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المعالجة الفنية والجمالية للصورة السينمائية في اعمال المخرج الامريكي (مارتن سكورسيزي)

اسم المؤلف: عبد الخالق شاكر قاسم
اسم المشرف: رعد عبد الجبار ثامر
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المرجعيات المعرفية في مسرحيات ناظم حكمت == Knowledge References in the Stage Plays of Nadhim Hikmat

اسم المؤلف: عامر صباح نوري المرزوك
اسم المشرف: علي محمد هادي الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الانظمة العلامية واليات اشتغالها في الرسم الحديث == INDEX SYSTEMS AND IT'S OPERATIONAL MECHANISMs IN MODERN PAINTING

اسم المؤلف: ماهر كامل نافع فرحان الناصري
اسم المشرف: كاظم نوير كاظم الزبيدي | عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

تحولات صورة المراة في الرسم الاوربي الحديث : بابلو بيكاسو انموذجا == Transformations of Women's Image in the Modern European Painting - Pablo Picasso - being a case study

اسم المؤلف: كريم محسن علي سمير الكعبي
اسم المشرف: كاظم مرشد ذرب
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الملامح الوجودية في الرسم العراقي الحديث == Existentialistic Features of Modern Iraqi Art

اسم المؤلف: مازن هادي لطيف المعموري
اسم المشرف: كامل عبد الحسين الشيخ خضير
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الابعاد المفاهيمية والجمالية للاستهلاك في فن ما بعد الحداثة == The conceptual and aesthetic dimensions to consumption in the art of post modernism

اسم المؤلف: بركات عباس سعيد الكواز
اسم المشرف: كامل عبد الحسين الشيخ خضير
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفن المعاصر
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المغلق والمفتوح في النص المسرحي العراقي المعاصر == Closed and open in the text of contemporary Iraqi theater

اسم المؤلف: رقية وهاب مجيد بيرم
اسم المشرف: حميد علي حسون الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المنظومة التخيلية في بنية الخطاب التشكيلي ما بعد الحداثي == Imagination system in the structure of discourse of Plastic post modernist

اسم المؤلف: عادل عبد المنعم عبد المحسن شعابث
اسم المشرف: علي مهدي ماجد
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفن المعاصر
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الشخصية في مسرح الطفل بين رؤى المؤلف والمخرج == The character of child theatre between the vision of author and directo

اسم المؤلف: ورود عبد الرضا كشيش حسين الحجيمي
اسم المشرف: عبود حسن عبود المهنا
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

التناص بين رسوم الواسطي والفن العراقي القديم == Intertextuality Between AL - Wasiti paintings and the Iraqi old Art

اسم المؤلف: عباس تركي محيسن المنصوري
اسم المشرف: صفا لطفي عبد الامير
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الزمن في الفن التشكيلي العراقي القديم == The Time in ancient Iraqi plastic art

اسم المؤلف: رنا ميري مزعل العابدي
اسم المشرف: كاظم نوير كاظم الزبيدي | عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

التواصلية في اداء الممثل المسرحي العراقي == Communication in Performance of Iraqi Theatrical Actor

اسم المؤلف: علي عبد الحسين رحمة الحمداني
اسم المشرف: عبود حسن عبود المهنا
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

واقعة المقابر الجماعية في العرض المسرحي العراقي == The Fact of Mass Craves on The Iraqi Theatre Show

اسم المؤلف: سرمد سليم عباس حسن
اسم المشرف: عقيل جعفر مسلم الوائلي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

جمالية التصميم الزخرفي الاندلسي : قصور الحمراء في غرناطة انموذجا == The Aesthetic of Andalusia Decorative Design Al Hambra Palaces In Granada As a Sample

اسم المؤلف: حازم جساب محمد علي الفتلاوي
اسم المشرف: حيدر عبد الامير رشيد الخزعلي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

تنظيرات ارتو الاخراجية وتطبيقاتها في عروض المسرح العراقي == Artaud's Directing Theorizations and Their Applications in Shows of Iraqi Theatre

اسم المؤلف: مصعب ابراهيم محمد الطائي
اسم المشرف: احمد سلمان عطية
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

صورة الاله في الالواح الفخارية العراقية القديمة == The Images of God in The Ancient Iraqi Pottery Plaques

اسم المؤلف: مصطفى جواد كاظم الحسناوي
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

البنائية للخزف النحتي الهولندي المعاصر : دراسة تحليلية

اسم المؤلف: سجى رسول نفل
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الدراسة الحالية اعمال النحت الخزفي البنائي الهولندي للفترة الممتدة بين (1970 ـ 2008) في ضوء تطورها ودلالاتها الفكرية، وقيمها الجمالية، ومرجعياتها، فضلا عن ان الباحثة لم تعثر على دراسة اكاديمية سابقة مباشرة تقترب من موضوع الرسالة الحالية الموسومة

المتغير الشكلي وعلاقته بالاداء الوظيفي للاثاث اللدائني في العراق : كرسي البالغين انموذجا == Formal Variables And It Relationship To Functional Performance of The Plastic Furniture Used In Iraq

اسم المؤلف: شعلة علاء الدين درويش لطفي البكري
اسم المشرف: سعد محمد جرجيس
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص البحث الخاص بالمتغيرات الشكلية وعلاقتها بالاداء الوظيفي للاثاث اللدائني في العراق اذ يعد الاثاث بشكل عام والاثاث اللدائني بشكل خاص من العناصر المهمة الاساسية لدى المستخدم في العراق، اذ تلمست الباحثة ذلك من خلال انواع الاثاث المستخدمة في جميع مرافق | The research variables formalism and its relationship to functional performance of the Furniture plastic in Iraq, as is the furniture in general, and furniture plastic particularly important components of the basic user has in Iraq, as it learned first - hand the researcher through the kinds of furniture used in all areas of our daily lives as (home, office and other ), but this diversity of furniture in general, and furniture plastic in particular, which was not the required level almost the end of the meet the needs of the user Iraqi different due to the lack of fits in with the factors (environmental, climatic and psychological behavioral) in many types Vdilaan and cases of non - proportionality to measurements of the human body, so the aim of the research to reveal the formal variable and its relationship to functional performance of the Furniture plastic in Iraq.Chapter Two included five Detectives are : The first part, which included changing the formal concept.The second section has included all of : 1 - a historical review of furniture : 2 - furniture plastic in Iraq and the Oases on each of : - Forms of chairs made from thermosetting plastics - Forms of chairs made from thermoplastic elastomers Almtlana - Types of seating.The third part included both : 1 - the design elements in the units of seating. 2 - foundations of organizational units and their relationship to sit (Holy)The fourth topic was to ensure both : 1 - furniture plastic relationship to the surrounding environment.2 - relationship with the chair and the environment3 - Relations Alargeonomitrih plastic in the design of furniture (chair), which in turn contained on each of : - Designed to sit - Parts of the Holy - The conditions of living - Types of seating4 - relationship plastic furniture (chair) to sit and physiology of the musculoskeletal system, which contained the - The backbone. - Joints - MuscleThe fifth topic was included plastics through - The nature of plastics - Types of plastics - The formation of technical plasticsAs well as from the remembrance of the indicators resulting from the theoretical framework and previous studies.The third chapter is to ensure research procedures and methodology and tool design and research labs honesty and analysis of samples, which amounted to (14) sample for the seven previous years.The fourth quarter included the results of research and the conclusions and recommendations, proposals and summarize the most important thing a researcher can make to this research from the results of which the proceeds of Aldrashokma following : 1 - General Authority of the Chair of adults and job performance achieved in the models of the sample number (2 - 4 - 5 - 7 - 8 - 9 - 10 - 11 - 12 - 13), while the check to some extent in all models of the sample number (1 - 3 - 6 - 14).2 - values of aesthetic expression and its association with variable formal has been achieved in each of the models of the sample number (2 - 3 - 4), while the check to some extent in all models of the sample number (1 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14).3 - Relations Alargeomitrih and its association with functional performance has been achieved in models of the sample number (1 - 2 - 3 - 4 - 6 - 7 - 9 - 10 - 11 - 12 - 13), while the check to some extent in the models of the sample number (5 - 7 ), while not materialized in the form of sample No. (14).4 - raw material and its association with effects, the different environment of Iraq has been achieved in models of the sample number (1 - 4 - 5 - 6 - 8 - 9 - 11 - 13), while the check to some extent in the models of the sample number (1 - 2 - 10 - 12 - 13) while did not materialize in the form of the sample number (7).5 - through the questionnaire show that the taste of color to the user achieved in each of the (green 37% - white 56% - the color turquoise 50% - color Maronite 50% - orange 46% - yellow 46% - the color red 33% - color beige 33% - blue 26% - violet 26%), while achieved to some extent is (violet 43% - the color red 33% - color beige 30% - blue 30% - white 26% - yellow 23% - the color turquoise 23% - color Maronite 20% - orange 20 %), while others are verified (white 3% - 3% violet color - red, 3% - 3% orange - yellow 3%).6 - consumer desire of the Holy plastic in terms of the cost of the purchase price reflected through the questionnaire which was to buy the chair cheap price (achieved by 6%, and verified to some extent by 23%), while the Argbh consumer to buy the chair plastic expensive (achieved by 6%, and achieved to some extent by 16% was achieved by 10%), while the consumer desire to buy the chair plastic average price (it has been achieved by 23%, were achieved to some extent by 23%, while it has not achieved a rate of 6%.)7 - the desire of consumers to buy the chair plastic in one piece without supporting them (achieved 46%, and achieved to some extent, 33%, while non - verified 16%), while the consumer desire to buy the chair plastic one piece armrests condemned by (achieved 46%, and verified to the extent of 13%, while non - verified total 10%), while the consumer desire to buy the chair plastic in one piece the palm of Zaraala was (verified at 20%, and achieved to some extent reached 33%, while non - verified at 16%) , as well as the desire of consumers to buy the chair plastic in one piece the palm back and low (where achieved Mnhakan by 6%, and verified to the extent Mapnsph 43%, while the non - verified amounted to 3%), and we find that consumer desire to buy the chair plastic moving the palm back and low reached them (13% achieved, as well as to the extent achieved Mabulg 13%), while we find that consumer desire to buy the chair back of the palm mobile plastic high have been achieved to some extent by 10% only).8 - through the questionnaire was the desire of the consumer in the presence decoration on the parts of the chair in different proportions with no signal of any rate in the desire of the consumer in the presence of ornamentation on the legs of the chair, while the desire for a decoration on the base of the chair by (achieved 20%, and verified to the extent What is also 13%, while non - verified 20%), and we find that consumer desire of the Holy plastic was Rbgenh in the presence decoration on the back of the chair by (verified 93% and Agheirmthakq 3%, but for the presence decoration on a supporting hand, was the rate achieved to some extent 6% only).9 - as clarified by the questionnaire regarding the type of decoration in the chair plastic Allve preference, the score of his preference for decoration engineering 96%, and plant motifs by 30%, while the consumers' desire to hold the chair for more than one type of decoration by 6%.10 - The job performance requirements for units of furniture have impacts on the formal structural configuration of the design.11 - The development of the performing functions that a user needs to achieve the best service and reduce the effort spent by humans led to the need to develop units and changing the forms of furniture to get to the designs achieve these objectives and satisfactorily.12 - that imposed by raw material in the manufacture of the product from the possibilities of manufacturing and plastic arts forcing the designer to formulate design within these possibilities and make changes required to achieve the formal specifications alozifahalmtalobh.13 - the potential for the human body and mechanism of kinetic role to impose itself on the general shape of the product in general and in particular units of furniture because of its direct and significant impact on the formative structure of the design.14 - to impose the surrounding environment by using unit furniture tathirambacraaly the training requirements of the form and any of the variables in the process of development required by taking into Alaattabarnsph weight of plastic granules, which makes them the chair.15 - The formal variables created by the designer to get to the results achieved and the convenience of the user Alamralasthlaki of the chair can be achieved through the variable elements in the form in whole or in part and to achieve the total integrated design idea.16 - technical effect in the evolution of the variable, especially formal methods of production (industrial technology).17 - the time requirement for the life of the product, whether functional or formal, and their impact on the formal variable, through the weight of plastic granules of the product (the chair) where the greater the weight of particles by a good addition to the anti - particles is the product specifications in order to be good.18 - attention to the standards of human engineering in the process of building the aunt of the chairs is what can users use different chips easily and away and away from any obstacles or the effects of physiology or psychology.19 - most of the models available in the local market productive way of injection.20 - role of the artist comes to be activated nature of the data and the researcher Mknonadtha hard for my conversion and transfer of data to be of particular stylistic feature and transformed through the transitions, executive thought to be formed as a creative output that any variable from case to case.21 - as a result of lack of control of standardization and quality control for imported goods from furniture plastic has led to the importation of furniture for poor creditors of the specifications and not meet the safety conditions and safety for the consumer.One of the conclusions reached by the researcher summed up as follows : 1 - Alastaban by the results of the general assembly of the chair (adults) and job performance, we find that the user of the Holy plastic prefer some chairs on the other, as suits his performance career.2 - The values of aesthetic expression and its relation to the formal variable in the user's preference for the types of them without the other.3 - Alargeomitrih of the relationship and its association with performance functional role in consumer preference for the type of plastic chairs and not others.4 - the severity of effects, and Rtbatha different environment Iraqi born in the user's preference for the type of chair plastic of them without the other, and that the nature of the place where the chair will be used as an environment or an environment external internal.5 - to taste the color of the user role in the color of the chair Akhiarh plastic.6 - the cost of the purchase price of the Holy plastic role in the process of user preference for the chair Allda?na where he prefers the chair with the average cost in addition to other features.7 - different consumer desire to buy the chair plastic in terms of the AHA (in one piece without the pads, or in one piece armrests to the hands, Okqtah one the palm - to - back high, or in one piece the palm back and low, Ktrk the palm back and low, or Ktrk the palm appeared high.8 - the type of decoration on the parts of the chair and place both in the back of the chair base or legs or hands or a supporting role in the user's choice of a chair in the procurement process.9 - must study the possibilities of the human body and motor Mdyatea, because of their Tathermbacr and accurate on the variables required in the product development process, especially furniture designs.10 - that the environmental effects of the sun, wind and temperature difference, etc., have an active role in influencing the product design of furniture, especially because of its negative impact in the short life of the product.11 - must know the raw materials and manufacturing specifications and capabilities, in order to determine the possibility of employing them in products.12 - for the technical development role important and significant in the open broad prospects before the industrial designer in the processes of creativity and toziv output of this development in the design and production, so the use of technical developments at all levels of design and production is a crucial element in the success of the design at all levels.13 - cope with the intellectual and scientific production, as the machines became controlled by the electronic programming.The researcher recommended the following : 1 - it is necessary to study the functionality to be achieved accurately by the designer, to be able to identify the variables in the desired shape, which must be studied in terms.2 - attention to the protection of the laws of the local product, and giving attention to the Iraqi market through the development of future plans to develop a private practice to suit the production and development taking place in the world.3 - the need to subject local and imported product, to measure and control Alnoaahhat exist in the market for Mahlahmentjat Da?nahubmoasfat is good.Researcher has proposed a study of the possibility of developing and supporting the local product plastic in general.

وظيفة الدراما تورج في المسرح العراقي المعاصر : دراسة تحليلية

اسم المؤلف: مثال غازي سلمان التميمي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يقف البحث عند اهم اشكالية وظيفية في عمل الدراما تورج وتمفصلاته ما بين النص والعرض. وهي اشكالية يعاني منها المسرح العالمي والعربي والعراقي المعاصر، حول شخصنة الوظيفة او دمجها بالمنجز الابداعي مع باقي الوظائف الاخرى.في حين استطاع الالمان التاكيد على استقلا | The research tackles the most important issue in function of (dramaturge ) and its problems between text and the show. it is an issue in which Arab and global theater is suffering about the personification of the dramaturgical and merge with the innovative achievement and the theatrical functions. While the Germans were able to stress the independence of the dramaturge as a function that lies between the function of the author and that of the director, as a third sensitive eye that is concerned with the aesthetic and intellectual observation for the work to create a balance between the text and the show without the occurrence of unbalances here or there. The research tackled the stage of development of this function passing through the author - dramaturge relation to the director - dramaturge relation reaching to the independence diagnosis of the dramaturgical function and its tasks and duties within the mechanism of dramatic show. Chapter One approaches the problem, importance, the need for, objectives and the limitations of the study, until we arrived at the detertminaiton of the dramaturge concept with some clarifications of the main terms which distinguish between the dramaturge as a concept and a s function. Chapter two tracked the stages of the emergence ad development of the makers of this and the technical and literary condition they posses combining the practical and scientific mind in practice, whether the dramaturge practice outside the dramatic or inside it. The first inquiry included the (author - dramaturge) stage, which is the state that effect the dramaturge action of the literary authorship of the author ((dramaturge)). This stage is as a preface to the way of the emergence of the director - maker of the show. This stage also effect the dramaturge practice which the critical effort has assumed in founding the base of dramatically writings.The second inquiry included the effort of Brecht, technical and ideological, in founding and fixing the stage of (director - dramaturge), with this experiment include of the application effort and theoretical impact. Brecht managed to destabilize and refute many rules which Aristotle had managed. The Brecht experiment is an advanced step forward.The third inquiry included what the Arab experiment has come up to in dramaturge practices for the first Arab pioneers in theatre arriving at the Iraqi theatrical experiment for Qassim Mohammed and Aqeel mahdi. The fourth inquiry tackled in some of reminding of the duties and tasks of the dramaturge tasks inside the team since the experiment of Gotschid, arriving at the dramaturge experiment of Helmut Schiffer. The chapter ends with the posing of the which enriched the procedural chapter. The third chapter which depended on that on samples of the Iraqi samples , which differed in their functional dimensions and limitations which resulted in the fourth chapter. The chapter included the results in details the dramaturge functions of the development and growth, the chapter ends up with a group of conclusions, in addition to the recommendations and suggestions that were imposed to rise the dramaturge reality inside the theatrical experiment in Iraq.

اساليب تصميم واخراج الصورة الرقمية في الصحف العربية الالكترونية : دراسة تقويمية

اسم المؤلف: شيماء وليد جاسم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التطور الهائل في شبكات الاتصال وشبكة المعلومات الالكترونية (الانترنت) اتاح امامنا المزيد من الانفتاح المعلوماتي والاعلامي الذي تجاوز الحدود والحواجز التقليدية، لاسيما وان شبكة (الانترنت) من ابرز شبكات المعلومات، فقد تتميز بانتشارها الكبير، وتسارعها اله | The Tremendians Development in Comvnunication and Internatiand net of in Favmation ( Ivter net) has opened for us more information and media which extended over the Traditiaral limits, Particularly the ( Inter net) which seems to be the most mean of Informationnet in its large Separation, High Speed, Variety in Subjects, Multi Webs life contribution, Differnt Communication functions, and it Has Been Proveng that it is the Uniqe Means of communication over the world, digited picture also has Witnessed a Great Technical development and become one of the most important activity in New papers and modern design, and we find that the science and art of paper picture and digital picture has developed also with the other sciences particularly the science of printing, media, communication and press, which made the digital picture so important in printing work, perhaps the Essencial Part in picture press. The digital picture is one mean of Cnltnre and it extremely succeded to change communication reception from written to phategraphic text which has a great influence on the receptive. According to what has presented above, the problem of the Stndy Try to study the qualifications of the digital picture among the modern techinges. Defintion of hasic terms has also presented in the stnd like (style of digital picture, electornical popers) limition of the study represented only with ( number of Arabic papers over internet) in 2010 and the main page only. Chapter two studied the ( theoretical background) which consist of three sections, first; Visnal communication and digital picture, second; modern Techincs and the technology of digital picture, third; technical treatment in digital picture. Chapter three covers the Precedues of the study, the researcher used the descriptive approach in the study analysis, Sampu of the study represented by 18, two of the Conntries Were Excluded because they have no Electronical paper like Jiboti, Somel. The indications of the theoretical background has directed the researcher to design the list of analysis resuts, discussion of the results, condution, sngestion and recommendation wer presented in chapter four which shew that : 1. Picture becaue to was devided into two extension which is considered abig faultin designing and effect on to negatively and loss it its valna and function this was appear in somple no ( 1,2,5,9,13,15,17,18).2. Weakness in activiating classificational connections which led the reader to the main page or the inner pages or the connecation which led the reader to the cultnral, informational services. Some samples were used classificational commections as in (9,11,14,15,16,17) shown in tables (51,63,81,87,93,99).3. Multi medium i.e. ( digital sound) were not activiated properly in the electronical paper ever, justin sample no.(8) show in table (45), music were accompening the main page which supported the visual reception.4. Video picture were not used ecceptin sample (6,8,12,16,18) show in table ( 32,44,68,92,104) because it need a long time for looding, and saving which slow the page. However, the video picture is so important in electronical paper because it help him to communicate with the ever its as apart of his life, and has an inflnrce in the process of inter in andio picture, text and motion. And so it attract the reader to muti distinctions. In conclusion the stud appear that : 1. Papers contion different sizes digital pictunes because these poper depend on small formal size picture due to the process of looding time although it effect negatively on the paper and the degree of infuncc on the reader.2. The increasing of inner and outer connection ( thong they are important) led to weak the paper design and its loading and function.3. Digital video and sound has its effect on the reader interaction. Digital video consider the mestimportant target for the multi media because it consist of text and mation picture and sound.The research recommend to : 1. Iet the worker in designing atraining opportunities to be cabable in their field.2. Utizing the ddesig programmer indesigning and directing digital picture particularly in the moin page. Suggeshins were as follow : 1. Applied study in desingning and direching the digital colour in papers.2. Applied study in the design of advertisement for the arobic electronical papers.3. Studying the movement of moved textand titles and its influence on the directing and designing the paper.4. Studying the webs.Finaly the study ended by the list of reffereus and appendices

التراكيب الدرامية والدلالية في البرامج التفاعلية التلفزيونية == The Dramatically And Semantically Structures In The Television Interactivity Programs

اسم المؤلف: عمار ابراهيم محمد الياسري
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: مما لاشك فيه ان الانفتاح الفضائي الهائل للفن التلفزيوني على كل ارجاء المعمورة وبساعاته المستمرة بدون انقطاع دفع القائمين على هذه المحطات الى البحث عن اشكال سينماتوغرافية او تلفزيونية غير مالوفة تستطيع فرض ابهارها على المتلقي، وهي اشكال اصبحت في بعض الاحيا | There is no doubt that the great opening to the television art all over the world in his continuous hours without breaking pushes the workers in these channels to look for unfamiliar cinematographic figures. Some times, these figures became one of the new weapons of the informational war which drops all the government , but the people who calls about development ,they looked to revolt against what is spread and holy in the literary achievements and they declare in many occasions on the necessity to attract the audiences to the structure of the event These suggestions which mentioned early and more push many people in the channels and producers to look for new figures which can go side by side with the sounds that demanded by the necessity of changing and looking for new and unfamiliar figures, as a result of what was carried by the cinema from theories which made from the reality its subject , and what is presented by the game programs of nations which is shown by television in addition to the live shows of sport matches and political events help to appear an idea to the television programs producers sine the end of the seventieths in the previous century and this a real life of TV programs which started to make its place in the middle of the ninetieths in the same century then there was a widely opening to the internet through voting and participating to make the interactivity programs which opened to the audiences and declared their revolution in the holy text which is closed on the wrier himself , many of the academic studies in the college art and information when they deal with classifications or TV shapes and they don’t talk a bout the structure of these programs or their names or their classifications , and they don’t talk a bout what is the kind of drama ? Is it arastos dram ? or something else ? and it only do the division of TV shapes into TV drama and the different TV programs. Therefore it left the interactivity works of TV which started to take widely space in the structure of the daily show, From here the researcher in spires his problem which he put it under the following question : what are the dramatical and semantical in the interactivity of TV programs ? and the researcher put his research under the title , the dramatical and semantical structures in the televisional interactivity programs , the importance of the research is to focus on drawing the attention to the new subject which isn’t studied earlier and it became centre of academic and informational problem. The importance of research focus on finding out what are they ? and the classification of these televisional interactivity programs ? which work in it , the bounds of the research focus on the shown programs in 2011 year in the different international channels and it focus on intended samples which suit the requirements of the research. The theoretical frame included five inquiries ,the first inquiry called the televisional interactivity between the appearance and classification ,it deals with the first beginning of the appearance of the televisional interactivity through clarifying the figures to televisional programs of realty , the second inquiry called the appearance of televisional interactivity figure from among the cienamtographic , the researcher say in this inquiry that the televisional interactivity of realty is a result of all the theories of realty ,the third inquiry include the shape structure in interactivity programs, the researcher discussed in it the televisional interactivity shaps through its visual elements , the fourth inquiry called the dramaticl structures which work in the interactivity programs structures ,as mentioned earlier , the researcher clarifies the elements of the drdmdtical structures for televisinal programs of reality and in what is unique in the televisional interactivity programs of reality , in same characteristic figures which differ from other dramatical works , the fifth inquiry called the semantical structures in the interactivity programs. the third and fourth section included the analysis of the three sample which is the Saudi program, bet al attar , and the germane programs ,XY , and children's programs,Aesh safri , in the end section , there are the result , conclusion , recommendations , suggestions , and then re souses and appendix then the summary in the English language

بناء منهج تعليمي لمادة المشروع في قسم التربية الفنية على وفق الاسس النقدية والتقنية للفن الشعبي == Building of An Instructional Curriculum For The Project Subject In The Department of Art Education According To The Critical And Technical Basis of Pop Art

اسم المؤلف: ميادة عبد الرحمن فليح العيساوي
اسم المشرف: ماجد نافع عبود الكناني | سلام جبار جياد
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يهدف قسم التربية الفنية الذي يمثل احد الاقسام العلمية في كلية الفنون الجميلة، الى اعداد الطلبة وتاهيلهم لمهنة تدريس مادة التربية الفنية المقررة في مدارس المرحلة الثانوية، لذلك فان برنامج الاعداد ينبغي ان يتضمن مجموعة من المقررات الدراسية التي تشمل الجوانب | Since Department of Art Education is one of the scientific department s in the College of Fine Art, then this Department aims at rehabilitate students and adopt them for the career of teaching the subject of art education for the secondary schools. Therefore, the programs includes a set of curricula textbooks that include educational and psychological aspects as well as some artistic. On that basis, the researcher preferred to co duct an experimentation to one of the concepts of postmodern art called (pop art) through building a method depend on one of the concepts which would help students of the subject to carry out their art projects according to scientific steps included in the present study (planning - evaluation). Training of the use of art skills conducted by pop art artistic and promote it for students who carry out their projects represents an artistic cultural process that requires much experience and high level skills according to their mental abilities and intellectual readiness as well as their previous expertise and how they are affected by it. The researcher prepared a theoretical frame that include subjects about pop art and the factors which founded that art as well as the sources of its emergence and the most important arts is who have supplied that art with their worlds hat depended on the daily life (familiar - unfamiliar) with previous references of that art and cultural mass media that have propagate it. The procedures of the study depended on the descriptive method (content analysis) as it is the most suitable procedure to realize the objectives of the present study. She tackle in the chapter the community of study that included 100 works for 10 artists who were chosen randomly. then she derived (carryout) the consisty of tools.The researcher analysis the works by anaujsis the onception of (100) of wark arts. then analsis of building for those ten Artist to support the curriculum so, the researrchn gets the critical and techuical bases of bob art schod by discovering thenm , the researchan depends on them to built the curriculm which is considered one of the aims of research.After that the researcher built the suggested method of the art project subject in the department of art education. The project included the instructional objectives about the theme of the project and its steps represented in determining the problem and in planning the project and then carrying it out.The most important conclusions were : 1. Working on finding new mechanism in organization the structural organization of the art project through directing the students to insert the available raw materials in his environment (ready and not ready) and employ them as material outputs in relation to the reality of Iraqi society.2. Taking to the technological developments in carrying out the idea of project work and use what is available of photographs for some of the art and political persona as well as packages of food and drug products.The most important findings are : 1. Using the suggested method for the project subject in the departments of art education in college of Art Education as it included the instructional contents for w whole academic year. 2. Inducing the educational institutions and researcher alike to translate resources and literatures that have treated pop art as it includes as it includes rich information and the familiarity of uses in many artistic institutions or by artists. The researcher suggestion is , haw to buitt instructional program according to building treatment structural to derelop the plastic Arts student skills.And joput the pop ant and tecniqne bases in acheavement of recommendation of handkerchief subject.

خصائص التعبير الفني لدى اطفال التوحد == Properties of Artistic Expression Children With Autism

اسم المؤلف: شيماء احمد عبد الغني شربة
اسم المشرف: رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد فنون الاطفال احد الموضوعات المهمة وتحديدراسومهم التي حظيت باهتمام كبير من الباحثين لما لها من دور في تحقيق الانسجام الداخلي للطفل والتوازن في علاقته مع الاخرين.ويعد الرسم لغة الطفل في التعبير عن نفسه ومكنوناته، اذ احتل الطفل مكانا مهما في العديد من ا | Children's art is one of important issues, specially sketches that received much attention from researchers because of their role in achieving internal harmony of the child and the balance in its relations with others.The drawing is the language of the child to express himself, as the child occupied an important place in many studies and research in detection characteristics of this stage and their relationship to different variables. The attention towards the children drawing in particular has increased, which make the researchers classify children's drawings of different ages and concluded that certain features appear at different ages, which were called by the stages of artistic expression.Given the importance of drawing, it was recommended by some psychologists to use the drawing with children who curriculum and those who suffer from poor social harmony and emotional and those who have behavioral problems, to identify these problems and their resolution and those who more in need of expression drawing without the use of the word, children with special needs, specifically for autism, which find it difficult to create a link between him and the others, here emerged based on this study highlight the drawings autistic children and knowledge of the properties of these drawings was founded as the research problem as follows : 1. Do the autistic children have properties of artistic expression of their own.2. Does the characteristics of artistic expression of children with autism differs from the characteristics of artistic expression of normal children.These researching questions called to prepare this research, which aims to : 1. Definition the artistic expression characteristics for the artistic children aged between (7 - 9 years) and (9 - 11) years.2. The definition of the artistic expression (if any) between the characteristics of artistic expression for the autistic children and the artistic expression for the normal children aged between (7 - 9 years) and (9 - 11) years.The researcher derived from the second goal two hypotheses : A - does not have a statistically significant difference at the level (0,05) between autistic children and the Normal children and aged (7 - 9) in the properties of artistic expression. B - does not have a statistically significant difference at the level (0,05) between autistic children and the Normal children and aged (9 - 11) in the properties of artistic expressionTo achieve the objectives of the research, the research's community was identified which consisted of all autistic children attending Institutes (Rami and Rahman majors), their total number (68) boys and girls by (26) children and (14) baby girl at the Institute of Rami, and (18) children and ( 10) a child at the Institute of Rahman.The research sample consisted of all autistic children who are confined between the ages of (7 - 9), (9 - 11) years was (40) by a boy and girl (24) children and (16) child.The sample of normal children consisted the same numbers of children from autism.The members of the sample were distributed into four groups of autism and normal children, two in the stage of life (7 - 9) years and two in the stage of life (9 - 11 years) and to determine the subjects of graphic and raw materials the researcher held survey included (150) students from autism and normal children, showing that favorite subject is (the landscape) and (home) as the colors of wood got the highest frequencies, and thus adopted by a researcher at the baseline study.The researcher adapted in this research approach (descriptive analysis). The form analysis has been built from children drawings consisted of (29) major area, and (72) minor area. Verified was done from the tool by group of experts in the field of art education, psychology, arts. The stability of the tool, the researcher have been analyzed drawings by agreement with itself over time, and had engaged with two analysts. In order to reach to the search results the researcher used the following statistical methods : The researcher used the SPSS statistical pouch of Social Sciences, as follow : Equation Cooper as used in calculating the true analysis tool drawings, and the equation (Scoot) to calculate the reliability of the graphical analysis, and a square (x 2) to calculate the significant differences between the properties, and the equation of (Fisher) to calculate the weighted average and weight of areas.After the unloading of data the researcher has reached the following conclusions.1 - by observing the results of research show us that most of the characteristics of artistic expression that emerged in the students drawings sample of normal children it appeared in the drawings of autistic children, even if to varying degrees, this means that autistic children are close to the normal children.2 - Properties of artistic expression in children with autism, including the following : It is noted from the results of research show that some characteristics that appear in the age (7 - 9 years) or less disappear in the subsequent phase and this shows the evolution of artistic expression in general, autism and normal children.The recommendations were : 1 - Through the search results produced by the approach of artistic expression for autistic children of their fellow children ,normal , so the researcher recommends the application of the applicable technical education curriculum in primary schools with a little modification commensurate with the possibility of these children and their special status.2 - Researcher recommends that officials of the Ministry of Labour and Social Affairs pay attention to studying art education and the appointment of qualified teachers in technical institutes unite to study the functional significance of the creation of psychological equilibrium of these children.3 - Researcher recommends that officials of the institutes unite to organize art exhibitions for these children to help in the integration of these children with community groups to feel that they are useful members and able to serve their communities and their homeland, and this increases their confidence. The proposals were : 1 - Carry out a study similar to the current discussion and stages other than the stages covered in their search in order to provide integrated information of artistic expression for autistic children. 2 - Carry out a study of the relationship of children drawings and personal characteristics. 3 - Carry out a study of the properties about children's drawings much slower in learning or other classes for children with special needs.

المتغير التقني في اساليب التشكيل المعاصر : العراق، مصر، المغرب انموذجا

اسم المؤلف: ميسر علي احمد القاضلي
اسم المشرف: هادي نفل مهدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يسلط البحث الضوء على مفهوم يؤكد ان العمل الانساني الاولي يتضمن فكرا يتجذر بمعطى تقني ويصبح الانسان فيلسوفا في عمله ومن هذا المنطلق تكون الثنائية بين العقل والممارسة مكافيء موضوعي لعملية النمو والتعبير، سواء في الفن ام في غيره.وانطلاقا من واقع الحركة الت | The research sheds light on a concept asserts that the primary human action in clouding thinking that deep rooted with technical fact and man becomes philosophical in his work and from this starting point the wedding between mind and the practice is as objective coefficient for growth and expression process. whether in art or in others.Stating from the realty of the plastic movement in said countries and with in the limitation of science and objectively and through transforming from the stationary to changeable and what was abase has become contrast, and these changes has risen a number of inquires most important of which : 1 - Does the modern art depending the median as a message.2 - Dose the modern civilization of artificial dimension in a physical world pushed the artist to take the path of empirical science.3 - Dose technology intervened in specifying the physical concept for the optical surface. In light of these facts the objective of the research specified by the following : - 1 - Detecting the manifestation technology and the formulation components for the optical surface structure of the modern plastic.2 - Detecting the technical variable in modern plastic styles in Iraq, Egypt and morocco.And the research has eliminated with the limitation of objectivity represented by technical variable and time limitation after the second world war (from 1945 to 2008)And then the second chapter ( the knowledge from work) The first category displayed the recognition concept of the style where it deals with some philosophical concepts which confirmed that the creativity progress doesn’t at some extent, but they are continuous trams formation imposed numerous pressures on the artist. Influenced in creative process and examining it and expressional means of thoughts in away suitable with esthetic and knowledge values.Also the research also displayed the technical concept where it links the philosophical concept of the technology with the scientific research in light with the intellectual products and the society and life systems and the consideration values.As for the second category, which discussed the optical product, represented by thought which proceeds physical nature of the application action, and this leads that each artistic work its distinguished nature of its impact, from the reality of optional will and specifying, the for the whole art to be in the logic circle out the artistic work and just entering the optical circle , becomes a will and sensitive, and the raw material has formed a value and underlying bases of the optical surface as an essential base in foundation of the esthetic values and it may exceed this, that the raw material to be the work itself.And the plastic schools are considered of important for the plastic products, where the artist asset, through the construction systems upon the integrity of the product, and its influential, expressional and esthetic, thus and due to this concept, their figures are established , constructive relation figures ,the relation of the whole to the part is judged or vice versa with mode differs with the plastic components.Also the third category of the second chapter included the technology and the performance in art, where the technology is found in the middle of modernization, and the category has displayed the means and the historical changing of technology, we could find the interventions between the industry impacts upon the art technologies, over ages, also the category illustrated the technical transformation from the made to the ready made, the Dadaea'a movement has adopted the art transformations from the made to the ready made and that was a reflection to intellectual and technical uprising seeking for arouse the chaos among various cultural activities and to reduce the interval borders between the art and the other cultural activities, and recourse to construct to the adherence and assembling through using a strange material from art including the valueless ,common and the consumed and food waste to enter new technology in the context of the artistically work or made it afterward isolating it from it's special reality to an artistically works stand upon by itself. Also the research illustrated the assembling art and the unusual technology, the art is striving to deviation of its traditional methods, and the artist seeking the strangeness in away that provoke the recipient regardless from the esthetic values and the academic mimics. As for the third chapter which illustrated the historical root of the plastic art in Iraq. Egypt and Morocco and it deals with the foundation stage, forerunners and the artistic groups which are established due to intellectual concepts leads to technical and stylistic changes, also the chapter has illustrated the most important references through the proceed of the plastic artistic movement of social, cultural and historical references and the effect of the western arts and modern technologies.As for the fourth chapter which illustrated the procedures of the research and choosing the research society and its sample, in which the researcher has depended on the intentional option based on the artistic experiences and the technical changes and the stylistic one each artist depended.The researcher has depended the descriptive analysis procedure to analyze the samples and depending the indications extracted from the knowledge framework that comes within the axes of the optical research of the plastic products and the constructive systems on which the artist depended, and the demonstration technologies and the pressure references, the style and the trend, as for the fifth chapter which included the research results ,and the conclusion, recommendations and the suggestions, and the research has concluded to the following out comes : - 1 - The artists depending a strange technologies in constructing the optical surface and with local implications. 2 - Some humble technologies have appeared, that we could related to the conceptual arts, but I could not find in artists experiences in the three countries that refers to practicing artistic technologies trends after modernization such as the body art, the earth art or the graphic art and the performance….. etc.3 - Some artists trans pass their experiments technology to traditional technology in the concepts of type to non - type through the interrelation of types.4 - Some of artists have mobilized environmental artistic works, act upon the recipient participation, also others act upon to mobilize using of the artistic work ,and water , earth surfaces and environmental spaces were used as a display media.The research was ended to diagnosis some recommendation and suggestions that support the research and expanding the knowledge base.

اكساب مهارات التشكيل في فن الخزف على وفق النظرية التوسعية == Providing The Plastic Skills In The Art of Ceramics According To The Elaboration Theory

اسم المؤلف: حسين صكبان علي
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ادت التطورات العلمية والتكنولوجيا في عالمنا المعاصر الى ظهور تغييرات سريعة في ميادين الحياة كافة حتى اصبح الانسان في حركة دؤبة للبحث عن افكار واساليب جديدة لتحل محل الانظمة التقليدية السائدة وبخاصة بصيغة حديثة تنسجم بروح العصر والسعي لتطوير العملية التعلي | Resulted in scientific developments and technology in the contemporary world to the emergence of rapid changes in the fields of all life to become human in the movement of a vision for the search for new ideas and approaches to replace traditional systems prevailing in particular form a modern fit the spirit of the times and strive for the development of the educational process in order to achieve maximum efficiencies in the field cognitive skills. Therefore, the development of modern technologies in the educational process have an impact in achieving the comprehensive development of the learner and increase the expertise of the educational aspect of knowledge and hand skills has led to the development of the instructional design process which is based on the foundations of philosophical, psychological, intellectual and social Achieving stability depends on primarily the suitability of the nature of scientific article and how to achieve the educational objectives and to meet the specific needs of learners. Among the designs of modern education, the design of an instruction manual on according to the theoretical expansion for (Charles Reigeluth 1983), which imparts education expanded may differ from the rest of the teaching methods, the traditional master, and therefore chose the researcher of this theory in the design of evidence for education based on what he referred to studies and research educational resources and literature that dealt with this theory. Is the material porcelain in a group many of the vocabulary of different starting from the processing tools for the work to prepare for clays to reflect the action steps to build a model ceramic that require mental processes are interdependent and performances skill of formula neat and accurate, so it became necessary to follow the technique technician is subject to the rules and principles of scientific research can be through which the learner access to high performance and accurate in the process of forming the skills of ceramic art. Accordingly, to achieve the goal of current research following : 1 - Design an instruction manual to give the skills in the art of porcelain composition according to the theoretical expansion for (Charles Reigeluth 1983). 2 - Measuring the effectiveness of the educational designer directory with its two dimensions of knowledge and skills through application to the second stage students in the Department of Art Education - College of Fine Arts - University of Baghdad. For the purpose of verification of the objectives, the researcher added eight hypotheses zero to show results and verified. Was necessary to identify the research community who are students from the second stage - Department of Art Education - Faculty of Fine Arts - University of Baghdad, the study for the year (2009 / 2010), numbering (82) students, where the researcher all the research community as a sample for examination as it was divide the sample into four groups to examine each of the skill one has been subject to experience through their teaching according to the educational requirements of the manual which was prepared according to the theory of expansion. To verify that the objectives of current research and access to the results has been building two types of tests, where he was the first collection of knowledge and the second to measure the performance skills which measured performance skills in accordance with the form promised for this purpose was to verify the authenticity and reliability tests. To show the results of the research was the researcher a set of statistical tools, including the equation (Wilcoxon) to verify the validity of null hypotheses and the equation coefficient of difficulty and discrimination of the paragraphs of the achievement test of knowledge, and equation (Cawdor Richardson / 20) for the stability of the test and equation (Holisti) for the stability of the test skill and find a coefficient of agreement between observers. The results to two conclusions : 1 - The adequacy of the sample in the cognitive achievement test which relates to the dimensional aspect of the cognitive content of the contents of the directory of education. 2 - The adequacy of the sample in the test skills which were taught according to the instruction manual skills in the art of forming pottery on the theory of expansion. The recommendations were as follows : 1 - Adoption of the educational guide designed according to the theoretical expansion for (Charles Reigeluth 1983) in teaching ceramics and planned approach in the Department of Technical Education to prove its effectiveness in giving students the skills profile in the art of ceramics. 2 - Working to create the potential supplies of material and human resources to follow the strategy of expansion such as to provide theoretical time and place and to create equipment and provide advanced training means technically and artistically as well as the processing of raw material (clay), which is the basic material for ceramics. And development of the current research studies the researcher suggests the following : 1 - Designing and testing the instruction manual is designed according to the theoretical expansion for (Charles Reigeluth 1983) on the other subjects of the nature of the skill. 2 - A comparative study between the use of the skill composition of learners in the art of ceramics and other technical skills.
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