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التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

اسم المؤلف: امل عبد الرحيم جمعة القره لوسي
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

الحوار في المقامات الحريـرية واللزومية : دراسة موازنـة

اسم المؤلف: امينة ثعبان يوسف نجد الاسدي
اسم المشرف: عدنان محمد ال طعمة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي == The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

اسم المؤلف: احمد طعمة حرب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

خصائص الاسلوب في كتاب نسيم الصبا لابن حبيب الحلبي ت779هـ == Style Characteristics In Nesimu El - Saba Book For Ibn Hebib Al - Helebi (779 AH)

اسم المؤلف: منتهى حسون زيدان الجبوري
اسم المشرف: كريمة نوماس محمد المدني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study is based on examining and analyzing the aesthetic features that are appeared in one of the traditional books and such books shows us the reality of literature that belongs to an era that is described as an age of retardation and darkness so much. In spite of this, relentless pursuit uncovered literary products with high level of poeticism and in such case; these products are on the contrary to melancholic perspective towards the products of this era and its pioneers.IbnNesimu El - Seba book comes as a sample with which we can touch what can appear as distinctive stylistic feature as well as reflexiveto state of literature at such era which is charactized by publicity of ornament, novel and decoration with different manifestations and forms in all these products. The stylistic approach as a mechanism to deal with what looks like as phonetic ,structural or semantic ecarts and violations in texts of the book whether they are poetic or prosaic. The plan of the study involve Preface with which the researcher introduces IbnHebib Al - Helebi, Nesimu El - Seba and the stylistic feature for the literature of eighth century A.D. Three chapters of the study are specified to deal with stylistic feature within Phonetic level, which include assonance, phonetic paronomasia,repetition, parallelism, rhymes, rhythms and duality. Chapter two deals with stylisticfeatures within structural level that include negation , condition , interrogation , call,anastrophe,asyndeton , polysyndeton , brachylogyand circumlocution. Chapter Three is specified to deal with stylistic feature within semantic level, which include cultural referents, simile, metaphor, allusion, and antithesis. The study comes up with conclusionand with some results of the study.

التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين == The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings

اسم المؤلف: محمد عادل جاسم حمادي
اسم المشرف: نصيرة احمد حمزة الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references

دراسة الرواية العربية ونقدها في رسائل الماجستير في اقسام اللغة العربية بجامعة بغداد 2004 - 2013م == A Study Of The Arabic Novel And Its Criticism In The M.A. Theses In The Departments Of Arabic Of The Univeristy Of Baghdad 2004 - 2013

اسم المؤلف: زهراء جاسم كاظم جاسم
اسم المشرف: نجم عبد الله كاظم الدايني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The critical and academic studies demonstrated a great interest in the Arabic novel and exerted much efforts in the search, analysis and follow up of its different types, elements, artistic techniques, and narrative structure, that's why we proposed that our study be centered on the academic studies that focused on the Arabic novel through the search and analysis depending on criticizing the criticism. Our concern was limited to the M.A. theses in the department of Arabic in the University of Baghdad in the time period (2004 - 2013). The study has been divided into three chapters and twenty theses discussing in their content different concepts of the novel have been investigated. The study starts with a preface having three axes. The first has to do with literature, and the literary genres, and the second is related to the novel, criticizing and illustrating the stages the novel passed through since its rise until we received it the way it is and as has been studied in the thesis. The third axis contained an introduction of criticizing criticism, its concept and essentials. The first chapter (studying the contents and the subjects) has been divided into three sections introduced by a preliminary section clarifying the importance of the contents for the realistic novel in specific and for the novel in general. The study, in the first section, deals with subjects related to the (city and the society) dealt with by most of the university theses. The second section, on the other hand, dealt with the subjects related to (the exile, and the diaspora) after being considered by the academic researcher a phenomenon that pervade the Arabic novel in general, and the Iraqi novel in specific as a result of the wars and the policies of the governing regimes. The third section was dedicated to the (hero and the human models) that has a vital and fundamental role in the society and its social issues including the class, cultural and moral disparity The second chapter (studying the artistic structure) started with an introduction clarifying the importance of the narrative form in the structure of the novel. This chapter has been divided into two sections, the first one was dedicated to studying the artistic elements of the novel (time, place and character). The second section was concerned with studying the artistic techniques of the novel such as (ways of introducing the characters, a description and a dialogue) according to what the M.A. theses have addressed. The third chapter, on the other hand, (the viewpoint and the narrative structure) has an introduction clarifying the importance of the narrative structure and the importance of the narration. The chapter has been divided into three sections. The first section is related to the (narrative structure elements) including the narrator, the narrated, and a narrated to. The second section, in its turn, is related to (viewpoint and the narrative types) while the third section dealt with the (narrative structure) and what it implies of language, style, and structure arrangements. The research has ended with a number of findings listed in its conclusion.

الهوية في روايات حميد الربيعي == Identity In The Novels Of Hamed Al - Rubaie

اسم المؤلف: حمزة عبد الامير حسين
اسم المشرف: اوراد محمد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: In a time of rising concerns about identity, and exploding mobile questions between (what) and (from) to demonstrate the depth of concern and engage in the know (ego) and (Finalize) both attend the importance of choice for research and study and describe those concerns in Applied Life Square and not sufficiency endoscopically, and because the test it in real life Saab had to be another alternative provides this test with the possibility of getting results and achieving the same goals if the study took place on the ground, was a literary novelist field private alternative fantasy and possible to do that which is shown by the (Paul Ricoeur ) Speaking of narrative identity, the right place and novel optimal model to a full life before our eyes and the extent of sight, as they reflect what is going on society and the real life of the vagaries of the doctrines and ideas find their respective fields of applied in the life of fictional characters. We do not look at the rigid personalities, but living beings practiced her life and express their identities and existence. The Medanna Applied He novels Iraqi novelist (Hamed al - Rubaie) a virgin field in the area of study, as the novels Hamid al - Rubaie, have not been studied before, which makes a researcher at the state of total self - reliance, without that there will be help for studies dealt's (identity in novels, Hamid al - Rubaie) this is one of the great difficulties that appear in the way of a researcher who accepts the so risky combine is thoughtful text and the subject is a new one in the field of academic research studies and Altolevah namely (IDS), which began highlighted in a year later (2003) in Iraq and before that a year later (1967) in other Arab countries, and by the two dates mentioned in the rest of the world as it moved from concept exclusively in philosophical inquiry to the rest of the social concerns and anthropological, psychological, economic and cultural general. Must be clear here, we have adopted all four novels, Hamed al - Rubaie, namely : 1. novel (Travel snakes) issued a year (1987) by Dar Al - Hamdani (Aden), reissued in (2012) from the House in July (Damascus).2. novel (Almighty wrench owner) of the year (2010) by Dar springs (Damascus), reissued in (2012) from the House in July (Damascus).3. novel (new death twice) issued a year (2012) the first edition of the house spaces (Amman - Jordan).4. novel (the corridors of the dead), published in (2014) for the first house in July edition (Damascus), the last novel published writer novelist (Hamid al - Rubaie) until the date of writing this letter. Thus, the letter will address these novels applied only in an unintended message title (b novels Hamid al - Rubaie). For monitoring it had to be that Neptde search boot comprehensive and summarizes the polls - (Philosophical dimension of identity) as the origin where they Study of philosophical, but the importance of this dimension in the conceptual transformations and their impact on the earth since ancient philosophy and even contemporary philosophy which became celebrates difference. - The first chapter : it has made it (references heritage and manifestations of identity), one of the two sections : Section I : mythology and manifestations of identity, and our research under this title two points : the myth of Genesis and the Baath and healing.In the second section (folklore and manifestations of identity) : Our research under this title two points : the sacrifice and play folk costumes. - The second chapter (references and intellectual manifestations of identity) has made it in two sections : The first topic (ideology and manifestations of identity) and which we discussed a number of trends, was the first to go (Marxist) and we discussed at two points : (monetary trend) and (revolutionary hero). The second trend is the (National) The third trend that we've had in this chapter is also the (religious) and our research under this title (Shiite identity) and (Sufi identity).The second section (of self and others) has been divided by the first - Self - west and the other in which, the female pornographic west, and the other Western decadence of civilization. Secondly - and not the other Negro identity. Third - virility and femininity, which we dealt with the male patriarchy in society for women, and how the (safety) in the novel says wrench owner, was a prisoner and victim of the will of the narrator in the stallion pulled towards the trap of sin and physical abuse. - The third chapter, titled (from alienation to recognize) : it is the other came in two sections monitoring of self - isolation, targeted to protect it as a reaction to the positive direction of the will of overseas frivolous identity and the end of the clash of recognition to those belligerent self extracted sovereignty can address to die and Akhovha from any authority. So it was the first section (alienation and reification) and we dealt with each of these Mufrdtin independent study, study singled to alienation, and other Chia. The second section Vtnolna the sadistic and Almazhukip independent study, and after we checked in (to recognize.. and finiteness about death) which concluded Neil sovereignty of the popularity of death Iqbal Liberals is based upon the free and independent identity in which the reality of being manifested without fear or worry or shame, and has been the conclusion of a detective. - After the completion of chapters and sections study, we have developed the most important conclusion to our findings in our research summaries by those results. This we have adopted in the study of identity in the novels of Hamed al - Rubaie approach (descriptive and analytical) and take advantage of the cultural criticism umbrella also in multiple text thoughtful turn - faceted, and the truth about the identity and the identity of the truth behind the actions and words and freaks of San personalities and shed light on areas of silence and silent, and the dismantling of the components of identity figures the raw materials of traditional and mythological and ideological, cultural and rebuilt to show the real face behind Matqom and that her true identity.Therefore, the reader may find to our present contradictions as are raised about personal identity and read interpretive Allakhadah to the logic of identity, what Nbdi here from the multi - faceted identities interpretation, is the result of duplication and synthetic and applied in nature formative figures, Sometimes pornography and other or may turn toward mysticism show, and sometimes show isolation and alienation, and other shows of resistance and revolution and Allakhov from the face of death to freedom through the confession... and other multi - faceted whose identity personalities and express this is a reflection of the existence of another real and external we water or contextual granted by this presence, which includes his absence, and the absence of which strive to clinch his presence

نقد السرد في مجلة الموقف الادبي (2005 - 2015)م == The Narrative Criticism In The Magazine Of Al - Maoqif Al - Adabi 2015 - 2005

اسم المؤلف: جعفر محمد ونان جاسم
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Search Three adoptions : Cultural adoption posed represented by Almoqif Al - Adabi Magazine as it belong to the press and literature at the same time, and critical adoption by virtue of the modeling, critical adoption by virtue of detection and analysis and these three adoption came together to sets up construction structure of research ,the search turn around in the critical text that derived by critical Research, previous and studies that associated by Almoqif Al - Adabi Magazine so we will try to read accurate reading according to the persuasive means and its formative dimensions.Based on the search of the famous snappy repartee stating the following : that there asymmetrical experiences of critics have up to match in visions and consequences in parallel with that there is a difference in the platforms - with mostly - the political aspect.The aim of this research to the disclosure of the monetary values of the narrative in the Studies of the magazine moral position monthly rotating issued by the Arab Writers Union, integration requires research to capture the reins of assets and understated academic research.This attempts to search to answer the questions of banking : What is the relationship between the narrative terminology? How they were able to critics force of the issue of the disorder and after the terms of stability? And the impact of the literary theories in establishing the rules of the narrative which can define the meaning of the narrative indication and enriching the function and do a diversity of critical curricula monetary literacy? On the texts of the critical different application configuration and establishment; and that tended to appropriate evidence as registrars right ,accordingly.The criticism pass through of accomplished narrative Arabic and international levels and stages of development of the task, we will reveal in the body of the search for appropriate studies magazine criticism with this development arose configured, and we wander in view is correct, it was obliged to read carefully the magazine prepared within the framework of the extended time - frame of the number (405) of 2005m and number (523) of 2014; therefore those numbers directly from the Arab Writers Union, and I could not possessing banknote digitally; as well as the knowledge and briefed the preparation of other magazine starting from the first issue.The research ends with a conclusion with the most important findings of the research with the research recommendations, in this regard i don’t miss offer grateful thanks and respect for their modest effort , the head of council and the members, who bore the trouble reading this modest effort, apologized to them; if there are seen any errors and faults including those incumbent upon me gratitude for parents

التناص الديني في شعر الغديريات : موسوعة الشيخ الاميني انموذجا == Religious Intertextuality In The Poetry Of The Ghdeeriyat From The Encyclopedia Of Sheikh Amini As A Model,

اسم المؤلف: بشرى خضير شمخي
اسم المشرف: هناء فاضل سلمان الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: My thesis entitled : (Religious Intertextuality in the Poetry of the Ghdeeriyat from The Encyclopedia of Sheikh Amini as a Model,), in which I applied one of the concepts of modern criticism which is Intertextuality on the poems taken from Islamic Heritage. My goal is to contribute to the revival of the heritage by using modern approaches.I studied the Ghdeeriyat poets from the first century after Higrah to the sixth century. The number of poets whom I studied their poetry of Ghadeeriyat is fifty - five. I have noticed that religious intertextuality was limited to the interaction with purely Islamic sources, such as the Koran, the Sunnah, biographies, and histories. That approves that these Ghadeeriyat are totally influenced by Islamic resources, as they did not demonstrate any other effects derived from other religious traditions.Koran was the cornerstone in the construction of intertextuality among poets, employing its words, phrases and connotations, using its style and reflections in a productive and interactive way. This interaction with the religious text demonstrates the evolution of the religious intertextuality. The tangible images varied in their texts including visual, auditory, and taste, it contributed to supplement the text with artistic beauty, continuous movement and imagery creativity reflecting the dominance of the sensory image in this accomplished poetic, which has added to the Arabic poetry creative a clear touch cannot be overlooked by unbiased critic.We have found that the poets of the Ghadeeriyat until the sixth century AH had been committed to the rhythm and did not follow those who tried to abandon them. They have totally turned away from composing poetry by feet of five rhythms, which are : the Hazaj, Madeed, Muqtadhab, Mudharia and Mutadara. In which they did not compose even one line. That may be because their desire to cope with inherited Arabic poetic, and respecting the recipient, as well as the lack of adequate freedom of expression and prolong the poem in these rhythms.The poets of the Ghadeeriyat preferred rhymes ending with vowel sound over that ending with constant sound in which they did not abandoned the Arabic poetic teste. The Ghadeeriyat were full of internal music, especially in the late centuries, reflecting the attention of poets to this arts after Ibn al Mua’taz had established the Badee’ and the style of modernize poets who followed Abu Tammam.

البناء الفني للموشح العراقي == The Technical Structure Of The Iraqi

اسم المؤلف: رؤى حميد منديل
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure

نثر المعري : دراسة في ضوء النقد الثقافي

اسم المؤلف: محمد حليم حسن الكروي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

شعر ابي تمام : دراسة بنيوية تكوينية == Abu Tammam Poetry Structural , Formative Studying

اسم المؤلف: ايناس كاظم شنبارة الجبوري
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: All researchers agreed that the poet Abu Tammam represents an important poetical school in the history of Arab's verse, that is because of his poetical experiment represented a modifying stage in the Arabic innovation, he transferred the experiment from the emotion to the intellect and from the instinct to the meditation and prying. I presented in my current research a new reading to the verse of Abu Tammam according to the structural and formative method. That comes after an accurate study to Goldman's method and adjust his procedural tools notably in his book ( Hidden God) and I came up with that the method is about four major corners, first is : Discovering the vision of the world for Abu Tammam and then find the conceptual path that joined him with the conceptual level that represented him and make him one of its individuals. After understanding reading to his verse aimed to discover the referring environment that ruled the poetical experiment and give it the final shape. Finally, reading the structure of the Early AbbasiEra from all economic, political and cultural sides and discover the dominant conceptual structure at that time which resulted in producing that level and forming its individuals by that way exclusively and the impact of that over the formation of Abu Tammam 's verse. The early Abbasi Era is different from all other eras that preceded it, most distinguished things are : Culture and conceptual opening on the out world led to the cultural mixing between the culture of Persian, Greece , India with the Arab culture. Many conflicting conceptual schools have turned up. One of the schools is Almuatazila as the most important conceptual and cultural school represented that era and dominated all its joints and extended to the extent that Almamoon declared that it is the formal ideology of Abbasi state. Almuatazila school depended upon the mind among all conceptual schools, it analyzed the religion and prying the universe and solved problems depending upon the mind thoroughly. That came as a logic result due to the culture of the school that relied on the Greece philosophy. We can find out these prints very clear in the verse of Abu Tammam and in his conceptual attitude that he was well - known of his producing a poetic vision in which mind is raised over the instinct and emotion. In addition to the dominance of the philosophical style over his poetic language that push some researcher to return his roots to the Greece and Roman. The conceptual changes that occurred in the structure of Abbasi Era have affected on the politics and made the era of Al - Mammon is different from other eras and then affected on the society, culture and the intellect till Abu Tammam came up with a extraordinary poet as a logic result to the changes of the era.
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