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المعالجات الجمالية والفكرية لحكايات الف ليلة وليلة في الخطاب السمعي البصري العالمي == Aesthetical & Intellectual Treatment of One Thousand Night And Night (Arabian Nights) At The Global Audiovisual Discourse

اسم المؤلف: صالح علي الصحن
اسم المشرف: صباح مهدي الموسوي | متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اذا كان احد الاسباب التي دعت الى اختيار موضوع الف ليلة وليلة مادة بحث هو الاهمية الكبيرة التي لاقتها الليالي عند الغرب، فان تعدد اشكال الاهتمام والتناول هو الاكثر تحفيزا، والاشد فضولا، لمعرفة كيف ينظر الينا الاخر بخطاب سمعي بصري، وذلك ما اشارت اليه ا | One of the reasons to select one thousand night and night as a material , for its great importance in the west and variety kind , from attention and dealing with it that is most motivated The more curiosity, is how the other look to us. And that the reply of art, culture map and its races engaged several kinds and forms , from the ways of dealing , and difference of styles. that increase us proud as Arab and Orientals , the owner of one thousand night and night , that appear in aesthetical & intellectual aspect among international culture. ((This book needs it urgently, in international group of Art and as source of pleasure with out any end , and it is an international photo book. In spite of all nations told folk stories , but this magic book is enough for us )) and that the researcher had design research plan By chapters. Began in methodical frame , to expose research problem and its need for it and the importance of the research , and the aims of research and to limit the border of the event for rhetorical frame and previous studies the researcher divided in to three topics , first , one thousand night and night in Arabic tells , and that concentrated to discover description of old Arab narration and role of book , one thousand night and night in it period of rising the book and act of receiving from the others. And discovering the narration style in Arabic night and the composition of narrative structure and way of tale with frame , and diagnosis wonderful aspects in tales and multi - point of views. The second topic dealing with the size of interference it in international culture and that began with the first beginning for translation these nights and its development to pass to European arts in stage , music , constructed arts , cinema , and television , 1 - This lines were written by the writer HERMAN HIS , FAKHRI H. ALKASAB (( Famous people 's opinion the book of AL - LYALI which is well known public Folk journal , State house for Cultural Affairs , Baghdad 1989 ) page 150Also in the international poetry and international novel and story tat discovered by wide horizontal Where Arab nights emphasized on its art position in international culture generally. The third topic dealing with fields of cinema and television and level of adoption of one thousand night and night that complied with rule and requirements of optical language , after it limited forms of dealings and level of Treatment , and that represented by figure , tale frame , and wonderful description sex and oriental environment , and also searching to discover critical analysis reading , for a great numbers of films , and TV program produced on the international level while it take one thousand night and night as subject. The researcher discovered the clear differences in aesthetical & intellectual Treatment and the act of different faced by Arab nights , from clear difference in the way of adaptation near or far , In part with out intellectual and aesthetical attitude , for the producer and manufacturer of optic work. The researcher came out with sane important indications, such as multi forms of dealing and diversity of level of Treatment, and the role of act form with optical and audio element in aesthetical enrichment and these treatment include multi aims. And regard attempt of translation for content historic origin for Arab nights intersect with culture of the orient and the west in some times. and in Arab values. The third chapter depend up drawing procedures of the research and to limit methodology and its sample , and to identify its tool , depending upon unite of analysis represent in optical sceneThe research selected three analysis sample , the first is cinema film. Second TV services and third TV film with cinema spirit. Where there are rich material benefit the research to detect , analysis and arriving aims. The four chapter, the research came out with same results such as diversity of forms of dealing with one thousand night and night tale and that dealing carry different point of views , able to be erosion the speaking and figures and take it as an argument To put the orient in the lower stage and respond with civilized struggle matter Although , this dealing holding with oriental type of telling , and effected with it. After making technical high skills available in aesthetical Treatment according to point view of the west. The researcher , emphasized on some notes in result field is that Arab tales are rich heritage , enriched a lot of international works , diversely with its intellectual contents and its aesthetical Treatment , and with some diversity in opinion on intellectually and aesthetically. The research , recommended some suggestions to draw attention to one thousand night and night tale , and transfer the important events to audio - optic work , and never leave to erosion by others.

استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز == Modernizing New Connection Treatments For Designing A Ready Made Office Furniture Units

اسم المؤلف: عبد الخالق سمين فتاح
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الدراسة الموسومة بـ(استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز) موضوع ربط اجزاء الاثاث الجاهز وعلاقته بمتانة وحدات الاثاث المكتبي.احتوى الفصل الاول مشكلة البحث المتمثلة بمدى امكانية ايجاد معالجات لربط اجزاء الاثاث الجاهز في تصميم | The study entitled (Modernizing New Connection Treatments For Designing a Ready Made Office Furniture Units) addressed connecting the ready made furniture parts and its relation with consistency of office furniture units. The first chapter contained the research problem represented by the capability range of finding treatments to connect the ready made furniture parts in designing office furniture. As to research significance, it lies in the trial of applying new connection treatments in designing ready made office furniture. The basic research aims are represented as the following : creating new connection methods to connect ready made office furniture as well as providing a proposed design for an office furniture unit basing on new treatments. Research limits included the study of various models of ready made office furniture of industrial wood available in local markets for the period (2005 - 2009). The second chapter consisted of three sections. The first section addressed the topic of ready made furniture, through which we identified most ready made office furniture units. It also included studying the topic of woods with their two types : natural and industrial, identifying the types and specifications of each, illustrating the role of modern technology in manufacturing woods which was represented by two attitudes; the first was concerned with modernizing the methods of manufacturing and the most important methods of modern manufacturing, whereas the second was concerned with producing modern products using modern methods of manufacturing. The second section dealt with the topic of connecting the woods which contained studying different types and specifications of connection techniques. While the third section covered the study of design, the appearance of ready made furniture, the formal unit of furniture design with its multiple elements and phenomena as well as the role of appearance in designing furniture and studying its functional and usage dimensions and manifesting its relation with aesthetic values. Chapter three addressed research procedures where the descriptive method was followed in analyzing the research sample so as to arrive at achieving the research goals, and relying on the research population represented by everything related to ready made office furniture units and the techniques of connecting its parts. The research sample comprised different models of ready made office furniture units chosen purposely to meet research requirements and aims. Chapter four dealt with analyzing the research sample according to analysis axes defined by the researcher through the indications revealed in the theoretical frame. Chapter five embraced the results arrived at by analyzing the research sample, the most important of which were : 1 - Employing the arc lines (streamlines) to break a part of vertical and horizontal lines entering in the formation of formal formations and their directions of the product configuration. 2 - Using one color degree for coating the shapes of some examples which made them lose their color and touch contrast and weakened their elements of attracting and exciting the receptor. 3 - The adhering cortex (paper, plastic) covering the industrial wood ore carried color, appearance and expression characteristics to the natural wood ore, but it came with weak resistant to environmental factors. 4 - The accurate treatments and superficial finishing of all examples configurations with technical styles through employing modern manufacturing techniques which contributed in achieving the appropriate appearance output to them as well as promoting the safety and security aspects. 5 - Lacking some connection methods (employed for connecting the parts of product design units) for their effectiveness as a result of consistency weakness of used connecting tools (because they were designed basically for usage with natural wood ore), causing over time distortions in the appearance of the forms of ready made office furniture units. As to the most important conclusions arrived at by the researcher, they were : 1 - Color and touch contrast achieved a kind of excitement and attraction as well as the kinetic dimension for the appearance of office furniture unit. 2 - Lacking the configurations designs of some products of sensual, aesthetic and expressive effects due to weak employment of their colors and touch of ors or their connection styles and methods. 3 - Good employment of the methods of connecting the parts of office furniture unit contributed in adding an effective appearance to them as well as promoting the aesthetic aspect allover their configuration. 4 - The weakness of functional effectiveness of the methods of connecting designing parts and the spoilage of connection tools distorted the appearance of the forms of ready made office furniture units. 5 - The necessity of fulfilling both aims the aesthetic and functional in designing office furniture unit without the dominance of one of them on the account of the other through good employing of the proper ore and the color and touch contract…. etc. to achieve the excitement and bring attention to them. Chapter five also included the presentation of design treatments enhanced with practical experiments according to the initial results sorted by the researcher to achieve the research aim in suggesting the design of office furniture unit by regarding it an applied example to study and by using some treatments the researcher arrived at in his research results. The recommendations and suggestions were presented to the directions and sides related to the research topic.

تنوع الرؤية الفنية في تجربة الفنان عبد المرسل الزيدي المسرحية == The Variety Artistic Perception of Abd Almursal Al Zaidi Dramatics Experience

اسم المؤلف: علاء عبد الله راضي
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان دراسة تجارب الفنانيين، والادباء، والمفكرين، والعلماء تسهم بشكل فعال في تطور المجتمع، والاهم تطبيقها علميا وعمليا.فضلا عن التلاقح بالمعرفة والانفتاح على ثقافة الاخر، تساعد على النهوض بالواقع المعرفي بالتخصصات الدقيقة والثقافة العامة، وكان للبعثات | The study of the artist, Literates, thinkers and the scientists experiences contribute in a active way to develop the society and the most important applying them a academically and practically.The interference of different knowledge and to open to other culture help to raise up the real knowledge by specialization and common culture.The scholar - delegations have great role in Providing Arab Societies by curriculum and the Specialist methods in dramatics by the legates who work as teachers in the academy of beauty arts, We mention as instance the lading group like (Haqi AL - shib;I ,Jaapher Al - saadi,Asad Abd Alrazaq,Jasim Al - Abudi,and sami AbdAl hameed).Moreover they work as directors and actors they have presented their works in educational institutions in the bands of show applying in such works varying directing schools based on their own styles and senses.Abd Al mursel Alzaidi one of the Iraqi artists has different artistry scopes by the variety of their experiences and talents, He studies theater in academy of beauty arts In Iraq and completed his higher education (masters and doctorate degree) specialization of literature and dramatic criticism in Romania (Bokharist university ).He used to teach the students after his reoccurrence from the study in dramatics department , in addition to his practical experience by his variant participation in many dramatics work either as director or actor or styler ,in increase to his participation of variant artistry in radio ,Television and in the field of plastic art. According to that the scholar gets the title of his research : - (The variety Artistic vision in dramatics experience of the artist Abd Almursal Al Zaidi ) and for reaching to the aims of this study is described by for chapters taking this from : - This consist of (The problem of the research and the need for it, the research confines ,and the definition of the terms ) , The problem of the research included this question : - (Is there any role to the variety of the technicality scope for Alzaidi in the field of radio ,T.V, and plastic art on his dramatics experince).The importace of the research is considered as one of the studies that are about the demonstration and the development of Iraqi theater by its : - Observation to the enlightenment and crystallization of the artistry scopy in the mind and the senses of one of its pioneers who is the artist Abd Almursal Alzaidi and so it is the study that focuses on the aids that use the universal script feasibilities in handling Arabic or native cases.And to put in to use the plastical scopy that Alzaidi has in designing the items of the dramatics show space and this is by the way is considered as a knowledge that serve the workers who work and study in the theatre and the establishments that are in relation with it.The aims of the research consist of three points that are : - 1 - To know the originator of the ideological, and the artistic of the artist Abd Almursal Alzaidi and how this originator influence his own artistry experience.2 - To know the origins of the artistry that are about Alzaidi by following the demonstration of his history his artistry , educational, and social life.3 - To know the nature of the moment that was lived by Alzaidi and knowing its contradiction on the conflict level that the origin artistry methods have witnessed or by the ones that coming by his traveling around the world or by his study in Romania.The limits of the research are restricted according to such ones : - The temporal margin - the locative - The topical , the temporal margin was limited for about (2010 - 1940) concerning his own technical experience focusing on his dramatistic experience, The locative margin (Iraq) but the topical margin is concerning the study of the cultural and creative originators of Al - mursal Al zaidi chapter two Academic field.In this chapter the scholar tries to constitute theoretical domain for the Variety of the technical surveying about the dramatics experience of the artist Abd - Almursal Alzaidi in three main subjects : - The first subject : - The meaning of the technical scopy, the scholar sees in this chapter that the artistry scopy is formed by two important formatives they are in origin from the parts that are connected to the voluptuousness physiological parts of human being and to his social and psychological cultural that are sight and conception.The second subject : - the materials that malte the dramatics artistry scopy come true, the scholar considered such mediums as akind of sciential coherence between the thought and the art for the coordination of the voluptuousness , and the audio - visnal for the theatre show the scholar has distinguished between two kinds of the material that achieved the dramatics Artistry scopy the script and synography.The third subject - The resources of the technical scopy variety about Al - zaidi experience in spite of that these resources are long, imbricate and intricate in different arts however, the point of initiating it was in his dramatics experience (acting and mechanisms , and dramatics there the plastic, T.V,and his radio experience).And the scholar make ratiocination in the end of chapter two that contain the most important of the signs the academic field.In chapter three : - the scholar did his research procedures by limiting (so ciety , sample, the method ,the research mediums) and then he did explication the sample of the research that include the drama shows that was directed by him,1 - (Macbeth)by William shakespear.2 - (lovers not Failed) by farhan Bulbul.3 - (Abu Hamdans dream) by Jamal Abu Hamdan.4 - (Good Human) by Auny caromy.The scholar take the persuasive way in choosing the research sample depending on the analytic descriptive method in analysing the research sample.Chapter Four : - consist of the following : - (the research findings and its arguments, and the ratiocination) the scholar make many recommendation , suggestion the list of index and appendix moreover the digest of the paper in English Language.

الاساليب الجمالية والفكرية للاعلان التلفزيوني العراقي المعاصر

اسم المؤلف: ماجدة سلمان محمد
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتميز الاعلان بانه قوة اقتصادية واجتماعية، ويعتمد نجاحه على ما يتضمنه من قيم فكرية وجمالية، وليس مجال بحثنا العمليات التي يحيل اليها النشاط الاقتصادي للاعلان، فقد حاولت انماط من الاعلان ذات سمات جمالية وفكرية ان تخرج عن النموذج الاستهلاكي الى افاق اكثر ان

ماهية النظام الكامن في فعل التصميم للاعلانات التجارية

اسم المؤلف: دنيا محمد عناد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعنى هذه الدراسة اهمية لايجاد صلة مبدئية نظرية في بناء النظام الكامن وما يتضمنه من مبادئ ومفاهيم فكرية وفلسفية من خلال الافكار والاساليب الاخراجية التي تتعلق بالتطبيق العملي لتحقيق النظام الكامن في فعل التصميم ادراكيا الذي يؤدي الى وحدة الفعل التصميمي م | To deal with the significance of this study ,is theoretical ignition ,to the construction of the concealed System, and what consists of principles and philosophical and intellectual concepts, through ideas and directional methods ,which related to the practical application ,in order to achieve the concealed System, in the act of design ,that perceived cognitively, This leads to the unity of the act of design objectively and functionally. To increase the leverage of influence on the audience side, in that it supply the cultural side with a recent and development study, for the design of commercial advertisement. To the lack of a study, dealing with a subject of the concealed system in the act of design, including an act worthy of its importance ,in the process of design ,and its technical construction ,which meets, the requirements of the designing process ,influence and delivery, So this study is tagged under the title " The Essence of concealed System, in the design act, of the commercial advertisement" through four chapters. The first chapters included, the focused on research and the need for it. This focused on the question ,of what is the concealed System in design? And what is ,their impact in the act of design?Hence ,the importance of research comes with in some specific justifications : - 1 - It contributes to highlight the directorial methods, with the concealed systems in the act of design.2 - IT contributes to the development of visions and the skilled capabilities of workers, in the design commercial advertisement.The objects of study are represented by. revealing the concealed systems ,in the structure of designing the commercial advertisement, and laying down the essential foundations to the act of the concealed systems, according to the following : - 1 - The confirming on the fulfillment of the concealed system in the act design , through achieving an expressive unity, to establish the unity of the designing act , through consistency of the apparent formal elements , with the content of the concealed idea , at the heart of the direct sensory perception , this leads to the achievement of a high communicative value , used as an instrument , producing the concealed meaning , through excitement , and attracting attention , towards the product by the act of the concealed expressive forces.2 - The confirming on the expressive forces , to the concealed system , in the act of design , through modulation , and changing in the design elements , by adopting the mechanism of deletion and addition.3 - Achieving the presence of the concealed designing systems , by the act of the formal distinction , through the apparent designing systems , in a way that relies on the objective expression about designing idea. In addition to present an applicable proposal to the concealed influenced systems , in the act of design. The research limitations were represented by the printed commercial advertisement , in the foreign and Arab magazines , that released by the following states : Syria - Lebanon - Saudi Arabia - The United Arab Emirates the united states of Ameriea , for the periods from the year 2004 - 2009. As well as determining the terms , which contained in the study title. The second part came to cover the theoretical framework , and the previous studies , which found by the "female" researcher. They are adjacent studies to the current study , in the field of graphic design , approaching the subject of research , without being involved in it. The previous studies had been agreed with the current study , in terms of addressing the subject of system , and the formal systems , which differed in terms of meaning , the content and the target. In regard to the theoretical framework , that included four fields of investigation. The first part focuses on what is the concealed system , in the act of graphic design. And according to the second part , which has been focused on the "Concealed forces in the design" and the third part included "The structure of the commercial advertisement design " The fourth part contains "The methods of the commercial advertisement design " along came the theoretical framework in several indicators. Then the third part has been allocated for research procedures , in that the "female " researcher followed the desecriptive approach , as a method of analyzing the content , for the purpose of monitoring phenomena - Since the unity of analysis has been specified , for it's being carry out the integrated communicative ideas , that can be drawn from it ideas by analysis. And thus it formed "20 " units , as samples , and in proportion to 20 % of the research community. These were selected in a non - intentional potential way to be close to the average of the phenomenon , which are being searched , and for the following reasons : 1 - The availability of the objective reasons for each advertisement.2 - The quality of the print , and the particularity of its intellectual arguments."The female" researcher has come through a number of results and scientific conclusions , that has achieved the plotted targets of the study , and some of the results are : 1 - the concealed systems contained several techniques in the act of design , like the formal lending techniques , the formal referral , and the integration between the positive and the negative picture , the element of surprise and amazement in the expression , and the style of technical processing , which could be used to help in achieving the concealed systems.2 - The impact of the concealed systems on the designing act , is associative , that comes through the connection of the main idea with the advertisement content , as a result to the correlation of the implicit expression forces with the semantic suggestive , which broadcasting the form , to achieve the unity of the designing act , to stimulate the drawing of attention.3 - To achieve the concealing system it produced as a result that each designingly space , has it's special system , through a combination of an unusual , innovative forces , to be as incentives for working on directed eye movement, with in the limits of the designing surrounding.4 - The system has multi - forms in the advertisingly design - there is nothing prevent it ,from containing more than one optical system , in order to achieve it's communicative function.5 - There are two types of designing systems , in terms of interaction with the surrounding environment , that is the closed system and the open system.6 - It is expresses on the characteristics of the concealed system , through the idea as an average relation between the two systems "This notion should reflect the characteristics of the concealed systems". This should reflect the characteristics of the concealed system in shape , and the ability to evolve , the self - control or flexibility - this system affect in the design through the expression of implicit and it's developmental abilities. It is a sensible , intangible thing , that cannot deny the existence or determine it's presence. It finds out in a set of relations , that are governed by fixed laws. It is the essence , that cannot be change , is governed by the rules that are subject to change , in order to achieve different appearance methods for the concealed system , which cannot be absorbed by stereotypes.7 - The ingredients of the concealed system are (intellectual and physical) , and through which the integration is being achieved the creative element in the act of design. 8 - To understand the concealed system needs to be aware of the fact, that the biggest innovation system is the highest rank.9 - The act of design includes many concurrent transitions, which are the use of different integrated plans, interacting and overlapping with each other.10 - The expressive system are considered in the case of constant change, we respond only to a limited group of shapes and meanings, and thus to particular relations with each other (and to adopt the forms systems, and the meanings to some extent each other) as the structural analysis leads us from the surface level of research to a deeper level, meaning, that live on the borders of this level.11 - The forces can be seen as expressive powers, and include its manifestation, different areas of life, some of it, including the apparent and the other is the concealed, which reflects the self - aware human being, and is a strong trend everywhere. It is a process governed by cognitive mind, and the sense at the same time. And then the search introduced recommendations, proposals, and practical application, in the attic light of the finding results, and the conclusions

القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق

اسم المؤلف: مروة شاكر رضا الشيباني
اسم المشرف: حسين علي هارف
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: كرس البحث لدراسة العروض المسرحية المقدمة في مهرجان مسرح الطفل في العراق على الصعيدين التربوي والفني. وضم البحث اربعة فصول، تناول الفصل الاول مشكلة البحث التي تحددت بالسؤال الاتي : (ما القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق ؟).تتلخص ا | This study devoted its interesting about the theater provided in the Children's Theatre Festival in Iraq for two levels of education and art. The research is composed of four chapters ,the first chapter dealt with the problem of research and identified the following query about : (What are the educational values and artistic offerings in Children's Theatre Festival in Iraq? ).Summed up the importance of the current search set of points ,namely : - - According to playwrights interested in the theater of the child and contribute to the success of their mission and their experience of drama and art in the writing of the text of a theatrical education educational.According to technical education teachers working in primary and middle schools in the artistic activity of the Directorate of Education. - According to the directors in the field of children's theater and theater of the child concerned circle cinema, theater and children's culture department of the Ministry of Culture. Accordingly, the current research aims to : - - Detection of the values of educational offerings in children's theater festival in Iraq. - Detection of artistic values in the festival offers children's theater in Iraq.The chapter also include within the research objective identified in the theatrical performances presented in the Children's Theatre Festival in Iraq, its sessions and the five spatially in Iraq Baghdad and the timetable for the period from 2003 2008 and contains that chapter on also determine the terms and defined.The second chapter devoted to the theoretical framework of research and previous studies in which, as it included four sections. the fourth examines the first educational values, and address the second topic artistic , values ,.while the third section dealt with children's theater, spoke of the fourth section on historical perspective in the experience of children's theater in Iraq , and concluded the chapter with the most important indicators that resulted in our conceptual framework and presentation of the previous studies and discussed. In the third chapter, the researcher identified the research methodology and procedures and identify the research community, which includes (35) a theatrical performance, the researcher chose a sample examined. Random manner to write the names of offers on scraps of paper each session separately, it reached the sample (5) performances in the form of discs (CD), and these presentations are : - 1 - a play (the bird and the fox) : Author Natiq Khulusi,directed by Abbas al - Khafaji.2 - play ( the world of the vitamins ) : Written and directed by Hussein Ali Harff. 3 - play (the reward of the Sultan) : Written and directed by Faleh Al - Abdullah.4 - play (Asia go to school) : Edited by Asad - Hilali and directed by Baker Nayef.5 - play (Sheikh and table) : Written and directed by Faleh A1 - Abdullah.To achieve the goals adopted by the researcher Search tools , namely : 1 - Tool educational values : that relied on classification ( White - Hiti ) the developer , which was introduced to a group of experts to identify the validity and measurement of the first goal, which.called for it, as well as measurement reliability was the use of equation (Holsti) to find a coefficient of agreement between the arbitrators (analysts)2 - Tool artistic values : the researcher has discussed building a tool that was b (i form content analysis of theatrical performances to the values of art) was introduced to a group of experts on the validity of exposure and a measure of the second objective, which called for him.In chapter IV of the results reached through the presentation of the researcher and the most important conclusions from them.1 - varied theatrical performances in the book focus on the educational values some of them focused on a particular group of them did not focus on the rest of the values.2 - characterized by the values of six years as the most important and focus of the theater, namely, (a fun ,aggression, food, generosity, intelligence' diligence and attention, and the unit group, employment, health and safety of the body, love of family, beauty, happiness, conduct' control. honesty, knowledge).3 - showed some of the theater twice in both sides of the lighting. sc as to not having the director in collaboration with lighting designer enough time for the processing of the exhibition ha1l to suit the theatrical work of them receive the hall a few hours of time to display in the festival, forcing the director depending on the illumination of concentrated and flood only in the theater. 4 - showed most of the theater twice in the make - up except the play (the world of vitamins), characterized by makeup personalities and the reason for this is due to the paucity of material and the absence of specialists in this area of the art technical especially in the plays of artistic activity for the Directorate of Education to participate in this festival According to concluded results done by the researcher o she isrecommend the following : 1 - Increase the awareness and governmental assistance for the child theatre and increase the financial customizations for the child produce in the directorate of cinema and theatre.2 - Prolonging by the art level for the children play introduced about the level of direction and writing as well theatre techniques 3 - Necessity for responsible to take care by the directorate of cinema and theatre by making the perfect archived for play show concern the child theatre carnival in Iraq via the Video or photograph development in color if found.4 - Checking the theatre show submitted to children before exhibitto check if it's valuable contents.5 - delegate specialist in the field of makeup outside Iraq to notify the latest techniques and developments in the makeup art and what modern product.6 - abandon the makeup materials in the art institutions to facilitate the makeup working and aid it in addition to take care by and on the library concern the makeup accessories.7 - arrange the exhibit show table for carnival by the form allowto each exhibit the adequate time to prepare the accessoriesand techniques like decoration, lighting, and effects ,... etc.For that the researcher suggest : 1. perform complete art. and educational study in the academictheatre shows.2. perform the educational and art study for the theatre dummyshow.3 - perform the analytical study for attractive elements in the theatre statement directed to children.4 - perform study about the relation between dialogue and personality in the theatre work directed to children.5 - perform the analytical study for the personality of hero in thechild theatre.This chapter include a list of references in Arabic and English ,finally the research finished by the abstract in English language

نظم الخطاب في عروض المسرح العراقي على وفق الاتجاهات النقدية الحديثة نماذج مختارة == The Systems of The Iraqi Drama Shows Discourse According To The Modern Directions Critical

اسم المؤلف: حارث حمزة عبد الائمة الخفاجي
اسم المشرف: نصيف جاسم الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثل العملية الابداعية فعلا تواصليا ناتجا عن العلاقة المتبادلة بين الوعي والوجود، على وفق صيغ وانساق تنتظم داخل فضاءات فكرية، تتجسد على نحو متحول في الاشكال المادية الممثلة للشكل الظاهري في الفن بحقوله المختلفة، التي يشكل الفن المسرحي احد تلك الحقول.وي | The creative process is represented communication active is ruselt from the mutual relationship between awareness and existence according to forms systems orginicing inside mental spaces represented on transform in material forms witch are represented in external shape to art in different in fields and the theatrical art is one of that fields.And the system of theatrical art is represented transforms active pivot or many levels wich is represented on realation ships and advices wich are spread between abstract humanity wich represnted in the text of the writer and what is carrying of elements and relationships wich are organize according to the given of text system, from one side ,and transform , in in side the external according to two levels the audiovisual from another side.And because of the processes of be organized the awareness to include the facts of theatrical field is come from to call for all humenty references and wich it cannot to out of tamely place facts and reflexes include the structural of creativness system theatrical - and its just like to called on it as abstract structural and atoms structural wich it called by those previous vocabularies from briefly of all to name for example : ( mentally, abstract, perfectly, sensitively, materially, externally, …. Ect ).The objectly equal wich is to spread the structural of theatrical system and finely, and charm reading , what this meaning in discourse, it is effect in the text, and criticism systems, in the theatrical art, included the place on the stag.The search it s contain in four chapters : The first chpter : the form a manner : 1. problem of research.2. aim of research.3. 4. Sami A. Al - hameed.5. fahdel khaleel.6. ssalah Al - qasab.7. Aakheel mahdee.After that, the researcher look in some criticism current : 1. structural.2. seismology.3. deference.

تقنيات الايهام البصري في تصاميم الاقمشة النسائية == Techniques of Visual Illusion In Design of Women'S Textiles

اسم المؤلف: ابتسام محسـن حسـون الخفاجــي
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة == Dramatic Transformations In Plastic Art From Romanticism To Postmodernity

اسم المؤلف: اياد ذياب حميد السامرائي
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يقوم موضوع هذه الدراسة على البحث عن التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة، وينجز ذلك بالكشف عن مختلف المرتكزات الاساسية الموصوفة بالاثارة والذهول والابهار والمفاجاة التي ادت اليها، والتي استوطنت اماكن عدة، فتارة نجدها في | The subject of this study on the search for dramatic changes in the art of the formation from romanticism to post - modernism, and performed by disclosing various basic pillars described with excitement, amazement, disbelief, dazzling and surprise that led to it, that settled in several places, Sometimes we find in nature, and at other times, in art, and sometimes in social life and circumstances, as the transition starts from innovation, which is based in turn of the overall environment, and its various components. After a few of change and transformation in art and long periods of time, there has been a period of research - the last two centuries - accelerated momentum of dramatic transformations, diverse coverage of the currently located concept, idea, form, and content fields and use the techniques and mechanisms to show innovative ways, guided by philosophical conceptual and psychological and biological foundations, and selfless and exclusivity, and overlaping between the arts, and East, Africa arts, and the impact of science and wars, etc.... Inquirer plastic works of art are described with dramatic transformations in the "romanticism" , "modernity" and "postmodern" all.This was a ground of knowledge for the start of the research problem as an urgent priority to respond to the misconception in the counting of dramatic art limited to the romantic and earlier, as well as the shut understanding of in that dramatic, are only done by the excitement, dazzling, disbelief and surprise in based meanings or story confirm the diagnosis of individual and collective. And the lack of bold scientific research, to assertion of the continuing dramatic in the formation art from the romantic to the post - modernism arts, despite the differences in the showing tools or the adoption of a dramatic form that are running either removal of partial or full of meaning, or confirm that unstable and the instability of the meaning adoption of the recipient interpreted.The research was completed according to the procedures of its stated objectives, namely : 1 - A shift in the fine dramatic structures and concepts of the Romantic period in the configuration variable to the dramatic arts post - modernism. 2 - detect the movement and dazzling excitement, disbelief and surprise, in form and color and configuration and interpretation in the art of composition of post - modernism, in other words, it was revealed the dramatic formation and have. As well as on the detection of evolution and growth and the variables has intellectual hermeneutical.3 - Statement of the bases in the dramatic arts and post - modernity?. And the movement of the dramatic changes and growth in the shape, color and composition in?.Within the following borders : Temporal limitation - from romantic in the formation (1820 to 2010).spatial limitation - open with an emphasis on European art. As mentioned in the first chapter, as well as to determine the terms, including the title search required by imposing meanings overlap and Transfer of funds between arts ideas and techniques, undertaken in article research and institute an inquiry. Chapter II contains the bases and intellectual and philosophical and substantive shifts in the art of dramatic composition, for a period of time the search Atltha three major periods of art is "Romance" and "modernity" and "post - modernism." The first topic dealt with (the shift in knowledge and art, the art of composition). And ensure the second section (and the dramatic movement in the knowledge and know - how). The third section will assure institutions (and the mechanism of betting that dramatic).Chapter III and included measures to his society and appointed by the search and approach, and the justifications for the selection of which formed the research sample consisting of fine art products to the general romantic postmodernism, drawing them in particular, according to the time limit (1820 - 2010). And select the Finder, including sixteen representative sample of society, as my intention.The researcher adopted a descriptive analytical method in order to align research storehouse placed in the title is marked by "dramatic changes in the art of romance to the formation of post - modernism," as the basis of a tool for analyzing samples from among the indicators that resulted from the theoretical framework.The researcher in the fourth quarter to phrase the results highlighted the most important institutions of the changes dramatic in the art of composition of the romance to what post - modernism and identified citizen functioning multi - described interventions and institutional Altalqat philosophical, conceptual, intellectual, technical, social, political and Alvallosikolojip and Elzimkanip it. Finally, the researcher found some of the proposals and conclusions reached by the search.

جماليات الازياء في عروض المسرح العراقي == The Beauties of Fashions In Iraqi Theater Shows

اسم المؤلف: محمود جباري حافظ الربيعي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نبحث في تكوينات الازياء المسرحية من اجل الكشف عن الفكر التاويلي الفلسفي،وايضا عن معاني الصور البصرية المتشكلة بفعل علاقات عناصر العرض المسرحي بعضها بالبعض الاخر، فضلا عن مدى تمثيل شكل الزي المسرحي (سلطة او هيمنة) على مظهر الممثل في ساحة التمثيل، وذلك | My Research in making up of the theater Fashion about the Secret of philosophical thought and about the meaning of Optical pictures Which shaped by the relation ships of Optical Pictures which shaped by the relationships of element of the theatre show , which connects with each other. As wellas the extences of acting the shape of theater Fashion (control) on appearances of the actor in the Field of ailing Fashion covers the natural body of the actor and express the appearances and dimensions of the fashion lakes part outside emotional expression , For the actor in the play averts. The dramatic fashion accused important optical avenge with the rest of visual elements , That style of fashion design stir up beautiful feelings by using fashion forming that is suitable with the nature of designable treatments to other elements. The fashions contains the nature of relation ships of educational address and the kind of beliefs , So the visual beauty is limited for those relation which are the designer fashion tried to redesign and set them anew. so as to goes with beautifully with the last visual for dramatically scene. For this reason the research divided the beauties of fashions in the dramatically shows of Iraqi theater to five scenes : The first Term (methodical frame) includes the research problem it's about the following questions : ( WHAT IS THE BEAUTUL FORMS of THE FASHIONS AND THEIR RELATION SHIPS IN THE IRAQI SHOW PIAY ? ) The importance of the research comes to save scientific subjects for specialists in dramatic Arts in general and to fashion designers specialty. The aim of the research is to limit to reveal the forms of fashions beauty and its relation ship with play show. The place of the research is Baghdad city the time is from (1992 _ 2007) , The subject is the fashion of characters of Iraqi play show. the idiom of beauty and fashion was assigned. The visual frame has been divided in to two terms the second term consists of three researches under the title of the formal dimension for dramatic fashion. The third term includes the things that takes places to the research , the choice for the sample was by mean they are : A _ Media play produced by Adel Kareem. B _ Who splayed raving awake produced by Gamin hammed. C_ Othel in the kitchen , by semi Abdul _ Hammed. D_ Macbeth , by salad Al _ Quad. E_ The Nomad and the Orientalist , by Aqeel _ made. I have hadalat of production as a result to samphs analysis , The most important of them are : 1_ The formation of dramatic fashion is assigned beautifully by two things.The first is by analysis the parts of the formal fashion which are (colures stripes , touching , space, emptiness , mass and shape). As well as its formal parts which are (the unity balance , harmony , mastery , correspond , differences , contradictory , structure , light , shadow , progression , direction , similarity , tune , repetition ) and to got their relations. the relalconship between the fashion designer and the producer of the show and the ability of the designer and its suitable with the desire of the receiver beautifully. 2_ To the formation of fashion beauty value itself reached to its meaning by the formal structural and beautifully designing by the unity of the subject which he wanted to do in his design , whenever the designer got the freedom to choose the design and carrying out increased movement in enlarging its beautiful limits using cloth of fashion. Beautiful arrarement by the continuance to rerch the relationship the combines the special structure that belongs to the dramatic fashion. 3_The relationship of the dramatic fashion with the elements of the play show is dased on the perfection marvelous technical communication among the show designers on the nature of forming these elements and the circumstances around the play show from the show place and its time. The fifth Term is the discussion of the results of the research is done and show the important results. The following is some of them : 1 _ The use of some of formal elements ( stripes , colors , touches , space , mass , and shape ) in the designing of the characters of the play. Neglecting using the others leads not achieve the value of formation of the dramatic fashion. 2_ To the structural elements for the design unity essential role in confirming the beauty of the dramatic fashion. Unused most of those elements leads to obscurity in design and that reflects on the general forming of play show. 3_ The historical dramatic fashion is very important it gives information about the appearances of the time and it reflected subjectively on the erase of receiving and their containment that leads to make the actor do his dramatic play show. The fifth term includes also the important commandments and suggestions. The Research is ended with a list of Arabic and English references in to the English language.

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي == The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

فلسفة التربيـــة الجمالية في ضوء الجمالية الالمانية المعاصرة == Philosophy of Aesthetics Education According To The Contemporary German Aesthetics

اسم المؤلف: علي عبد الكريم رضا
اسم المشرف: عقيل مهدي يوسف | ماجد نافع الكناني
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يهدف البحث الحالي الى بناء اطر عامة لوضع فلسفة للتربية الجمالية، كان الدافع لها بحث العلاقة التي تجمع بين الجمال والتربية بتعالقاتها، وتواشجاتها المتعددة والعامة؛ وما يعنينا هنا هو ما يخص قسم التربية الفنية تحديدا بوصفه القسم الذي يعد مدرسين للتربية الفن | The research aims to build general frameworks to form a philosophy to aesthetic education , the motive beyond this , searching the relation that combines aesthetics and education with all its various characteristics. What concerns us here is definitely what relates to the aesthetic education department , since it is the department which prepares artistic education teachers who are responsible for their future role concerning the aesthetic education. For all that , the research problem appears to show the negative side of students of artistic education department and their lack to react with post contemporary production in both sides , the artistic and the philosophical ones. This forms a gap which should be faced and tackled by reinforcing the student's philosophical and aesthetic fields ,also, to introduce opinions of post contemporary in its intellectual field. That is beside reinforcing and enriching this field by showing its application in the artistic production , and the way of tasting the aesthetic appearance , and finally criticize and give decision. This happens to form a part of artistic education department performance integrative in the light of knowledge development and present time requirements to achieve a high level of specialization. Therefore the research gives additional knowledge that mix the specializations which compose it , which are also the philosophical educational and aesthetic opinions of the investigated institutions through which the research importance appears as well as what the research introduces of intellectual and aesthetic principles for each philosophy of the four investigated philosophies. Testing the four philosophies was intentional for its implication to intellectual and critical principles , that reinforce post contemporary production readings. The debate with the specialized in the scientific committee - which confirmed the research - has a significant role , that these philosophies are put of the Contemporary German aesthetics which represents the twentieth century philosophy in its speculative stream.The Four Research Aimsa - Limiting the aesthetic education philosophy intellectually ,objectively and functionally.b - Knowing the mechanics of Contemporary German aesthetic thoughtc - Investigating principles and laws that establish to the aesthetic education philosophy according to the philosophy in question , with its intellectual organization and harmony that can be reliable considering as a base for the aesthetic education.d. Suggesting a curriculum for the required aesthetic education.The current research was surrounded with a philosophical framework , limited by the Contemporary aesthetic ( the Neo - Kantianism, phenomenalism , Frankfourt School , Acquisition Theory )This framework extends and penetrates with the artistic education philosophy in a selective manner , lacking in consideration requirements of preparing artistic education teacher , in his turn , Iraqi privacy , time requirements and the academic need to achieve the aesthetic educational philosophy. That what the first chapter included in addition to specifying the important terms that the research title implied : philosophy , education , aesthetic educational philosophy ,and modern German philosophy. The second chapter included four chapters. The first three included the philosophy , education , and aesthetics according to essential nature ,structure and the general directions. the last section included the aesthetic educational philosophy according to the historical roots , meaning , teacher and learner , aims , curriculum , teaching methods and functions of the aesthetic educational philosophy.The third chapter dealt with the Modern German aesthetics. It included four sections containing : Neo - Kantianism, phenomenalism , Frankfourt School , and Acquisition Theory according to structure and aesthetic essence. The researches concluded evidences of the Contemporary German aesthetics. The fourth chapter contained the research procedures which included the research society ,sample , research design , construction of analysis tools and analysing procedures for the artistic samples of post modernity art streams that the researcher chose consisting of fourteen paintings with various styles of Iraqi and Western artists , one painting or more for each direction. The researcher depended on the analytical approach to ensure applying third chapter indicators. He depended on the measuring tools to analyze research sample after checking tool reliability through a group of specialized experts in the fields of criticism forming artistic education. The fifth chapter contained the research results that achieved the first and the second aims of the current research , then , through the achieved aims and indicators of the third chapter as well as the fourth chapter's results. The researcher presented his conclusions that express a vision for the perfect aesthetic educational philosophy in the light of the German Aesthetic for the four philosophies in question. He showed the intermingled points among the intellectual institutions, which form the similar and meeting points or even the overlapped ones. This participates actively in discovering the hidden meaning beyond symbols of post Contemporarity art. At last the researcher suggested some recommendations and suggestions to develop the current research.

البناء اللحني والايقاعي للاغـنية البغدادية في عقد الاربعينيات == Construction And The Melody And Rhythm The of The Baghdadi Songs of The Forties

اسم المؤلف: طارق محمد علي كاظم الاوسي
اسم المشرف: طارق حسون فريد
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: جاء البحث متكونا من اربعة فصول مع قائمة بالمصادر والملاحق 0حيث يتناول الفصل الاول الاطار المنهجي للبحث، ويبدا بعرض مشكلة البحث التي تلقي الضوء على الاغنية البغدادية، والتي ارتبطت مضامينها وموسيقاها وطرائق ادائها بحياة المجتمع البغدادي ولكونها احدى م | Search comprising of four chapters with a list of sources and supplements. First chapter discusses the methodical framework for research.The research problem begins by highlighting on the Baghdadi's song which associated its contents and music’s and methods of performance with Baghdadi community life and being one of the sources of singing and musical heritage in Iraq and requires the preservation of extinction and distortion and loss through collected and documented and studied there was a need to conduct study on the construction melodic and rhythmic in the Baghdadi’s song. Then, the researcher illustrate importance of his research, either the target determined by the disclosure of characteristics of construction melodic and rhythmic features in the Baghdadi's song for forties contract.The second chapter guarantees the theoretical framework and previous studies, and was consists of three studies, came in the first study of it a brief illustration about history of music and singing in the civilization of Mesopotamia, and then the singing in the pre - Islamic era, then that came in the Arab Islamic civilization until the Abbasid era, and In the second study the researcher partook of singing in the Abbasid period, followed that topic of the singing in the era of the Moguls and by reach to the end of the nineteenth century AD, in the third study the researcher partook of situation of Baghdadi's song since the beginning of the century and until the end of the fourth contract, also the study included topic of song at the stage of forties of the twentieth century which is the main topic in this study, a researcher did not find any scientific and Academy study partook of Baghdadi's song at the stage of the forties of the twentieth century.and the third chapter contained on procedures of research, where the experts identified the research community and then sample of search had been selected intended, and then talked about research tool, clarifying the analytical standard which was prepared by him based on stated in Part II, which is marked (the curriculum and the application rate and addenda) in : 1 - Book (analysis of contemporary music in the science of comparative) of the author of a. Dr. Tariq Hassoun unique. And : 2 - the book (theories and methods of analysis of Arabic music) for the same author, as indicated by the analytical models for the messages of different music, and the researcher depended on chapters five and six of the book II (Explanation of fields’ content the five forms and the two drawings, the diagrammatic and schematic), and this what relates directly in determining the standard analytical music so that we can analyze the selected samples.And partook of the requirements the research and then methodizing of research and veracity of standard and its immutability. This chapter had included the musical analysis for the samples to be brought under for analysis.In the fourth chapter the researcher got out with a list of results and achieved by this his goals , then reached to conclusions, and then, the researcher put some of the recommendations and proposals, and came after it a list with the sources and supplements, and the research summary in English.

تعددية المذاهب المسرحية في النص المسرحي العراقي المعاصر : نماذج مختارة == Multiplicity of doctrines in the text of contemporary Iraqi Theatre - Selected models

اسم المؤلف: اسماعيل محمد هاشم الياسري
اسم المشرف: مجيد حميد جاسم الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

جماليات تنوع التكوينات الزخرفية الداخلية في العتبات المقدسة : العراق وسوريا انموذجا == The Aesthetics Composition varieties of the Internal Ornamentation of the Holy Shrines (Iraq and Syria as a pattern)

اسم المؤلف: زينب رضا حمودي كاظم الجبوري
اسم المشرف: عباس جاسم حمود الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

توظيف الفولكلور في النص المسرحي العراقي المعاصر == THE AESTHETIC OF THE FOLKLORE IN MODERN IRAQI THEATRICAL TEXT

اسم المؤلف: محمد عبد الزهرة محمد الزبيدي
اسم المشرف: عبد الستار عبد ثابت البيضاني
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

التطور الفني لشخصية المراة الدرامية في المسرحية العراقية 1958 - 1978 == Technical development of the personality of women's dramatic in the Iraqi's play 1958 - 1978

اسم المؤلف: خلود جبار عبيد الشطري
اسم المشرف: حسن عبد المنعم الخاقاني
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى: