and easy ways.The third section talks about essential of philosophy and characteristics, as well as philosophy of shapes and philosophy of formation in design. As it, the philosophy adopts on the shape roads, thus; the designer Realize the value and elements of design Aesthetics.The fourth section contain the four dimensional in graphic design, The importance of regulation in design Aesthetics, also the researcher talks about two &three dimensions in graphic design. Then Focus concerning four dimensions through his studied the Movement and time in design.Where the researcher find, the Cognition for four dimensional creates Integration with Environment, then humans and them Movement, subsequently, the Construction stage Linked with design, during the time which creates the four dimensional in graphic design and their related with the roots of design.The third chapter included measures research, and researcher chose for community of research as studying “self - Selection” for analysis methods , which is most appropriate ways to achieve the objectives of the research, by expressive and aesthetic effects.The fourth chapter has results of research. As follows : The movement is receiver eye, and it’s a part of four dimensional realizing processes. Through the expresses and time. The four dimensional meaning in graphic design as movement and space depth.In this chapter also have research results discussion, conclusions, recommendations and proposals.The study revealed results including : that the four - dimensional design in graphics, its temporal dimension is very closely with movement and physically dimension in two & three dimensions designs, through the visual process.The researcher find after simple’s analysis, most of them has an aesthetic structure, while there free selected uses by designers during control of design styles. Through diverse methods and units.The end of research is References

التحولات التعبيرية في تصميم ملصقات ما بعد الحداثة == Expressve Transitions In Desing Posters Postmodrn

Author name: احمد عبيد كاظم سلطان الغزالي
Supervisor name: انتصار رسمي موسى | عباس جاسم حمود
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول البحث التحولات التعبيرية في الفكر الفلسفي والجمالي ودورها في كل من حقبتي الحداثة وما بعد الحداثة , واثرها في توجيه اليات الاشتغال في تصميم ملصقات مرحلة الحداثة وما بعد الحداثة , وقد تضمن البحث اربعة فصول اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا | This thesis tackles (expressive transformations in designs of post modernity posts )and it studied the expressive transformations of the philosophical and aesthetical and their roles in both eras of modernity and post modernity also its role in guiding the mechanisms of operation in design of posts during the eras of modernity and post modernity. The first research consisted of four chapters, where the first interested at the Methodist form of the research focusing on the problematic of the research which was determined by responding to the following question : what are the expressive transformations in design of post modernity post? The first chapter contained the aims of research which were uncovering the expressive transformations in design of post modernity posts, while the limits of research limited to the study of expressive transformations in design of post modernity posts and analyzing of pictorial samples of cultural posts represented the movements of expressive abstract, folk art , visual art ,minimal art , conceptual art , hyper realism , superlism and graphic which appeared in USA and Europe during the era 1970 - 2000 where the analyzing was conducted depending on descriptive and analytical approach through philosophy , aesthetic and acknowledgment vision within its theoretical and procedural dimensions. The second chapter included theoretical frame consisted of three research where the first tackled the expressive transformations conceptually and aesthetically. It contains ideological , aesthetical, formal, stylistic, functional transformations beside the transformations of meaning , concept and technician. The second research dealt with the pillars of expressive transformations during the eras of modernity and post modernity while third research talked the expressive transformation in designs of post modernity posts. The chapter was concluded by discussing the quotations from it in order to be used in analyzing the sample of research. The third chapter contained the procedures of reaserach where it contained the culture of research , sample and research tool then analyzing the research samples (16 ). The fourth chapter contained the findings and conclusions of research beside the recommendations and suggestions. The most significant findings of research : 1 - The expressive transformations of the post modernity post distinguished with rejecting the central authority , expanding over the ideological and value structures also they rejected the separation among multi contrasting dualities and that means rejecting the logical of existence or believing in the Universe teleo. 2 - In the ideational side, the post modernity posts distinguished with interpreting the texts ,destabilizing the fixed meaning and diversifying the readings with teleo text which depends on inner necessities where it is allowed to the receiving to form unlimited readings. 3 - In stylistic transformation, the expressive transformation distinguished with mixing between the subjective and objective as a hybrid way quoted within structural and compositional procedures by using borrowable elements from multi cultures. 4 - In functional side, they confirmed the expedient, marketing and circulation of the post. 5 - In technical side, they distinguished with what confirms the trial side of the varied technicians such as printing with words and using digital technology as a tool. The most important conclusions reached by researcher : 1 - The expressive transformations of the post modernity posts came to uncover new sides in the reality emerging from the desire of man in transforming , expressing and rejecting for what circulated and common and they are shifts in the structure of thought being it is the main and active generator in each transformation aiming to smash the acknowledgment structures with others to reconsider in majors and generals. 2 - They came with the side of formal transformation toward the borrowable form which stipulates the necessity of rejecting all what related to the ideology and conventional theoretical formats which are far from social humanitarian concepts. 3 - They came within the transformations of simple and conception in connecting with the icon of cheap format requested by commercial market dominated by capital powers and their media institutes where all of them call for cultural project basing on refusal aesthetics and contrariness. The researcher referred to a set of recommendations and conclusions beside indexing the references, indexes and the abstract of researc

التكنولوجيا الحديثة والتحول الوظيفي في تصاميم الاقمشة والازياء == Modern Technology And The Functional Transformation of Fabric And Fashion Design

Author name: وسن خليل ابراهيم حسن
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current study entitled (modern technology and the functional transformation in fabric and fashion design), addressed the issue of functional transformation in the design of fabrics and fashion as a result of the introduction of elements of advanced technology in the composition of Textile and fashion, which led to a shift in the functional forms included aspects dimensions multiple and variable climate applications and type of material used in the industry and the implementation of the fabrics.As it addressed the problem of the study researcher questionably was to the effect : Does the modern technological developments role in achieving a state of functional transition in fashion fabrics and design? The objectives of the study identified two goals, the first : is to identify the technological elements that were introduced to the design and fashion fabrics, which led to shifts in functional structure. And another : is to identify the kinds of transformations that have occurred in functional fabrics and fashion designs as a result of the entry of the technology. Has addressed a researcher at the board thesis topics related to minute to collect information about the aspects addressed by the study, as it focused attention in the first section of the Metn on the basic concepts of the technology, and disability - tech technology and the relationship of technology to science, and the centrality of technology in the design of textiles and fashion. In the second part, researcher dealt with all the technological advances that entered into the textile and fashion design elements changed the physical structure of synthetic and textile fabrics. In the third section, the researcher dealt function relationship and the relationship of technology transformation concept functional dimension of Fashion and Textiles, and identified the basic aspects of the design concepts that emanate from a recipe change and transformation and associated interest and benefit. The researcher also linked in this section of the aesthetic value of Textile and Fashion performative dimension to it, which is quite different from the formal dimension. In the third chapter, the researcher identified the research community Bntegat Yonsei University and NASA space science, because it's the guardian institutions that are meant to develop fabrics and fashion to advanced technological levels and provides jobs for mutant versions of the functions of traditional textiles and fashion. And then the researcher has analyzed the research community, and reached a number of findingsand conclusions of the most important : The most important results1. Had to use materials with sophisticated structures of the technological levels of its role in creating turnovers and in the design of functional models of the research community, through the adoption of innovative methods in the manufacture of new materials and methods to be employed to find jobs vary images contrast Employment and design.2. The shift in the functional nature of the research community models, in turn, led to a shift in the nature of aesthetic, stemming from a shift in how to receive judgment on the photo images of metamorphic fabric and fashion design.3. The nanotechnology, and specifically the possibility of hiring ores have the ability to sweat and odor treatment, as reported technology dimension of it in the design of fashion fabrics and be able to evaporation of sweat, and change to the other odors proportionate and emotional nature of the wearer. Which in turn, such as a shift in the nature of functional fabrics and fashion.One of the most important conclusions 1. The ability of modern technology to find materials and raw materials have the ability to perform new functions, and can be employed in the composition of textile fabrics for fashion, it stems from the evolution of scientific knowledge at the level of thought, design, and other disciplines which found its place an applied in the structure of the material, which was born prospects for employment Technology and the potential for large shift in functional formulas for fabrics and fashion designs. 2. That all investments technological dimensions of scientific and stylistic, were the result of the transformation of the concept of the need for humanity to another exceed spammers generally accepted methods of satisfying that need, and that was taken away material outward and inward in the structure of production design of fabrics and fashion, due to meet by one or more of the requirements of humanitarian need changing.3. The use of variables materials that originated from the evolution of scientific knowledge regarding nanotechnology forms and manifestations multiple, was the result of Thumbnail materials used in the manufacture of materials to Almqayas Nanaoa which has to utilize them in finding fabrics and costumes have the ability to manipulate the concept of environmental change or physical to the wearer, and these developments The result of the exploitation of cognitive development in the scientificstructure of different disciplines, which found her Ssaliba and modern techniques introduced in the compositional structure of fabrics and designs fas, which generated a remarkable transformation in her career form

البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية == Expressionism And Aestheticism Structure In Islamic Miniatures Ornament

Author name: منى كاظم عبد الموسوي
Supervisor name: عباس جاسم حمود الربيعي | باسم قاسم الغبان
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثلت مشكلة البحث بتساؤل اساس ماهي : البنية الجمالية والتعبيرية في زخارف المنمنمات الاسلامية؟ ويهدف البحث الى الاجابة عن التساؤل الوارد في المشكلة كما يتحدد البحث، في دراسة زخارف المنمنمات الاسلامية بانواعها المختلفة المتمثلة ب(النباتية والهندسية والكتابي | The problem of the research represented with an essential question ; what is.The research aimed at replying the question mentioned in the problem as defined in the research in studying Islamic miniatures ornament in different types represented in ( vegetal , geometrical , graphical and animality in both ( Iran & Turkey ) from Since 1489 to1596. The researcher has covered several titles such as : First category deals with the structure in Islamic art , structure of ornament forming which are represented in vegetal ornaments which are used with glass , flowers and branches , besides animality , mason tree forms and shapes which are employed in combination with vegetal ornament , formal spatial organization from the stages of establishment of spaces , organizing the units and branches in its terminology to get fundamental unit , and repeat it according to the fundamentals of mason , animality and geometrical designs.The second category includes the following : First : aesthetical structure starting from the concept of aesthete at Arab philosophers , concept of aesthete at modernizers ,besides the principles lSecond : Includes the expressionism structure of Islamic miniatures and expressionism dimension in ornament forms.Third : The third category is ( Islamic miniatures art ) represented in establishment , idea and sense and meaning in miniatures and the importance of the color in the art of miniatures. Finally Islamic painting schools. Chapter three includes procedures of the research and dealing with the titles to define the methodology of the research and sample of the research. The sample has been selected intentionally. The number sample distributed in both Iran ( 59 ) and turkey ( 38 ) samples. It was selected ( 20 ) sample from original society of the study ,and design the form , then showing it to the experts to check its validity achieving its objectives. Following pages allotted to analyzing of the samples. Below the most important results of the research : - 1. Expressionism structure expressed in Islamic art that represented miniatures art about events combined thoughts and cultures so that become connection instrument included multi - meaning symbols.2. Adopting expressionism structure concept in Islamic miniatures art upon intellectual and knowledge of the true religion Islam and itrelation with feeling and realization that accompanied to gratification and acceptance of the receiver., then follow up its aesthetical and intellectual implication 3. Confirmation of meaning structure of the opinion h in the research sample specimen , which offers for Islamic painter a chance of boosting related to indication and meaning , on the assumption that the thought produced according to intellectual formula and structural consolidate from aesthetic rich giver and expressional for artistic work as in most of sample of the specimen. 4. Expressional structure of Islamic art represented in miniatures art which made the concept of aestheticism gaining intellectual assimilation as new gates bear clearly different emotional trends and direction achieve joy and happiness to the receiver. 5. Aesthetical structure in ornament forms structure demonstrated obviously through harmony and compatibility between pivot ornament formations and reality , and subjected it to internal system to adjust their correlation in emotional , sense and cognitive derived from indications and signs in accordance with Islamic faith , and its implications of expressional results that consolidate 6. Variables of the ornament forms and shapes are geometrical , vegetal and masonic , mostly ornamented with different colors. Its gestures lead to intentional forms in its signs ; which is that form regarded in mien thinking between two directions : direction confirm upon notification nature and continuity of ornamental sign , other direction focus on interpretation of the sign i.e. the possibility of the sign and interpretation towards receiver. 7. Miniatures executed by one artist whereas several calligrapher participated in writing the texts before or after painters or embellished. The ornamented text gives the miniatures an abstract and ornamentation nature , even the scene was in battle field. accompanied with colored life, gives the miniatures harmony including great amount of regularity and logical sequences of the forms and elements.8. Islamic miniatures samples showed clear spread - out in dealing with structural and technical treatments for forms , dimension , color , written and touch units which are description works on it the Islamic photographer in order not to fall in prohibition issue , therefore they have to be away from embodying and from using the couple of light and shadow.9. Aesthetical standard ( proportionating , unity , variability , balance and repetition ) which the decorator tried to compare and depart them as basis for visible action and establishment in Islamic miniatures ornaments.Below The Conclusions 1. Using geometrical and vegetal ornaments in the art of Islamic miniatures to reflect aesthetic richness through absolute accuracy in execution.2. The art of miniatures connected with ornamented terminology greatly which is achieved through expressional structure multi - aesthetic characters participated within formal intensification that depend on determined spaces.3. The Muslim artist adopted in his miniatures upon flat perspective which depend on two dimension and ignore embodying which is represented in the three dimensional.4. The pictures of the personalities in Islamic miniatures characterized in different forms and shapes regarding special features such as the face or nature of the dress or structural formula of the form , adopting anatomical percentage according to belongingness , cultural and geographical references of Islamic country.5. Concentrate on tape and line system in written texts within the tapes and ornamented frame , adopting lines with functional performance such as ; caption ,on third uncombined in order to create connectional action to read the text , besides forms especially after adopting attached miniatures to ornament the ground of line text.According to the details mentioned above , the research has bring forth sample of the study from very deep and effect of al expressional structure , aesthetic ,and the mechanism of their operation in Islamic art represented in miniatures arts. Eventually the researcher recommended the following : - 1. Study Islamic miniatures art , its multi - aesthetical system specially ; colleges and fine arts institutes in order to understand its elements and subjects.2. Encouraging issuing publications , print material and aesthetical and technical studies that dealt with the concept aesthetic and expression in Islamic art which includes miniatures arts.3. Using subject (Islamic miniatures ) in the textbooks of the students who studied ornament Arabic writing for both studies primary and higher studies.For more scientific benefit for the research , the researcher presents the following suggestions : - 1. Aesthetical and expressional structure for handwritten formations in Islamic miniatures art.2. Aesthetical and intellectual dimensions for gilding of Islamic miniatures art.

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

Author name: دينا محمد عناد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

البعد الجمالي والتداولي لفن الرسم في الثقافة العراقية == The Aesthetic And Pragmatic Extent of Painting In Iraqi Culture

Author name: فلح حسن حسين الشكرجي
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الموسوم (البعد الجمالي والتداولي لفن الرسم في الثقافة العراقية) العلاقة بين الفن وثقافة المجتمع على المستوى التاريخي في العراق وتثير قضية البحث بعضا من الاسئلة والمشكلات المتعلقة بالمرجع الذي يؤسس وجود هذا الفن من حيث الاساليب والاستعارات وال | This research (The Aesthetic and Pragmatic Extent of Painting in the Iraqi Culture) deals with the relationship between art and culture on the historical level in Iraq, the research problem raises a questions with art references through; styles, Mutations, Reception, Pragmatic which connected with Iraqi memory although it is so diversity, the research importance concentrated on discovering the reasons of recently art situation and why art is not a priority, the research limits fall between 1930 - 2013.The research contains five chapters; the first (method frame) which contain; problem, importance, aim, limits and definitions, while the second chapter (Theoretical Frame) includes three branches; (the Historical attendance of painting in Iraqi Culture) in which the research talk about the Islamic extent and how it deals with art, after Al - Wasety period and the Barbarian destruction in Iraq, the instinct period and the early attempts to paint in the early years of 20th century in Iraq, the pioneers period and their attempts to find out their cultural identity, republican rule period and the effects of political domestic, wars, economic sanctions on the whole life in Iraq, after 2003 period and the formal neglecting and the conflict with the religious view.The other is (The General Space of Iraqi Culture) in which the research talk about the Ottoman Inheritance and the power of illusion, then the rule of; environment in both levels; (place and population), society, religion, policy, economic as the art references , then the research talk about the article culture in Iraq and the way society deals with culture. The third branch is (Art and audience) which contain the reception system in Iraqi culture and why Iraqi people prefer iconic and realistic art works, the stylish suggestions of Iraqi art and how they goes far away from Iraqi awareness.The third chapter also contain three branches; (the aesthetic and trading features of the Iraqi painting) which include; environmental factor (place power), heritage factor (history power), expressionist factor (psychological power), experimentation factor (connecting power). While the second talks about the Iraqi art periodization which falls into four periods according to main mutations; Establishment, Renewal, Announcement, Rupture in each of them the research analyzed the art styles and how people deals with art. Then the researcher put some indicators of the theoretical frame, the fourth chapter analyzed the controlling centers such as; Ideological Center, Political Center, Religion Center, Economic Center, Social Center, Aesthetic Center. The fifth chapter is the conclusions.
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