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الابعاد المفاهيمية لما بـعد الكـولـونيالـيـة فـي الرسم العراقي المعاصــــر Dimensional Conceptual of Post - Colonialism In Contemporary Iraqi Drawing

اسم المؤلف: ناصر سماري جعفر
اسم المشرف: شوقي مصطفى علي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث الحالي الابعاد المفاهيمية لما بعد الكولونيالية في الرسم العراقي المعاصر , والذي يسلط الضوء على اهمية الابعاد المفاهيمية في تكوين بنية الخطاب الثقافي العراقي بشكل عام وفي الحقل التشكيلي بشكل خاص. وقد احتوى البحث اربعة فصول,عني الفصل الاول بال | Current research deals with the " Dimensional Conceptual of post - colonialism in contemporary Iraqi drawing", which highlights the importance of conceptual dimensions in the formation of the Iraqi cultural discourse structure - in general, and in particular in the" PLASTIC ARTS" field. This research consist of four chapters, the first quarter transacts with the methodical framework of the current research represented by the content of the research , its importance and the necessity of such research which have been evolved due to the post - colonial discourse along with the urgent of disengaging from the colonial center through concentrating attention to the monetary theory of the post - colonialism literature both in criticism and literature itself , then to retort to the effects of imperialism and European intellectually, cognitively and artistically. out of this cultural narrative, some kind of a problematic obstetric had overshadowed - generally - an ideological results and - particularly - upon the contemporary Iraqi plastic art discourse which proposes an opposed outputs that rejects the colonial other by the means of contemporary cognitive ,artistic and technical techniques.The research aims to detect((conceptual dimensions of post - colonialism in contemporary Iraqi painting )) by revealing the mechanics by which the post - colonial act in painting. the study limited to the products of the Iraqi paintings to the period (2003 - 2015) to identify cognitive structure and cultural impact to the Iraqi plastic art. The second chapter includes an explanation of the theoretical framework and post studies, which included four topics within the vision of intellectual, philosophical and aesthetic implications ,the first topic addresses colonial discourse( references& characteristics), which contains three sections : First colonialism and the absent identity issue while the second contains the fundamental elements of the colonial discourse overcoming factors which have been recognized by colonial distortion of history and the language of the colonizer , his models, and up to the third section : of cultural and community awareness between opening and isolation to the other.the second topic deals with (conceptual dimensions of post - colonial practice and leadership), which includes two sections , first deals with the conceptual dimensions of : hegemony , mastery culture, racism , language, marginal ,the idea of recalling ideologies and the major narrations while the second sections deals with post - colonial discourse in contemporary ,modern and feminist criticized impacts , while the third one deals with the foundation process and displacing the other traces ( references and the prospects ) by the limits of foundation idea , peculiarity of the tradition and identity in the post - colonial discourse. The fourth topic addresses applications of the post - colonial ideology in the contemporary art within the European and Iraqi contemporary plastic art , it ends with several theoretical frameworks which helped the researcher with the research samples analyzing procedures. the third chapter deals with the research procedures based on applications of the conceptual dimensions of the post - colonial theory in contemporary Iraqi painting through searching procedures which contained 200 community with 20 samples.The fourth chapter includes the research results where some of the most important are : 1) varied methods of expression of contemporary Iraqi artists in the period that followed the occupation of Iraq in 2003, according to stylistic vision up to the performance levels of heated experimenting encoding and flatness and abstract concepts that depend on post - colonial.2) Art has become the issue of Iraqi contemporary painter emphasizes selective speech of the tragic events and social suffering that produced by Iraq invading war in 2003 and the sequent tragic events then after like series of terrorist (attacks ,bombing, killing and captivity and slaughter..) which was fertile material for the Iraqi artist. research also rises several conclusions includes : Contemporary Iraqi plastic art ( painting for instance) results shows patterns of a cognitive accumulations which directly effected by post - colonial impact within some levels of epistemic patterns that framing conducts of connections and disconnections channels among oriental and western given criterion of engaging between art and knowledge Research has came up with a significant recommendations like implementing researches that deals with criticizing post - colonial culturally and cognitively within the courses of artistic criticism in colonized countries since it will enhance the cognition of knowledge within their culture towards the post - colonial and support the foundation of post - colonial awareness in all countries suffered of colonialism Also research induces several suggestions one of the most important ones : Representations of the post - colonial discourse in the Arab plastic art.

خصوصية المشاهد البصرية في تصميم الفضاءات الداخلية للمؤسسات السياحية Theparticularityofvisualsightsin Designingthetouristfoundations Internal Spaces

اسم المؤلف: نادرة عبد الرزاق غزال
اسم المشرف: رجاء سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لما للمؤسات السياحية من اثر كبير في حياة المجتمعات وما لقاعة الاستقبال في تلك المؤسسة من اثر اكبر في تجسيد خصوصية المبنى الوظيفية والزمكانية في توظيف موروث مجتمعها بمنظور حضاري معاصر له سبغة المرونه التصميمية، وذي النظرة الاستشرافية المستقبلية لتحقي | Considering the significant effect of the tourist foundations on the societies lives, and the high effect that reception halls of these foundation have in embodying the building functional and space - time particularity to employ their society inheritance with a modern civilized perspective has designing flexibility, and forward - future sight to achieve the interaction between the visual sight to the internal space design and the their occupants through a designing communication, and nowadays the reception halls in the tourist administrative foundations are suffering a weaknesses in achieving that, thus, in order to upgrade this communication, the research problem brought up the questioning : Do the particularity of visual sights in designing the tourist foundations internal spaces have sensory, perceptual value that contributes with achieving positive receiving process involves meanings related to thought, civilization and values of the nations generally, included in formative effects designs of the internal spaces?The importance of the research lies in its dealing with a subject that was called by the necessity of upgrading the internal designs of visual sights for the local tourist foundations reception hall, and give them the functional particularity with a style that reflects space - time world of their society, and achieve their belonging to it and acquire them a designing identity that makes its mark in scientific artistic world fields.The purposes of the current research aims to make knowledge basis that forms the starting point of revealing the fact of deploying the meaning in the visual sights for the internal spaces designs, and establishes basic designing points that simulates the general idea for the particularity issue in internal design.Chapter Two included the previous studies and the theoretical framework that included three parts : The first part focused on the particularity in the internal space, its aspect and its types with a historical brief about civilizations particularities, while the second part dealt with the formal realization for the meaning and receiving organization, and the third part identified the formal formations structures, and it resulted in some indicators that were depended in forming the analysis form. The third chapter gave the procedures of the research and its methodology, where it depended on the descriptive approach in the process of analyzing three models that were chosen intentionally from the research community, where the tool of research depended on the analysis axis form and indicating the degree of axis fulfilling, in addition to describing the research models and analyzing them, and the analysis process resulted group of conclusions and results that were included in chapter four, some of the most important conclusions are : Combining between the authenticity and contemporary relatively achieved space - time particularity in models (Baghdad, Babylon) and it didn’t achieved in model AL( Najaf) and the performance particularity was achieved in models (Baghdad, Babylon) and relatively achieved in model AL( Najaf).And the formal realization was achieved in both models (Baghdad, Babylon), while it was achieved relatively in model AL( Najaf).And some of the most important conclusions are : Realizing the visual sight particularity perspective, where it is the superior designing idea that the external space included it for a reception hall in a tourist foundation,.There is a role for the designing thought particularity that depends on interweaving the objective particularity and subjective particularity while designing a reception hall in tourist foundations, that role is representing the design of visual sight that has a functional particularity in forming formal structures that meets the desires of the environment occupants and time - space particularity with deploying the inheritance into the technological and technical evolution.Then chapter four the theorizing centers, recommendations, and the general suggestions and the designing suggestion, in addition to the tables, demonstration tools and a list of references and appendix.

المرجعية العقائدية للنحت العراق القديم : دراسة تحليلية The Religious Reference of The Ancient Iraqi Sculpture : Analysis Study

اسم المؤلف: حمد سلطان ضرغام السعدون
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Old Iraqi Sculpture related since first existence with solid relations with religious thought, sculpture and religious belief are correlated phenomena since their first existence ,got them clear developments impact on each other.This study entitled (The Religious Reference of The ancient IraqiSculpture) are looking for Religious reference to old Iraqi sculpture , is an attempt to answer the questions posed by researcher in the problem included in the first chapter , this study included four chapters the first chapter devoted of a methodological framework for the research which include the definition of the search problem that summarize with the following questions ;Is there are a relationship between sculpture and religious belief ?And if there is really some kind of relationship, what kind of relationship ?And how the religious factor impact in the shape of the sculpture ?How religion executed in sculpture ?The chapter also contains the definition about research goals, which included two objectives ;Identify the ideological reference in old Iraqi sculpture - Identify the impact of sculpture on religious beliefs in ancient Iraq - The research identified with the study the works of sculpture of the religious and ideological content formats in relief sculptureand in the stereotactic and researcher excluded cylinder and flat seals from his research because it is of special technical nature and the objectives of production differ from the objectives of the stereoscopic and prominent sculptures that produced in purelyreligious goals as study identified with sculptures dating back to the time period from 3500 BC to the end of the Assyrian State in 600 BC and chapter including the definition for some terms needed.Chapter II devoted to the theoretical framework which contained three topics were allocated to ;Study the assembly thought and religious belief with the old man. - - Religious thought in ancient Iraq and the Gods that enshrined and worshipped in all periods of history of ancient Iraq. - Study of myths and rituals being a theoretical and practical framework for religion in ancient Iraq. - it is also included previous studies and a summary of the theoretical framework.The third chapter devoted to study of the dialectical relationship between the sculpture and the old Iraqi beliefs and the effects of each other and serves as the research process where the researcher analyzes the works in accordance with the relationship between the content of religion, signs and symbols and properties of the Gods mentioned in myths as evidence from which to infer a relationship between sculpture and religious beliefs and the effects of each upon the other, the models studied based on time periods that belonged to these models ; - ( Sculptures dating back to 3500 BC (4th millennium BC - Sculptures dating back to 3rd millennium BCSculptures dating back to the second millennium BC - - Sculptures dating back to the first millennium BCResearcher made these historical divisions because of religious content in works of sculpture and similar with each other along thecivilized period and researcher selected his sample models intentionally according to the chronology of civilized specific roles within search.The sample included 22 model and studied as descriptive analytic study to research religious relationship by offering clues in mythology and belief, rituals, the researcher selected his sample according to the following principles ; - A comprehensive sample for specified period of time and represented the original community, original representation. - So 4 models were selected from the first half of the 4th millennium BC and 6 models of the third millennium BC and 9 models of the second millennium BC and 3 models of a first millennium BC because the faiths in ancient Iraq are an extension of each other and the objectives of this study do not endeavor to know the religious method or sculptural method but endeavoring to execute its objectives in identifying religious authority in Iraq's ancient sculpture and the impact of sculpture on the faith.So researcher don’t confined in selecting his sample with parity with the number of representing models for each period but sought to choose models that lead to achievement of research objectives.The researcher adopted a note based on extrapolation and inference as two approaches can be used in the analysis of selected models, benefited of intellectual and religious indicators within the context of theoretical framework.The research found a set of findings and conclusions contained in chapter IV and one of the most important results are ; - 6 old Iraqi sculpture fully related to religion as the most important tools of expression since the fourth millennium BC and became identified to the temple. - 5 Statues of ancient Iraqi Gods exceeded the range of thought is partial to what is total and contributed to the transformation of the individual and diagnosed case to a full spiritual representation. - 4 The old Iraqi sculptor photos Gods with human body and outfit the human mind interprets things as accepted by thesenses and Gods image became reflected image on the cult of the ancestors in the middle stone age and the Neolithic. - 3 Iraqi prominent sculptures embodied the religious legendary narrative thought is a mental image built with stone, backed clay, and metal. - 2 the old Iraqi Sculpture expressed in the first reference of religious belief which is based on the libido, the perception of religious thought imagined that the universe has become through a relationship with Goddess marriage.The most important conclusions ; - Old Iraqi sculpture organized under of the religious establishment and reflects the mystical spirit as one of religious ritual. - Old Iraqi mind create religious rituals as a unifying social phenomena. - The old Iraq mind characterized with the ability to justify everything related to religion and explained and there are always ideas justify accidents and disasters inflicted on human

جماليات الماكياج في عروض المسرح العراقي The Aesthetics of Make - Up For The Iraqi Play

اسم المؤلف: ذكرى عبد الصاحب عبادي
اسم المشرف: سامي عبد الحميد نوري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اعتمد بناء وتشكيل الصورة المسرحية من انبثاق المسرح حتى يومنا هذا على صور شعرية وفن معمار الفضاء المتسع المعاني والدلالات التي تتسم بها الشخصية المسرحية وما يحيط بها والتي من خلالها يتلاحم المتفرج بالممثل في اجواء تطهيرية صادقة المشاعر والاحاسيس اتضحت ملام | This research deals with the mechanism and the aesthetics of make - up for the Iraqi play performance. The problem of the research concerns with the imitation of natureand the principle of illusion of reality and to what extent the artists of make - up tried to achieve. In chapter two : the researcher discusses the aesthectic frame of make - up according to the ideas of the philosophers.The chapter discusses The scintefic frame of make - up such as Anthropology , Biology , Sociology , Psychology and Anatomy.This chapter also deals with the artistic frame of make - up Concerning Design and Compotion so the effect , of the elements of the other aspects of theatre Visual such as costumes , scenery , lighting on make - up concerning line , shape mass , Color , and texture. chapter three of this research deals with analyzing the mechanism and aesthetic aspects of make - up in five Iraqi play productions. The researcher reaches the following conclusion : 1. The straight make - up were used for most of thos plays and character make - up for som of them.2. There was no need too achieve the principle of illusion of reality for the make - up of the samples.3. In one of the samples the artist of make - up used the Clay for covering the faces and bodyes of the actors instead of vsing the materials of make - up. 4. some of the aesthetic touches were used for few characters.5. No effects of the other elements of the visual Theatre on make - up appear specially the effects of the stage lighting.

جماليات التعبـير في التصوير الاسلامي Aesthetics of Expression In Islamic Imaging

اسم المؤلف: محمد عبيد ناصر العـناوي
اسم المشرف: جعفر عليوي الخفاجي فاخر محمد الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة (جماليات التعبير في التصوير الاسلامي )، وهو يقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث، واهميته والحاجة اليه، وهدف البحث وحدوده، وتحديد اهم المصطلحات الواردة فيه.فتناولت مشكلة البحث موضوع (جماليات التعبير في التصوير | This dissertation studies (the aesthetics of expression in the Islamic imaging), which consists of in four chapters, the first chapter is devoted to a statement of the research problem, and the importance and its value, and the aims of the research and its limits, and to identify the most important basic terms in the study. The research subject (the aesthetics of expression in the Islamic imaging), describes arts as an important a means of expression and the needs and concerns of human religion, as a result of spiritual and psychological human to need beauty, he began groping for meaning and forms in outer reality, self - sense and then take reflected in beautifully artistic product, Islamic civilization was not far from such innovations in the field of the arts, a variety of artistic schools which differed in their methods and varied in its conclusions that were influenced by religion that espouses, these schools contributed significantly and directly in the nature of the themes and ideas, beliefs and accidents expressed in various areas of the arts, and here emerged the role of Muslim artist expressing the philosophy of the age in which the belonged to more than creative concepts prevailing, which surrounded the artists within the boundaries of the Islamic nation or its neighboring civilizations, but he had dialogue and taken from the past or contemporary achievements and several pictures. Throughout the Islamic thought and religious belief, which had a wide resonance in the community movement, and his habits and his perseverance , and culture, so it has to reflect the patterns and common forms of matter and during the event, expression, idea and content. Hence the problem of the current research has arisen through answering the following question.How did a Muslim artist express his constructive and aesthetic production?And raised the importance of the research by highlighting the focus on the Islamic imaging expression and clarify the concept in a constructive process. That the first chapter, contains the aim of the research which is : Detecting and identifying the aesthetics of expression in the Islamic imagingThe limits of the research are identified by studying the aesthetics of expression in the Islamic imaging for the period (635 e - 1090h) (1237 m - 1680 m) and within schools (Iraqi, Iranian, Turkish, Indian), as well as a review of the basic terms such as : (beauty, aesthetic, expression, photography)The theoretical framework consists of three section : The first section, is devoted to the concept of beauty in philosophical Islamic thought, starting from Greek philosophy as paving the Islamic philosophy down to the thought of the aesthetic of (AL - Kindy) , (Farabi) , (AL - Tawhidy) , (Ibn Sina) , (AL - Ghazali) and (Ibn Arabi(.The second section contain the expression between form and content, and in it (the concept of expression, expression in primitive art, concept of form, the concept of substance, bilateral form and content, in the form of expression relationship, a relationship of expression with content, the relationship of expression with( the substance. The Third contains axes : The first axis included the aesthetics of expression in the Islamic art through the entrance of Islamic art, and references of Islamic Art, and the characteristics of Islamic art represented monotheism, unity, movement, and abstraction, as well as the attributes of expression in the products of Islamic art through the Islamic decoration, and calligraphy, and architecture, and porcelain. The second axis included the expression applications in the products of the Islamic imaging through the emergence of the Islamic imaging, the impact of prohibition in the Muslim imaging, as well as the aesthetics of expression in the Islamic photography schools (the Iraqi school , Iran , Turkish and Indian Schools). Then the researcher displayed the previous studies. The third chapter contains the procedures the study : including the study and selection of a sample of appointed adult (22) stylized Islamic imaging divided into six miniatures graphical Iraqi school and the Iranian school, and of five miniatures of Turkish schools and Hindi, then the of tool Analysis of the sample. The fourth chapter included results, conclusions, recommendations, and suggestions/ Among the most important findings of the researcher : 1. The expression feature of the Iraqi Islamic her miniatures have a renewable energy, because it combines the tangible and intangible images of , the natural shape and religious symbol.2. aesthetic expression in the Iraqi school emerged through the form in flatness and distracting leisure and work on the principle of the solenoid and linear perspective in art forms relationship with each other and in the spatial relationship with the space.3. It appears that solenoid perspective evident in the Islamic Persian imaging through visual movement in focusing when look at the people in the middle of miniatures and then move to neighboring hubs in a mechanism to create artistic works refers to the aesthetic side of artistic expression.4. the aesthetic expression appeared in Turkish school in an expressive narrative way through realistic transport which is not far from the realistic reproduction of forms inspired by nature5. repetitive conte xts in Indian School characterized by esthetic harmony by simulating the shape imparted to the aesthetic expression of Indian photography. The researcher concluded the following : 1. Muslim artist based in the Muslim imaging schools to evoke the determinants of structural elements and organizational foundations, which represents the need to do the aesthetic expression and an attempt to understand the link - state equalized between reality and ways of expression.2. Islamic environment features reflected a clear impact on the structure of Islamic art in general and photography in particular, the structure was considered as an indicator of citizen reveals the nature of the link between the environment and aesthetics works expression in Islamic miniatures.In addition a number of recommendations, suggestions, Arab and foreign references and appendices, the abstracts in English have been displayed.

جماليات البناء الكنائي في الفلم الروائي Aesthetic of Metonymy In The Feature Film Dessertation Submited

اسم المؤلف: اسيا جبار خلف
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان البحث الموسوم "جماليات البناء الكنائي في الفيلم الروائي" ويستهدف دراسة موقع الفلم الروائي من البلاغة بوصفه علما استقر في اللغة الطبيعية ووجدت له مقاربات في الفنون المجاورة، وكانت الكناية احد الاساليب البلاغية المتضمنة في علم البيان احد مباحث البلاغة | The research entitled "Aesthetics of metaphorical construction in Feature Film" aims to study the position of feature film in figurative language as a science settled in natural language that found approaches in neighboring arts, further, metaphor is one of the implemented methods in rhetoric as rhetorical device.Film, as craft language, obtains from metaphor as a main source to the film structure and its metaphoricals', and, if metaphor means, in language, the indication of a meaning by using a subsequent and synonym for it, intents to cover and shade therefor we switch from using the specific word that represent meaning to a synonym, so, meaning according to Jarjaani : speech system; while aesthetically it has a special regulation. For direct and repeated speech losses its aesthetically because of habit. Then meaning in metaphor doesn't use current meaning, instead it deals with "meaning of meaning". We can see linguists who attached symbol, indication, allusion and periphrasis to metaphor kinds. So texts are renewing with the renew of meanings. Metaphor refers to something by other that equals it in reality known to people but with new meanings, because if a meaning is settled and widespread would not catch attention or raise the aesthetic sense for it became so common, and this is what we see in film as it extrapolates the meaning through the realistic references, and the difference between standard and common film is that the first chases the invented meaning regarding arts aesthetics while common film is captive to current meanings that doesn't draw attention.This research consists of a summary and four chapter, the first includes methodological framework and the question of this research and the need to it. The question is formed as follows : "what is the aesthetic of metaphorical construction of feature film?".The need to such researches is to be at hand of researchers in Cinematic science to find out rhetorical prospects of cinema arts to be an aesthetic addition in film theorizing and application.While the importance of the research is due to be the first of its kind representing the metaphorical applications as they are the base of feature film leading film art to achieve a privilege in metaphor field in which cinema is operating in, on the grounds that the first task of the film is aesthetic of film image, and paying attention to the widening scopes that the metaphor repletes by neighboring reality in a creative way, not only a humble conveying that set and settled.The limits on this research are spatial limits are cinema worldwide anywhere can be found, temporal limits are (2001 - 2011), and finally mental limits are novelist metaphor.The second chapter includes three sections. The first concerning : metaphor from word eloquence to image space : in which the term (metaphor) is followed with Arab linguists depending on Arabic rhetoric as guide, so Simile purposes and eloquence will lead us to the question of this research, which leads to the necessity of studying semantics and metaphor as linguistic concept and rhetorical device the thing found with well - known Arabic heritage scientists : Al arabi, Al - jahihd, Al - mubred, Aba ubaida, Ibn almu'taz, Qudama Bin Ja'far, Abo Hilal Alaskari, Ibn Rasheeq Al qirawani,Ibn Sinan Al kafadgi , Al Jurjani and others.The chapter stopped at the concept of art image and film grand theories such as simulation, emotional and formalism theory.The scorned section concerns metaphor application in novelist film. Where image metaphor is treated which Derives its representation from photographical origin through the notion of : Arnhem, Andre Bazin, Eisenstein, Christian Metzm and others.The section concludes that what cinema has added to world understanding is the usage of reality in an eloquent way so the metaphorical construction take into account natural language eloquent while it draws its metaphor of cinema - tography through its special expressive medium.The third section entitled, the aesthetic employment of metaphorical construction in feature film, in which natural language doesn't present full metaphorical texts through its linguistic contexture, while film is a metaphorical contexture in each shoot and scenes.So, such kind of researches should comes out with the theoretical framework indicators, one of them is : 1 - The film aesthetic and metaphor happen through dialectic cinema narrative and the film form to build metaphor system through gathering partial metaphors.The research, as researches goes, contains conclusions such as : 1. The film aesthetic metaphor comes from the fact that the film art is an art on the term in which the film form differs from the exact picturing of reality.2. Also, the research comes to many derivations like : Metaphor in cinema is a basic and genuine element in film creativity which cinema is based on in its construction.

توظيف الملحمة في الدراما التلفزيونية Employment In The Epic Television Drama

اسم المؤلف: حسن هادي زاير المحمداوي
اسم المشرف: ياسر عيسى حسن الياسري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بالرغم من تعدد وسائل التعبير للمنجز الفني الا ان لكل واحدة من هذه الوسائل نكهتها الخاصة التي يحاول من خلالها صانع العمل الوصول الى المتلقي. لكن يبقى الفن السينماتوغرافي الثمرة الناضجة والوسيلة الواعية للنتاج الانساني، اذ انه يشكل مجموعة من الخبرات والاف | Despite the multiplicity of means of expression of artistic accomplishment, but for each one of these means special flavor that which tries to work maker access to the recipient. But art remains Alcinmatugrave ripe fruit and conscious of the way the product of the human, as it constitutes a set of experiences and ideas humanity to get to a distinct form of art is an extension of the creative product of civilization. There is no doubt that art Alcinmatugrave tool and a means of intellectual working to transfer the beliefs and ideas of the people towards each other, an employee at the various kinds of topics, including tales of epic and mythical, historical and other. If you look at the old epics that have reached us, we find that it includes many anecdotal theme, and often we find that These themes independent of each other, in spite of its independence, but it where the unit subject is available, and this is what we find, for example, in the Epic of Gilgamesh or even in the epics of the ancient Greeks and ancient Romans, and this thing made filmmakers working on each of these themes separately in an attempt to find a technical ports to connect between them and to build up a convincing dramatic and leads to the ends of the aesthetic and creative. The cinema and for long periods they have monopolized the provision of those movies epic that dealt with the drama interesting carrying humanitarian meanings widely in form and content, but the television followed the example of cinema in the provision of those humanitarian epics on according to high - builders level and it was necessary to search in the recruitment of the epic and construction epic television series, Valmhamh of narrative story - based systems are listed in the delivery to the recipient of the expression of tournaments and events that mixes myth with reality. Those heroic stories we find is the champion matter given society defend them achieve their desires and is characterized by high strength and configuration of physical and psychological unique. The researcher divided the research on the four seasons, were as follows : The first chapter (methodological framework), which included the problem of research, summarized as follows by asking : How employs saga in TV drama? Then the importance of research and the need for him, as well as the objectives of the research and its borders.Chapter II, who came under the title (theoretical framework) was on the three sections, are as follows : First topic : the saga term and concept. Their definitions and their relationship to philosophy and what it is when Aristotle and comparing myth and at the end the researcher said a summary of the most important characteristic of the epic concentrated in eight points.The second topic : Building and construction dramatic epic elements : in this section were searched drama and dramatic elements of the general construction and construction epic researcher concluded at the end of his research also points to eight.The third topic : the employment of construction in the epic television series : in this section have been addressed to the foundations of the traditional dramatic structure and the president and his staff dealt with in the order as well as transition and connection between the viewer and the units of time in the series Almhumai.ol_khas Find researcher in the end to six points.In light of this, the researcher suggested a set of indicators that represent the theoretical framework summary. And seal Chapter previous studies.Chapter III (research procedures) to ensure the research methodology, and the research community and the research sample search tool and sincerity and integrity analysis steps and then the sample analysis tool that has been selected Qsidia analysis of a series Spartacus Part I : Then, the researcher analyzed the sample from the theoretical framework indicators after taking the opinion of the Committee of Experts and arbitrators.Chapter IV (findings and conclusions) : has included the results that came out of the researcher after the sample analysis, and the most important results : - 1. The construction in epic movies and serials that rely events Epic or epic mythical figures not only to seek clarity of interpretation but seeks to clarity of expression because the business epic intellectual progress summary of the beliefs and feelings of non - specific.2. Non - Molovih events and actions in Business epic coated myth make such acts implausible because it is located in the virtual worlds in a way just the viewer and lend the work a thing of beauty and surprise by tricks cinematic special effects, which was surrounded and carried out as in the sample series Spartacus.And he went after the researcher a number of conclusions and recommendations and proposals.Find and seal a list of sources and supplements and a summary in English.

تنوع اساليب عرض المنتجات في تصاميم الاعلانات التجارية المطبوعة Diversity of The Methods of Presenting Products At Printed Commercials Designs

اسم المؤلف: بشرى محمود مصطفى
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد التنوع في الفن عامة، والتصميم على الاخص وجها من اوجه التطور والنماء والاستمرار، فضلا عن وجهه الابداعي، ولولا التنوع لما وصل التصميم الى ما وصل اليه من رقي قل نظيره، واخذ تنوع الاساليب منحى مهما في التعزيز الوظيفي والجمالي في مجالات ع | The diversity in the art is general ,but particularly the design is considered as a one aspect of development, growth and continuation, without diversity the design would not reach the prosperity and development. The diversity took an important role in the aesthetic and functional reinforcement at different scopes of design process. In the field of ad design, the diversity is considered as a condition to activate the environmental marketing, to stimulate the consumer to purchase, and to be in touch with products, therefore the corporations and production companies sought searching for new methods to present products and fulfill the demands of the consumers which are increasing day by day according to the human needs, these companies and corporations found a good way to achieve marketing aims through the experience that designers have in representation of clear ad discourse, the current research is shedding light on these issues, after it shows its demands in the first Chapter which includes the problem statement which comes with the following question : • What advertising methods that designers can approach to present printed commercial products?The significance of this research is : 1. To develop artistic skills of ad designers. 2. Supporting the corporations and public companies in the field of commercial ad, newspapers, magazines, and market advertisements.The aims of the research are : 1. To explore the diversity of the methods adopted by advertisement designers to present printed commercial products.2. presenting practical suggestions according to the results that show the diversity in the ways of presenting the products in the designs of the commercial ads To suggest practical methods according to the results of current research.The scope of this research is divided into three types : 1. Objectivism scope : studying (diversity of methods of presenting the products at commercial ads). 2. Spatiality scope : the commercial ads at Dar - Alhayat magazine, Lebanon. The scientific justification is that the magazine is considered an important Arabic magazine specialized in the women affairs, and the products of cosmetics, accessories, and the nutrition.3. Period scope : printed ads issued in 2013, for that 2013 is being the year which had many editions of the commercial advertisements which showed the diversity in the methods of presenting the products, moreover its relation (2013) to the year of doing this current research.The technical terms, Diversity, Method, and the product have already been defined. The second Chapter (the literature review and past studies) has included many topics : 1. An introduction to advertisement.2. Design of advertisement and the commercial concept.3. Diversity of methods in presenting products.4. Methods of presenting products. 5. The advertisement and the communication process.Then the research continues with data of the theoretical framework, represents a scientific summary for the literatures of theoretical article, then the third chapter which cares for the procedures of the research, Methodologically, the research community, picking samples for analyzing, research tool, and etc. The forth Chapter which dedicated to the results and its discussion, some of them are : 1. Use the style of product presentation or a part of it, this method included all advertising models, and this pattern stylistic meets the recipient who wants to watch the product or parts of it to be sure of its kind and potential requirements and specifications which is important to always look for buyers.2. Using method of presenting product by making the product appears in multi - colors. This method has many benefits through moving the intentions of the customers towards the product, and also its effects on their economical and psychological purchase desires. The research conclusions are : 1. The diversity in the ways of presenting is based on the affectivities of the enterprises ,and the factories locally and internationally , in addition to the technical development which effects on the ways of presenting ads which has been shown clearly in technical , and directorial.2. The diversity of presenting products comes in response to the consumption needs such as matching human interest related to daily activities; these requirements makes an important channel for transmitting the ads ideas.Then the research appended with the following recommendations : 1. The importance of diversity in using the printing methods which are increasing in the world of journalistic and advertising design, that is an important thing for the designers and marketers who communicate with the society in general, and especially with the consumer.2. Opening developing courses for the employers in the field of ads design in order to identify the some problems like structural , ideal ,or technical which appear through direct contact with the working market ,and the consumers. Then the researcher suggested to do the following study : - Reflecting the style of ads design on the way of presenting the Iraqi products.Afterwards the researcher presented practical suggestions according to the aim of the research these suggestions relate to the topic of the study, then a list of sources, appendices, and the summery of the research in English.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

اسم المؤلف: لؤي عبد علي مهدي الشكرجي
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

تقنيات الفضاءات المتعددة في عروض المسرح الاكاديمي : عروض كلية الفنون الجميلة - بغداد - انموذجا The Multiple Technical Spaces Performance, College of Fine Arts Baghdad As Sample

اسم المؤلف: بلال وليد شامل حسين
اسم المشرف: رياض شهيد علي الباهلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نشات الدراما في فضاءات متنوعة وواسعة وتبعا للمحيط المكاني والزماني والتجمعات البشرية, ولكل حدث او عمل فضاءه الخاص, حتى بدا نشوء الدراما بالوحدات الثلاث التي نظر لها الفيلسوف والمعلم الاول ارسطو واصبح للممثلين فضاءهم الخاص في السفوح العالية على شكل نصف د | Drama Originated in a variety of spaces , spacious and depending on the perimeter of the spatial and temporal and human populations,the concept of private space philosophers since the Greeks and for each event or work space where his own. As the Dionysus rituals were in wide open spaces as in open air in honor of the god, until the emergence of the three units Aristotelian drama and became representatives of their space where audience is seated outdoors to watch the performanceAnd with the development of societies across the stages of history came out ideas and put art and development in various areas of life, including the Architectural Engineering, which contributed a great contribution to the invention, innovation and development in the theaterThe space of the actors changed a great deal depending on the ages that passed by, and the most prominent style of the Greek and Roman Open through eras canon and squares even began to stage Renaissance and built theaters, including traditional and became viewable dramatic special character in terms of the relationship and communication between the representatives and the audience.Since the late nineteenth century and early twentieth century, what happened in the world of innovations in modern technology reflected the theatrical art in terms of lighting and its effects and music, and many other techniques.Many ideas and visions of directors and designers emerged out of the idea of choice for space for treatment of the text and the choice of the appropriate place allows and highlight theater and offer different flavors especially after the emergence of the modern filmmaker in the nineteenth century.The directors and designers try to present their performances outside the traditional box theater, they have chosen several places such as yards, streets, coffee shops, houses, and even historical and Archeological places and garages. Some denied the space of closed and box theater and call for theater to go back to its origin and to the beginning of it.The peoples of different and diverse cultures has their own footprint and that are commensurate with the nature of the space in which they reside performances, whether rituals l or ceremonial or traditional techniques using scenery, lighting, music, customs , properties and make - up play important role with special cultural touches in the basis of the success of the theater..The researcher selected the title of his research ( The multiple technical spaces performance ,college of fine arts Baghdad as sample ).The research is divided into four chaptersChapter One : systematic framework consists of the research problem and the need for it, the importance of research, the goals of the research, the limits of the search, and determines the terms.The second chapter contains a theoretical framework and contains a concept of space and multiple spaces for performances includes the aesthetics of space in the theater and the various technologies in the space of theaterThe third chapter of the research is the proceeding which includes : The researcher studied twenty theatrical performances presented In a variety of places by the College of Fine Arts at the University of Baghdad, The researcher have chosen three samples deliberately.Macbeth was presented in the courtyard of the Department of Performing Arts. the second play( The republic of AlGawahiri ) was presented at a big wedding hale in Erbil the third play was ( of refraction) , was presented in the gardens of the college of fine Arts. Chapter IV : consists of the search results, and conclusions, recommendations ,proposals ,a list of sources , references and a summary in English.

تطور البنى الشكلية في تصميم العلامات التجارية Evolution Frmslism Structures In Branding Design

اسم المؤلف: زيد حيدر خالد فرمان
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: There is no doubt that the history of art movement in the general framework has produced many of the related art of general design indicators, graphic in particular, including the Contact thought, some of which reach the technology, including the Contact be working design, and without a history of design many of the innovations that serious by designers through their history intellectual and practical, posters history, and the announcement date and covers the history, and the signs of history has spilled since the human deal with the human as an individual or group, marks which promised an important part in The evolution of human life and community and economic and trade activities, and was a commercial activity among the most important thing I've worked upon the human mind to it, any brand represented a tool for defining and communicating, where knighted by their goods and products, and this was the documentary position the first thing that happened in the field of design Alameda Abut structure that has evolved over the years of work and production until we got into the modern era since grown and developed companies and institutions that have their own signs to compete in domestic and global market, current research focuses on the stages of the formal structures of trademarks evolution, in the first chapter identified the following research problem by asking : "What mechanisms that have evolved through the structures in designs formalism brands?"While identified the importance of research in : 1. In his contribution to the benefit of interested scholars and researchers in the field of general design, and design brands in particular.2. contribution in providing the scientific library research and studies in the field of specialization, which will be reflected on providing new insights in the field of design, the study is unique discussing the evolution of morphological structures in designs brands, and through researcher Note that he does not exist specialized study in this area.While the goal of the research was to : "Reveal the evolution of morphological structures in designs Trademarks" It also identifies Find the following limits : 1. substantive limit : includes global brands that achieved by the effectiveness of the evolution of morphological structures in designs brands. t globally.2. Spatial limit : includes designs corporate branding and international institutions active in the market.3. Moreover identified the following terms : (evolution, structure, format, tag)The second chapter of the theoretical framework, which over the following axes : (The evolution of designs brands), (structure formalism of marks), (mark), (Global Dimension), (significance expressive of the mark), (functional dimension of the mark), as well as the last axis, which represents (b Bade communication and economic mark), then interpreted Researcher most important indicators that came out of the theoretical framework. As well as his presentation of the previous studies.The third chapter the researcher the actions carried out by then,, Study of the analysis, as the researcher analyzed (15) model according to the axes created of indicators that spawned the theoretical framework, which consisted of the following axes : 1. stages of the development of label design.2. formal structure in the design of the mark.3. recipe and type of tag.4. Dimension Global in the design of the mark.5. functional and expressive significance of the mark.6. communication dimension of the mark.Then singled out the fourth quarter results and discussion, as came from : 1. teamed stages of the evolution of signs according to functional reason, Economic primarily resulted from new insights for owners of companies, or mergers between two or more companies, or for some reason intended to update and renewal, as in the models (1,2, 3, 4,5,6, 7, 8,9, 10, 11,12, 13, 14,15).2. The development did not come all at once, but came according multi including the stages of multiple intervals, as in models (1, 2, 4.6, 7, 8.9, 10, 11.12, 13, 14.15), and this is normally located in him the gradual evolution of the design being linked to the owners of private companies and aspirations of philosophy, and deliberate, and competition.The researcher concluded a set of conclusions, came from : 1. All structural patterns and stages of development of what was happening to not Refuge circumstances that accompanied the establishment of major industrial companies and institutions that have a direct impact on the global economy.2. harmonic and differences in the evolution of designs built marking identify the limits of correlation between the performance of companies and the formal vocabulary constituents and both like the ultimate embodiment of the structure Alabama and put deliberative communication.The conditions and requirements resulting from the strategic changes to institutions and society alike a big role in the evolution of structures and signs consistent with what is going through companies and institutions concerned.Then the researcher recommended that some of the relevant current study recommendations, including : 1. the need to dismantle and analyze the evolution of the stages of design labels to take advantage of the circumstances that passed by, which is mainly related to the organizational and visual structures This is important for workers in the field of design brands.2. Study the structural conditions of each sign of the unity of intellectual and economic fact their references, which led it to a big stages of economic and commercial competition at all levels, an important episode of communication and continue the design catalog.Then the researcher doing the study suggested the following : • evolution working symbolic designs in employment brands.His current research concludes the list of sources and supplements and a summary in English

تطبيقات التاريخانية في رسوم مابعد الحداثة The Application of Historicism To Post - Modern Painting

اسم المؤلف: ازهر داخل محسـن
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التاريخانية مفهوم معرفي اطر الثقافة النقدية الفلسفية والجمالية والايديولوجية والعلمية، على ضوء منظومة معرفية تاسست برؤية الماضي كمعطى ابداعي لتستثمره في الحاضر بفعل ازاحة الفواصل والابعاد الزمنية ( الماضي، الحاضر، المستقبل ) فاقرت ان الابداع نسق عابر ل | Historicism is an umbrella term that can be used to include several aspects of culture; namely, the critical, philosophical, aesthetic, ideological, and scientific ones. It refers to the schemata that considers the past as a creative source by applying the process of transition - and - dimension displacement in relation to what is so called past, present, and future. According to historicism, creativity is a track that penetrates both place and time and draws types of existence and situations beyond all that was found earlier. Hence, historicism is the other face of the philosophy of history as it is after discovering the laws of social change and progress drawing attention to the great transformational processes underlying human civilization. It interferes philosophically with history and its broad field of interest. As a scientific concept, historicism through revisiting earlier products and trying to free them from the limitation of registering and recording aspects of documentation. By doing so, historicism deals with each earlier product as a source of critical thinking that could pave the way for a new interpretation. In this case, historicism acts as the awareness underlying the future work of art. That is why, the research work, in question, has treated historicism as a critical term and a scientific process of identifying and analyzing a set of recent readings and their effects on the creative post - modern painting. In other words, this study, which falls into four chapters, is an attempt at applying historicism technically to post - modern performance. Chapter One presents the problem of the study in the form of the following two questions : - How is historicism generally realized across plastic arts? - What are the evaluative and mental criteria followed by the post - modern painters to provide the work of art with aesthetic, ideological, and dialectical effects.This chapter also refers to matters such as the significance, limits, and aims of the study. It ends with procedural definitions of some terms. Chapter Two is a theoretical framework of the study. It divides into three sections. The first section deals with the nature of the philosophy of history and historicism. This section has got the following four headings : ( I ) About history, and Philosophy of History( 2 ) The Concept of Historicism ( 3 ) The Concept of New Historicism( 4 ) Historicism and Modern CriticismThe second section is on historicism and interpretation in modern painting. This section has two introductory notes : historicism as an interpretive product and the representation of historicism in modern painting. The third section is on historicism and experimentation. It falls into two aesthetic and scientific subdivisions : First, historicism and the mechanism of experimentation in modern and post - modern painting and secondly, historicism as a reading in the post - modern painting. Based on the theoretical framework, a number of parameters were pointed out to be the bases on which the analysis of the sample are conducted in Chapter three. Chapter Three is on the procedures in relation to the population, sample, which consists of 20 subjects. It also tackles the descriptive approach, the tool of data collection, and the techniques or mechanism of analysis. Chapter Four is entitled ‘results and conclusions’. Among the conclusions the following are worth mentioning here : 1.Historeism is not a succession of similar eras, neither is it a set of successive similar closed periods. Actually, it is a combination of new complex creative attempts, visions, and strategies. All of these matters penetrate stages and samples and reconstruct them according to novel standards or bases. To history, Historicism means progress and development that match with what the society is witnessing and at all levels.2. Historicism is an attempt at repeating the work of art but in accordance with a contemporary vision and a progressive act to make it more technical and more aesthetic. The earlier work is made use of in two ways : first, a contemporary artist reconstructs the work of art carried out earlier by another artist; and secondly, or the same artist repeats his earlier attempt but with some modern mentality and better awareness.3. Progressive historicism tends to turn, in its post - modern works, to earlier or modern paintings within a newer starting point. There are technical differences between post - modern paintings and their modern counterparts regardless of the similarity of style.4. Analyzing and deconstructing the European modern and post - modern paintings in terms of historicism readings of borrowing have been conducted with reference to form, content, symbols, and reference as these are semantic aspects bearing in mind the relationship between reference and referee. 5. The openness of the visual text of the post - modern painting is considered to be a return to earlier masterpieces on the part of the post - modern artist who cannot help employing new technicalities, new forms, and new mechanisms that are different from those of the earlier work.

تحولات بنية التطهير في النص المسرحي Transformations of Structure Catharsis In Dramatic Play

اسم المؤلف: محمد مهدي حسون راهي المياحي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يخوض البحث الحالي في دراسة المفهوم الجمالي للتطهير وتحولات البناء الفني للتطهير، بوصفه غائية بنائية يقاس على وفقها تحولات المنظور الجمالي للمنتج الابداعي، وضمن الفضاء التاريخي لهذا المنجز، في زمانه ومكانه..فالتطهير هو موقف للذات تعانيه باشتراطات تجربتها | Since his first steps in existence, the human being followed mental or sentimental or instinctive activities in order to reach to the state of tranquility and stress reduction between the requirements of the self and its propensity for differentiation in this world, and between the conditions of the world and its laws. These activities were issued by the first act of the human, starting by worship, and through worship came tranquility which leads to the power of the ritual and the flooding of spiritual energy of the self being differentiated in this world and reforming the conditions in the line with the self, i.e. changing the world humanly and this is the principle of the civilization. Through the evolution of repetitive practice of worship and the growth of its aesthetic awareness, emerged the art work and the aesthetic practice which its basic point is catharsis.In a philosophical perspective through bilateral self/world argumentative conflict, the self gains some of the world`s themes. These themes forms through their hazards and threats to the self, a prior criterion to moral and manners standards such as; danger, panic, fear, murder and loss. These are threats by the world, and their opposites are the need of the self to what is against them to sustain survival such as; safety, peace, tranquility, goodness, justice, honor, loyalty and honesty. But the fact that the outside world is always threatening, keeps the self in constant sufferings for the absence of the catharsis out of the art work and the aesthetic experience, which must be the basic aspect in the creative structure of the work - theatre. when it is there, the aesthetic factor is also there but when it is absent, the whole experience is becoming incomplete. Therefore, the multiplicity of artistic structure of the text as a basis of theatrical presentation, which leads to catharsis and that was what occurred of shifts in the functional concept of catharsis. Thus, this study comes to explain the concepts and procedures of the transformations of structure catharsis in theatrical text. In the light of this study, the following chapters have been resulted : Chapter One : the methodological framework that contained the problem, the significance and the limits of the study; in addition to identifying some of the idioms mentioned throughout the whole study.Chapter Two : the theoretical framework that contained the following sections : Section One : Catharsis in philosophical speechFirst Hub : Catharsis in Metaphysics Speech / Classical Second Hub : Catharsis in Modernism Speech / Realism Third Hub : Catharsis in Postmodernism Speech / Expressionism Section Two : the Mechanisms of Catharsis in the elements of dramatic structure First Hub : Catharsis in PlotSecond Hub : catharsis in personality Third Hub : Catharsis in ThoughtForth Hub : Catharsis in LanguageSection Three : Aesthetics of catharsis in theatrical speech / Indications of the theoretical framework and previous studies. Section Three : the Procedural chapter in which samples had been analyzed as follows : 1. The play of "Oedipus the King" of the Greek writer Sophocles - translated by Taha Hussein.2. The play of " al - huor al - ryahi" of the Iraq writer abed alrazaq abed alwahid.3. The play of "the House of Agoesar Holm" of the Norwegian writer Henrik Ibsen - translated by Tamader Tawfik.4. The play of " Ana omak yashaker " of the Iraq writer Yosef Al - any.5. The play of " allawha" of the british writer Harold pinter.6. The play of " Mythical Reality" of the Iraqi writer Ali Abd al - Nabi al - ZaidiChapter Four : it contained the results, conclusions and recommendations. Then, a list of sources, references and an abstract in English.

تجارب المسرح الاكاديمي العراقي ما بعد التغيير : نماذج مختارة University of Baghdad College of Fine Arts Post - Change Iraqi Academic Theatrical Experiences (Selected Samples)

اسم المؤلف: نبا جبار مناحي الربيعي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التجربة المسرحية هي تقديم عرض له مرتكزات علمية تربوية رصينة يهدف من خلالها المخرج تقديم عرضا مسرحيا متكامل العناصر، قدر الامكان ومقاربة الابتكارات المسرحية الجديدة. بالاعتماد على الاكاديمي وهو المنهاج العلمي الذي يعتمده الاستاذ المسرحي التربوي، في تقديم | A theatrical experience is merely a presentation based on firm scientific and educational elements, through which a director aims at presenting, as possible as he can, an integrated theatrical performance, and at approximating new theatrical innovations. Depending on the scientific methodological approach which the theatrical academic professors usually adopt in presenting a qualified theatrical experience on applied scientific bases and theoretical principles, specified objectives and outcomes are brought about and they consequently formulate the elements of any academic theatrical performance in a way parallel to the targeted artistic model. This study mainly aims at discussing the significance of (Academic Director), as well as the main educational additions which can be identified by the innovative achievements of the Iraqi theatrical academic director, in an attempt to point out the most successful educational and scientific achievements within the academic institution, and the means and methods adopted to fulfill this aim. The researcher, in her study entitled "Post - Change Iraqi Theatrical Academic Experiences", has discussed the theme of Iraqi professional academic director. The study deals with four chapters : 1 - Chapter one : The methodological Framework. This chapter deals with the problem, its significance and necessity; aims of the study; the spatial and time limits of the study; terminology and its definition.2 - Chapter Two : The Theoretical Framework. It consists of three sections : - Section One : the global concept of Theatrical Experience. It has been divided according to the study of ancient international experiences. After the introduction, the researcher discusses the concept of experience, main definitions, and elements of experience in the international theatre and, then, the main innovative streams of the theatrical experiences. - Section Two : the influence of political and social changes over theatrical performance. This section includes an introduction, followed by two subsections. The first casts light on the main contemporary schools and trends which greatly influenced by the recent political and social changes. On the other hand, the second subsection discusses the impact of political and social changes over the contemporary European theatre, as well as the most important theatrical achievements in Europe, which , within their performances, greatly affected by politics and social life. - Section Three : the concept of academic theatre on Arab and Iraqi levels. This section is divided to five subsections that deal, after an introduction, with Arab academic theatre, Arab academic director, academic theatre in Syria, academic theatre in Iraq, and the concept of academic director on the Iraqi level, respectively. The researcher has also referred to the phenomenon of the professional academic director in the Arab and Iraqi theatre. The main indicators of the theoretical framework of the study have also been presented by the researcher. They have been applied and tested on some Iraqi theatrical performances by college of Fine Arts\ Theatrical arts Department, in Baghdad, by a number of Iraqi professional academic directors. Previous literature related to acting and directing have also presented and chronologically arranged as follows : A - Bahaa Zuhair Kadhim : Features of Theatrical Performance in the Experimental Theatre in the performances of the College of Fine Arts, 2012.B - Yusuf Hashim : Features of Experimentalism in the Iraqi Academic Theatre, 2014. 3 - Chapter Three (procedures of the study) : In this chapter, a sample has been selected depending on a comprehensive investigation for theatrical performances from 2005 to 2015. The sample has been deliberately selected due to the diversity of these performances to the Iraqi academic director. The researcher thus adopts the (descriptive) approach in studying and analyzing the sample. The study's tools consist of the indicators of the theoretical framework, documents such as books, magazines, CDs, photographs, and notes, which the researcher utilized to pursue certain academic levels, starting from writing, presentation, directing and all the additions that characterize the reliable theatrical performances. The samples selected by the researcher are as follows : a - Al - Hussein Alaan (Hussein Now) , a play directed by Aqeel Mahdi Yusuf. b - Maradh alSharq Dimoqrati (East Disease is Democratic), a play directed by Haitham Abdul Razzaq. c - Ghareeb al - Dar (a stranger), a play directed by Zuhair Kadhim Alwan. 4 - Chapter Four (results and conclusions) : In this chapter results, conclusions, suggestions, recommendations, a list of references, appendices, and an abstract in English have been pinpointed.

تصميم الازياء في مسرح الطفل بين الشكل والهدف Couturein Childrens Theater Between Form And Goal

اسم المؤلف: براء شكيب اكرم الصالحي
اسم المشرف: روعة بهنام الشعاوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث دراسة الاشكال التصميمية الخاصة بمسرح الطفل من حيث الشكل والهدف بوصفها احدى عناصر العرض المسرحي، لانها تشغل حيزا ماديا فوق خشبة المسرح، وفي الوقت نفسه تسهم في ايصال المعنى والدلالات الى الطفل.يقع البحث على اربعة فصول، يتضمن الفصل الاول الاط | This research deals with the study of forms design for the theater of the child in terms of the shape and the goal as one of the elements of theater because they occupy materially above the stage, and at the same time contribute to the delivery of meaning and connotations to the child. Situated Find in four chapters, Chapter I contains the methodological framework / research problem that crystallized the following question (Are there problematic in fashion design in offers children's theater between form and goal?) And have X objective to identify the limits of the relationship between form and goal in fashion design as well as The importance of research and determine the terms. In the second chapter (theoretical framework) has included three sections, the first section is the following : the concept of fashion design in the shape of the child, has been divided into : - 1 - A brief history of fashion child. 2 - Figure in Fashion Design : The divided into : - A - Figure B - connotations figure in the design of the outfit. C - perception and shape The second topic is : the design goals for the child fashion : The divided into : First, the design elements and foundations : The divided into : a - b design elements - the basis of the design Secondly technical objectives : The divided into : a - b functional - aesthetic Third, psychological and educational goals. The third topic is : fashion and its relationship to the elements of the display in the children's theater, has been divided into : A - Relationship Representative theatrical fashion. B - relationship with lighting theatrical fashion. C - nothing theatrical fashion decor. D - relationship theatrical makeup fashion The outcome was the theoretical framework for a number of indicators which were represented by the search tool as well as other tools. The third chapter, which measures the search, as selected samples Qsidia which offers plays (the world of vitamins) and (jackal advanced) and (Karkh and Rusafa) based on analysis of the research tools, namely, (watch theatrical performances) and watch the CDs, interviews, and indicators that resulted in by the theoretical framework, and photographs), following the approach of descriptive and analytical results that have emerged have been discussed during the fourth quarter and has been reached conclusions and seal search a list of sources and a number of supplements that the researcher sees the need for them to enrich search. In order to submit presentation on stage has to be the availability of a set of basic elements , including text and actor , location, etc, which integrates supply Fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only , but there must be interaction with the elements of image formation and play between the receiver which reacts with the show visually and acoustically. That 's the play is not the only visual shape , but the relationships are visual, auditory, visual relations that are among the elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged.The study included four chapters - : Chapter One : The methodological framework contained , which included the research problem and the need for , and the importance of research and research objectives and the limits of the search, specify the terms. The research problem has emerged to ask a question the researcher is trying to answer it ( What 's building mechanisms and transformations to create a theater Is it fixed or variable ). The importance of this research lies in the identification of image - building mechanisms , functioning to be a theatrical presentation. The goal includes research to identify the image - building mechanism and formed in the theater.Chapter II : which included three sections : The first topic : the concept of the picture , which addresses how the emergence of the image and what the image and its impact on the receiver since primitive man to the present time and how to enter in the technical field.Section II : Mechanisms for image building , where he addressed this topic elements that work on the production 's theatrical and enrich the theater , and these elements are ( actor, theorist theater , lighting , costumes, makeup, music and sound effects , where she works all combined with each other to create a space special display and impress recipients and transfer the idea to them.Section III : 's variables in directorial directions , has included this section : First : the realistic trend in the stage directions : it provides a realistic picture of unknown to the receiver including raises surprised have had to rely on in this direction Representative in the transfer of feelings and emotions to the recipient to affect it attracted for theatrical display.Second : the natural trend in directing theater : where is this trend is an extreme extension of the trend as it moves the realistic fact to the recipient as it is non - delete or decoration as it was his goal to provide actually honestly Tam.Third : direction or the opposite direction of realism in theater directing : a trend that was intended to give priority to the shape and aesthetic values on the content of the work.Fourth : Expressive trend in theater directing : eat this trend provide a picture embodies the essence of things without paying attention to the external form has interested in filming the individual 's mind more than the facts of life , because the fact of man lies in the depths of the same sensory manifestations Ave.Fifth : the artistic direction ( art for art ) has been preached in this direction director Gordon Craig depends on where the two components : a. Representative body. B. Vacuum forming theater.Sixth : the epic trend in directing theater : where this trend has sought to transfer emotions from the podium to an audience that is provided in this direction of movement of events directly related to the problems of people to get them to the coup and rebellion against reality and change it.Then touched a researcher to previous studies , which focused on the subject of the picture , and then the researcher reached a set of indicators of the theoretical framework of the research in order to analyze the samples and tested.The third chapter : (procedures ) with double two.First : research methodology , with the adoption of the descriptive and analytical approach.Second : discuss the samples that have been selected are intentional and subjected to analysis according to indicators that have been out of the theoretical framework and the samples consisted of three performances of a number of directors.1. Ice play.2. Play a secret session.3. Play reindeer mortarThe fourth quarter included result : Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a summary in English.

جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة

اسم المؤلف: اديان يونس ياسين الربيعي
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث الحالي الموسوم (جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة) تقصي تيارات فنون ما بعد الحداثة ومظاهر الفعاليات الاجتماعية والثقافية التي ظهرت داخل مدينية المجتمع الغربي، الذي شهد الانجازات العلمية والادائية بعد الحرب العالمية الثا

الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر The Considerations of Productivity And The Formal Change In The Modern Industrial Product

اسم المؤلف: اياس صلاح الدين حامد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم Utopia In Contemporary Industrial Product And Its Impacts On The User

اسم المؤلف: اياد خلف ياسين
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

التكوين المهني لطلبة التربية الفنية في ضوء تكنولوجيا التعليم الحديثة The Professional Formation of Art Education Students In The Light of Modern Instructional Technology

اسم المؤلف: امل حسن ابراهيم الغزالي
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التقدم العلمي والتكنولوجي السريع يحتم على البلدان المختلفة اعداد ملاكات مؤهلة مهنيا وفنيا وتربويا تمتلك الخبرات والمعلومات والمهارات التي تساعدهم على تتبع طريقهم بانفسهم وتحديد علاقات واضحة بما يحيط بهم من احتمالات ومتغيرات، ولذلك اصبح انتشار التربية و| These fast scientific and technological advances have made it necessary for different countries to develop qualified staff professionally, technically, and educationally and equip them with expertise, information and skills that help them follow their way by themselves and identify clear relations of the changes around them. Consequently, the dissemination of education and methods of teachings in a country have become a yardstick for the scientific, social, and cultural advancement of that country, and the focus on the scientific thinking has become the major part of society advancement.Problem of the StudyBased on this, the problem of this study deals with the professional formation of Art Education students in the light of modern learning technology data. This study is based on a survey study conducted in intermediate schools and designed to get acquainted with the most modern technology techniques used in teaching. It is also based on a study questionnaire designed to learn about the opinions of experts about the importance of the role teaching technology to develop a model of the professional formation of a student of Art Education who is to be prepared for the teaching career. For this reason, the researcher has identified the importance of the study with the following : to know the professional development in the light of data related to modern teaching technology of the Art Education student to make use of it to prepare the student technically and scientifically to give him the chance to obtain the permit for teaching Art Education.Goal of the StudyTo provide a proposed perception on the professional formation in the light of modern teaching technology data to serve as a scientific approach to allow the student to scientifically and professionally ready to teach Art Education.To achieve this goal, the researcher poses the following questions : 1 - What is the type of technology that is included in the formation of the professional preparedness of the Art Education student? 2 - What are the training methods of the education model for the art education student to allow him use modern methods of teaching?3 - What are the assessment methods in the model of professional formation for the art education student in the light of the modern teaching technology?Population of the StudyThe sample of the population of the study consists of 27 experts in different specialty (art education, teaching methods, plastic art, theatrical arts, educational psychology, measurement and evaluation, and computer sciences). The researcher has used them to know the validity of the proposed professional formation model in this study to be an approach to allow the student to be a teacher.An approach for the analysis of system was prepared to serve as a theoretical framework that is consistent with the nature of the current study. It aims at learning the inputs, processes, and outputs of the professional formation model. A survey containing 149 items has been prepared. The survey was distributed on three areas : formation for preparing a teacher for art education; formation for training the art education teacher; and formation for evaluating the art education teacher. This tool was presented to a group of experts using the Delfi method which includes three rounds to know the validity of this tool in measuring the goal used for. To reveal the results of the study, the researcher used a number of statistical methods such as Copper Equation, degree of quality. Among the results reached by the researcher are the following : 1 - Ensure high quality in performance by getting acquaintance with the professional technological practices by using different means;2 - Master the scientific material by knowing the theoretical studies to be confident of his scientific sources. ConclusionsThe researcher concluded the following : 1 - The professional preparedness of the art education student in the light of the modern teaching technology ensures the increase in the effectiveness of the theoretical expertise in teaching. The technological knowledge is a means of thinking and innovation to grow by providing him with intellectual information and basic concepts of technological data and how to use them to refine and improve his knowledge;2 - The professional training of the art education student in the light of modern teaching technology ensures high quality in the professional and teaching performance to be able to use the modern teaching methods; and3 - The evaluations of the art education student in the light of the modern teaching technology reveals weaknesses in the professional performance, and hence addresses it and enhance strengths to support his full understanding for the different needs of the students and their abilities to make use of modern teaching methods.Suggestions : The researcher provided several suggestions including : 1 - Generalize the professional formation model for art education students which she has come with to educational institutions to be taken into consideration when developing terms for appointment.2 - Evaluate the academic curricula for the sections and colleges of Art Education according to modern teaching technology data to keep pace with the technological development.The researcher suggested the following studies : 1 - Studying the status of the professional formation of the art education teacher according to the modern teaching technology data;2 - Enrich programs of preparing the art education teacher with more context in the field of teaching technology; and3 - How far current art education programs are enough in developing technological profession formation in art education students; The researcher presented a group of references which she had made use of in its current study and provided annexes and ended with an abstract in the English language.

التقابل بين الرسم والفوتوغراف في التداوليات المعاصرة Paeallelism Between Painting And Photograph In Contemporary Communicatives

اسم المؤلف: الهام صبحي عبد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The emergence of photography and the invention of the camera have a fundamental effect on all the ¬branches of the artistic field such as painting, sculpture, media, advertising, newspapers and magazines. Since the inception of photography, it has diligently sought to approach the level of the art of painting. With the passage of time, and because of technical and technological development, the roles have changed. The art of painting persistently sought to approach the level of this small machine, and tried to mimic its accuracy in the embodiment of details. Photography was able to possess the art scene and to give an unprecedented prevalence for the art. For this conflict, which generated between painting and photography, the researcher decided to study the impacts and the effects between them. For this conflict, which generated between painting and photography, the researcher decided to study the affect and the impacts between them through this study, which is titled as ‘Concordance Between Painting and Photography in Contemporary Circulation’.This study consists of two chapters; the first includes the problem, aim, importance, terms’ definition and the boundaries of the research. The second chapter includes the theoretical framework and previous studies. The theoretical framework consists of two topics, the first is the art of drawing and photographic metaphor, which discusses the role of photo and its impact on the recipient, the simulation of painting to photography, the adaptation and usage of painters to the camera in their works and the connections between drawing and photography through modern artistic trends and postmodernism. The second topic is the historical root, iconography, technical transformation, photography, drawing with light, digital photography and graphics, which deals with the invention of the camera, the emergence of photography and the transformations that have occurred on the camera. In addition, this topic discusses the development of this machine, which was transformed from a large box to a very small item, which is become accessible to everyone. Moreover, this topic explains how this development has helped artists in the production of works that record fine details of objects, which cannot be seen with the naked eye, and how those works strongly competed drawing. Finally, this topic shows the impact of photography on the graphic art.In the end, the results, conclusions, recommendations and proposals were presented and the abstract and the title of the study in English were provided.

السمات الاثنوغرافية لاداء الممثل في العرض المسرح العراقي Ethnographic Features of The Actor`S Performance In Iraqi Theatre

اسم المؤلف: منتصر مجيد ابراهيم
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Ethnographic studies represent one of the scientific sources which grows from the art of theatre. it is due to the huge abilities of theatre in embodying life, expressing societies, revealing life nature by its precise details, and recognizing races and tribes, as well as embodying the décor and props of the place of the show. It finally comes the performance of the actor and the ways used to approach the character being played. The actor shapes the most important nerve in the show, especially as he guides the events and expresses actions through his emotions, gestures, costumes and accessories. So, it is the actor and his body, specifically, that is of great importance in conveying information and provides thoughts. So, out of this creative overlap between the art of theatre and the science of Ethnography, the researcher has identified his research title as : (Ethnographic Features of the Actor`s Performance in Iraqi Theatre). the researcher has divided his research into four chapters as follows : Chapter one includes The methodological framework as the following : ? The problem of the research which is defined by the following question : what are the ethnographic features of the actor`s performance in Iraqi theatre?? The importance of the research as well as the need for it, the aims and the limits of the research. The researcher also has defined the terms that has been used throughout the research.Chapter two includes the theoretical framework and the previous studies. The researcher has divided this chapter into three sections : Section one : Ethnography - the concept and the features : this section discusses the features and the concept of Ethnography - types and functions.Section two : Ethnographic datum in structuring the theatrical character : it discusses the ethnographic relationships with the elements of the theatrical show.Section three : Ethnographic Indications in the actor`s performance : the researcher discusses the nature of theatre indications and how they are functionalized in the show, particularly, the body of the actor.Then, the previous studies has been discussed and finally the researcher has reached for the indications of the theoretical framework and build them as indications for analyzing the sample.Chapter three includes the procedures of the research. Three Iraqi Plays are analyzed as being the samples : 1. Romeo and Juliet in Baghdad - prepared and directed by Munadil Dawud2. The Cobbler - written and directed by Akeel Mahdi3. Massoud`s Dream - prepared and directed by Eawatif NaeimChapter four includes the results and conclusions. it includes the results that the researcher has reached for through analyzing samples. It also includes the conclusions, recommendations, proposals, resources and references, and finally an abstract in English.

الرؤى الجمالية لنصب فنية مقترحة في مدينة بغداد : دراسة تحليلية تطبيقية The Aesthetic Visions of Proposed Artistic Monuments In Baghdad City An Analytical Applied Study

اسم المؤلف: وليد عبد الله نوري البدري
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتبنى البحث فكرة اقتراح نماذج نصب فنية نحتية في مدينة بغداد لغرض تطويرها ونشر الذائقية الجمالية اذ تعد هذه الدراسة التطبيقية من الدراسات البكر والمتفردة والرائدة في هذا المجال. فضلا عن ذلك احتواء هذه الدراسة لرؤى جمالية يقوم بها الباحث عن هذه النماذج | The research adopts the idea of proposing examples of artistic sculptural monuments in Baghdad City for the purpose of developing them and spread the aesthetic taste for this applied school is considered as one of the early, individual and leading studies in this domain, as well as this study contains aesthetic visions for the researcher about these proposed monument examples, giving them an academic merit in method and application. The study consists of four chapters. The first chapter includes the methodological aspect represented by the research problem, its significance, its necessity, its aims and the definition of terms. While the second chapter includes the theoretical framework consisting of the following sections : 1 - The artistic monuments in the world, the attitudes and styles. 2 - Beauty and its vision in the contemporary formation. The third chapter came dedicated to the research procedures and the analysis of its sample, while the fourth chapter is concerned with the research results, the most important of which are : 1. The aesthetic visions of the suggested monuments in Baghdad City were unconventional visions and characterized with contemporary, innovation and individualism. 2. The examples of the research sample bear an Iraqi cultural contemporary identity with contemporary aesthetic visions in terms of new sculptural formation as cited in all sample examples. 3. The suggested sample examples as artistic monuments in Baghdad City came mostly inspiring the Iraqi cultural heritage. 4. The research sample examples as artistic monuments in Baghdad City reflected the sculptor researcher's ability and his high technical and performing skills as cited in all sample examples.

الروافد الجمالية للفكر الاسلامي وتمثلاتها في التويين الزخرفي The Aesthetic Resources For The Islamic Thought And Their Embodiments In The Decorative Arrangement

اسم المؤلف: امين عبد الزهرة ياسين النوري
اسم المشرف: كريم حواس علي الساعدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ما هي الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي )؟ ويهدف البحث الى الكشف عن الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي الموظفة في التصاميم الزخرفية في الواجهات الخارجية والداخلية للعمائر الاسلامية ( العتبات والمساجد و

درامية التاريخ في نصوص المسرح الاحتفالي Dramatic History In The Texts of The Festive Theater

اسم المؤلف: حسام عبد الستار عبد االجبار
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: رافقت الاحتفالية فن المسرح منذ عهد الاغريق، وذلك عن طريق ا الطقوس الراقصة التي كانت تؤديها الجوقة,، كما ظهر في وطننا العربي ما سمي بالجماعات المسرحية العربية التي تهدف جاهدة الى ايجاد هوية مميزه لمسرحنا العربي , ينقسم البحث الموسوم (درامية التاريخ في نصو | Find divided marked ((dramatic history in the texts of the festive theater)) Allier four chapters, the first chapter includes a methodological framework through research problem and the need for and importance, research, and purpose, and its limits, and then determine the terms . As the second chapter has included the theoretical framework of the research component of the three sections, the first entitled (the concept of drama in the theater ceremonial), which dealt with the evolution and emergence of the start of the celebration theater in various Arab countries and foreign while eating second section titled (relationship history in the drama), includes this section Ttoreddrama through the ages and the extent of the impact of history began with "eras of the Greeks to the Romans to the Middle Ages from the Arabs and then move to the third section is titled (the aesthetics of history in the drama) contains the philosophy department of the philosophers in the art and the extent of their relationship to the evolution of art A third chapter (research procedures) research community, who identified within the time period of the year (1970 to 2013), and research samples chosen way intentionality, namely, (a play shrines Abu Ward) authored just Kazem and directed by Ibrahim Jalal, and (theatrical nights Sumerian) authored a nice Dulaimi, and (a play on the Tour of Abu Othman yesterday now) written by Dr. Zuhair Kazem. Rely researcher descriptive analytical method for the analysis of specimens based on the texts of the play. The fourth chapter dealt with the search results, discussion and conclusions, and then recommendations, and proposals, and then the list of sources and references, and a list of supplements, and finally abstract in English

السمات الاعلانية في الرسم العراقي المعاصر

اسم المؤلف: عادل كريم عبد العالي
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
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