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خصائص الاداء التمثيلي للمجاميع في عروض المسرح العراقي == Features of Acting Performance For Groups In Theatricals of Iraqi Play

Author name: غازي حمود سعود

Supervisor name: عادل كريم سالم

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: يتناول البحث خاصية اداء المجاميع وتطورها عبر العصور المسرحية المختلفة حتى عصرنا الحالي وما لهذه المجاميع من دور مهم في بناء العرض المسرحي. وكيف تعامل المخرجون, والممثلون مع هذا العنصر المهم ضمن التكوين العام للشكل المسرحي.قسم البحث على اربعة فصول، يتض | This research is about the feature of groups and Their development Through a different play periods till the moderan period, also These groups had important roles in construct.The play Theatrical and they are formed ingredent which is hold abeauty and mental value connect with construct relationship in public forming for the theatrical,and how the directors deals with this important ingredent according a public forming for the play forme.For that the researcher was divided his research into four chaptersThe first chapter : including the (Sustematic framework) which is the researcher presents the research problem , its needed , its importance, its aim, its edge and its defintion to The its terms.The research problem was appear by a question about (What is the features of acting performance for groups in theatricals of Iraqi play) ?The importance of this research is about the work of the groups on the Iraqi stage.The aim of the research is about the identify on the features of acting performance for groups in theatrical of Iraqi play.This research is restricted on the study of dealing with groups in choosen samples and intentional from Iraqi play theatrical in(1988 - 1977) and it presents on the Baghdad stages In The second chapter : (The thearetical framework) is consisted of three subjects : - The first subject : is about a public sight in a group estabilshment.The second subject : is about groups and thier development through play periods.The Third subject : is about directorial treatment for groups in wordly play theatricals and also it consist of the most important refers which are result upon them theoretisal framework and previous studies. In The Third Chapter : The researcher was specify. This Chapter for carrying out ,his research specific his society and its samples and the way for thier analysis the researcher was used analystic descripition system for this sample which is made of (3) Iraqi play theatricals as : ((ALMOTANABY)) : is preparing by (ADEL KADM) directing by (EBRAHIM GALAL)in 1977 acting By nationality group for acting. ((ALEKTRA)) : is preparing by (SOPHOCLES) directing By (ADEl KAREM) in 1987 , acting on circling theatre in Arts Fine College.((THE BIRD LETTER)) : is preparing and directing by (KASIM MOHAMAD) in 1988 , acting by nationality group for acting.in The fourth Chapter : is consist of The results and The researcher was reach to them through his analysis for these samples also this chapter is consist of lists of sources , references and the summary in English language.

اليات بناء الصورة المسرحية في عروض مهرجان منتدى المسرح التجريبي السادس عشر (لسنة 2011) == The Mechanisms of Forming The Image Dramatic In The Shows of The 16Th Festival of Experimental Theater Forum For (2011)

Author name: احلام علي عيدان الغزاوي

Supervisor name: عادل كريم سالم

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان المسرح من اهم الفنون الذي يعتمد على عدد من العناصر ليكتمل خطابة من نص واداء واخراج وصورة وهي التي تحاول الباحثة ان تعرف بها فهي تحمل معنى المسرحية ومكملة لفكرتها ومعبرة عن احداثها ورؤيتها فالصورة المسرحية تحتل دور متميز في العمق التفسيري للافعال, اذ ان | In order submit presentation on stage has to be the availability of a set of basic elements, including text and actor, location, etc, which integrates supply fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only, but there must be interation with the elements of image formation and play between the receiver which reacts with the show visually and acoustically.That`s the play is not the only visual shape, but the relationships are visual, auditory, visual relatiions that are among tha elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged This study included four chapters : First chapter : contained the theoretical frame which included the problem of the research, the need behind it, the importance of it, the aims of it, its limitation and specified the terms. The problem of the research raised in presenting a question that researcher tries to answer it (what are the mechanism of building the image and its transitions to establish the show, and whether it is stable or changeable). The importance of the research lies in discovering the mechanism of building the image and working on it to form a show. While the aim of the research include discovering the mechanism of building the image and seeing the aesthetic and philosophy of the image that had been formed in the show. Second chapter : titled (theoretical frame and previous studies), which included three sections.First sections : the concept of image which deals with the way of the image's emergence, its nature, its effect on the recipient since the primitive man till this day the way of entering the artistic field.Second section : mechanisms of building the image, this section deals with the elements which produce the theatrical image and fortify the show, including ( actor, theatrical view, lighting, costumes, make up, music and sound effects) which works together to create a special atmosphere to the show and dazzle the audience in addition to conveying them the theme.Third section : changes of image in the directing trends, this section includes : First : the realistic trend in theatrical direction : it presents a realistic trend which the recipient ignores the matter that would amaze him/her. In this trend, the reliance was on the actor in conveying the feelings and emotions to the recipient to be affected and interested in the show.Second : the natural trend in theatrical direction, this trend is considered as a radical extension for the realistic trend that it conveys reality as it is to the recipient without deletion or ornamentation as the show's aim was meant to be presented in a complete honesty.Third : the trend of anti realistic trend in theatrical direction : it aims to strengthen the form and aesthetic values over the content of the work.Forth : the trend of expressionism in theatrical direction this trend deals with presenting an image personifies the essence of things without paying attention to the external form that it is interested in imaging one's mind more than life facts since the fact of man lies beneath him not in its sensual appearances.Fifth : the,trend of symbolis, director Gordon Craig urged to this trend which depends on two elements : The actor's bodyForming the theatrical voidSixth : The epic trend in the theatrical directing : This trend sought to transfer the emotions from the stage to the recipient as the introduced image in this trend transfer events that have direct connection with people's problems, urging them to coup, rebel on the reality and change it.Then the researcher referred to the previous studies that dealt with the subject of the image and then obtain the result of the visual frame of the research to analyze the samples and testing them.While the third chapter (the measures of the research) came with two axes : First : research methodology, as the descriptive analytical method has been adopted.Second : discussing the samples that that have been selected deliberately and analyzing them in accordance with the indicators resulted from the visual frame as the sample consisted of three shows for number of directors.• jaleed play( ice)• ranet hawen play (the sound of pestle)• jalsah sreah play( secret session)he fourth chapter includes the results of the research : After the researcher reached to the conclusion and the suggestions, she submitted her recommendations which confirmed the importance of the theatrical image and the mechanisms that it works on forming them within the directional guidance and the necessity to expand the research and applying them, attaching in a list the sources of the research and an English summary.The mechanisms of forming the image in the shows of the 16th festival of theater forum for 2011Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a English summary.

الانعكاسات السياسية في عروض المسرح العراقي المعاصر == Political Reflections On Modern Lraqi Theater Peeformance

Author name: سعدي مهدي غربي

Supervisor name: رياض موسى سكران

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

توظيف الكولاج في عروض المسرح العراقي

Author name: ظفار احمد فياض

Supervisor name: عادل كريم سالم

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: العمل الحقيقي في المسرح هو العمل الاجرائي الذي يفسر الحوار الى اشكال وتكوينات واداء واجراءات تستبدل بواسطة القص واللصق الاشكال باخرى غير مالوفة تثير الدهشة وتحول العرض المسرحي الى عرض مسرحي لا يمكن تكراره. ان هذا البحث الذي يدرس توظيف الكولاج في الم | The real work in the theater is a procedural action that explains the dialogue forms and configurations and performance measures and replaced by shear and paste forms another unfamiliar surprising and turned the play into a theatrical performance that cannot be replicated. This research examines the employment of collage in the theater taught Yeti shear and pasting and their role in the Add formations and shapes within the supply and thereby a technical style of art theatrical presentation provides a unique way. In light of this research department into four chapters.Annexation of the first chapter of the methodological framework, the research problem and the need to launch and centered in the following question : Are the employment of collage in the theater contributes to the development of theater and the visual picture together?Hence the importance of research in shedding light on one of the practical techniques and major repair offers and edited in by providing non unusual offer.And making a disclosure about how they handled the directors Iraqis collage in their presentations play goal.. and stop at the borders of research objectivity in dealing with offers selected on a random basis within a specified is the 2010 - 2015 time limits and concluding chapter defines terminology.Chapter II included the theoretical framework and previous studies, and the Department of the two sections, the first section of one axis is the concept of collage.1. The first topic : your concept and the integrated presentation of forms of collage in the arts and applications to gain access to a comprehensive conception of the modus operandi of collage in general.2. The second topic : collage in the theater : - And came in three areas : - 1. theatrical collage in the text : - and has reviewed cases and Rhode causes collage and how the impact of technical measures of the text and its appearance in the show.2. collage in the theater - and has reviewed the cases and Rhode collage in width and the impact of technical measures on the show.3. Models of the most prominent directors of theatrical collage globally - and the brief presentation of selected models of directors have been exposed to the collage technique and they have made in different ways from each other, each according to its own style, which proved the possibility of employing technology in various theatrical circumstances.Chapter III research procedures, through the research community and models represented by the following deals : 1. darkness.2. Arbanh.3 Abdullah Al - Saeb.And is designed search tool adoption of the following components : - 1. indicators resulting from the theoretical framework2. relevant sources films offers the (cd)And the researcher has chosen observation instrument approach in the sample analysisAnd then the analysis of samplesThe fourth chapter includedResults and discussion, conclusions and sourcesThe research found to supplement the summary in English.

المعالجة الاخراجية للمفارقة الكوميدية في عروض المسرح العراقي == The Directorial Processors To Comedy Irony In Show Iraqi Theater

Author name: صاحب جياد اسماعيل

Supervisor name: حسين علي كاظم التكمه جي

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: تعد المفارقة من ابرز الوسائل الفنية التي يستخدمها كتاب المسرح ان لم تكن ابرزها جميعا في الواقع، بل ان بعض النقاد والمتخصصين بتسمية عناصر الدراما يرون ان الاثر الكلي للعمل المسرحي باكمله هو المحصلة الناتجة عن تجميع عدد كبير من المفارقات الكوميدية.ان الك | Is the Irony of the leading technical means used by the playwrights were not the most important of all, in fact, even some critics and specialists nominated elements of the drama they see that the overall impact of the work of the entire theater is the net resulting from the compilation of a large number of dramatic irony.The comedy Greek crowded patterns of characters that meet the irony was called on these characters (Irony) and mean hypocrite deception demonstrators which is contrary to the hide, and soon that popularized the concept of paradox in the ancient philosophies and then the modern and was tapped in the various fields of literature and the arts as a form of forms to say is it inappropriate for the necessary degree, it covers a small area in the installation and construction of the events in the text we call the paradox of building or in the door of metaphor used by the speaker call it ironic verbal and other, wider dimensions dramatic covers an area of the play as parts of other types of paradox we call paradoxes of the events, attitudes or personalities.The development has been caused to the structure of concept for a logical Irony that was not in time, as has happened is the inevitable result of the interaction of philosophical and aesthetic reflections are also seen Kirkiqor way of dialogue and the management and style of modern life, to prove existenceI've tried researcher during his research that tracks the time of the emergence of the paradox and the movement of its evolution through the philosophies and artistic movements, as well as identified in the contest drama (Comedy) for the purpose of access to Art's technical framework of the world stage, Arab, and then identify them in the place of inspection, which assumes the limits Find a theater Iraqi To achieve these goals department researcher his research into four chapters are as follows : Chapter I : A methodological framework within which to search, as a researcher discussed the problem and the need to and importance of research need to secure research and then the limits of research and scientific terminology.Chapter II : a theoretical framework within which to discuss research as head of the Detectives of three as follows : First topic : the concept of irony Section II : Comedy origin and evolution Third topic : drama and directorial processors in the comedy and four topic The directorial processors To comedy Irony.Chapter III : a procedural framework in the search as within the researcher identify the community of his research in a table placed in the supplements research also pointed to the samples that have been selected and also explained the reasons choose it as well as between us Researcher tools and approach considered, and then proceeded to the analysis of specimens bearing the following headings : First, play this evening our friend Second, play the string and the bird Third : Play King of his time Chapter IV : The results of the researcher within the research and its findings also revealed the sources of his research, as well as within this chapter supplements the research and summary in English.Is the paradox of the leading technical Means Used by the Playwrights Were Not The Most important of all, In Fact, Even Critics and Specialists Some elements of the drama Nominated They See That the Overall Impact of the work of the theater is the net Entire RESULTING from the compilation of a large number of dramatic irony. The Greek comedy crowded patterns of characters meet the irony That WAS CALLED ON These characters (Irony) and mean hypocrite deception Which is Contrary to Demonstrators the hide, and soon popularized the concept of That paradox in the ancient Philosophies and Then the modern and tapped WAS Various fields in the literature and the arts of as a form of forms to say is it NECESSARY Inappropriate for the degree, it covers a small area in the installation and construction of the events in the text we call the paradox of building or in the door Used by the metaphor of speaker call it ironic verbal and other, WIDER covers an area dramatic dimensions of the play as parts of other types of paradox we call paradoxes of the events, or Personalities Attitudes. The Development Has Been Caused to the structure of concept for a logical paradox That Was not in time, as is the unavoidable Has Happened result of the interaction of Philosophical and aesthetic reflections are seen Kirkiqor Also dialogue and the way of management and style of modern life , To Prove existence. I've tried researcher DURING That tracks the historical research of the Emergence time of the paradox and the movement of ITS evolution artistic Through the Philosophies and Movements, as well as Identified in the consist drama (Comedy) for the purpose of access to technical arts framework of the world stage, Arab, and Then Identify Them in the place of inspection, Which limits assumes the Iraqi theater Find a goals To Achieve These historical research department researcher Into four chapters are as FOLLOWS : Chapter I : A Methodological Framework Within Which to search, as a researcher Discussed the problem and the need - to Importance of research and need - to secure research and Then the limits of scientific research and Terminology. Chapter II : Theoretical framework to discuss research Within Which as head of the Detectives of three as FOLLOWS : First topic : the concept of irony Section II : origin and evolution Comedy Third topic : drama and comedy directorial processors in the Chapter III : a procedural framework in the search as the researcher Identify Within the community of historical research in a table Place in the research supplements to the samples Also Pointed That Have Been Selected And Also The Reasons Explained as well as Okhiarha Between Us and Research Tools Considered approach, and Then proceeded to the analysis of specimens bearing the Following headings : First, play this evening our friendSecond, play the string and the bird Third : Play King of His Time Chapter IV : The results of the researcher Within the research and Its Findings Revealed Also the sources of historical research, as well as supplements Within this chapter the research and Abstract

المغايرة الاخراجية في تجارب مسرح الشباب

Author name: علاء قحطان زغير

Supervisor name: وليد شامل حسين

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان كل المتغيرات والتحولات في انتاج مستجدات المغايرة الاخراجية في مضمون العرض المسرحي القائمة من الواقع المعيش على المسرح الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة لذا يتجسد مفهوم المغايره الاخراجية في مضامين العرض المسرحي في زمان و| All the changes and transition in the production of directorial contrary development in The content of the play based on the reality of the Living Theater and all these changes and the recent development wasn’t far away and it will not be that’s why the concept of the contrary directorial is embodied in the content of the play and the time and place of it and the text structure and the functioned mechanism in the concept of the directorial contrary. The contrary transitions in the theater is not the result of today, but accompanied him since the days of the Greeks to the present day , the development of the act and the theatrical event through contrary starting with Stanislavski and Duke Sachs Mngen and Brecht and Arto and Brooke and ending with the current of modernity and its concepts of modernity and post - modernist that established the concept of contrary in the theatre so …….this entitled research ( the contrary directorial experiences in the youth theatre consist four chapters , The researcher divided it in to chapters and sub chapters , the first chapter includes the methodological framework and the research problem and the need for it ,then the researcher shows the importance and the objectivity and the temporal and spatial limits of the search and identify the terms and find the procedural term that educed through the reading of the sources and the modern references and opinions that he reached for. as for the second chapter (the theoretical framework and the previous studies ) the researcher has divided the chapter it on to seven sub chapters that titles under the following diagram : The first chapter : the contrary directorial in the experience of the global theater The second chapter : the contrary directorial in the Scinography configuration structureThe third chapter : the contrary directorial in the experience of the Iraqi directors In the third chapter the researcher deals with the research community, research tools - samples Seat - method of selecting samples chosen by the researcher then - Analysis of samples - according to the mechanics of the operation of the play aesthetically and intellectually according to the premises directorial concepts contrary to the theatrical presentation. In the fourth chapter the researcher has reached to the results and select the conclusion that he reached to by taking the suggestions that it deems necessary for the development of the Iraqi theatre movement in general and the youth theater in particular and then he puts the recommendations that he reached to through his research and theoretical and field study and installed the sources and references with the abstract in English and appendices at the end search

قيم التكوين الدرامية في العرض المسرحي العراقي == The Dramatic Values of The Composition In The Iraqi Play Productions

Author name: نمير رشيد بيري

Supervisor name: سامي عبد الحميد نوري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: يختص هذا البحث بمسالة تصميم القيم الدرامية _ العقلية والعاطفية والجمالية _ للتكوينات البصرية في العرض المسرحي العراقي، ويهدف الى الكشف عن تلك القيم على وفق عناصر التشكيل وعوامل التكوين البصري.وفي الفصل الثاني يستعرض الباحث ويناقش الادبيات ذات | The problem of this research is depended on designing the visual compositions of the play productions in Iraqi Theatre. It aims to reveal the intellectual , the emotional , and the aesthetic values of the compositions through the plastic elements and the factors of emphasis , stability , coherence , sequence , and balance. In the second chapter the researcher reviews the literature concerning the subject which include the plastic elements and their values and the factors of composition and their values. The chapter also discusses the dramatic values inthe play productions. In chapter three , the researcher analysizes three samples according to the method of ( concept analysis) with the tool of several photographs for the different scenes of the three Iraqi plays and their visual compositions. The researcher reaches to the following conclusions : 1.The first production was presented in the openspace - Cafeteria which has not allowed to design significant visual composition while the other two productions were presented in box stages which allowed for good amounts of Visual compositions. 2. The dramatic values in the compositions emerge from the actors bodies , their costumes , and their positions on the stage other than from the scenery and lighting. 3. The power and authority were the dominant intellectual Values , whereas the fear and coldness were the dominant emotional Values. the esthetic Values emerge from the colors of costumes , décor , and Lighting. The researcher observers that the play directors have not so careful in designing the visual compositions. The researcher suggests to adapt further studies concerning kinetic compositions and audiory compositions for their dramatic Values in play productions.

البيئة وتحولاتها في تشكيل الرؤية الاخراجية == Environment And Its Transformations In The Formation of Directorial Vision

Author name: حسين جوير علي

Supervisor name: سعد عبد الكريم خيون

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: شكلت عروض البيئة وتحولاتها في تشكيل الرؤية الاخراجية خروجا على الثوابت الارسطية في بناء العرض المسرحي فقد عمد مخرجو المسرح البيئي الى تدوير البنية الدرامية للعرض المسرحي وجعلها متحركة لا تعرف الثبات اذ ازاحوا النهايات التقليدية.ان هذا الامتياز في بناء ا | The Performances environment and its transformations in the formation of directorial vision are formed departure from the Aristotelianism constants in the theater building was deliberately environmental theater directors to rotate the dramatic structure of the text and make it theatrical Animations do not know where steadiness ousted traditional endings.This concession to build a theater. Who created play spaces based on reductionism and abstraction and condensation. Thus, this method is to create a space theater has established for environmental performance today and directorial spaces and transformations in the environment through the formation of directorial vision to create a surprising aesthetic Offers in environmental theater. Eliminated the constants in the construction of the recipient and intellectual provocation formed an ongoing awareness of the recipient and the recipient revealed post and effectiveness in the theater, a goal sought by the environmental theater performances. Environment was the play space are proposed in the conversion and the formation of directorial vision and containing effective weather aesthetic display of theatrical and so did the participation of the recipient to unite the receiver with the effectiveness of the theatrical presentation. Researcher sheds light on in his four seasons in the first chapter (methodological framework) presents the research problem and the need to focus on the following question : Is the environment and the effectiveness of the its transformations in the formation of directorial vision?The research aims to identify the effectiveness of the environment and its transformations in the formation of directorial vision. Researcher has identified a theoretical framework (Chapter II) in three sections : 1. Conceptual environment. 2. The environment and aesthetics of theatrical space. 3. Employ architectural space and environmental Performances.Have been identified through this chapter on the environment and its transformations play intellectually and aesthetically, as well as elements of the establishment of the environment in the directorial styles of both (Richard Chnr, Petrbruk, Arto) and enables the researcher then stand on the theoretical framework of indicators, including : Environment and its transformations (Trans for made space) are that the filmmaker creates a structure width through reconfiguration and replacement of its space carefully selected to create a theatrical Creator. Hired directors rituals in their environments Created play two proposals have a distinctive form and adapted methods and techniques so festive, religious and non - religious, but subject to the understanding of contemporary theatrical techniques and adopted by the researcher as tools for the analysis of research samples.The third chapter contains the search procedures, which included : the research community and specimens, tools and methodology descriptive analysis of three directors : 1. Awni Karome 2. Adel Karim, Salah Kasab. The fourth chapter contains the results and discussion, conclusions, recommendations and suggestions, and then the list of sources, references and appendices and a abstract of research in the English language

ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة == Performance Analog Features In The Experimental Stage And Its Applications Offers In The Faculty of Fine Arts

Author name: بهاء زهير كاظم

Supervisor name: عبد المنعم فتحي خطاوي

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ينقسم البحث الموسوم (( ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة )) على اربعة فصول , يتضمن الفصل الاول الاطار المنهجي من خلال مشكلة البحث والحاجة اليه واهمية, البحث, وهدفه, وحدوده, ومن ثم تحديد المصطلحات.اما الفصل ال | Research is divided into marked ((features of the performing arts in the experimental stage and its applications offerings in the Faculty of Fine Arts)) to the four chapters, Chapter I of the methodological framework of the research problem and the need to and importance of research and its purpose and its limits, and then determine the terms.The second chapter included the theoretical framework of the research component of Mbgesan, the first title (experimentation through the ages), which dealt with the technological development at the level of presentation and method Alokhraja when each of the (Greeks and Romans in the Middle Ages and the Renaissance In the twentieth century). While addressing the second part (according to the mechanisms of representative performance of schools and recent trends). Mechanism of action of representative directors at the most important theater of the twentieth century, including (Jersey Grotovski and Maerhold and Bertolt Brecht and Peter Brook and Eugenio Barba and some of the trends and modern schools).The third chapter (action research) research community, which defined within the time period of the year (2005 to 2011) and samples of research that have been selected through the application form (questionnaire) which was distributed on (Stth century) competent professors from the Department of Performing Arts and the result was the selection (three ) performances won the most votes to be samples of research, namely, (a play set up Waasitiyyah) by Dr. Akil Mahdi Yousif and directed by Dr. Zuhair Kazem, and (a play that is what happened when we were waiting for) the number and directed by Dr. strict in, and quoted from the play (Waiting for Godot) to Samuel Beckett. And (play field) written and directed by Dr. Akil Mahdi Yusuf. The researcher adopted a descriptive approach for the analysis of his samples by relying on CDs and watch kind of plays and interviews.The fourth chapter has dealt with the results of research and discussion, conclusions and then the recommendations and proposals and then the list of sources and references and a list of supplements that included a model of form (questionnaire) and photographs of some of the scenes drama

اليات الارتجال ووظائفه في اداء الممثل المسرحي == The Events of Improvisation And Its Functions In The Performance of Theatrical Actor

Author name: فراس محمد رضا الموسوي

Supervisor name: وليد شامل حسين

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: شكل الارتجال في فن التمثيل احد المحاور الاساسية المهمة في الاداء بوصفه لا يستند الى نص درامي معين، بل انه يعتمد على القدرات الذاتية للممثل كونه يمتلك موهبة العطاء الفني مما يجعله في موضع التركيز الدائم، اذ اصبح من الضروري ان يستند المسرح المعاصر على ال | The Improvisation in the art of acting is a main points task performance as not based on the text of a particular drama , but it depends on the capabilities of the representative of the talent he possesses technical bid , making it permanent in focus , as it has become necessary to place that is based on contemporary theater Activity improvise when more filmmakers starting from ( Arto and Peter Schumann ) and others , and perhaps this achievement creative improvisation has public functions , especially in the style of a theatrical performance , prompting a lot of directors to open studios , or workshops for representative in order to make a theatrical presentation of contemporary authorized to work crews on the one hand , and improvisation on the other hand so that the contemporary theater depends on the dramatic text and evaluates the improvised theatrical shows derived from the cooperation and participation of the Technical Group.The researcher dealt with the concept of improvisation, and his activities in the theoretical framework, which explained its importance in the uses of the fact that spontaneous or artificial, but this title was maintained for it to go on the level of exercise and width, has been shown to improvise supports standard design, and the idea of automatic rationality also depends on the power of observation, and speed intuitive, and immediate response, and the speed of communication with the unit topic, event, and dialogue, and the target. the first chapter of the research problem, and need for, and importance of, and purpose, affection extent, the definition of terms.The second chapter of the theoretical framework researcher divided in three sections , the first section : the concept of improvisation , the second topic : improvisation trends in contemporary theater , while the third topic : the improvisation activities and functions.The third chapter allotted researcher for two things discussed a specific community, and specimens and analyzed , namely : A - A play written further notification to Abdul Karim Sudanese, directed by Sami Abdul Hamid.2 - Burda written and directed by Ghassan Ismail.3 - apologized to my teacher did not mean that authored the emotions of bliss , output Dr. Haitham Abdul Razak.The fourth chapter guarantee results and conclusions of the researcher to decompose over the eyes of this chapter also included proposals researcher and a list of sources " and references.

اشتغالات التجريب في عروض المسرح العراقي == Ostgalat Experimentation In The Iragi Theater Offers

Author name: قصي شفيق توفيق امين الدلوي

Supervisor name: زهير كاظم علوان الشمري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: Experimentalism has become the most essential components according to artist of theater in presenting all the additions and innovations because it is not a luxury but technical solutions come closer with the wishes, needs and the language of the viewer, to know that experimentalism is a multiplicity of visions, various trends, and that is the secret of the richness of the artwork. The present study attributes to the characteristics of experimentalism, and the most important experimental innovations that emerges through the creative achievement by the Iraqi director of theatrical art, pointing to the most important experimental additions of theater show and what are the methods by which to achieve these experimental additions of Iraqi theater.The present study consists of four chapters : Chapter I : Methodological Background which includes : The problem, the aims, the hypotheses, the procedures, the limits of the study and the value of the study.Chapter II : Theoretical Background which includes : • The first topic : the Concept of Experimentalism : The researcher presented the concept of experimentalism and the most important definitions, and then the emergence of the factors of experimentalism in the theater, and its characteristics. • The second topic : the Characteristics of Experimentalism in the Theater : The researcher presented the characteristics of experimentalism in the Greek theater, the Roman theater, the Middle ages, and the Renaissance age, where the researcher refers to the theater directors and their experimental innovations through their creative theatrical shows• The third topic : Experimentalism in Modern Theater : The researcher presented the characteristics of the trends of Aristotelian experimentalism in the theater, the trends of non - Aristotelian experimentalism in the theater, and the experimentalism in the contemporary theater. The researcher pointed to the characteristics of the theater - directors in the world.The researcher pointed to the most important results that came out from the theoretical background and has been applied to examine its validity upon Iraqi theatrical shows presented in Baghdad by professional Iraqi directors.The researcher refers to the previous studies were two of them related to the performance and directing, which arranged by date as shown : A. Diya' Kereem Rzeig, "Experimentalism And Its Impact On The Iraqi Theater." 1989. B. Bahaa Zuhair Kadum," Characteristics of Performance Analog In Experimental Theater In The College of Fine Arts." 2012. C. Mudaffar Kadum Mohammed, "Experimental Theater Techniques And The Development of The Performance.".2012. D. Yusuf Hashim, "Characteristics of Experimentalism In Academic Iraqi Theater.".2014. Chapter III : The Procedures : Selected samples based on a questionnaire presented to the theater experts, pointing through it to the theater shows which have experimental features. The researcher adopted the descriptive methodology in analyzing these samples. The study includes tools like documents including books, magazines, CD and Photography which adopted by the researcher in tracking the attributes of experimentalism of the selected theatrical shows.The Selected Samples : A. The Play : " Diamond Party" Directed by Salah Al - Qasab.B. The Play : "Cedra" Directed by Fadel Khalil.C. The Play "One Who Stayed awake In His Hallucination" Directed by Ghanem Hamid.Chapter IV : The results and conclusions, recommendations and suggestions for further studies, list of references, appendices and abstract in English

انعكاس ثقافة المجتمع على اداء الممثل العراقي == A Reflection of The Culture of The Community On The Performance of Iraqi Acter

Author name: سعد فاخر شبوط

Supervisor name: راسل كاظم عودة

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: As the diversity of the phenomenon of cosmic manifests itself in the world of nature , and because of this diversity of manifestations of creation major , so culture is a necessity in the renaissance of peoples so that you see human life at every level , including social, economic, political , and religious and cultural heritage , it must be multiple in both life and concepts , systems and traditions , and people's habits , and actor as one of the pillars of cultural , this research answers the following question : how the reflection of the culture of the community on the performance of the Iraqi theater actor , has included research on four chapters : Chapter I : methodological framework , which consists of : ( a search problem , its importance, and its goal, and the limits of the search, and determine the terms ). The second chapter has dealt with the theoretical framework , the research has been divided into three sections are : The first section : the concept of culture : in which he addressed to the concept of researcher Culture and Taalgah with society and the environment The second section : ( the art of acting and performance references ) : in which the researcher tracking the art of acting wath references the culture Section III : ( cultural component and the actor 's performance in theatrical trends ) : In this section the researcher reflections on culture trends plays , on the performance of the actor. The third chapter : dealt with the search procedures , has been divided into five sections : ( search procedures , and society, and the research sample , method , and the search tool ). The research sample was represented by five Iraqi theater has offered since 2003 to 2013 The fourth chapter : was the search results and the conclusions and recommendations and proposals. The research concluded with a list of sources and references , and a ABSTRACT in English

سمات الاداء التمثيلي في عروض مسرح ما بعد الحداثة

Author name: اياد رحمان بدن الذهبي

Supervisor name: ميمون عبد الحمزة الخالدي

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

الاساليب الاخراجية وانعكاسها في عروض المخرجين المطبقين == Intervention of Directing styles and their reflection on the dramatic shows of Applied Directors

Author name: وعد عبد الامير خلف

Supervisor name: طارق عبد الكاظم العذاري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

واقع الموسيقى والغناء في عروض مسرح الطفل العراقي المعاصر == The reality of music and singing in the Children's Theater offers contemporary Iraqi

Author name: عدنان خلف ساهي

Supervisor name: طارق عبد الكاظم العذاري | صالح احمد الفهداوي

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

التقنيات الاخراجية لمعالجة النص المسرحي اذاعيا : تطبيقات مختارة

Author name: نور الدين ضياء محمد

Supervisor name: عبد الكريم عبود عودة المبارك

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

تجربة جبار صبري العطية في مسرح الطفل بين التاليف والاخراج == experience Jabbar Sabri Al - Attiyah in children's theater between authoring and directing

Author name: علاء حاتم محسن

Supervisor name: طارق عبد الكاظم العذاري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

دور الاعلام الفني في تطوير اداء الممثل في عروض المسرح العراقي

Author name: مصطفى داخل جاسب الشحماني

Supervisor name: طارق عبد الكاظم العذاري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

الشخصيات العجائبية في عروض مسرح الاطفال : نماذج مختارة == Miraclous Characters in the Children's Theatre Performances ( selected models

Author name: انور محمد زكي يونس الحيالي

Supervisor name: عباس كاظم الجميلي | محمد اسماعيل الطائي

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

الظواهر الاخراجية بين التقليد والتجديد المسرح في البصرة انموذجا (1995 - 2005م) == Phenomena directorial between tradition and innovation Theatre in Basra model (1995 - 2005)

Author name: عصام جعفر عذاب

Supervisor name: عبد الكريم عبود عودة المبارك

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

المرجعيات الفكرية لرؤى المخرجين المسرحيين العراقيين : عينات مختارة

Author name: لمياء هاشم حمود الخرسان

Supervisor name: مجيد حميد جاسم الجبوري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

الدلالات الفكرية والاجتماعية في مسرحيات كاظم الحجاج

Author name: جمال فؤاد جميل الامين

Supervisor name: مجيد حميد جاسم الجبوري

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

الاتصال والتواصل المسرحي بين العرض والمتفرج : المسرح التفاعلي انموذجا == communication Theatrical spectator Between supply and model Interactive theater

Author name: عبد الزهرة سامي فرج التميمي

Supervisor name: عبد الكريم عبود عودة المبارك

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah

First pages:

توظيف التقنيات السينمائية في العرض المسرحي == Employ of Cinematic Techniques On Dramatic Show

Author name: عباس علي عبد الغني

Supervisor name: جلال جميل

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad - College Of Fine Arts - Theatrical Direction Department

Language: Arabic

University location: Baghdad

First pages:

عروض المسرح المدرسي في البصرة (1968 - 1988) : دراسة توثيقية

Author name: نزار شبيب كريم العبادي

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts

Language: Arabic

University location: Basrah