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الملامح الدلالية لافعال الحركة في تعبير نهج البلاغة للامام علي عليه السلام Semantic Features of Motion Verbs in the Discourse of "The Book of Eloquence" (Nahjul-Balagha) of Imam Ali (Peace be upon Him)

اسم المؤلف: فاطمة عبد الزهرى عبد الجليل العيداني
اسم المشرف: فاخر هاشم الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

جعفر الحسيني ومنهجه في دراسة البلاغة العربية JAFAAR AL - HUSSAINI HIS APPROACH IN STUDYING QURAN RHETORIC

اسم المؤلف: صباح شهاب راهي
اسم المشرف: مرتضى عباس فالح السلمي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: فان السيد جعفر باقر الحسيني من الشخصيات العلمية التي عنت بدراسة البلاغة في القران بشكل خاص وفي النصوص الادبية الاخرى بشكل عام، وعلى الرغم من ان المحاولات السابقة في هذا المجال كانت حثيثة الاقتراب من اعتاب بلاغة القران واعجازه، الا ان المجال واسع المدى في استيعاب جميع المحاولات والدراسات، اذ ان القران الكريم في بلاغته، افق لا يدرك مداه، وبحر لا ينقطع مداده، وجميع من درس البلاغة في النصوص الادبية، وجد فيها المتعة والاثارة والجمال والابداع، ولكن البلاغة في القران - فضلا عما ذكر - فيها عامل الاعجاز والسلامة من الخلط والشطط، فالنص القراني - ومما لاشك فيه - من ارفع النصوص الادبية شانا، واجلها شرفا، واكثرها تاثيرا في النفوس؛ لما فيه من السبك والحبك والدقة في التعبير، والبراعة في التصوير. وقد تنوعت الدراسات في القران واعجازه وبلاغته وتلونت في شتى المجالات، ضمن منهجيات متعددة ومتباينة وبما ان بحثنا هذا يتعرض الى دراسة منهج السيد جعفر الحسيني في دراسته بلاغة القران مستنيرا بالنصوص الادبية الاخرى، كان لابد من الاشارة الى بعض الدراسات التي تناولت منهجية بعض العلماء والكتاب في القران، نحو رسالة (الدكتور محمود البستاني ومنهجه في تحليل النص القراني) للباحث هادي خلف رسن، و(الاعجاز البلاغي عند السيوطي في كتابيه الاتقان ومعترك الاقران) للباحثة نادية عبد الرضا علي الموسوي، و( جهود الفراء البلاغية في كتابه معاني القران ) للباحث قيس خلف ابراهيم البياتي، و( الدرس البلاغي في كتاب فتح الباري للعسقلاني ) للباحثة رنا زهير خيري. وكان لاختيار الموضوع يد من الاستاذ الدكتور الفاضل حامد الظالمي - مشكورا - مع الاستاذ المشرف، الاستاذ الدكتور مرتضى عباس فالح حيث اقترح ان يكون موضوع البحث على منهجية جعفر الحسيني في دراسته البلاغة العربية ضمن كتبه الثلاثة : اساليب المعاني في القران، اساليب البيان في القران، اساليب البديع في القران، التي تمت طباعتها في مؤسسة بوستان كتاب في قم - ايران، ضمن عنوان وسم بـ ( جعفر الحسيني ومنهجه في دراسة البلاغة العربية )، وقد بارك كل منهما العنوان، ثم افاض علي استاذي المشرف بخطة البحث ومصادره وبكتب الحسيني الثلاثة انفة الذكر وكل ما يتعلق بالاحاطة الشامله لمقتضيات البحث. وقد اختصت الدراسة بهذه الكتب الثلاثة لانها جسدت علوم البلاغة المعروفة، وتناولتها في ضوء اساليب القران، الامر الذي دعا السيد الحسيني الى اغداق هذه الاساليب بالشواهد القرانية الكثيرة، التي عززت بالشواهد البلاغية الاخرى المتمثلة باحاديث الرسول (صلى الله عليه واله) ، وكلام امير المؤمنين علي بن ابي طالب (عليه السلام) ، واشعار العرب. وقد اعتمدت هذه الدراسة في اغلب نواحيها على امات المصادر البلاغية الاولى التي نتجت عن فيوضات علماء البلاغة الاوائل مثل مفتاح العلوم للسكاكي(626ه)، والمصباح لابن الناظم(686ه)، والتلخيص والايضاح للقزويني(739ه)، والطراز للعلوي(749ه)، وشروح التلخيص. اما من الدارسين المحدثين والمعاصرين، فقد اعتمد البحث مؤلفات بعض المهتمين بالبلاغة العربية وفي مقدمتهم د. احمد مطلوب في مؤلفاته القيمة مثل : اساليب بلاغية، البلاغة والتطبيق، معجم المصطلحات البلاغية وغيرها. وكتاب بغية الايضاح على تلخيص المفتاح للاستاذ عبد المتعال الصعيدي ومؤلفات كل من د. عبد الفتاح لاشين ود. بسيوني عبد الفتاح فيود، ود. عبد العزيز عتيق في علوم البلاغة العربية الثلاثة. وعلى الرغم من بعض الصعوبات التي واجهت البحث، التي منها عدم الحصول الى بعض المصادر التي اعتمدها السيد الحسيني في كتبه الثلاثة، ومنها التاخر في الوصول الى عنوان السيد الحسيني، اذ انه كان مستقرا في ايران طوال فترة كتابة البحث، فلم استطع التواصل معه الا متاخرا، وما كان ذلك الا عن طريق الهاتف النقال وما فيه من برامج للتواصل الاجتماعي. فلم يتسن لي اللقاء به والحديث معه. الا ان الله سبحانه وتعالى لا يخذل من يتوكل عليه وينيب اليه. فقد من علي بسداده وتوفيقه؛ ليبرز هذا العمل ويبصر النور بعد عناء ومشقة. فله الحمد والشكر على عظيم نعمه والائه. فكانت الخطة المنهجية الموضوعة لترتيب سياقات البحث، التي اقترحها علي الاستاذ المشرف - مشكورا - ان يلي هذه المقدمة تمهيد وثلاثة فصول وخاتمة باهم النتائج التي توصل لها البحث. اما التمهيد فقد تناول حياة السيد جعفر الحسيني ونشاته ودراسته البلاغة العربية، ثم اهم مؤلفاته من الكتب والبحوث المطبوعة في موقع كلية الاصول في قم، وتوضيح اجمالي تناول اهم ما في هذه البحوث وماله صلة بالبلاغة العربية. اما الفصول، فقد جاء الفصل الاول موسوما بـ(منهجه في علم المعاني)، وقد قسم الى خمسة مباحث يسبقها تقديم عن تطور علم المعاني عبر تاريخ البلاغة العربية على يد اربابها الاوائل، وما ذكره الحسيني في هذا المورد، ثم تناولت في المبحث الاول مسائل الخبر والانشاء، وفي الثاني مسائل اسلوب القصر، وفي الثالث مسائل الفصل والوصل، وفي الرابع مسائل احوال الجملة، وفي الخامس مسائل المساواة والايجاز والاطناب. اما الفصل الثاني فقد ضم خمسة مباحث ايضا، وقد وسم بـ (منهجه في علم البيان)، وقد تضمن المبحث الاول مسائل الفصاحة والبلاغة، وقبل بداية المبحث الثاني تناولت تطور علم البيان على يد البلاغيين الاوائل بشكل موجز ثم مسائل التشبيه، وفي المبحث الثالث تناولت مسائل الحقيقة والمجاز، وفي الرابع فيما يخص الاستعارة والخامس ما يخص الكناية وعلم الاساليب والدراسات البلاغية. اما الفصل الثالث فقد وسم بـ (منهجه في علم البديع) وتناولت في بدايته تطور علم البديع تاريخيا عند علماء البلاغة الاوائل، ثم قسم على مبحثين، تناول المبحث الاول المحسنات المعنوية والثاني المحسنات اللفظية. وبالحديث عن المنهجية المتبعة في هذه الدراسة فقد اعتمدت عدة مناهج، اهمها المنهج الوصفي، والوصفي التحليلي، فالبحث بصورة عامة يصف منهجية السيد جعفر الحسيني كما جاءت في كتبه الثلاثة، مع التحليل والتوضيح والاستشهاد، ثم المنهج التاريخي الذي يتناول التطور التاريخي لعلوم البلاغة على ايدي البلاغيين عبر التاريخ. ثم المنهج المقارن الذي من خلاله نقارن بين الاراء والافكار من حيث المصطلحات والتقسيم والاستشهاد بين منهجية السيد الحسيني ومنهجية غيره من البلاغيين قدماء ومحدثين. ومن الجدير بالذكر ان البحث قد نهج في ترتيبه للموضوعات، ترتيب السيد جعفر الحسيني في تقسيمه لها مع تغيير تسمية الابواب الى فصول والفصول الى مباحث وهكذا . وفي نهاية المطاف لا ندعي الكمال لهذا الجهد، ولكن ندعي انه محاولة لبيان المنهجية المتبعة لبعض من علماء البلاغة في تناول البلاغة العربية وابرازها للقارئ والمتلقي بشكل ميسر | Quran has rhetorical orientations that are difficult to be comprehended, and it also has deep levels of meaning that are renewed in their interpretations. Those who study literary texts from the rhetorical viewpoints find them interesting and aesthetic, but the matter is different when one comes to investigate the same trend in Quran in that, though having the same features of interest as in literature, there is the inimitability of the Quran in which there is the highest elevated style and these in turn affect those who approach Quran from this lattice. Jafaar Al - Hussaini made a good attempt in his rhetorical approach in Quran. He provided a lot of examples from Quran that support the rhetoric and artistic styles when inspecting the three branches of science : meaning, explanation and Al - badea. He, further, employed other examples from Al - Hadith and Arabic poetry on behalf of those Quranic instances following the approach of Al - Sakaki (626 A H) in his book (The Key of Sciences) and Al - Quzweeni (739 A H) in explaining and summarizing it. This study focuses on explaining Al - Hussain's approach in inspecting Quran rhetoric according to three branches mentioned above. Al - Hussaini added to Al - Maani style the prospect of sentence patterns with two titles including in these several divisions and supporting them with a lot of Quranic instances, besides other non - Quranic instances. Concerning Al - Bayan styles, he implies sections in eloquence rhetoric, simile and metaphor. At the level of Al - Badee style, Al - Sakaki divided this field of knowledge into meaningful and verbal enhances, whereas, Al - Hussaini did not mention these without classification or divisions, even without stating the naming of "enhances", instead, he called these as "arts". He added a lot of arts besides what was stated by Al - Sakaki. H eput these in two separate sections in accordance with what Al - Sakaki and other followers had done. The styles stated by Al - Hussaini are sixty nine. Forty nine are meaningful and twenty ones are verbal. Then the study focuses on the abundance of the divisions of titles and subtitles as produced by Al - Hussaini. Also it pays attention to the exactness of examples provided and the density of Quranic instances concerning every topic. These instances, in some of these topic, are thirty

القصيدة الاعلامية في الشعر العراقي المعاصر منذ عام 2003 الى 2017م Informative poem at Contemporary Iraqi Poetry Since2003 to 2017

اسم المؤلف: باسم حساب راشد العبادي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The reader of the contemporary Iraqi poetic works after the year (2003) and in the framework of poetic literature finds the emergence of poetic texts within the context of the media investing aesthetic through transmission to a means or a publicity holder, or news of what is outside the text in the basic degree ... This led to a decline in aesthetic value Within its teleological dimension in front of the topics arising from the conflict of ideological and ideological differences of the Iraqi society and the result of the new reality of cultural openness. This is justified by the adoption of poets in the construction of texts on the elements of popular attraction : objectivity, such as politics, religion, faith, doctrine and important events, and artistic with visual, musical, visual, inspirational, direct, and spontaneous, motivational, emotional, etc. to achieve propaganda, The political ... Through this, the idea of (the media poem in contemporary Iraqi poetry since 2003) was the subject of study ... What distinguishes our study is its comprehensiveness of the manifestations of the thematic issues in a period of time has not studied any study in this area, the era after 2003, which dealt with the poetic output until the end of 2017 as this period of the product is rich in conflicts and media issues ... As for the methodology of the research, the researcher adopted a descriptive and analytical approach based on monitoring the most important subjects in which the poets participated and then analyzing the texts to uncover the most important means of popular and artistic mass appeal adopted by the poets as informational marketers. The nature of the study imposed the paths of the work and was divided into three chapters preceded by a preliminary and followed by a conclusion and a list of sources and references. The introduction under the title (Political, Social and Cultural Changes in Iraq after 2003 was a brief reading). The first chapter came within the title of the media poem term and roots. It included three topics. The first topic was entitled (The media poem is a reading of the term). The title of the second subject (roots of the media poem in the Arabic poetry from the ignorance to the Abbasid period) Poeticism of the 20th century media poem) The second chapter was entitled "The manifestations of politics, the homeland, the society in the media poem" and included three topics : the first topic (the political poem), the second section is its title (homeland in the media poem) The third chapter entitled "The features of the active scene in the media poem" came in the first section entitled (religion in the media poem .. manifestations and multiple visions). The second topic was titled (manifestations of the interaction of the event in the media poem) The title of the third section (Other manifestations in the poem Media). The chapters were concluded with a conclusion that dealt with the most important findings of the researcher in this study.

الشعر العربي في العراق في القرنين الثامن عشر والتاسع عشر : دراسة في ضوء النقد الثقافي Arabic poetry in Iraq in the Eighteenth and Nineteenth centuries : a study in the Light of cultural criticism

اسم المؤلف: سجاد شعبان حسن
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Cultural criticism is based on criticizing the cultural patterns that involve the literary and cultural discourses; these are implicit patterns hiding behind the explicit ones. The patterns in the concept of cultural criticism are not only linguistic or literary, but they are cultural content patterns implicitly involved in the discourse that are elicited by explicit patterns. Exploring these patterns requires cultural reading based on accurate and wide knowledge of the studied cultural discourse. A heavy reliance on the interpretation and exploration effort and discourse analysis is needed to discover these culturally implied patterns. Cultural criticism provides the addressee with studies that discover the reality of the literary texts whether they are poetry or prose. It looks at them through a neutral, scientific and honest telescope that aims at studying the marginalized patterns that literary criticism neglected. While literary criticism is concerned with elite texts, cultural criticism is concerned with people's literature that was off - shadowed during the previous eras, it relates the texts to its contexts and circumstances, it also makes use of the human and philosophical sciences. We depended on this approach to study Iraqi poetry. After investigation we discovered the paucity of literary studies that tackled Iraqi literature from the perspective of cultural criticism between the eighteenth and the nineteenth centuries. For this reason the topic entitled (Arabic Poetry in Iraq during the Eighteenth and Nineteenth Centuries : a Study in the Light of Cultural Criticism).The study has been divided into four chapters preceded by an introduction and a prelude and followed by conclusion that involved the most important results and a list of references. The prelude has been formulated according to two ways, the first of which tackled the image of the Iraqi poetry during this period, while the second has dealt with the concept of cultural criticism and cultural patterns. The first chapter is about (The manifestations of the ego), while the second chapter is about (The manifestations of the other). Chapter three deals with (Political Patterns/ the poet and the authority). Chapter four tackles the social patterns, it is entitled as (The Text and the dominance of cultural patterns).

الشعر في العصر الفاطمي : دراسة في مرجعياته الثقافية

اسم المؤلف: احمد حمد سليمان النصر الله
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Fatimi state was a separate entity from the Abbasies in 296 AH on the African side of the Islamic state in Kairouan and then they took Egypt as the seat of their caliphate and Cairo as their capital and expanded the area of the Fatimid caliphate to the east, including the Levant, Yemen and Hijaz. The era of the Fatimi state was one of the most fertile periods in the history of Islamic civilization. It was at the peak of its maturity and intensity in all aspects of human knowledge, mental sciences, social prosperity, creativity and translation through creative communication with other civilizations in the countries reached by Islam. Conquests or creative intellectual cross - fertilization with other peoples and civilizations such as Persian, Indian, Greek and Roman. What was decreed by the poetry and culture of the care of the Fatimi caliphs and the care of their contributions in advancing the advancement of civilization and cultural development forward by establishing many mosques, public libraries, science workshops and councils of wisdom and encouraging scientists and poets and giving gifts to them contributed to the establishment of a broad scientific and cultural movement, The Fatimies had a high level of knowledge, love of science, and the bringing together of scholars, some of whom supervised direct supervision of seminars in mosques and councils of wisdom, some of them lecturing on the apostates and learners. Egypt has been the seat of ancient civilizations and inhabited by races and races, all of which had the most prominent effect in advancing the development of forward and enrich the minds and provide them with new factors and provide cards that contribute to the sharpening of minds and broaden the horizons of knowledge have affected those factors cast a shadow on the literary life in Egypt, Our study, which led to the emergence of a growing poetry movement that bears the characteristics of differentiation and personality independent of others because of what the new life in Egypt and Cairo gave them from the capitals of poetic creativity and engraved in their hearts for the commercial in the many rites of prayer and its many occasions such as festivals and religious events and As well as the addition of the Fatimids of the holidays and events of their own and their doctrine, which contributed to the activation of creativity to the maximum extent. The previous factors are the result of the researcher's desire to research and change in the literature of that era of Arabic literature and in those countries living under the rule of the Fatimid was behind the choice of the title of this research for the culture and cultural heritage of the role of fundamental and effective in the creative output of that fertile period of time, (Fatimid poetry study in its cultural references) culmination of many previous cultural studies and to compliment them may contribute to the Arab library to provide more scientific knowledge and reveal what is hidden the eyes of those interested in the Arab literature in that country.The study was divided into four chapters preceded by introduction and followed by a conclusion, and we adopted the abundance of poetic output in the order of classes.The first chapter included religious culture and the faithfulness of several topics such as the culture of Quranic employment, stories, Quranic stories, the Prophet's Hadith, other religions, The second chapter included the historical culture, which includes several topics such as historical events, historical figures, spatial and relative culture. The third chapter included the social culture that included knowledge culture. The fourth chapter was the Deanship of Literary Culture, in which poetic culture, poetic culture and critical culture

الاساليب البلاغية في شعر السيد جعفر الحلي (ت1315هـ) Rhetorical Devices In The Poetry Of Said Jafar Al - Hilli

اسم المؤلف: امنـة احمـد عباس المطـوري
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Said Jaafar Al - Hilly is considered as one of the alawis Iraqi poets whose poetry is characterized by its richness at the artistic and semantic levels. His poems also shed light on the political and social reality with a dominant alawian sense. Thus, it is essential to investigate about these aspects with close inspection. This poet was not paid any considerable attention concerning his verse only in scattered articles and papers. Even in modern literary works, there are little references to his art, further, these references do not contribute in showing his artistic and aesthetic writings in verse that may put him in competition with other great poets of his time. This study mainly focuses on the rhetorical perspectives in his poems in an attempt to show the deep meaning of his lexical and syntactic choices in addition to his manipulation of cadence and poetic structure as well as imagery. The current study consists of a preliminary, three chapters and a conclusion. In the preliminary, rhetorical branches are introduced and explained and how these branches are shown to have a role in exposing the poet's artistic writings. This chapter also includes the poet's biography and the themes that he addressed in his verse. Chapter one is attributed to inspecting the cadence level in his poetry. It comprises three sections. Section one is concerned with alliteration. Section two is devoted to explaining repetition and its types and effects in relation to cadence. Section three comes under the title " Other Rhetorical Aspects" that contribute to make rhythmical patterns prominent. Chapter two is essentially devoted to the structural level of his poetry. It comprises three sections. The first one, which is entitled "Recantation in Structure", deals with things such as foregrounding and back - grounding, ellipsis. Section two is entitled "Recantation in the reporting style", whereas, the third section is concerned with the recantation of requesting style such as questions and command. Chapter three deals with the descriptive level of his poetry and it is compose of two sections. The first one is concerned with the study of images according to their artistic frame. Section two pays attention to the size of these images in that it focused on the single and simple images as well as the compound and the total images. This classification comes as a result of what is found in his poems in an endeavor to simplify their study. Finally, I would like to express my gratitude for the dean of the college of Education for Human science, Dr Hussein and for the two assistants as well as for the head of the Arabic department. Also, I would thank my supervisor for his great efforts in showing me the right way of how to accomplish this work.

منهج ابي البقاء العكبري (ت616هـ) في شرح الالفاظ Abi Albakka' Ala'Kbari'S (Died 616 A.H) Approach For Studying Lexes

اسم المؤلف: شيماء شاكر غالي محمد
اسم المشرف: سليمة جبار غانم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The study of lexes is the means for every study and every language of the world's languages to reach at the end which is meaning. Lexes, in this study, are our means to reach at the intended end which is standing at this encyclopedic scientist's approach who mastered different fields of knowledge; philology, linguistics, syntax, prosody, arithmetic, and knowledge of sects. He was one of the distinguished Arab linguists in the seventh Hijri century who gained a wide fame. This study aims at investigating his approach for studying lexes which was recognized of its multiplicity of procedures. The study falls into three chapters preceded by an introduction, explaining the motives of this study and other issues, and a prelude that included two sections; the first of which deals with the concept of approach linguistically and idiomatically, the second sections dealt with Abi Albakka' Ala'kbari's biography, his writings, and his impact on the studies of old and contemporary scholars. Chapter one, which is entitled (Lexes : their morphology and meanings). It consists of three sections; section on deals with the morphological structure, here we explained Abi Albakka' Ala'kbari's approach in the study of lexes according to their derivations, meter and rhythm. Section two is devoted to the lexicon meaning. Section three deals with the metaphoric reference.Chapter two is entitled (Semantic development). In this chapter, we explained Abi Albakka' Ala'kbari's references to the development of lexes from different perspectives. It includes two sections; the first of which deals with the concept of semantic development, while the second deals with the aspects of semantic development which go in line with what contemporary linguists believe. Chapter three is entitled (Means of semantic development). We dealt with some of them and neglected some others; either because they were mentioned somewhere else as in the case of (derivation) which was mentioned in first chapter, or because they weren’t considered prominent phenomenon as in the case of Acronymy. Chapter four falls into four sections. The first three of which have dealt with the semantic relations of synonymy, hyponymy and antonymy respectively. Section four was about loan lexes and arabicized ones. The study ends with the results and conclusions then list of references

تجليات البداوة والحضارة في شعر ابن خاتمة الانصاري وموشحاته (700هـ - 770هـ) Manifestations Of Nomadic Civilization In The Poetry Of Ibn Al - Ansari Conclusion

اسم المؤلف: نرجس سالم كاظم الصيمري
اسم المشرف: علي مطشر نعيمة الشريفي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace envoy mercy to the worlds and The God of the good and virtuousAfterThe reading of the Court of Ibn al - Ansari finale attracted by the nostalgic poet to nomadism sticking out even though he lives a reality culturally vibrant, hence rushed researcher behind the monitor to the reasons for the return of the poet and the extent of nomadism represents civilization in his hairThe study (manifestations of nomadic civilization in poetry bin finale Ansari addressed) to give a clear picture Anhoudor nomadic civilization in the poetry of Ibn al - Ansari finale and the extent of overlap and conflict between themHas teamed message in a preface, three chapters preceded the introduction and caused a conclusion, addressed a researcher at the boot concepts of nomadic civilization in the language and the term as well as shed light on the life of poet son finale and talk about his poetry and writings.The first chapter titled : manifestations of nomadism as manifestations dealt with in the hair son finale in four axes : specialize first axis Baltall Bedouin studied second axis flags Bedouin on the various types and their presence in his hair, and touched the third axis to the statement of beauty standards, which was favored by the Bedouin appeared with son finale, either a fourth axis which has touched a statement nomadism poet that has emerged through the meanings of modesty, chastity and complaining of AlamalIn the second chapter researcher touched upon the statement of the manifestations of civilization in three axes dealt with in the first such manifestations of civilization in spinning, which was as important, and in the second axis manifestations of civilization dealt with in nature, and the third axis has it studied the manifestations of cultural life Ka such as ethics and congratulations and others.The third chapter specialize study overlap and conflict in the hair son finale Ansari stood at the poetic texts which forms overlap between nomadic civilization and sacrificed in the first axis and in a second axis revealed forms of conflict between nomadic civilization in the hair son conclusionThe study adopted a descriptive analytical approach in dealing with the poetic texts by Ibn al - Badawi finale nature and civilization, revealing where the most important technical features without a single out a special chapter.The study found a range of results, highlighted byNomadism has manifested itself in the hair son finale in the presence Tll Badawi in his poetry indicative of longing to the fount and origin of Arabism and Islam, and the presence of flags Bedouin women as names, places and animals constitute Lexicon those flagsThe beauty scale Bedouin witness to the presence of nomadism in the hair son finale represented fuller buttocks black hair and black eyesAnd civilization manifested itself in the hair son Conclusion In describing the manifestations of nature in Andalusia as a description of Riyadh, gardens and birds appeared a glossary of terms that a civilized civilization represented by such (Alglail, and Almqana)Technically civilization was embodied in the poetry of Ibn finale employed in science to arts Budaiya Todava exaggerated Kganas and counterpoint and Budget and otherokan There is considerable overlap in the hair son finale has appeared in poems Kin spinning stanzas and was less present in other sectionsI've reversed the conflict between nomadic civilization in the hair son finale contradictory figures : Personal son finale realism is sedate and FakihPersonal and son in the finale spun sensuous

شعر مصطفى جمال الدين : دراسة ايقاعية Mustaffa Jamal Aldeen'S Poetry : A Rhythmic Study

اسم المؤلف: حسين عبد النبي خير الله نجم السوادي
اسم المشرف: علي عبد رمضان
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Rhythm is one of the important pillars upon which the poetic text depends, for it justifies part of the emotional impacts which relates - by nature - tightly to the ideas and expresses them phonetically. Rhythm is a basic axis in the poetic aesthetic; it gives it the power to affect vitally. It involves a special artistic and expressive value by means of resemblance, parallelism, contradiction and differences between the different levels of the text.The effectiveness of rhythm is not confined to the two elements of meter and rhyme, but it depends on the musical rhythm of the words. Rhythm is the spirit of music and its beating heart which expresses feelings and it is a realistic translation of the poet's feelings, passions and wishes. This thesis tries to uncover the inner and outer rhythms in the poetry of Mustaffa Jamal Aldeen in terms of phonetic balances and eloquence arts which involves resemblance, parallelism, contradiction and differences. It also uncovers the extent to which the music of his poems was activated to create special rhythmic atmosphere that harmonizes with the topics of the poems. The poet, Mustaffa Jamal Aldeen, has a profound and conscious vision of the reality that he lives in, and the community to which he belongs. He rejects humiliation and submission that the nation reached at. He urges the nation to change this reality by employing all his artistic and poetic tools. He believes in the inspiring role of art in life. While forming his poetic text, he creates a poetic melody springs from the depths of his passion and feelings towards crucial issues. For that reason the poetic word has borne expressive powers and phonetic values that showed the inner feelings and passions of the poet.

شعر موفق محمد : دراسة في البنية الفنية Mowafaq Mohammed's Poetry : A Study Of Artistic Structure

اسم المؤلف: محمد حاكم مسير جاسم
اسم المشرف: سوادي فرج مكلف
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: فان الشاعر موفق محمد من شعرائنا المعاصرين الذين حملوا هموم الحياة واكتووا بنارها وكان الشعر سلاحهم الذي يخفف عنهم الام الحياة واحزانها . وقد وجدت ان هذا الشاعر له حضور فاعل في الحياة الثقافية لمشاركته في المحافل الادبية بصوته المؤثر وقدرته على تحريك المشاعر وجذب المستمعين واستمالة عواطفهم ولما اصدره من مجاميع شعرية لها وقع متميز لدى المتلقين من هنا وقع اختياري عليه لدراسة ( البنية الفنية في شعره ) لمعرفة مدى ما وصل اليه من المهارة والحذق في صياغة الشعر وتلوين خيوط نسيجه وعندما شرعت في البحث عن المصادر التي عنيت بدراسته عجبت لندرتها وانصرافها الى حد كبير عن دراسة ما يتمخض عنه شعره من جوانب فنية فالشاعر موفق محمد على الرغم من مكانته المتميزة بين شعراء عصره لم يحظ بدراسة علمية تعنى بما يشتمل عليه شعره من عناصر الابداع ، فشمرت عن ساعد الجد وجعلت هذه الغاية هدفا اسعى الى تحقيقه . لقد اعتمدت في دراستي هذه مصادر كثيرة منها ما كتبت عن الشاعر نفسه ومنها مصادر نقدية وادبية متنوعة ، كما اعتمدت في تحليل النصوص على مجاميعه الشعرية التي اصدرها ، هادفا الى ابراز اهمية دور الشاعر ومكانته في اوساط المجتمع وجمالية لغته الشعرية وصوره وايقاع الشعر الذي اتخذه منهجا يعبر من خلاله عما يختلج في خاطره من قضايا الوطن والمجتمع والقضايا الانسانية والسياسية بشكل عام . قامت هذه الدراسة على خطة سعيت من خلالها الى الاحاطة بعناصر الفن الشعري عند هذا الشاعر ومهارته في استمالة القلوب اليه ، وكانت الخطة على النحو الاتي ، مقدمة وتمهيد وثلاثة فصول وخاتمة ، تلتها قائمة بالمصادر وملخص باللغة الانكليزية . اختص التمهيد بالتعريف بالشاعر وحياته واعماله الشعرية ومكانته المتميزة بين الشعراء الاخرين ودور الشاعر في الحراك الثقافي والادبي فضلا عن عرض اراء من عاصره من النقاد والادباء فيه . وفي الفصل الاول درست اللغة الشعرية على ثلاثة مباحث تناولت في المبحث الاول : معجمه الشعري . وفي المبحث الثاني : مصادر معجمه الشعري وضم المبحث الثالث : اساليب الطلب عند الشاعر . وخصصت الفصل الثاني لدراسة الصورة الشعرية مبتدئا الفصل بمقدمة عن الصورة ودور الخيال في تشكيلها . وانتظم الفصل الثاني بمبحثين تناولت في المبحث الاول : اساليب بناء الصورة الشعرية . وفي المبحث الثاني : درست انماط الصور ومصادرها . اما الفصل الثالث فقد اهتم بالبنية الايقاعية وقد جاء على ثلاثة مباحث ، الاول : دراسة الايقاع الخارجي . والثاني : الايقاع الداخلي . والثالث : دراسة القافية ، وانهيت دراستي بالخاتمة ذاكرا اهم ما ورد فيها من نتائج وملاحظات توصلت اليها . وفي الختام اتقدم بالشكر الى استاذي المشرف الاستاذ الدكتور ( سوادي فرج مكلف ) لرعايته الابوية وتوجيهاته وملاحظاته التي لم تخل منها صفحة من صفحات هذه الرسالة . ولا ادعي لعملي الكمال فالكمال لله وحده عليه توكلت واليه انيب ومنه التوفيق والسداد . | Mowafaq Mohammed is a contemporary Iraqi poet, who uses poetry as a means to detect the manifestations of infertility in the society and to criticize political situations which led to abuse and bad treatment of people. His poetry came as a loud scream against tyrant rulers and an expression of sadness, depression and hopelessness. The study uncovered the artistic aspects that he employed to achieve the goals and ends he is aiming to. The study critically and analytically tackled the poet's language and his artistic images and poetic rhythm. The poet's language is characterized by; easiness and simplicity, free of complexity and sophistication and diversity of words in his poetic lexicon which varied into words of grief, nature, proper nouns, colloquial words, foreign words, words of love, war, arms and wine. His request styles vary into : interrogation, vocation, command and inhibition which mostly have many metaphoric themes. The holy Qur'an is one of the most important resources that he used to form his poetic imagery. He tends to form his imageries in new different ways to express his positions. Foot poetry is the most dominant type of his poetry, in addition to prose poem. Vertical poetry is a very rare phenomenon in his poetry. He mostly composed his poetry on Alrajaz, ALkamel and Almutadarak meters. He deliberated mixing between the meters within the same poem in many of his poetic texts. The poet employed the phenomenon of alternation between the artistic forms. Once we find his mixing between foot poetry and prose poem, other times he mixes between vertical poetry and foot poetry. He composed his poetry in different poetic themes; however, the most important of them are; elegy, description and satiric political poetry. Elegizing represents the greatest part of his poetry. Elegized persons in his poetry include Imam Hussein (Peace be Upon Him), his family, relatives and friends, especially his lost son. As for description, he is very well known of describing the city of Hilla; its people, allies, bridges and other natural aspects, living and silent ones. In terms of his political poetry, it can be considered as a document that recorded many of the events in Iraq.

الاليات النظرية لتحليل الخطاب في ضوء التداولية The Theoretical Mechanisms Used For Analysing Discourse In The Light Of Pragmatics

اسم المؤلف: حليم موسى كاظم
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: In the seventies of the previous century, linguistics of discourse emerged in reaction to Ferdinand de Saussure's linguistic theories, especially his dichotomies, which studied the internal core of language and neglected “speaking,” i.e. the use of language. De Saussure considered “speaking” as an outsider from the domain of language and this is why he was considered as the father of formalism. Then, linguists shifted their attention to studying the practical facet of ordinary language; i.e. language used in social, historical, cultural, ceremonial, and doctrinal contexts. Accordingly, pragmatics appeared in the second half of the twentieth century.Pragmatics is a philosophical theory that focuses on the principle of use, advantage, and materialism. Though it was theorized by philosophers of different orientations, it is established due to the theories of the philosopher Charles Sanders Peirce and the additions of Charles Morris. However, it becomes clearer in the studies of ordinary language philosophers who are labeled as the Philosophers of Oxford; a group of philosophers who were influenced by Ludwig Josef Johann Wittgenstein's Analytic Philosophy. Wittgenstein also influenced John Austin who attempted to refute the logical binary of saying truth and lying in judging things. Ordinary language philosophers considered language as a means to describe, amend, and change reality. Then, they regarded it as a tool that does linguistic performances. This tendency was adopted by some philosophers after Austen. Paul Grice presented his theory of conversation and interaction rules in addition to cooperative principle among speakers. John Searle, then, completed Austin's theory and developed Speech Act Theory, i.e. how to perform deeds via language using performative verbs.In this study, the researcher has chosen this area of study for its importance in analyzing discourses since analysis previously focused on exploring and deconstructing the internal core of language. This study, being a contemporary one, serves as a link with modern linguistic thoughts and products which open the door for studying Arabic, especially in old sources, because studying the books of old Arabs would show that they had used pragmatic mechanisms theoretically and practically in notion but not in term. This appears in their devotion to the context in which the Holy Quran was descended and the speaker's intentions when they spoke about the difference between utterance and concept. Besides, their studies encompass other epistemological fields such as eloquence, philosophy … etc. This study aims at exploring the mechanisms used for analyzing a pragmatic discourse. In other words, it aims at studying language in context and use.To achieve this aim, the study is divided into four chapters and a conclusion. In Chapter One, a definition is given to the main terms of the title; i.e. discourse, discourse analysis, and pragmatics. Also, an opinion of some researchers about the term “discourse” is presented. Defining “discourse analysis” says much about the concept of analysis and the shift from analyzing the linguistic structure into analyzing the circumstances in which it is said; i.e. speaker, listener, time, place, channel of commutation, context … etc. Similarly, defining pragmatics says much about its different analyzing mechanisms, its diverse theories, and the influence of other areas of knowledge upon it. In Chapter Two, Speech Act Theory is explained. Also, verbs are received a classification and a study is conducted about analyzing the pragmatic meaning. In Chapter Three, the mechanisms used to analyze meaning in the light of Paul Grice's Theory of Conversation are detailed. Also, an explanation is given about levels of discourse, its intentions, presupposition, and conversational implicature. Finally, in Chapter Four, the basic functions of pragmatic discourse, among them are communicative function, contextual function, argumentational function, are discussed. It is worth mentioning that argumentation is a pragmatic theory that has nothing to do with Aristotle's logical argumentation which is related to old eloquence in addition to speeches, and entered into the domain of linguistic study thanks to Oswald Ducrot's researchers.Finally, the conclusion sums up the following conclusions : - The pragmatic mechanisms in analyzing a discourse are an extended pattern which aims at exploring the performative meanings and intentions depending upon shared knowledge among speakers and social contexts. They also aim at exploring customs, doctrines, and ceremonies. - Language cannot perform actions by itself. In other words, it does not have the performative ability because the matter is related to man and his personal action. Hence, language is just a means for performance

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

اسم المؤلف: احمد طعمة حرب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

شعر الفرسان في العصر الجاهلي : دراسة صوتية، صرفية، تركيبية The Poetry Of The Pre - Islamic Era Knights A Phonological , Morphological And Structural Study

اسم المؤلف: اسامة مهدي صالح الكعبي
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The present study is a linguistic investigation of the pre - Islamic knights’ poetry. It tackles twenty - five knight poets from the pre - Islamic era by studying their poetry linguistically within three levels; the phonological level, the morphological level, and the structural level. The fourth level i.e., the semantic level is not neglected in the present study as each of the three aforementioned levels requires semantic interpretation in the analysis of poetic texts. As such the semantic level is considered as a prerequisite in the phonological, morphological, and structural analysis of poetic texts. Throughout the study, it is found that the analytic descriptive approach is the best approach in the linguistic investigation of the pre - Islamic knights’ poetry. Accordingly, this approach has been taken as an analytical device to trace the linguistic phenomena phonologically, morphologically, and structurally. The present study falls into three chapters preceded by an introduction and a preliminary chapter and ends up with a conclusion. The introduction of the study includes identifying the reasons behind choosing the study subject, the criteria on which twenty - five knight poets from the pre - Islamic era are chosen, the approach followed in this study, the different names that this linguistic study might have and finally the study chapters with their contents are identified. The preliminary chapter defines the word “knighthood” terminologically and linguistically then a brief biographical information about each one of the twenty - five knight poets is given. The first chapter of the present study is concerned with the phonological level by studying the accumulation of sounds, the semantic interpretation of sounds and the poetry rhymes, each of which is dealt with in a separate section. In the second chapter, which deals with the morphological level, the first section is devoted to investigate nouns, verb derivations, and broken plurals. Another section is specified to verbs.The third chapter tackles the construction of the Arabic sentence in one section and the grammatical styles are examined in another one. Finally, the present study arrived at a number of conclusions. It is concluded that there is an accumulation of some sounds which reinforce the intended purpose of the poet. In addition there are some sounds that occur less frequently in the whole poem but they might recur and accumulate in one stanza. One of these sounds is the /z/ sound which is repeated in one stanza but is rarely found in the preceding twenty stanzas of the same poem. Moreover, there is a section in the third chapter that is devoted to reinforce the semantic interpretation of sounds as sounds refer to specific meaning or simulate the meaning in a context of speech. On the morphological level, the study concluded that there is a tendency to use the subject noun and the exaggerated forms by the knight poets justifying that these forms represent the actions that those poets liked to do which also reflect the moral values that they are characterised with like bravery, generosity, liberality, and pride. The study also drew a number of conclusions as far as the structural level is concerned. It concluded that the use of some grammatical styles by the knight poets was for showing their characters. One of these styles is assertion. Furthermore, it is found that there is another type of assertion which is not mentioned with other assertion types. For this type of assertion a poetic example from Hatem Al - Taa’ei on page 197 is given and analysed provided with some example sentences.