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الهجاء والسخريـة في شعر الحطياة وابن بسام البغدادي : دراسة موازنة == Satire And Sarcasm For Al - Huttaya’A And Ibn Bassam Al - Baghdadi A Balanced Study

اسم المؤلف: سلمى كاظم نمر العتابي
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After this long journey in the world of references and resources which have given me a lot of enjoyment I am about to embark on the end of my journey, here we should mention the most important results of this research : The way of balance was not easy, but risky because it is a thorny way and comprehensive process. Balancing between Al - Huttaya’a and Ibn bassam Al - Baghdadi - in their satirical sarcastic poetry she light on whatever concerned the two pets and revealed the hidden aspects of their lives and the influences in their satirical course depending the analysis and deduction in an objective way. The research revealed the circumstances surrounding the two poets. Their effect was one which is the hard circumstances that surrounded them and created two troubled, worried and troubled characters. There were incentives for their satire and sarcasm some was psychological and some was personal, social or political. The psychological incentive was stronger for Al - Huttaya’a while the political incentive was for Ibn bassam.For the trends of satire and sarcasm for the two poets, they share some and each was unique. The subject of satire which they share is self - satire, family (father, mother and siblings), the social segments like stingy people, cowards, liars, fools, etc. Also, they satirized the statesmen like caliphs, viziers, and rulers. The technical study took the great part of the balance the two poets for the inquiries and sections included, especially imagery like simile, metaphor and metonymy. For language they differed from each other in some aspects like the satirical tone : Al - Huttaya’a was characterized by his Bedouin language with its eloquence, while Ibn Bassam's language is simple and popular. The poetic segment is the dominant form on their satirical verse. They used some of the technical methods like interrogation, imperative, prohibition, interdiction, vocative, etc. The poets’ interest with the poetic rhythm : internal and external, in terms of meter and rhyme, the two poets did not get away from the meters of Artbaic poetry which were found by Al - Khalil bin Ahmed Al - farahidy. They also cared for the aesthetic devices like repetition, inlaying, segmentation, calembour, paronomasia, antithesis and opposition, etc.In the balance of critics, the two poets have gained a high satirical rank. Both were masterful of their arts and they were called ‘the poets of satire.’The satire of Al - Huttaya’a is modest and away from obscenity while that of Ibn Bassam was obscene.Al - Huttaya’a was outstanding in personal satire, while Ibn Bassam was remarkable in his political satire due to the bad political circumstances. Finally, this study tackled the hidden aspects of the two poets Al - Huttaya’a who lived between pre - Islamic period and Islam and Ibn Bassam Al - Baghdadi who lived in the Second Abbasid Era.

نقد البلاغة : دراسة في المشروع البلاغي للدكتور محمد العمري == Rhetoric Criticism Study In The Rhetoric Project Of Dr. Mohammed Al Omari

اسم المؤلف: زينب ميثم علي
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: فقد بينت النظريات والمناهج النقدية المعاصرة, بعد تفعيلها قراءة النص ان النصوص التراثية قابلة للتشكل وفق تصور حديث قد يختلف عن تصور منتجها, وقد اتضح مدى عمق كشف هذه النظريات للاسس التي ارساها بلاغيو العرب, التي كانت, ولا تزال محط انظار كبار النقاد والباحثي | Showed the theories and methods of monetary modern yet activated to read the text that the traditional texts are constituted in accordance with the perception of an interview differs from the perception of governing, as evidenced by the depth of these theories and foundations established by the Arabs, which was and still is the focus of attention leading critics and researchers rhetoric, reflected this perception in the project Dr. Mohammed Omari in reading the Arab eloquence, and it was the title of our research "Rhetoric Criticism study in the rhetoric project of Dr. Mohammed Al Omari" to solidify this perception, came divided Find the three seasons after booting between the Biography scientific Dr. Mohamed Omari, the concept of criticism of rhetoric, either the first chapter was titled "terms of reference of the project" has included three sections are : References Greek, Arabic and references, and the third section of Western references.The second chapter entitled "read the rhetoric" and included three topics are : the history of rhetoric, which included the history of magnificent poetic, and the date of the statement of rhetoric, and the date of the public rhetoric, the second section theories of rhetoric, which included the receipt of Western theories, Arabic and theories, while the third section was titled criticism rhetoric, which included cash of trends in rhetoric, and rhetoric bosses, and rhetorical Studies in cash.The third chapter, entitled "rhetorical project," which included three sections weakness : the concept and the term that was affiliated beneath terms that re - flick about, localized terminology, innovative and terminology, while the second section titled theoretical dimension included poetic discourse, discourse deliberative Hajaji, and of public rhetoric , while the third section came under the name Applied oriented included voice applications graphic, persuasive applications deliberative, public rhetoric applications. He concluded several search results Perhaps the most prominent. - Greek, Arab and Western Omari Project, it was the Greek in the establishment of the theoretical basis deliberative side persuasive, while formed to study the root acoustic balance, while contributed Western references in the order of these topics and consistency in a new configuration. - Track Dr. Omari in "read the rhetoric," its history and progress and the different sciences receive literature and speech from rhetorical to another in spaced periods of time, noting obtained evolution, as explained various theories special Ultimate received.

الملامح الشعرية في روايات طــه حامـد الشبيب == The Poetics Of The Narration In The Novels Hamid Al - Shabeeb

اسم المؤلف: رجاء عبد داود سلمان الزكي
اسم المشرف: سلافة صائب خضير العزاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study tackles the theme of the Poetics of the Narration in the Novels Hamid Al - Shabeeb. The study is subdivided into a Preface and three chapters. In the preface we studied the concept of poetics in narration and its meaning. Chapter One studies the levels of the peoticlangauein the novels of Hamid Al - Shabeeb tackling in the first inquiry the ideological level, in the second inquiry we studied the expression in the third inquiry we tackled the psychological level, the fourth inquiry we studied the narrative space. In Chapter Two we traced the poetics of time in three inquiries : the first is about the narrative of time, in the second inquiry we study the level of the duration (duration). The third inquiry is about the level of recurrence. The third inquiry follows the poetics of the place in the first inquiry includes the dimension of time and its types. He narrative place comes in the second inquiry.We included in the Conclusion the most important findings of the study : 1 - The concept of poetic language is the most accepted in the poetic language, because poetic language is more expressive and better in status. In addition to that it beaches the rules ofthe ordinary language. It also displaces it and reconstructs it again in new structural order. Poetic language composes the non - compassable.2 - Time includes recalling and foreseeing. Recalling is the process of remembering the incidents from the past and calling them to the represent time by the similar to these events. The foreseeing means anticipating the future. Maybe this is related to dreams sprang from optimism and excitement.3 - For the place and its importance as far as the novel is concerned. Place includes the closed space and the open space. There is also the realistic place and the imaginary place in the novel. In the end of the dissertation were listed a list of the references and resources and an abstract in English.

شعر الرابطة القلمية : دراسة سيميائية == The Pen League Poetry A Semiotic Study

اسم المؤلف: جيدم فاروق عبد الحكيم الونداوي
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الحجاج في شعر الصعاليك فـي العصـرين الجاهلي والامـوي

اسم المؤلف: جنان خالد ماهود الجواري
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present research probes into the portrait of argumentation in AlSalik's poetry. The significance of this research derives from the crucial role played by argumentation in the active intellectual life. This research makes use of modern literary theories in examining AlSalik's poetry. Previous research has overlooked this issue examining other issues like the linguistic or rhetoric aspect of this kind of poetry. It is worth noted that most of AlSalik's poetry is full of argumentation, persuading attempts and submissiveness making it argumentative and far from being simple. This research has dedicated itself to the examination of this kind of poetry from the Pre - Islamic era to the end of Umayyad era. It is theoretical and applied research in nature falling into three chapters with an introduction. The introduction entitled "The Argumentation and its Development" tackles what is meant by argumentation and how it is evolved! Start with defining argumentation linguistically and technically, and following its historical development for westerners and easterners. Chapter one entitled" Elements of Argumentation" has three sections. Section one deals with the AlSaluk poet in the Pre - Islamic, Islamic and Umayyad eras and the reasons behind the emergence of such kind of poets like the poverty, the tribal system and self - conditions. Section two sheds light on the audience of the AlSalik's poetry such as the tribe and the people in the power position. And section three presents the subjects of AlSalik's poetry like adventures, elegies, praising, etc. Chapter two explains the different types of argumentation and arguments. It has two sections. Section one spots light on the various types of argumentation such as acting argumentation, interpreting argumentation and measuring argumentation. Section two deals with the two main types of argument based on Perelman's taxonomy. Chapter three, on the other hand, is divided into two sections. Section one lists the main mechanisms or techniques of argumentation adopted by these poets to persuade their audience including linguistic tools (such as lexical choices, argumentative conjunctions and some verbs), rhetoric tools (such as simile, metaphor and allegory) and metrics (such as antithesis, antonymy and metaphor). Section two is a detailed analysis of Alshanfri's poem shedding lights on his biography and the argumentative nature of his poem. It details the main techniques of argumentation used by the poet in persuading his audience. Finally, the research has been concluded with the main findings achieved highlighting that AlSalik's poetry is not naïve in its nature rather it is based on reasoning which affects the audience and their means.

التناص الديني في شعر الغديريات : موسوعة الشيخ الاميني انموذجا == Religious Intertextuality In The Poetry Of The Ghdeeriyat From The Encyclopedia Of Sheikh Amini As A Model,

اسم المؤلف: بشرى خضير شمخي
اسم المشرف: هناء فاضل سلمان الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: My thesis entitled : (Religious Intertextuality in the Poetry of the Ghdeeriyat from The Encyclopedia of Sheikh Amini as a Model,), in which I applied one of the concepts of modern criticism which is Intertextuality on the poems taken from Islamic Heritage. My goal is to contribute to the revival of the heritage by using modern approaches.I studied the Ghdeeriyat poets from the first century after Higrah to the sixth century. The number of poets whom I studied their poetry of Ghadeeriyat is fifty - five. I have noticed that religious intertextuality was limited to the interaction with purely Islamic sources, such as the Koran, the Sunnah, biographies, and histories. That approves that these Ghadeeriyat are totally influenced by Islamic resources, as they did not demonstrate any other effects derived from other religious traditions.Koran was the cornerstone in the construction of intertextuality among poets, employing its words, phrases and connotations, using its style and reflections in a productive and interactive way. This interaction with the religious text demonstrates the evolution of the religious intertextuality. The tangible images varied in their texts including visual, auditory, and taste, it contributed to supplement the text with artistic beauty, continuous movement and imagery creativity reflecting the dominance of the sensory image in this accomplished poetic, which has added to the Arabic poetry creative a clear touch cannot be overlooked by unbiased critic.We have found that the poets of the Ghadeeriyat until the sixth century AH had been committed to the rhythm and did not follow those who tried to abandon them. They have totally turned away from composing poetry by feet of five rhythms, which are : the Hazaj, Madeed, Muqtadhab, Mudharia and Mutadara. In which they did not compose even one line. That may be because their desire to cope with inherited Arabic poetic, and respecting the recipient, as well as the lack of adequate freedom of expression and prolong the poem in these rhythms.The poets of the Ghadeeriyat preferred rhymes ending with vowel sound over that ending with constant sound in which they did not abandoned the Arabic poetic teste. The Ghadeeriyat were full of internal music, especially in the late centuries, reflecting the attention of poets to this arts after Ibn al Mua’taz had established the Badee’ and the style of modernize poets who followed Abu Tammam.

البعد الصوفي في الشعر المهجري

اسم المؤلف: بشار جمال بغدادي الخفاجي
اسم المشرف: كاظم فاخر حاجم الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: بعد هذه المسيرة الشاقة الممتعة في رحاب الروح المتعففة والمطمئنة المتمثلة بتجربة المهجر الصوفية , فلابد للبحث ان يسجل النتائج التي خرج بها , فقد عرض الموضوع ( البعد الصوفي عند المهجر ) عددا من القضايا الهامة اهمها ان المهجريين كان تصوفهم غير ديني ؛ اذ ي

الفضاء الشعري في الغزل الاندلسي من الفتح حتى نهاية عصر الطوائف

اسم المؤلف: ايمان حميد هدرس الزيدي
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الانساق الثقافية في رسائل الجاحظ (ت255هـ) == Cultural Formats In Jahez Messages (255 AH)

اسم المؤلف: مثنى حسن عبود الخفاجي
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Cash studies have done and did not sit in the modern and contemporary on Cultural done protruding cash and reality, and had Abu Usman among trace a few of the old intelligentsia unbroken attention counterpart on the part of the largest public vast majority of researchers and scholars Arabs, and remained read mine fertile and Mcnza thickly lesson literary and rhetorical and even cash in the Arab culture, but what draws attention really is the scarcity of cultural studies that have been the heritage of bigeye through the ages and offset to some extent lack extinction and annihilation, and this is what stimulated the researcher and encouraged him towards the foot on the approach Gahzi text, Baltae cultural exchange tools, procedures and strategies monetary mechanisms large numbers, that deal with cultural material, including linguistic texts as cultural speeches overflowing serious connotations and brimming with heavy contents and the carrier of the culture of the times, which were produced under Islamic rule, and the heir to the features and Twabah and brands negative and positive, and is involved with its institutions and overlapping with their contexts and responsive to the bets and requirements and influenced and influential Bhawwadth all the circumstances, and here the central dogma espoused by cultural criticism believes in the need to approach the texts in light generated culture him; which requires the development of texts in the womb of cultural contexts snare him from all sides, if, seeking access to the results of Ttoshh specific and respectful of accuracy, objectivity and scientific far, these are cash mental nominated by the study and adopted by the researcher Barutea grasped the most trustworthy in the bigeye read messages and relentless pursuit to discover the cultural formats mingled in the cultural discourse year, which is the fundamental objective of the study diligently in order to nail him. It was Astefaina messages bigeye, among other writings to be material anatomical these to our study, the starting point of fully represent us to the awareness of cultural criticism and responsive to him, who is trying to focus on the margins of cultural material, and struggling for the sake of all phenomena care and practices that were suffering from neglect and oppression and suffocation and repression The expulsion and absenteeism on the part of the previous monetary practice, as naive and menial and trivial and practices vile and despicable and ridiculous does not deserve attention phenomena does not require study, Vrsail bigeye not partaken so large share of the study, which won him the other writings Kalpaan and Signifying, animals and even stingy, here is worthwhile to point that we adopted in our study on three different editions investigation messages bigeye, the first achievement of Dr. Abdul Salam Mohammed Haroun, the second investigation, Dr. Ali Bou Melhem third achievement Mr. Hassan Sndoba; in order to accommodate all Almtozaah messages on the three editions written by bigeye. Material research, nature and recalled that the study is divided in three chapters : above each one entrance represents the threshold is a must to enter the Mnachath and ambiance and tourism in the internal Aoualemh, preceded by an introduction and followed by a conclusion included the most important findings of the research through the study, and download the first chapter address (assets, buildings and cultural exchange) and included four topics are : the concept of cultural criticism, and the roots of cultural criticism, and the concept of the text in cultural criticism perspective, the concept of the cultural pattern, and carry the second chapter title (format obedience to the Abbasid authority and defend), and included two topics, namely : the other dropping sectarian represented the people of modern Salafi doctrine Imami Shia religious other and suppress incarnated the Christians, carrying the third quarter and the last address (coordinated social Almadlj aligned), and included two topics is the other two : aligned chromatography (concentrated blacks and the marginalization of the egg), and sexual bias (concentrated men and the marginalization of (women

خطاب النقد الادبي عند ادوارد سعيد == Edward Said Discourse On Literary Criticism

اسم المؤلف: حيدر علي عبود الطفيلي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to Allah, and peace and blessings on the beloved and descriptive and good creature Secretary Muhammad, his family and the divine good and lasting curse their enemies to do the day of judgment, and yet... The Edward Said of the most critics controversial intellectual of the twentieth century, due to Grandma in cash speech, in addition to numerous factors, including upbringing, education and exile, but the topics covered and private (identity remain, Orientalism, culture, imperialism, and the other, worldly criticism ) is the biggest reason for his feisty critical features mostly, and abroad for critical theory of modern lines being sees it did not meet the aspiration to detect significant text and scaled the reader into the trap of specialization, academic and wandering in the maze of text. Speech came (Said) speech opposed to the structure of Western discourse, being made culture and history which afford grand narratives, revealing knowledge of the system that drives the self - made and the other, and the statement of the concept of cultural power that drives the literary and cultural production process, according to what you are. Said cash speech represents a long legacy of philosophical and linguistic, cultural, and so you see dealt with most of the themes that are the focus of conflict and a mismatch between the intelligentsia conflict, and Ajtrah through cash Amaagath a different understanding and new.Class (Said) of the most important pioneers who sat and contributed to the emergence of cultural criticism that dealt with cultural issues and the mechanism in a way out of the curriculum in schools and literary texts address the way. Said hybrid cosmic also see it, it is named compound (Edward Said) to the birth of Palestine and his travels between Egypt and Lebanon, study the migration to America and Britain made him exiled by force and act all this was stressful to deal with topics dominate the self - free industry and the other spunResearch methodology required to deal with the topic as it goes to be divided in four chapters and boot, and see that it has been able to focus on the concept or question revolved around the thesis, which are worldly critical discourse when (said)? The boot under the title (the speech, awareness and concept) and search the boot so problematic discourse and critical literary and the comprehensiveness of literary criticism and its limits, in other words, is the meaning of criticism mainly about the high literature? What is the meaning of literature in the product of any text? And how the role of culture and history in the text? That is why we stood on the word speech in the broad sense that brought him (Foucault) and used (Said) and thus move (Said) in all Ntegath within this holistic vision that sees the speech includes literary aesthetic criticism as well as a natural extension of cultural factors that affect the text. The first chapter was titled (the foundations and pillars in the said cash speech) As mentioned a little while ago it was (said) hybrid philosophical, linguistic, psychological and social thought, so we raised four axes represent the foundations and pillars that influenced them (Said) and Interview by directly sometimes indirectly at other times.Axis philosophical forward it to most philosophers who came mentioned in the monetary his speech, although we did not stand on most of them but we believe they are the most important in the visions that carried a private in the monetary his dominance, as well as goes the rest of the other hubs in a simple introduction to his life and ends with research in this chapter focus on topics which carried the earthly dimension for each axis and therefore Find walking towards the detection of intellectual heritage of the worldly (said).The second chapter was titled (worldly cultural criticism of Orientalism example) Because the (said) represents one of the pioneers of cultural criticism Find the concept of cultural criticism concept and references that led to his appearance began to have these terms of reference agreed with the terms of reference (Said) in terms of focusing on the worldly events in read the text and move away from the pillars of the metaphysical, then envisioned research and cultural exchange mechanisms, which focuses on non - adherence to monetary theory and the institution and after this introduction Turn Search towards the vision (said) to the concept of cultural criticism worldly theoretically through some of the visions and ideas put forward in embedded which was written by, and applied through book Orientalism and thus was read culturally analysis Tabakie worldly and this is what search him.Download Chapter III Title (worldly Monetary Alabestama culture and imperialist example) is an exchange of knowledge and based on Arcologgio Foucaultian fossils of the earliest mechanisms of cultural criticism and criticism worldly in particular, and this is what Layer (said) in the book of culture and imperialist, The path of research about the concept of imperialism and its manifestations holds concept different cultural authority controlling peoples colony and how to make them search for the conflict of knowledge / power zone, and then between research worldly cash engage through the concept of narrative and cultural resistance and a series of novels adopted by the (said) in a statement narrative move in the field of cognitive detection, said to see I've dish ( Foucault) Drilling Alarclogi revealing worldly knowledge - based analysis of the dimensions of the imperialist narratives.Three chapters made search was more like a development critical to speech (Said) of cultural criticism to criticism of knowledge and then to the idea of basic research on the nature of the secular criticism, came fourth chapter under the title (the secular foundation cash and achievement) questioned this chapter theoretical research for the book (the world's text and critic) which represents Based theoretical research on the development of cash, according to (Said) and the necessity to find a criticism of worldly beyond cultural criticism and critique of postmodernism, has treated research issues addressed by the (said) within the book and of the concept of the worldly, text, text, identity, and intellectual cosmic, or the concept of critic, and theoretical migratory, and the American Monetary left - wing, religious and cash, these concepts overlap on the one hand with the culture on the other hand are cash concepts touches the spirit of criticism, bearing movement (Said) Cash visions of a three - start of the world's text critic, so the search is going on about these essences.The conclusion of this journey is the station with the most prominent search results that were ultimately to this outlook in a speech (Said) cash. It must be noted that the search has not committed to a specific approach and the need to request this topic has relied on the analytical method, texts, research and Dialogue The reason that the subject taught monetary field. I would like to extend my thanks and that was a minor for the best fulfillment of the right of the professor and the mother noble tender overwhelmed me and the beauty of the great spirit of Dr. Hana Abdul AL - saida of all that effort and provided guidance was Mother Yes and yes oriented.Have been made in this work do my best despite the circumstances that were surrounded and God knows it, it was the lack of a decent enough to incorrigible your fingers voltage least bounty to God and to my teachers and virtuous Praise be to Allah

نثر المعري : دراسة في ضوء النقد الثقافي

اسم المؤلف: محمد حليم حسن الكروي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

شعر ابي تمام : دراسة بنيوية تكوينية == Abu Tammam Poetry Structural , Formative Studying

اسم المؤلف: ايناس كاظم شنبارة الجبوري
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: All researchers agreed that the poet Abu Tammam represents an important poetical school in the history of Arab's verse, that is because of his poetical experiment represented a modifying stage in the Arabic innovation, he transferred the experiment from the emotion to the intellect and from the instinct to the meditation and prying. I presented in my current research a new reading to the verse of Abu Tammam according to the structural and formative method. That comes after an accurate study to Goldman's method and adjust his procedural tools notably in his book ( Hidden God) and I came up with that the method is about four major corners, first is : Discovering the vision of the world for Abu Tammam and then find the conceptual path that joined him with the conceptual level that represented him and make him one of its individuals. After understanding reading to his verse aimed to discover the referring environment that ruled the poetical experiment and give it the final shape. Finally, reading the structure of the Early AbbasiEra from all economic, political and cultural sides and discover the dominant conceptual structure at that time which resulted in producing that level and forming its individuals by that way exclusively and the impact of that over the formation of Abu Tammam 's verse. The early Abbasi Era is different from all other eras that preceded it, most distinguished things are : Culture and conceptual opening on the out world led to the cultural mixing between the culture of Persian, Greece , India with the Arab culture. Many conflicting conceptual schools have turned up. One of the schools is Almuatazila as the most important conceptual and cultural school represented that era and dominated all its joints and extended to the extent that Almamoon declared that it is the formal ideology of Abbasi state. Almuatazila school depended upon the mind among all conceptual schools, it analyzed the religion and prying the universe and solved problems depending upon the mind thoroughly. That came as a logic result due to the culture of the school that relied on the Greece philosophy. We can find out these prints very clear in the verse of Abu Tammam and in his conceptual attitude that he was well - known of his producing a poetic vision in which mind is raised over the instinct and emotion. In addition to the dominance of the philosophical style over his poetic language that push some researcher to return his roots to the Greece and Roman. The conceptual changes that occurred in the structure of Abbasi Era have affected on the politics and made the era of Al - Mammon is different from other eras and then affected on the society, culture and the intellect till Abu Tammam came up with a extraordinary poet as a logic result to the changes of the era.

الجهود النقدية حول شعر محمد مهدي الجواهري == Criticism Efforts About The Poetry of Mohammed Mahdi Al - Jawahri

اسم المؤلف: وجدان يحيى حافظ الكفائي
اسم المشرف: حمزة فاضل يوسف
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace be upon the Prophet Noble and The God of the good and virtuous. After : He has raised Jeweler hair Shelley illustrious contemporary to him and delayed him monetary efforts, which was compounded by the accumulation of these efforts on his hair, Vtnolh critics and different visions of multiple approaches and they are unanimous in its leadership classical stage in modern Arabic poetry and renovated and out all the modalities of the flags of literature poetic classic Kalrsafa and Zahawi, this is what enticed the researcher to choose the monetary efforts revolved around the Jeweler felt the subject of his doctoral thesis. After extrapolation of literary criticism, which revolved around Jeweler hair and determine the curriculum and vision required the processing of these efforts of the various plan consists of a boot and three chapters dealt with in the boot of poetry and monetary environment in which the capillary landmarks formed when the jeweler, so what the environment from the impact in shedding light on the nature of the text cash, which constitutes the other party off the poetic text, which has the most prominent role in efforts to raise this cash around Jeweler hair and, by contrast, there was the highlight of the poetic text Majaal text Jeweler in order to touch the art feature text Jeweler restricted to this study. The first chapter has assumed the contextual study of curricula that have been text Jeweler according Vaaih cash visibility prevailing at the time and the judge read poetry in terms of its relationship to what surrounds him of the reasons for and the circumstances and conditions, has entailed four sections. Took the first part, the study of the historical method, which Jesper Gore subjective experience of the poet read through external influences, while the second section has assumed social study curriculum, and the third on the curriculum or the Impressionists (influence), while the fourth section has assumed study Integrative approach. The second chapter went to the induction scriptsapproaches in the study of Jeweler hair. The third chapter Jeweler hair as an engine in cash, came in two sections : I dealt with them according to the poetic form artistic effervescence who took a three - way distribution deals with language, image Ptholadtha rhetorical, and poetic rhythm, both internal and external. The second topic : Eating poetic subject in the text of the jeweler and how it was able to move out the subject of cash denominated in the text which is not aesthetically pleasing, and discussed two important issues : the social issue and the multiplicity of readings cash, women and the multiplicity of monetary readings. Thus ends the thesis to the conclusion and summary results and classification of sources. Can not afford the researcher after the completion of the offer to the joints of her research, however, suggests that it is beholden to her teacher supervisor Prof. Dr. (Fadel Hamza Yusuf) for his help and support every day of the search, Vdzah Me God richly rewarded.I extend my sincere thanks and gratitude to Shiyoukhi in the way of science, particularly professors of the Arabic Department at the Faculty of Education - University of Qadisiya and each of the D me a helping hand to achieve my purpose, God Vdzahm Me penalty benefactors. And Praise be to Allah, the Lord of the Worlds

منجز جبران خليل جبران الادبي في الدراسات النقدية == Artificial Deeds of Jubran K. Jubran In Criticism Studies

اسم المؤلف: حمزة عبيس عبد السادة الجنابي
اسم المشرف: حسن دخيل عباس الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ? Jubran K. Jubran tried to undermine the manhood values that have marginalized woman and make her so far, he called for the equality with man in duties and rights, and push away the oppression and persecution she suffered from due to the manhood dominance being affected by feminine movements in west. ? In spite of many good relations , Jubran K. Jubran has made, but he never get married with any of them, may be the reason behind that was Odeib's complex. ? Jubran K. Jubran criticized classic values and traditions that prevailed the past Lebanon community exclusively, the eastern community generally, that made the woman as a trade for sale or purchase and not seen as a human has the right in choosing her husband by herself without and pressure may she face.? Jubran K. Jubran has criticized both autocratic and religious authority during the period he live in Lebanon, which persecute poor and weak people worst persecution, they made their luxury via poor and weak people, that motivated Jubran K. Jubran to be the outspoken of poor people by his literature. ? The artificial deeds of Jubran K. Jubran discovered defects of the structure of Arabian community that glorify the past, and compliance under its rules and traditions although it doesn’t match the modern life and development and that was the main reason behind the unconsciousness of the east generally.? The literature of Jubran K. Jubran a liberation tool for any spoiling to the freedom of human or any violation to it being affected by Marccism beliefs, and the thoughts of French revolution that called for freedom, equity and fair, plus to his affection by his friend (Mary Haskil) who was well known of socialist beliefs. ? Belief of Jubran K. Jubran in sneaking belief, and immortality of love made him to believe that , the life of human get integrated through multi born and combined after integration with the eternal self. ? Jubran K. Jubran made himself as a social preacher via his literature to criticize the non - responsible acts of fathers like wasting money and deprive their families from respectful life needs, that act was triggered due to his father's non - responsible behavior with his family. ? He has renewed the classic narrative gender through his affection by western literature so he invented the modern fiction that based on fictional structure, concerned with drawing the characters, imaging the environment, concern with story, correlation of events and its growth using a language that involved verse and narration. ? Jubran K. Jubran based the article as an artificial new kind of born from ancient artificial arts like messages of the old Arabian literature. ? He renewed the form of classic Arabian poem as he get rid of the classic form (column verse) so he created the parts - verse, he made the tacit Arode of verse which was considered as a defect by the critics, so the poet become an integrated unit.? The renewal has included the language of Jubran K. Jubran, he tended to public language and desert the past people language of dictionaries terms. ? Jubran K. Jubran and his fellows called the pencil - association for the spiritual love to be included in the verse and exceed the sensual love. ? He deserted his natural sensations to focus on civil live and its materialism, to exceed its external description and consider it as loving mother and melted with it spiritually. ? Jubran K. Jubran clings with humanitarian self, trying discovering its secretes, he meditated it as the closest one to himself because of the homesick he suffered during his abroad living, his missing to family invented the meditation verse in his works.

طيف الخيال في شعر العصر العباسي الثاني (334 - 656 هـ) : دراسة موضوعية فنية == Imagination In The Poetry of The Second Abbaside Era : An Objective Artistic Study

اسم المؤلف: بتول احمد سليم
اسم المشرف: روناك توفيق علي النورسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The concept of imagination is part of the Arabic poem. Poets of the pre. Islamic times (Jahilite) and subsequent eras had been keen on this topic, as this is closely related to the human identity or self. It also reveals personal experience poets had and describes their feeling and sentimental value. With varying degrees which reflect their feelings and sufferings. For the poet, imagination is an unexpected visit , delight , and a gift.The important of this topic lies in the fact that it helps the poet to strongly express his own sentiments and sufferings. It is an outlet for his feelings. Imagination has its own signification which is not confined to woman’s imagination but extends to other scopes that enable the poet to achieve psychological balance following a state of anxiety and confusion he has experienced.This study has revealed on important theory in the Arabic literature insofar as the phenomenon of imagination is concerned, that is Al - Shareef Al - Murtadhaa’s theory which involves a relationship between the soul and the body and which shows the strong connection between this on the one hand and imagination and dream on the other hand. The point is that it is the soul that sees what it sees in dreams and that this comes in poetry in the form of metaphor.It is in imagination that poets could describe their suffering from the long time they live in, that is ‘night’ Night is a symbol of severe suffering because of its darkness and gloom. The poet finds himself alone fighting hopelessness and anxiety; he lives in a state of psychological forlornness , longing for past memories engraved on their minds and hearts.This study has shown that there are in Arabic literature celebrated figures of their respective eras, but unfortunately totally forgotten in the present era. It is hoped that the present study may pave the way for future researches to show some of these poet’s outstanding contributions to Arabic literature, especially to the concept of imagination. These poets superbly wrote eulogies, elegies, love poems , etc.The study has adopted an analytical approach in dealing with the poems analysed to show what implicitly and explicity these poems involve.This thesis includes an introduction, three chapters, a conclusion, and bibliography. The introduction defines the concept of imagination in language and poetry. It also offers a psychological treatment of imagination from the point of view of psychologists.Chapter one is devoted to studying the motives for imagination on the part of a number of poets of the Abbaside Era, to show imagination means to any one of these poets.The second chapter has dealt with the relationship between imagination and the various purposes of poetry, such as eulogizing, elegizing, flirting, etc. Imagination is closely related to the poet’s psychology.Chapter three offers an artistic treatment of the poetry of imagination via studying poetic image based on figures of speech like simile, metaphor, metoying, and musical rhythm which includes outer music which, in turn, involves rhyme, metre, feet, etc. Furthermore musical rhythm encompasses assonance, pun, paronomasia, repetition, etc. The chapter also summarizes the conclusions arrived at

البنية السردية في نشوار المحاضرة واخبار المذاكرة للتنوخي (ت384هـ) == Narrative Structure In (Nashwar Al - Muhadhara We Akhbar Al - Muthakara) By Al - Tanoukhi (D 384H)

اسم المؤلف: ولاء فخري قدوري الدليمي
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace be upon the Messengers and his family and companions and the most important of the truth until the Day of Judgment After. The spirit of storytelling and intention can be found in any pattern of storytelling, but it d

شعر لبيد بن ربيعة العامري وابو ذؤيب الهذلي : دراسة تحليلية موازنة == Labid Bin Rabeaa Al - Amery & Abu Thayb Al - Huthly : Analytical Study Balance

اسم المؤلف: هناء شمس الدين عبد الله
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This is a study in an ancient Arabic poetry, search in the life of two poets who lived in the age of aljh…. & Islam whom are " Labid bin Rabeaa, & " Abu Duabe Al - hodaly".I have divided the search into two chapters, in the first chapter I Studied the p

بنية السرد في شعر شعراء الغزل الحسي الاموي

اسم المؤلف: هاذة عباس علي
اسم المشرف: فائق مصطفى احمد
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: السليمانية
الصفحات الاولى:
المستخلص: The theme of this letter is the narratology in poetry sensory umawyad, the reason for choosing this subject is the predominance of narrative construction of this hair, this is a phenomenon technical draw attention, and another reason is the lack of studie

القيم الروحية للمراة في الرواية العراقية خال 1960 - 2000م == The Spiritual Values of Iraqi Women In The Novel During The 1960, 2000

اسم المؤلف: نور عقيل محمد سعيد
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The tendency of the Iraqi social novel had overcame in Most of what've been produced in it, if not in total, since the emergence of the novel in Iraq headed towards the Iraqi social reality using the imagining and bold criticism, and it seems that the edu

الانا والاخر في الشعر الاندلسي عصري المرابطين والموحدين == Altruism In The Andalusian Poetry : The Muravits And Muwhids Eras

اسم المؤلف: لقاء عبد الزهرة اسماعيل
اسم المشرف: شاكر هادي حمود التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Altruism theme is one of the outstanding themes in Andalusian poetry. The researcher has selected the Moravits and Muwahids as a sample or pattern to explore the concepts of altruism in these two eras. Altruism is a relative concept varying according to t

صورة الملك الايوبي في كتاب قلائد الجمان في فرائد شعراء هذا الزمان لابن الشعار الموصلي (ت654هـ)

اسم المؤلف: ناظم فرج عباس
اسم المشرف: صالح علي حسين الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

شعر اللصوص في العصر الاموي في ضوء البنيوية التكوينية == Hair Thieves In The Umayyad Period In The Light of The Genetie Structuraalism

اسم المؤلف: بشائر امير عبد السادة الفتلاوي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Seeks structural formative to the link between the creative process and social phenomenon in various manifestations and evolution, Vabannah mind on according to the structural formative is isolated from the social structure and see the world its constitue

الحكاية الشعبية في الشعر العراقي الحديث من نهاية الحرب العالمية الثانية الى عام 1990م == Folktale In Modern Iraqi Poetry From The End of World War Ii To 1990

اسم المؤلف: علي عبد الرحيم كريم المساعدي
اسم المشرف: عبد العظيم رهيف السلطاني
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The work attempts to situate the development of modern Iraqi literature in the context of the medieval Arabic literary tradition as well as the new literary forms derived from the West, exploring the interaction between social, political and cultural chan

السرد في الخطاب النقدي الادبي العربي في العراق شجاع مسلم العاني انموذجا == The Narrative In The Arabic Literary Critical Address In Iraq Shujaa Muslim Al - Ani As An Example

اسم المؤلف: سولاف مصحب مهدي احمد
اسم المشرف: داود سلمان العنبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The critic Shujaa Al - Ani wrote tens of critical studies and article published in specialized journals or in the literary pages of daily or weekly newspapers, he also wrote many articles in the cultural criticism. He had six books, one of them appeared i

شعرية الماء في شعر صدر الاسلام والعصر الاموي == Poetic Water In The Poetry of Early Islamic Era And Umayyad Era

اسم المؤلف: ايات عبد جوني
اسم المشرف: محسن علي عريبي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The poetic as a one functions identified Aakpson that which gives the text - baattabarh linguistic message from the sender to the consignee - called literary. As the poetic in the search for artistic creativity laws, and discover patterns inherent in the
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