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القانون الوضعي وتطبيقاته في النص المسرحي العراقي الحديث نماذج مختارة == Positive law and its implications in the theatrical text lraqi modern selected models

Author name: علاء حاتم محسن
Supervisor name: حسن عبد المنعم الخاقاني | حسين عبد القادر معروف
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

البرمجة اللغوية العصبية لتحليل الحوار في المسرحية العربية المعاصرة : نماذج مختارة == Neuro linguistic Programming to Analyze Dialogue in The Arab Contemporary Drama Selected Samples

Author name: عقيل قاسم ولي الراشد
Supervisor name: عبد الستار عبد ثابت البيضاني | عياد اسماعيل صالح
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الهوية في النص المسرحي العراقي : دراسة في ضوء النقد الثقافي ــ نماذج مختارة == Multiplicity of Identity in the Iraqi Theatrical Context after 2003 : A Study in the Light of Cultural Criticism

Author name: عبد الله حميد محمد الثامري
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التاريخانية الجديدة وتمظهراتها في النص المسرحي : نماذج مختارة == Newhistoricism and its Manifestations in the Dramatic play (Selected Samples

Author name: عامر محمد حسين
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

بناء برنامج تعليمي لطلبة الثانويات في كتابة نص مسرحي == Building an educational program for high school students to write a theatrical text

Author name: خلود جبار عبيد مري الشطري
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

في جماليات الميتامسرح في النص المسرحي العربي المعاصر : نماذج مختارة == In Aesthetics of Metatheater in Contemporary Arabic Theatrical Text : Selected Examples

Author name: حسن عبود علي النخيلة
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

مفهوم الاستلاب وتطبيقاته في النص المسرحي العربي المعاصر - نماذج مختارة == The concept of Alienation and its Applications in the contemporary theatrical Arabic text - Selected models

Author name: اسماعيل محمد هاشم الياسري
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

توظيف الرمز في المسرح التركي المعاصر نماذج مختارة == Engaging the symbol in the text of modern Turkish theatre (chosen models)

Author name: احمد ناصر حسين الشندل
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

المسرحية العراقية والواقع : دراسة نقدية في ضوء المنهج النقدي الاجتماعي

Author name: شذى طه سالم
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

مفهوم التناص في النص المسرحي : دراسة نقدية لنماذج من المسرح العربي == INTERTEXTULITY CONCEPT IN THE THEATRE TEXT Criticism study for a samples of Arabic theatre

Author name: عمر محمد علي نقرش
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الصمت في نصوص اللا معقول : دراسة تحليلية - نقدية == The Silences in Absurd Texts Analytical - Criticismcal - Study

Author name: سافرة ناجي جاسم الميالي
Supervisor name: ثامر كريم عبد
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مناهج النقد وتطبيقاتها في النقد المسرحي العربي المعاصر

Author name: رياض صبار سندال
Supervisor name: جميل نصيف جاسم التكريتي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مقاربات الملحمي والغنائي في مسرحيات جليل القيسي == Approaches Epic And Lyric In Plays Jalil Al - Qaisi

Author name: علي حلو داشر
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل عملية تحديد انماط مقاربات الملحمي والغنائي ومرجعياتهما في نصوص ( جليل القيسي ) المسرحية، ضمن بناء منظومة العلاقات الداخلية للنص وتشكلها وتفاعلاتها وتصادمها، عملية تعرف وازالة غموض عن تلك الانماط التفاعلية لمكونين رئيسيين في البنية الدرامية للنص ا | Represent the process of identifying patterns approaches epic and lyric and Marjayatema in texts ( Jalil al - Qaisi ) play, within the building system internal relations of the text and posed and their interactions and collisions, a process known and remove ambiguity from those patterns interactive two main components in the structure of the dramatic text theatrical local contemporary Iraqi by shedding light on the mechanism enrichment or interaction in order to understand, since this Altsahir leads to the production of the act drama within the structure of the dramatic text, all this and that is recognized through the adoption of local experience is important, replete with accomplishment artistic and literary (texts plays Jalil al - Qaisi), as a model subjected to analysis and study for marking the movement of the epic and lyric, since this analysis is reflected in turn deepen the awareness of the aesthetic techniques of theatrical and dramatic text pointing problematic border artistic and aesthetic in the installation of the dramatic action. The research consisted of four chapters, as was the research problem, approach the epic and lyric drama, in how to build a theatrical text local, and marking the problematic border artistic, aesthetic, installing act drama, the need for research, raising awareness of the aesthetic techniques text dramatic theater, and see the local experience distinctive in the Iraqi theater of contemporary writer (Jalil al - Qaisi), and the importance of research, the need to deepen the search experience local theater " at the level of authoring dramatic, and elevate it, as stating Find playwright, critic, and researcher in this field and all those concerned to study the theatrical text in academic institutions for theater Arts and workers in the fields of media, and the aim of the research, shed light on how the production of the act drama by the interaction between modes literary, epic and lyric, in texts ( Jalil al - Qaisi ) play, the research methodology, and descriptive, and the research community, texts plays ( Jalil al - Qaisi ), and the selection of the research sample, poem, the most important findings, the emergence of patterns of interactive between the epic and lyric, worked to enrich the structure of drama within the events of the play - Qaisi mounting toward the teleological particular, the most important proposals, the adoption of such patterns interactive between the epic and lyric as cases must create them in the production of the dramatic action within the structure of the text theatrical dramas

تفكيك الزمن في الخطاب المسرحي

Author name: جبار حسين صبري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت الزمانية باشتراطات التمرحلات الفكرية المتعالية فجاء الزمن موثوقا بتشفيرات كل مرحلة، ومن ثم متغلغلا في افهومات او اليات الخطابات الفرعية مثل : الفن، السياسة، الادب، المجتمع، الاقتصاد..وصولا الى تمفصله في جزئيات تلك المفاهيم ومعايشته او تاطيره لتلك ال

تحولات بنية التطهير في النص المسرحي == Transformations of Structure Catharsis In Dramatic Play

Author name: محمد مهدي حسون راهي المياحي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يخوض البحث الحالي في دراسة المفهوم الجمالي للتطهير وتحولات البناء الفني للتطهير، بوصفه غائية بنائية يقاس على وفقها تحولات المنظور الجمالي للمنتج الابداعي، وضمن الفضاء التاريخي لهذا المنجز، في زمانه ومكانه..فالتطهير هو موقف للذات تعانيه باشتراطات تجربتها | Since his first steps in existence, the human being followed mental or sentimental or instinctive activities in order to reach to the state of tranquility and stress reduction between the requirements of the self and its propensity for differentiation in this world, and between the conditions of the world and its laws. These activities were issued by the first act of the human, starting by worship, and through worship came tranquility which leads to the power of the ritual and the flooding of spiritual energy of the self being differentiated in this world and reforming the conditions in the line with the self, i.e. changing the world humanly and this is the principle of the civilization. Through the evolution of repetitive practice of worship and the growth of its aesthetic awareness, emerged the art work and the aesthetic practice which its basic point is catharsis.In a philosophical perspective through bilateral self/world argumentative conflict, the self gains some of the world`s themes. These themes forms through their hazards and threats to the self, a prior criterion to moral and manners standards such as; danger, panic, fear, murder and loss. These are threats by the world, and their opposites are the need of the self to what is against them to sustain survival such as; safety, peace, tranquility, goodness, justice, honor, loyalty and honesty. But the fact that the outside world is always threatening, keeps the self in constant sufferings for the absence of the catharsis out of the art work and the aesthetic experience, which must be the basic aspect in the creative structure of the work - theatre. when it is there, the aesthetic factor is also there but when it is absent, the whole experience is becoming incomplete. Therefore, the multiplicity of artistic structure of the text as a basis of theatrical presentation, which leads to catharsis and that was what occurred of shifts in the functional concept of catharsis. Thus, this study comes to explain the concepts and procedures of the transformations of structure catharsis in theatrical text. In the light of this study, the following chapters have been resulted : Chapter One : the methodological framework that contained the problem, the significance and the limits of the study; in addition to identifying some of the idioms mentioned throughout the whole study.Chapter Two : the theoretical framework that contained the following sections : Section One : Catharsis in philosophical speechFirst Hub : Catharsis in Metaphysics Speech / Classical Second Hub : Catharsis in Modernism Speech / Realism Third Hub : Catharsis in Postmodernism Speech / Expressionism Section Two : the Mechanisms of Catharsis in the elements of dramatic structure First Hub : Catharsis in PlotSecond Hub : catharsis in personality Third Hub : Catharsis in ThoughtForth Hub : Catharsis in LanguageSection Three : Aesthetics of catharsis in theatrical speech / Indications of the theoretical framework and previous studies. Section Three : the Procedural chapter in which samples had been analyzed as follows : 1. The play of "Oedipus the King" of the Greek writer Sophocles - translated by Taha Hussein.2. The play of " al - huor al - ryahi" of the Iraq writer abed alrazaq abed alwahid.3. The play of "the House of Agoesar Holm" of the Norwegian writer Henrik Ibsen - translated by Tamader Tawfik.4. The play of " Ana omak yashaker " of the Iraq writer Yosef Al - any.5. The play of " allawha" of the british writer Harold pinter.6. The play of " Mythical Reality" of the Iraqi writer Ali Abd al - Nabi al - ZaidiChapter Four : it contained the results, conclusions and recommendations. Then, a list of sources, references and an abstract in English.

الاساليب الشعرية في النص المسرحي == Styles Poetics In The Theatrical Text

Author name: عبلة عباس خضير
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research deals with the conceptions of poeticalness as they are considered significant ingredients for the formation and construction of contemporary dramatic texts. Because the dramatic text can provide suspense, tension and curiosity for the recipient throughout the dramatic structure molded with the poetic components and techniques, poetry forms an action factor in the formation of the discourse of the contemporary dramatic text which makes use at the poetic structure and methods, so that new spaces are made available for the recipient to mark a scenario between the essence of the text and the essence of the recipient to produce the meaning contained in the dramatic text in a form that is like a chemical equation with different results according to the nature of the mixed materials which represent in this connection the text and the recipient, and thus poetry opens wide directions and lines for their entrance into the domain of meaning. Therefore, the researcher finds it important to study the conceptions of poeticalness and how they work with in the dramatic text, and their aesthetic values. The study is made an analytical one for the sake of finding out the components of the dramatic text, as seen throughout this perspective, which plays, at a high level, its role in the contemporary textual discourses as a whole. The researcher has set a plan for achieving this aim. The plan is summed up as follows : The researcher presents the first chapter which consists of the problem of the research, its significance and aims. Chapter Two is divided in to the following sections : Section one : The concept of poetical nessSection Two : Techniques of poeticalness and the systems of the dramatic conflict. It consists of : First : The poeticalness of rhythm in the dramatic text. A. RepetitionB. ContrastC. Juxtapontions and parallelsSecondly : poetical ness of the structural phenomena : A. Brevity B. Violations of the rulesC. Role transformationD. Emphasis and EllipsisThirdly : The poeticalness of meaning : metaphorical meaning Section Three deal with the aesthetic poetic levels in the dramatic text.Chapter Three presents an analysis of the samples according to the theoretical references. The samples are chosen from effective and typical specimens according to the level the dramatic writings and compositions in Iraq. The Plays chosen are : 1 - Speak o Stone, by Muhaiy AL_Dean Zangana2 - A City Full of Knives, by Jaleel Al_Qaisi3 - The Nights, by Dr. AKeel Mahdi4 - The Door, by Yousif AL_Saig. 5 - Heaven opens lately, Falah shakir Chapter Four consists of the findings reached at by the researcher throughout analyzing the chosen samples conducive to the results, recommendations and suggestion, which contribute to shedding more light on the conception of poetical ness. Then The researcher has attached this research with a bibliography, which shows the reference books the researcher has adopted during the course of this research and study. The researcher has also made an outline of this study in the English language.

فضاء النص الزنجي في المسرح العالمي == Space Text Negro In The World Stage

Author name: شاكر عبد العظيم جعفر
Supervisor name: حميد علي حسون الزبيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Owned theater Negro as produced by the texts of the play accompanied by the achievements of the writer west of different affiliations, had the potential and the superior quality because of his triumphant, which has sought to respond to legitimize slavery, which was launched concepts machine western giant, which reflected significantly in attempts absence, and the exclusion of, and break their personal identity Negro sloping from the sweat of black for as long as Consider him an evangelist EU on the one hand and some western thinkers on the other hand being is a substance biologically characterized by the black no history or religion or art, or even culture, which put the intellectual and thinker Negro on the amplitude spectrum lions that faces an advocate for identity associated with the social context and stand with different binary (black / white, master / child, present / absent) and formed The jurisprudence of binaries veneration of the American West, at the expense of civilization has produced and produces humanity that does not want to abandon them, so it has poured cultural system Negro diverse technical capabilities, intellectual and cultural in many genres, including, in particular, that document (text theatrical) which is one of the most important documents install and consolidate identity rechargeable crossover with other cultures and, the requirements of Mrs. Mubarak retain full identity of personal representative color black and its extensions in ethnic history The geography of the African, but it is a space expressive broad stretch in every time and place, so it has sought the writer of Africa wherever Seen Through theatrical text that up to the other, because the arrival is the sponsor to provide his true identity and the deportation of culture and heritage and its contributions to the building of human thought and not owning culture and isolation by , so ithas the form of text theatrical space to respond to erase the identity, space Tatt heritage and the past and the present and empowered personal Negro features all around, as well as the effectiveness and human presence.According to the current research may be of four chapters, came in the first quarter (systematic framework), which contained the research problem in question : ( ) And the importance of research and the need for him and the goal of the research and the limits of time and space research and objectivity. And determine the terms and definitions procedural.In lobe II (theoretical framework) has focused on three topics, and was First research titled (conformations knowledge of the culture of the Negro) and the second section (awareness of the Negro and his performances in the space of transformations cosmic) and came third section carrying the title (space text Negro in / a. Africa b.America) Then came a series of indicators researcher borne out the theoretical framework and previous studies. Here ends the second chapter.Turning to Chapter III (separation procedures Research) and the find to determine the research community and specimens and research methodology, as well as the analysis of five samples representing the research community, which amounted to (42) play Tamoqat between African countries and the United States, and then move on to a new chapter.Chapter IV (the last), which includes findings, conclusions and recommendations and proposals.The research concludes his cards bibliography references and sources and supplements.

وظيفة النقد الثقافي في الخطاب المسرحي العراقي المعاصر == Operation of The Cultural Criticism In Iraqi Theatrical Discourse

Author name: محمد مطشر عبد الكريم الغراوي الكحلاوي
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الاهمية التي يشكلها النقد الثقافي في مجال الدراسات النقدية الثقافية، تكمن في انه يكون احد الروافد المفاهيمية في تلك الدراسات، كذلك انه يرصد العلاقة بين النسق الثقافي وبنائية الادب لما لها من بعد بعد حداثوي، ولمقتضيات منهجية البحث، فقد قسم البحث ا | Criticism is a calibration tool on which both literature and recipients makers based, and each according to his approach, because any literary work, whether it was popular or elitist, as it needs to be re - considered and calibrated due to what it bears of intellectual implicit rely on the cognitive concepts of the course of that work, Whether it was poetry or short story or novel or a play as well as other kind of literature, and to be understood by the receiver.As that literature was elitist and restricted to those only (Elite), cultural criticism came to break the hurdle, surpassing all the obstacles placed in front of the popular literature so as to take ample space in the cognitive studies field, To search in all that is hidden and latent in response to the proposals of the postmodern and post - structuralism.All of these changes came as a result of the evolution that took place in post - colonial that led to the awareness of the people and be alert to what is going on around them, so the book made research for that kind of criticism, and as a result the cultural criticism emerged.Based on that, we realized that the importance posed by the cultural criticism in the field of the critical cultural studies, to be one of the conceptual tributaries in those studies, and to monitor the relationship between the cultural pattern in literature constructivism due to its modernist approach, as a result the remarkable research has been divided into (Functioning of the cultural criticism in Iraqi theatrical discourse) four chapters, and they were as follows : - The first chapterThe methodological framework and in which : 1 - The issue : - It is possible to determine the issue and identify the defect to be an entry to the research after identifying the problem.2 - The Importance of the research : We have explained what the Importance of the research in the text of this study is.3 - Research goals : The researcher adopted two goals to be his starting point.4 - The research limits : It has been identified with temporal and spatial (time and place) as well as the objective limit.5 - Determining the terms (idioms) : The researcher has set the terms in accordance with the requirements of the research.Chapter II / The theoretical framework : It contains three topics and by sequence.The first topic - the cultural criticism concepts.The second topic - the references of cultural criticism which is : A) Modern Marxism.B) Materialistic cultural and sometimes called cultural studies.C) Modern historicismD) Womanly criticismE) Modern colonialismTopic III - Cultural criticism strategy in dramatic criticism.Chapter III / research procedures which included : - 1 - Research community.2 - Research tools.3 - Research method.4 - Sample analysis, contained five plays and they are as follows : - a) (Fog) Play - 2003.b) (Curfew) Play - 2008.c) (Death and the Virgin) Play - 2010.d) (Badr and Wafiqa Tale) Play - 2013.e) (The Cart) Play - 2014.Finally, chapter four which included : - The results and conclusions of the research.And after that, the sources and references adopted by the researcher in his research and finally a summary in English.

التحولات الاسلوبية في بنية النص المسرحي العراقي المعاصر

Author name: منتهى طارق حسين جبار المهناوي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: هناك تحولات واضحة جرت على مستوى الاسلوب واللغة التي انتجها العصر نتيجة حاجات وبواعث اجتماعية وسياسية واقتصادية...الخ. هذه التحولات جرت عبرة سلسلة متواصلة لقرون عدة وصولا الى القرن العشرين الذي احدث انقلابا كبيرا ضد الميتافيزيقيا وصولا الى الحداثة وما بعد | Hare is obvious changes happened on the levees of mode and language that the age produce motive… act. These changes occurred ty continuous series of hundred years access to the twentieth century which make a big revolution against metaphysic get to modernity and what comes after : these changes impact on literature and language which was locked up metaphysic, in view of the fact that language is the agent in embodiment and conduction the literary message and through it, it can be veach to solve the code which represented meaning and symantic levec. Its style tosad on surface meaning on text, so it must be diving in depth to produce style and woven fabril corresponding to what required by modern consciousness. So it must be taking an altions and difterent means in expressing and discovering the meaning of language which elevated power through compatibility of precent and atsent that was established to build advanced language Whig invade the mind of world by his thoughts and realities through several interpretations of a relative expression and interpretation via reading of unlocked text. From here the researcher has an examine glance to observe and chase ( stylistic transfer in framework of modern theater text) it contains four chapters to study that is : The first chapter companies the chief address (systematic frame) which contains a problem of research, targets and its borders, to get finish it by definition of trans fers term and procedure challenge. The it comes the second chapter which reveals to us five subjects, the first one is talking about the style and its historical changes after that it comes the second modifier to be integral and complementary to the first modifier in the address mode of modern text, then it comes the third research which explains, the mode of poetic text and the mode of prosaic text in the forth subject to be the final cheater in the fifth subject which comes with the address of stylistic changes and dramatic speech poetry. Then the research comes out with assigns to establish it her procedures within the third chapter which attributes by the address procedure frame which has analyzed fire samples are respectively : 1 - drama : opera snmar.2 - drama : the clock.3 - drama : the gate.4 - drama : the clown.5 - drama : sedra.6 - drama : republicanism of al jwahery Finally it comes the forth chapter which discover the most important thing by the researcher who discovers the consequences, deduction and recommendation… to complete hev series research by a source of lists which way established on it theoretical frome, to be the final summary of English language out come of research tour.

نظم الخطاب في عروض المسرح العراقي على وفق الاتجاهات النقدية الحديثة نماذج مختارة == The Systems of The Iraqi Drama Shows Discourse According To The Modern Directions Critical

Author name: حارث حمزة عبد الائمة الخفاجي
Supervisor name: نصيف جاسم الدليمي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل العملية الابداعية فعلا تواصليا ناتجا عن العلاقة المتبادلة بين الوعي والوجود، على وفق صيغ وانساق تنتظم داخل فضاءات فكرية، تتجسد على نحو متحول في الاشكال المادية الممثلة للشكل الظاهري في الفن بحقوله المختلفة، التي يشكل الفن المسرحي احد تلك الحقول.وي | The creative process is represented communication active is ruselt from the mutual relationship between awareness and existence according to forms systems orginicing inside mental spaces represented on transform in material forms witch are represented in external shape to art in different in fields and the theatrical art is one of that fields.And the system of theatrical art is represented transforms active pivot or many levels wich is represented on realation ships and advices wich are spread between abstract humanity wich represnted in the text of the writer and what is carrying of elements and relationships wich are organize according to the given of text system, from one side ,and transform , in in side the external according to two levels the audiovisual from another side.And because of the processes of be organized the awareness to include the facts of theatrical field is come from to call for all humenty references and wich it cannot to out of tamely place facts and reflexes include the structural of creativness system theatrical - and its just like to called on it as abstract structural and atoms structural wich it called by those previous vocabularies from briefly of all to name for example : ( mentally, abstract, perfectly, sensitively, materially, externally, …. Ect ).The objectly equal wich is to spread the structural of theatrical system and finely, and charm reading , what this meaning in discourse, it is effect in the text, and criticism systems, in the theatrical art, included the place on the stag.The search it s contain in four chapters : The first chpter : the form a manner : 1. problem of research.2. aim of research.3. 4. Sami A. Al - hameed.5. fahdel khaleel.6. ssalah Al - qasab.7. Aakheel mahdee.After that, the researcher look in some criticism current : 1. structural.2. seismology.3. deference.

مفهوم الوجود والعدم فــــي مسرحيات شكسبير == The concept of existence and non-existence in the Shakespearean plays

Author name: معتمد مجيد حميد
Supervisor name: عبد المرسل الزيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
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