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التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها == Distortion In The Beauty Of The Design Of Street Furniture And The Methods To Remedy Them

اسم المؤلف: بان محمد شاكر الطائي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تتناول الدراسة الحالية (التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها ) بصورة اكثر شمولية من مثيلاتها لما لها من اهمية في ذائقية المتلقي من خلال البعد الوظيفي والمظهري لاثاث الشارع مع الحفاظ على الهوية والخصوصية في التصاميم , وان مشكلة البحث تحددت | The Current Study deals with(distortion in the beauties of Street Furniture Designs and how to remedy them), in more comprehensive manner than other similar conditions, because of the importance to reflect in the taste of the recipient by the function and the visual aspect of street furniture with maintaining the identity and privacy in the designs , and the problem of the research was out lined in the following question : What are the aspects of distortion in the beauties of furniture used in local areas (street furniture) and methods of treatment ?As for the importance of the research , it was focused in raising the level of taste for beauty of the recipient by determining the distortion taking place in the beauties of the design with finding means to fix this distortion while the research aims to specify the concept and type of distortion taking place in the beauties of street furniture as for the research limits they were outlined by the subject of distortion in beauties of the design of street furniture units used in public areas and how to fix them , in Baghdad /(Alwaziriyah) for the duration(2009 - 2014).As for the procedures of the Research the descriptor method was employed with accrediting a questioner from, which specified the basic axis of analysis, and the researcher have found out the following important results : The distortion took place in the percentage and in some models with a distortion in the visual communication as a result of misuse as the metal ore was distorted because of the bad joining methods which was affected in the climate conditions in several models.The most important conclusions : When the designer ignores the design foundations and the relations the distortion appears unintentionally in the appearance of the industrial product and by choosing some types of ores and joining methods and failing to use good painting , this create is an obvious distortion in these units because they were exposed for different environmental and climate effects which have contributed in creating the distortion , and the research ended by offering a set of recommendations and proposals.

معطيات المعرفة العلمية للمتحول التقني في المنهج الصناعي == Personal Representative And Performance Between The Epic Theater And Gala Theater Offers In Iraq

اسم المؤلف: صلاح نوري محمود الجيلاوي
اسم المشرف: قدوري عراك صكر | هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current study entitled (the given scientific epistemological knowledge for the technical transformation in industrial product), approached the subject of design in general, and modern industrial product design, in particular, which employed modern techniques and have new concepts and ideas, which was the main element in making significant changes in product appearances. the first chapter included the research problem which it concentrate about identifying the epistemological systems and structure and foundations, which allows us to understand the mechanism and relational components of industrial product , according to that knowledge that contribute to the activation of mental images and imaginative abilities of industrial designer, and reproduction of ideas that used in identifying the technical transformation for that product. According to that, the research problem has crystallized by these questions : 1. does the scientific knowledge has contributed in evolving the product design, and how techniques effected by the upcoming of scientific knowledge? 2. the extent to which the Awareness of industrial designer expertise cumulative knowledge gained through the stages of time?While the importance clarified through the data of scientific knowledge and the overlapping with art, since such interference can appears the values of artistic techniques of product design, so the detection of creative achievement system of scientific knowledge of pure mathematics, physics, chemistry, and technical aesthetic knowledge that appear in the design of industrial product which brings us to an account of the movement of pattern of the mental mechanism visualization and call for a stylistic vocabularyof industrial product to deal with, as it shows the followingimportant points : 1. The pattern movement of mental perception mechanism with which industrial designer generates from which new and innovative ideas based on the accumulation of knowledge, which stores them in memory and call the vocabulary of industrial product and stylistic interaction. 2. The scientific construction mechanism of knowledge and expertise to the industrial designer can be the organization that operates the juxtaposition actor and moving in the structure of the fabric with Other cognitive knowledge. The study aimed to detection and identification knowledge for scientific knowledge and its relationship to technical transformation and their implications in the design of industrial products.And the study formed of four chapters, the first chapter is the research problem and its importance and its objectives and its borders and determine the terms. the second chapter contains on previous studies and theoretical framework , which included four sections. First section dealt with the aspects of philosophical scientific knowledge , and ensure the second section shifts the intellectual , philosophical and tracks applied , and the third section , entitled the concept of technical and its applications in the design , and the fourth section has dealt with the concept and awareness of modern aesthetic and the crux of this chapter, a set of indicators has dealt with Chapter III action research and methodology, as the researcher adopted a descriptive approach in the processof describing and analyzing models of the sample , while the Chapter IV describes the models and analyzed by form axes of analysis developed by the researcher , and the results and conclusions.Chapter four includes models described and analyzed by analysis axes form developed by the researcher, and the results and conclusions. the most important results that emerged from the study are as follows : 1. Diversity in the techniques of high - quality has contrebute in the devices used to distinguish according to specialties.2. the use of new materials in not used of industrial products with a new characteristics, helped achieve the concepts of reductionism and simplicity, durability and ease of use and the possibility of high composition.3. The presence of correlation between technique based on scientific knowledge and applications that have emerged in the experimental applications of industrial product which suited with the mechanics of the user, allowing him to a great deal of activities embodied in scientific knowledge and scientific applications.4. the Change in human behavior and activity through the interaction of functionality, which has contributed to the aesthetics and functionality of the product as a result of the employment of scientific knowledge and its implications, which appeared during the experimental applications. The most important conclusions that emerged from thestudy were : 1. The technologies evolve continuously invested scientific discoveries, and there is no doubt it is one of the effective means to overcome the problems facing the process of development in the industrial products , and this continuity in progress constitutes an important factor in the accumulation of knowledge, which in turn lead to progress and impressive innovation overall of human activities in those products. The technical evolution is an interconnected and connected to start one of them up where the other and in spite of the diversity of techniques between the equipment and the materials and information , but it all involved in creating the products of design will transfer industrial products from traditional character to the modern technical nature, which it need to integrate them , to systems more sophisticated , namely, ( Smart systems )2. The adoption of advanced scientific knowledge has been led to intellectual shifts in the designs of industrial products in terms of function and aesthetics, which gave the impression that intellectually to the role of knowledge in the development of the social life of the user.3. the scientific knowledge Contributed to improved in making changes to the concepts held by the industrial designer See Through accreditation and keep up with new technologies, and this will be achieved throgh the product which it has cognition communication between that and the user, and this is reflected in the designs of industrial product to suit the needs and functional requirements and aesthetic that fit with the taste of the user.4. That most of the techniques employed in contemporary designs of industrial products and its evolution, which is characterized by a technical Nanotechnology and technical tactile and digital technology and radiation, artificial intelligence and pooling of modern materials, which contributed to a change in systems of formal and functional designs in industrial products

نظريات الاتصال الحديثة واسقاطاتها الفكرية على المنتج الصناعي == The Modern Communication Heories And Their Intellectual Impact On The Industrial Product

اسم المؤلف: جاسم احمد زيدان
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Industrial design is regarded as an intellectual and cognitive product that is developed with accordance to the analytical awareness of man interpreting accordingly the external existence with the means of senses which human and other creature have. The senses are the window overlooking the external world and the environment. The form the beginning of mediation and observance and concentration and the formation of depictions which work according to the innovative imagining.Therefore the industrial design is regarded as one of the important pivots of the fine arts. These pivots revolve around the bases of how to convey meaning or the design of the idea to the users or the receivers in the clarity with hindrance to the understanding.The language of visual communication which scientific ad practical bases are formed according to the modern theories of communication. It is the language of modern communication of signs and relations are connected together. The modern theories of communication have offered developed system of communication to the user. But these face the problem of awareness and culture in the confrontation of the developed industrial products (multi - purpose digital devices) as means of communication in finding utilities.Upon the above, the researcher preferred to found the problem of his study through revealing the reflections which are formedby the modern theories of communication on the industrial product of the electronic device (Smart TV, Smart Camera, interactive board, Tablet PC, Smart phone).The study aims at the following : 1 - Investigating the modern theories of communication ad their intellectual impacts on the industrial product.2 - Analysis of sample of modern industrial products to know the effect the modern theories of communication in the development of product.In order to verify these objectives, the researcher founded a theoretical framework that tackles the philosophical backdrops to knowledge and communication and put the following (3) inquiries : First inquiry : The relationship between sensual visual realization and communication.Second inquiry : the modern theories of communication and their application fields.Third inquiry : the aesthetic thinking and its relations to the theories of communication and their impact on the industrial product.The researcher comes up with a number of indications which resulted from the theatrical framework depending I the design of the instrument which is the content analysis form of the industrial product specified in the sample.In order to determine the modern theories of communication that could be concord with the samples of the study, the researcher made a survey of the opinions of the experts in these theories. They referred to him to the theories of (McLuhan - Diffusion and innovation - selective effect - developmental technology).The research community was confined in the products of Samsung ad Sony institutions. The researcher chose a sample of (5) products after consulting the experts in the field of industrial design. The, these samples were analyzed according to the analysis form prepared for that purpose, which was subjected to the validity coefficient test by exposing them to the group of experts.Based on the analysis conducted for the sample, the researcher came up with a number of findings : 1) The structure of the sample was characterized by an apparent functional value and utilization which the user can touch and enjoy in their aesthetic function.2) The sample was characterized by digital products with aesthetic value especially in relation to the outside form of these products which contain attractive points emerging from the utilizing features for every type. This created a form of power in the taste.3) There is a clear reflection of the modern theories of communication on the functions of the industrial productsof sample in the functional and utilizing ad aesthetic aspects.The most important findings are the following : Upon these conclusions the researcher made a number of recommendations which are :

نظرية الحل الابتكاري TRIZ وانعكاساتها في التصميم الصناعي == Theory of Inventive Solution (TRIZ) And Their Repercussions In Industrial Design

اسم المؤلف: محمد علي حسين القيسي
اسم المشرف: قدوري عراك صكر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of the research is the importance of the theory of (TRIZ), which are based on the scientific method resulting from the analysis of the content of more than two million patents, founder of (TRIZ) was Genrich Altshuller, it assumed that the principles of general creative form the basis of the output of creative and that these principles can be identified and transferred to others to make the innovation process more amenable to learn. It recognize as the most important theory of the task, as adopted in more than (50) major international companies, including Company (Boeing for the aircraft industry and Toyota Motor).To summarize the research's problem, there is no publication of TRIZ theory concerning industrial design, the goal of the research is to characterize and employ a matrix of contradictions for the purpose of contradictions matrix Created especially to industrial design. The search Limit to traditional TRIZ theory (1973), which includes a matrix of contradictions, which contain in its composition, the forty principles and the 39 engineering standards as objectives limits, the research contain its theoretical framework of four sections, the first section dealt with the creativity and its theatrical concepts. This has been confirmed that the creativity and innovation cannot be taught or trained or acquisition, as well as the concept of creativity after the first quarter of the last century which showed that creativity could be educated and transformed.The second part of the research explain TRIZ theory and nine of their instruments, The tool matrix contradictions have been allotted for the Study of particular axis as the basis for the study.The third section has dealt with the contradictions and i matrix Included on the study of the concept of contradictions besides reviewed the (39) engineering standards and forty principles, the fourth section studied eight previous TRIZ's studies.The most important findings of the study was achieved the contradictions matrix model of industrial design, which Includes on (20) engineering standards and (40) principle. These principles characterized of the examples used to explain them was new which is taken from the field of industrial design and pro

تعددية الوظيفية وانعكاساتها التعبيرية في تصميم الاقمشة المعاصرة == Plurality of Function And Its Implications In The Design of Expressive Contemporary Fabrics

اسم المؤلف: رسل خليل ابراهيم مصطفى
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study deals with pluralism functional designs for fabrics that are dual function in do performative and its implications expressive designs in fabrics contemporary, Job Role and aesthetic symbols and connotations and Mathmlh reflections expressionistic as study includes four chapters , the first chapter of the research problem and identified by asking the following : Do you check pluralism functional reflections expressive designs in contemporary fabrics ? The objectives of the research is the detection of multi - functional and study the values expressive designs in fabrics and contemporary numbers designs proposed , may determine search objectively study the multiplicity Alozivuoal_khasa?s expressive designs for fabrics contemporary, spatially study designs fabrics , home furnishings ( mattresses _ curtains ) and available in the local markets of the city of Baghdad , and identifies research temporally studied in models ( 2012_2013.The second chapter identifies several sections dealt with the first section , including multi - functional fabrics and designs in the second section dealt with the expressive characteristics and implications in the design of fabrics and finally the third on reflection expressive designs in contemporary fabrics. Followed previous studies and then the most important indicators that resulted from the theoretical framework.The third chapter dealt with research procedures , which included research methodology a descriptive analytical and research community , which amounted to (44 ), a special model designs upholstery fabrics and curtains Eliminated from him (33) model design parameter as a result they are so different on the level of formal , organizational and color models in the community was the remaining (11) model and it has been selected sample are intentional , but the search tool has been represented in the Form of analysis thathad been prepared by the researcher have included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter based on axes form.The fourth chapter has included the most important models of the study are as follows : 1 - The use of vocabulary in the most natural plant design models because of the sense of the vocabulary and semantics of aesthetic expression and suitability for use functional designs of curtain fabrics and furnishings , and employ at least geometric shapes and written.2 - achieved multi - functional design vocabulary in all models where a single design can perform two or more.3 - reversal is achieved through expressive design methods where the use of the methods varies between the real and the abstract and the hub of reality - decorative while not achieved a reversal in the expressionist style geometric models Almananvzh.The most important conclusions : 1 - Diversity of raw materialsled to the emergence of refletions expressive functional and aesthetic. The raw material and suitable for the job the stomach for it.2 - Vocabulary been employed in the most natural designs led to the occurrence of reflection expressionistic serve the function and less use of animal vocabulary and writing vocabulary.3 - Check multifunctionality in all forms of design , which is reflected through the design methods and vocabulary of symbolic and expressive connotations.As well as to ensure the same chapter conclusions, recommendations and proposed designs included as the last designs prepared by the researcher and presented to a group of experts has got approval.

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية == The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

اسم المؤلف: عبد الخالق سمين فتاح
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.

البعد الثالث للاشكال التصميمية وتطبيقاتها في اقمشة الالبسة الجاهزة == The Third Dimension of Designing Forms And Their Applications In Ready - Made Clothes

اسم المؤلف: نسرين محمود محمد الجاف
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The design of readymade clothes is regarded as one of the arts which man is involved in functionally and aesthetically. Research in the design aspects is regarded as an important objective after the technical developments began to emerge which covert many of the aspects and search in the aesthetic aspects required from the designer to possess and taste and the ability of imagination and employing the imagination the units forming the general shape in coordinating an integrated image. This is because the designer in general and the textile designer in particular is in need for special features and innovative interventions to enrich and give more of new means to take that lies in his ability to effect the sensual receptors through organizing the expressive meaning in new contexts.The researcher preferred to make use of the third dimension which is regarded as one of the techniques in the setting off of the artistic and designing through the methods and the techniques. The proposes of defining the third dimension which require the investigation and research of its concept as an effective dimension in the design of textile so that the designer could make use of it in his or her designs. In order to arrive at that thing, the researcher found the necessity of understanding the third dimension and tackling third dimension in her research entitled (The Third Dimension of Designing Forms and Their Applications in Ready Clothes Textiles).In this starting point, the researcher posed the following questions as follows : 1 - Can we make use of the methods of achieving the third dimension in the designing forms?2 - Are there possibility of applying these designing forms in the textile of the readymade clothes that would promote the aesthetic and functional value for the receptor?The present study aims at revealing the third dimension of the designing form and putting suggestions for the use of third dimension and applying them on the readymade clothes. The researcher tackled the readymade designs and the printed firs of multiple origins the period 2013 - 2014, after that three concepts were posed to define each term.That what was discussed in Chapter One of the study consistent in the four chapters.Chapter Two contains the theoretical framework and the previous studies. It includes three inquiries; the first inquiry includes the features and methods of third dimension in design, the second includes the three - dimensions deigning figures and their showing applications, while the third inquiry includes the artistic techniques of third dimension for readymade women apparel. Then, the researcher tackled the most important indicators on which the theoretical framework was based and the previous studies.Chapter Three includes the procedures; the researcher followed the descriptive approach in analysis and the experimental approach in the presentation of the suggested designs. The research community included (60) various samples of the printed readymade women textile of which (12) samples chosen by the use of the random selection in rate 20% out of the total samples. The tool of this study is represented in the analysis form according to the scientific approach. It was displayed on experts concerned with textile design to acquire the apparent validity. After that the samples were discussed.Then, Chapter Four tackled the findings and conclusions of the study, the important findings are the following : 1 - The showing techniques has a role in revealing the illusive and real third dimension in the readymade textile in which the digital printed material played a main role. That helped to attract the attention.2 - The style of design represent the significance of the expressive forms, between what of real, abstract or geometric, from which the design is set.3 - The achieved third dimension as geometric form is related to the effectiveness of the luminal values which reflect the transformation of forms on the surfaces from two - dimensional to three dimensions, through the high contrast between the forms and their functions.4 - More than one methods were combined in showing third dimension inside the textile space which has become effective in the functional and aesthetic aspects.5 - The use of third dimension revelation methods in various forms and ideas.6 - The contribution of the digital processing in the treating of two - dimensional and transforming them into three dimensional is a more inevitable matter to arrive at achieving the form to achieve the formative manifestation.Chapter Four includes the suggestions and the recommendations : 1 - The stress on the role of digital technology in the field of textile design, and keeping up with the up - to - date software and employing them in the art of design of textile.2 - Caring for the deduction of the abstract forms and briefing the parts and using the uniform for male and female.3 - Taking into consideration the factor of technical the choice of forms to suit.4 - Taking interest in the chromatic values and he shade grades to deepen the conceptual aspect in the materialization.The researcher suggested : 1 - Making a comparative study between the three dimensional designing and he two - dimensional.2 - Studying symbolic designs of the national traditions in the formation of the cultural dimension.This chapter includes the suggested designed carried by the computer of (14) suggestions which are adopted for readymade clothes textile

رموز الموروث بين الاصالة والابتكار في تصاميم اقمشة معمل نسيج الحلة == Symbol of Heritage Between Originality And Innovation In Designs Fabric Plants Tissue Babylon

اسم المؤلف: مالك جاسم حمزة الدليمي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The symbol inherited from the influential aesthetic factors in the process of fabrics designs where the unfolding reality and the ways emitted form new innovations mimic impress the receiver. While references related designs on my own fabrics and innovation Babylon civilization codes are representing bosses procedural fertile for those designs.Researcher have tried to stand at the sources of designs and factors affecting it considering that symbols of Babylonian civilization represents the essence in the process of forming the designs by answering the questions that was raised in the research problem which pearls that extent can take advantage of the symbols of heritage in the Babylonian civilization to creat new designs for textile product, Laboratory Babylon tissue with preserving the authenticity of it.All these interventions among texfile and symbols inherited are problems, the current research wants to solve and access to detect target symbols in the Babylonian civilization heritage to produce new designs.And on the Basis lies the importance of research in the face in the privacy of inherited Babylonian the extent of benefit from it the lab fabric of Babylon, it started to make it in the search for the values, traditions and habits between originality and innovation and work to decode and semantics civilization of Babylon and period and specific place.For these and for the systematic division research divided into four sections, the first chapter determine the features included in the detection methodology for the research problem and its significance its goals and limits which required that a definition of some important terms up on which the theoretical research.The second chapter contains the definition of some important terms of the theoretical framework which included the first study of identifying symbols in the civilization heritage up on which the fabrics industry technically and tagged, the second topic was interested in my own innovation and the relationship between them and its contextual reference designs in fabrics.The third topic was complementary to the framework of the oretical in the second quarter was interested in designs fabrics and technologies in term of understanding of the dialectical relationship between authenticity symbols inherited in the Babylonian civilization and new innovations in technology plant tissue Babylon and units design and textile that make those employment for design unified also included chapter two studies which search by approaching in some variables and seal the chapter with basises which will be one of the indicators from building tools for analysis of samples search, and held third chapter on research procedures adopted by the descriptive analytical approach applied the respective fields plant tissue Babylon, which contributes to the textile industry were interviewed people of competence and preparation of forms analysis applied to samples of research have reached your search results and that resalts are : - 1 - Heritage Symbols and desigen draft with impressions caused by his originality and innovation with in a cognitive vision emphasizes the nature of the design and construction diversity of realism , abstractor imaginary or symbolic.2 - The nature of the relation ship between originality and innovation in the design of research sample catd generated with the results of perceived mental visual which crystallized through different emergence of symbolism propensity for inherited as well as the effectiveness of expressive format for innovative design alone.have been discussed systematically and went researcher with group of conclusions Such as : - 1 - The most process adelmatmayor the designs in either natural or animal or geometric because it gave dimensions semantics extends to the root of the historic taken from the nature of the symbol to express style design out put data for fabrics.2 - Dominated the seen symbols used in designs according to the nature of the diversity and revealed the need for aesthetic and functional gave.and then the researcher atotal of design proposal has grown to employ symbols Babylonians in texture Laboratory products researcher Babel the came out with alist of sources and put some of the recommendations and proposals and finally supplements and abstract in English

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

اسم المؤلف: سناء محمود ابراهيم النعيمي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.

التشاكل الحداثي في اساليب تصميم الاقمشة والازياء المعاصرة == Moderization Isotopie of Contemporary Fabrics & Fashion In Design Styles

اسم المؤلف: هادي نفل
اسم المشرف: رؤيا حميد ياسين
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انشغلت الباحثة بشكل واسع في موضوع يعد من اهم الموضوعات المتعلقة بتصميم الاقمشة والازياء، هو التشاكل بوصفه فكرا حداثيا وظاهرة سيميولوجية تعمل على تنظيم المدركات العملية لاجزاء البنية التصميمية وتلخيصها بالجوهر الابداعي الذي تلتقي عنده الاجزاء لتكون غاية جم

جماليات المتكون التصميمي الرقمي وتطبيقاته في الاقمشة الحديثة == The Aesthetics of The Digital Design Component And Its Implications In Modern Fabric

اسم المؤلف: حيدر هاشم محمود الحسيني
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد الحاسوب من اهم مظاهر التقدم العلمي والتقني الذي ساد العالم، بل اصبح لغة العصر التي تخدم مجالات الحياة المتنوعة، واصبح الحاسوب من اهم اهداف المجتمع نحو تحقيق مستقبل افضل لامكانياته الواسعة في استعمال اساليب وطرائق اخراج متعددة، مما ادى الى ظهور طرق | The component is regarded as of the aspects scientific and technological progress all over the world. It became the language of the modern age that is used in various fields of life and the computer became one of the best means for societies to chive a better future due to its wide potentials in using various ways and styles of output. This led to the appearance of new ways of thinking performance and expression and the formation (to the contemporary creators ) of symbolic and visual possibilities affected the structure of ideology , culture and art since the computer is one of the bridges between art , since the technique and it is an inevitable development of channels began to be digged years ago. According to the design core which takes the creation approach as a means to almeve its functional and aesthetic goals , the meaning of aestheticism depends basically on the latest technical innovations. The researcher sees that, according to the contributions of the digital technique and the potentials of the programmers of the digital design including the Photoshop ( focus of thing study ) it became a new way to invent new designs leading To the renewal of the the design structure in from as well as in content in accordance with the conceptual transitions in the art of design and in scene in the twenty first century.Accordingly, the researches stopped at the following questions that represent the problem of the present study. They are : 1. Does the digital technology help in a achieving dimensions for the design component in the modern feminine cloths ?2. Are the aesthetics of the design component aliened through the effects of the digital technology or through the components of the structure and what it includes of elements bases , systems and its relationships or through this harmony.3. Are there digital design bases help achieving aesthetics dimensions for the design component of the modern feminine clothes ?The study aims at showing the role of the digital technology , its means , styles and effects in achieving the aesthetics dimension of the digital design of component in modern feminine clothes and pulting design bases help in achieving the aesthetics dimension for the digital design component in modern feminine clothes. It also aims at putting design suggestions in the light of the theatrical bases. The study limits itself to the feminine clothes implemented a according to the digital technology of various sources within the period of 2011 - 2012. After that it limited Four terms , namely, ( aesthetics , consisting of design , digital technology , design fabrics ) researcher has developed a procedural definition of each term. This is what came in the first chapter of the research , consisting of four chapters. With regard to the second quarter , which contained the theoretical framework and previous studies , it has included in the carrying four sections , which included the first section of what beauty and the mechanics of the operation of the theories aesthetic in design and aesthetic dimension of the composed design digital , while included the second part, the elements and the foundations of building regulations and relationships and methods governing the design Women cloth , In regard to the third section has cared Balozifah aesthetic and cognitive and aesthetic judgment and experience and then touched on the implications of the expressive and symbolic composed of digital design. The fourth topic , including concept and technical sophistication of the design is composed of digital and then the components of the computer and digital design software ( Photoshop ). He then went on to search the most important indicators on which the general theoretical framework and then the previous studies. The third chapter dealt with research procedures , as follow researcher descriptive survey ( content analysis ) , and represent the research community to (123) model diverse special designs fabrics women's modern , ruled researcher (13 ), a model of which to replicate the idea of design in multiple colors , and this has become a community Find ( 110 ) was chosen as a model design parameter (22) in a deliberate model and 20% of the total research community and came selected depending on what serves the objectives of the research. The search tool Vtmthelt form for analysis according to the scientific method , and presented to the experts specialized in designing fabrics for gaining virtual sincerity. And then analyzed the models and discussed. And then eat the fourth quarter results and conclusions Among the most important are : 1 - adopted the most effective form designers ready in the toolbox program Photoshop , which includes geometric and floral shapes and forms in a variety of other building design and artwork that have achieved the aesthetic dimensions of the canvas.2 - wizards of digital technology has made the aesthetic dimensions of the design is composed through the adoption of effective color cast Color Overlay intent to show diversity chromatography vocabulary inside the building design. It also granted the effectiveness of the filter Filter effects variables in the visual design of the product forms and vocabulary and achieve aesthetic dimensions of the canvas. It also adopted the effectiveness of border effects and Stroke , who worked on the framing shapes the design and increase the strength of its appearance.Based on what came from the sequential action of the researcher discuss the status of the most important pillars of design that contribute to the aesthetic dimensions of the digital design is composed of the women's modern fabrics and as follows : 1 - Take advantage of ready - made shapes in Photoshop toolbox with the addition of some minor aesthetic that serves the goals of the artwork design.2 - Attention to employ digital effects technical vocabulary of shapes and design , according to experience and taste of the designer, what possesses these effects ( processors ) of aesthetic additions attractive integrated with the rest of the aesthetics of the design and verification consisting of cloth female attraction. The fourth quarter included recommendations and proposals mention the most important thing , which stated : 1 - emphasis on the role of digital technology in the field of design fabrics , and keep up with the latest software versions with respect to digital design and employ them in the art of design and art in general design fabrics in particular.

انظمة التكوين الشكلي وتقنياتها الاظهارية في تصاميم الاقمشة الرجالية == Systems of Formal Training And Techniques Alazaaria In Menswear Fabrics Designs

اسم المؤلف: اسعد عاتي هليل سعد الموسوي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد انظمة التكوين الشكلي بمثابه اسس يقوم المصمم بابتكارها وصولا الى اختيارات تنظيمية بفعل تقنيات الاظهار التي تعطي للنظام التصميمي جاذبية اظهارية تحقق غايات الفكره التصميمية, فانظمة التكوين الشكلي تهدف الى تحقيق غاية التصميم من خلال تقنياتها الاظهارية الن | The formalistic composing orders are considered a basement. This basement which is the designer made to reach forming choices depending on displaying technics that give attractiveness to formalistic composing which leads to applying the aim of the design itself. They work to apply the aim of the design through the finished displaying technics and this is the essence of the research. This research which depended on this question : what are the formalistic composing orders of the designs of men fabrics ? Do displaying technics make changes in formalistic composing order of men fabrics? The importance of this research has these roles : 1. It helps in the opportunity of managing the scientific and artistic benefit for those who are studying and interested in the field of designing and technical in the colleges of technics and institutes as well.2. It may participate in increasing the knowledge of the researcher and technicians in ways and technics. It also stabilizes the artistic designing principles, and put them in front of the designers to inspire them consequently bring new ideas of designs. These inspirations raise the designs of Iraqi cloth in quantity and quality. The research also wants to applying these goals : 1. To know the formalistic composing order of the designs of men fabrics. 2. Showing the relationship between the formalistic composing order and displaying technics in the designs of men fabrics.Th research of formalistic composing orders and the applying displaying technics, and the designs of men fabrics consisted shirt , (Indian or Chinese ) made , which are available in the public shops of Baghdad ( Al Shorja trading shops) from 2010 - 2012.The seconds chapter contained the theoretical work which consisted of three ideas. The first one was about the formalistic composing in designing men fabrics. The second chapter was about the designing composing in the design of men fabrics. The third was the effect of technics in the formalistic composing order. After that it is concluded the most important signs that comes from the research. Then come the preceding studies and their discussing.The procedures in the third chapter represented by depending on descriptions of the analysis of samples. These samples were (240) designed samples. About (160) of them are excluded. The reason was that they are similar in showing the essence of the design and repeated in one hand and repeating it on the other hand. Add to that it repeat the same defect on variation of colour to this design, which is not in harmony with the needs of Iraqi shops and styles. So what was rest (80) which represented the base samples. According to that samples were chosen intentionally in (30%) , which was about (24) samples. These samples are varied according to displaying technics.The analysis tools are listed in points of analysis. This analysis tools depended on some theoretical signs, which the researcher presented with the help of the supervisor, and certificated by number of experts. These tools were depended on in analyzing samples. In the same course, the samples of research were also analyzed depending on the points of the list.The fourth chapter contained the result that is found by the researches and the conclusions. The notable of them were the dependence of men clothes designs firstly on the mixed fabric. they did that since it is durable, comfortable and cheap. This led to reduction of using the natural fabric due to their high prices. In addition, the artificial fabrics also reduced in usage because it is not suitable for the weather of Iraq.The formalistic composing orders are actively represented that within them, the designer used the reticular fabric and liner fabric which is prevalent which suggested a limited space for similarity and repetition in the parts of the main unit. This unit has connected totally with the capability of the designing to weave fabrics through the crossing of the vertical lines with the horizontal lines to show the essence of the fabric on its surface, as the central organization appeared in least percentage. The distribution of the random consistence which gives variety in directions and the design unit via the connection of the relations of its factors could appear in less percentage. This is because it a reflection of a real technic of fabric printing which is usage has reduced in making men fabric designs. The chapter is consisted the recommendations and suggestions and the Arabic and Foreign. In addition to that, it is consisted the summary in a foreign language.

الانعكاسات المرئية للتزيينات في تصاميم الاقمشة والازياء == Viewed Reflections For Adornment On The Fabric And Fashion Design

اسم المؤلف: محمد حاكم ضايع
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن صناعة الاقمشة من الفنون الانسانية التي ارتبطت به منذ النشاة الاولى ومرت بحقب ازدهرت فيها وانتكست في اخرى, لذا فهي تدل على مدى رقي الامم الثقافي والاجتماعي والاقتصادي والفني, واصبح فن صناعة الاقمشة من الصناعات التي يعتمد عليها الكثير من الدول كالصي | The art of making fabrics of Arts humanity associated with its since starch first and went through periods flourished and relapsed in the other, so is the show over the paper Nations cultural, social, economic, technical, and became the art of making textile industries upon which a lot of countries that seek to achieve growth economic so they are associated with development of scientific and technical happening in all aspects of humanity, in which case began receiving choice designs for textiles and fashion decorations a certain way and not spontaneously, but rely on subjective factors and objective achieving compatibility with aspects of psychological, physiological and differs from the choice of the genus to another, and is embodied in the designs fabrics and women's fashion and decorations the selected not on the basis of carry forms of design, but design is the interplay of relationships with the structure of the receiver that reflect the integrated check personal attraction and excitement of the recipient.So the designer study aspects of psychological and physiological women are different from men in the way of its choosing designs decorations in textiles and fashion women also each stage age vocabulary design their own as that each community of values, customs and traditions of its own influence in the way of dealing with those designs, in which case the designer can predicate to accept those designs and decorative or rejected as it was built on the foundations of true scientific and technical find out regenerate of visible reflections serve as a means of communication is verbal.The research is consistent with this interest to find out what sends designs decorative for Textiles and women's fashion of the reflections visible check the aesthetic dimension of those designs and down to achieve taste of the receiver's.According to the research problem identified the following question : (What are the implications for decoration in visual design and fashion fabrics)It aims to identify the reflections visible in the textile and fashion designs based techniques to achieve them, the detection of the most important decoration achieved for infrastructure requirementsintegrated design and fashion fabrics.And highlights the importance of the current research to increase awareness of intellectual design with designer fabricsAnd fashion knowledge foundations and development trends that contribute to the perception of visual implications of the decorations in the textile and fashion designs as well as to know the physical propertiesIndustrial and decorations employed in the textile and fashion manufacturers have.The study identified the limits of the printed designs and added in women's fashion fabrics for the group stage of (25_40) years, and specified for use in period Evening imported and available in local markets and within the time period (2011_2012). The researcher then select the terminology and the development of each term procedural definition of its own, and the second chapter discusses the theoretical framework and previous studies and included three Detectives were distributed as follows : ...The first topic : the decorative designs in textiles and fashion.The second topic : the concept of visual implications in the design.The third topic : the perception decorations in fabrics and designs women's fashion.The researcher to the most important indicators resulting from the theoretical framework through which the researcher were able to communicate with the third quarter in a harmonious and also achieved a theoretical framework for the presence of previous studies.The third chapter dealt with the research procedures, as follow researcher descriptive analytical method, representing the research community b (48) model is set up for the evening was chosen as the research sample wildly including copes with stage age - specific research and end - use and thus amounted to sample B (12) sample rate25% of the total research community, either search tool represents the form for analysis built on the main axes of which dealt mostly a researcher at the theoretical framework included axes contribute to achieving the goals of the research, and then presented to the experts in the field of design and design fabrics for gaining sincerity virtual then adopted inanalysis models and discussed.Fourth chapter discusses the results reached by the researcher through research and samples that we will discuss mention the most important : 1 - Adopted on the printed designs designer visible in the composition of the implications of an aesthetic nature (decorative), which showed tangible variables and space suggestions depth result of Recurring act or the difference in the optical values.2 - The decorative designs (synthetic) and place the design holds as it is one of the most important design requirements to achieve an integrated design structure depending upon the discharge of excess cloth and show the true dimension of the recipient in the design of cloth and uniforms.3 - Melanocytes technology has emerged as a supportive space for printing techniques that promised one of the most important techniques adopted to achieve visible reflections ornamental would forma effects and events showing investigator for excitement and attraction to those reflections.4 - Showed the effectiveness of the design elements design decorations gave the recipient delusion the tangible variables resulting from some forms of the design space, which was adopted by the design in the formation of relationships.5 - A reversal is the sense of the existence of things, whether real or fake, and then it turns sensation to cognition, as it begins receiving classified so perceptive according idea of design and their sources.6 - Made the formal qualities of the decorative design and technical design followed by the idea the primary purpose of the visual impact some of which appeared for the purpose of aesthetic, but tailor differed dress the percentage with a cloth design aesthetic as it achieved the purpose and career together.The fourth quarter also included the conclusions reached by the researcher is the most important : 1 - Depend on industrial raw materials in the first place due to its flexibility and softness and the ability of high reflectivity and a high acceptance of melanocytes and printing techniques which helped to show aesthetics that are compatible with the target design and age.2 - Industrial sources and made its presence allowing the designer ample opportunity in diversity in the decoration and operational techniques and show in the design cloth and uniforms and achieves visible reflections with aesthetic connotations.3 - Linked style design type design sources relied upon in the formation of decorative designs which gave greater freedom of the designer in influencing receiver depending on the identity of belonging to that reality for both the designer and the receiver.4 - achieved a technical clear role in highlighting the aesthetic qualities of the design decorative through the sending of reflections visible based on the values optical achieve those values memorial in the proportion of impressions and how to influence the nature knows the receiver making technology an active role in determining the nature of reflection and visual way to influence the recipient.5 - Formed decorative designs for the uniform structure of an integrated design unrealized thrills and attractions in the receiver depending on the harmonization of decorative designs for fabrics and unique, which helped in achieving integration in the design structure. The fourth chapter contains recommendations and proposals and the Arabic and English sources and supplements and summary in English

توظيف الايهام البصري كمعالجة تصميمية للمنتجات الصناعية الكبيرة الحجم == Investment of The Visual Deception As A Designing Treatment For The Large Size Industrial Products

اسم المؤلف: مصطفى عدنان علي الشمري
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: عنوان هذه الدراسة ( توظيف الايهام البصري كمعالجة تصميميه للمنتجات الصناعية الكبيرة الحجم ) اذ تجسدت المشكلة بالسؤال الاتي ماهية الاساليب التصميمية التي يعتمد عليها في تصميم المنتجات الصناعية لتحقيق الايهام البصري التي تعمل بوصفها معالجات تصميمية للمنتجات | Address of this study ( investment of the visual deception as a designing treatment for the large size industrial products) at which the problem shapes by the following questions : - what is the designing methods that we depend on in designing the industrial products to get the visual deception that works as designing treatment for the large size industrial products ?It's important came from here ( by condensing the light on methods and design directions that have a role in creating visual deception and increasing senses and consumer and designer )But the purpose is that ( quiddity of designing methods that have been depended on in designing industrial products to creating the visual deception ) We found that all the search have been determined by products made from LG company that present in Iraqi local markets at Baghdad city for ( 2014 ).The study formed from four lessons , came as bellow : - Lesson one contain the problem of the search and it's importance , purposes , borders and definition of it's terms.Either lesson two probably contain previous studies then the visual casement for the search and it's signs , and then the visual casement contain three subjects : - the first subject is the visual deception and it's relation with designing industrial products , the second subject is the designing methods and it's role in creating the visual deception, working as designing treatment for the large size products , the third subject is the designing mechanics and it's role in making the visual deception as designing treatment.As for the lesson three it's contain the adjectives of the search and it's systematicness ( the attributive method ) in addition to analysis of the research specimen.As for the lesson four it's contain the research results and it's conclusions , the most important results are the following : - 1 - achieve everyone who (elements and bases and relations ) designing different visual deceptions in designing the samples in very high relations.2 - achieve designing technique ( movement , translucency , delusive space, shorthand and condensation and distributing systems ) and the capacity of creating visual deceptions working as designing treatments for the large size industrial products.Truly the most important conclusions that have been get from the study is : - 1 - the elements and bases and designing relations have the capacity to create several various designing forms that work in it's role to create deception motive manners work as large size industrial products.2 - the samples distended by the designing technique multiplicity and appearance to achieve designing creative by means of newly creative adjustment result from different and solitary variety through the mix and structure and change in formal relations for having these differences and multiplicities of deception movements working on receptor deception by increasing and decreasing the industrial product

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي == Significance And Temporal Dimensions of Industrial Design In The Product

اسم المؤلف: مصطفى ابراهيم دحام السهيل
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references

استلهام الاشكال الواقعية وتطبيقاتها في تصاميم الاقمشة المعاصرة == Inspiration The Natural Forms And Their Applications At Modern Fabric Design

اسم المؤلف: اسمار عبد الوهاب علي مال الله
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The nature is a basic element for designer because it's containing variable elements as spots ,lines ,areas ,tangent forms ,colors ,and spaces and these elements consider at permanent change at visual view upon in what happened at the nature of such variables so it's controlled by nature law as birds , animals , insects ,fish ,shells ,coral groups ,sea waves , followers and plants.The role of designer is coming to extract what is wished to of such visual system to achieve what does he want to express for his own vision , and by his different performance means then the creative eye could see at the nature different designs and on great degree of accuracy and the design it consider as of many expression fields that sensed by human since of his existence on the earth and his insisting of need so the human concluded to centuries of meditation for different aspects to the basic of science and what occur on it of developments to reach with us of great revolution of science to recent century so the designer become as the important role of taking the different appears of nature as testing look and got of awareness ability to discover in what own of arts values and so we should choose the designer to achieve his expressional goal and to put the suitable solutions for designs problems.The fabric designer have the ability to inspire of his many source and multi means as to get for the obvious source inspiration or influence by representing source has the motivation of inspiration so the good designer who influences with all surrounding of direct optical visions effects or effects of inspiration designs invited him of thinking and meditating and analyzing represented as inspired design so every thing he , could do is a reflection for accumulated information results of previous optical or conceptual vision of the life and environment and behaviors , from this it come the recent subject study of ( the realistic forms inspiration and their applications at mordent fabric designs ) that included fourth chapters by using digital technology and the research goals were to discover the realistic forms and employment it to inspired designers of modern fabrics women by using digital design ?and the research goal is discovering realistic forms which inspired by designers then it employed their designing works ( on fabrics women ) and secondly to know the realistic inspired applications for modern fabrics women the research identified by subject to study the realistic and inspired forms to design the modern fabrics women and the research limited at time to design the modern fabrics women for the period 2009 - 2013 and local.Second chapter limited by many researches the first got the realistic forms sources and inspiration at nature and the second chapter got of the application of realistic forms and then it were extracted the signs that took by theoretical frame and by previous studies as follow : Third chapter took the research procedures that included the research's curriculum as discretional analyzing and research society that amounted of ( 93) designing models and removed of ( 70 ) designing models because their repetition and inconvenient of the research purpose so the residue were(23) of samples and upon the sample selection were mentally selected and about the research instrument were presented by bill of fabrics women design that prepared by researcher and included many axis's , the expertise were confirmed on it on basis of samples analyzing and then confirmed it validity according to bill's axis and for the fourth chapter it included the major results that concluded by the study as follow : 1 - The versatility of the inspired designing forms resources as natural resources to represent the realistic life because their a viability and their beauty specially the plants upon contained the love of God of beauty get the benefits of designers by employing it for fabrics designs specially the women designs that depended on it by designers to move the acceptance awareness as result of belonging to there realty then the inspired forms comes of the civilized heritage because it consider as a source and basis for design that never be ended so it's assign of civilizations and their symbols and the it inspired from the manufactured environments where it comes with medium ration and their employed as continues renewing as times and upon the forms inspiration by the society environment as the less ratio of appearing.2 - The executed forms by using the inspired application for the direct transferring decoration from the Islamic period3 - The appeared of designed style applications of indirect that's mean the modified and selected were used as many and it's followed to performing the forms where it shows the inspired forms as new character by new additions and arrangements gives the forms new look and sign get out of imitation.4 - It appeared the new style of implementation the inspired designs creations from the reality depend on inspiration of the natural reality beauties and not just literally transferring of reality so it harmonic with renewing spirit and technology developments science.Adding to the chapter itself included for the recommendations and suggestions.

تحوير الاتجاهات التصميمية لاجهزة العلاج الطبيعي

اسم المؤلف: زيدون خلف جبار النصيري
اسم المشرف: باسم قاسم الغبان
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى: