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التراكيب الدرامية والدلالية في البرامج التفاعلية التلفزيونية == The Dramatically And Semantically Structures In The Television Interactivity Programs

اسم المؤلف: عمار ابراهيم محمد الياسري
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: مما لاشك فيه ان الانفتاح الفضائي الهائل للفن التلفزيوني على كل ارجاء المعمورة وبساعاته المستمرة بدون انقطاع دفع القائمين على هذه المحطات الى البحث عن اشكال سينماتوغرافية او تلفزيونية غير مالوفة تستطيع فرض ابهارها على المتلقي، وهي اشكال اصبحت في بعض الاحيا | There is no doubt that the great opening to the television art all over the world in his continuous hours without breaking pushes the workers in these channels to look for unfamiliar cinematographic figures. Some times, these figures became one of the new weapons of the informational war which drops all the government , but the people who calls about development ,they looked to revolt against what is spread and holy in the literary achievements and they declare in many occasions on the necessity to attract the audiences to the structure of the event These suggestions which mentioned early and more push many people in the channels and producers to look for new figures which can go side by side with the sounds that demanded by the necessity of changing and looking for new and unfamiliar figures, as a result of what was carried by the cinema from theories which made from the reality its subject , and what is presented by the game programs of nations which is shown by television in addition to the live shows of sport matches and political events help to appear an idea to the television programs producers sine the end of the seventieths in the previous century and this a real life of TV programs which started to make its place in the middle of the ninetieths in the same century then there was a widely opening to the internet through voting and participating to make the interactivity programs which opened to the audiences and declared their revolution in the holy text which is closed on the wrier himself , many of the academic studies in the college art and information when they deal with classifications or TV shapes and they don’t talk a bout the structure of these programs or their names or their classifications , and they don’t talk a bout what is the kind of drama ? Is it arastos dram ? or something else ? and it only do the division of TV shapes into TV drama and the different TV programs. Therefore it left the interactivity works of TV which started to take widely space in the structure of the daily show, From here the researcher in spires his problem which he put it under the following question : what are the dramatical and semantical in the interactivity of TV programs ? and the researcher put his research under the title , the dramatical and semantical structures in the televisional interactivity programs , the importance of the research is to focus on drawing the attention to the new subject which isn’t studied earlier and it became centre of academic and informational problem. The importance of research focus on finding out what are they ? and the classification of these televisional interactivity programs ? which work in it , the bounds of the research focus on the shown programs in 2011 year in the different international channels and it focus on intended samples which suit the requirements of the research. The theoretical frame included five inquiries ,the first inquiry called the televisional interactivity between the appearance and classification ,it deals with the first beginning of the appearance of the televisional interactivity through clarifying the figures to televisional programs of realty , the second inquiry called the appearance of televisional interactivity figure from among the cienamtographic , the researcher say in this inquiry that the televisional interactivity of realty is a result of all the theories of realty ,the third inquiry include the shape structure in interactivity programs, the researcher discussed in it the televisional interactivity shaps through its visual elements , the fourth inquiry called the dramaticl structures which work in the interactivity programs structures ,as mentioned earlier , the researcher clarifies the elements of the drdmdtical structures for televisinal programs of reality and in what is unique in the televisional interactivity programs of reality , in same characteristic figures which differ from other dramatical works , the fifth inquiry called the semantical structures in the interactivity programs. the third and fourth section included the analysis of the three sample which is the Saudi program, bet al attar , and the germane programs ,XY , and children's programs,Aesh safri , in the end section , there are the result , conclusion , recommendations , suggestions , and then re souses and appendix then the summary in the English language

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

اسم المؤلف: ايناس عبد الحافظ احمد القباني
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

تكييف القص القراني للدراما التلفزيونية : مسلسل يوسف الصديق انموذجا

اسم المؤلف: علاء فاضل حمود
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الامكانات الهائلة التي يقدمها التلفزيون في ميدان صناعة الراي من الناحية الاعلامية، وبما يمتلكه من قدرة كبيرة على التاثير في المتلقي، بحيث اصبح من الميادين المهمة التي تستقطب اهتمام الدول والمؤسسات والمنظمات وحتى الافراد، وقد تعددت اساليب استثمار هذه ال | Within huge capacities introduce by television in the field of manufacturing the opinion from information direction and its large ability to effect on the listener, then it became from the important fields which take the attentions of states, institutions and organizations even the individuals.The means of investment for this active communication device multiplied in order to preserve the cultures of nations ,and many establishments engaged in the work for the sake putting the values and cultures connect peoples with its values and its cultural, faith heritage in order to a achieve kind of sovereignty and at the end it for identification shape ,then kind of influences multiplied with multiplying of these shapes introduced by this mean.From many of practices face tangible development in the act of production ,the dram works come to describe the Quranic stories and it looks as a new kind and localized itself as a kind among television drama kind, and that needed acts of adaptation in order to implementing convenience with television mediator.The described research ( the adaptation for Quranic stories for television drama, true Yousif series) come as an examples as an efforts aim to reveal the machineries where act of adaptation done through it ,and it divided as follows;Chapter one ;methodical frame than contain research problem which it crystallized with the following question ;what the description of adaptation machineries of Quranic stories for television drama.The first chapter contain the research aim which concentrated on the act of revelation for machinery which process of adaptation done related with prophet Yousif story for television drama.Basing on research aim, the importance of research came and that as additions for scientific movement in cinema television arts department and college of fine arts generally.This chapter identify the idioms mentioned in the title of research.This chapter ended with research boundaries which include the selected sample which is selected to arrive to research aim.Chapter two; theoretical frame ,research divided in this chapter into three topics contribute to arrive to research aims as follow;The first topic ,came as a title of narrative structure for Quranic stories ,and research deal with narrative from linguistic and idiom aspect then narrative in Quranic stories.Then dual of ego and objectivity has been discussed and teqnique of narrative then expose for point of view and size of teller and narrative sites then dealing with speaking text in Quranic stories ,personality, time and place of Quranic story besides to investigate for these elements in television drama.The second topic; it came with the title of, adaptation machineries of Quranic stories for television drama ,in this topic it is identified and study adaptation machineries of Quranic stories for television drama and identified with explanation ,quotation and supporting by historic references ,and these machineries identified in the light of response the television mediator for it and with exactness and trust needed by work relate with holy text for its importance and sensitivities.The third topic; it came with the title of ,the elements of pictorial construction for Quranic stories and this topic dealing with elements of pictorial construction that concentrated around the pictorial narrative and imaging ,optical influences ,decoration ,fashions ,accessories and voice duct.Chapter three; research procedures, and that include the followed methodology in the research where there are analytical descriptive manner because of it is more convenient manner for research subject ,and mean of research which it was as an indications for theoretical frame , Chapter three include analysis unit and this unit fitted with sample nature ,and sample has been analyzed on the base of shot ,scene and series ,chapter included the selected sample with aim, then analyzing the selected research sample intentionally is true Yousif series according to the indication adopted by researcher after consulting the opinions of committee of experts and injuries.Chapter four ,the results, in this chapter we write down the results of analyzing process and researcher arrived to;The adaptation works to produce television drama text erected on the holy text through means of different expressive of mediator, and explanation, quotation and dealing with historic references and that machineries and that it is possible to adapt the Quranic stories for television drama.For the technical elements of language has ability to employ more than one level to send information and the meanings of Quranic text.This chapter include the results of researcher as generally mentioned in the research ,and recommendation of researcher and the important suggestions that pour in the service of scientific movement in cinema, television arts departments especially in dealing with such kind of scientific researches.The chapter include the list of scientific references where researcher depending upon it and annex relating with research ا subject and research concluded with abstract in English language.