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الفكر النحوي ومباحثه عند الشيخ الانصاري في كتاب الانظار التفسيرية

Author name: اخلاص عباس عبد
Supervisor name: حيدر محمد رحم النصر الله
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

الشعر النسوي المعاصر في ذي قار : دراسة تحليلية == Contemporary Feminist poetry In Dhi Qar An Analytical Stu

Author name: شروق سندان شرشاب الحسيناوي
Supervisor name: علي حسين جلود الزيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: في اساس وضعه لاجلهن فكانت معالم الشعر متجلية في كلماتهن, وسمات الاصالة الفنية واضحة في اشعارهن, فشرعن بكلمات تسودها معالم الحزن (الرثاء) تارة يصغن ابياتا من الشعر تقف وقوف المعلقات, وتارة يصدحن بابيات الرقة والنعومة (الغزل), باعذب الكلمات, انه وبكل اعتزاز نتاج ادبي متجلبب بجلباب الانوثة, على طوال مسيرة تقدم الحضارة الادبية العربية.ونظرا للدور الذي تؤديه المراة ومكانتها في المجتمع, فضلا عن دورها الادبي منذ العصور الاولى, فقد شغلت حيزا من الاهتمام, ومجالا واسعا في دراسات الباحثين, ولانها تمثل نصف المجتمع ولاهمية اشعارها وشهرتها بالفصاحة والبلاغة وكثرة اشعارها في مختلف العصور وجد الباحثون فيها مجالا خصبا للدراسة والبحث.وقد شكل الشعر النسوي في ذي قار ظاهرة بارزة تستحق الوقوف عندها, وتناولها بالدراسة والتحليل, سواء ا كانت اشعارا سياسية ام اجتماعية ام وجدانية, وما رافق ذلك من مؤثرات دفعت بشواعر ذي قار الى نظم الاشعار في هذا المنحى او ذاك.ولان الدراسة ستقوم على استقراء النصوص الشعرية وتحليلها, وسبر اغوارها, وابراز صورها الجمالية, وتراكيبها اللغوية, فقد وجدت في المنهج التحليلي سبيلا سليما وصولا الى النتائج المتوخاة.وجاءت هذه الدراسة في تمهيد وثلاثة فصول وخاتمة, وقد اشتمل التمهيد على شعر المراة مبينة الدوافع والبواعث على قول الشعر النسوي, مركزة على العامل الاجتماعي والعامل الاسري, وعامل الغربة والحنين ايضا, مما كان واضح المعالم في شعر الشواعر.اما الفصل الاول فقد شرعت ببيان موضوعات الشعر النسوي, وقسمته على ثلاثة مباحث, المبحث الاول : تناول الشعر السياسي والوطني, وجاء المبحث الثاني ليتناول الشعر الوجداني, اما المبحث الثالث فقد اخذ بزمام البحث في الغربة والاغتراب.وخصص الفصل الثاني لدراسة لغة الشعر النسوي, فقسم على مبحثين, الاول : تناول التكرار, مقسما الى تكرار الحرف, وتكرار الكلمة, وتكرار الصيغة, وتكرار العبارة, اما المبحث الثاني فقد خصص للحديث عن التناص, يتضمن التناص الديني, والتناص الادبي. اما الفصل الثالث فقد درس الصورة الشعرية, تضمن مبحثين, في المبحث الاول جاء الحديث عن مصادر الصورة الشعرية, اما المبحث الثاني فقد جاء لدراسة مظاهر الصورة الشعرية. ثم الخاتمة التي اشتملت على ابرز النتائج التي انتهت اليها الدراسة.وختاما فانه ما كان لي ان انجز ما انجزت واصل الى ما وصلت اليه لولا عون الله سبحانه وتعالى, ثم جهود مشرفي الاستاذ الدكتور علي حسين جلود, فله كل الشكر والثناء والدعاء بان يرفع الله قدره في الدنيا, ويجعل ذلك في ميزان حسناته, فهو لم يبخل يوما علي بمجهوده , بارك الله فيه وفي عمله. | Because of the role played by women and their status in society, as well as their literary role since the early ages, they have occupied a great deal of interest and a wide range of research studies, and because they represent half the society and the importance of its poetry and its fame with eloquence and eloquence. .The feminist poetry in Dhi Qar was a prominent phenomenon worthy of standing, and it was studied and analyzed, whether it was political or social or sentimental poetry, and the accompanying effects that pushed the poetry of Dhi Qar poetry systems in this direction or that.The study included a preface, three chapters and a conclusion. The preface included women's poetry, which showed the motives and motivations of women's poetry, focusing on the social factor and the family factor, and the alienation factor and nostalgia, as well.As for the first chapter, I began to address the topics of feminist poetry, and divided it into three topics. The first topic dealt with political and national poetry. The second topic dealt with emotional poetry. The third topic was the study of alienation and alienation.The second chapter was devoted to the study of the language of feminist poetry. It was divided into two sections. The first was to deal with repetition, divided into repetition of the letter, repetition of the word, repetition of the word, repetition of the term.As for the third chapter, he studied the poetic picture, which included two subjects. In the first section, the sources of the poetic image were discussed.And the conclusion that included the main findings of the study.In conclusion, it was not for me to accomplish what I accomplished and get to what I had reached without the help of God Almighty, and then the efforts of the supervisors of Professor Ali Hussein Gloud, he has all the thanks and praise and pray that God raise his ability in this world, and makes it in the balance of his benefits, Days upon me with his efforts, God bless him and his work

صورة الاخر في قصص سناء الشعلان : دراسة تحليلية == The image of the other at Stories of Sanaa Shaalan ( An analytical study

Author name: سناء جبار حياوي العبودي
Supervisor name: علي حسين جلود الزيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Praise be to Allah, Lord of the Worlds, and prayers and peace be upon the Seal of the Prophets Muhammad, may Allah bless him and his family and companions until the Day of Judgment, and after ...The narrative sex is a prose art that possesses a high aesthetic characteristic of concentration and semantic intensification. It is one of the most eloquent literary species to express the image and convey its realist experiences from the mental imagination. This has stimulated the human mind to polarize the story world. And the cultural and cultural implications of their connection to the environment of life, and its contents of intellectual and monetary, which are the interests of the creator and reader, the growing concerns and their effects created a climate of imagination increased the value of this art and distinctive character on the methodical transformation, reduced this climate central foci form of intellectual presence method of evocation In its abstract and non - naked essence, such as self - awareness in an expressive language with an artistic framework with a human sense characterized by continuity and influence .The reason for our choice of this species without other races is due to the fact that this species has a taste of development and renewal as well as subsequent experimentation. Therefore, we thought that the topic dealt with in the search for the image of the other in the storyteller. ) The desire of the researcher to stand on the creativity of the image and sudden transformations thatIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Baffected the text with a number of imaginary images, which was the reason for the search and discovery, the text is not born in isolation from the image of the other image, if the other is different or recombinant it is subject to stereotyping and distortion of what he calls stability or Change and volatility, Well on the firm correlation between the self and the other bilateral, nature of the case imposed on Darcy the other image of traffic in particular first and then not too late study first pole eating; because it requires a holistic consideration .The subject of the image of the other is not the result of our study, but is a continuation of previous studies, and because of the breadth in recent times, we just mention the most prominent such as : the image of the other Arab looking From the perspective of him, edited by : Tahir Labib, and the image of the other in the Arab heritage, d. Majda Hammoud, and the other in the poetry of Mutanabi (cultural criticism), Mohammed al - Khabaz, and the image of the other in the Koranic discourse (aesthetic critical study), d. Hussein Obaid Al - Shammari ... and other studies .As for the narrative creativity of Shaalan, our study is the first experiment in which the search for the image of the other is discussed in its stories, and the previous studies include the following : the legendary tendency in the Shaalan stories (a critical critical study), the Master of Skikda University 2009, Stories of Sanaa Shaalan, Maser Ali Mahdi Saleh Al - Jubouri, Master Thesis, Tikrit University 2013, and the narrative visionIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Cand its components in the experience of Sana Al - Shaalan stories, Mohammed Saleh Al - Mashaala, MA, Middle East University 2014, and a research group compiled in : In the composition and significance in the creativity of Sana al - Shaalan story, Preparation, submission and participation : Dr. Mohammed Ghanem Mohammed Khudair 2012 m .Because the story world is the closest to taking care of the structures of modern society, the sample of the study includes the collections of Sana Al Shaalan stories without exceeding any one of them to the comprehensiveness of the picture and expanded and tried as far as possible to stay away from the refined onesIt may be appropriate for the study, or it is appropriate for them to choose the analytical approach in dealing with the subject of the research without taking advantage of some of the other monetary approaches called for by the text to finally look at the final solution to three chapters preceded by a preliminary followed by a conclusion of the most prominent results we have reached For a list of sources and references used by the study .The chapters of the study were divided into the following : the picture and the other title to prepare it, the self and the communication title of the first chapter, and the dual masculinity and femininity title chapter II, while the third chapter and theIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Dlatter has embodied the diversity of the image of the models of the other .In this context, the preamble discussed three axes. The first included an applied study on the life of Shaalan and its awareness of the hybridization of the text and the calling of different field techniques under the title : The Creative Self between The concept of the image and the appearance of the term old and recent, and the extent of interest in it and the role of imaginary consciousness in the framing of its frames and its displacements and methods of evocation, while passing the other moving concept and tracking the emergence of the term and its transition from the description space to the absolute name of everything that is different or In nature and the studies conducted in different fields of knowledge .The chapter deals with the self - manifestations and the internal social psychological conflict, the extent of their own awareness and the importance of their existence, and the extent of self - absorption of the communication between the structure of the text and the reader. , And included four axes, the first devoted to the expatriate self, and the second to the sarcastic self, while the third revolves around the revolutionary self, and the last search for self and the acquisition of identity, and there are other sub - axes that we mention above, for the necessities of brevity and abbreviation .Introduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - EThe second topic was entitled "Communication", which dealt with the first requirement of religious communication in its branches, communication with the Qur'an and communication with religious figures. The second requirement included human and emotional communication. The third requirement included cultural and cultural communication .The title of the second chapter (dual masculinity and femininity), where we talked about the dualism and reflection of the picture in the narration of the other and the surrounding differences and issues of the chapter divided into two sections : the debate (mind, form, body), we dealt with four demands, And the second is masculine when the female narrates, and the third was the research on the title of reason and the formation of the image of the female, and in the last demand we talked about the relationship with the other, the second topic : it was marked (social and national issues), we talked about four axes Early Marriage, Polygamy and Self Effects Of physical and on the family, and in the second we discussed the issue of treason, while in the third study stood on the issues of honor and in the last theme we dealt with the national cause .The third chapter was devoted to talking about the diversity of the picture and its reality and its negative and positive shifts. It was titled "The Diversity of the Models of the Other", in which we dealt with five topics, the first bearing the title of the other Arab image, the second dealing with the Zionist image, , And inIntroduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Fthe fourth section, the study tried to shed light on the image of the authoritarian other, while the fifth section we called the image of the other class (people .)The researcher concluded the study with the most important findings of the study .At the end of the journey, I can not but thank my teacher and mentor for his patronage of his father's care and his active role in insisting on the title and its follow - up, to find his way to the light and come to the practical space which is worthy of a clear methodological framework. I do not have to share God with him alone, but I have suffered from the grace of God and his mercy and my mother's continuous calls, and if I make a mistake, the black point in the white paper does not mean to erase the whiteness around it , And all I wanted to be I have agreed to provide what is useful for scholars and researchers after me in the fields of literature and criticism

التناص في كتاب العقد الفريد لابن عبد ربه 328 هـ

Author name: مها هلال محمد ال احمادي
Supervisor name: عبد الرحمن فرهود جساس | كاظم فاخر حاجم الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: يعد كتاب العقد الفريد من الكتب التراثية ، التي تحمل كثيرا من القضايا المخباة في طياته ، التي تتناغم مع ما موجود اليوم في الساحة الادبية والنقدية ؛ مما جعله مدعاة الى الخوض في غماره ، ومحاولة استجلاب عدة التناص النقدية ، واخضاع عينات العقد الفريد ، الاخبارية المتنوعة والمختلفة الى تلك العدة ، ورؤية مدى التوافق الحاصل بين نظرية اليوم ، متمثلة بالتناص ، ورؤية الامس ، متمثلة باشارات تناصية مختلفة ، وكيفية تعامل اللسان العربي معها ، كل ذلك سنجده ماثلا في العنوان الموسوم بـ (التناص في كتاب العقد الفريد لابن عبد ربه ت 328 ه) . وقد قسمت البحث على اربعة فصول ، مسبوقة بمقدمة وتمهيد بعنوان (التناص) ، كان الفصل الاول بعنوان (العقد الفريد) ، شمل ثلاثة مباحث : الاول تناول المؤلف والعقد الفريد ، اما المبحث الثاني فقد ناقش دواعي التاليف والعنونة ، في حين سلط المبحث الثالث ضوءه على المنهج والروافد الفكرية والمرجعيات الادبية للكاتب . يعقبه الفصل الثاني بعنوان (تقنيات التناص) في خمسة مباحث : المبحث الاول بعنوان التناص الاجتراري ، والمبحث الثاني بعنوان التناص الامتصاصي ، اما المبحث الثالث فكان عنوانه التناص الحواري ، يليه المبحث الرابع بعنوان التناص الاستدعائي او تناص المزاوجة في حين يتناول المبحث الخامس التناص الاشاري . يليه الفصل الثالث بعنوان (اشكال التناص) جاء في مبحثين : المبحث الاول : التناص الديني ، والمبحث الثاني : التناص التراثي . ثم الفصل الرابع المعنون بـ (مقاصد الانزياح التناصي) وكان في جانبين : الاول : الجانب النظري تناولت فيه : المقصدية ، والانزياح ، والعلاقة بين المقصدية والانزياح . اما الجانب الثاني تناولت فيه ، مقاصد الانزياح التناصي في اربعة مباحث ، هي : مقاصد سياسية ، ومقاصد انكاتية ، ومقاصد وصفية ، ومقاصد متنوعة . ثم خاتمة تضمنت ابرز نتائج الاطروحة ، وابرز التوصيات المقترحة للدراسات التراثية اللاحقة ، سواء للعقد الفريد ام لغيره من كتب التراث العربي ، ثم قائمة بالمراجع والمصادر التي افاد منها البحث في رحلته ، مرورا بفقرة الملخص باللغة الانكليزية وانتهاء به . اما بالنسبة الى اهم المصادر التي يلجا لها الباحث في بحثه ، فكانت تعاني القلة وصعوبة الاختيار ، بين اسماء متنوعة ، لكن برصيد مستهلك ومكرر ، وهذه النقطة من النقاط الملموسة والمحسوسة ، حتى ان القارئ يجد نفسه امام كتاب واحد ، وليس كتبا متعددة ؛ لتكرار المعلومة ذاتها ؛ ولذلك جاءت تنظيراتي بعيدة نوعا ما ، عما يتلمسه القارئ في اثناء ازدحامات التنظير في الاطاريح الجامعية ؛ لذلك كانت اختياراتي محاطة بنوع من الدقة والتاني ، فضلا عن الايجاز ، الذي معه يجد المتلقي ما يبتغيه دونما اسراف او اطالة . واذا كان من مصدر خدمني وبقي لي رفيقا في اطروحتي ، فهو كتاب العقد الفريد باجزائه التسعة ، محاولة البحث عما يغني الموضوع ويسدد خطواته ويخدم خطته ومباحثه . اما المنهج المتبع في الاطروحة فهو المنهج الوصفي التحليلي ؛ كونه اقرب المناهج النقدية في دراستي البحثية . اذ حاول الباحث تجاوز المالوف في تلك الدراسات قدر الامكان ، والبحث في مجال المسكوت عنه ، في الجوانب التطبيقية للتناص ؛ ولان البحث قد حمل خصيصة للتناص ، ميزته عن سمة التناص الاعتيادي او المتواتر ، ووسمته بسمة الشعرية ، كان لزاما ان نجد طريقا اخر يختلف عن الطريق الذي تبنته الدراسات السابقة ؛ لابراز سمة التناصية في كتاب العقد الفريد وخصوصيتها ، عبر طرح خطة تتناول الجانب المالوف ، ثم محاولة اكمال المسير في تناول جانب اخر ، غير مطروح او متداول في الدراسات التناصية ؛ ولانني امام ابراز شعرية للتناصات الواردة في كتاب العقد الفريد ، تبنيت فكرة المقصدية ومدى ارتباطها وتعالقها مع قضية الوظيفة التناصية ، ومدى فقدان تلك الاخيرة في الدراسات التطبيقية التناصية . وفي الختام اود ان اتقدم بالشكر الجزيل ، لكل من وقف الى جانبي في محنة المرض ، وتساقط الهموم والاحزان ، شكرا لله  اولا واخرا ، ولنبينا محمد ولاهل بيته الكرام الطيبين الغر المنتجبين  ، والشكر للاستاذين المشرفين ، الاستاذ الدكتور عبد الرحمن فرهود جساس ، والاستاذ الدكتور كاظم فاخر حاجم الخفاجي ، على تواصلهما ومتابعتهما لي طوال مدة الدراسة ، فلهما مني اجمل الاماني بالخير والنماء ، والتوفيق والسداد في قابل الايام | This thesis sheds the lights on poetics of Intertextuality in ( Book of Unique decade to Ibn Abd Rabo 328 A.H) . There are a set of questions which need to study them. 1 - The book of unique decade is one of the most important books in old Arabic heritage, and it is in demand for its great importance. 2 - There are multiple intertextual materials. The researcher wants to make them prominent for the reader on the level of techniques , forms and needs. These two reasons made the researcher dedicate most of his time to look for and research in this domain.The researcher classified his thesis into four parts : Introduction and preface under the title " Poetic Forms and Intertextuality" and these parts as follows : Chapter one : This chapter contains three researches : - - The first research is "The author and the unique decade" - - The second research is " The purposes of authorship and rubric - - The third research is " Syllables, intellectual resources and it's reference Chapter two : Techniques of Intertextuality in four different researches which arranged as follows : - - The first research : The alajtarara Intertextuality. - - The second research : Absorption or intake Intertextuality. - - The third research : dialogic Intertextuality - - The fourth research : The recommended or matching research. - - The fifth research : The Intertextuality of Signs. Chapter three : Forms of Intertextuality can be divided into three studies. - - The first research : The religious and holy Intertextuality. - - The second research : The intertextuality with ample examples. - - The third research : The historical Intertextuality. - A - Chapter four : This chapter highlights on the purposes or goals of intertextual displacement and the connected relationship between them. It studies four researches : - - The first research : Political Purposes. - - The second research : Pleasurable Purposes. - - The third research : Descriptive purposes. - - The fourth research : Varied Purposes. In this chapter the researcher concludes all his ideas in four chapters as follows. The researcher wants to convey a very clear reflection or embodiment about the unique book for Abd Raba in 328 A.H. The researcher focuses on the poetics of Intertextuality which are available in author's works. All these works reflect many prominent merits of innovation and aesthetical styles of expressions. Also, the researcher aims to get an idea about how to make a well - formed intertextuality, and how to use them in the study from multiple domains, and we request Allah to achieve that successfully

التشكيل الفني في شعر طالب عبد العزيز == The Technical Construction of the Poetry of Talib Abdulazeez

Author name: صابرين نعيم مغتاض
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: لعل من نافلة القول ان الشاعر البصري طالب عبد العزيز قد مثل تجربة شعرية عراقية جنوبية ذات موقع وصدى في الواقع الشعري العراقي عموما والجنوبي على وجه الخصوص , وذلك لما انماز به من المغايرة في القول الشعري , فقد سعى من خلال شاعريته الى رفد القصيدة العراقية المعاصرة بمضامين شعرية تكاد تكون جديدة على ما اعتقد , ومن خلال متابعتي للدراسات التي كتبت عنه وجدت بعض النقاد قد كتبوا عن بعض قصائده قراءات نقدية متفرقة في الصحف والمجلات, مثلا , قراءة للناقد حاتم الصكر بعنوان ( الم اضيق من بحر ) , وقراءة نقدية للناقدة بشرى البستاني بعنوان ( طالب عبد العزيز واللعبة الماهرة ) , وقراءة لهارون رشيد بعنوان ( شعرية اسم الاشارة في الخصيبي ) , وقراءة لخضير الزبيدي بعنوان ( طالب عبد العزيز جوهر ارضي انثوي وروح امومي ) , وقراءة للشاعر زهير الجبوري بعنوان ( بنية الذات الهاربة ) , ودراسة مستقلة في بحث منشور في مجلة جامعة بابل بعنوان " التعبير الاشاري في الخصيبي " للباحث كاظم العزاوي, وقراءات اخرى متفرقة في المواقع الالكترونية.وباقتراح من استاذي المشرف جاءت هذه الدراسة بعنوان ( شعر طالب عبد العزيز دراسة في التشكيل الفني ) , وذلك للكشف عن تجربته الشعرية والبحث في المضامين الفكرية التي يحملها نصه, وكانت الدراسة على ثلاثة فصول وتمهيد.عرضت في التمهيد نبذة عن حياة الشاعر وتجربته الشعرية المعاصرة , وتوضيح مصطلح التشكيل الفني وارتباطه بالشعر.اما الفصل الاول فتناول دراسة ( العتبات واثرها في انتاج الدلالة ) لان العتبات تعد بمثابة مفاتيح اجرائية تساعد الباحث في فك رموز النص وتحليلها , وجاءت الدراسة على ثلاثة مباحث , المبحث الاول : تناول دراسة العتبات المصاحبة المحيطة , والمبحث الثاني : العنوان الرئيس وعلاقته بالنص, والمبحث الثالث : عتبة العنوانات الداخلية , حيث تعد مصاحبات فنية ونصوصا موازية لها دور مهم وضرورة فنية بارزة في فهم المدونة الشعرية وفك بعض شفراتها. اما الفصل الثاني فجاء بعنوان ( وعي الشاعر وتداعي افكاره ) حاولت في هذا الفصل الاحاطة بمفهوم القراءة النفسية في الاتجاه النفسي انطلاقا من تقسيمات سيجموند فرويد للوعي والشعور , وكيف رفد النص بروافد وتكنيكات روائية جعلته يتسم بالحداثة وقدرة الشاعر في استعمال تقنيات رواية تيار الوعي في تشكيل النص , وجاءت الدراسة في ثلاثة مباحث ايضا , تناولت الدراسة في المبحث الاول ( الوعي / التفكير الذاتي ) , وفي المبحث الثاني ( اللاشعور / المسكوت عنه ) وفي المبحث الثالث ( ما قبل الوعي / ارتداد واستحضار الزمكان ).وفي الفصل الثالث جاءت الدراسة بعنوان ( بناء القصيدة فنيا ) , في ثلاثة مباحث , تناولت الدراسة في المبحث الاول ( اللغة الشعرية ) , وفيه عرضت ابراز دور اللغة في تشكيل بنية النص حيث تتمثل في شتى صور الانزياح عن معناها المعجمي من خلال استكشاف الاثر الجمالي والدلالي للمفردة داخل سياق النص الشعري.وفي المبحث الثاني , ( التصوير الشعري ) , حيث قدمت الدراسة مدى افادة الشاعر من طاقات اللغة وايحاءاتها في تشكيل الصورة الشعرية , فضلا عن خصوبة خيال الشاعر الذي اسهم في رفد لغته بقوى جمالية خلاقة.وفي المبحث الثالث ( انماط البناء الفني ) وعرضت للنمط البسيط والنمط المركب وجاء التفريق بينهما هو ان بساطة البناء الفني تعني وضوح العلاقات بين عناصر القصيدة ومكوناتها , اما تركيب البناء الفني فيعني تشابك علاقات العناصر الفنية , ولجوء الشاعر الى اساليب بنائية معقدة في التعبير.كما ذيلت الرسالة بخاتمة وقفت فيها على ابرز النتائج التي توصلت اليها الدراسة. وكان الهدف من هذه الدراسة هو سعينا الى اضافة قراءة جديدة للقراءات المعاصرة من خلال الوقوف على نصوص جديرة بالدراسة والتحليل , وابراز اثر الشاعر في الساحة الشعرية المعاصرة.وقد اعتمدت الدراسة على المنهج الوصفي التحليلي كمقاربة نقدية لتحليل النصوص لما لهذا المنهج من قدرة في سبر اغوار النص وتفكيك بواطنه ومقاربته بالتحليل الدقيق المتكامل لنضعه بين ايدي القارئ والناقد في حلة تشكيل نقدي يبرز مواطن الجمال والفن في النص.وامل ان تكون هذه الدراسة قد استطاعت الكشف عن المقومات التي اسهمت في التشكيل الفني في شعر طالب عبدالعزيز. ولا يفوتني ان اتقدم بالشكر والامتنان لاستاذي المشرف الدكتور "عبد الحسن علي مهلهل" الذي اعطى فاجزل , ونقد فاجاد , وعلم فافاد , وغرس فكان الحصاد اجيالا ستذكره بكل خير وامتنان. | This research aims to study the technical construction in the poetry of Talib Abdel Aziz, and to highlight the effect of this construction in his poetry, which achieved a high degree of artistic depth and contributed to the service of the contemporary poetic experienceIt also aims to shed light on the experience of the poet which has drawn the most beautiful letters in the expression and description and entered into the ashes of human self and dug in the depths of its misery the truth of the images . This study is an attempt to illuminate the subject of technical construction in contemporary poetry and to reveal the features of both (to get effect or to do effect) that en - rich poetic texts and what the technical construction had added, like aesthetic and semantic features to the text.The study was divided into : a preface , three chapters and a conclusion that came as a harvest of the results of the research. The introduction gave a presentation of the poets life and his poetic experience and definition of the term and the disclosure of his relation to poetry and his role in giving the text its aesthetic and artistic strength.In the first chapter, I studied the thresholds of the text and its effect on the production of significance in three sections. The first one dealt with the study of the threshold of the cover. In the second section, the main title threshold and its semantic extension with the internal headings of the group and its interrelationship with the text. In the third section the study dealt with the internal headlines threshold for each group and its relationship to the main headline being present central focus that all the titles of the group go round about it. The second chapter dealt with the study of the poet's consciousness and re call his memory, in which I explain how the poet get benefit from the techniques of the current of consciousness in the formation of its narrative text, such as the monologue, soliloquy and the processes of re - calling the memory in which the narrative path in the poetic text is transformed into the depths of mind and emotional states inherent in the depths of the human self. The study is divided into three sections according to the Freud’s divisions of the feeling, where the psychological analytical approach was adopted in the study, the first section , self - awareness and self - reflection, and the second unconscious study., the third was the study of pre - consciousness Recoil and recall.In the third chapter, I studied the technical construction of the poem, the components and patterns. The study was presented in three sections. The first one dealt with the poetic language. It focused on poetic imaging . In the second and third one section , I presented to the technical construction styles that formed the structure of the poem, In which I dealt with Simple mode and the complex mode of dramatic character, ended up crystallizing a set of results reached by the research in the conclusion

البناء الفني في قصص محمود يعقوب == ARTISTIC CONSTRUCTION IN MAHMOUD YAQOUB' STORIES

Author name: سارة راضي بشارة
Supervisor name: احمد حيال جهاد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: مما لاشك فيه ان القصة القصيرة في ايسر تعريفها هي " نص ادبي يصور شخصية او اكثر تمر بموقف قصصي وتتحرك عن خلفية محددة ، نسميها البيئة القصصية "( ) وهذا ما يعطي للقصة القصيرة من السمات والخصائص النوعية ما يميزها من فنون القص الاخرى ، ولعل سبب ذلك يرجع الى اتصافها بالاقتصاد اللغوي ، والتركيز والتكثيف الذي يتميز به نسيجها السردي ، وهذا ما يجعلها في نظر كثير من الباحثين من اصعب فنون القص واكثرها ادهاشا ، وذلك لافادتها من فن الشعر في تشييد بنائها السردي ، وكذلك لاتكائها على كثير من الفنون الاخرى كالتشكيل ، والسينما ، والدراما ، وغيرها من فنون الادب .وقد كان لكثير من اعلام القصة القصيرة بصمات واضحة في سفر الابداع والتفوق الفني ، وقد وقع اختيار الباحثة على واحد من هؤلاء الاعلام الا وهو القاص ( محمود يعقوب ) كونه لم يحظ باية دراسة موسعة من النقاد والباحثين على الرغم من انه كاتب جيد ، يمتلك اسلوبا تلقائيا .وتتميز قصصه بانسياب افكارها وواقعيتها ، وهو مقل في النشر لكنه مبدع في الكتابة . هذه الاسباب كانت الدافع لاختيار موضوعي الموسوم ب( البناء الفني في قصص محمود يعقوب ) اما فيما يخص منهج دراستنا ، فقد اثرنا ان يكون منهجا وصفيا بنائيا يعنى بدراسة عناصر البناء الفني في القصة ، وعلاقة بعضها ببعضها الاخر ، وكيفية توظيف تقنيات السرد ، وما تحققه هذه التقنيات من غاية جمالية وفنية ، فضلا عن الافادة الواسعة من المناهج النقدية الاخرى ، وبالمقدار الذي يخدم سير الدراسة .وعلى اساس هذه الرؤية المنهجية جاءت صفحات الدراسة ، بغية الافصاح عن القيمة الابداعية للنصوص القصصية ، وقد استدعت طبيعة الدراسة ان تنتظم في ثلاثة فصول مسبوقة بتمهيد ، ومتلوة بخاتمة اوجزنا فيها اهم النتائج التي تمخض عنها البحث ، ومن ثم قائمة بمصادر البحث ومراجعه . اما التمهيد فقد خصصناه لبيان سيرة القاص الحياتية والابداعية وتم تخصيص الفصل الاول لدراسة بناء الزمان والمكان ، وقد قسمناه على مبحثين : في المبحث الاول : درسنا ( المستوى الافقي ) للزمن اي ترتيب الاحداث الماضي والحاضر والمستقبل , وهو ما يقوم على اساس وجود مفارقتين زمنيتين هما : مفارقة الاسترجاع الخاص بزمن الماضي ، ومفارقة الاستباق الخاصة بزمن المستقبل ، اما الحاضر فيقف وسيطا بينهما كونه يمثل الزمن الذي بلغه السرد .اما ( المستوى العمودي ) اي دراسة الايقاع القصصي من حيث السرعة والبطء في سرد الاحداث ، فقد شمل الحركات السردية الاربع ( الحذف ، الخلاصة ، الوقفة ، المشهد ) .اما المبحث الثاني : فتضمن دراسة ( بناء المكان ) وقد سبق بمدخل لبيان مفهوم المكان وتوظيفه في بناء القصة ورصدنا فيه امكنة معادلة للغربة والكبت ، والمتنفس والحرية ، فيما وظف الفصل الثاني ، لدراسة بناء الشخصية ، سبق بمدخل وضحنا فيه مفهوم الشخصية ، وتضمن ثلاثة مباحث ، خصص المبحث الاول : لدراسة انواع الشخصيات وتصنيفاتها ، والتي قسمناها الى شخصيات سلبية وشخصيات ايجابية ، اما المبحث الثاني : فقد تضمن طرائق تقديم الشخصية ، وحدد بطريقتين : الاولى : التقديم عن طريق الراوي ، والثانية : التقديم عن طريق الاحداث .اما المبحث الثالث : فقد اختص ببيان وصف الشخصيات بمحورين ، الاول : الوصف الخارجي ( البراني ) ، والثاني : الوصف الداخلي ( الجواني ) .وحمل الفصل الثالث وهو الاخير عنوان ( السرد وبناء الرؤى ) سبق بمدخل وضحنا فيه مفهوم الرؤى السردية ، وقد قسمناه على ثلاثة مباحث اعتمدنا فيها على تقسيمات ( جان بويون) تناول المبحث الاول : الرؤية من الخلف ، فيما تناول المبحث الثاني : الرؤية مع ، اما المبحث الثالث فقد تضمن الرؤية من الخارج .ومن معاني الوفاء اتقدم بجزيل الشكر والعرفان الى الاستاذ المشرف الدكتور ( احمد حيال جهاد ) للثقة التي اكسبني اياها من خلال ما غمرني به من حماسة ومثابرة ، ولما قدمه لي سواء بقراءته المنهجية لفصول هذه الرسالة ، او بتشجيعه الدائم على المحاولة والبحث ؛ لاجل الوصول بالرسالة الى اكمل وجه ، فله مني وافر المحبة والاحترام وفي ختام هذه الكلمة اقول بتواضع ان هذه الدراسة شانها شان كل دراسة لا تخلو من الاشكاليات والعثرات ، فان اصبت فهو فضل الله ونعمته ، وان قصرت في اي جانب من جوانب الدراسة فالكمال لله وحده ، والحمد لله اولا واخرا ومنه السداد والتوفيق . | A short story is considered a form of modern literature which originated in the late 19th century, in that it is considered natural means of expression of realism that cares about nothing but exploration of the facts consisted of small, normal and ordinary things. For it is the closest literary art to the Zeitgeist because it has transferred the task of long stories from generalization to privatization, in that it benefits from and interacts with all literary genres. Many short stories consist of a character or a group of characters who are presented against a background or in situation, indulging in a state of mind or affairs. Hence, the researcher selected one of the most prominent figures in the short story, namely the storyteller, (Mohamoud Yaqoub), for he was a leftist human voice preoccupied with the concerns of hometown people, their cities and their ideas, as well as with the suffering of all Iraqis from north to south, to reflect the suffering of the entire people during decades of our current history, criticizing and strongly rejecting all colors of hostility to humanity and marginalized of human dignity and freedom. Besides, his short stories have been characterized by a striking poetic language and sweet tone, in addition to his rhetoric that cautiously and knowingly overshadowed the narrative and the smoothness of the text. These are the reasons that drove my subject matter entitled, “ARTISTIC STRUCTURE IN MOHAMOUD YACOUB’S STORIES”, that would serve as a descriptive approach to study the elements of artistic structure in his stories in terms of time, setting, characters and narrative vision

الايقاع ودلالاته في شعـــر كاظم الحجاج == The rhythm and its implications in the poetry of kazem Al - Hajjaj

Author name: علي كاظم رحيم الاعاجيبي
Supervisor name: ناجي عباس مطر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The rhythm is one the more important elements on which the poetry based on; because it is subject directly to the psychological state of the creator issued by it , it is also one of the most important elements of the production of significance in the poetic text, Based on this premise comes the importance of this study (Rhythmic structure and its implications in the poetry of kazim Al - Hajjaj ) and the choice of this poetic experience as a s ample through which to detect those rhythmic dimensions and the implications of the connotations by the poetic text , this study is to identify the most important manifestations of poetic rhythm , the study was able to highlight the most important semantic dimensions resulting from the rhythmic structure of the poetic texts .This comes to connect the rhythm of the emotional experience and the emotional state , the study is on three main aspects : the rhythmic and rhythmic rhythm, the inner rhythm and the plastic rhythm

التباين النصي في مرويات عاشوراء حتى القرن السابع الهجري : دراسة سوسيوثقافية

Author name: محسن بدر مارد
Supervisor name: كاظم فاخر حاجم الخفاجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: تزايد الادراك والوعي بالاهمية الكبيرة والمسؤولية الملقاة على عاتق المجتمع لصون التراث وحمايته للاجيال القادمة قدر المستطاع ، لذا حظي باهتمام كبير من اجل الحفاظ عليه ، وان اي فشل في انجاز هذه المهمة يعني قطع العلاقة والرابطة بالماضي ، وحرمان اجيال المستقبل من هويتهم.الحديث عن مرويات عاشوراء لا يمكن توجيهه ـ باي حال من الاحوال ـ في حقل معرفي معين او ادراج ما وصل الينا من ماثورات وحقائق تاريخية في سياق ثقافي محدد ، فالدين والتاريخي والادبي كلها مصاديق معرفية حاضرة وبقوة في تلك الماثورات ، وهذا ما جعلها حفرية حية تختزن تحتها مستويات متباينة من الفهم والتفسير. يعد استشهاد الامام الحسين (ع) في كربلاء نقطة تحول هامة وتحركا وانطلاقا في التاريخ الاسلامي , فمن كربلاء بدا الاتحاد بين الحركة الدينية والحركة السياسية بعلاقة جدلية شكلت بدايات وعي جديد لفعل ثوري جديد , بعدما تعرضت الامة الاسلامية الى هجمة كان للمال والسوط اثره الكبير في تحديد وجهة السلطة. اذ ان الوضعية الاجتماعية الضاغطة التي عاشها المسلمون تحت حكم الامويين دفعتهم للقيام بحركات سياسية معارضة فجرت انتفاضات مستمرة ودامية استندت غالبيتها تقريبا , الى شرعية اهل البيت (ع) وحقهم في الخلافة بعد رسول الله (ص) , لذا اضحت الواقعة الشرارة التي اوقدت معظم تلك الثورات.كل ذلك دفع الباحث الى دراسة احداث واقعة عاشوراء والاحاطة بظروفها وملابساتها وتتبع تاريخها، وتطورها ، وتوصيفها ، واثارها في الامة من خلال الانتقال السوسيوثقافي , وقد توصلنا الى بعض النتائج والحقائق الهامة منها ان الخطاب الشيعي المتمثل بالوعي الشعبي كما يظهر من خلال المدونات يرتبط في اصوله بحركات المعارضة في الاسلام. اذ ان الخطاب العاشورائي يقيم ارتباطا ضمنيا بين موضوعتي الشعائر والطقوس والمقاومة الاسلامية , اذ تعد هذه الاخيرة طريقة من طرق الدفاع عن الهوية , وهكذا تشكل موضوعة الهوية الرابطة بينهما.وقد نظر الباحث الى مسالة الخلاف بين علماء الدين لبعض الطقوس والمظاهر الفلكلورية والتي تعد ( بدعا ) تبتعد كل البعد عن روح الاسلام , اخص منها ما يتعلق بوسائل التعذيب الجسدي , وبعض الاساطير والخرافات الدخيلة على الواقعة , والتي تشير الى دوافع وميول ومصالح ايديولوجية تدفع بالبعض نتيجة لعجزهم والنكوص عن ردها.ان الاختيار دائما من الامور الصعبة ، التي تشق على النفس ، حيث التردد والاقبال ، وتارة الخوف والقلق ، واحيانا الجراة ، وما الى ذلك ، الا اننا خلقنا من ضعف وبالتالي دائما نحن بحاجة الى توفيق من الله.ولابد من الاشارة الى انه لم تكن هناك دراسات سابقة تناولت الواقعة في حدود الدراسة السوسيوثقافية ، الا بعض الدراسات التي كانت تتعرض الى الواقعة من خلال وصف احداثها وتسلسل وقائعها ، وهي من اهم الصعوبات التي واجهتنا في الدراسة.وكانت لتوجيهات الاستاذ المشرف الفائدة الكبيرة في اضفاء لمسة حادثوية على خطة الرسالة والابتعاد عن الجانب التقليدي في توجيهها. يتكون البحث من تمهيد واربعة فصول وخاتمة , اضطلع التمهيد بتاصيل نظري لتوجيه الدراسة ومضامينها وذلك على اساس هام الا وهي ( الاركولوجيا ) التي توفر لنا امكانية الحفر والظهور لمعرفة ماهية المروية من خلال المدونات التي اختيرت على اس زمني.تناول الفصل الاول (( المرويات في الوعي الشعبي )) وذلك في مبحثين هما : (( التباين الثقافي عند المدون)) و(( عاشوراء بين الوعي التاريخي والوعي الثقافي )) يخوض الاول في قراءة المدونة قراءة مختلفة ليست مبنية على فكرة الثابت التاريخي اي محاولة قراءة المروية بوصفها حادثة بعيدا عن سيطرة التاريخ. ويخوض الثاني في بيان الوعي الشعبي تاريخيا وثقافيا , والتاكيد على ان هذه المرويات لم تكن من خيال او اختراع وعي معين وانما هي مرويات تاريخية ثابتة وموثوقة بالروايات الصحيحة لذلك انتقلت هذه المرويات الى الوعي الثقافي والاجتماعي وتناول الفصل الثاني سرد المرويات من حيث الاسطرة والتحريف في محورين تبنى الاول (( المروية وصناعة الخرافة )) وتبنى الثاني ((المغايرة والتفرد)). اما الفصل الثالث فقد جاء بعنوان ( عاشوراء في المتخيل الاسلامي ) فتوجه الى حدود هذه المرويات في المتخيل الاسلامي ومن ثم الوصول الى المتخيل الاجتماعي الذي لا نتحسسه ماديا , اذ انتظم هذه الفصل بمبحثين هي : ( المتخيل الشيعي الامامي ) و(المتخيل السني).وقبل الخاتمة التي تعرضت فيها الى اهم النتائج والتوصيات جاء الفصل الرابع بعنوان (البنى الرمزية وتعدد الدلالات) ليحمل مبحثين هما : ( المفارقة ومغايرة الغرض ) و(الرمز وسلطة المعنى) , والذي اكدت فيه على تشبع المرويات العاشورية بالصور الرامزة او الاساليب الرمزية , وظهور بعض المفارقات في طريق التناول او الاستماع الى المروية , وكل ذلك جاء نظرا للاوضاع السياسية والعقدية والايديولوجيات المتنوعة غير القارة , ما دفع الى اللجوء الى الترميز الخفي لكي يبتعد البعض منهم عن الصدام مع السلطات او مع المجتمع وعاداته.فهناك شعور يخالجني بالقصور والتقصير ، وان كثرا من الامور قد خفيت علي ، او لم اتمكن منها، وهذا هو مقدار جهدي المحدود ، فان وفقت فيه فذلك من فضل الله تعالى ، والا فاني من طلاب العلم ودائما بحاجة ماسة الى التسديد والتوجيه من قبل اهل العلم والدراية والمعرفة.وفي الختام لا يسعني الا ان اقدم جزيل الشكر والامتنان للدكتور الفاضل استاذي المشرف الدكتور كاظم فاخر حاجم على ما ابداه من رعاية علمية خالصة واراء سديدة ذللت الكثير من الصعوبات فطالما رفدني بعلمه منصحه كلما راني بحاجة اليهما

خطاب الناس للانبياء في القران الكريم : دراسة في دلالة البنية والتركيب == People speech to the prophets in the Qur'an Study in the indication of the structure and composition

Author name: انعام رحیم قاسم المطیرفي
Supervisor name: عبد الرحمن فرهود جساس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Researchers have come a long way, they are drawing from a certain Koran, was apparently one of them he was about to satisfy the appetite for science, what everyone is still weighing, for Igtrv what could accommodate him its container of knowledge, and that only because the Quranic text open letter on space not limited topics, stretching wide to what is not aware of minds.Anmazat verses speech people to their prophets as she recalled what Aatml in the hearts of the tribes toward the messengers, and highlighted clearly what they were agitated by good or evil, and obedience or obstinacy, contribution in shaping the Quranic their stories, and the magnitude of this stories of warning and preaching, and clearly spelled out what It accompanies this story from the mention of the reward or punishment in the same verse, making it the signs indicating the subjects ideological times, and the provisions of the legitimacy again, especially in the verses that remember the words of stubborn, Kufra, in the positions of the controversy, according curriculum alone by the Koran, what to remember the verse claims do not keep track of them, even the argument amounting to come to God, in demonstration or more, to denounce what I call, and Tnsfh blown up, the recipient An understanding of the true faith, or divine rule in the affairs of the creation.2The research on the four seasons came, first chapter discusses the speech of people of the prophets, came on the four sections, highlighted in the first of which features the letter and included the second section placed the unity of the call and the tongue among the apostles and tribes, came third section about the layers of people in the Qur'an, through their rhetoric for their prophets, while the fourth has studied the letter of the faithful of the Quraysh of the Prophet Muhammad (may Allah bless him and his family), and dealt with in chapter II acoustic structure, it was on two topics, the first dealt with acoustic instruments in a speech people to their prophets, and their impact in the context, and Dar es second topic on the phenomenon of refining and audio effects.The third chapter was titled in the morphological structure, it came on two sections, the first names in the circle, and the second acts in a circle. The fourth quarter was below the compositional structure of the title, and split into three sections, the first of which is talking about the news and construction, while the second section talks about Arabic sentence structure, eating a third of some Alandziahih methods, Kaltkadim, delays, deletions, and pay attention.

تاثير المستشرقين في البحث الصرفي والنحو ي عند العرب المحدثين == The impact of Orientalists inmorphological search andgrammar when Arab modernists

Author name: نرجس عبد الرضا حسين السعيدي
Supervisor name: رعد هاشم عبود العبودي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Praise be to Allah, peace be upon the noblest creature of Abu al - Qasim Muhammad and his divine good and after : Emerged as the influence of Orientalism and Orientalists in the Arab world and a clear and concrete in recent times, particularly with the beginning of the twentieth century, especially in the intellectual sphere, and was Orientalists behind most of linguistic modern ideas, they have bulldozed a shift in the path of modern Arabic linguistic thought, what pushed him to the ideas of the new language and exclusively in the fields drainage, as well as the curriculum, some of them seized in Arab researchers who studied under their hands, or look at their tracks, or translate them, Vojb ideas, and influenced by, he took them, adding the delete and kept. Given the importance of this context, the study titled : "Orientalists in morphological search and grammar effect when Arab modernists." Established research foundations on the centrality of the idea that the role of orientalist studies in determining the Modern Arab Studies path in the areas of exchange and as with the curriculum, and to this characterization sought search to track and extrapolate the work of the linguistic application prepared by the Arab pens effects orientalist, has sought search to limit the most important names and works he was able to identify them from the two parties (the influential and affected) are aware of the default can neglecting aspects overlooked, with an ambitious study to reach a result that satisfies the reader.Find and try to answer a number of questions, as a whole : What is the reason for the direction of recent studies about the direction in which we knew about it? The motivation behind it? What causes? Then what benefits earned by the Arab language and then took them the Arabic language as a result of modern orientalist studies? These and other questions raised in the discussion of this research, try to answer them as he could find it from evidence.The importance of the subject of the importance of language, and the impact of modern studies in the light of the receipt of the Arab modern ideas of speed The reason that pushed me because Saussure and Firth and Jomski cited with Orientalists, although theyWestern; perhaps the presence of semi - features between their approach and linguistic thought grammar of the Arab old represented including his Sibawayh and Jerjani, this may clear from the studies presented by researchers including : Abdul omnipotent and Saussure, Ahmed required, and linguistics between Abdul omnipotent and modernists, Rashid Abdul Rahman al - Obeidi, creative dimension in the curriculum of Abdul omnipotent Jerjani, Mohammed Abbas, thinking rhetorical when Arabs, Hammadi steadfastness, and the concept of deep structure between Jomski Arab grammar lesson, for Murtaza Jawad Baqir, and the theory of generation and conversion between potential and performance linguistic,Abdullah dormitory.Because what is important in their door, and the presence of the Arabs adopted by researchers from the modernists adding the added or applied to Arabic. We saw the importance of our work be included in this note that they do not apply to them the term Orientalism.It should be noted that the reason that pushed me because he outlined an entire chapter of the curriculum despite the fact that my address unrestricted research morphological and grammar; is that the researcher morphological or grammar he must approach runs it, and the curriculum is the first step for the researcher, there is no study in the exchange or in the way in the modern era, however, has belonged to the approach of the modern curriculum, and most modern ideas (morphological and syntactic) created the modern approaches to the researchers the opportunity to develop them, and expanded the area in front of them to search The argument in the numerical disproportion between chapters; I left topics expansive mood, they are controlled by the number of pages of each chapter.And it faced the study great difficulties during the collection of subject matter including : the capacity of the subject, and the large number of sources and complexity, and the convergence of ideas and overlap, and the difficulty of access to sources of Orientalists; esulting in a limited study on books translated and available to all, and used the studies that addressed the Orientalist research and study The research plan are based on three main chapters appended to the results of the research and a list of major sources and references, and issued with an introduction and reboot. As for the boot, it was in the term Orientalism and studies that revolved around him, and began to explain the concept of Orientalism, and the evolution of Orientalism, then go to show the motives of Orientalism, and means of Orientalists in spreading their ideas, and then display the previous studies with comparison between them. The first chapter was titled : Impact on the level of the curriculum, and included four sections : Section I : vulnerability historical approach, and the second section : vulnerability and omparative approach, and the third section the vulnerability approach descriptive, and the fourth section : vulnerability statistical approach The second chapter was titled : Effect of Orientalists in morphologicalsearch, and included five topics : The first topic : the evolution of Arab buildings, and the second topic : the origin of derivation and verb tense, and the third section : Alaalal and replacement, heart spatial, and the fourth section : audio clips of the buildings in Arabic and the theory of internal transformation and section V : Instant and feminine and the evolutionof feminization marks.The third chapter was titled : Effect of Orientalists in the search grammar, and included three sections : Section I : at the origin of the phenomenon of expression and its inception, and the second topic : the Arab wholesale, and the third section : the conscience and anned from the exchange, and each separated from those chapters begin featuring now a prologue was a entrance handsome reader to access the content of the chapter.With all the difficulties and Whatever the case, this study has tried to receive what Bdjaptha, the hit - Mawla, it is satisfaction, though, we

البناء التركيبي لشعر البند في القرنين الثاني عشر والثالث عشر الهجريين : دراسة نحوية بلاغية == The Sentence Structure for Al - Band poetry In The Twelfth And Thirteenth Centuries (A.H.) the study of Grammatically And Rhetorically.

Author name: حيدر محمد حسين العتابي
Supervisor name: رياض يونس السواد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Al - Band is a type of the Arabic poetry. It his appeared because of the poets' ignoring to the ancient poem pattern. Other types of Arabic poetry also appeared, as Al - Dobait, Al - Mowashah, Al - Mokhammas …etc. and it is one of anew poetic purposes. Modern poets have rejected traditional aspects that were used for thousands of years, because they found them restricted by enslaving and tradition as well as creating new liberal art.The Poets used it to express their religious, political and social purposes. This new pattern appeared in Arabic poetry during the eleventh century (A.H. ), In southern of Iraq. then it spread to centre of Iraq and Bahrain. So several poets wrote in such new model as Ibn matouk Al - Mawssawi (1087 A.H.), Mohammed Ibn Al - Khalfa (1247 A.H.) and Mohammed Ibn Mehdi Al - Qazwini (1325 A.H.). On the other hand, words and structures are the same in both Al - Band and the ancient Arabic poetry . Its purposes have included the same old Arabic poetry purposes, like praise, slander, lamentation and the praise of women. But more poetic purposes were mentioned by the poets of this literary art, are the praise and lamentation. As for construction of musical poetry, its usually a mixture of two musical patterns in a poem.

اخبار ابي تمام واخبار البحتري لابي بكر الصولي ت335هـ : دراسة تداولية == Abu Tamam’s and Al - Bahtari’s events by Abu Bakr Al - Suli,335 AH. A pragmatics study

Author name: رحيم جبر حسون
Supervisor name: يحيى حسن خضير
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The pragmatic approach is the best method for all studies concerned with the communicative way, because it does not care about the formal or constructive study of the discourse, but rather examines all the aspects and circumstances that accompanied the appearance of such a discourse, for reading a systematic reading that surrounds everything related to the composition of discourse. As the speech is not limited to study the language itself and for itself, but taught the language two levels : 1 - Apparent level : It is related to the words and structures.2 - The hidden level : the state of psychological, social and cognitive ...., and from both levels consist (strategy) of the speaker, addresser and text.A - The speaker : It refers to what is expressed by words and structures to convey his intention, which is called (implicature)B - To addresser : because of the strategy of interpretation and explanation, to know the intended speaker (implicature)C - Text : Including the ideologies that contribute to the change of the situation. In these three strategies, the concept of "power" is created. This concept can only be achieved if the parties to the communicative process (the speaker and the communicator) share the common information and knowledge, The eloquence of (epistemological) references should be well - known for (the speaker and the communicator), so that they don’t fall into the illusion.This research (Abu Tamam’s and Al - Bahtari’s events by Abu Bakr Al - Suli,335 AH. A pragmatics study) consists of three chapters : • Chapter One : (argument) and it includes (intention of argument, the relations of argument and witnesses of argument)• Chapter Two : (the conversational implicatures, cooperative principles the principle and its relation to politeness - Presupposition and intention - Signs.)• Chapter Three : (the research as a literary genre, Speech acts, linguistic methods).

اثر شعر عنترة بن شداد في شعر المتنبي : دراسة تاريخية في الرؤية والتشكيل == The effect of the poetry of Antara bin Shaddad in the poetry of Mutanabi A study of consistency in vision and formation

Author name: سعدون خلف عزر
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Mutanabb's poetry in vision and composition , the research came out with the following points : 1) Some of the text that influenced by Al - Mutanabbi invested them in more than a position as a foucs illuminated because of their effect on the part , to another one , so as to install them in mind due to the twin of his anticipation and wished on updating them.These updating texts are a try to achieve the goals through which .2) Al - Mutanabbi had deepen his vision in amplifying The Egoism (Al - Ana),whether the poetior the praised's Egoism(Al - Ana) influenced by Antra Ben shaddad's Egoism.This Egoism tra can be transcended the cuttent reality through the legendary as it was not a mirror to reflect the reality and transfer only ,but suggests another reality.As it wasn't easy to great and propose a new reality, he had amplified (Al - Ana) the Egoism for a legendary or semi - legendary hero to fit his goals and means of achieving them .3)Death and acknowledgment of its inevitability come as objectively equivalent to victory and challenge ,as death is one in battle or on the bed . Hence, the poet started defying , drawing the features of the hero who iskilled in a battle and gives all the values of masculinity in it. His speech in this regard is provocative in order to fight in order to fight injustice and his rejection of submission in all its forms , especially since the Abbasid state weakened till its weakness appeared in its division into states .4) Al - Mutanabbi believes that the belonging to the family or to the tribe doesn't get up to the sword and spear , so as to be clearly similar to Antra in this field .Stressing that weapons of fighting is the true descent of man and be has invested Antra's hybrid vision.The essence of man is his actions not his figure. And then he deepened the belonging to the Arabs to face the foreign invasion to be a comprehensive speech in the incitement to fight.5) The similarity of Al - Mutanabbi with Antra appears in the formation poetic where, I studied the text for both of two poets separately without paying attention or reference which relate the two poets according to mix the vocabularies of love and spinning which made the rhythm of everyone not stable , then to form a legendary picture to face a fact that can't be got rid of unless by the picture , in which Al - Mutanabbi had shown such a picture of a fighter's ethical and features. That hero who smils in spite of the death which surrounds him and it is a replica of the influential picture .6) The similarity of Al - Mutanabbi with Antra Ben shaddad in in pithiness filed can be come in two observation, first for supporting his text objectively through protesting to emphasize his vision and second Artistically according to eudden technics to arouse the studier , and thestudier's arousing might be in investing vocabularies and styles of amazing beauty. So Al - Mutanabbi renews the effective text to suit his anticipations in that field.7) The similarity of Antra's with Al - Mutanabbi's text's one more wrathful them general ones. He tended to intensive his text or a poem or a comprehensive vision from Antra's , and summarized it in one or two verses . This comes from his ability of creative from one side and to secret from other side , because he lived a criticized moments which regarded the similarity as a theft at the time. The process of short hand helps him to make the secret.What in indicates to the successful of the poet is that the ancient studies which is countoured with thefts and the modern that is contoured with similarity , didn't see his similarity with Antra Ben shaddad either in one or two verse which took from the postdated to the previous .8) It seems that Al - Mutanabbi has a criticism vision with profile deliberative. He chose the effective text to show for the reader that Al - Mutanabbi is the effective himself and Antra is the influenced. He realized that the content of the text is preexisted in language and meaning .

اثار في التيسير النحوي عند هادي نهر == Manifistations Of Hadi Nahr's grammaticall Facilitation

Author name: افراح ميدان حسين
Supervisor name: سعد كريم خشيف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Grammatical facilitation has gained a great deal of interest among scholars to make it easy for learners. Many books were written about this topic The present study elaborates the efforts of Hadi Nah in this field.The Theises came in a ccordauce with the plan consist of an introduction conclusion and there cgapters.The first chaupter is tihed (Hady Nahar) self and sciemtific Biography, and the concept of Facilitation and dialogue.It includes two sections I chapher one ltady Naher Brography has been presented and in chapter two the concept of Facilitation and dialogue was showen as well by the ancients and modernists, It causes and objectives and its inter locutors : cancel the expression effect, Depend on colloquial Languaye, and Facilitate the curriculum. Chapter two is devoted to Hadi Nahr's theoretical facilitation. It involves three sections; Section one is devoted to Hadi Nahr's theoretical manifistations of facilitation.Section two is devoted to Hadi Nahr's suggestions for facilitating a number of grammatical issues and balancing between his and other scholars's views. Section three is devoted to the Quranic examples.Chapter three is divided into three sections; Section one is devoted to facilitating the Arabic language for media. Section two is devoted to elaborating the relationship between the grammatical rules and writing. Section three elaborates the effects of practical applications on grammatical facilitation.The methodology of the present study is sometimes a balance between Hadi Nahr's and other scholars' views, critical, and descriptive other times.

صورة الكواكب والنجوم في الشعر الاندلسي عهدي الطوائف والمرابطين == The image of planets and stars in the Andalusian literature Trendy sects and Almoraben

Author name: عبير حسن مكحول العبادي
Supervisor name: حسين مجيد رستم الحصونة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

صورة المراة الجنوبية في روايات شوقي كريم حسن == Image of Southern Woman In The novels of Shawki Karim Hassan

Author name: كفاح حسين عبد الله
Supervisor name: مصطفى لطيف عارف الحسيني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

شعر رعد مطشر مسلم : دراسة في البنية والتشكيل == Raad Mutashar Muslim's Poetry Study in the structure and composition

Author name: سهام جواد كاظم القطراني
Supervisor name: كاظم فاخر حاجم الخفاجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: This study has been launched tagged ( Raad Mutashar Muslims's poetry - a study in structure and composition) to trace the structure of the poem and how it is formed to the poet, trying to enlight some of its aspects and manifestations. As the modern poem is awealthy genre that retractable to absorb all possibilities available, from the language and the rhythm and image building, and interacted highly positive with the other arts and employed appropriate legibility and Relationship with stylistics in modeling and expression at various levels, without any reservation, as they do not affect the safety of the genre but enriched and deepened the aesthetic characteristics, and doubles the capacity in its performance.The thesis has included three chapters proceeded by an introduction , and followed by a conclusion, the introduction was on the first two points, allocated is to talk about the structure and composition, The second point is to talk about the poet and features of the poetry of the generation to which it belongs. While The first chapter includes the preparation and three sections, it has been the subject structure of the poem is the dominant theme of which has been touched on in the first topic to talk about the construction of modern poem patterns which are found in the poet's experience, and thenIn the second section, we talked about the dialogue and talkers which is one of the ways in which check the dramatic narrative iframe of modern poem, and then the third section talks about the parallel structure that is one of the ways through which the poet was able to achieve theBrhythm of his poems is also a prominent way in the formation of the text and make it coherent and consistent and harmonious building.The second chapter included - is other - an introduction and three sections, devoted his preface to talk about the usefulness of modern poem of the other arts that it is borrowed some of its techniques and methods from, as in the cinema arts, and employed in the construction of the text, to promote the text capability technically , Constrnctly and expressively, making them susceptible more to fascinate. in the first section we talk about the scenario technique and how it contributed to the structure of the poem and composition, then the second section talk about camera technique and using them within the poetic texts, then in the third section, we explore the montage technique and its role in the construction of the text.As well as in the third there is an introduction and three sections, In the introduction, we talk about the title as one of the tools that determine the overall structure of the text, and then we discussed in the first section to talk about the title as a key Tagged text, and was followed by talk in the second section of the poetic title and aesthetics , then in the third section the extent of benefit poet of cultural, religious and mythological stocks in the wording of some texts titles.In the conclusion, at the end of my search, I explained the major themes that the study came up for. In which I mention important conclusions that emerged from the study with its introduction and three chapters and some of the shortcut and condensation.

سيمياء سرد المنامات في الموروث الحكائي العربي == Semiotics Dreams Narration In The Arabic Heritage Gaii

Author name: احمد عباس كامل الازرقي
Supervisor name: عواد كاظم لفتة الغزي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Human has been known since ancient dreams, and can then first activity expressive and creative practiced before he knew the creative and communicative other activities, and the language codon and charged Dimension Alalamata rich first language of understanding human has ever known with the other, who was not determined features after having exceeded its presence ritual of belonging and reference actually ease the viewer into a fantasy landscape and a rupture of belonging, and not to celebrate the reality of it was dormitories treated as divine messages represent the people of God care and control of their own destinies. It was inevitable for a person to then marched reality of a dream, to enjoy the prospect of the Annunciation obtained or warns, which could afford the alarm or warning and this is not only converts a dream into a verbal version of lean manufacturing techniques to the language, which is the only medium to represent the dreams, here to be the regulator of to pass candidate through the narrative, and techniques, and laws, and abandon Tfeltat Almnamah language that is not subject to the terms of fact and rulings. I've been to Mnamat significant impact on the cultural and Islamic knowledge and the Arab scene and although human ignorant celebrate and sanctify her but that did not detract from its status in Islam that were not increased them after the clarity of its position in Islamic law, as mentioned in some of the Holy Quran He promised the mode of media reporting of the divine prophets, peace be upon them and in the Hadith promised dreams degree of prophecy, and in the Islamic intellectual perspective is the mode of inspiration and dignity to the good of the people of this nation. And cared Arab Entries Mounamat in their own, such as books interpreting dreams book interpretation of the great dreams of Ibn Sirin, and dreams of Ibn Abi Dunya or narrative works of the most famous works of the most comprehensive stems writer in the narrative another type, such as biography or built or the message or story and then ensure his texts dreams that employs the service of the narrative and enhance the intellectual and aesthetic formulation. The Mounamat Care albeit a large and noticeable, but did not come out for the field of special scientific and psychological studies when Freud and Jung, and Lacan in the system of Islamic thought studied dreams in some detail, but he stopped to describe a literary text stands on a par with other literary genres, or approached as a creative activity and is filed narrative reflects the narrative techniques and laws.As the narrative activity active humanly subject to the mechanism of the arrangement and a network of laws designed to bring about the kind of influence the recipient, it has been the darling that thrives signs and signals that hint at more than authorized, and this is the language that is based on a dream - mediated symbols charged give indications, it was appropriate to approach a sample semiotic research, which takes care of the mark, and the significance and reference spectrum. And by the multiplicity of semiotics curriculum and diversity depending on the material studied and privacy, the choice to approach semiotics narrative close to Taalgah textured dreams occurred as a narrative and as a bus signs and symbols, has provided the incentive to choose the title of this study, which is (Semiotics dreams are listed in the heritage of the Arab Gaii) and distributed this study Babin and the introduction and pave took care of the first section Baltoesel epistemological for Mnamat as proactive cognitive humanly rippling with human since the human dawn and to the present times, and is still a field of research and study, and were investigated as a dream of a centralized unilateral / seer, the prevalence deliberative / collective.In the first chapter the study shed light on the concept of dreams when ancient nations such as Greece, and the Egyptians and the Sumerians, Indians and Arabs as the ancient intellectual sediments that reflects many of the phenomena and beliefs. In the second chapter study addressed A_kaah Almnama text and how it can Incorporation to Nsusith as a written text and text as an innovative, The third chapter got the task of elucidation in this text and the emergence of the narrative techniques of Rao landmarks, and Roy, and quenched it.He specialized in Part II Applied study, as he got up the first chapter in which the characterization of the level of jobs, determined in accordance with the method of semiotic narrative in the texts of dreams can be described by this chapter that the focus of monetary characterization meeting in the first section and analysis narrative in Part II mediated by luring shifts to the forms of textual analysis of Mnamat.While the second chapter examines Alsemiae landmarks in space and time in Almnamah texts so that these texts tend deliberately to invest more than a place to invest the time and the place to look reflects the changes and temporal aspects require study in what has been termed space.The text can be described as a personal text Almnama par excellence enjoined this study in the third and final part of the study. The field of study Mtozaaa in the books of the Arab Gaii heritage of major news works such as songs, and the representation of the lecture, and contract unique is classified books in the interpretation of dreams and the other because it represents the container hosts for the texts of those dreams in addition to the diversity of topics such works, which led to a diversity of topics dreams, and I've the study considered that excludes dreams attributed to the prophets and imams peace what is known about it divine messages and methods of ways of revelation for the prophets, and the means of the means of inspiration, and payment when imams and this is often beyond the usual human dreams for them, and with the apparent diversity in dreams but we glimpse the thread of coherence the similarity between them is the tendency extreme to approach system of Islamic thought Bchkhos, and Hawwadth, and beliefs, and Gbeath making a lot of dreams seem similar extent of matching in terms of jobs, and connotations, and the emergence of personal Vdhaeadtha so, prompting the researcher to the classification of shifts in every race, including the sufficiency sample that check the adequacy of research and referral to replicate them.

سيمياء الشخصية في روايات حسين عبد الخضر == Personal Semiotics in the novels of Hussein Abd Al - Khuder

Author name: محمد جباري مطر
Supervisor name: هيثم عباس سالم الصويلي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: لقيت الشخصية اهتمام الدراسات النقدية الحديثة، التي اهتمت بتحليل الاعمال السردية خاصة، ولهذا كانت دراسة الشخصية وعلاقتها بعناصر البناء الاخرى، وسيلة للوقوف على اهم القضايا الانسانية، بوصفها احد الدعائم الاساس للعمل الروائي، اذ انها تمثل عنصرا محوريا في كل سرد، ومن هذا المنطلق لاقت اهتمام الدارسين في التحليل السيميائي بدءا من (فلاديمير بروب) وصولا الى (فيليب هامون)، لما اتسمت به الشخصية من غلو في الاهتمام بها في نهاية القرن التاسع عشر ورغبة اخرين في بداية القرن العشرين في اهمالها وتقليص مدى نفوذها على العمل الادبي، وايضا لما وقع بين النقاد من فصل الشخصية عن الحدث، واهمال ماهيتها، في حين ركز بعض النقاد على افعالها. من هنا جاءت رغبة الباحث في دخول هذا المضمار، فكان (سيمياء الشخصية في روايات حسين عبد الخضر) موضوعا لدراسته، كون الشخصية اداة تثري عالم الرواية وترسم المعالم الانسانية في ذاكرة المتلقي على مدى بعيد، كما انها تعبر عن شيء من طموحات الانسان. اما الاسباب التي دفعتني الى هذه الدراسة فتكمن في اهمية الموضوع والرغبة في التعرف على احد العناصر المهمة والاساسية في اي عمل سردي، فضلا عن رغبتي في دراسة الشخصية سيميائيا، وكذلك محاولة تطبيق اراء الناقد فيليب هامون بوصفه من اهم النقاد المحدثين. ومن منطلق ان النص هو الذي يفرض منهج قراءته وزاوية مقروئيته، اعتمدت المنهج السيميائي بوصفه المنهج المناسب لهذه الدراسة، لما يتميز به من قدرة وصفية، وتاويلية تسمح للدارس والقارئ بالولوج الى عالم النص السردي. اما خطة البحث فقد اتبعت خطة اثرت تقسيمها الى تمهيد وثلاثة فصول تسبقها مقدمة، ومقفاة بخاتمة ، تطرقت في التمهيد الى تحديد الشخصية بين المفهوم اللغوي والمفهوم الاصطلاحي، ثم رصدت لمحة تاريخية لمفهوم الشخصية بدءا من التصور الفلسفي وصولا الى النقد الادبي، فضلا عن عرض التصنيفات للشخصية التي تعرض لها النقاد السميائيين. اما الفصل الاول الذي كان بعنوان(الشخصيات الثقافية للمرجعيات السيميائية من منظور فيليبب هامون) فجاء مقسما على ثلاثة مباحث، تناول الاول منها(شخصيات ذات مرجعية تاريخية)وكرس الثاني (شخصيات ذات مرجعية مجازية)،وتعرض الثالث(شخصيات ذات مرجعية اجتماعية). اما الفصل الثاني فقد انطوى تحت عنوان(سيمياء اسم العلم الشخصي وعلاقته بمسماه) وقد ورد هذا الفصل على ثلاثة مباجث، اذ جاء المبحث الاول تحت عنوان(دلالة المطابقة)، اما المبحث الثاني فجاء تحت عنوان(دلالة المفارقة)، في حين اختص المبحث الثالث بـ (دلالة الاعتباطية). واما الفصل الثالث فقد كان بعنوان(سيمياء بنية الشخصية الروائية وتقديمها)، فاستوى على مبحثين، اولهما (سيمياء الوصف الخارجي، وثانيهما (سيمياء الوصف الداخلي)، ومن ثم ذيل البحث بخاتمة تضمنت النتائج التي توصلت اليها الدراسة. وفي الختام لا يسعني الا ان اقدم شكري وامتناني العميقين الى الاستاذ الدكتور هيثم الصويلي لقبوله الاشراف على هذه الرسالة ورعايته العلمية والتربوية وتوجيهاته السديدة وعطائه الثر في توجيه البحث الوجهة العلمية واخراجه بهذا الشكل. كما اقدم شكري وتقديري الى قسم اللغة العربية في كلية الاداب رئيسا واساتذة، لاسيما الاستاذ الدكتور هادي شعلان، والدكتور حازم هاشم لما بذلوه من جهد في توفير المصادر وتقديم المشورة العلمية.كما اتقدم بالشكر الى الاديب الروائي(حسين عبد الخضر) لجهوده في انارة بعض الاشياء الغامضة في الروايات، ولا انسى بالشكر صديقي الحميم القريب الى القلب الاستاذ محمد كاظم كتوب لما قدمه لي من مساعدة سائلا الله له السداد والتوفيق. وحسبي ان التمس العذر لما يشوب هذا الجهد المتواضع من نقائص، فان اصبت فذلك المبتغى وان اخطات فحسبي اني حاولت، ولله الحمد من قبل ومن بعد. | The personal interest in modern monetary studies, especially the studies that focused on the analysis of narrative work, was therefore a study of personality and its relation to the other elements of construction, a way to identify the most important humanitarian issues, as one of the pillars of the novel work, as it is a central element in every narrative. The interest of scholars in the semantic analysis, from Vladimir Probe to Philip Hamon, was characterized by the over - interest of the personality at the end of the nineteenth century and the desire of others at the beginning of the 20th century to neglect it and reduce its influence on literary work, Signed Critics have separated the character from the event, neglecting it, while some critics have focused on its actions.Hence the researcher's desire to enter this field. He was a personal subject in the novels of Hussein Abdul - Khuder. The character is a tool that enriches the world of narration and draws human features in the recipient's memory for a long time. The research plan followed a plan that was divided into three chapters, preceded by an introduction, and a final introduction. It focused on the definition of personality between the linguistic concept and the conventional concept, and then the historical profile of the concept of personality ranging from philosophical to literary criticism, Which is presented to critics of the Semites. The first chapter, entitled "Reference Characters", was divided into three sections, the first of which dealt with historical reference figures, the second devoted the reference figures, and the third presented the social references. The second chapter is entitled "Simia the name of personal science." This chapter is presented in three sections. The first section is entitled "The Significance of Conformity." The second topic is entitled " Arbitrary indication). As for the third chapter was entitled (Simia external and internal features), came on two topics, the first (external features), and the second specialty (internal features), and then ended the research concluded that included the findings of the study

رسائل الامام علي (عليه السلام) في نهج البلاغة جماليات الاتصال وتحولات القراء

Author name: خالدة علي فليح حسن الكـــــعبي
Supervisor name: حامد علي غيلان
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

الانواء في القران الكريم : دراسة دلالية == Forecasters in the Quran Study Semantic

Author name: مشتاق كاظم فهد
Supervisor name: جابر محيسن عليوي الركابي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The research has taken the pronunciation of the holy Quran for cast for its importance . So , it framed a remark able phenomenon in it. There fore the holy Quran mentioned the pronunciation for casts telling about the ability of God and his favourits upon about creatures , remembering those who is prudent . The holy Quran is the greatest source use to discover about it and make it clear . The presentation extended in details . This research studied the holy Quran for cast and presented the utterance of the language specialist and indicated it according to the modern science , citing the Arab saying and their poetry for it . The plan of the research include an introduction and four section and ending a list of sources and references . The preface included a study to the for cast of the language , the idiom mentioned it in the speech of the prophet and Arab poetry . The first section studied those for casts lexical study . This section also include two study , the first took linguistic indication for the pronunciation aerial for cast . The first lesson is the sequence but the second lesson studied the mutual in linguistics for this pronunciations Quran . The third lesson studied the actual semantic and the metaphorical pronunciation's hers in the holy Quran . It is two studies too . The first studied the meta phorical verse for casts . The fourth section which is the last studied the synthetic connotation for these pronunciations are it includes two studies . The first lesson study the added to the pronunciations for cast . and the classify in if mean while the other studied grammatical methods and selected from it the presentation the delay and the swear by pronunciations foe casts . Finally this research included a list of important results that I reached with this study .

خطاب اهل البيت (عليهم السلام) في اصول الكافي : دراسة تحليلية

Author name: عبد الله حسين خليف الكعبي
Supervisor name: كاظم فاخر حاجم الخفاجي | قاسم محمد كامل
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:

خطاب اهل الكتاب في القران الكريم : دراسة حجاجية == My Reaserch Title is Biblical People Address in the Holy Qur'an Argumentational Study

Author name: ارجوان حسن علي الوائلي
Supervisor name: هادي شندوخ حميد السعيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The pilgrims modern theory of Western, I got out of both sides deliberative appeared Dkro work in 7714 are linguistic theory, accomplish mediated natural ,language, and this theory seeks to show that the language bear in self - core function orbital indicator in the words themselves structure.And along with rhetorical with Perlman these tow worlds have put the basis orbital theory, despite different drove note that the search Ohadjama has ancient roots stretching to Greece and specifically Aristotle who laid the lesson Ohadjama his landmarks and the Arabs alerted to this Hajaji pattern also through their works, were taking it under the name controversy the statement can be seen this strategy when bigeye in his book (Signifying statement),Which makes it necessary in the words of al - Khatib,co - opt the recipient thought also addressed all of the son of the donation and Alqirtagni as important way to establish the argument, and the destination essential to carry the souls on one thing, believe or do somethingTherefore benefited the lesson of modern Greek and Arab heritage Ohadjama old tried to resurrect in a new dress, but a orbital theoryAbstractCWe've won the Koran fortunate range of study because of its strong presence and various legislative and linguistic fields, not surprising because it is the biggest event in the history of humanity. God has made Him Almighty and His Messenger major miracle, the Standing argument on the creation, for being a book of reform, designed to change the situation and what the thought that’s what made him a speech Haggagaa the first place. The Quranic discourse and being a speech Haggagaa some recipients prompt him an important and a fundamental pillar in bringing the ideas and achieve the purposes of the speakers when contained in a means of splash and persuasive. what aims though his speech to change his beliefs and persuade him and influence his views receiver and pushed him to his point of view or belief in change for the truth or invalidity objector opinion We saw that the adoption of the pilgrims in a speech people of the book is not aimed at receiving news and information only, but hired her speech to influence and persuasion, rhetoric is trying to achieve the purposes of the orbital order to reach the orbital destination they went etc.

خطاب الامام الرضا (عليه السلام) : دراسة في الاقناع == Al - Imam Al - Ridha's Speech : A Study in Persuasion

Author name: حسين جويد منخي
Supervisor name: حامد علي غيلان
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

حجاجية الخطاب القراني في موضوع الكافرين == Protesting the Qur'anic Discourse on the Subject of Disbelievers

Author name: الاء محمد كاطع الغالبي
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The Qur'anic discourse is distinctly a speech in the argument way because it is a speech between two conflicting parties on a fundamental issue which is the unification of the Almighty God and the performance of his orders and avoid what is forbidden to him . The purpose of the speech is to influence and persuade the recipient . For this reason, the Qur'anic expression used different means of persuasion in order to convince him , so the subject of the research entitled ( Addressing the Disbelievers in the Holy Quran - Study in the Argument - ) . I discussed the speech directed by the Almighty God or the apostles (Peace be upon them) or believers to the unbelievers , as well as, the speech of the unbelievers among themselves ( between masters and followers ) . I mean disbelievers : - anyone who does not recognize the existence of God or associate with him or who does not follow the teachings or deny the messages of the apostles (Peace be upon them). I address the verses that addressed the unbelievers sometimes the term(kafir ) is referred to and sometimes the term ( kafir ) is not mentioned or one of its derivatives , instead the term ''polytheist'' or ''oppressor'' or ''corrupted '' or other term is used . The nature of the search required that it be divided in to (a foreword) and (three chapters) and (a conclusion) . The (foreword)was divided in to two sections : - the first section was summarized as saying in the concept of (protest) in terms of definition of language and style . And mentioned the concept of (protest) at the most important poles of the school of protest in modern times . The second section was to define the concept of (kufr) language and terminology and then asked to mention the types of disbelievers who were included in the research , sometimes there is no mention of the (kafir) in particular , but there are words that differ from the root of the language of the (kafir) , but in the content enters the circle of (kufr) . I focused on ( polytheists and devils ) and studied the semantic differences between them and (kufr) . The first chapter was entitled ( Mechanisms of Arguing in Addressing the Unbelievers ) and included two topics ,the first entitled( Mechanisms of Language ) and examined : 1 - the impact of the links protests in addressing the infidels . And : 2 - the impact of protest methods in addressing the infidels , the second topic included (Rhetorical Mechanisms )and examined the effect of rhetorical mechanisms of analogy , metaphor and metonymy in directing the protest which is directed against the unbelievers . I would also like to note that I have listed chapter one with ( Mechanisms), but I mentioned only two mechanisms ( linguistics & rhetorical ) .This is because each mechanism falls under the concept of many mechanisms ,and this is why the designation chapter(Mechanisms). The second chapter , which was entitled ( The Relations of Protest in Addressing the Unbelievers in the Holy Quran ). This chapter has subheadings , namely , five relationships : - ( relationship of necessity , relationship of sequence , casual relationship , relationship of conclusion and relationship of non - agreement ). The third chapter was entitled ( Patterns of Protest in Addressing the Disbelievers in the Holy Quran ). It included three topics , the first section entitled '' Mental Argumentation '' and included quasi - logical arguments and rational arguments , the second topic was entitled ''Steering Argument '' which included : - 1 - guidance of preaching . 2 - guidance by induction. 3 - guidance on mentioning the consequences of things ( intimidation) . The third topic was entitled ''Impossible Argument '' and included the ''miracles'' that were used for the arguments of the unbelievers and the infidelity of them upon the truthfulness of the law of the Lord of the world . And included the miracle of the Quran and the sensual miracles . Finally the conclusion and I summarized the main findings of the research
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