اسم المؤلف:
ايناس مالك عبد الله البشارة
اسم المشرف:
عبد الحميد فاضل البياتي
المستخلص:
تناول البحث الحالي " الخطاب النحتي وتمثلاته في الخزف الامريكي المعاصر " اذ تم دراسة الخطاب في الفكر الفلسفي والجمالي ودوره في فنون مابعد الحداثة ومراافقه من تطور ظروف المجتمع الصناعي الراسمالي وازماته , فضلا عن الشعور المتزايد بدور الفنان / الخزاف في خلق | The research studied “sculpture discourse and its representations in the contemporary American ceramics”. Sculpture in the fine and philosophical contemplates, and its role in the postmodernism arts and the evolution and crises of the industrial, capitalist society conditions that accompanied it, in addition, the increasing sense of the artist/ ceramist in creating fine artistic sculptural discourse had contributed in the replacement of the fine artistic view of the ceramics art in general, and the American ceramics in particular, by its openness to the neighboring artistic types, especially the art of sculpture.The research consists of four chapters,The first chapter : the general frame, which include the problem, significance, and the object of the research which is : - Knowing the representations of the sculptural discourse in the contemporary American ceramics.The research ambits was : 1. The objective ambits : studying the ceramic works made in America that carries a sculptural discourse.2. The spatial ambits : the United States of America.3. Time ambits : from 2000 to 2014, because of the large quantities of the ceramics that carries a sculpture theme.The second chapter : theoretical frame, former studies, and the indications made by the theoretical frame, the second chapter included four essays discussed the most important intellectual, philosophical, artistic, and fine contemporary foundations and origins, and what concerns the American ceramic art and its sculptural discourse. The first essay discussed (the knowledge discourse in the postmodernism thinking), the second essay discussed (the fine discourse in the postmodernism arts), the third essay discussed (the sculptural discourse in the American art), while the forth essay discussed (the ceramic discourse in the American art).The third chapter contained the methods of the research consisting the research society, sample, methodology, tool, and analysis of the samples which were (20) contemporary American ceramic art from a research society of (250) ceramic work.The researcher followed a descriptive analytical approach that suits the current research, depending on the indices made by the theoretical frame as a tool to analyze the sample of the research.The forth chapter contained the results of the research, which were : 1. The contemporary American ceramic in its sculptural discourse is not apart from the intellectual and philosophical arguments, its considered an artistic phenomenon that reflects the diverse thinking systems of the contemporary human in general and the American ceramist particularly.2. The contemporary American ceramist had merged, through his sculptural discourse the common objects of the pop art in formulas that changed its common function, to fragment the receiver senses, to erase the significance of those objects and search for different indications that confirms its belonging to the fine and ceramic art especially, in a way that suits with postmodernism discourse.3. In its sculptural discourse, The American ceramic approaches from the optical art technique to form the third dimension, which is the delude, imaginary, and the technical implementation with high skills.4. The value of repetition in the contemporary American ceramic as a positive response to break the monotony and disclose new treatments to the process of the structural and technical formation of the sculptural discourse, which enriches the movement of the sculptural artwork and estrange from the visual stillness.Finally, the researcher concluded the conclusions then made a recommendations and suggestions.
