البحث — المستودع الرقمي العراقي

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جماليات الابداع الفني لعمل المخرج المسرحي العراقي وفقا لنظرية جيلفورد == The aesthetics of artistic creativity to the work Iraqi theater director according to Guilford theory

اسم المؤلف: اسعد عبد الرضا حسين

اسم المشرف: عباس الجميلي

الموضوع العام: الفنون الجميلة

السنة: 2016

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: دكتوراه

الجامعة: جامعة البصرة - كلية الفنون الجميلة - قسم الفنون المسرحية

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

توظيف الرمز في المسرح التركي المعاصر نماذج مختارة == Engaging the symbol in the text of modern Turkish theatre (chosen models)

اسم المؤلف: احمد ناصر حسين الشندل

اسم المشرف: حسن عبد المنعم الخاقاني

الموضوع العام: الفنون الجميلة

السنة: 2016

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: دكتوراه

الجامعة: جامعة البصرة - كلية الفنون الجميلة

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

تاثير بيئة الشرق في الرسم الاوربي الحديث == The impact of the eAST environment in modern European painting

اسم المؤلف: احمد عبد عصواد

اسم المشرف: صباح احمد الشايع

الموضوع العام: الفنون الجميلة

السنة: 2015

الموضوع الدقيق: الرسم

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

الية اشتغال مفهوم الصدمة في تشكيل ما بعد الحداثة == Operating Mechanism of the Shock Concept In Formation Postmodernism

اسم المؤلف: احمد حسين كاطع

اسم المشرف: ازهر داخل محسن

الموضوع العام: الفنون الجميلة

السنة: 2017

الموضوع الدقيق: الرسم

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

الظواهر الاسلوبية في حوار المسرحية الشعرية العراقية : نماذج مختارة == Stylistic Phenomena In The dialogue of the Iraqi poetic play (Selected models)

اسم المؤلف: ازهار جاسم محيسن الحمداني

اسم المشرف: عبد الستار عبد ثابت البيضاني

الموضوع العام: الفنون الجميلة

السنة: 2017

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة - قسم الفنون المسرحية

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

المرجعيات الفكرية والاسلوب الفني للناقد علي مزاحم عباس == The SURCES MENTALES AND STYLE TECHNICIAN FOR THE CRITIC ALI MUZAHEM ABBAS

اسم المؤلف: زين العابدين جاسم محمد

اسم المشرف: عبد الستار عبد ثابت البيضاني

الموضوع العام: الفنون الجميلة

السنة: 2012

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة - قسم الفنون المسرحية

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

التجريب الشكلي في النحت الخزفي العراقي المعاصر : دراسة تحليلية == FORMAL EXPERIMENTATION IN CONTEMPORARY IRAQI CERAMIC SCULPTURE

اسم المؤلف: كريم طه نعمة الكنعان

اسم المشرف: صباح احمد حسين الشايع

الموضوع العام: الفنون الجميلة

السنة: 2012

الموضوع الدقيق: النحت

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

جماليات الاشكال الزخرفية في الخزف العراقي المعاصر == The Aesthetics of Decorative Figures In Contemporary Iraqi Ceramics

اسم المؤلف: مهدي نوري عبيد السبهان

اسم المشرف: صباح احمد حسين الشايع

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الخزف

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

المستخلص: تتاثر الانجازات الفنية عادة بحسب نوعية البنية الثقافية للعصر والخطاب الذي تبثه هذه الثقافة ذلك ان الحضارات القديمة ارسلت بلاغها عبر منجزاتها , ولما للفخار من اهمية قصوى ورغم ارتباطه بدا بالنفعية الا ان سطحه اصبح فيما بعد نصا مقروءا متناميا فيه ال | The Artistic achievements are usually stirred according to the cultural structure of the generation age and the message conveyed by the culture , the ancient civilizations ceramic is thus crucially important and beneficial , However it has had readable surface with growing aesthetic a wariness, Methods of ceramic figures building have developed and varied , bringing out figure system , thus decorations by all kinds covered ceramic surfaces with symbolic indications , These creations reflected the spirit of the ages and through stages a solid base of original civilization was founded which have enable contemporary arabistic to develop their free intellectual views. The aesthetic sense has crockery during the Balioarteological ages inspite of the beneficial purposes of crockery , the ceramic artists could decorate their ceramic objects with particular engraves. which have inspired the contemporary artists. Some works of contemporary artistes are distinguished by making ceramic figures on ceramic surface.The monographic of this study aims at explaining the conception of the aesthetic system producing the ceramic body. Doing so enable us to enrich the knowledge medium with the research thesis ( The Aesthetics of Decoration Figures In Contemporary Iraqi Ceramics ). This research paper includes for basic chapters.The first chapter is concerned with the research main issue , importance , and need. It aims to identify the decorative figures in the contemporary ceramics and fined related terms and definitions.The second chapter is related to the theoretical frame it's result and results of previous studies. This chapter is further concerned with four topics. The first topic is intended to study the aesthetic philosophy ; the second one is about history entrance on ceramics art , the third topic is about shape and the fourth one id about history of decoration.Chapter three is concerned with procedures of the research using descriptive and analytic style. The research selection includes works of some ceramic artists during a limited time.The research sample includes ( 25 ) ceramic works chosen from the original selection in an intentional way. Chapter four is concerned with the statement of important results as follows : 1. Shapes balance in terms of contents and units on ceramic surface which showed aesthetic appearance. This created stability state result from the balanced ceramic works in addition to color harmony and mass balance.2. Among the aesthetic characteristics of ceramic components are the symmetrical decorative shapes which symmetrically depend on both ' X ' and ' Y ' axes.3. Ceramic figures beauty is made prominent by repetition characteristic in which units and items are related closely by drawing ceramic items repeatedly with out change.4. The Arabic letter appeared to be elegant with an arranged position with other letters , especially when it is used as a decorative figure in the contemporary ceramic. Therefore the ceramic artist manipulated the letter in two ways : Firstly , calligraphy was done with recognized script rules but in an occasionally repeated letter shapes and drawings. The letter was also drawn in a way so that repletion and symmetry were clearly apparent.In the second way , the letter was drawn and made with free - script rules.5. The geometrical elements decorative shapes with arrangements , symmetry , repletion , balanced and counter linear relations among them contributed to clear manifestation of the aesthetic aspect of the contemporary ceramics. The decorative construction of items was represented by triangles , rectangles , squares and circles

تنوع اساليب الاداء التمثيلي في المسرح المدرسي : عروض البصرة انموذجا 1999 م - 2009 م == Diversity of Performance Styles Representative Theatre School Offers A Model of Basra

اسم المؤلف: حيدر صالح دشر

اسم المشرف: عبد الكريم عبود عودة المبارك

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة - قسم الفنون المسرحية

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

المستخلص: يشكل المسرح المدرسي ظاهرة فنية مسرحية تعبيرية مهمة كونه موجه الى شريحة اجتماعية لها دورها في بناء المجتمع.ومن خلال اهداف هذا المسرح المتنوعة في التعليم والتربية والتوجيه والتثقيف والترفيه فان الجانب الادائي يشكل عنصرا اساسيا وم | Schooling Theatre represents very important Artistic and expressive theatrical phenomenon for being addressed social category that has it role in building the society. Through the various objectives of this theatre in education , learning, guidance and entertaining , the performance factor make up a primary important element of forming this theatre and activate its objectives; accordingly , the different types of this theatre requires from the actor to act based on acting methods related to the form of schooling theatre which are divided into the following : 1. Schooling theatre shows inside the class 2. Schooling theatre shows inside the school3. Schooling theatre shows outside the schoolThrough this division , the researcher observed the operations of these various methods within the above divisions, and he observed its different types and used by the actor by his research titled ( variety of methods of casting roles in theatre of Basra typical theatre. The research comes up with four chapters , the researcher initiated with the methodological chapter which represents the problem and the importance of the research besides its objectives which summarized by revealing ( variety of acting performance methods in schooling theatre and observe the visual channels in those methods to a achieve the objectives of show forms in schooling theatre). Furthermore, this chapter includes the time and place and subjective borders , through the title of the research , the researcher observed the most important terms and have procedural definitions for them that conform with its subject. As for the second chapter , it is related to the theatrical framework that includes three important sections which are as follows : First section : - Schooling theatre , the beginning and the development Second Section : - Forms of shows in schooling theatre Third Section : - Methods of acting performance in Schooling theatre The second chapter dealt with confirmation of the most important previous studies and to recognize the extent of it similarity with our field of study , and finally the chapter includes the indications of theatrical framework. The third chapter is a procedural one that contains on collection of applications to select the criteria of subjective analysis of sample chosen by the researcher after has done full survey on schooling activity in Basra governorate particularly the center of Basra , he tried to choose ( Al - Farahidi Typical School) to try out the sample of the research related to the first type ( inside the class) ,and the second type ( inside the school) through selective shows , as for the third type , the researcher intentionally chose a show presented by students of Fine Arts College during the Fifth Child Festival in Baghdad. The Forth chapter dealt with results , conclusions and recommendations , and finally , he presented the most important references and recourses used in the research besides summary in English.

المنطلقات النفسية لتحليل الشخصية الدرامية في النص المسرحي العراقي : نماذج مختارة == The Psychological Beginnings In Analyzing Iraqi Dramatic Character

اسم المؤلف: عقيل قاسم ولي الموالي

اسم المشرف: حسن عبد المنعم الخاقاني

الموضوع العام: الفنون الجميلة

السنة: 2009

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة - قسم الفنون المسرحية

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

المستخلص: اهتمت الدراسات الادبية والنقدية في تناول النص المسرحي من الوجهة النفسية عالميا وعربيا ؛ غير ان النص الدرامي العراقي لم يحظ بالكثير من الدراسات النفسية خصوصا التي تناولت المنطلقات النفسية للشخصية الدرامية.. من خلال تقصي الدوافع النفسية الكامنة في هذه المن | The critic and literary studies concern in dealing the theatrical text in psychological in International and Arabic point of view, while the Iraqi dramatic text did not acclaim in many psychological studies specially those studies which dealt with psychological beginnings of dramatic character due to the lack of potential incentives of these beginnings , therefore, the researcher challenge this point in his thesis titled ( The Psychological Beginnings in Analyzing Iraqi Dramatic Character - Selected Samples) , which will includes Two Chapters : The first chapter (Methodic Framework), and second chapter (Theoretical Framework) which were divided into two sub - researches and they are : First sub - research : The Psychological beginnings of analyzing the character, while the second sub - research : The Psychological beginnings in analyzing the dramatic character The researcher and throughout the theoretical framework indications has come up with nine psychological beginnings, and they are as follows : First : Instinctive Psychological beginnings Second : Social Psychological beginnings Third : Self - psychological beginnings Fourth : Sub - conscious beginnings Fifth : Sicken Psychological beginnings Sixth : Bio - physiological Psychological beginnings Seventh : Reaction Psychological beginnings Eighth : Emotional Psychological beginnings Ninth : Philosophical Psychological beginnings As for the third chapter (Procedures of the Research), the researcher deals with those nine Psychological beginnings based on the indications resulted from analyzing the following samples : First : Text of play titled (the Door) by the writer Yousif AL - SaeghSecond : Text of (The Thorns) by the writer Muhyee AL - Deen Zankana Third : Text of (Welcome Oh, Peacefulness) BY the writer Jalil AL - Qaisi While the (Forth chapter) deals with displaying : First : Research Results. Second : Conclusions.