الســــيدة زينب الكبرى (عليها السلام) في الشعر العراقي التســعيني (1990م - 2016م) : دراسة اسلوبية
Author name:
زيـنـب محمـد عبـود
Supervisor name:
عباس رشيد وهاب الدده الموسوي
General topic:
Arabic Language and Literature
Specific topic:
Literature
Degree:
Master
University:
University of Babylon - College Of Education For Human Sciences - Department Of Arabic Language
Language:
Arabic
University location:
Babylon
First pages:
01T4925 - p.pdf
Abstract:
The poetic body provided, that is the study material represented by the achievement of the nineteenth Iraqi poet for two dangerous temporal periods in the history of Iraq extending from (1990 - 2016) AD, which sketched some of the characteristics of Sayyida Zeinab (p) that inspired the meanings of patience and literary courage presenting it in fullness dimension aspired to analyze its vision by calling the core of historical religious personality and make it capable of treating the worries of new reality. By judging to the methodological methods a new procedure in the inventing the aesthetic expression values in the texts of the 90th poet, such as the achievement of the poet of the Ninth when he run in the worlds of Sayyida Zeinab (p) for this methodical choice justification because the subject of the study quality properties which make it suitable field for the this type of analysis. As for why Al Sayyida Zeinab ? The answer comes as a symbol worth immortality, radiant radiation reflect spiritual and intellectual income, the poet of the nineteen inspired some of the meanings of her gift and drew poetry for some of her active presence. Every page of the life of Al Sayyida from birth until her death is a lesson to build the human and prpare him, as she is the scientist ,taught and had been told and take her Imam an Example and follow him. But why the poet of the nineteen? We say that as long as the Iraqi poet of the nineteen discussed the uniqueness and excellence of the products of others, and rejection of dependence of previous generation, the concerns of hisacountrymen found a field of his work for that he lived not for them not for himself, which was the motives of the poet of the ninetieth and uniqueness and the specificity of production. Especially since the studies that dealt with the product of nineteen were counted on the fingers of the hand. The study allowed the researcher to study the mother of books which varied between the books of language and grammar including (The Book) of Sybwyh, the literature and rhetoric, the prominent of them (sings of miracles) of Aljrjai, dictionaries including (Al Ain) of Al Khalil, (tongue of Arabs) to Ibn Manzour and biographies including (Aayan Shias) to Muhsin Al - Ameen , (AlSayyida Zeinab the daughter of Imam (p)) to Al - Nakdi , when the need order to that to reach what is unique to the 90th poet speech. The study required detail in three chapters, with an introduction. These chapters were divided into levels represented (audio structure), (structural structure) and (semantic structure). The first chapter deals with the (stylistic of vocal structure), the construction of chapter stand on five axes consisted of the structure of the acoustic sound ad followed by the sound structure of sections that formed the incubator of rhyme. The tints had their role in the study in an axis devoted to the ultrasound structure in the third axis, and in order to address the most important and the most frequent of musical phenomena came the fourth axis of naturalization of voice and finally the parallel in the fifth axis. In research of the hidden structure, the cause of the rank and problem of order, the second chapter deals with the b(stylistic structural structure), for that the use of call is not real, the same thing with question, most of it is not real, as it does requires a specific answer from the recipient. Thus both the question and call perform meanings and metaphorical purposes dictated by the context. It is the basis of its metaphorical meanings. In addition the most demanding methods presence was the presence of the style of condition and what is known as the courage of the Arab and we mean the method of deletion and the method of submission and delay. It has been become clear (stylistic semantic structure) in two sections of chapter three both of which are a distinguishing feature of the 90th achievement in the worlds of Al Aqeelah(p) , the first is represented in the (effectiveness of semantics in the textual displacement) by approaching different rhetorical techniques such as the similarity, borrowing and transmitted metaphor and non transmitted metaphor, as for the Artwork is realized through its relationship with work of Art , and to prove the lack of closure of the text of ninetieth itself and openness to the Arab heritage and before that the book of Almighty Allah, came the second section (effectiveness of significance in the textual link) and to be upright study must be to final stand on the most important findings study, perhaps the most prominent of these results : The poet dealt with the first stage of the period from 1990 t0 2003 AD by expressing the inherited personality while the second phase from2003 to 2016 AD represented the stage of expression of personality. The role of Al Hawra (p) in the immortal Al - Taf epic in a waycthat represented the most prominent stations that the poet of the 90's stopped, while the other bright aspects in the life of AL Aqeelah (p) were second class including (her literary eloquence, science, worship…) perhaps the great role in the incident Karbala of imposing it, was the immortality of Al Aqeelah the reason of the immortality of Al - Taf and in the line with the poet's psychological condition, which find resonance in the conditions of the recipient. Karbala was a space of poetry and its source was the taste of the recipient.• The poet of the 90's issued a view of Islam to this character and what should be surrounded by holiness, we rarely find a full topic text specified to Aqeelt Al Talebeen and we can refer to another factor in the poet subjected to a cultural format diagnosing the common inherited male . • The linguistic body of nineties extracted from stylistic features which stimulates a positive and expressive in the rhythmic, syntactic and semantic structures.
