اسم المؤلف:
قحطان عدنان زغير
اسم المشرف:
صلاح مهدي القصب
المستخلص:
ان الدراسات والبحوث والنظريات التي تتمحور حول فن التمثيل المسرحي، او تسعى الى كشف جوانبه واتجاهاته واساليبه وعلاقاته بالعناصر الفنية الاخرى كثيرة ومتنوعة، وهي في الغالب دقيقة لانها تعي وبدقة ان الممثل، ليس مجرد حقيقة اولية فحسب وانما هو العنصر الاساسي الذ | The studies and research and theories that focus on the art of theatrical representation, or seeks to uncover the aspects and trends, methods and relations with the substantive elements of the other many and varied, which are often accurate because they are aware of and accurately that the actor, not just the fact that preliminary, but is the key element that can not be without it to be completed Vision directorial in the play at both the theoretical application, and also because these studies rely views of directors, actors and technicians who felt the importance of status and function given to the representative through various interventions proposed by the actor, which suggested to him that this is a part, or rather should be an integral part of history of theater.That the history of creative art experience did not keep her Representative in his memory only and primary importance, there are those called to resist the authority of the Representative, which were considered by mistake or the right thing not only as an authority a tyrant and distinct, but part of the creative freedom ignorant its art.This climate based on the conflict between the call to the theater free of Representative by the Creek and another calling for a representative of a new hold function element is of the utmost importance to the success of the play, which acquired him director and Asked evolution and renewal of the art of Representative, is perhaps the space cognitive worthy of study and meditation the deeps. And because our ambition is to take most of those related to representation, in this study, to study the theoretical discourse which directs the mechanisms of this art, we try to monitor the impact of aesthetic theories, concepts and schools of monetary theories and methods in the art of acting and its causes and its components, its sources and transformations.We, through this study of the manifestations and the issues of representation, we seek to provide a clear picture of this art, without bias to the provisions of or positions in cash or the views of the ancient or modern, are not justified or that causes us to believe in logic, since the writing of representational art may experience some complications because of the abundance of documents, and the adoption of most of the ancient writings on the personal observations without which philosophers and artists offer or specifically on the performance of a representative or play what, and these documents and blogs can actually take more than one direction, it may be the cause of the absence of many facts, or turned Many of the writings to the writings of the representative self - monitors, or director what his experience that may not necessarily cover a time successful creative life of the creative experience art representative.We have sought the researcher according to the analytical descriptive method which deliberately to him to monitor the old ways and new and innovative that represent activity interactive values representing precedence on theorizing her, trying to invoke these methods in Details diving in and evidence that support the results and supported by approaching them objectively.Hence, the researcher tried to diagnose his study and choose an address marked by a (theoretical discourse in books and curricula of the art of acting), as this study included a group of chapters and Investigation included the following : Chapter I : the methodological framework, which included a research problem and the need for him, since he sees the researcher that they need knowledge to pursue sources of the evolution of theoretical discourse which directs the mechanisms of Representative in the light of the impact of theories of the aesthetic, psychological, and methods of criticism, and then the importance of research, as it works to create the ground theory for the definition of the path of movement of the creative experience art representation, in order to be tapped in the institutes and colleges of fine arts, and to be a starting point for studies that seek to assess or evaluate the experience of the actor. Followed by the objective of this research is available on the evolution of theoretical discourse, which carries the theoretical versions of the art of acting. Then the limits of the search inventory researcher in the study of the evolution of this discourse between the years 1960 - 2010 versions of the Arabic library of books pertaining to the art of acting. Well known researcher in terms his research (theoretical discourse, Methods) and the conventional linguistically and procedurally.Chapter II : theoretical framework, as it consisted of three sections were distributed as follows : The first topic : a comprehensive study of the speech in art and theoretical concept and its mechanisms, this section consists of two axes areFirst, his concept of discourse and transformations and the conditions and methods of analysisSecond, the theoretical concept and technical development and directionThe second topic : what a search in the aesthetic and monetary theories and knowledge of its impact on theories of the art of acting, this section consists of two axes as well.First, aesthetic theorySecond : The Critical TheorySection III : a thorough study in the theoretical discourse of theories and approaches and methods of the art of representation, as this section consists of three axes are as follows : First, theoretical discourse and the old classicSecond : theoretical discourse in the RenaissanceThird, theoretical discourse of modern and contemporaryChapter III : The procedural framework, and this chapter regard to the procedures and modalities that meet the researcher a scientific analysis of the samples examined This chapter includes a reference to the research community and samples of research, and research tools, and research methodology, and then analysis of the samples, as was analyzed seven samples is a written combined theories of their owners or their views or their curricula cash are as follows : 1 book Representative numbers for Constantine Stanislavski2 authors towards a poor theater's Geroodwa Krotovski3 - Allarganon small book for Berthold Brecht4 - a book and a companion to the theater Ontonan Arto5 - There is no Book of Secrets by Peter Brook6 - the book (the ego - the other) duplication of representational art in favor of Saad7 - Book framework's technical representative for Akil Mahdi YusufChapter IV : The guarantee of this chapter the conclusions of a researcher from the analysis of the samples are as follows : 1 - The key feature in the theoretical discourse of the Stanislavski method lies in the objective laws, and to approach the goal of improving the practice of creative and educational, it stands at the same distance from the contact between the public and adapt to exceptional circumstances faced by the actor.2 - The Brecht wanted theater to be a forum for discussion rather than a place of illusions, and in his book Allarganon small Brecht rejects the concept of empathy and emotional cleansing, personal and Arab headdress to the concept of dialectical change.3 - The theoretical discourse prepared by Krotovski influenced by all the basic ways to train the actor in Europe and elsewhere, and that the most important of the claim, exercises, rhythmic, and reactions to the open and introverted, and events physical Stanislavski, and the training of Merhold automated bio - synthesis when Fajtakov, and methods of training in the theater - east.4 - The theoretical discourse, inspired by the Antonan Arto is a tendency to use the mythology Abrhenh Arto movement and gesture and facial expressions that have the ability to transfer large concrete language in the offer.5 - The theoretical discourse at the scene of Brooke tribute to the demolition and construction in the performance of the actor and see that it gives a greater incentive for drilling in the role ascribed to him, broke and looking the other hand, for free space stimulates the imagination of actor and recipient.6 - that the theoretical discourse of cash come by Saad Saleh in his book, in which more than evident in the questions asked as Modernism has vitality as they move down to take an educational nature for the answers are not what Touch at the level of what we know or imagine about an acting career.7 - Vision theoretical Akil Mahdi access to balance the objective and art between the substance of the representative and his abilities are representative to a number of requirements, cultural and aesthetic sensitive, located in the forefront of potential physical and tools, body, voice and awareness of the variable cultural implications on the basis of performance variables representative.As well as the researcher to a number of conclusions are as follows : 1 - The letter is a system of knowledge representation, consists of a cipher system of representative knowledge.2 - The dual representational art between symmetry, which appears to be original in the acting career, and the difference between the original and the hierarchy in the duplication, the two opposites, and this contradiction feature or incident that was not possible to say about it is linguistic, it is no doubt paid to the comparison between the original and the differencee with him.3 - The concept of performance when the actor role, manifested in a kind of reference, one reference in the letter this is what its name (the theory of speech acts) at the Austin performance.4 - The phenomenon of the art of representation, which is an act of knowledge and know and touch has always been a makeover based on the vision of each teacher or philosopher.5 - The relationship began to act as a representative criticism since the early time, since what set practice in the field of representation at the level of the number of representatives in the Greek theater or desire to develop the work of the Representative, the exercise is to describe the form of cash representational structure.6 - The first stages of the emergence of theoretical discourse, which explains the functions of representation, was when the Greeks won an important turning point, the actor moved from stage to stage narrative (reincarnation) or (show).Also singled out the researcher another point to some of the recommendations and proposals that the development of these types of research studies.Researcher then presented a list of sources and references used in his research with a number of appendices, and then a summary in English.
