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توظيف الانماط الكتابية وعلاقتها بالدلالة في تصاميم الملصقات السياسية == Employig The Writing Patterns And Its Relation With The Connotaion In The Political Posters Design

اسم المؤلف: سحر علي سرحان السوداني
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الملصقات السياسية من بين اهم الوسائل الاتصالية التي تؤدي هدفا فكريا وعقائديا وسياسيا فضلا عن الارشاد والتوجيه، وغيرها، ويراد من وراء فكرته التركيز على المعاني والدلالات الموجهة والمتجسدة من توظيف الانماط الكتابية، فالملصقات هي رسائل فنية وتؤدي و| The political posters are one of the most important means of communication that fulfill an intellectual, ideological and political target as well as guidance and counseling and others.The idea behind these posters is to focus on the meanings and the addressed connotations which are embodied from employing the writing patterns, so the posters are art messages which sometimes may have been aesthetic, but aesthetic is relative and is performing a function which is delivering idea to the recipient.The writing patterns is one of the important element in creating design, which is meant the delivery of advertising or information messages through it, and also has an importance in determining the fundamentals that underlie the clarity of letters’ forms which leads to the design of letters that have the efficiency to fulfill most requirements and one of the most important of those requirements is the literal function and the operational technique.The research problem has been summarized with some questions : 1 - What is the problem of employing the writing patterns and its relation with the connotation in the political posters designs. 2 - What are the methods that can be used in employing the writing patterns in the political posters and its relation with the connotationAs for the objectives of the research it has been determined into two axes : - 1 - Detection the mechanisms of employing the writing patterns and its relation with the connotation in the political poster 2 - Develop designing proposals for the design of the writing patterns, and its relation with the connotation in the political posters.As for the limits of the research, it were substantive limits in employing the writing patterns and its relation with the connotation in the political posters designs in Iraq, and the spatial and temporal limits were the political posters in Iraq for the years 2007 2009 as well as the identification of terms contained in the title of the study. The second chapter covers the theoretical framework and the last studies, the research has contained four chapters, the first one included the research methodology and the second included several topics, the first topic (the writing patterns in the political posters),the second (variables of space management of the writing patterns), the third (the structural system of the writing patterns), the fourth topic (the writing patterns and its semantic relationship), followed by the previous studies and its discussion and came after that the indicators resulting from the theoretical framework on which the researcher is based on in the preparation of analysis form , then the researcher addressed the research procedures in the third chapter, which included research community contained the advertising political posters, the research tools that the researcher used are form of analysis axes to examine and analysis the results, the researcher has designed the form and presented it to a group of experts and specialists, as the sample research has been analyzed through this form. Chapter IV includes the results of the analysis, conclusions, recommendations and suggestions.The most important results of the research : - 1 - Weakness of volumetric activations for the writing patterns, as it emerged with small sizes and unreadable, which affected adversely in the process of the optical attraction of the reader, and receiving the idea, as the size of the letter is important to achieve clarity and readability as in the samples (1, 2, 4, 5, 7, 8, 9, 11, and 16). 2 - Weakness of semantic relations and interdependence between signifier and signified, and this led to weakness in the meanings received, which resulted from lack of attention to the importance of the writing patterns which appeared secondary and small scale, whereas the meanings correlation between the writing patterns and images related to a significant impact for the recipient, as in the samples (1, 5, 7, 9, 10, 17). 3 - Weakness of aesthetics activations in the writing patterns that increase the optical attraction of the reader as this weakness will reduce this attraction as in the samples (1, 2, 3, 4, 5, 7, 9, 12, 13, 16, and 17). 4 - Most of the political posters have not used the symbols and its writing shorthand in the writing patterns and what they are carrying of depth in meanings and connotations as in the samples (2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, and 20). 5 - Employment the color of writing patterns in accordance with intellectual references and semantic relations, for instance the connotation of red color to confirm the excitement, terror and blood and the black color as a sign to the mystery and fear, as in the samples (1, 3, 5,15,16,17, 19, 20).The study has reached the following important conclusions : 1 - Designers have not used the voluntary letters design effectively, so the letters appeared easy because they have not been used as a design. 2 - The relationship between writing style and photos have been established so that we can find it an objective link through a basic use of writing patterns specifically associated with the activity of the social culture of our people. 3 - The use of typographic vocabulary has come in an intensive and busy form which causes confusion to some designs of political posters. The most important research recommendations are : - 1 - Employment the design principles and studying the formal space relationships that promote the organization of typographic vocabulary because of their role in attracting the attention of the recipient and that is because of the expressive connotations that the media message is containing. 2 - Activating the study of writing patterns that peoples of different patterns are characterized by and try to understand its meaning and translate it through presenting of designs contributing to the development of humanitarian contacts between our society and other societies.3 - Trying to provide design ideas that have meanings and connotations reflect the reality and concerns of Iraqi society with methods far from complex and exaggeration.

تطوير وتوظيف الخط القيرواني في التنضيد الطباعي == Developing And Employing The Qayrwanic Calligraphy In The Typographical Typesetting

اسم المؤلف: عبد الحسين رضيوي نون الركابي
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Designing the Arabian typographical letter based on written references , that was well known abundance of artistic and cultural creed , represented by the Arabian Calligraphies with deferent types and styles , and still a fertile material used by the designers to renew what they always were seeking , using the forms. from it and establishing their letters in a new way. Their applications were increased by using their personal computers in the last decade of the last century and during the height of the development and proliferation of the current century.In the time that witnessed the domination of some scripts by using them in the typographical typesetting field like the Kufic script in it most types ,till it was made as a primary base beside al Naskh script for technical considerations , but some of it valuable types was a little pit un touched.The (Qayrwanic Kufic script) or what known as (the Qayrwanic script) is one of the credible of that, because it is still didn’t used that much and was not used in the typing field in spite of it excellent characteristic, and the attributes of it letters the differ from the other types of the same kind.and also it was forgotten comparing to the Morocco scripts.there was no research lights on it alone and was not published in many books or any other articles. These are our purposes for the research that we named : ((Developing and Employing the Qayrwanic Calligraphy in the typographical typesetting))It came with specific purpose that; designing typographical script based in it references on the Qayrwanic script. And deriving it weights and variations to do a specific applications in the typographical typesetting field each in what it needs.That with the support of two assistant purposes, the fist one : studying the Qayrwanic script to find out it assets and properties , second : analyzing what have been achieved before of the typographical fonts that was derived from that script - in it minimum to be useful in the applied side … so the research is theoretical - applied , contain four chapters , chapter one : the curricular framework , where we showed the research problem , the importance and the need for it , goals and limits , and we knew it most important terms, then we showed the curricular plan and ways on both theoretical - applied levels. And the second chapter contained : the primary subject for the research presented in it theoretical framework by three primary researches, the first one : specified in the Qayrwanic script.. Assets and properties. The second one; contained the Arabian letter in general with it properties and quality, the third one made to employ the Arabian letters in the typographical typesetting.The third chapter came with the research procedures in two parts ,first one specified to analyze what have been achieved of the typographical fonts that related to the Qayrwanic script , and all what was available are three fonts that we analyzedAnd criticizes according to a various axes derived from the typographical typesetting.The second : dedicated to the applied side ; searching to achieve the primary goal for the research as a practical fact which contain designing typographical letter from the researcher work by using the Qayrwanic script to employ it in the computer typographical typesetting , to work in the windows environment , and that went through continues levels that designing made starting from butting the primary designing to the font by drawing the letters manually on the papers which the researcher handled it himself till entering them in the computer and follow up the achievements stages and operations and designing treatments that was changed in each stage , then preparing the letters crew with their numbers and signs , to be moved one by one to the international encoded characters board that was special to the Arabian letters according a specific plan that will be programmed with standardform for the '' true tape font '' through special program of designing and editing the fonts , to adjust the dimensions and distances and be sure of the parts perfection inside that program till make it as a document that Carrie this specific name and be capable to add in the computer program and perform a test on it , able to be modified ,erased and adding for many times till the final decision, the researcher also generated other types and weights according to the old previous copy that was edited each one alone by the computer abilities, with what it takes of treating techniques to serve it purposes in the texts ,addresses and others.We also enclosed a special attachments to watch the applications of these fonts in the typographical typesetting field printed on papers and supported with CDs contained files for these applications.The fourth and the final chapter we recorded the most important results for the research in both sides theoretical - applied in it , and we concluded the achievements of the research , not only by conceptual level but also the applied side was not only assumption designing performed on papers only ,that was an easy part of the goal But it was transformed to an achievement capable to perform the scientific applications in the typographical filed.

جماليات التنوع الاسلوبي في الملصق البولندي : دراسة تحليلية == Aesthetic The Styles Variety Polish Posters (Analytical Study)

اسم المؤلف: جميل عبد رماح الحسناوي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد تحقيق الجمال في تصميم الملصق هدفا ضمن اهداف عدة لا يمكن الاستغناء عنها كونها تحقق الجذب والاثارة ومن ثم تحقيق الاتصال الذي يمثل هدف الخطاب الاعلاني. ولا يخفى على المختصين في مجال التصميم اهمية التنوع الاسلوبي في احداث تكوينات شكلية ترفد الملصق بف | Realizing the beauty factor in designing the poster is considered as a significant goal including numerous indispensable goals because it realizes attraction and excitement then reaching to the connection that realizes the public speech. It is obvious to the specialists in the designing field the stylistic diversity in shaping forms that support the poster with activities contributing in its aesthetic diversity and aesthetic values helping to form the main objective of the study through the positive effect that this diversity make. According to this, the research is been organized in several chapters, the first contains the needs that the researcher touched in the poster designing system in Iraq. Such as : - 1 - The interested establishment in designing fields in Iraq is lacking to know designing styles that other countries adopt and considered number one in poster designing field like the Polish poster.2 - Using the objective stylistic diversity is showing weakness and needs to enrich the poster with aesthetic dimension in designed posters in Iraq.According to that the problem was identified on two questions : - - What is the role that the designing stylistic diversity does aesthetically in poster? - Is it possible that the aesthetic dimension in the poster would be affected by the diversity of the idea and technique? The importance of the research is identified through two points : 1 - The possibility of contribution in supporting the Iraqi artistic library with a methodical academic material.2 - Developing the performance and executive awareness for the specialists in designing field in Iraq through providing information about the aesthetic stylistic diversity in polish posters one of the most important in the world.And the goal of the research set including : the following disclosure of stylistic diversity wich contained in the polish poster and its linking with their aesthetic broadcast. And it based on three levels : 1 - The objective level : studying the stylistic diversity and its aesthetic impact on the polish posters.2 - The temporal level : (polish posters between the year 1990 - 2008) the researcher choose this period because it’s including all the styles that the polish poster follows since its start, besides this is the nearest period to research accomplishing time. 3 - The spatial level : the posters designed in Poland.Then define the terms that the research used which are : Beauty, diversity or variety, style, pre - modernism, contemporary art.The second chapter identified containing the abstract and the previous studies where it is organized in four research work, as the following : 1 - Stylistic diversity of the aesthetic mind through the history. 2 - The Poster and the history movement.3 - The technical part of the research (using).4 - Polish poster and the stylistic transformation pre - modernism.The researcher specifies a group of indications that represents a summary of the abstract : 1 - concerning the multiplicity of the schools and the artistic movements (realism, expressionism, new classism, touchisim, cubism, abstractionism, surrealism etc. …), Artistic styles of the artists numerate through mental reflections affected by the nature of changes that happens to the artists like the social environment and intellectual and cultural background, theses styles add many characteristics on the stylistic of international posters in general. 2 - Polish Poster design was in Four stages on the integration of image through effective aesthetic expressive symbols and metaphor techniques For past and Contemporary civilizations through the adoption of principles of complexity simplicity.Sense of belonging. Strange classic pluralism and symbolic form in the formulation for the purpose of organizing the relation ship between form and meaning are indicative and highlight the symbolic meaning and privacy and achieve the humanitarian need of wildlife. After that, the research procedures that the third chapter contains following the descriptive method (method of analyzing the content) in order to arrive to the results, the tool of the research will be presented as an application form to identify the issues that the researcher build with the help of experts then the chapter contains the process of selecting intentional samples for reasons explained before by the researcher which is estimated by (15) samples of different posters also the research take into consideration the truth and constancy of the research tool. Chapter four includes a description and analyzing the (15) samples of the research according to the issues studied.Chapter five presents and discusses the results such as : 1 - The personal effect of the designer appears in all the samples through adding personal touches on the posters in spite of using a group of styles in his design. 2 - Using different techniques of procedures external edges of the forms that make it fit to the main space and give the poster connection to the visual whole and the headlines which leads to give aesthetic significant touches to all the samples numbers (2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13, 14).3 - Chromatically using comes on two sections : section one is related to the style used in the poster and according to its executive and intellective establisher. The second section is related to implementation pressures controlled by the typical idea that is considered as the personal style of the designer and this using affected the poster with aesthetic values and this result appears in all the research samples (100%).Researcher concluded that a number of conclusion after the show results and the discussion that took place by including the factors.Factors have the times and traditions schools arts and global limitation on Poland from the years of war in the maturing and development of ideas put forward and made functional and aesthetic dimensions of stylistic diversity. The researcher recommended using stylistic diversity as a main source in designing Iraqi posters, because it has the power in realizing aesthetic values and activates the attraction and the excitement factor in the poster idea. At last, the researcher presents suggestions of titles that could be discussed in the future like (variety in the technical demonstration and its aesthetic values on the contemporary poster structure in Poland).

ماهية النظام الكامن في فعل التصميم للاعلانات التجارية

اسم المؤلف: دنيا محمد عناد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعنى هذه الدراسة اهمية لايجاد صلة مبدئية نظرية في بناء النظام الكامن وما يتضمنه من مبادئ ومفاهيم فكرية وفلسفية من خلال الافكار والاساليب الاخراجية التي تتعلق بالتطبيق العملي لتحقيق النظام الكامن في فعل التصميم ادراكيا الذي يؤدي الى وحدة الفعل التصميمي م | To deal with the significance of this study ,is theoretical ignition ,to the construction of the concealed System, and what consists of principles and philosophical and intellectual concepts, through ideas and directional methods ,which related to the practical application ,in order to achieve the concealed System, in the act of design ,that perceived cognitively, This leads to the unity of the act of design objectively and functionally. To increase the leverage of influence on the audience side, in that it supply the cultural side with a recent and development study, for the design of commercial advertisement. To the lack of a study, dealing with a subject of the concealed system in the act of design, including an act worthy of its importance ,in the process of design ,and its technical construction ,which meets, the requirements of the designing process ,influence and delivery, So this study is tagged under the title " The Essence of concealed System, in the design act, of the commercial advertisement" through four chapters. The first chapters included, the focused on research and the need for it. This focused on the question ,of what is the concealed System in design? And what is ,their impact in the act of design?Hence ,the importance of research comes with in some specific justifications : - 1 - It contributes to highlight the directorial methods, with the concealed systems in the act of design.2 - IT contributes to the development of visions and the skilled capabilities of workers, in the design commercial advertisement.The objects of study are represented by. revealing the concealed systems ,in the structure of designing the commercial advertisement, and laying down the essential foundations to the act of the concealed systems, according to the following : - 1 - The confirming on the fulfillment of the concealed system in the act design , through achieving an expressive unity, to establish the unity of the designing act , through consistency of the apparent formal elements , with the content of the concealed idea , at the heart of the direct sensory perception , this leads to the achievement of a high communicative value , used as an instrument , producing the concealed meaning , through excitement , and attracting attention , towards the product by the act of the concealed expressive forces.2 - The confirming on the expressive forces , to the concealed system , in the act of design , through modulation , and changing in the design elements , by adopting the mechanism of deletion and addition.3 - Achieving the presence of the concealed designing systems , by the act of the formal distinction , through the apparent designing systems , in a way that relies on the objective expression about designing idea. In addition to present an applicable proposal to the concealed influenced systems , in the act of design. The research limitations were represented by the printed commercial advertisement , in the foreign and Arab magazines , that released by the following states : Syria - Lebanon - Saudi Arabia - The United Arab Emirates the united states of Ameriea , for the periods from the year 2004 - 2009. As well as determining the terms , which contained in the study title. The second part came to cover the theoretical framework , and the previous studies , which found by the "female" researcher. They are adjacent studies to the current study , in the field of graphic design , approaching the subject of research , without being involved in it. The previous studies had been agreed with the current study , in terms of addressing the subject of system , and the formal systems , which differed in terms of meaning , the content and the target. In regard to the theoretical framework , that included four fields of investigation. The first part focuses on what is the concealed system , in the act of graphic design. And according to the second part , which has been focused on the "Concealed forces in the design" and the third part included "The structure of the commercial advertisement design " The fourth part contains "The methods of the commercial advertisement design " along came the theoretical framework in several indicators. Then the third part has been allocated for research procedures , in that the "female " researcher followed the desecriptive approach , as a method of analyzing the content , for the purpose of monitoring phenomena - Since the unity of analysis has been specified , for it's being carry out the integrated communicative ideas , that can be drawn from it ideas by analysis. And thus it formed "20 " units , as samples , and in proportion to 20 % of the research community. These were selected in a non - intentional potential way to be close to the average of the phenomenon , which are being searched , and for the following reasons : 1 - The availability of the objective reasons for each advertisement.2 - The quality of the print , and the particularity of its intellectual arguments."The female" researcher has come through a number of results and scientific conclusions , that has achieved the plotted targets of the study , and some of the results are : 1 - the concealed systems contained several techniques in the act of design , like the formal lending techniques , the formal referral , and the integration between the positive and the negative picture , the element of surprise and amazement in the expression , and the style of technical processing , which could be used to help in achieving the concealed systems.2 - The impact of the concealed systems on the designing act , is associative , that comes through the connection of the main idea with the advertisement content , as a result to the correlation of the implicit expression forces with the semantic suggestive , which broadcasting the form , to achieve the unity of the designing act , to stimulate the drawing of attention.3 - To achieve the concealing system it produced as a result that each designingly space , has it's special system , through a combination of an unusual , innovative forces , to be as incentives for working on directed eye movement, with in the limits of the designing surrounding.4 - The system has multi - forms in the advertisingly design - there is nothing prevent it ,from containing more than one optical system , in order to achieve it's communicative function.5 - There are two types of designing systems , in terms of interaction with the surrounding environment , that is the closed system and the open system.6 - It is expresses on the characteristics of the concealed system , through the idea as an average relation between the two systems "This notion should reflect the characteristics of the concealed systems". This should reflect the characteristics of the concealed system in shape , and the ability to evolve , the self - control or flexibility - this system affect in the design through the expression of implicit and it's developmental abilities. It is a sensible , intangible thing , that cannot deny the existence or determine it's presence. It finds out in a set of relations , that are governed by fixed laws. It is the essence , that cannot be change , is governed by the rules that are subject to change , in order to achieve different appearance methods for the concealed system , which cannot be absorbed by stereotypes.7 - The ingredients of the concealed system are (intellectual and physical) , and through which the integration is being achieved the creative element in the act of design. 8 - To understand the concealed system needs to be aware of the fact, that the biggest innovation system is the highest rank.9 - The act of design includes many concurrent transitions, which are the use of different integrated plans, interacting and overlapping with each other.10 - The expressive system are considered in the case of constant change, we respond only to a limited group of shapes and meanings, and thus to particular relations with each other (and to adopt the forms systems, and the meanings to some extent each other) as the structural analysis leads us from the surface level of research to a deeper level, meaning, that live on the borders of this level.11 - The forces can be seen as expressive powers, and include its manifestation, different areas of life, some of it, including the apparent and the other is the concealed, which reflects the self - aware human being, and is a strong trend everywhere. It is a process governed by cognitive mind, and the sense at the same time. And then the search introduced recommendations, proposals, and practical application, in the attic light of the finding results, and the conclusions