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تمثلات النسق الثقافي في افلام ما بعد الحداثة == Representations of the Cultural Paradigm in Postmodern Films

Author name: احمد جبار عبد الكاظم
Supervisor name: علاء الدين عبد المجيد
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

جدلية الفاعل الكوميدي والحدث الدرامي في الوسيط السينماتوجرافي : دراسة تحليلية في عينة مختارة == The dialectic of the comic actor and the dramatic event in the cinematographic languge Analytical study in a selected sample

Author name: احسان دعدوش حسن
Supervisor name: عبد الباسط سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

اتجاهات وانساق السرد السينمائي في الدراما التلفزيونية : دراسة في انظمة الحدث

Author name: فارس مهدي القيسي
Supervisor name: كاظم مؤنس
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

التطابق الحركي والسكوني بين الشكل والمضمون : دراسة تحليلية في الدراما التلفزيونية

Author name: سعد عبد الجبار ثامر
Supervisor name: فاضل خليل رشيد
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

الوظيفة الجمالية والدرامية للايجاز في الفلم التلفزيوني

Author name: نجم عبد جابر
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

التشكيل الدلالي للمعنى الايديولوجي في الدراما التلفزيونية العربية

Author name: احمد عبد العال حسين
Supervisor name: عبد الكريم حسين السوداني
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الاتجاهات الفنية في الدراما التلفزيونية == Artistic Trends In TV Drama

Author name: علي زيد منهل
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الرؤية الفنية التي يستند اليها مخرج العمل الفني خلال معالجته للنص الدرامي ووضع الحلول الاخراجية للمشاهد المرئية بغية تكوين واقع جديد مفترض. ومقدرة ذلك الواقع الفني الذهني المفترض والمجسد من قبل مخرج العمل الفني وبما يمتلكه من وسائل تقنية وفنية في توظيف | The artistic prospect upon which the director of artistic work bases his work through the treatment of dramatic text and putting direction solutions for the spectator in order to have a new virtual reality. The director of artistic work, with the technical and artistic means he employs in the dramatic elements, express artistic trends in TV drama and the mechanism of employment. These artistic trends reflect the development in the field of entering the analysis and construction of artistic works in a way that reflect reality with all the contradictions make the TV drama search for artistic procedures and attitudes to express that reality according to the idea, the objective and the method of carrying out that distinguished some from other in the mechanism of working of this or that procedure or attitude expressing the nature of artistic work and breaking the freeze and entering into imaginary and strange worlds that through them establish the ability and design which are formed according to the essence of the text and the manner by which the director of artistic work forms his work. According to the procedures that he finds suitable for posing the idea and criticizing the society and keeping pace with civilization development through the understanding and interpretation of TV artistic works which are based in their mechanism of putting forward on the suitable artistic trends. These trends are usually seen by the director of the artistic work as suitable for the nature of his theme and treating the dramatic components. Therefore, the study falls into many chapters that studied the artistic trends and the mechanism of involvement of the visual works as follows : The first chapter tackles the procedural framework of the study suchlike : The problem… which were formed in the following questions : What are the manners in which artistic trends are employed? What are the visual means and techniques that manifest the artistic trends in TV drama?The objectives of the study were as follows : 1. the manner in which artistic trends are employed in TV drama, and 2. The visual and technical means that manifest the trends in TV drama. The first chapter also tackles the importance of the study and the need for it, the limits represented in studying the dramatic trend in TV drama for the period 1998 - 2000. we have also determined in this the most important terms used in the dissertations (trends, drama, etc.)The second chapter : Included the theoretical framework and the pervious studies including the following inquiries : 1. The first inquiry includes the procedures and dramatic trends. It also includes the most important procedures and dramatic trends starting from the realistic trend and impressive trend. Within these two procedures lies most of the other subsidiary trends which effected the cinematic and TV drama alike. It includes the following trends {Neo - realism, Neo - wave, free - realism, social - realism, direct realism, poetic - realism, symbolic - realism, epical - realism, expressionism - surrealism, Dadaism and avant - garde} 2. the second inquiry : the image according to artistic procedures including {image in philosophy, the concept of artistic image, the senses of image, imaginary image, referential of artistic image, realistic image, impressionist image, symbolic image, expressionist image and surreal image}The inquiry also includes the understanding, analysis, and construction of artistic image and the mechanism of work according to the prospect of the artistic works’ director to manifest the artistic trend. 3. The third inquiry deals with the visual means according to the artistic procedure. This inquiry includes the style of artistic work’s directors in using the technical means through the direction prospect of this artistic work by employing the following {camera and lenses, décor, makeup, fashion, montage, lighting, setting, color, etc.} for the manifestation of artistic trends in TV drama. 4. The fourth inquiry dealt with the dramatic according to the artistic procedures. The inquiry included the employment of the dramatic elements according to the prospect of director. This includes drama and dramatic construction {plot, dramatic personae, language, idea, and image narration. At the end of the second chapter, the researcher tackled the pervious studies that are relevant to the theme of this thesis. There were two main studies that he found close in some chapters to the study herein : The M.A. thesis, 1988 {The Effect of Techniques and Visuals of Global Cinema on the Prospect of Iraqi Cinematic Directors} by Rasad Abdul Jabbar Thamir. The second thesis, 2003 {The Question of Aesthetic in the Trend of Modern Cinema} by Aladdin Abdul - Majeed Jassim. In the end of this chapter, the researcher comes up with the most important indicators that were driven form the theoretical framework making the analysis instruments of the research sample such as items of the questionnaire forms.The third chapter includes the procedures of the study : 1. The research procedures in which the researcher employed the descriptive approach. 2. The instrument of the study : the research employs the content of theoretical framework as theoretical framework after obtaining the approvals of the Board of Experts and Arbitrators on the indicators. 3. the unit of analysis, the researcher depended on the scene and snapshot as the main unit for analysis in his study of artistic work. 4. the sample for the study represented the series which were chosen as a nonrandom sample in compliance with the nature of the thesis. The series are : Bab - ul - Hara {Port of the Lane} - Part I Poetical - realism - series ‘Noor’Symbolic - realism - series ‘Carnival’ Epical - realism - series ‘Rome’ Impressionism - ‘Taken’ Expressionism - ‘Supernatural’ Surreal - ‘Sad Dream’5. The validity of the instrument : the esteemed experts showed a total agreement on the items in percentage (%97.28) The chapter also included analysis for the series that were chosen in as sample of the study. The fourth chapter included the The most important results : 1. the manner in which these visual elements were employed within the relations of adjoining , interrelation , adherence were in the outcome a final image that affirmed the nature of mental image which the director of work draw through the relation of these elements and images with each other justifying the state of employing the curricula and artistic trends, and expressing the dramatic events within the virtual reality of each artistic trend. 2. the director of artistic work produces artistic images that are compound and unrealistic, and cannot be similar to an image or compound in reality to give structure to the content of artistic work. For deepening the strangeness state and the innovation within the procedures and the artistic trend which he sees as appropriate for forming the visual image of the artistic work in TV drama.The most important conclusions are : 1. The impressive method is a living one and has the ability to activate the dramatic event through the self - view that the director produces, in addition to the employment of modern technology in convenience with the TV dramatic work. 2. It turns out that the Dadaism impressive trends have been confined to TV drama as a result of the unreasonable image composition and the hard symbols that cannot be analyzed. Therefore, we see the lack of tackling of these TV dramas. In addition, it included the conclusion that the researcher comes up with in the light of the outcomes. Then, the recommendations such as : Studying the branches of TV art as academic specialty {production, direction, montage, camera, scenario, the visual effects}.Finally, the suggestions that serve the course of scientific researches in the field. The fifth chapter includes the following : The references in Arabic and translatedThe references of films and TV series The references in English

جدلية العلاقة بين الانتاج والتقنية الرقمية لتفعيل البعد الجمالي والدرامي للخطاب السينماتوغرافي == The Controversy of Relation Between Production & Digital Technology To Activate The Dramatic & Atheistic Dimension For The Cinematographic Letter

Author name: براق انس المدرس
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: من غير الممكن عد الفيلم السينمائي او المسلسل التلفزيوني الا بكونه انتاجا ينبثق الى الوجود بعد عدة عمليات انتاجية خلاقة تحققها مستويات ثلاثية متعالقة تاخذ على عتقها عمليات التخليق وعلى حد سواء المستوى الانتاجي : الذي يعتنى بالجوانب الادارية، والاقتصادية، وال | The Movie or TV dramatic series represents the print that dissolves to the level of production Operation, & here the Controversy of Relation has come true between what is on the screen & what is absent in building the pattern & type of image Construction with all its joints, saw you can't see a Film or TV series only as the production Cinematographic Letter, & what the searcher indicated of this interference between Image & of one Side & Production on the other side, which is the seclusion of Critical & Technical Studies that is Specialized in studying the Medium Elements Language.Although studying the meaning production digitally, that is the software of Computers & digital effects which is the pioneer of many specialized academic studies for this medium, & the Predicament is, there is no previous studies Specialized in the effect of Exchange of Production Science & Digital technical Evolution, & the methods of handling this progress by stepping ahead what was Familiar traditionally & that was the main booster to the searcher to select his research Subject in the following address (The Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter ). For that the searcher has divided his research into five Chapters, the 1ST one Came in the (Methodical Panel) which presents the research Predicament (What is the Basic Form Lines for the Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter?),than Mentioning the importance of research , Aims of research , its limits & finally the Terms Definition in the Research Title. 2ND Chapter (Theoretical Panel & Previous Studies) which the searcher divided it into 3 Sections : - 1ST Section : - Which Discuses the Production Philosophy & the nature of cinematographic Letter.2ND Section : - That Defines the Technical & Productive Variable in Image Construction. 3RD Section : - That studies the Action Dramazation & the Atheistic Signified of the Cinematographic Letter nature.To conclude these sections by emitting the indicators that was relied on by the searcher that was certified by a panel of experts & Judges, to end this panel with the Previous Studies. 3RD Chapter : - ( Research Procedures) which Contained Research Method, Research Instruments, Research Society, Analyses Units, Research Specimens, Instruments Authentication, Analysis Steps.4TH Chapter : - Which was the Analysis of Research Specimens as Follows : - 1 - Prometheus (Movie).2 - Man of steel (Movie).3 - Falling Skies (TV Serial). 5TH Chapter : - (Results & Conclusions) : - this research has come out with several results after Specimens Analysis, & as follows : - 1 - The digital techniques interfered with all the joins of cinematographic Medium which leads to use a precise Variability to have an Image to the technique that reacts with Production to revel the Atheistic Quarteria, also Dramatic Activation, as we previewed it in Research Specimens. 2 - The techniques have the ability to Create Space in High Precession & Less Expenses, for having an Image with clear Atheistic & Dramatic Clearance, as it in Research Specimens. Than The Searcher has Added Conclusions, Recommendations, Suggestions, Reference List, Appendix & Finally the English Language Abstract.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة == Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

Author name: لؤي عبد علي مهدي الشكرجي
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

Author name: ايناس عبد الحافظ احمد القباني
Supervisor name: عبد القادر خلف الدليمي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

المعالجات الفنية لمشاهد الاحلام في الخطاب السينمائي الروائي == Artistic Processors of Scenes of Dreams In The Narrative Cinematic Discourse

Author name: سالم شدهان غبن
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الحالي الفصول الاتية : الفصل الاول (اطار البحث) الذي يتضمن : 1 - مشكلة البحث : وفيها تحدث الباحث عن الحلم داخل السينما وعن مبررات وجوده وكيف تاتي مشاركته بفكرة الفيلم ومدى قربة من الواقع كمقدمة بسيطة للتساؤل الذي يمثل المشكلة وهو : ما هي نظم واشك

التوظيف الجمالي لعناصر التعبير للخطاب السينماتوغرافي في الفيلم الروائي القصير بتن التجريب والتقليد : افلام وزارة الشباب والرياضة انموذجا == Aesthetic Mobilization of The Cinema - Graphic Speech Expression Components. In Short Fiction Film Between The Abstract And Tradition Films of Ministry of Youth And Sport As A Model)

Author name: باسم مطلب شحيل
Supervisor name: محمود اكباشي خلف الزبيدي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: جاءت هذه الدراسة في وقت تهيمن فيه الثورة التقنية الحديثة على مرافق الحياة المختلفة تزامنا مع المتغيرات الحاصلة في العالم على المستوى السياسي والاجتماعي، مما جعل من هذه المتغيرات ان تلقي بضلالها في الصورة المتحركة ونتاجاتها الفيلمية عموما، مما اسهم في ح

البنية الدرامية للحكاية الاسطورية واليات الاشتغال في البنية السينمائية == Infrastructure Dramatic Tale of The Legendary And Mechanisms Functioning In Cinematic Structure

Author name: موفق عبد الوهاب نوري
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represents the myth a job reaches of the art film ,which has been since its beginnings on hiring myths and tales of heroic and taken fertile material cinematicproductions ,as legend has a manner narrative has the ability to reshape theembodiment of the legendary act ,and building the characters and places exoticism ,depending on the legendary building elements ,within the building drama coherent ,evolving on the basis of acts and embodied visually ,making the myth more ability inaffecting, and affected the computer software, and is owned by the technical capabilities to build personalities, places and the acts hacks, in re - incarnation of many of the myths of our time, this is why the researcher to define his research title of : (infrastructure drama of tale the mythical and mechanisms of Functioning in cinematic infrastructure), were divided research four chapters, were as follows : The first chapter (methodological framework) and included the research problem that have been identified by asking the following : What is the function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms?Then the importance of research : the fact that the myth is not an event happened in the past and over, it is like the present of the current affairs of our lives was the individual or collective. We are in this current time need to re - read the vocabulary of history, mythology stands at the forefront of this vocabulary and is a model for the movement to change our identity and interference in drawing our history, so we have to be aware of the myth and the feasibility study and understand its meaning and a sense of value as a treasure of the treasures of human knowledge.As well as research goal : containing the detection function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms.And the limits of the search centered study dramatic infrastructure of tale of the mythical and mechanisms of functioning in the cinematographic infrastructure and seal the first chapter identifying the most prominent of the terms contained in the thesis, such as the title (infrastructure, myth, drama, then the procedural definition of the mythical tale of).Second Chapter : (the theoretical framework and previous studies) : The researcher dividing the three sections : Section one : infrastructure dramatic to legend : the researcher of the term infrastructure in summary form exposure as well as the concept of the drama, and the origin of the myth as a term and concept and its relationship to literature and other races, and the most important curriculum addressed, as well as the flags of the most legendary cash, and also talked about the genesis of the myth and the most prominent characteristics, and their functions, and then touched on the structural analysis of the myth.The second topic : dramatic structure of tale of the mythical elements : it touched the researcher to the dramatic structure elements, based on the arguments of Aristotle, and clauses of employment of these elements in order to embodiment the mythical tale operations.The third topic : Building cinematic tale of the mythical : was it touched to the modes are handled by the cinema legend, and the specificity of Cinema and its capabilities in the incarnations the the narrative and news, by employing elements mediator cinematic language, which is characterized specificity, and the researcher that construction cinematic to legend should stand up on the basis of function as an three main axes, are the elements of cinematographic language and the narrative cinematic, the shape of the film.After the completion of the detective was reached to a number of indicators that represent the results of the theoretical framework, these indicators have been offered a number of experts arbitrators in order their dependence as tools for the analysis of the sample, and the second quarter ended review the previous studies.In the third chapter (research procedures) and ensure that this chapter the research methodology as the researcher depends on the descriptive analytical method, which describes the phenomena and configuration and the representation of its operations and circumstances prevailing, and this is what allows access to achieve the objectives of the research through observation and analysis, and search tool depending on the theoretical framework of indicators , which represents the findings of a researcher from the second quarter, and after that, the researcher presented these findings to a group of experts and arbitrators, and the unit of analysis in which adopted the researcher (scene) unit of analysis used in his research samples analysis process, and the research community as it chose researcher deliberate sample in order to reach the desired results, the research sample chosen by the researcher is two films legendary film industry, and finally the sample analysis, which was two films : 1 - Wrath of the Titans2 - The Lord of the Rings - The Two towers - Fourth Chapter : Results and conclusions : after sample analysis the researcher to a number of findings, including : First, the plot is based on the film of the legendary film, as well as the dramatic structure, the voice of the narrator, who is trying to show cause and effect and the evolution of the legendary events, as demonstrated in the research sample movies (The Lord of the Rings - The Two towers - Wrath of the Titans).Second : The rise building legendary place on the attributes of exotic color - coded to make it a semantics exceed functions familiar place, as demonstrated in the research sample movies (Lord of the Rings, and the wrath of the mighty.)Then reached the conclusions to include the theoretical framework and the research sample, including : 1.legendary figures in the film beyond the functional level of the three dimensions to become relevant functional value, representing a range of human values and ethics naked rather than the fictional characters2. intellectual the dimension appears in the legendary film, across employment of simulation dramatic actor for the characters and legendary the actsas well as the elements of the employment the mediator language cinematic in the production of the level of rhetorical parallels the dramatic nature of the simulation.The researcher then put some of the recommendations and proposals, and seal research a list of the sources that have been drawn upon in order to complete the search as well as the appendices, and finally abstract in a foreign language

جماليات تداخل المحور التركيبي والمحور الاستبدالي في بنية المسلسل التلفزيوني == The Aesthetics of The Compositional Axis And Substitution Axis Overlapping In The Structure of The Television Series

Author name: محمد طه عطية
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لم يعد النص مرتبطا بمفهوم واحد او طبيعة اشتغال واحدة كما كان يعرف سابقا ولم يقتصر فعل التدوين على عملية الكتاب على الرغم من كون النص مزاال يتمتع بوظائف متعددة ترتبط بالجانب الجمالي والفكري وغيرها من الوظائف، اذ ينهض النص بحسب الدراسات النقدية المعاصرة ع | The text is no longer associated with a single concept or the nature of one operation as was previously known, and writing is not limited only on the process of the book despite the fact that the text still has multiple functions associated with the aesthetic and intellectual side and other functions which raised the text according to critical contemporary studies on infinity, terminology of the compositional axis and substitution axis represents one of the terms that accompany the process of text and its study. Since these two terms can be found in the semiotic theory, and compositional axis in the direct sense is to find a type of structural relations within the theme or text due to the composition ,adopting clustering or combining of elements organized internally and externally to become an essential component of a given text for substitution axis is nested with the compositional axis without changing of its building and structure but has ability to find new levels of meaning, compositional axis was not able to show it where constructed elements insecure by compositional axis linked to structural relations with each other, the substitution axis will create a new kind of intellectual relations between these elements both at the level of the production of the meaning or disclosure of deep structures and here lies the importance of this axis , it gives the text its artistic and aesthetic structure of the research explored the fact these two axes in TV dramas.In particular, the extent of understanding of such works to be a theoretical and practical domain for such important and difficult topics in theory and practice.In the first chapter of this research contained the search frame within the problem that summarize the following question (what are the ways that overlap the compositional axis and substitution axis, esthetically in the structure of the television series to summarize the research aim to expose the ways in which aesthetic interference achieved between compositional axis and substitution axis in the structure of the television series and also chapter contained research limits and define terms.Chapter II, conceptual framework included three topics as the first subject entitled the compositional axis and substitution terminology axis and concept as the second topic titled television series structure and construction eloquence and topic III the aesthetics of the image layers of the meaning for researcher to come out then with set of indicators adopted by the researcher to be a research tool and then researcher touched to the previous studies.In chapter III, which dealt with the research procedures in terms of the adopted approach in the study and research tool and analysis unit and its steps and honesty represented of expert consensus on the theoretical framework indicators finally choose intent search sample represented by Saraya Abdeen series consisting of 26 television series and in this chapter also analyzed a search sample. In the fourth chapter the researcher identify the main results reached by research, including; 1 - Overlapping compositional axis and substitution axis in introducing the place aesthetically and dramatic from control of the place and the various authorities for each character and control over certain places in the series.2 - Frequent reliance on minor characters in a series of Saraya Abdeen already weakened dramatic action in compositional axis which pulled out on the aesthetic aspect as it gave importance to the side stories and frequently and repeatedly suspended and emphasized two things in the series 3 - Compositional axis and substitution axis contributed to introduce Khedive Ismail in human form, likes and dislikes and rejoicing besides he governs the largest Arab country.4 - Compositional and substitution axes supported their strength through fine art portrait paintings they impacted negatively on the description sequence in the series.The main recommendations are;1 - Attention to recent studies in the section and the inclusion of effects of lessons in primary and high study.2 - Focus on the importance of linking the dramatic television production with the most important research achievements which reached by cinema in theory and practice.3 - Finding common ground theory with neighboring real studies don't just involve terminology without an application

اشكالية القبح وتمثلاته في الدراما التلفزيونية

Author name: مصطفى عبيد دفاك التميمي
Supervisor name: علاء الدين عبد المجيد جاسم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بقي مفهوم القبح في الفن غير ظاهر في مباحث الفلاسفة الجماليين بوضوح تام على الرغم من حضوره بوجهتيه الابداعية والنقدية، فالفنان يتناول القبح بوصفه مادة ابداعية مرتبطة بالتجربة الجمالية التي تثري المخيلة من خلال التواصل بين النتاج الفني الذي يعمل على تمثيله

البناء الفني لموضوع الصراع العربي - الصهيوني في الدراما التلفزيونية العربية

Author name: عبد الله محمد علي الشيخ
Supervisor name: حارث عبود
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

دور المؤثرات الشعورية في اغناء الشكل الفني للبرامج التلفزيونية العراقية

Author name: سلام نوري حمودي مهدي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad

وظيفة اللغة الصورية في البرامج التلفزيونية

Author name: عبد الكريم حسين السوداني
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad

دور تقنيات الكاميرا التلفزيونية في اغناء المحتوى عبر نموذج درامي عراقي (النسر وعيون المدينة)

Author name: متي عبو بولص
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad

اثر العرض البصري للقائم على خصائص الصورة التعليمية التلفيزيونية في عملية التعرف لدى طلبة كلية الفنون الجميلة

Author name: حسن راضي مانع السوداني
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad