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الســــيدة زينب الكبرى (عليها السلام) في الشعر العراقي التســعيني (1990م - 2016م) : دراسة اسلوبية

اسم المؤلف: زيـنـب محمـد عبـود
اسم المشرف: عباس رشيد وهاب الدده الموسوي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: بابل
المستخلص: The poetic body provided, that is the study material represented by the achievement of the nineteenth Iraqi poet for two dangerous temporal periods in the history of Iraq extending from (1990 - 2016) AD, which sketched some of the characteristics of Sayyida Zeinab (p) that inspired the meanings of patience and literary courage presenting it in fullness dimension aspired to analyze its vision by calling the core of historical religious personality and make it capable of treating the worries of new reality. By judging to the methodological methods a new procedure in the inventing the aesthetic expression values in the texts of the 90th poet, such as the achievement of the poet of the Ninth when he run in the worlds of Sayyida Zeinab (p) for this methodical choice justification because the subject of the study quality properties which make it suitable field for the this type of analysis. As for why Al Sayyida Zeinab ? The answer comes as a symbol worth immortality, radiant radiation reflect spiritual and intellectual income, the poet of the nineteen inspired some of the meanings of her gift and drew poetry for some of her active presence. Every page of the life of Al Sayyida from birth until her death is a lesson to build the human and prpare him, as she is the scientist ,taught and had been told and take her Imam an Example and follow him. But why the poet of the nineteen? We say that as long as the Iraqi poet of the nineteen discussed the uniqueness and excellence of the products of others, and rejection of dependence of previous generation, the concerns of hisacountrymen found a field of his work for that he lived not for them not for himself, which was the motives of the poet of the ninetieth and uniqueness and the specificity of production. Especially since the studies that dealt with the product of nineteen were counted on the fingers of the hand. The study allowed the researcher to study the mother of books which varied between the books of language and grammar including (The Book) of Sybwyh, the literature and rhetoric, the prominent of them (sings of miracles) of Aljrjai, dictionaries including (Al Ain) of Al Khalil, (tongue of Arabs) to Ibn Manzour and biographies including (Aayan Shias) to Muhsin Al - Ameen , (AlSayyida Zeinab the daughter of Imam (p)) to Al - Nakdi , when the need order to that to reach what is unique to the 90th poet speech. The study required detail in three chapters, with an introduction. These chapters were divided into levels represented (audio structure), (structural structure) and (semantic structure). The first chapter deals with the (stylistic of vocal structure), the construction of chapter stand on five axes consisted of the structure of the acoustic sound ad followed by the sound structure of sections that formed the incubator of rhyme. The tints had their role in the study in an axis devoted to the ultrasound structure in the third axis, and in order to address the most important and the most frequent of musical phenomena came the fourth axis of naturalization of voice and finally the parallel in the fifth axis. In research of the hidden structure, the cause of the rank and problem of order, the second chapter deals with the b(stylistic structural structure), for that the use of call is not real, the same thing with question, most of it is not real, as it does requires a specific answer from the recipient. Thus both the question and call perform meanings and metaphorical purposes dictated by the context. It is the basis of its metaphorical meanings. In addition the most demanding methods presence was the presence of the style of condition and what is known as the courage of the Arab and we mean the method of deletion and the method of submission and delay. It has been become clear (stylistic semantic structure) in two sections of chapter three both of which are a distinguishing feature of the 90th achievement in the worlds of Al Aqeelah(p) , the first is represented in the (effectiveness of semantics in the textual displacement) by approaching different rhetorical techniques such as the similarity, borrowing and transmitted metaphor and non transmitted metaphor, as for the Artwork is realized through its relationship with work of Art , and to prove the lack of closure of the text of ninetieth itself and openness to the Arab heritage and before that the book of Almighty Allah, came the second section (effectiveness of significance in the textual link) and to be upright study must be to final stand on the most important findings study, perhaps the most prominent of these results : The poet dealt with the first stage of the period from 1990 t0 2003 AD by expressing the inherited personality while the second phase from2003 to 2016 AD represented the stage of expression of personality. The role of Al Hawra (p) in the immortal Al - Taf epic in a waycthat represented the most prominent stations that the poet of the 90's stopped, while the other bright aspects in the life of AL Aqeelah (p) were second class including (her literary eloquence, science, worship…) perhaps the great role in the incident Karbala of imposing it, was the immortality of Al Aqeelah the reason of the immortality of Al - Taf and in the line with the poet's psychological condition, which find resonance in the conditions of the recipient. Karbala was a space of poetry and its source was the taste of the recipient.• The poet of the 90's issued a view of Islam to this character and what should be surrounded by holiness, we rarely find a full topic text specified to Aqeelt Al Talebeen and we can refer to another factor in the poet subjected to a cultural format diagnosing the common inherited male . • The linguistic body of nineties extracted from stylistic features which stimulates a positive and expressive in the rhythmic, syntactic and semantic structures.
الصفحات الاولى:

تمثلات السلطة في شعر الجواهر Representations of power in Al - Jawawhiri poetry

اسم المؤلف: حيدر عماد مسلم الرماحي
اسم المشرف: سامر فاضل الاسدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: بابل
المستخلص: تتجلى اهمية الشاعر(الجواهري) بما خلفته تجربته الشعرية من وعي نقدي لدى النقاد، وليس من الناحية الشعرية وما تركه من منجز شعري فحسب؛ ذلك ان دراسة تجربته تحتاج الى وعي نقدي حديث عارف باصول الكشف والبحث عن المرجعيات التي اسندت تجربة الشاعر عليها بمختلف تجلياتها.ولابد من الاعتراف النقدي بان البعد الايديولوجي هيمن على كثير من المسارات الفكرية والادبية العربية عامة والعراقية خاصة، مما نتج عن ذلك هيمنة السلطة بمختلف انواعها على المشهد الادبي في كثير من مراحل الشعر العراقية، ولعل تجربة الجواهري غنية بتمثلاتها لانواع السلطة، وقد عبر عنها بما يناسب التنوع في المواقف والتجارب الشعورية.ومتلقي شعر الشاعر يرى انه تمثل السلطة بانواعها في اشعاره لاسباب عدة منها ما يتعلق بطبيعة الشاعر ومزاجه الثقافي والنفسي، ومنها ما يتعلق باسباب دينية، وبيئية، واخرى اجتماعية.ان موضوع (تمثلات السلطة في شعر الجواهري) جديرة بالدراسة، وتستحق البحث، ولعل ذلك عائد الى غياب دراسة تتناول تمثل السلطة بانواعها في شاعرية الشاعر، فعلى الرغم من كثرة الدراسات التي تناولت الجواهري، لاسيما منذ عام 2003 الى الان، فانها في معظمها لم تعتمد على الية الكشف وقراءة السياق السلطوي والزمني الذي تمثله الجواهري، ولقراءة ذلك السياق وتمثله من قبل الجواهري اعتمدنا قراءة نسق النص . لذلك فان دراسة تمثلات السلطة اتخذت لنفسها مسارا مختلفا، تمثل بالرؤية النقدية الكاشفة لما وراء النص، ولهذا سعينا الى الكشف عن ابعاد السلطة والانظمة المعرفية في النص، سواء اكانت سياسية ام دينية ام اجتماعية. وقد حرصنا في هذه الدراسة على اعتماد منهج النقد الثقافي مع الاستعانة باداة التحليل الادبي، وكان المنهج قائما على قراءة النص بالدرجة الاولى، مع الاستعانة - كلما دعت الحاجة - باقاويل الشاعر ونقاده في تحليل النص، شريطة ان نعتمد النصوص الشعرية التي تعبر عن تمثل الجواهري لانماط السلطة.وتشتمل الدراسة على ثلاثة فصول يسبقها تمهيد وتعقبها خاتمة. حاولنا في التمهيد (التمثل/السلطة/ الجواهري - مدخل تعريفي) ان نسلط الضوء على مفاهيم التمثل والسلطة وعلاقة الشاعر بها.فيما سعينا في الفصل الاول (تمثلات السلطة السياسية في شعر الجواهري) الى الكشف عن تمثل الشاعر لهذه السلطة ايجابا وسلبا من خلال مبحثين تناول كل منهما احد التمثلين، وتخصص الفصل الثاني (تمثلات السلطة الدينية في شعر الجواهري) ببيان تمثل الشاعر لهذه السلطة ايجابا وسلبا، في حين عني الفصل الثالث (تمثلات السلطة الاجتماعية في شعر الجواهري) بالكشف عن هذه التمثلات (الايجابية والسلبية) في شعر الشاعر، وجاءت الخاتمة لبيان اهم النتائج التي توصلت اليها الدراسة.وليس لي الا ان اقف وقفة الامتنان والاحترام للاستاذ المساعد الدكتور سامر فاضل عبد الكاظم الاسدي، على جهده، وصبره القيم معي، وملاحظاته العلمية منذ بداية البحث حتى استوى على صورته النهائية، جزاه الله عني خير الجزاء. | The subject (representations of power in Al - jawahiri poetry) is worthy of study and worthy of research,Perhaps this is due to the absence of a study dealing with power of the various types of poet poetics,In spite of the many studies that dealt with Al - jawahiri, especially since 2003 to date, but most of them did not rely on the mechanism of disclosure and read the authoritarian context and time that is represented by poet Al - jawahiri poetry. Therefore, the study of the representations of power takes a different path for itself, which is a critical vision of the underlying beyond the text, and therefore we sought to reveal the dimensions of power and knowledge systems in the text, whether religious, political or social.In this study, I aim at adopting an inductive descriptive method in the whole research of the poetry of the poet. This study, after this introduction, includes a preface, three chapters and a conclusion.I tried in the preface (representations / power / poet) to highlight the concepts of representations and power and the relationship of the poet.In the first chapter (Representations of political power), I sought to reveal the poet's representation of this authority as positive and negative,The second chapter (Representation of the religious authority) is characterized by a statement representing the poet of this authority positively and negatively,While the third chapter deals with the reveal of ''representations of social power'' in the poetry of the poet and explain their positive and negative representations.The conclusion came to clarify the main findings of the stud
الصفحات الاولى:

المكان في روايات انعام كجه جي The place in the novels of Inaam Kachachi

اسم المؤلف: نورة عباس علي
اسم المشرف: حسن دخيل عباس الطائي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: A place is considered as a key element which connects directly with human life and has a great effect on human feelings, moods, strains and habits. The place has a great influence on the novelist because it has good and bad memories. So the importance of the past events including characters and events cannot be shown unless there is a specific place for them.This research paper is consisting of an introduction, content of three chapters, conclusion and references. The first chapter is about the associations of friendly place which has good and positive memories. It contains two topics : the first is about the meaning of the friendly place and it’s most important patterns while the second is about the clarification of the place familiarity containing three things that are, tolerance with the other one of different religion, work for the other (helping each other) and participating in the religious ceremonies among different people. The second chapter is about the associations of the adversarial place which has bad and sad memories. It consists of two topics : the meaning (concept) of adversarial place it’s most important patterns and the place violence (violence that happened in a place) which is clear in the novels of the novelist, Inaam Kachachi, in addition to the meaning of violence. The third chapter is about the associations of the place symbolic and cultural concepts containing two topics, the first is the symbolic place concepts like the title, the woman and the picture while the second is about the most important sides of cultural place like the language, folk songs, proverbs, clothes and food that connected with the human personality.
الصفحات الاولى:

الظواهر الشفاهية والكتابية في القصيدة العراقية الحديثة رواد الشعر الحر انموذجا The Orality And Literacy In Articular Modern Iraqi Poems Free Urease Pioneers as a Sample

اسم المؤلف: احمد حسين حسن السعدي
اسم المشرف: عبد العظيم رهيف السلطاني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
الصفحات الاولى:

الخطاب الشعري عند قاسم حداد طرفة بن الوردة مثالا Poetic discourse when Qassim Haddad Ibn alwarda as amodel tarafa

اسم المؤلف: علي سرمد حسين
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
الصفحات الاولى:

الحجاج في ادعية اصحاب الكساء (عليهم السلام) The Arguments in Prayers Owners of passivation (peace on them

اسم المؤلف: سجاد عدنان كاظم الخفاجي
اسم المشرف: ثائر سمير حسن الشمري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: This research about the features of the Argument in the prayers clothing holders (peace be upon them) based on the Argument techniques that reveal the legal features of Belgium (Chaim Perlman) and his colleague (Albrecht Tiatika) hunters who wanted to develop the modern theory of accredited Argument in its origins on the heritage of the Greek especially inherited Aristotelian, but Do not go out of the context of its time, which Tatrh modernity, Vdersena Duas clothing holders (peace be upon them) according to Perelman theory taking into account the specificity of the speech Da'alia, and we divided the message on the four chapters with a boot and a conclusion.Vtnolna at boot three axes pave the way for the application of orbital theory in supplication, was the first axis of them looking for the features of the Argument, and the second looking for the features of the Argument when Chaim Perlman, and the third and last in the Search for the applied field theory Perlman in Duas clothing holders (peace be upon them), while chapters four search, we have considered the Argument technologies when Pearlman in supplication, was the classroom the first three are looking at connecting techniques.In the first chapter we discussed the semi - logical arguments : the contradiction and conflict, complying with the definition, and justice and comparison, and Altaadih and embedding. The second chapter we discussed the arguments founded on the structure of reality : the succession relations, and relations of co - existence, and dual arrangements and symbolic links. The third chapter we discussed arguments foundation of the structure of reality.The witness and example, and the example and the example counter, proportionality and metaphor, the fourth chapter in which we dealt with the second part of the Argument techniques : the arguments based on the season, and after Khtmana've mention the most important of our findings in this research, was the message approach is the technical approach which relies extrapolate texts, analyzing and extracting conclusions from them, according to Chaim Perelman theory
الصفحات الاولى:

ثنائيات المكان في النص الشعري العراقي1990 - 2003 Binaries place in the poetic text Iraqi (1990 - 2003

اسم المؤلف: نبا علي حسين
اسم المشرف: صفاء عبيد حسين الحفيظ
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: وانطلاقا من ان الشعر افق مفتوح وان استجلاء الماضي واعادة النظر فيه يمثل ابداعا, جاء موضوع بحثنا ليسلط الضوء على مدة زمنية مثلت اخطر الحقب في ادبنا العراقي المعاصر, لانها نتاج واقع سياسي مضطرب, غير مستقر, وفي هذه الحقبة الممتدة ما بين (1990 - 2003) جاءت التجارب الشعرية على نحو متفرد ومتميز في اعقاب تحولات سياسية واجتماعية وفكرية هائلة, ربما لم يشهد تاريخ العراق مثيلا لها من قبل, فكانت لشعرائها اراء مختلفة تجاه واقعهم, فنشا الشاعر محاصرا بالحروب والتشرد والحرمان, في ظل الحكم الدكتاتوري المناوئ له, فكان المثقف والاديب هو المتضرر الاكبر من كل هذا الاستبداد والبشاعة السلطوية, على الرغم من كونه الصوت المعبر عن ابناء وطنه المعاصرين له, وهذا ما انعكس في النصوص الشعرية التي نظموها, والتي نتجت في تلك الحقبة, فكانت محنته الواقعية, وقد جعله ذلك يولي الكثير من الدقة في اختيار الالفاظ والمعاني, فضلا عن ذلك تعبيره بصور ايحائية عما يجري في صلب واقعه, وهي بلا شك نصوص رصدت الظواهر التي خلفتها السلطة السياسية في حروبها وقمعها, وما نتج عنها من جوع وحصار, وقد صورت تلك النصوص ايضا مدى معاناة الشاعر جراء التبعات التي لحقته من السلطة اذ عانى تحتها الكثير من ويلات المطاردة والتهميش, ومثل هذه الظروف, منحت النص بعدا اوسع, وطابعا مختلفا عن غيره من النصوص.اما الدراسات التي تناولت او قاربت هذا المنجز الشعري العراقي فتمثلت في الرسائل الجامعية والدوريات, منها؛ دراسة الدكتور صفاء عبيد حسين الحفيظ في اطروحته للدكتوراه الموسومة بـ(الشعر العراقي الحر خارج الوطن من 1970 - 2003, دراسة موضوعية فنية) متحدثا فيها عن بعض قصائد هؤلاء الشعراء, ورسالة الماجستير التي تقدم بها الباحث سعيد حميد كاظم الموسومة ب(تجييل الكتابة الشعرية في العراق, بين التنظير والاجراء, دراسة في الجيل التسعيني),ورسالة الباحث سلام سلمان الربيعي الموسومة ب(ثنائية المواجهة والهروب في الشعر العراقي الحديث من 1990 - 2003, دراسة بنيوية تكوينية) في المدة الزمنية نفسها, ورسالة الباحثة سالار سليم الموسومة ب(شعرية التضاد في نصوص الجيل التسعيني العراقي في عقد التسعينات) ايضا تحدثت عن البعض من قصائد هؤلاء الشعراء, وهناك بحث نشرته مجلة القادسية للعلوم الانسانية للباحثة نهى حسين كندوح بعنوان (تحولات المدينة في شعر التسعينات, شعراء العراق انموذجا) تطرقت فيه الى مجموعة من هؤلاء الشعراء, وتقف اهمية الدراسة في كونها محاولة متواضعة لدراسة ثنائيات المكان في النص الشعري العراقي الحديث بوصفه بؤرة الانفعالات ومنطلق الافكار, والعواطف, كالخوف والاطمئنان والحلم والضياع والسعادة والشقاء, مع اثره الكبير في رسم معالم الشخصية التي يحتويها, اذ اصبح يضطلع بموقع خاص ومتميز, ينهض بالنص بشكل اجمالي, فضلا عن علاقة المكان بالانسان اذ يعد انعكاسا لسلوكه ونظرا لطبيعته كونه حاملا للالفة والعداء, وقد عرضنا في دراستنا هذه كوكبة من الشعراء الذين لم يسلط عليهم الضوء كثيرا, ممن شردوا عن اوطانهم لسبب او لاخر, او ممن بقوا يصارعون الظلم والهزيمة داخل هذا الوطن, ومما يجدر ذكره اننا قد عالجنا النص الشعري معالجة موضوعية, يضمن ذلك تتبع المكان في النتاج الشعري مع اهتمامنا باختيار النصوص التي تناولت المكان بصوره الواضحة, وحسب ما تقتضيه مفردات الدراسة, ولم نعتمد على كثير من تلك النصوص الشعرية التي لا نجد فيها مبتغانا؛ لان الهدف من وراء هذا البحث, هو الوقوف على المكان عبر ما انتجه الشعراء من نصوص ابداعية خلال المدة المحددة, اعتمادا على ما ثبت من تواريخ الطبع, او ما اثبته الشعراء من تواريخ لانجاز نصوصهم, وفي ذلك احتكمت الدراسة في تعاملها مع النصوص الى المنهج الفني والتحليلي.وقد اقتضت طبيعة البحث ان يقسم على اربعة فصول يسبقها تمهيد وتتلوها خاتمة عرضت في التمهيد رؤية لمفهوم الثنائيات في الدرس النقدي الحديث, وتتبع مسيرتها عند النقاد والباحثين, وكيف استثمرت في مجالات الحياة كافة. وابراز دورها في انتاج بلاغة النص والكشف عن جمالياته, مع تناول الشاعر لها في بيان معظم تمظهراتها الفيزياوية واظهار دلالاتها في صورها الحية المتمظهرة في (الاليف/ المعادي) و(المغلق/ المفتوح) و(الساكن/ المتحرك) و(الحاضر/ الغائب), وخصصت الفصل الاول لدراسة الثنائيات الضدية التي يخلقها المكان, تحت عنوان (المكان المغلق والمفتوح) حيث تجلت فيه علاقة الذات مع المكان وطبيعة هذه العلاقة من حيث التالف والتضاد, وتوزع الفصل على مبحثين, تناول الاول المكان المغلق والمفتوح ودرس الثاني المكان المظلم والمضيء.وقد درست في الفصل الثاني الثنائيات المكانية على مستوى الانشداد اليها والابتعاد عنها تحت عنوان (المكان الاليف والمعادي), وقسم على ثلاثة مباحث تضمنت (البيت واللا بيت) و(القرية/ المدينة) و(الوطن/ المنفى) بوصف هذه المتعارضات المكانية الثنائية حاملة لصفات المكان الاليف والاخر المعادي, وتضمن الفصل الثالث دراسة (المكان الساكن والمتحرك ) , بتمثلاته وتصوراته فجاء على مبحثين المكان (الساكن/ المتحرك) والمكان (العتبة/ الواصل).وعرضت في الفصل الرابع (المكان الحاضر والغائب), وتخصص هذا الفصل بالمكان الحاضر الواقعي الذي يشهده الشاعر بحقيقته والاخر الغائب الذي لا يعيشه الشاعر حقيقة, وانما يكون حاضرا على المستوى الذهني للشاعر, وضم ايضا مبحثين هما (الحاضر/ الغائب) و(الهنا/ الهناك).واخيرا لا بد ان اشير الى صعوبة واجهتني تتعلق بعملية الحصول على المجاميع الشعرية لهؤلاء النخبة من الشعراء, لاسباب منها ان اغلب النصوص الشعرية طبعت على طريقة الاستنساخ وباعداد محدودة جدا, فضلا على كون البعض الاخر منها قد طبع خارج البلاد, ونفذت اعدادها مما تعسر علي الحصول عليها الا الى بعض منها مستنسخا. ومن الصعوبات التي واجهتها ايضا التفاوت الحاصل بين تواريخ كتابة تلك النصوص في المدة (1990 - 2003), وتواريخ نشرها بعد سنين لاحقة, فلا بد من التنويه الى ان هذه الدراسة قد اعتمدت على تاريخ كتابة تلك النصوص وليس تاريخ نشرها في مجموعات شعرية بعد انقضاء تلك الحقبة. ولا يسعني الا ان اتوجه بالشكر للعلي القدير على توفيقي في هذا الجهد البحثي وتمكيني منه,وبالامتنان الوافر لاستاذي الفاضل الدكتور صفاء عبيد الحفيظ المشرف على الدراسة, الذي كان له الفضل في تثبيت خطواتي الاولى في البحث وتمهيد الطريق امامي, باشرافه الدائم واعادتي الى الجادة البحثية, عند كل زلة قلم او لبس لغوي او معرفي فجزاه الله عني خير الجزاء | The subject of the place is binaries in the poetic text of Iraq for the period (1990 - 2003) a new phenomenon has not been studied before at these poets. We had a real geographical place across binaries several of them (closed / open) and (pet / opposed) and (static / mobile) and (present / absent) after a preliminary summary of the concept of diodes in general, and how the promised structural pillar head rested on the existence, in communication and human perception, and stand at the dimensions of the aesthetic, intellectual and humanitarian and how I took her role in literature and represent the position of the Iraqi poet in particular, through Manifestation in scientific efforts to critics of Arab and foreign intellectuals, and what is signified by the juxtaposition and parallels and contradictions relationships .The place had the largest share of these diodes, especially those that depend on the polarity and the interview between places, inside Iraq and place poetic text that instance these opposing diodes in the text is where the perceived physical geographical dimensions of the various forms and effects of structural Structures rising on jarring parties significance of poetry heavy.And achieved those spatial diodes basic artistic value on the ladder of poetic values consisting of the structure of the poetic text and producing means where taken by the poet strategic component chairman in the construction of the poem, sung by cargo - bearing tension and contrast and depth, underlying reality tragic disputed, where it formed a feature of the poet attributes, and expressed its conflicts Life and dispute direction of reality.After induction for this product poetic Iraqi We found may illustrate the troubled Language and respected symbols, mystery and blades, as well as on the nature of melancholic camp on the realism of their experiences, was the phenomenon of diodes good representative of such painful impulses, intense and difficulties Wounding that reality, it was an important clue reveals a poetic text and aesthetics and a dramatically reactions and radiation aesthetic in the formation painting the noodles with a statement that deep connection between man / poet and objective place as a sense of authentic and deep in the human conscience, in the same owner satisfaction and tranquility as a result of which there is the carefree life requirements, or may leave a negative impact bad at the same static of what might happen to him as hostile and cruelty and the destruction. Lead aversion to that place and try to leave it and keep away from him.It was found through this research that the Iraqi poet in the period between 1990 - 2003 has employed the phenomenon of spatial diodes like other literary phenomena to show the psychological state of the poet and show purposes and to stand then it took carries place (Dream) at the same wherever he goes, and this became the place is not geographically, but it means he has everything, which has not been achieved with the others of poets that emanated from the real and inherent in its homeliness
الصفحات الاولى:

الالوهية في المتن السردي الرافديني : دراسة مضمونية Metn narrative Mesopotamia study of substance

اسم المؤلف: هبة محمد صكبان خنجر
اسم المشرف: جاسم حميد جودة
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: سجل تراث وادي الرافدين موقف الانسان ازاء الوجود مصحوبا بالرهبة والدهشة والاستفهام، وصاغ اسئلة مصيرية حول الذات والوجود تكررت عبر الازمنة وتسربت الى ثقافات وحضارات متجاورة ومتباعدة، فكان هذا التراث بطريقة او باخرى قد اثر في صياغة المناخ الثقافي لمنطقة الشرق الاوسط القديم وهذا ما اكدته الابحاث المقارنة في ان اغلب المعاني التي شكلت شبكة القيم في الحضارات ترد في اصولها الى المعاني التي انبثقت من حضارة بلاد وادي الرافدين. لقد اودع الانسان العراقي القديم وعيه لعالمه في منتجه الادبي وقدمه في اسلوب ادبي رفيع متخم بالرموز العميقة شكلت اوليات المخيلة الاجتماعية، وهذا ما جعل تراث وادي الرافدين دائم الخصوبة والغنى عبر الازمنة ومنفتحا على القراءة والتاويل. سعت الدراسة الى ان يكون المتن العراقي القديم هو مدار اشتغالها وقد اجتهدت في تحديد الثيمات القارة التي شيدت هذا المتن فركزت على مسالة الالوهية، اذ وجدتها المحور الذي تحرك على وفقه الفضاء الثقافي، فالصراع بين الالهة هو صراع حول السلطة، وقد حقق هذا الصراع استقطابا بين طرفي الصراع، صاغ الى حد ما وحرك معاني المتن الادبي، فشكل انساقا مخفية تدير حركة المعاني وتوزيعها، كما واشرت على لحظات التحول من طرف الى اخر وما يترتب على هذا التحول من ادارة دفة المعنى وتقويضه في دلالته المباشرة ليحمل ضده المخفي في داخله، بحسبان النسق صوتا مخفيا يصاحب النص يفضح انتهاكه للحقيقة . ويكمن سبب اختيارنا لهذا المتن كونه يجمع مادة متنوعة وخصبة تمتد لفترة زمنية تكشف مختلف الثقافات والعادات والديانات والطقوس الرافدينية فضلا عن كونه يحمل امكانيات قرائية وتاويلية متعددة ومختلفة. وعليه توزعت الدراسة على تمهيد وثلاثة فصول : سلط التمهيد الضوء على تسمية بلاد وادي الرافدين، والادب الذي ظهر في المكان الجغرافي المحدد على وفق هذه التسمية، واهم ابواب هذا الادب وكتابه. حمل الفصل الاول عنوان : التاسيس لالوهية الانثى وتجلياتها في المتن السردي الرافديني، وقد توزع على مبحثين : المبحث الاول : اوليات وعي الالوهة المؤنثة : وفيه تم رصد ابجديات تاسيس الوعي بالوهية الانثى، وقد وجدت الدراسة ان سبب الالوهية يعود الى التشابه بين الانثى(المراة) والطبيعة، كمراصد تسرب النسق الذكوري لاصل الخلق الاول الذي كان خاصا بالانثى ومحاولته سلب صفات الالوهة المؤنثة. وحمل المبحث الثاني عنوان : الصياغة الانثوية لفضاء ملحمة جلجامش : ووجدت الدراسة ان المراة قد حافظت على وظيفتها الخالقة في الملحمة على الرغم من ان الملحمة تسجل صعود الثقافة الذكورية، وكشفت ان الرجل عاجز عن التخلي عن المرجعيات الامومية ولاسيما في الوظائف الحساسة. اما الفصل الثاني فقد حمل عنوان : التاسيس لالوهية الذكر وتجلياتها في المتن السردي الرافديني، وقد توزع على مدخل ومبحثين : حمل المدخل عنوان : الصراع الرمزي بين الثقافتين الامومية والابوية. وتناول المبحث الاول : لحظة الصراع ومشهد العنف الذكوري : اذ سجل اللحظات الاولى للصراع بين الالهة الذكور والالهات الاناث، ومراافق ذلك من صور العنف المبرمج ضد الالوهة المؤنثة، ابتداء من تشويه الاصل الاول للخلق (المؤنث)، وصولا الى قتل هذا الاصل وازاحته، ومن ثم الوصول للهيمنة الذكورية على المشهد الديني والسياسي . اما المبحث الثاني فكان بعنوان : صعود الثقافة الذكورية والغاء الرمز الانثوي : وهو يمثل المرحلة الثانية بعد قتل الالهة الام وازاحتها عن مشهد الخلق، فقد سعت الالوهة الذكورية الى سلب الرموز الانثوية مثل التاج والصولجان، او قتل كل رموزها كما حصل مع خمبابا والثور السماوي .اما الفصل الثالث فقد حمل عنوان : التحول الثقافي وانتصار الحضارة الابوية، وقد توزع على مبحثين : المبحث الاول وتناول : الهيمنة الذكورية والتحول في اسطورة التكوين والخلق، رصد سمات التحول في النص الاسطوري المتمثل بصراع الالهة بعضها مع بعض والانتقال من الالوهة المؤنثة (الامومية)، الى الالوهة المذكرة (الابوية)، وتجاوز ذلك الى تحول كافة نواميسها وادواتها ورموزها الى رموز بطرياركية. اما المبحث الثاني فقد حمل عنوان : الهيمنة الذكورية والتحول في ملحمة جلجامش رصدت ثيمات التحول والاستلاب في النص الملحمي المتمثل بصراع الالهة مع انصاف الالهة والبشر ومحاولات الالهة المؤنثة، استرجاع مجدها واعادة انتاج خطابها ولكن بادوات ذكورية ومرجعيات انثوية بحتة. ثم ذيلت الرسالة بخاتمة تضمنت اهم النتائج التي توصلت اليها . اما اهم الصعوبات التي واجهتني في عملية البحث والدراسة فهي تناثر المتن في مصادر ومراجع عديدة فضلا عن ندرة توافرها في المكتبات العامة | History heritage of Mesopotamia human attitude towards the presence coupled with awe and wonder and question, and coined the fateful questions about oneself and being repeated across time and spilled into the cultures and civilizations contiguous and far between, it was one way or another this heritage has influenced the ancient cultural climate of the Middle East formulation and this has been confirmed by comparative research in most of the meanings that formed a network of values in the cultures are reflected in assets to the meanings that emerged from the civilization of Mesopotamia.Old Iraqi man has filed consciousness of his world in the literary productive and foot in a high literary style is replete with symbols formed deep social priorities of the imagination, and that's what made the heritage of Mesopotamia lasting fertility and richness through time and open to the reading and interpretation.The study sought to be the old Iraqi tenderloin is over functioning has worked hard to identify themes continent which constructed the Metn focused on the issue of divinity, as I've found the axis that moved on and the jurisprudence of the cultural space, conflict among the gods is a struggle for power, and this conflict has achieved polarized between parties to the conflict, coined somewhat and move the meanings of literary antecedent, He formed echelons hidden manages the movement of meanings and distribution, as I pointed out on the moments switching from one party to another and what the consequences of this shift from the helm of meaning management and undermine the direct significance to carry him hidden inside, punctual layout voice accompanies the text is hidden exposes violating the truth.The reason we chose this Metn bringing together a diverse and fertile stretch material for a time period reveal different cultures, customs and religions and rituals Mesopotamian as well as a literacy holds the potential of a number of different interpretive. Thus the study were distributed to pave and three chapters : Boot shed light on naming Mesopotamia, and literature that appeared in the exact geographical location according to the label, and the most important doors of this literature and writing.Download the first chapter title : Incorporation and the female manifestation of divinity in the Metn Mesopotamian narrative, it has been distributed to two topics : First topic : the priorities of the awareness of the divine feminine : and it was monitoring the ABCs establish awareness of a female divinity, the study found that the cause of divinity goes back to the similarities between the female (women) nature, as Layout male for the origin of the first creation, which was a special a female leakage monitoring and attempting to rob qualities of the divine feminine .His second section title : drafting female to space the Epic of Gilgamesh : The study found that women had maintained its job creative in the saga, although the saga recorded rise of patriarchal culture, and revealed that the man is incapable of abandoning references maternal especially in sensitive jobs.The second chapter titled : Incorporation of the male deity and its manifestations in the Metn narrative Mesopotamian, was distributed at the entrance and two sections : Download entrance Address : symbolic of the conflict between the two cultures maternal and parental. And eat the first section : the moment of the conflict and a scene of male violence : the first moments of history of the conflict between the gods of male and female gods, and the accompanying images programmed violence against the divine feminine, starting from the first origin of the creation of distortion (feminine), leading up to the killing of the asset and dislodge, and then access to the dominance of the male on the religious and political landscape.A second section was titled : The Rise of a male culture and the abolition of the female symbol : It represents the second stage after the killing of the mother of the gods and dislodge them from the scene of creation, the divine masculine sought to rob the feminine symbols, such as the crown and scepter, or kill all the symbols, as happened with Khmpapa bull heavenly.The third chapter titled : cultural transformation and the triumph of the patriarchal civilization, has been distributed to two sections : The first topic addressed : male domination and transformation of the myth of Genesis, creation, monitoring attributes the shift in the legendary text of clash of gods with each other and the transition from the divine feminine (maternal) to divinity note (parental), and beyond that to shift all Noamesha, tools and symbols to Boutryarkah symbols. The second topic was titled : male dominance and a shift in the Epic of Gilgamesh spotted theme transformation and alienation in the epic text of clash of gods with the demigods and humans and attempts gods feminine, retrieve its glory and reproduce speech but tools masculine references feminine purely.Then appended to the letter included the conclusion the most important findings. The main difficulties that I faced in the process of research and study, they are scattered in the Metn many sources and references as well as the scarcity of availability in the public libraries
الصفحات الاولى:

الحجاج عند الشعراء السود حتى 656 هـ

اسم المؤلف: نورة محمد عباس
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
الصفحات الاولى:

شعرية العنونة عند الشعراء الرومانسيين : دراسة سيميائية Peotical titled with in Romantics Aletter produced

اسم المؤلف: نهى محسن عبد الكاظم الاعرجي
اسم المشرف: حسن دخيل عباس الطائي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: العرب ولا سيما الرومانسيين في نهايات القرن التاسع عشر وبدايات القرن العشرين ، بعد تاثرهم باساليب الشعر الغربي، وقد كان لهم السبق في ترسيخ موضوع عنونة القصائد الشعرية في الشعر العربي الحديث، وهو امر لم يلتفت اليه الشاعر العربي قبل ذلك التاريخ. فالشاعر العربي القديم لم يعن بالعنونة، فكانت القصائد انذاك تعرف من خلال حرف رويها، او مطالعها، او المناسبة التي قيلت فيها، او مضمونها. الا ان الشعراء الرومانسيين احدثوا نقلة نوعية في هذا الميدان باختيارهم عنوانات معينة لقصائدهم، يميزون من خلالها قصيدة عن اخرى، ويمنحونها هويتها المستقلة، ويغرون المتلقي بقراءتها، فضلا عن كون عنوان القصيدة علامة تحيل على موضوعها، ومفتاحا يفتح القارئ من خلاله مغاليق النص الشعري، وبوابة يسبر من خلالها اغواره.وعلى الرغم مما بذله الشعراء الرومانسيون من جهد كبير في التفنن في عنونة قصائدهم بعناوين تستحق الدراسة والتحليل، ولا سيما تلك التي تكون لغتها منزاحة، وفيها شيء من الغرابة والمفارقة، لم يلتفت احد من الباحثين الى دراسة هذا الموضوع، لذا عقدت العزم على اختياره موضوعا لبحثي ودراسته عند ابرز شعراء الرومانسية في الشعر العربي الحديث، ولا سيما شعراء ابولو الذين عملوا على ترسيخ الرومانسية وانضاجها، فبلغت على ايديهم اوج ازدهارها، في حين اخترت من شعراء المهجر ايليا ابي ماضي الذي اثبت براعة في انفتاح نمط جديد من الرومانسية تتداخل فيه النزعة الرومانسية مع الفلسفة، فجاء برؤى جميلة في في موضوعات التفاؤل والتشاؤم والتامل في الكون والحياة والنفس الانسانية. وقد رايت ان عنوانات قصائد هذه النخبة من شعراء الرومانسية كفيلة باعطاء صورة واضحة عن شعرية العنونة في شعرهم، فاجتهدت في مقاربة عنوانات اخترتها مختلفة في بنيتها التركيبية، وفي وظيفتها، وفي دلالتها، واثرها، في موضوعات الرومانسية المتعددة، ولا سيما تلك العنوانات التي تستفز المتلقي، وتثير الفضول في نفسه، فتغريه بقراءتها وفك شفراتها. وقد قامت المقاربة على وفق معطيات المنهج السيميائي، بوصفه المنهج الانسب، وذلك لما يختزله العنوان من دلالات مختلفة تمنحه شعرية خاصة , وذلك في محاولة لفك شفرات عنوانات القصائد التي تم اعتمادها في الدراسة. على ان ذلك لا يمنع من توظيف بعض المناهج الاخرى كالمنهج الوصفي او المنهج التحليلي.وقد اقتضت المادة العلمية ان يكون البحث على ثلاثة فصول تعقبها خاتمة. فقد جاء الفصل الاول تمهيدا في العنونة ومصطلحات النقد ) في خمسة مباحث، فتابعت في المبحث الاول العنوان في التراث العربي : القران الكريم ، والشعر العربي بعصوره المختلفة، فاشرت الى افتقاره الى عناوين تسم قصائده. وتناولت في المبحث الثاني العنوان ماهيته ووظائفه، واختصت المباحث الثلاثة بمصطلحات النقد، وهي على التوالي : مفهوم الشعرية، ومفهوم السيميائية، ومفهوم الرومانسية. على ان هذه المصطلحات هي من المصطلحات التي يتم تدوالها في دراسة وتحليل اي من النصوص الادبية سيميائيا . وارتبطت هذه المصطلحات مع بعضها لتشكل قاعدة الانطلاق نحو دراسة العنوانات المنتخبة. وقد اختص الفصل الثاني بدراسة بنية العنوان في الشعر الرومانسي، فجاء في مبحثين : تناول المبحث الاول بنية العنوان المفرد، فيما تناول المبحث الثاني بنية العنوان المركب.واما الفصل الثالث فدرست فيه موضوعات العنوان الرومانسي دراسة سيميائية، فجاء تحت عنوان (العنوان علامة دالة على موضوعات الرومانسية)، وقد توزع على ثلاثة مباحث بحسب الموضوعات التي تحيل اليها العناوين، وهي على التوالي (الحب والطبيعة والتامل ) مستشهدين بامثلة مما انتجه الشعراء الرومانسيين من عناوين تجسدت من خلالها تلك المصطلحات النقدية التي اشرت اليها في الفصل الاول. وقد توج البحث بخاتمة تضمنت اهم النتائج التي توصل اليها.وقد قامت هذه الدراسة على مصادر اساسية من اهمها عتبات جنيت من النص الى المناص لجيرار جنيت , وعلم العنونة لعبد القادر رحيم , والسيموطيقيا والعنونة لـ جميل حمداوي، وغيرها من المصادر التي اغنت البحث بمعلومات قيمة. وقد واجهت الباحثة بعض الصعوبات التي تطلبت جهدا وعناء اضافيا , ومن هذه الصعوبات عدم الحصول على المصادر الاساسية الا بعد جهد ومشقة, وقد تهيا لي استاذ مشرف يمتلك سعة في العلم والمنهج وسعة الصدر , وافاض علي بعلمه وملاحظاته السديدة التي قومت البحث فله مني جزيل الشكر والتقدير واسال الله ان يمد في عمره ليفيد منه طلبة العلم .وفي الختام اسال الى الله تعالى ان يجعل هذا الجهد المتواضع معينا لمن سيضع بحثا مماثلا او يقرا السميائية من زاوية اخرى وعليه توكلت واليه انيب | The titled poetic in the poetical texts for the romantic poets tried to be away from the styles of poetry which are dominated and affected by the western poetic styles . It works with its critical new theories ,so the romantic poets had their new approach taking in their consideration the focus on the title is a it is a unit of the poetical texts units .The most recognized things that they had reached during the searching rip are : 1 - the Arabic poetic heritage doesn’t care about the title, so it gives substitutes for it in the Arabic paganism poetry or even at the early era of Islam .so under this state, the title still absent and it didn’t have any attention until the end of 19th century and beginning of 20th the century.2 - the romantic poets were offered by the western texts styles and they took that on their texts trying to be nearby through extracting those styles - which were in the western text - to the Arabic texts to break classic Limits which were put by the Arabic poets as means for their texts. The romantic poets tried to exchange that.3 - the romantic poets succeeded in styles and dealing with the texts titles so according to this concept, so the subject content requires dividing the search into three chapters, preceded by preface and followed by conclusion .the preface came under this tit le : (The Title in the Arabic poetry triage ). The first chapter came under the title : (Titling and Critic Issues ).In it , there is approaching for the terms : ( The title : its meaning and its importance , poetical , Romantic ) . The second chapter came under the title : (the title constructing in the romantic poetry and its function ) .It included two subjects (the constructing content of the title ) And (the romantic title function c) The third chapter which is known by ( subjects of the romantic title , study ). In it , there is a concentrating on all of : (love and nature and medication ) then I mentioned - at the end of the research - the conclusion which contained the most important results which are achieved through the search. At last there is a list of the resources and references and a summary in English Language.
الصفحات الاولى:

الفضاء الشعري عند العرجي (ت 120هـ) A thousand Jewish people believe When General Raji (T 120 e)

اسم المؤلف: نور عبد الستار عباس ابراهيم
اسم المشرف: امل عبد الجبار كريم الشرع
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: الحمد لله رب العالمين، وخالق الانسان، ومعلمه البيان والصلاة والسلام على نبيه محمد(صلى الله عليه وعلى ال محمد وصحبه اجمعين) وبعد.. ان مفهوم الفضاء الشعري واحد من اهم المفردات التي دار حولها خلاف في تحديد مفهومه ،وقلت الدراسات التي تختص به في شعر الشعراء مقارنة بالدراسات التي تهتم بالرواية فمن اجل ذلك قمت بدراسة الفضاء في شعر العرجي الذي قلت الدراسات التي تناولته فلست ازعم اني اول من تناول العرجي بالدراسة فهناك رسالة (سرى سليم عبد الشهيد المعمار)(البناء الفني للعرجي) فهي وواضح من عنوانها دراسة فنية وسبقتها دراسة رافعة سعيد السراج التي اختصت بدراسة العرجي من زاوية حياته وعصره فقط، لكني اقول باني اول من درس الفضاء عند هذا الشاعر الاموي ،فهو قد انماز بفضاء جميل من الامكنة والازمنة التي تفرد بها وان كان في بعض المواضع سار على نهج سابقيه لكنه اضفى عليها من شخصيته واسلوبه الذي تفرد به، دراستي لم تخل من الصعوبات لكنها لم تكن كبيرة فمن بين تلك الصعوبات هي ترددي في اختيار المنهج الذي اعتمد عليه في التحليل لكن استقر تفكيري على ان اقوم بدراسة هذا الموضع على وفق المنهج الوصفي التحليلي. جاءت هذه الدراسة في ثلاثة فصول،فالفصل الاول يختص بفضاء الشعري الزماني فقد انقسم هذا الفصل على مبحثين تناول المبحث الاول الفضاء الزماني في المنظور النقدي،والمبحث الثاني تناول الفضاء الشعري الزماني بعدا جماليا،اما الفصل الثاني فاختص بدراسة فضاء الشعري المكاني وانقسم على ثلاثة مباحث تناول المبحث الاول الفضاء المكاني في المنظور النقدي ،اما المبحث الثاني فتناول الفضاء الشعري المكاني بعدا جماليا ،اما المبحث الثالث فتناول البعد النفسي للمكان ،اما الفصل الثالث فاختص بدراسة التشكيل الفني للفضاء هاجس الزمن نموذجا ويشمل الظعن ، الطلل ، السجن ، المراة وختم البحث بقائمة باهم النتائج التي توصلت اليها وقائمة بالمصادر والمراجع ومخلص للبحث، واخيرا اتقدم بالشكر الجزيل والثناء الجميل الى استاذي المشرفة (دـ امل عبدالجبار الشرع) واخر دعوانا ان الحمد لله رب العالمين | Praise be to Allah and peace and blessings be upon the Prophet Muhammad (peace be on Muhammad and companions) and. ..The concept of poetic space is one of the most important vocabulary that House disputed in the conceptualization and differed in defining what is included mtkhts time without place? or a place without time? it proliferated on it and each supports the view argument or evidence, this problem started in the novel by the hair, and then began studies on the study of the poetic space.The main reason that prompted me to choose this topic further study is to prove that the poetic space not limited on time without a place or location without time it includes Monday and extend to include vision and motivation that made me choose alarjie group and single him in this study because the poet say studies haven't addressed the study singled out space when this poet, only letter (Sri Salim Abdul Shahid architecture) (technical construction llargi) are clearly entitled technical study and the earlier study said Sarraj whose specialized crane Study of alarjie group in terms of his life and his times only, in order to point out that the alarjie group as other poets the RPR in a beautiful space, places and times that their uniqueness, though in some places went to approach of his predecessors but he gave it a personality and style of the uniqueness and for this and that I wanted to do this study.My education was not without difficulties but not large among those difficulties are choosing the frequency approach adopted in the analysis but settled thinking I study here the descriptive analytical but it comes out in some few places linked to the semiotic and reason back to the researcher who saw the need for diversity in order to get better vision.This study came in four chapters, the first chapter in the time it has split this chapter three detectives first episode dealt with the concept of time in terms of linguistic and philosophical, religious, and section II dealt with dual time and includes two night and day and bi - past, present and fertile and arid binary, either section III specialized study method is the accessor and the anticipation and narrative styleChapter II dealt with the study of the image has divided the two sections address the first spatial image of Islam to the Hijaz and the image of women in society, either section II dealt with the spatial image of nature, both silent and animated and color picture.Chapter specialized study place has split into three detectives first episode dealt with the concept of place of linguistic and philosophical and literary cash, either section addressed the types of place I gave up studying two types of pet place (House) and place Maadi (prison) either section II dealt with the aesthetic dimension of space (capillary altelal) and psychological dimension of the place (alienation), chapter IV dealt with the study of revelation has divided the two sections deal with the first episode of natural vision included see altelal and see the animal and rational vision of either section II dealing with frivolous and political vision Human vision and the two see each other and seeing, and seal with a list of the most important findings and a list of sources and references and dedicated to research
الصفحات الاولى:

اخبار ابي تمام واخبار البحتري لابي بكر الصولي ت335هـ : دراسة تداولية Abu Tamam’s and Al - Bahtari’s events by Abu Bakr Al - Suli,335 AH. A pragmatics study

اسم المؤلف: رحيم جبر حسون
اسم المشرف: يحيى حسن خضير
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: ذي قار
المستخلص: The pragmatic approach is the best method for all studies concerned with the communicative way, because it does not care about the formal or constructive study of the discourse, but rather examines all the aspects and circumstances that accompanied the appearance of such a discourse, for reading a systematic reading that surrounds everything related to the composition of discourse. As the speech is not limited to study the language itself and for itself, but taught the language two levels : 1 - Apparent level : It is related to the words and structures.2 - The hidden level : the state of psychological, social and cognitive ...., and from both levels consist (strategy) of the speaker, addresser and text.A - The speaker : It refers to what is expressed by words and structures to convey his intention, which is called (implicature)B - To addresser : because of the strategy of interpretation and explanation, to know the intended speaker (implicature)C - Text : Including the ideologies that contribute to the change of the situation. In these three strategies, the concept of "power" is created. This concept can only be achieved if the parties to the communicative process (the speaker and the communicator) share the common information and knowledge, The eloquence of (epistemological) references should be well - known for (the speaker and the communicator), so that they don’t fall into the illusion.This research (Abu Tamam’s and Al - Bahtari’s events by Abu Bakr Al - Suli,335 AH. A pragmatics study) consists of three chapters : • Chapter One : (argument) and it includes (intention of argument, the relations of argument and witnesses of argument)• Chapter Two : (the conversational implicatures, cooperative principles the principle and its relation to politeness - Presupposition and intention - Signs.)• Chapter Three : (the research as a literary genre, Speech acts, linguistic methods).
الصفحات الاولى:

صورة الكواكب والنجوم في الشعر الاندلسي عهدي الطوائف والمرابطين The image of planets and stars in the Andalusian literature Trendy sects and Almoraben

اسم المؤلف: عبير حسن مكحول العبادي
اسم المشرف: حسين مجيد رستم الحصونة
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: ذي قار
الصفحات الاولى:

صورة المراة الجنوبية في روايات شوقي كريم حسن Image of Southern Woman In The novels of Shawki Karim Hassan

اسم المؤلف: كفاح حسين عبد الله
اسم المشرف: مصطفى لطيف عارف الحسيني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: ذي قار
الصفحات الاولى:

خطاب الامام الرضا (عليه السلام) : دراسة في الاقناع Al - Imam Al - Ridha's Speech : A Study in Persuasion

اسم المؤلف: حسين جويد منخي
اسم المشرف: حامد علي غيلان
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: ذي قار
الصفحات الاولى:

بنية القصيدة في شعر قيس لفتة مراد : دراسة تحليلية The structure of poem in Qais lefta Murads Poetry Analytical study

اسم المؤلف: رياض ماجد مفتن
اسم المشرف: علي حسين جلود الزيدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: ذي قار
المستخلص: The poetry entered into the lives of most people and dominated their various aspects. Anis became their unity and obsession that they could not tolerate or abandon under any circumstances and throughout the generations in the history of human civilization. Poetry was the world of the soul, the teacher of inspiration and the focus of human groups. Poetry poetry and the poet to be the best messenger to perform his mission. From here the building of the poem was the most prominent window to raise the awareness of the apparent and the inner and to get the emotion by discovering the texts, which in turn reveal the worlds of the poet and stand on the degree of poetical, as it is - the construction of the poem - a cornerstone of the pillars of poetic work, and through this construction closes the curtain to reveal the secrets of beauty with Every attempt to probe the texts of these texts and their content of emotional or symbolic language, the parts through which the text, including the intertwined and continue to achieve the unity of the poem and named them to the top, along with poetic poetic work. The study uses the analytical method, as well as the use of many procedural tools, to detect the poetry of the text or effectiveness, depending on different approaches in order to integrate the image of monetary research. Our study of the poet does not seek to advance procedural laws, that is, to confront the literary text with preconceived notions or to formulate it within the limits of a narrow theory, as we made the text a start or a specific pathway, which is a mechanism for studying with it. The researcher has faced many problems, the most serious of which is the absence of specialized studies on the production of the ***************************************************** C poet. We have only observed some articles that do not exceed two articles on the Internet. The authors of these two articles were not presented in systematic form or rather these studies were not in the process of monetary equivalent, The most important of his poetic texts were in a raging conflict with the neglect, exclusion and absence that the poet faced throughout his life. This letter is the first of its kind in terms of the poetry of Qais Left Murad and his study Ademia, as well as the difficulty of obtaining Diwan (songs Hallaj) only after great suffering and effort upright, the fact that this Court represents an important turning point in the life of the hair measured gesture Murad mystic and philosophical. The basic sources adopted by the research are the writings of the poet Qais Lefta Murad, and the book of aesthetics of contemporary poetry. Taha Wadi, and the levels of poetic construction at the time of Muhammad Ibrahim Abu - Sunnah d. Shukri al - Tawansi, and the construction of the poem in the ancient Arab criticism (in the light of modern criticism) d. As well as the letters and explanations that dealt with the subject of the structure before, as well as rely on many of the sources called by the research to add to the texts of halo of beauty and to be the starting point of the researcher along the research and its various paths, and citing the views of adults academic critics and others to fill the gaps in research , And to move the other messages after these sources of priorities of researchers, Vtnh as factors to support the results of the conclusions of this study and the formulation of the c Introduction : The importance of the subject and the significance behind the study of the poet, the methodology used, and the sources that were helpful for the views expressed by the researcher supported, as well as the problems presented to the research.omprehensive language of the word. The preface includes the translation of the poet Qais Lefta Murad and his life and literary beginnings and highlighting the migration from his city to Baghdad reinforced by the statements of those close ***************************************************** D to him and these words found scattered between the sources of resources that dealt with Nasiriyah from a historical point of view rather than literature on the one hand, on the other hand, (Structure) and we knew in the language and terminology. The first chapter deals with the external construction in the poetry of Qais Lefta Murad divided into three sections. The first topic dealt with the title : The title we took from it is a new structural landmark that joins the series of features that constitute the external construction of each poetry text. And the poet has the obligation to be a solid text subject to the beauty of the texts and the delinquency to the heart of the reader and what is accustomed to ears and eyes, and sensing in a manner appropriate to the size of the hair and its high position, the third topic : it came to include (cut poetry) Every aspect of the hair in the hair Qais gesture Murad. In the second chapter, the internal structure consists of three sections dealing with the first topic (drama structure) as it expresses the universal character of the poet and his integration into the society and addressing his issues and attention to them as an integral part of the universe. Here is the integration between self - awareness and collective awareness. The symbol is a phenomenon that abounds in the poetry of Qais Lefta Murad despite the directness that prevails in most of his texts, but he refers to it and tries to prove to the reader that there are things that he can not reveal and the reader to examine these texts and find out what is behind them. Arusah briefing, as well as the definition of the personalities referred to or directly, including the texts of poetry. The fourth chapter is the rhythmic structure. It consists of two sections dealing with the first subject : the outer rhythm and weight guarantee. We presented the percentage of the weights according to their use by the poet and we adopted the percentages in the statement of the poet's use of these weights starting with the most common ***************************************************** E weight and ending with the least common in his poetry. And the effect of this on the psyche's psyche. We have found the rhyme with the most common rhymes in his poems based on the percentages as well. The second section is devoted to the internal music (Repetition, rotation, response of miracles on the breasts) supported by the poetic evidence that attests to its presence and intensity in the poetry of Qais Left Murad, and carried out by these musical phenomena in the performance of meaning, but there is manipulation in the process of study "Repetition" classical style of the usual (character, or word or sentence), as we studied in accordance with an updated method linked directly to the meaning of the study will show more when reaching it. We can not note that the researcher in some of the citizens of the letter was not parallel between the chapters and the length of the study, because the study does not depend on some things on the length or short, there may be a wide topic for many pages or requires the researcher to lengthen to show his goals, Few pages are sufficient to be in the final form, and then they do not have to be extended and divergent in matters far from the field of study. The researcher also repeated some texts in different places of the letter, to the clarity of the position of the witness more than others. This study coincides with what can be accompanied by each study of shortness, and bear what can be borne by each study of objections, especially in the first way, we follow the previous studies with extreme caution stand in the most important, we make it a lighthouse to guide him in public to finally reach something we think of this Nima from God, and if we sin, we are human beings and infallibility are always disobedient to the human soul, especially in this field, the literature accepts all the possibilities and the text imbued with multiple readings, but I tried and saved my best in it.
الصفحات الاولى:

بنية الخبر في كتاب (عيون اخبار الرضا) للشيخ الصدوق (ت : 381هـ) Structure of news in the book "Euyun Ahkbar AL - Ridha" by Sheikh AL - Sadooq(381 A.H.)

اسم المؤلف: اسيل سالم كاظم
اسم المشرف: عبد الحسين عبد الرضا العمري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2019
مكان الجامعة: ذي قار
المستخلص: بعد، تتحدد ماهية البحث في سعيه لدراسة كتاب (عيون اخبار الرضا)، الذي وضعه ابو جعفر محمد الصدوق، وهو من علماء الشيعة في القرن الرابع الهجري، ويمثل كتابه هذا من كتب الاخبار الاساسية لدى الشيعة، وتاتي اهمية البحث من رغبة الباحثة في معرفة بناء الاخبار في هذا الكتاب، وطبيعة موضوعاته، وقد كانت تقف وراء هذه الرغبة اسباب اخرى، في الكشف عن مكونات بنائه، والمنطق الداخلي لنصوصه السردية، والقبليات المتحكمة في توجيهها، وثاني الاسباب ان اخبار الكتاب تجمع ما بين الاخبار الدينية والتاريخية وقد قيلت باللغة الفنية في اغلبها، فكانت ذات صياغة بلاغية؛ وذلك انها استعارت التخييل والمجاز في الكتابة، وهذا احد المسوغات المهمة .وفي حدود علم الباحثة لا توجد دراسة او بحث خصص لدراسة الكتاب سرديا، او بحث مكونات البنية السردية فيه، ولان البنية السردية تبحث في المكونات الثلاثة : الراوي، المروي، المروي له، وما يلحق بهذه المكونات الاساسية، فان المنهج الذي اعتمد عليه البحث هو منهج يهتدي الى ما قدمته الدراسات السردية الحديثة من ابحاث مهمة، ان الابحاث التي قدمها تزفيطان تودوروف وجيرار جينيت وجيرالد برانس هي المرتكز الاساس في البحث، وكذلك ما قدمه عبد الله ابراهيم في دراسة السرد العربي.يتكون البحث من تمهيد ومقدمة وثلاثة فصول وخاتمة، اما التمهيد فقد عرضنا فيه لعدد من المفاهيم الاساسية التي يعتمد عليها البحث مثل المتن الحكائي والمبنى الحكائي .اما الفصول فقد تكون كل فصل من ثلاثة مباحث استوعبت موضوعاتها ، ففي الفصل الاول تكلمت على التفاعلات النصية واثرها في كشف بنية النص، وفهم ما غمض منه، وما احتاج الى تاويل، مثل العنوانات والتداخل النصي بين نصوص الكتاب والنصوص السابقة عليه مثل القران الكريم والشعر.وفي الفصل الثاني درست الراوي والمروي له، وبدات بالسند بوصفه مجموعة من الرواة والمروي لهم في الوقت نفسه، والطريق الذي اوصل الينا هذه الاخبار، ثم جاء الكلام عن الراوي ووظائفه في المبحث الثاني، وفي المبحث الثالث وقفت عند المروي له ووظائفه.وفي الفصل الثالث افردت له (بناء الحدث)؛ لاهميته واتساعه، وقد خصصنا المبحث الاول للشخصية بوصفها عنصرا حيويا داخل البنية السردية، ولا يستغني عنها السرد، ثم خصصنا المبحث الثاني لـ (بنية الخبر)، الذي قسمناه على (بنية الخبر البسيطة)، و(بنية الخبر المركبة) فهناك اخبار ذات بنية بسيطة في احداثها، وشخصياتها، وهناك بنية تنشا على الجمع بين هذه البنيات البسيطة او التضمين فتكون لدينا بنية مركبة، ثم المبحث الاخير من هذا الفصل جاء للفصل بين الخبر الواقعي والخبر التخييلي بوصفهما انماط الخبر في عملية ارسال المروي، وعملية التلقي وما يصحبها من توقعات وافاق الفهم. واخيرا لابد من تقديم كل الشكر والعرفان الى المشرف الاستاذ الدكتور عبد الحسين عبد الرضا العمري، فله الفضل في اقتراح الموضوع، ثم له الفضل مرة اخرى، فقد وقف بجانبي طوال ايام البحث، وكان يقوي من همتي وتفكيري، ويوسع من افاقي نحو الافضل، كذلك اقدم شكري لاساتذة قسم اللغة العربية, كلية الاداب / جامعة ذي قار، وشكري لكل من وقف بجانبي، مع وفائي لاساتذتي وكليتي التي فتحت ابوابها لكل ما ابحث عنه في المعرفة والحمد لله اولا | The thesis looks for in the study the book ''Euyun Akhbar AL - Ridha''.The writer of book is ''Abu Jaafer Sadooq''who is the one from scientists of AL - shayehe in the fourth century (A.H.).The book represents the basic news of AL - shayehe. The importance of research is the researcher's desire to know the structure of news and the subject of book. There are many reasons to study this book : the researchers don't care about the contents of book. The news of book collect between the religious news and the historical news that described in technical way. The thesis includes of introduction , preface, three chapters and conclusion. Also, every chapter includes of three sections. The first chapter includes the reaction of texts, their effect in the structure of text and understanding the text. Everything needs to interpretation between the texts of book and previous texts like the Holy Quran and poetry. The second chapter comprises the narrator and the listener. So, it explains ''AL - ssund'' which means the groups of narrators and the listeners. Also, it includes the functions of the narrator and the listener. At the end, the third chapter comprises the constructing of event of news and the personality of news . It includes the types of structure news. They are divided into the simple structure of news and the complex structure of news
الصفحات الاولى:

الاتجاه الاجتماعي في النقد العربي القديم : دراسة تحليلة The Social Trend in the Ancient Arab Critical Discourse

اسم المؤلف: هديل قديم جري
اسم المشرف: عباس جخيور سدخان الوائلي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2019
مكان الجامعة: ذي قار
المستخلص: In poison of Allah Al - Rahman aalrHymaalHmd llh the raising sky wear of intention, fastener of the land in stake, on where height rises, liked where all breath resorts and trivial, does not know him her the hearts in assumption, his insight followed her the eyes in glancing, all statement rose about refuted, waaHtjb about all recklessness and cash.The prayer and the peace on source of the flags and the arbitrator, and return aalxlaay'q and the nations, her kindness the favor, and the informed flag, gentleman Arabic waale'jm, Mohammed Bin Abdullah is messenger represents me, and evidence from Allah executor, ibex of the suns the horoscope, and the illuminative moons, aalttaaabe'yn in sect gentleman of the character, his the publishers for debt followed his family and his friends benevolent from cobra and fasted wllh witnessed.After.Perhaps the statement : Indeed all what the human exports from social statement yjaanb the correctness, followed ye'aaks aalmHjt, so the human being says sentenced reveals you the society and their verb, his effect in circumstance and his submissions of facial paralyses, and what that to mSdaaq for truth for as long as her believer felt and horses weak that the human social being originally normalized him, delivers, and grows, and salutes in light of society, evaluates in him with family froze him, and children financed him the approach portrayed from social various, so different beatings from the interaction straighten in with them, divides w'iyaahm their share from the life, on relationships from the cooperation reconciled once, and the fight is last once, different in disagreement social domains of Al - Hayat numerous, religious and political and artistic also, so the art clarified mSdaaq for the social human, and straight excuse thereon, mouth hairy to image For the society who dismisses in him, and e'aaksCmirror his of circumstances and his situations, and civilization hairy 'inmaa structure on basis from says him and last basis from the statement in him, shown opinions refuges of the correctness and last shown refuges of the multiple and wrong, so if the hair was social, so his cash is likewise also, so there social in the speeches hairy and the cash also, from here idea of the letter came, to brands on after that entitled (the social direction in the money letter old.So to the Arabic cash acquired in many from studious which aamaaTt aallthaam about a lot of the monetary sides which gathered in her raved the inherited cash, who important distances for Arabic nature Al - Hayat discover and ways lived her and her culture, disassemblies of mirror reverses some truths aalmDmrt which already does not request her the passing recipient in the reading, to ends reading requires mtme'nt examiner to Arabic builder Al - Hayat establishes and her culture which designating sides sanctify blessing valuable and the concepts which guarantees in her Arabic and be proud in her wytwaarthhaa the Arab across the centuries, then Al - Hayat was social upright on nervous, and the type, and the ethnic affiliation and the glory in the ratios and the clean blood and the white color the uncles from liabilities the mixture with separation the last people, and hence then abundance for him raved distinguished his the social identity and the standing and the occurrence on the protection about road of affiliation for this nervous, As opposed to her loss so pulls from him this identity and indeed the vagrancy and the ritual consecrations from her protection will be destiny from rebels on her and her laws underestimate in, for that this composition and the laws whether ethnic values were moral mother of assimilation deterring first for the human Arabic for the prevention without spreading of the fsq waalfjwr in the society, because the importance which acquired in her the social laws assimilation date of the affiliation who results him the individual from her , weak including on look Arabic and their thought and their fanaticism to the bases divideDwhich the constitution idealizes first enemy committed to her and upright on accomplishment her, and in this so indeed the stop astride aalmskwt about him in the cash waalmxbw' from impact working social on a lot of the monetary arbitrators which inheriting her the ignorant critics from the era is navel while after him from the eras so assimilation of holy became be necessary aalaaHtdhaa' in him, weak dominant on operation receiving some The money letters, and that in returning some her in intellectual control the inclination and the scholastic affiliation in him.wwqd idea of the searching required division of the letter to three chapters, precedes her our facilitating of taking in him , the problematic term and the understandable speech monetary , and her hill is included end to worries what reached to him the letter from results.The chapter first address in (the class society ) and four topics came in, apparent reasons class in the Arabic society stand on, and her impact in course deviation the cash about the objectivity, produced her the color, and the lineage , and the profession , and the social standing.As for the chapter second losing cares in (the moral society Arabic and favored her on the cash so joining of four topics : The topic first : The flirtation in viewed the cash 'alaajtmaae'y , and the topic second : The satire in viewed the third cash social , and the topic : The truthfulness and the lie in social , viewed the cash and fourth : aaltksb in social viewed the cash, then the criteria were which dealt from during her with this directions self of importance big on tasting the critic and his wisdoms his arbitrator on the hairy purpose.The chapter came third entitled ( customs and traditions gathered ) then nature required studious his division to topics, first of them image aalmmdwH aalaanmwdhjyt heritable, as for second so social taking of image the woman between the reality waalaanmwdhj hairy.EStudies on the method depended in analytic integral who includes many from the methods aaltHlylt social blessing and my breath and cultural.Sources of the searching and his varied returns between old , towards book the songs , and the hair and hairy , and virility hairy , and indentical so around hairy waalmwshH and the chief and changes her , and modern which aatk'at on her in evidence directions of sight of some researchers and their monetary , opinions from her : Book date of the Arabic cash old for the doctor Taha Ahmed Ibrahim and hairy aalSe'aalyk in the era ignorant for the doctor Yousef xlyf , and book of the orders cultural for the doctor Abdullah aalGdhaamy and changes her from the books which reported from her in studies.Nevertheless the work raved the difficulties do not breach from; Because of accurate nature the research and the deep sight to social given of the direction across attempts his evidence and his consolidation in the monetary opinions.To is smooth Allah on us in who helper is for me on accomplishment the work raved, so the thanks all thanks for mn hand of the aid extended for me, special their professorial blessing in the male the professor the helpful doctor grim jxywr aalwaay'ly, losing was eye on the searching saahrt, refines, and revises, and arranges, corroded the searching in substance straighten up his, so his role idealizes in her the letter on all minutes, method, and scientific substance, his wonderful favor about effort in choice the term and the arrangement left.Sleeve relative to the male of grateful all 'al'astaadh Mohammed light of Yousef, losing was aid for me in what took him Allah cut the all welfare of the retribution meant.The seal fulfilled ... Works do not call in raved aalkmaal, so he llh unifies him, according to hit while Hrrarth in him that I potentialbleacher exerted, service for language Arabic and gathered and the scientific research, so indeed hit while hit, so your lowness by virtue of Allah, and indeed was second so sustained, and praise be to praise be to God of god of the scientists firstly and last.
الصفحات الاولى:

الحاكمية في فكر الامام علي (عليه السلام) : دراسة في ضوء الانساق الثقافية MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS) IN THE LIGHT OF THE CULTURAL PATTERNS

اسم المؤلف: عبد الامير دلي مجباس الزيدي
اسم المشرف: وليد شاكر نعاس الرفاعي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: المثنى
المستخلص: MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS)Praise be to Allah, the Lord of the worlds, and peace and blessings be upon the master of the messengers and his purified progeny and companions .Magistracy or assuming power has been one of the topics that attracted the attention of man throughout ages and it has been the focus of his thought and most engaging concern because of what this issue has been characterizedwith as regards its being the source of the misery or welfar and happiness of the society ; hence it has been realistic and a living matter or affair which is inevitable and unavoidable. Chapter two is entitled "manifestations of the magistrate" in which the researcher dealt with, in a critical study, important issues in the Islamic history such as allegiance in addition to practicing the magistrate by Imam Ali(AS) and those who preceded him as well as those who came after him.Chapter three carries the title ' patterns of conformity and differences" in which the researcher dealt with the extent of the conformity of the magistrate practices with the Islamic revivalistic constructive project within the historical, patrimonial and juristic patterns of Imam Ali (AS) and other rulers.A conclusion has been annexed to the research in which most of the findings and general and specific outlines have been included in addition to a comprehensive bibliography of sources and references.The conclusion of our prayer will be : Praise be to Allah, Lord of the Worlds! These steps have been accompanied by a series of difficulties distributed between the topic difficulty and the abundance of the scientific material which the thesis haswithin this framework.The structure of the research required that it contain(s) a preface and three chapters followed by a conclusion . The preface has been devoted to highlighting the broad concepts of magistrate and cultural criticism .The chapters have been as follows : The title of chapter one is " scope of identity" in which the researcher has dealt with the nature of the pre - Islam Arab incubator socially, religiously and economically. Later on the well - known changes took place on the Arab field after the advent of IslaDespite the difference in people's thought , religion, culture and the discrepancy of their languages, magistrate remained an obsession irking those who incline towards it and sacrifice everything to have it in his command and to sit on its throne.So it is conspicuous that the study of this topic is of great significance especially in an era or epoch which represented the first dose for that age : an age in which the flame of assuming power glowed , specifically in the thought of a man whose period of governance was full of hidden patterns or formats not yet revealed neither by history books nor ancient critical studies.In this person , practicing magistrate varied according to philanthropy, religious culture , knowledge of the basics of religion and the extent of consistency with what religious law2 and custom through the prophet Muhammad (peace be upon him and his purified progeny).
الصفحات الاولى:

شروح بردة البوصيري في الدرس الادب القديم حتى نهاية القرن الثالث عشر الهجري

اسم المؤلف: عقيل عبد الحسن جبر الفتلاوي
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: المثنى
المستخلص: Burd s explanations represent the flower of literary production throughout the ages because of the rare literay news linguistic rhetorical and critical contents and the meanings of the meanings of the poem the poem contains high - level literary profiles characterized by its classification and each according to its orientation and do ctriue whether linguistic or literary or Sophia has been formulated by us a wonderful art from and easy to understand and to acquire meanings arranged alogical arrangement easy to the recipient after viewing annotions printed and compositions vision for directions statement of their efforts to cashin this regard divided the study to boot and three chapters unprecedented an interoduction to ensure the boot life al bosairy and his poem albordatalked about the circumstances which was born in which the poem and its importance at critics also ensures boot explicits of the borda best known their order time also ensures agreat annotations any reasons called explicits to explain the poem albordaDiscussed in the first chapter direction language in three sections were section I recently about oriented grammar which included the efforts of explicits grammatical section ll was recently about oriented morphological guarantee the correction explicits and their impact on alborda as for section lll talked in it for oriented semantic because examined in this section contents read that referred explicits and its effect in construction of the poem And chapter2 themed direction the include three investigation of the first of meanings studies the meanings rhetorical which goes out to the question and meanings that goes out to appeal and meanings rhetorical which goes out topray for deletion as for section 2 was informed the statement because examined the analogy in ......... section 3 talked about science budaiya as guarantee the most prominent methods … received the poem that referred… then came the third chapter entitled direction cash and ensures three sections I was on the construction of the poem as contents of the beginning and good getrid conclusion of the poem as it is anovelpillar of the basicbused upon …. In section 3 tallked about the issues of cash other studied the phenomena of music and quotation …. The introduction and conclusion included the most prominent findings of this study ,and proven tributaries
الصفحات الاولى:

الاخر في شعر ابن هانئ الاندلسي The Other in the Poetry of Ibn Hani' Al - Andalusi

اسم المؤلف: حسن هادي منشد
اسم المشرف: ستار جبار رزيج
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: المثنى
المستخلص: The topic of my thesis (The Other in the Poetry of Ibn Hani' Al - Andalusi(died 362A.H)) which is one of the topics that emerged as a result of the evolution of life and its expansion . The subject of the other which is prominent these days is the most widely researched among scholars . After the expansion of the Arab ego , it began to aspire to the non - Arab other. Comparisons have been conducted between this ego and the other especially the Roman and the Persian ones.The term , therefore, has emerged as a relative changing concept; its connotations were varied : it denoted all that which was different from the self such as man in contrast to woman, Arab in contrast to non - Arab and the slave in contrast to the master.This study has dealt with the other in the poetry of Ibn Hani' Al - Andalusi. The latter has addressed the other whether hostile or friendly, agreeing or differing with that other. The image of the other has , therefore, been coloured according to the multiplicity of colours of the life of the poet who touched upon the manifestations of the hostile other since the very beginning of one's life as represented by the Omayyad other ; consequently , his sect and religious belief lead him to clash even further . He has faced the Abbasside and Persian other. It was not only this : the poet formed an image for the other different from the hostile image which is the image of the other compatible with his ego or self . The poet has crowned all this with various meanings the most conspicuous of which were the praised other , the woman and the lamented other .The poet did not stop at this point ; rather he tried to form an image for the other through his self because the cultural heritage stored by his self and which was the best aid for him in highlighting the image of the other through the technique of symbolization and mythology which have been employed to uphold the image of the praised. These mythological symbols have represented the other for the poet's self.The research have arrived at the following conclusions : 1. The images of the other in the poetry of Ibn Hani' Al - Andalusi were varied in their being human and non - human and this other may agree or disagree with the self because the self composing poetry has varied as regards acceptance and rejection and reflected the psychological aspects as represented by the ego of the poet.2. The image of the praised other has occupied a wide space of the poets product and this image has carried meanings with numerous forms which became apparent in describing the other/ the praised through epithets revealing the poet's admiration of this other and in which the other embraced the self on the one hand and a close contact and solidarity between the characteristics of the other/ the praised and its religious sect on the other. Therefore, the ego and the other the praised representing the religious faith became compatible .3. The poet depicted one of the levels of the other compatible with the ego and that depiction was the woman in contrast to man . This woman was not separated from him (the man) and the concentrations of the loved woman the other was predominant in his poems whether in his introductions or within his poems and may be a felt reality or imagination . The other depiction was of the mother as in his lamenting of J'afar's and Yahya's mother and it seemed it was an influencing factor in the ego of the poet because he saw in her the mother of which the poet was deprived throughout .4. The research has concluded that the other , the lamented has been represented by the poet through Imam Hussein( peace be upon him) : an expositions which had a dimension for the individual and the Shi'a collective ego because he has depicted the dimension of the Omayyad hostility for the Shi'a aspect of self through depicting Karbala calamity which carried a positive landmark or fingerprintsss in the poet's product , thus it was an expression of the ego or the self
الصفحات الاولى:

الحضور الاعلامي للشاعر العربي قبل الاسلام

اسم المؤلف: ريام كريم حاجم
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: واسط
الصفحات الاولى:

اثر الثقافة الغربية في ادب جبران خليل جبران

اسم المؤلف: هديل نشات اسود العبيدي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2009
مكان الجامعة: بغداد
الصفحات الاولى:

رثاء القادة العباسيين في شعر العصر العباسي الاول : دراسة موضوعية فنية

اسم المؤلف: عمر رحمن عمر عزيز العبيدي
اسم المشرف: خالد عبد حربي بكر الجنابي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: صلاح الدين
الصفحات الاولى:

الصحيفة الرضوية الجامعة : دراسة اسلوبية

اسم المؤلف: الهدى شمخي عبد المطلب الموسوي
اسم المشرف: كريمة نوماس محمد المدني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: كربلاء
الصفحات الاولى:
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