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اثر ممارسة الاشغال اليدوية في تنمية التفكير الابتكاري لدى طالبات كلية التربية الفنية جامعة بابل == The Effect of practising Handcraft on developing the creative thinking of the female students of the Art Education college Babylon university

Author name: ايناس مهدي ابراهيم الصفار
Supervisor name: كاظم مرشد ذرب
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Art Education
Language: Arabic
University location: Babylon
First pages:

الانفتاح العلامي في الفن المفاهيمي == The Symbolic Openness In The Conceptual Art

Author name: سامرة فاضل محمد علي
Supervisor name: مكي عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: عني البحث الحالي بدراسة ( الانفتاح العلامي في الفن المفاهيمي ) ويقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة اليه، وهدفه، وحدوده، وتحديد اهم المصطلحات الواردة فيه. وقد تركزت مشكلة البحث على الطبيعة التاويلية للعلامة في ال | This research paper is interested in studying (the symbolic openness in the conceptual art) and consists of four chapters. The first chapter is about the research problem, importance, goal, limits and identifying the most important expressions. The research problem is focused on the interpretation nature of a symbol in the conceptual art in all its expressions resulted by the changes of the world after modernity including the social, politic, economic, and cultural pressures which affect negatively on the level of vision, acceptance and sense. This is guaranteed due to the relation between the art and the modern development which include all human durations across history to be in cope with this change. So the artist is obliged to be more courageous and spontaneous in expressing himself and thoughts to cross the limited lines for the traditional painting to present conceptual artistic works that are not restricted with one artistic style or type to include all exist in nature including the human body, language and consumable items. So the current research's problem is begun through answering the following question, (how can the artist make the recipient as a second author for the artistic script?).The importance of the research is clear because it establishes a critical study to give the searchers, and those who interest in the graphic sides, a chance to be informed about the kinds of the conceptual art including the symbolic openness.The searcher finds this study is so important because there are no previous studies focusing on the symbolic openness in the conceptual art. The searcher also wants to be interested in the basis of this study to fulfill the intended goal which is identifying the symbolic openness in the conceptual art.The subjective research limits include the study of the symbolic openness in the conceptual art in all its branches, elements, time limits (1965 - 2016) and place limits including (USA, UK, Germany, Mexico and France). The important expressions in this research are also clarified.The second chapter is about the theoretical frame and the previous studies which includes four topics : the first topic is about the theories of a symbol in the critical studies. The second is about studying the thoughtful basis of the symbolic openness in arts after modernity. The third is about the conceptual art, the conceptual context and the graphic system. The last is about the indicators. The second chapter ends with the previous studies which are not closed to the current study.The third chapter is about the research procedures including identifying all the samples which is (200 artistic works) and choosing and analyzing only (20 artistic works) intentionally.The fourth chapter includes the results which are : 1 - Achieving the symbolic openness through interaction and conversation and be away from autism and introversion in all research samples.2 - There are many sides of the conceptual art including the language, graphic art, geography and the human body. So it is an art of moved concepts which are effective in the daily life of a human being and his environment.3 - The idea in the conceptual art is the tool which makes the art through its philosophic embodiment. This leads to make an argument which raises questions that make the visual perceiver be in harmony with senses and mental action and the artistic work to obtain the symbols, signs and concepts. Another results are : 1 - The searcher tries to clarify the script origin and its openness to be interpretable to make the recipient (second author) read and understand more meanings and facts as in the research samples. 2 - The recipient is responsible for understanding the artistic work to create new items that help in understanding the work.The research ends with recommendations, suggestions, references and appendixes.

مظاهر العنف الاسري في رسوم المراهقات == Appearances Of Domestic Violence In Teenage Graphics

Author name: شيماء مهدي وادي الجنابي
Supervisor name: هدى هاشم محمد الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
Abstract: حظيت ظاهرة العنف الاسري باهتمام العديد من الدراسات، كون الاسرة المصدر الاول للثقافات واقوى الجماعات في التاثير في سلوك الابناء، فهي من اهم عوامل التنشئة والتطبيع الاجتماعي فالاساليب التي يستخدمها الابوان في معاملة ابنائهم كالاهمال والقسوة والتفرقة واستخدا | The phenomenon of the domestic violence meets high attention in many studies , as the family is the first resource of cultures and the it is the strongest group in affecting the behavior of children , also it is the most important factor of nurturing and social customization.. Methods of parents in treating with children , by neglecting, hardness , segregation, the use of swear words , deferent kinds of beating and any other type of bad methods which come within violence actions ((psychologically , physically and verbally)) , all these methods could leave negative impact in the souls of children , especially during earlier adolescence as it is the most dangerous age stage of the individual life, due to what it carries in its folds of conflicts and psychological disorders and changes in all physical, mental and emotional aspects.. Girls in this stage may suffer their families practices of violence against them , so the intensity of female sensitivity to problems could form psychological pressures which could make her a troubled personality teenager who lacking self confidence, isolated from others and with reluctant behavior, also for far future she may have an aggressiveness and violent motives.. Since the arts generally and graphics arts in particular have a role to alleviate the suffering of human , they assist to achieve the emotional equilibrium and allow the self - expression and emotions as well as they achieve the inner harmony and poise of personality in relationships with others , so this factor allowed the researcher to answer about following question : Does the domestic violence have appearances that could be reflected in graphics of teenage girls through lines , shapes and colors ? Could the graphics be equal with the pronounced language in guidance to the meanings , transferring the ideas and hardships and to be connected to others ? So the current research had aimed to the following : 1. Exposing the types of domestic violence which is addressed to teenage girls.2. Exposing the appearances of domestic violence in graphics of teenage girls through graphics properties , then the research importance and the need to it , in addition to research outlines and abbreviations, those come the first chapter of the research.. The second chapter includes the theoretical framework and the previous studies , as the research is consisted of two studies , the researcher in the first one is addressed to the conception of the domestic violence, in which she included many sections , but the second one is addressed to the adolescence and graphics of adolescents , while the previous studies included 5 ones and were about the domestic violence and the graphics of adolescents. The third chapter included the research arrangements ((society of the research , its approach and samples of 330 pupil of second intermediate class who were divided randomly to 9 intermediate schools and high schools in the center of Babylon province. The research needed to use two ways to measure the violence degree , the "Fartoosi" scale which was prepared to measure violence of pupils of high schools , and was amended to be proper with the samples of the current research , then checked its credibility and stability , as it was showed to some experts and specialists in the psychology field , but the second way was about analyzing the graphics of the teenage girls which was formed by researcher in depending upon literatures of specialists , the previous studies , indications of the theoretical framework, notes of graphics of teenage girls and the modest experience of the researcher , also it was showed to some experts and specialists of the arts education , Fine arts psychology fields to check the credibility and the capability to analyze the graphics , in addition to a couple of statistical methods which are proper and suit the purposes of the current research. The fourth chapter includes the results and their interpretations that the researcher reached to , in addition to their conclusions, recommendations and suggestions, the results of the research revealed a higher ratio of psychological violence beside the verbal violence and the physical violence.. Also the domestic violence has specific appearances in the graphics of teenage girls (the upper faction) which were represented in 16 traits , and unspecific appearances of domestic violence in graphics of teenage girls (the lower faction) which were represented in 19 traits , there were also 6 traits of statistical meanings among both factions.. The conclusions clarify that there are 14 traits which are considered as a specific appearances of psychological violence in the graphics of teenage girls (of upper faction) , while there was 1 trait , it was considered as specific appearance of the verbal violence in the graphics of the teenage girls (upper faction).. The recommendations of the research is exposing generally the violence against women (through arts fields - the graphics for example - by specialist educational administrations , including the the intermediate schools and high schools to until reaching the universities to exceed their reasons by educational and scientific methods , as the teenage girl is a project of a future woman.. The research included a number of suggestions with Arabic and English resources and appendixes beside a brief in English language..

الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو == The Dialogisme And Approaches Beautifulness And Denotation In Portrayals Pablo Picaso

Author name: روى ناظم حسن الحسناوي
Supervisor name: فاطمة لطيف عبد الله الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
Abstract: تبنت الباحثة موضوعة بحثها الذي بني انطلاقا من مشكلة تتمحور في دراسة ( الحوارية ومقارباتها الجمالية والدلالية في رسوم بابلو بيكاسو ) , وذلك لكون الحوارية مفهوما له ابعاده الجمالية والدلالية التي تظهر من خلال البناء التشكيلي للعمل , لتحقيق التواصل وال | The researcher adopted study built from the basic problem that centered in the study (The Dialogisme and Approaches Beautifulness and Denotation in Portrayals Pablo picaso ). And so as the concept of aesthetic and semantic dimensions to talk shows that appear during the construction of the visual work of art, as it seeks to achieve communication and continuity.The first chapter has included the objective of the study which is detected (talk shows and Mgarbadtha aesthetic and semantic in fees Pablo Picasso) and provided for the period of (1901 - 1946).In the theoretical framework includes five sections, the first section has studying talk shows (conceptually, and principles, and mechanisms), and the second section included two axes, and the first axis finding approach between the talk show concept, aesthetic and cognitive thought, it start from the Greeks and up to the modern philosophers and contemporary of them, while the second axis has cared for studying dialogue structure in the arguments of psychology, and included third section read talk shows critical reading of the status of the dialogue theory, finding points of engagement with the concept of semantics and subtraction semiotic,while Section fourth included the works technically talk and according to its historical development, from primitive art and up to the modern technical schools and is interested in section five (Picasso) art, highlighting the most important stages that make up a key point in the birth of the creative work of the talk show - style and new technology. At the end of the theoretical framework researcher it conducted a comparison between previous studies placed with her research, and also was addressed to the outcome of the indicators.In The third chapter included the community research who cannot promise to capacity size, although informed researcher on a lot of photographers, and sources relevant, such as (books, magazines, sites and the Internet), but it was unable to limit the research community statistically, and the sample Search (13) artworks included oily technique, collage, and the various technical stages undergone by the (Picasso)) The researcher ended his work by using content analysis tool, the coefficient of stability of the tool, and the sincerity of the tool, and then use statistical methods, the equation (Cooper) to calculate the sincerity of the tool, and an equation (Scott scoot) to calculate the stability of the tool. The researcher has adopted the analytical method (hermeneutical) in the sample analysis.The fourth chapter was devoted to reviewing (Results - Conclusions - Recommendations - proposals) as the researcher reviewed the search results, and that was as follow as : 1 - The actually humanly dialogue (self - objectively) do according to the act of dialectic knowledge base side of the artist creator of the artwork, and the receiver, which is an essential part in setting up and continue the dialogue.2 - Dialogue as a kind of freedom from restrictions in the classic art of reading, which does not stop at certain limits, and dialogue interested by flexibility because they coincide with all the Arts and at various schools, including the rules include (philosophical - scientific - stylistic) resound nearly absolute.

جماليات الخطاب النسوي في فنون ما بعد الحداثة == The Aesthetics Of Feminist Discourse In The Arts Of Postmodernism

Author name: فرح علي عبد الرزاق الدليمي
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: عني هذا البحث بدراسة ( جماليات الخطاب النسوي في فنون ما بعد الحداثة) وهو يقع في اربعة فصول الاول لبيان مشكلة البحث، واهميته، والحاجة اليه، وهدفه، وتحديد اهم المصطلحات الواردة فيه، وقد انطوت مشكلة البحث الحالي على الكشف على ان ما شهده العالم الغربي من | Focus this research to study ( The aesthetics of the annual speech in the arts of postmodernism ) is situated in the four chapters of the statement of the research problem, and the importance of, and need for, and purpose, and to identify the most important terms contained therein, have involved the problem of current research to reveal that what the western world has witnessed the a change in the concepts and transformations of intellectual and what happened from the rapid changes has had a clear impact in bringing about changes in the various structures and as a result of those big changes that affected the cultural, literary and cash by engaging in systems as well as cultural, literary and artistic on the other hand engage in systems, it promotes the emergence of new types of literature including feminist who was an anti - hegemony of art and literature male has adopted the theses of feminist criticism pivotal link antithesis between accomplished male dominance and the accomplished feminist and a weak presence on an area of research literature, and the theses postmodern fertile area from which the feminist movement demands, general women and actresses in particular I have proven that every woman is able to achieve the same in the works of art and literature and in line with the philosophical and intellectual propositions of postmodernism.Hence the problem of current research originated through the following questions : - What is the role played by data feminist discourse in the art of post - modernism? - How did the contemporary visual artists, may file accomplishing visually crystallizes feminist speech from an aesthetic perspective holds insights and theses culture feminism? The importance of searching through explanation for literary and monetary concepts contemporary have a close relationship with art feminist masculinity and femininity, and the feminine and feminist and women's notions of parental (Patriarchate) and gender and its relation to the ideas of postmodernism, and represents an attempt to shed light on the nature of the relationship between the aesthetics of feminist discourse and the products of post - modernism, according to interested professionals through access to the findings and conclusions, it has found a researcher that there is an urgent need for this study is the fact that the subject has not been studied previously within the area effective for the products of arts postmodernism, as well as this study the concentration of matter on the contemporary visual artists and knowledge her methods performing and her creative achievements which has been absent for several decades.The aim of this research to know the aesthetics of feminist discourse in the arts of postmodernism was limited research on how long the time period of (1951 - 2016) and of studying the feminist productions for artists postmodern and executed with different materials at different ores in streams (abstract expressionism, pop art, visual art , graffiti art, conceptual art, art synthesis, new expressionism, digital art).The second chapter (theoretical framework) guarantees the three sections, first topic focus to the concept of post - modernism and the arguments of Netasheh and Freud, structural and some concepts that diffusion structuralism, deconstruction and the proposals of Jacques Derrida and Michel Foucault, and a speech after the buzzards and globalization, and a letter of postmodernism and the culture of consumption, while focus second topic entrance into feminism and feminist literature and criticism feminist, language and given the female of the text, while the third section rotation arts postmodern and implications of feminist discourse in streams (abstract expressionism, pop art, visual art, graffiti art, conceptual art, art synthesis new expressionism, digital art).Chapter three has included action research, the researcher reviewed the research community and appointed by the style selected.The fourth chapter focus on results search results and conclusions, summarized the researcher to a range of outcomes, including : 1. Feminist discourse depends on the products of postmodernism on data aesthetic transformation and stylistic and technical as well as formulations structural forms of intellectual and contents and their contents, which appeared in the second half of the twentieth century, has shown the emergence of post - modernism, according to the visions of intellectual feminist adopt a new attitude to express contemporary problems of women, as in the research sample models.2. Gaining visual artists experiments in post - modernism, the dimensions of functioning merge with the experiences of contemporary plastic artists, but up to focus on the necessities of research on the technical trend on the one hand the aesthetic and the inevitability of a departure from the prevailing traditional patterns on the other hand, as in the research sample models.3. The theme of alienation in the products of human visual artists, the investment pattern overlap between the conscious and unconscious, and between reason and emotion, a choice of intellectual touches the essence of the idea of self and carry meanings and connotations, as in most of the research sample models.The researcher has reached a number of conclusions, including : 1. Aesthetics feminist discourse in the arts contributed postmodern elevating of philosophy initiated no mind and the adoption of individual categories and chance and blow up the idea of art through the presence of the idea of demolition and dismantling of the bonds aesthetic realities.2. Uniformity intellectual formulations for aesthetics feminist discourse in the arts of postmodern philosophies with frameworks postmodern theses and feminist criticism, as well as other contemporary monetary concepts that have had an active role in deepening the critical reading and calendar visual feminist done.3. Interpret the visual landscape of the products of feminist art, aesthetically, as manifestation Layout hermeneutical reading and analysis, especially where infrastructure is enhanced mental scene assignments of symbolic probe form actually modulated semantic from the signifier and the signified. The researcher considers a series of recommendations including : 1. Interest in academic studies that specializes in visual themes of feminist art and that the lack of the existing ones in the scientific field, the big and important in the definition of this art with data and types.2. The establishment of cultural institutions and the houses of the Arab local publishing translated foreign sources dealing with plastic feminist art experiences in the world, the lack of such sources in specialized scientific libraries.3. The establishment of plastic arts exhibitions and annual festivals and events and periodic conferences, dealing with plastic feminist art, and the definition of the methods and insights, methods and propositions own visual artists.The researcher proposed the following headings study : 1. Aesthetics feminist discourse in modern art.2. Feminist discourse and representations in products of contemporary Arab art.3. The aesthetics of the image in contemporary feminist art

تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي == The Diversity Of Executing Shapes On Islamic Ceramics Andalusian

Author name: منى شاكر عودة
Supervisor name: رنا حسين هاتف الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي، فدرس ماهية تنوع الاشكال وطبيعتها التكوينية ومرجعياتها الفكرية بوصفها نشاطا فاعلا في البنية الجمالية والفنية احتوى البحث اربعة فصول : خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة | This study include the diversity of implemented form of Islamic Andalusia pottery , it includes different types and construction of them and the ideological references as active in artistic composition , also the research includes four parts : The first part include the problem of research and the it's importance , needs , objectives and the most important termed contained category. The problem was identified through answering the next question : What is the variety implement a form of Andalusian Islamic pottery through the formed elements and it's method's. The importance of this research comes from that it represents sight for nature of diversity that occur in implemented form of Andalsium Islamic pottery through searching of it's Composition and construction parts and appearances of ideological concept and it is influences and also the importance of structural and technical wizards that adopted by artist to achieve this diversity , also the study explains to general and private libraries. The purpose of this research is to recognize and idenhfy the different implemental form of Andalusia Islamic pottery through aesthetic organized elements and it's means. As for second part , it includes the theorhcal frame and the previous studies and it contains 3 parts : The first one includes ( the comparisons between different types of philosophical thoughts ). The second one include the formal continent of Islamic art through studying the formal elements in Islamic arts and formal elements. The third one includes the appearance in diversity of forms in Andalusion pottery through different subjects like (Islamic arts and it's properties Islamic Abbasi pottery , Fatimi , pottery , enterance to Andalusain arts and it's methods. As for the third part involve the the procedure of research which include determination of sample research which include determination of research community and the choice of sample research which reach (20) ceramic arts and the research tools and the approach in analyzing the research sample. The fourth part includes the results of research and conclusion , recommendation and suggestion form results that researcher includes like : 1 - The researcher ensures the artistry elements and the organized and it's types through it's forms in related to Andalusion pottery through the artist achievement in formal work to achieve expressive and aesthetic values. 2 - The study distinguishes between the artistry elements and its types in Andalusion pottery because it recognize the importance of work through formal relationships in artistry work. 3 - The formal elements in implemental pottery type of which in spite of it's diversity in relationships to it's forms.4 - The researcher appreciates the nature of different forms of Andalusion pottery through Its appearance in expressive form in order to achieve symbol omitted out of oridinory in pottery arts. The results that the researcher reaches include : 1 - The presence of diversity in artistry elements and organized elements in Andalusion arts in configuration and structure of this art through formal relationships in stearic order and it unites it's parts in the work and it's structure from artistry parts to be in are entity2 - The work's element's and organized elements in Andalusion arts undergo to represent the emotional and expressive sides if the work to display the expressive aesthlic values of the work which results from the artist and it's methods in perform and imovation. 3 - It's go to expressive privacy in Andalusion pottery work through using different ways and archery form and its specific nature to befit to concepts that imposed by Islamic civilizer to be the sign of it's properties. The research ends with some recommendation and proposal and the references and research title and it's abstract in English

اثر دراسة الفن في اتساق الذات لدى طلبة جامعة بابل == The Effect Of Studying Art In The Self - Consistency Of The University Of Babylon Students

Author name: بيداء كاظم عليوي الطائي
Supervisor name: كاظم مرشد ذرب
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
Abstract: يرى الفلاسفة والعلماء والمفكرون والتربويون ان دراسة الفن او ممارسته تسهم او تزيد من بناء شخصية الانسان في جوانبها (المعرفية، والوجدانية، والمهارية ) مما يؤدي الى تحسين سلوك الفرد نحو الافضل الامر الذي تؤكده التربية بشكل عام، ولكن هذه الاراء والطروحات ت | Philosophers and scientists, thinkers and educators believe that studying art or practicing it contributes or increases the building the human character in its aspects (cognitive, emotional, and skill) which leads to improving the individual's behavior for the better, which emphasizes the education in general, but these views and propositions remain within the limits of the assumptions unless it is verified sincerity by scientific research. Hence it identified the problem of current research, which summed up the following question : Do the study of art have an impact of the self - consistency on the students of Babylon UniversityThe Two goals of the research : The current research includes two goals, they are : 1. Build a scale of self - consistency of the University of Babylon Students.2. Detecting the impact of art study in the self - consistency of the students of University of Babylon through the verification of three null hypotheses.Research hypotheses : The research includes the following hypotheses : 1. No impact to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. No trace of the sex variable in the self - consistency of the University of Babylon students at the level of significance (0.05)The research community and specimens : Due to the fact that the research methodology in the current study is the descriptive approach (as a scientific comparative study) has required a comparison between a group of studying Art for four years of study, they are fourth - grade students at the Faculty of Fine Arts / University of Babylon and three other groups have not studied art, they are : First grade students at the College of Fine Arts and the fourth grade students in the College of Pharmacy, and fourth - grade students at the Faculty of Law. Total research community in these colleges for the year stood at (2015 - 2016) (957) students, of which 456 males and 501 females. Due to the researcher to build scale of self - consistency, it has required the withdrawal of three samples from the original research community : the reconnaissance sample reached (64) students pulled intentionally, and sample of building a measure amounted to (394) pulled in a random stratified way 50% of the orgional community, to withdraw the basic research sample, the researcher used the percentage way of the remaining the fourth stage male of The Faculty of Fine Arts as the percentage of males (0.53) The percentage of female fourth Faculty of Fine Arts was (0.47), and the total (224) male and female students.Research Tool : The researcher built an objective tool to measure a variable (self - consistency) according to the following steps : 1. Defining the concept of (self - consistency) procedural definition and analyzing its content into four areas : the relationship with others, and uniqueness, work, and gaining knowledge. And drafting (67) items distributed among them.2. Sincerity tool : the researcher used two methods for the sincerity, they are : A - making sense method : Through content analysis or substance which resulted in the deletion of (11) paragraph of the measure after presenting it to the arbitrators, bringing the number of paragraphs (56) items plus four paragraphs to detect objectivity the scale became a paragraph consists of (60)items and after the researcher has checked the sincerity of scale logically, she has put a the Quintet estimation scale of in front of each paragraph and planned a correction key accordingly. Then she has applied it to build a sample to extract the pilot sincerity.B. Pilot method : extracted in three ways : First - Peripheral comparison method between the upper and lower sets.Second - internal consistency method.Third - factor analysis method.3. 3. The stability of the tool : stability of the tool has been achieved in two ways : A method (Cronbach's alpha) : the stability of the scale amounted to (0888).(B) Midterm Fragmination method : the value of the stability of half - scale (744) since this value represents the stability of half scale, so the researcher used the equation (Spearman - Brown) to edit and extract the full value of scale and get a degree of firmness reached (0853), which confirms that the scale has a high degree of constancy and reliable. These measures have resulted in a measure consists of four areas include (45) items and (4) items were added to detect the objectivity, the researcher used the scale of the Quintet estimation in front of each paragraph and prepared correction key accordingly.Application of the tool : after the tool Completed conditions of validity, the researcher applied it to the basic sample of amount (224) students, and after collecting the forms, the researcher corrected it and discharged electronically in accordance with the statistical program (spss), (5) not valid Form were excluded as the respondent did not complete the answer. Add to the exclusion (18) Form where the submitted to the response objectivity and compare it with the spoken class for the absolute differences was larger than the spoken class and thus the form number has become (201) valid forms,they have been statistically analyzed and the results were extracted.Statistical methods : The researcher used the social statistical Pouch (spss) for data processing were used, the Pouc was used in the following topics : 1. Percentage : used by a researcher to unload arbitrators responses, used in the interpretation of the accepted factors and to withdraw the basic sample.2. Mean : Use in substantive response extraction, strength discriminatory clauses. As well as to find Means for computational research samples.3. Standard Deviation : 4. The standard error : 5. Test (T - Test) independent and equal number of samples. To measure the moral significance of the scale paragraphs, which is used to compare Means when samples are big and equal.6. Person Corrlation coefficient)) : To calculate the internal consistency (ratified paragraphs of scale) and to find the relationship between each paragraph of the scale with the total score of the scale, as well as a way to extract the fortitude fragmentation midterm.7. (Sperman Brown Formula) : used to modify the scale and extract the value of the stability of the entire measure, since after measuring the correlation coefficient between the two halves of self - consistency for estimating half of the test, has been modified the mentioned equation.8. Cronbach's alpha formula : to calculate the tool stability.9. Test (F) to calculate the harmony between the two halves of the scale.10. Used in the factorial analysis procedures and find them as follows : - Simple Pearson correlation. - Contrast interpreter. - The underlying root. - Relative importance.11. Unilateral variation analysis of the samples is of equal size : the researcher used it to calculate the significance of differences in general between the three colleges.12. Sheffe Test : The researcher used it to find the smallest difference between the average scores for the three colleges.13. T - test : for two independent samples and unequal. The researcher used it to find a sign of the moral differences between the first stage and the students of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, as well as the use of the knowledge of the moral significance of the differences in the sex variable in self - consistency among students.Search results : Current search yielded the following results : 1. Having a positive impact for the study of art in diverse branches of self - consistency of the Babylon University students, thus I refused the null hypothesis which says (no effect to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. The lack of a significant difference between the Faculty of Fine Arts departments in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. The absence of a significant difference between (male and female) of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of the sex variable in the self - consistency of the University of Babylon students at the level (0.05 ).

الابعاد الجمالية للابيض والاسود في التصوير المعاصر == Dimensional Aesthetic For White And Black In Contemporary Photography

Author name: هشام عبـد الســلام مصطفـى العباسي
Supervisor name: محمد عودة سبتي | عادل عبد المنعم عبد المحسن
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
Abstract: توسم عنوان البحث الحالي بــ( الابعاد الجمالية للابيض والاسود في التصوير المعاصر ), الذي عني بدراسة الية استخدام الابيض والاسود وقيمتهما الفنية وسماتهما الذاتية ومحاولة الامساك بمرجعياتهما الفكرية والفنية المعاصرة في الاعمال الفنية(الرسم والكرافك) من خلال | The title of the current research is : (The aesthetic dimensions of black and white in contemporary photography), which deals with the study of the mechanism of using black and white and their artistic value and their subjective characteristics and trying to capture their contemporary intellectual and artistic references in the works of art (drawing and graffiti) through four chapters. Which ended with the following question : What are the aesthetic dimensions of black and white in contemporary art?And its importance and need to contribute to highlighting the contemporary art, especially the work carried out in black and white and aesthetic dimensions and technical value and the guidance of their references, and the search for the importance of the employment of black and white in the painting in a distinctive manner, despite the features of these two values of aesthetic and formative, Was to identify the aesthetic dimensions of black and white in contemporary art, while the limits of research related to the subject to study the work of contemporary artists available (black and white) of the artist himself through the subject matter and material and technical touch Serves the media in the output of the painting with their artistic touches implicitly covered. With regional borders including Europe, the United States of America, Asia, and Africa. With temporal limits for the period from the post - World War II period 1945 to 2015, and terms were defined to serve the purpose of the research.The second chapter covered the theoretical framework. The theoretical framework contained three topics. The first topic deals with the study of black and white in the ancient arts, their philosophical origins, and their physiological and psychological interpretations. The second section deals with the study of black and white in the construction of the artistic form. The third topic is the study of black and white artists of contemporary art.The third chapter was devoted to the research procedures (93) pictures, which included the research community, which selected (17) models chosen intentionally, while the researcher took a descriptive approach to the content in the sample analysis.The fourth chapter included the findings and conclusions reached by the researcher.Among the findings of the researcher : 1. The mechanism of works performed in black and white is reflected in the actuality of the act of social, political, cultural, economic and religious reality. The work of art becomes a tool that puts in its first goals everything that achieves an aesthetic dimension to everything without exception, glorifying the individual spirit and elevating the ego on the one hand. To be an implicit invitation to the emotions of isolation, introversion, anxiety and self - imagination and move it with surprise to the recipient with free play, so that these products take formal forms characterized by the adherence to the use of colors with the variety of techniques without constraints that tried to show the aesthetic dimensions.2.The technical aspect has a role in showing the aesthetics of black and white and highlighting some details that distinguish them from others through the texture and the nature of the shapes as in the sample (17.16.14,11,10,9,8,7,3,1,1). The researcher reached a number of conclusions, the most important of which are : 1. The work of artists in Black and White has gained the trait of independence and self - expression in the style of technical innovation, experimentation and bringing new things despite the adherence to color in the output of their works. The style is divided according to the artist's subjective energy and his inner sense between the direct, the immediate, the automatic, the dynamic, (Traditional), fast, simple, complex.The study concluded by presenting a set of recommendations and practical proposals related to the study of the aesthetic dimensions of black and white in contemporary art in order to complement the usefulness, followed by a list of Arab and foreign sources and references and supplements in English.

اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة == The Effect Of Crystal Structure Transformation Of Iron Oxide In A High - Temperature Glaze

Author name: علي صلاح فلاح السلطاني
Supervisor name: تراث امين عباس
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والذي يقع في اربعة فصول , حيث تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤل الاتي : ما هي تحولات الاطوار البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والتقنيات ا | This research means to study (The effect of crystal structure transformation of iron oxide in a high - temperature glaze) , it consists of four chapters, the first chapter presentation of the problem and the specific questioning follows, what are the changes the crystalline phases of iron oxide in a high - temperature glaze , and techniques resulting from them? While the research objectives legally set as follows : Define the shift in the crystalline phases of iron oxide in a high - temperature glaze.Define the techniques resulting from these transformations of iron oxide in a high - temperature glaze.The second chapter mean theoretical frame and previous studies, is divided on several axes, where mean first axis study crystalline structure, while the second axis mean studying the crystalline structure of the ceramics, and the third axis mean studying iron oxide red (Fe2O3) properties and crystal structure, and the last axis mean has studied stoneware (stoneware).The third chapter dealt procedures for the search, which was conducted the work of five firing and cooling programs and these programs are, oxidized firing program (OG) reduction firing program (RG) slow cooling oxidized program (SG) the Program of firing crystalline (CG) and the program of firing multilayer glaze oxidized (LG), and in the light of these programs and the results of exploratory experiments were selected a number of mixes glaze according to each burn and cooling program, has been added red iron oxide (Fe2O3) to these mixtures different proportions.The formula unit is to calculate (Formula Unites) using an electronic formula calculation program (Glaze Master) which illustrates the totals for the three oxides values (RO2 - R2O3 - RO, R2O) set the temperature from which the inference coordinates system (Matrix).The researcher also conducted several laboratory tests the chemical Analysis , physical examinations of samples of pottery and clay (Linear Shrinkage, Apparent Porosity) and checking mineral analysis (X.R.D) for mixtures of glaze as well as examine chromatography analysis according to the system (LAB) through the use of a chromatography analysis (Precise Color Reader).The fourth chapter mean displays the results and discuss them the most important conclusions are : 1. Transformations taking place in the crystalline phases of red iron oxide (Fe2O3), resulting from the heat and cooling agents.2. Different atmosphere fire given changes in the crystalline structure of the oxide red iron (Fe2O3) by firing oxidized and reduction programs.3. It gave atmosphere reduction fired best shift of the crystalline structure of the iron oxide red, as the transformation from hexagonal crystal system with a crystallized form of a Rhombohedral system to the crystal cube.4. Proved that the oxidized firning program and slow cooling oxidized and fire the crystal's ability to keep the crystal structure of the iron oxide red in the crystal system is hexagonal shaped crystal Rhombohedra.5. Get the display technical amorphous (Crystalline Glazes) of red iron oxide, using feldspar Potash or soda, without resorting to the use of (Frit).

التفضيل الجمالي وعلاقته بانماط التفضيل المعرفي لدى طلبة كلية الفنون الجميلة جامعة بابل == Aesthetic Preference And Its Relationship To The Patterns Of Preference Cognitivethe Students Of The Faculty Of Fine Arts University Of Babylon

Author name: ناريمان اكرم محمود العكام
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
Abstract: ترى معظم الادبيات ان الجمال هو مثير يولد لدى المتلقي جملة تغيرات جسمية ونفسية ويثير انتباهه وملاحظته ويجعله يندفع الى التفضيل الجمالي، فالتفضيل الجمالي هو عملية سلوكية عامة يقوم بها المرء تجعله يحب او يقبل او ينجذب نحو فئة معينة من اعمال الفن من دون غيره | Most of the literature you see that beauty is sexy generates the recipient among other physical and psychological changes and provokes attention and be seen and makes it rushes to the aesthetic preferences, Valtvdal aesthetic is a general behavioral process carried out by one makes love or accept or gravitate toward a particular class of works of art without the other; were numerous views on the interpretation of aesthetic preferences Some of them sees an innate trait in humans and were seen as the phenomenon of educated and growing and some of them see it affected an objective or subjective factors and these theses remain in need of rigorous scientific testing to verify the sincerity in practice, the receiver factors is the human being who is exposed to acts of aesthetic and responds to a Check is a figure of the total behavioral and cognitive attributes.As well as featuring the current era we live in change and complexity, speed and massive development of the information and the era of knowledge explosion, and so we find in general growing interest in cognitive processes and here the importance of the cognitive aspects come in dealing with information, process and manipulate accounting for this favorite means by educated people in the reception and processing of information and represent patterns knowledge of cognitive strategies to learn an individual's learning style has targeted the current research to identify : - 1. Detection aesthetic preference among students of the Faculty of Fine Arts, University of Babylon.2. Identifying the differences in the level of aesthetic preference among the students of the Faculty of Fine Arts, University of Babylon, according to the race.3. Recognize the preference of cognitive patterns of Fine Arts Students - University of Babylon.4.Identify statistically significant differences in cognitive preference patterns among students of the Faculty of Fine Arts, University of Babylon.5. The relationship between the aesthetic preference and preference patterns of knowledge among students of the Faculty of Fine ArtsThe study included four chapters as follows : - The first chapter included the problem of the study and the importance of and need for, and objectives of the study and its borders as well as determine the terms contained therein.The second chapter included as part of the previous theoretical studies, as it dealt with a researcher at the first section aesthetically philosophy, while the second section has dealt with the researcher aesthetic preference, and the third section patterns of cognitive preference. But previous studies have been presented by the researcher parallel zones of separation and to agree with the current study.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement to delete group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement Khzvt group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.The fourth chapter included a presentation and discussed the results of the study as well as conclusions and recommendations and proposals and the conclusions of its study : 1. The presence of a low level of aesthetic preference of the students of the Faculty of Fine Arts, as she was the calculated value of $ (1,366) smaller than the tabular value of $ (1.96) at the level of significance (0.05).2. There are no differences in the level of aesthetic preference, amounting to the calculated value (0371), the smallest of the tabular value of the (1.96) at the level of significance (0.05).3. The presence of a high level of patterns of preference knowledge to the students of the Faculty of Fine Arts, as she was the calculated value (6138) and (4202) and (2785) and (2045) Patterns (remember, the principles, the critic, the application) greater than the tabular value of the (1, 96) at the level of significance (0.05).4. A) And no statistically significant differences in the pattern of memory depending on the variable (sex) were in favor of females as the value of (P) calculated (6541) which is greater than the value of tabular the (1.96) at the level of significance (0.05) and the degree of freedom (1) and (149), while the other styles, there are no statistically significant differences.B) And no statistically significant differences for the typical remembering and application depending on the variable grade and was in favor of the fourth stage as the value of (P) calculated (27.842) and (9165) on the sequence which is greater than the tabular value of the (3.89) at the level of significance (0.05 ) and the degree of freedom (1) and (149), while the typical critic and principles, there are no differences.C)There are no statistically significant differences for all styles, as the value of (P) calculated (0602) and (1933) and (0631) and (0476) on the sequence which is smaller than the tabular value of the (3.89) at the level of statistical significance (0.05 ) and the degree of freedom (1) and (149.There were significant differences in the pattern of remembrance for the interaction (sex × grade × specialization) as the value of (P) calculated (5959) was the biggest of the spreadsheet the (2.42) at statistically significant (0.05) and the degree of freedom (4 ) and (149), while the rest of the patterns were not statistically significant.5. The existence of a positive and a weak relationship between aesthetic preference and style to remember (0022), and the existence of an inverse relationship and weak between aesthetic preferences and style of the critic ( - 0.109), while the relationship between the aesthetic preferences and style principles are inverse relationship is very weak ( - 0.018), while the relationship aesthetic preference and style of the application (0125) is a positive and a weak relationship.The researcher made a series of recommendations and proposals, including : - 1. to provide educational institutions starting from kindergarten and up Undergraduate all modes of education on aesthetic preference and interpretation of its implications in all areas.2. Make use of the patterns of preference cognitive measure in determining the student to the style that suits him down as the need to enhance the cognitive patterns of preference among students through the curriculum.The proposals : - 1. relationship preference aesthetic tendencies technical students at the Faculty of Fine Arts.2. Information processing and its relationship to cultural norms cognitive preference among students of the Faculty of Fine Arts

الابعاد النفسية للتعبير الفني في الفن الكرافيتي == Psychological Dimensions Of Artistic Expression In Graffiti Art

Author name: حوراء علي عبد محمد
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
Abstract: يعد الفن الكرافيتي من اخر الحركات الفنية التي نمت في اعقاب الحرب العالمية الثانية لزوال الرقابة الصارمة على الجدار او الاماكن العامة، وتعبيرا مباشرا لمشاعر الفنان بلا قوانين فهو من فن ما بعد الحداثة محملا بابعاد نفسية يصبها على الجدار او الفضاء العام | The Graffiti art is considered as the last artistic movement which appeared at after the second world war The lack of strict control appearance on the wall or puplic places, and a direct expression for the artist feeling without laws art postmodern which loaded by many Psychological dimensions touched by on the wall, or public space to form the contact with the other world forum for debate on any subject, whether economic or political, religious or even sexual. Eating current search the psychological dimensions of artistic expression in graffiti art,the research community is made up of (200) work of art,and select for the period(1975 - 2016) ,and research sample (20) work of art, statistical methods were used scott and cooer and arithmetic mean.among the results that have been reached : 1. psychological dimension has appeared Representatively by the worried among the painters throughout features ( involved and partial shapes ) ( feel the artist loneliness ) and (The presence of the features of imaginary ) and ( the Varity in colors , sizes , details and proportions and ( The intensity of the movement and emotion ) and (fragmentation of forms ) in quantitative statistical analysis , in which three items has gained the high in the arithmetic average for the items (39%) the items indicative of a anxiety , the anxiety has represented among artists (Michelle, Branuc nock ???,bankce, and Keith).2. psychological dimension has appeared representatively by introversion among graffiti art's artists statistically through ( the pessimistic sence and present the world tragically) , (the depth and ambiguity of the ideas presented in the artwork ) , ( using dark colours ) , (neglect the work space or non interest in it ), (the lack of details drawing elements and its sense of stillness ), in which three items has gained the high in the arithmetic average for the items ?????? so that these items indicate the introversion, the introversion has shown with artists ( Mart, Michelle, Banksy, Nock ).3. psychological dimension has appeared representatively by extraversion for the painters statistically throughout ( Idiomatic expression of subjective feelings of the artist ), ( sense of optimism from the atmosphere artwork ) , ( having a sense of Carnival )and ( using colours that represent happiness and pleasure ), in three points in this work area have gained the high in the arithmetic average for the items ?????? these points indicate the extraversion the extraversion has appeared with painters ( Alis , Quik and Miss Van )..Some of the conclusions reached by the researcher : ?. Generally the Postmodernism art characterized by pluralism and overlapping races , varity of art styles , keep away from the constants in the area of individual and temporary methods that the Postmodernism art characterized with and before it , and the psychological dimensions in Graffiti art agreed with the nature of this openness and The overlap of races.?. The big diagnosis in the Graffiti paintings with repetition of the artist's name characteristically in artwork ,If anything, it shows the artist's quest to prove himself , and confirmation of him especially that the Graffiti art painters are oppressed by agencies specialized lifting these paintings and reject its content which pushed to Incitement and a provocation and consider it also titled ugliness.?. The Graffiti art paintings have taken huge area from psychological dimension that filled throughout display conscious and unconscious that characterized in involvement of the recipient, it is like remarkably and exciting letters contain purposes and other media order imposed ,as well as functional ones in several areasthat is how the researcher has concluded her research by recommended and suggestions and then the sources and appendixes

النزعة الروحانية في الرسم الاوربي الحديث == The Tendency Of Spirituality In Modern Euroean Painting

Author name: مها عبد العزيز ساجت القره غولي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تكون البحث الحالي " النزعة الروحانية في الرسم الاوربي الحديث " من اربعة فصول , تناول الاول منها مشكلة البحث والتي حددت بالاجابة عن التساؤل الاتيي : هل هناك نزعه روحانية تمثلت في مدارس فنية متعددة في الرسم الحديث ؟ وماهي مجرياتها وهل هي ناتجة عن صراعات | The current research consists of the tendency of the spirituality in modern European painting.The research including Four chapters.First chapter ,have research problem which is limited by the answer to the following question : First question : Has the spirituality a tendency in modern European painting ? Second question : is there a spirituality tendency in modern European painting ? The first chapter have also included research important and need for it , and also contains the aim of research “Identify the spirituality a tendency in modern European painting “. While the research limitation contains the period between 1870 - 1960. The second chapter includes two research , first research : includes the spirituality in philosophical thought ,while the second research includes spiritual references in art ; moreover ,the same chapter contains ,theatrical frame and its indicators ,and previous studies. The third chapter includes research procedures ,such as research society , research sample and research tool : in addition , research methodology , and analyses sample amounting “16” patterns. The fourth chapter includes results research ,and its discussion ,conclusions , recommendations and suggestions. Among results ,the researcher reached following results : 1 - Spiritual illusion and Sensory perception play important role in modern European painting , Then activate the picture s and the incusion in to the depths of and feeling inspiration of the artist and the search for spiritual reservoirs contact with God.2 - Each of the concepts of time and space associated spiritual tendency , according to the Holy Quran from Dialogues angelic where is no time and no place versa in this relative live.3 - The artist seek for a high tendency in modern European painting and this trend four in the samples analyzed and in respect of the spiritual dimensions which have fixed indication for the liberation of vision depends intuition and free fantasy that reflect the outside word in the European art inspires artists of modernity in the construction of their artwork and using them to produce artistic different drifts expresses the freedom of the spirit of the modern.4 - The pure form discussing modern abstract with modern European painting for regular structure of relation between the elements to produce geometric shapes based on engineering indicative dimension ,but high spiritual idealism in the construction abstract in modern abstract support pictorial idealism situation linked to the reality of spiritual sensory ,while in modern European painting linked to the spiritual aims borrowed from the luxury qualities of absolute monotheistic. The researcher has found a group of the following conclusions : 1 - European artist derived spiritual trend from the ancient Greek civilizations,taking in to consideration the religions, which was carrying the secrets of cosmic through spiritual and mystical contact with that employed by the artist in his paintings component creative form.2 - Spiritual tendency represented the thread of luminous or beam and the rope of connection between the artist and the creator ,the has found pure single spirit of self and pure purity and that string represents the spirit descend a pure artist and close to the body so that the devil receives and disperses it with analyzes the light in to the colors of the solar spectrum which represents indispensable article sensory ,so when the artist liquidates his self and diminishes his attachment with materialism , the light will be increased and liquidates , and then become whit lights as his origin oneself , so Mohammed the prophet “ peace be upon him “ said : “who knows himself knows his lord “. According to what results reached by the researcher and conclusion and perfecting of the interest and knowledge ,the researcher considered the following recommendation : The students of higher studies including students of art and religion and who owns the relationship should benefit from this studying.As a complement to the requirements of research and scientific, ”dimensional spirityality and indication in the works of European artists

الابعاد الجمالية للاشــــــكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي == Dimensional Aesthetic Art Forms In The Iraqi Folk Arts And Their References In The Collective Unconscious

Author name: علي عزيز ناصر
Supervisor name: دلال حمزة محمد | علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث(الابعاد الجمالية للاشكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي) باربعة فصول ضمن الفصل الاول الاطار العام للبحث وتم فيه عرض مشكلة البحث والتي حددت التساؤلين الاتيين : - هل تمتلك النتاجات الفنية الشعبية من البسط والحلي اش | The research (aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious) in four seasons within the first chapter general framework of the research in which the research problem has been identified and Altasaalin the following two : - Are Owns the popular artistic productions of rugs and ornaments forms have aesthetic dimensions representing a phenomenon in terms of the nature of the technical systems of shapes, lines and spaces and technologies. - Do you have the artistic productions as a formality texts of their references in the collective unconscious on the art forms represented in the productions Livni rugs and ornaments of the dimensions of a formal written and color and dimensions Amadaminah (code - listed - values - ideas perceptions). The importance of research in the detection of the aesthetic dimensions of art forms in the Iraqi folk art in which may enrich those in charge of technical education and researchers in the field of folklore studies and anthropological fact that folk art one of the main tributaries of the Iraqi identity. The research aims to identify the aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious. Confined to the limits of research forms the technical Folk Art (ornaments popular numerator) for the era of (1900 m - 2015 m), Iraq's adoption of the descriptive approach and the way the descriptive analysis for the purpose of fact - dimensional aesthetic forms of art and their references in the collective unconscious of the Iraqi folk art works for the extension and ornaments. As well as identifying terminology research.The second chapter presented the theoretical framework and previous studies and discussed in terms included three sections, taking the first section of which dimensional conceptual and aesthetic reference for the Arts popular composition represented by the forms and symbols in the cultural heritage of Mesopotamian and Islamic, while taking second section study of folk arts among aesthetic shape and significance, and display the third topic the concept of collective unconscious mechanisms Achtgalath in technical fields through exposure to Helms by the world, "Jonk" about the collective unconscious and mechanisms Jonk. The third chapter contained on the applications of the aesthetic dimensions of art forms in the Iraqi folk art and of rugs and ornaments through a sample of (18) form derived from the framework of a society (180) model and using indicators of research and mechanisms Jonk in the research sample analysis. As it is proven in the fourth quarter results, conclusions, recommendations and proposals, and reached by the search of the most important conclusions, including : 1. manifested many of the characteristics of the forms of roots and historical assets - alravedanah and Muslim - through the emergence of decorations geometric modified, and another with an ideological link Old such as the cross and the star octagonal and triangle Almottagabl the head, which are connected to the cultures and references unconscious association in contexts deliberative.2. larger circle has formed part of geometric abstract involved in the formation of ornaments because of its historical significance and origins of ancient and Islamic folk artist he took it upon himself to be replicated in most of his works of art realized in rhythm all the ornaments samples. Conclusions1. The aesthetic formats in the popular arts represented technician rugs and ornaments derived many Ansagha and their references symbolic and formal design of the structure of the ancient Mesopotamian art and Islamic ones.2. indicate processors Constructivism to the concept of collective unconscious and resulted in the meanings and connotations conceptual, to the existence of civilization continues to derive its terms of reference of the artistic and literary productions of Islamic civilization and the ancient civilization of Iraq.3. The most popular designs rugs based to mathematical logic, based on the structures Alchidah stringent than existing lines and obtuse and acute, to be its forms, including engineering and predominantly (appointed, and the Triangle, and the box and combine them).4. Try to folk artist through gold material moving between abstraction and reality, and the imposition of vegetarian content in a part of the artwork and the content of symbolic and social Kalhilal for example, in another part, which represents the references in the Iraqi and Islamic thought.

الطرائق المعاصرة في صيانة الاعمال التشكيلية == Contemporary Methods For Maintenance Of Plastic Art Works

Author name: سيف حسام علي الشلاه
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تناولت مشكلة البحث الموسوم : (الطرائق المعاصرة في صيانة الاعمال التشكيلية) دراسة في الطرائق المعاصرة المستخدمة في صيانة الاعمال التشكيلية. وقد جاء البحث في اربعة فصول : اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا بمشكلة البحث واهميته والحاجة اليه , وهدف | The research which entitled "contemporary methods in maintenance of plastic art works is divided in to four chapters, where the first chapter concerns the systematical frame work of research, that is by : research problem, research importance, research need, research aim, research limits and research terms. so the research deals with the study of the mentioned contemporary methods. research problem also concerns presenting the scientific and technical turn which leads to the development of maintenance procedures that conducted in treating the damages which affected the artistic works. these procedure are according to a modern scientific visions and methods, which differ in a great extent from the traditional methods that were adopted previously in artistic works maintenance. basing on this, the techniques of artistic work remedy were in a direct properties with great evolutions in the plastic art movement along it's long history. so the testers and those who interested in maintenance affairs have to be aware about the successful and active technique for repairing artistic work damages, by more technical and scientific additions which enhanced the artificial contemporary maintenance methods.by this aspect, the research problem originated through the answers of the following question : • what are the maintenance procedures. that adopted by the contemporary methods in the maintenance of plastic art works?• how can a maintenance worker to achive a sort of coordination between the damages nature and the scientific apparatus used for remedy. research importance and its need are integrated , where research concerns the ability of keeping the aesthetic and artistic heritage of art works through repair in its damages, and to renew its display in a better form as well. also to keep abreast of scientific development in maintenance of plastic art works which subjected to the so phisticated technology and science philosophy as well.the research represents an attempt to open the horizons of practical knowledge for researchers in maintenance of plastic art works, and to encourage them to search the nature of this science and to realize its mechanization. the research provides a scientific effort for our plastic art libraries, in order to make it easy for readers and those who concern this topic to get a knowledge about maintenance science in it's both theoretical and practical sides. advanced studies students, also may make use of this research, through their eruditeness on this research especially, research procedures, research results and conclusions, research aim is to make a knowledge about the contemporary methods in maintenance of plastic art works. research limits was specified by the study of the contemporary methods used in maintenance of plastic arts works which executed by different materials on different surfaces. this study includes the scientific procedures, apparatus, technical means, chemical materials and physical stuffs. for time, a group of plastic art works were chosen within the period (1923 - 2005) for place, they were chosen from Iraqi and Egyptian art. chapter two which entitled "The theoretical from work consists of three brochures, the first entitled maintenance concept between science and art" which includes many topics such as : maintenance and repair in concept and the difference between them, aging concept, damage concept, maintenance kinds, maintenance science and revelation techniques in art works. second brochure deals with traditional means and technical mechanization of plastic art works, in which the art work components were explained. third brochure studies the "contemporary methods in maintenance of plastic art works", in which the methods and its mechanization were explained.chapter three assigned for choosing the research group which consisted of (62) sample with different kinds of damages, (38) of them were from Iraq and (24) from egypt, (5) specimens were choosen with different surfaces, (3) from Iraq and (2) from egypt. research procedures were done by maintaining and repairing (5) specimens according to highly phisticated scientific laboratory methods. each art work subjected to a different repairing plan.chapter four consisted of : research results, conclusions, recommendations and suggestions. the researcher concluded a sum of results in the context of the answer of research aim such as : - the experimental knowledge of contemporary maintenance methods widen the importance and value of the work to be repaired treatments that achieve a functional aspect in reforming the artistic work, then presenting it in anew effective manner.that is clear in the specimens of the research sample. - the scientific knowledge of contemporary maintenance methods which used in specimens of research sample effected by the activity of physical and chemical factors, and by their interaction as well. that was clear through conducting many laboratory tests for materials and item used in repairing and maintenance processes.Research treated the specimen (No.4) according to scientific analysis done by vertical photo microscope (V.P.M), which contributed in repairing treatments of damages through marking the detects, cracks, detachment and revealing the original clours. Researcher applied the process which known "Fourier transform in treated spectroscopy" (FTIR), for repairing the specimen (No.4) through making use of it to find out the work consistent and the way by which the colours were applied.Researcher had concluded the following conclusions : • repairing treatment according to contemporary maintenance methods contributed in displaying a new results, which differ from the results of traditional previous methods. That is because of the use of the new developed techniques of the modern maintenance apparatus, as well as using a specialized new devices which operate quickly and precisely.• The use of contemporary scientific apparatus shows a variety categories of testing and scientific analysis for all detects and damage that infect the painting, beside showing the ability of damage treatment by the adopted maintenance and repairing mechanization. Then it is clear that the joining of analysis process with maintenance treatment emphasizes the necessity of searching of temporary scientific and technical alternatives, coming to enhance the structure of the artistic work and repairing it as well, beside keeping it away from danger and circumstances which may infect it.Researcher submitted a sum of recommendations, suggestions and a list of resources.

الملامح الدرامية وتمثلاتها في منحوتات بلاد النهرين == The Dramatic Features Which Are Represented In The Sculptures Of Two Rivers Land

Author name: محمد علوان كاظم العتبي
Supervisor name: عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: This study intends for plastic creations which belongs to the civilization for two Rivers Land , and entitled "The dramatic features which are represented in the sculptures of Two Rivers Land ". It is a perusal to the protruding sculptures and the cylindrical stamps in attempt to know the dramatic structure they contained , through which the artist of the Two Rivers established plastic images change by their meanings the oratorical to imitate the human action and its religious , political and social connections by describing them as intellectual concepts, their methodology is the brain of the Two Rivers since the semi - writing age until the decline of modern Babylon, The study included a discussion of the dramatic construction elements and the mechanism of their working in the sculptures with regard to their formal and conceptual symmetries. The study included four chapters, the first chapter contained the methodical frame of the study , starting with the problem ended with the following inquiry : How were the dramatic features represented in the sculptures of Two Rivers Land ? The study is important because it highlights the dimensions of drama a concept by describing them as an aesthetic structure controls in a gestation of Two Rivers Land sculptor, which forms a new perusal to the sculptural texts which belong to that age with its historical sequences. The study also paves the way for larger understanding of Two Rivers culture in its artistic and historical aspects. The purpose of the study summarizes in coming to know the dramatic features represented in the sculptures of Two Rivers Land. The chapter also included the limits of the study represented ( by subject ) in the sculptural , protruding product and the cylindrical stamps , and ( by place ) the Two Rivers Land , and ( by time ) from the semi - writing age till the end of the modern Babylon age. Moreover , the researcher defined the terms of the title of the study used in the theoretical frame and the procedures , when on the other hand , the second chapter included the theoretical frame and the previous studies of the research, for it included three basic studies , the first took an interest in the drama concept and its rise, in which the researcher reviewed a preface about the rise of drama and the elements of the dramatic structure ( the plot, personality , language, the idea and the visualizations ) , in addition to the historical roots of the rise of drama in the plastic arts and their changes through the ages. The second research was entitled " The dramatic features in the thought of the Two Rivers Land " which branches into two axes , the first " The dramatic features in the religious thought ( the beliefs, rites and legends ), the second axis included the dramatic features in the authoritative thought , through which the researcher reviewed the dramatic ceremonies concern the ownership and its religious connections. The title of the third research was " The dramatic features in arts of Two Rivers Land " , which tackled the dramatic works in the plastic arts ( building , sculpture , cylindrical stamps , crockery and the mural ). The third chapter was based on the procedural frame contained the whole study , included the sculptures of the Two Rivers Land ( the protruding and cylindrical stamps ) which come to ( 120 ) samples , regarded as an establishing base to choose the study specimen which comes to ( 20 ) samples , and were choose intentionally according to reasons allowed by the researcher to comply with the study purpose, among them , depending on the texts in which the dramatic features concentrated within their formal and conceptual systems which drive at the realization of the dramatic structure which was contained in the sculptures of the Two Rivers Land. The researcher also depended on the cognitive indicators which were revealed by the theoretical frame as an instrument for research , but the research methodology is the ( descriptive, analytic ) as the followed methodology in the artistic and aesthetic studies followed by analyzing samples of the study specimen. The fourth chapter was a review of the most important results which were reached by the researcher after analyzing the sculptural samples represented the study specimen , the most important among them was : The dramatic features become clear in the sculptural texts through treating the dramatic structure elements by the artist. The researcher reviewed the approaches of those elements and the mechanism of their working in the samples mentioned in the analysis and the dramatic action rise in the specimen samples through the concept of ( the struggle ) which materializes in the sculptural views according to the action structure and its subject, where it reflects the human behavior structure and the wills contradiction in the content of the dramatic performance and in the light of those results , the researcher reaches several deductions , the most important among them are : the Two Rivers Land artist had a large capacity in observing and comprehension the reality and in imitation it , in addition to his awareness to his awareness to the intellectual changes through the history of that civilization , therefore , the sculptural works came to embody the cultural scene and its development in every age , followed by recommendations which the researcher thinks can serve and develop the artistic production movement in Iraq, then the researcher offer some suggestions to continue what he has started according to what he has raised of topics in the tour of his study. Finally , the researcher put the sources and the references which contributed in the theoretical establishment of the study and what followed it , in analyzing of the study specimen , then he put the appendixes which contained the illustrative tables regarding to the subject of the study , until the study is concluded by an abstract in English language.

بنية الخطاب في الاشكال الواقعية للخزف المعاصر == The Structure Of The Speech In Real Forms Of Contemporary Ceramics

Author name: حوراء كاظم عبد الحسين شبر
Supervisor name: تراث امين عباس
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: انطوى الخطاب الواقعي على معاني دلالية تعد مؤشرات العقل وطبيعة النظر الى العالم والحياة, الامر الذي جعل من الشكل الواقعي خطابا متحركا يتسم بطابع الهيمنة والتعدد والتنوع, تبعا للتحولات الفكرية والتقدم العلمي والتكنولوجي فضلا عن دور الفنان /الخزاف في خلق | This involved the realistic discourse on the tag metals are mind indicators and the nature of looking at the world and life, which made of shape realistic speech moving in character hegemony and pluralism and diversity, according to the transformations of intellectual and scientific and technological progress as well as the role of the artist / potter in creating speech Khozvia reflect the reality of their community and their culture and Aydlewjyatem through an important tool, but a ceramic art form Vakzb realistic structure of knowledge and replace it from rolling to the reality and the reality of a new esthetic and it Address the current research study (the structure of the speech in real forms of contemporary ceramics), which is located in the four chapters devoted the first chapter to a statement of the research problem and identified by answering the question follows : What is the structure of the speech in real forms of contemporary ceramics?And it demonstrated the importance of research to highlight the dominant in the Western world of letters to find out what is happening in the Western world and the culture of their community, as is the art realistic cornerstone in our contemporary life and as an opportunity to recognize the cognitive facts also included the figure unrealistic technical letters with inferences of thought which have an impact Brphi curriculum in cognitive and academic institutes and colleges and the Centre for Fine Arts.While ensuring objective of the study know discourse structure in realistic forms of contemporary ceramics and at the level of the cultural pattern contained therein that form either the limits of the research included the objective limits studying business ceramic realism of the forms and the limits of temporal from the (2000 m - 2015 m) and the limits of spatial in the United States and some European countries They also reviewed the terms are (infrastructure, letter, shape, realism).While the second chapter of the theoretical framework and the most important indicators that resulted, and previous studies, as it included a theoretical framework three sections explain which influenced the speech unrealistic shifts intellectual, mental and the accompanying change of ideological ideas, social conventions taking place in the center of human things that make each style stage a certain amount of rhetoric unrealistic, and therefore have Me first section addressing approaches conceptual discourse the second section was devoted eating discourse realistic across different time period explained through which shifts discourse realistic structure in the ancient art of the Middle Ages and then in the Renaissance and then shift Alazaara discourse realistic in contemporary art while eating the third section speech figure in contemporary ceramics.The third chapter dealt with procedures for search and included the research community and appointed by the research methodology, which the researcher approach adopted Alosfi - method of analysis based on the indicators resulting from the theoretical framework as a tool for the analysis of the sample, (15 guestrooms) in accordance Khozvia from an adult search community number is (159) in accordance with Khozvia.The fourth chapter discusses the results reached at her research, including : 1. The speech took formations cognitive structure in the form of a realistic and contemporary modes of communication in order to make it within the circle of virtual reality, for reality puts an endless production of images.2. cleared discourse structure in Figure realistic ceramic, Kpnip synchronous moving up to read the event through the picture, and create an image of the event, and in both cases is the characterization of the reality of the current era, and this is what made the unrealistic figure holds a narrative structure.3. Generate realistic figure in the contemporary ceramic art a moving speech in the field of sensual pleasure, came realistic figure, such as building a knowledge of the structure of the speech from the visual experience.As well as the conclusions of the research, including : 1. The structure of discourse in contemporary ceramic forms of realism, is the restoration of the Queen of the perception of the taste aesthetic ceramic formations process visually, after the departure of those models Zmcantiha first and functions.2. The structure of the contemporary discourse in the form of a realistic ceramic axes can be included daily events of contemporary life and the requirements of modern man, and the culture of consumption and commodification of social and that social structures and economic structures, political structures, and the culture of technology and electronics.3. The forms constitute a realistic reading and revive the values of margins and documents that make up the culture of the current era, and realistic figure in contemporary ceramics, converts vocabulary borrowed the structure of the group of letters.And continue with the conclusions and recommendations were followed by suggestions The list of sources and references.

جماليات المنحوتات الخزفية في العصر السلجوقي

Author name: ميساء سليم عبد الواحد الخفاجي
Supervisor name: محمود عجمي جاسم الكلابي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة جماليات المنحوتات الخزفية في العصر الاسلامي السلجوقي، والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤلين الاتيين : هل شكل العصر الاسلامي السلجوقي ظاهرة في الطرح لما انجز من المنحوتات الخزفية، بحكم م

تاثير الحرق الاختزالي في زجاج الرماد الملون == The Effect Of Burning Meiosis In Stained Glass Ash

Author name: زهراء رسول كاظم الاوسي
Supervisor name: حافظ كاظم المشايخي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تناولت هذه الدراسة تاثير الحرق الاختزالي في زجاج الرماد الملون, اذ تم اختيار طينة الكاؤولين (الدويخله البيضاء) لتحملها درجة حرارة عالية, اذ تم صياغة خلطة الطين المتكونة من الكاؤولين (Kaoline) والطين الناري (Fire Clay) والسليكا الزجاجية (Flint) الفيلدسب | This study include the effect of reductive firing in colored ash in which I chose koaline clay in (Dwakhla) because it with stands the high temperature, it constitutes from kaoline., clay fire flint, filsbar. Alsodume I chose two types of ash (saef ash, and alqash ash) the added constituets (filsbar Alsodum (Na2OAl2O3.6Sio2) Borax (Na2o2B2o3) Calcium Carbonate (CaCo3).In order to decrease the tempreture of ash, I chose six colored oxides three paints which in cluede : (managanese oxide (MnO) , Copper oxide (CuO) , Redlron oxide (Fe2O3) , Chromium oxide (Cl2O3), but the red, yellow, blue paints are present in Babylon governorate.For the part of the ortical aspeet, (second part) had three researches : The first Glaze which had special effects which include the historical aspect which include the ash glaze salt glaze, bone ash.The second part include the major glaze components and the colored effects of colored oxides in the research and the third part include clays, firing place, reductive objects in the research.The third part of research procedures include research methodology used, were prepared from clay and burned at temperature (1200 - 1250 - 1300 ) and was prepared glaze and subdue all components of the mixture of glaze the unit formula act which materials.Temperature (1150 , 1200 , 1250 ) and featured the best one temperature (1200) was prepared glaze and subdue all components of the mixture of glaze to the unit formula Act which added materials as base Secker and reached number mixture (4) mixtures were grinding glaze process by the centrality of the mill and plate glass output on the objects of pottery and the use of gaseous furnace in the burning process and temper atures (1150, 1200, 1250) best one temperature (1250) and by an electronic device was measured and burning has reached the number of samples that the tzgegeha (90) samples and by experts in the technical field were selected (40) samples to be conducted tests on them where they were examined chromatography analysis using a device (precise color reader) and check - equipped projector using a device (digital microscope) and examine the texture by experts with competence after the appointment of a scale of three standards by the researcher is composed of (coarse, medium and fine and medium fine). And then was a calculation to measure the surface tension and density of the glaze ceramic.After that I do mathematical calculation in order to measure the surface tention, density of ceramic ash, the results to research glaze samples in which. I use 2 types & glaze : saef ash and kasab ash glaze, the study concluded that kasab ash glaze is better than saef ash glaze in oxide live process, but the reductive results concluded different results and appeased better results in nephthalin redacted and wood dust redacted in colored homogeneity in all samples which had good fusion and good aphesis properties.In the surface in either the color homogeneity in results of redacted samples (Nephthalin) wood dust ash, gas, carbonate, silica and the results were compatible with research hypothesis

توظيف الاشكال الفنية الشعبية للتمائم والاحجبة في الفن التشكيلي العراقي المعاصر == Employment of Public Artistic Forms For Amulets And Puzzles In The Iraqi Contemporary Plastic Art

Author name: نادية عباس عبد الله نجم الخفاجي
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: The current research (EMPLOYMENT of PUBLIC ARTISTIC FORMS FOR AMULETS AND PUZZLES IN THE IRAQI CONTEMPORARY PLASTIC ART) aimed to knowing the methods of how to employ the popular artistic shapes of amulets and puzzles in the contemporary Iraqi plastic art , the research includes four chapters, first chapter dealt with showing the problem of the research represented by the question : Do amulets and puzzles pose a cognitive, cultural and religious space in the consensus memory for communities and Iraqi community specifically is one of them andto what extent do the popular artistic shapes represent an aesthetic phenomena has its presence and effect as it needed to be employed in the contemporary plastic arts?In addition to that included also importance and need of the research, the goal of the research was represented by knowing the methods of employing popular artistic shapes for amulets and puzzles in the Iraqi contemporary plastic art. The limits of the research were about studying the works of Iraqi plastic art such as painting , sculpture andceramic in the period ( 1952 - 2010) , then the researcher defined the most important term came into this research.Second chapter concerned about theoretical frame and previous studies, theoretical frame included two sections, the first one is about : investigating historical, cognitive and aesthetic dimensions of amulets and puzzles , while the second section was about : Quotes of employing the folk heritage in the Iraqi contemporary plastic art, then ended the theoretical frame with a punch of indications by showing previous studies and discuss them.Third chapter pertains with procedures of the research included the following : Population of the research included (82) plastic art works (painting, sculpture and ceramics) within the limits of the research, it is been choosing (18) patterns and analyzing them in the shed of imitation of tool pivots.Research's tool : Through the theoretical frame and its indications, the researcher created a content analyzing form to analyze the artistic works through sample of the current research, in the shed of stipulations of pivots of research tool, this form was showed to some experts, the she modified the form after entitling the external truth according to Coper equation, then she created the consistency of the tool using Scott equation.Fourth chapter : included the results, conclusions, recommendations and suggestions, the researcher had come up with some results, most important ones are : - 1 - The public artistic aspects for amulets and puzzle featured with general characteristics of the public heritage like spontaneity, flattening, abstraction, reduction simplicity and differentiation that makes them more closer to modernity and contemporary arts, push the contemporary plastic art Iraqi artist to employ them in his artistic deeds with the features and characteristics and facilitate the employment tools like what we see in the most of the samples of the research's population.2 - The public artistic aspects for amulets and puzzle take constructional employing tools of a formative direction via volunteering in the contemporary Iraqi plastic works in the arts of painting, sculpture, ceramic through its adjacent , abstraction , logic of achieving artistic and organic in the artistic deed and its matching with treatment and techniques that featured with contemporary in the deed like what appears clear in most of techniques of employing these aspects in samples of the research population.3 - The employment's techniques of the artistic public aspects of amulets and puzzle matched with the artistic contemporary Iraqi deed as it described vital expression about the Iraqi environment within color and line units and animal geometric aspects as describing these aspect as products produced from the Iraqi environment itself with its all modifications and variety.. and showed up in most of the samples of research.4 - The employment's techniques of the artistic public aspects of amulets and puzzle are characterized with its designative compositions , unity and adherence of its artistic construction from the shape side, its abstract conductivity and elaboration ability that is able to express.Then the researcher submitted some conclusions as the following : 1 - The public artistic forms of amulets and puzzle are considered as designative constructions able to modify m formation, analyzing, construction, creation, reduction and interaction with other modern conceptive frames and employ them in the contemporary plastic deed.2 - The arts of cultural and public ancient Iraqi heritage (included arts of amulets and puzzle) , their shapes, units and symbols have featured with rude non - reality depictive and then its enrichment that require from the viewer to have the skills of interpretation and explanation.3 - The plastic contemporary attempts that inspire symbols, aspects of cultural and public heritage included amulets and puzzle may lead to let the public identity to international project.4 - What inspires the artistic public for amulets and puzzle that they are considered as results collect between what is subjective and objective, the first one appears clearly through tweaks, treatments and attempts of the artist to show the objective of additive public references for amulets and puzzle.The research was finalized with a list for sources, references, appendixes and an English abstract.

الاساطير الاغريقية وتمثلاتها في الرسم الاوربي == Greek Mythology And Their Representations In European Painting

Author name: عبد الرحيم مجيد اسماعيل السامرائي
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: The art as a creative lasting power since legend raising as a literary text , the plastic art was working as a creative alternate for literary texts. With many years , this art has lasted to present human memory , they found the conflict within spiritual , psychological and worldly life with form and styles that are updated frequently. From this permanent desire to inspire the legend especially the Greek legends in European art especially drawing during renaissance to be described as an extension for that Greek cultural root which represents the structure of western artist. The current research interested in studying of Greek legends and their representations with European drawing from the period ( 1400 - 1800 A.D.).The research has included four chapters. The first chapter dealt with the research problem , its importance and aims , moreover ; limitations of specifying the important expressions in it. The second chapter has included the theoretical frame with three topics. The first is the concept of legend , the second included the situation of legend and art in Greek community. The third topic discussed the subject of legend and art in European society. The researcher concluded this chapter by showing previous studies and discuss them bedsides the indications of theoretical frame.Chapter three has discussed the whole research which is ( 71 ) artistic works related to renaissance Barook and Rococo. The sample of the research is ( 15 ) artistic works that have been chosen with intended method taking in consideration that these artistic works have given the researcher a chance to cover the Greek legends representations in European drawing , besides a consultation of a group of experts who have an experience in plastic arts and fine arts education. The chapter has also included the research device ( a form of analyzing a content ) and the stages of its structure besides its authentication and confirmation which was used in analyzing the research sample.Chapter four has included the most important results that the researcher has reached.1 - Greek civilization has basically established on ideological and metaphysical which stands on the idea of existence of holy divine community that behaves the human beings life. So the Greek artist has found formal representations groups for these imaginary gods which gather between their power and the thinking of Greek society where they raised in , reflected by effective artistic remains and the narrationswith imagination through appearing the nature power in shape of gods or extraordinary creatures which are common in use in Greek popular heritage. For this reason , a group of legendry shapes have appeared , divided in its shape structure into telling the realistic shape especially in human legend shapes that represent the god as ( Venus god ) ( Zeus god ) ( Hades god ) ( Apollo god ) ( Athena god ).2 - The revival artist has depended in his artistic drawings of choosing symbol words for Greek legends especially widely spread legends stories such as ( Zeus ) , ( Ifrodeit ) ( Harkel ) ( Bakhoos ) ( kidnapping Zeus god for princess Europe ) ( Apollo rides a sun vehicle )and ( Lida and pelican bird ) assuring their interests in their ancient heritage due to ideological and sociological vision carried their artistic existence an active aesthetic power with pictorial surface in the effects of anxiety and emotions.The conclusions were : ? The Greek legends through their indications , structural elements and indicative displacement in Europe drawing across its stages ( renaissance , Barook and Rococo ) have represented an obvious representation in shape and content and that what the researcher has reached to when analyzing the sample of the research.The researcher finished with a number of recommendations some of them are : 1 - The necessity of taking care from artistic and educational associations such as colleges of fine arts to deepen the artistic and cultural awareness for Greek inheritance and what it has of legends and epics because it represents a human inheritance in general by including studying materials that concern with history of ancient art and philosophy of art and aesthetics with large interest for Greek legends and epics for being an effective and affected cultural ratio with oriental civilizations specifically the civilization of Mesopotamia and Neel land.2 - Directing the students of fourth stages in plastic arts and fine education of necessity of including their artistic projects for legendary topics whether Greek or Babylonian or Egyptian since they represent an global cultural legacy that touches all humanity without exception.

جماليات التعبـير في التصوير الاسلامي == Aesthetics of Expression In Islamic Imaging

Author name: محمد عبيد ناصر العـناوي
Supervisor name: جعفر عليوي الخفاجي | فاخر محمد الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (جماليات التعبير في التصوير الاسلامي )، وهو يقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث، واهميته والحاجة اليه، وهدف البحث وحدوده، وتحديد اهم المصطلحات الواردة فيه.فتناولت مشكلة البحث موضوع (جماليات التعبير في التصوير | This dissertation studies (the aesthetics of expression in the Islamic imaging), which consists of in four chapters, the first chapter is devoted to a statement of the research problem, and the importance and its value, and the aims of the research and its limits, and to identify the most important basic terms in the study. The research subject (the aesthetics of expression in the Islamic imaging), describes arts as an important a means of expression and the needs and concerns of human religion, as a result of spiritual and psychological human to need beauty, he began groping for meaning and forms in outer reality, self - sense and then take reflected in beautifully artistic product, Islamic civilization was not far from such innovations in the field of the arts, a variety of artistic schools which differed in their methods and varied in its conclusions that were influenced by religion that espouses, these schools contributed significantly and directly in the nature of the themes and ideas, beliefs and accidents expressed in various areas of the arts, and here emerged the role of Muslim artist expressing the philosophy of the age in which the belonged to more than creative concepts prevailing, which surrounded the artists within the boundaries of the Islamic nation or its neighboring civilizations, but he had dialogue and taken from the past or contemporary achievements and several pictures. Throughout the Islamic thought and religious belief, which had a wide resonance in the community movement, and his habits and his perseverance , and culture, so it has to reflect the patterns and common forms of matter and during the event, expression, idea and content. Hence the problem of the current research has arisen through answering the following question.How did a Muslim artist express his constructive and aesthetic production?And raised the importance of the research by highlighting the focus on the Islamic imaging expression and clarify the concept in a constructive process. That the first chapter, contains the aim of the research which is : Detecting and identifying the aesthetics of expression in the Islamic imagingThe limits of the research are identified by studying the aesthetics of expression in the Islamic imaging for the period (635 e - 1090h) (1237 m - 1680 m) and within schools (Iraqi, Iranian, Turkish, Indian), as well as a review of the basic terms such as : (beauty, aesthetic, expression, photography)The theoretical framework consists of three section : The first section, is devoted to the concept of beauty in philosophical Islamic thought, starting from Greek philosophy as paving the Islamic philosophy down to the thought of the aesthetic of (AL - Kindy) , (Farabi) , (AL - Tawhidy) , (Ibn Sina) , (AL - Ghazali) and (Ibn Arabi(.The second section contain the expression between form and content, and in it (the concept of expression, expression in primitive art, concept of form, the concept of substance, bilateral form and content, in the form of expression relationship, a relationship of expression with content, the relationship of expression with( the substance. The Third contains axes : The first axis included the aesthetics of expression in the Islamic art through the entrance of Islamic art, and references of Islamic Art, and the characteristics of Islamic art represented monotheism, unity, movement, and abstraction, as well as the attributes of expression in the products of Islamic art through the Islamic decoration, and calligraphy, and architecture, and porcelain. The second axis included the expression applications in the products of the Islamic imaging through the emergence of the Islamic imaging, the impact of prohibition in the Muslim imaging, as well as the aesthetics of expression in the Islamic photography schools (the Iraqi school , Iran , Turkish and Indian Schools). Then the researcher displayed the previous studies. The third chapter contains the procedures the study : including the study and selection of a sample of appointed adult (22) stylized Islamic imaging divided into six miniatures graphical Iraqi school and the Iranian school, and of five miniatures of Turkish schools and Hindi, then the of tool Analysis of the sample. The fourth chapter included results, conclusions, recommendations, and suggestions/ Among the most important findings of the researcher : 1. The expression feature of the Iraqi Islamic her miniatures have a renewable energy, because it combines the tangible and intangible images of , the natural shape and religious symbol.2. aesthetic expression in the Iraqi school emerged through the form in flatness and distracting leisure and work on the principle of the solenoid and linear perspective in art forms relationship with each other and in the spatial relationship with the space.3. It appears that solenoid perspective evident in the Islamic Persian imaging through visual movement in focusing when look at the people in the middle of miniatures and then move to neighboring hubs in a mechanism to create artistic works refers to the aesthetic side of artistic expression.4. the aesthetic expression appeared in Turkish school in an expressive narrative way through realistic transport which is not far from the realistic reproduction of forms inspired by nature5. repetitive conte xts in Indian School characterized by esthetic harmony by simulating the shape imparted to the aesthetic expression of Indian photography. The researcher concluded the following : 1. Muslim artist based in the Muslim imaging schools to evoke the determinants of structural elements and organizational foundations, which represents the need to do the aesthetic expression and an attempt to understand the link - state equalized between reality and ways of expression.2. Islamic environment features reflected a clear impact on the structure of Islamic art in general and photography in particular, the structure was considered as an indicator of citizen reveals the nature of the link between the environment and aesthetics works expression in Islamic miniatures.In addition a number of recommendations, suggestions, Arab and foreign references and appendices, the abstracts in English have been displayed.

جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة

Author name: اديان يونس ياسين الربيعي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي الموسوم (جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة) تقصي تيارات فنون ما بعد الحداثة ومظاهر الفعاليات الاجتماعية والثقافية التي ظهرت داخل مدينية المجتمع الغربي، الذي شهد الانجازات العلمية والادائية بعد الحرب العالمية الثا

صورة الاخر في الرسم الغربي والعربي المعاصر == Other Image In The Painting Western And Contemporary Arab

Author name: مازن هادي لطيف
Supervisor name: حيدر عبد الامير رشيد الخزعلي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يتضمن الاشكال المعرفي لصورة الاخر تشعبات معقدة, تضفي على الاستعمال الثقافي سلطة مهيمنة على طرفي الصراع ( شرق / غرب) لتكون الصورة ذاتا منقلبة على نفسها لتعيد انتاج اخرية الانا من موقع الخطاب والتاويل تحت طائل الجغرافية وترحيلها الى العلامة الثقافية التي تق | Forms of knowledge to the image of the other includes the ramifications are complex, to confer on the cultural use dominant on both sides of the conflict Authority (east / west) to be the image Mata overturned on itself to re - otherness Alana production of discourse site and interpretation under the geographical pointless and carried over into the cultural brand that offers us (Islam / Kafr ) With combines shifts moot models each culture reflect the mechanics of strength against the other and remove him in the contemporary world, so that could be another image available for use in the arts all, particularly in the drawing, which found attending actor in the consolidation of the stereotype of the Arab East in light of the historical and intellectual Tbdyatea and theses philosophers and thinkers west of the project, which allowed the other concept that reflected a phenomenon subject to examination and study in Art, where the research contained four chapters, the first chapter cared methodological framework for research represented research problem which is determined by asking the following : What are the other image in the western painting and contemporary Arab?With the aim of the research : Identify the other image in the western painting and contemporary Arab. The limits of the research, it has been limited to the study of the other image in the western painting and contemporary Arab for the period from 2003 to 2014.The second chapter has included the theoretical framework and previous studies, which included the theoretical framework of three Investigation, accept the first part, intellectual approaches to the concept of the other, was stopped at the views of the most important philosophers and thinkers of the three monotheistic religions and discussing the views of contemporary colonial projects.The second topic also addressed other Tmasat as other mechanisms that painted a picture (such as Orientalism and Occidentalism and colonialism, terrorism and the flesh trade and globalization of knowledge and religious belief) and ended the second quarter with the reflection of indicators of research and discussion.The third chapter has included actions concerning research and community - appointed and research methodology, and then the sample was analyzed (23) model.In the fourth quarter included the search results and conclusions as well as recommendations and suggestions, and the main results that have been reached : 1. provided us with the American artist Anita Kunz in the sample (2) the other image in light of Semiotics clothes that worked to show the identity of both the Christian and Islamic religion with a statement of image and contemporary dialectical movement of history and development of the conceptual relationship with each other every day and cultural details in line with the vision of women the impact of cultural reality each identity of the identities of the women, according to the Orientalist perspective as one of the structures, the conceptual foundation of the image of Arab women Almoshh Arab Balkhmar and statement image of Western women trendy image to serve as a platform to know each other and consolidate the stereotypical image of our God and Hinak, including give us a visual perceived cultural and civilized. 2. makes the mind western Aladhati image of human monstrosity in contemporary his being in the sample (2), where the highlights Chia rights as the last subject to the processes of self - destruction in the light of the dominance of Western military power and demonstrate technical strength, science and transform the human to machine consumer deadly working to right the Arab - Muslim the other Specifically, what is the project to sustain the reality of Western power and will. 3. intake artist Samuel Bak in the sample (3) international, social and cultural isolation experienced by the Jewish community as the only group that suffer from ocean disharmonious like symbolically expressed the fact that its existence as an entity is not desirable, since all the Arab neighboring countries it considers an enemy contributes to the destruction of the social and political structures in the Arab region, including marks self Tense image amid the frenzy of the Arab community against the other rapist of Palestine, leading to the other Cancel force, and contributes to the self - knowledge as opposed to know each other as in the diagram (16) based this on the structures of formal level Heavy blocks and lines and families of color gray.4. gave us the Spanish artist Lopez in the sample (4) the other image of the marginalized and is suffering from a loss of cultural identity under the manifestations of the image of globalization, which created a new system of contemporary life is dominated by the mechanism of overlap Alhoiati among vulnerable people suffering from the reality of economic bad, others urged to move to the West and integration identities and environments is consistent, so that became a distraction and Nomadic one of the most important elements of the crowded Western societies stranger and newcomer, especially North Africa and the countries near Europe Mediterranean coast, where he produced globalization global perspective economies are fragile and unstable robbed each other's identity and turned to the strange object and lost.One of the main conclusions were : 1. other image in the West are still stereotyped working on the embodiment of the Arab Islamic fatigues traditional and ancient culture, while highlighting the Western image according to the concept of power and tyranny, who scored through the contemporary history of the crisis and existential sharp working to highlight the status of aggression against the other on the practical application level in the light of the current challenges and rising conflict and changes taking place in the Arab region to implement Western agendas to ensure the dominance of the West in the Arab communities that suffer from the ongoing wars and bloody coups account and the deterioration of the economic and cultural reality, which is what we've seen in the recurring image of strength and colonialism variations. 2. other image is formed in accordance with the following directions : Self defeated A front of the other.B other strong unbeatable.C cultural self - identity that work on rooting image pride existence of a special identity does not erase the other, despite the dominance of technical, scientific and cultural rights in the contemporary world.D cultural Alahjna that formed the modern concept of otherness through Tbdiat attending globalized.His death and war in their capacity as two sides of the same coin, the other image is different forward intellectually, socially and culturally to the extent of genocide, exile and displacement and unload the place of his identity.And violation of human picture of the last of what is unwanted object.G continuing discourse of Orientalism and the consolidation of the stereotype of Arabs in the minds of Western man.But at the technical level the other has faced a crowd shape homogeneity essential for humans based on dialogue and tender, as he used the Arab artist mechanics western artwork for the formation of the same intellectual mechanisms and instrumental, technical and helped bridge the gap between the ego and the other across Tmasat knowledge and integration civilized human in the modern world, use Artist Arab Bank painting to express mastery toward the other and draw a self - portrait and knowledge of others in line with the nature of the relationship Almkhialah each, also used self - oriented techniques and haploid codified in his artwork.

مظاهر الاغتراب في رسوم فان كوخ == Appearances of Alienation In Art Work’s of Van Gogh

Author name: اسراء قحطان جاسم
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول هذا البحث : (مظاهر الاغتراب في رسوم فان كوخ)، فاحتوى البحث اربعة فصول، عني الفصل الاول بالاطار المنهجي للبحث ممثلا بمشكلة البحث التي تحددت بالسؤال الاتي : (ما مظاهر الاغتراب في رسوم فان كوخ ؟)،وكذلك احتوى الفصل هدف البحث الذي كان (كشف مظاهر الاغتراب ف | This study deals with the Appearances of Alienation in Art work’s of Van GoghThe study falls in four chapters. Chapter one deals with the theoretical frame which is represented by the problem of the study that is limited to the answer of the question; what are the appearances of alienation in Van Gogh’s paintings. The chapter also contains the aim of the study which is to reveal the appearances of alienation in Van Gogh’s paintings.The study is limited to investigate the appearances of alienation in Van Gogh’s paintings between (1881 - 1890). This period represents his works from his artistic beginning until his death. The researcher uses the analytical approach according to an ideological and aesthetic vision in both of its aspects the theoretical and the practical.Chapter Two deals with the theoretical framework which consists of four topics : the first topic deals with the conception of alienation, while the second topic sheds light on the concept of alienation in the movements of modern painting. The third one gives an idea about Gogh’s life. The fourth topic studies the ideological and aesthetic features in the paintings of Van Gogh. The chapter is concluded with the mentioning of indications of the theoretical framework in order to make use of them in the building of the research tool and the analysis of its sample.Chapter Three deals with the procedures of the study, it explores the society of the research which consists of 200 works of art of Cogh’s. They are distributed chronologically. These works of art are executed with different materials; 55 drawings, 26 works with water color, 119 paintings with oil, and the sample of the study which is the society of the study at the same time for the quantitative analysis. From the study society which consists of 20 works, a sample was chosen randomly to be analyzed critically in order to compensate the gaps that appear through the use of the quantitative analysis for the aesthetic and artistic phenomenon in the visual texts. This is done according to the research tool which is built in consistence with the theoretical framework. The researcher notices the meeting between the appearances of alienation and the mechanisms of the painting production. The tool consists of the cores of alienation which are : isolation, non - normative, nonsense, disobedience, impotence, despoliation, rejection, escape, and withdrawal. These are put in the horizontal core in the analysis form. The main items which include the elements of formation, and the secondary items which include the relations of formation, and the subsidiary items are put. The tool then is showed to a number of specialists and experts in artistic education and visual arts and psychology, in order to make use of their opinion in its validity. Accordingly, the form is amended by the omission and addition of some items. After the tool acquires validity, it becomes ready for use. The researcher makes sure of the tool validity through the agreement comparison of outside analyzers by making them analyze the same content separately. She depends also on the agreement through time which means that the researcher acquires the same results as she analyzes the same content after a period of time using the same tools.After the application of the statistic tools which consist of Cooper Equation to measure the validity of the tool, which appears to be 88%, and Scott Equation to measure the consistency of the tool which appears to be 87.25. She uses the mathematic average to measure the frequency of the research society. She uses Kai square to analyze the sample quantitatively. After that she analyzes the sample critically.Chapter Four includes the results and the conclusions of the study. It also includes the recommendations that the researcher sees important for future studies. Among the main results that the researcher arrives at are the followings : 1 - Isolation appears to be an appearance of alienation in the works of Van Gogh. This reflects his dissociation from the others and society in the aspects of interaction, communication, cooperation, and emotional and social incorporation. Isolation appears very clear through the elements of the critical analysis : line, color, touch, and the relations of formation. Van Gogh expresses his isolation in his paintings. Isolation appears clear in the society of the study and the statistical analysis of the research sample. The cut form is 64.06%, horizontal line is 39.16%, hot transparent color 27.73%, soft touch 19.36%, non - asymmetric balance 41.01%, color dominance 22.31%, distortion of figure through elongate 21.82%, and technical expression 20.45%.2 - Non - normative appears in the works of Van Gogh through his trial to get rid of society as he tries to focus on his being and the rejection of social relations. Non - normative is represented semantically through the constructional critical analysis of the figure and its elements; line, color, touch, formation relations. He reflects them in his paintings and the incarnation of figures and things using indicatives that reject society, life, and social connections. According to statistical analysis, non - normative appears : hot transparent color 95.3%, varied line 47.18%, normal cut figure 24.75%, tough touch 20.04%. Through the formation relations; normal representative movement 40.04%, rhythm and repetition 23.7%. Through artistic treatments : distortion of figure through stretch 26.25%.3 - Disobedience appears in the works of Van Gogh in his separation from the moralist, civilization, historical, social norms in the form a destructive trend that goes out of his person and takes the form of an aggressive behavior against society and its civilization indications. Through the critical constructive analysis, disobedience appears semantically in the form and its elements : color, touch, formation relations. Gogh expresses his disobedience through his paintings. The statistical analysis of the sample of research society reveals the following : thick hot color 56.33%, varied touch 26.8%, and geometrical cut figure 22.15%. The formation relations through the unbalanced balancing 25.25%, the rhythm and the repetition 21.81%. Artistic treatment, the distortion of color 20.59%, the expression through technicality 20.66%.4 - Rejection appears in the works of Gogh as another appearance of alienation. He expresses this through the rejection of some types of behavior and culture that are dominated in the society he lives in. Aspects of rejection appear semantically and through the critical constructive analysis of the form and its elements : color, line, formation relations. Gogh expresses his rejection through the drawing of forms and contents that goes far from society. According to statistical analysis : thick hot color 63.78%, vertical line 43.56%, and varied geometrical shape 20.37%. According to the formation relations : color consistence 31.85%, rhythm and contradicted repletion 23.64%, the relation of the part to the all 20.45%, color dominance 23.64%.The most important conclusions are : 1 - Van Gogh does not use the appearances of alienation willingly but as a result of a psychological mood that affected him in an indirect way. This is reflected in the unconsciousness of the artist affecting his production. Different moods and circumstances help in the appearance of such representations. The most important of these circumstances are his culture and way of living.2 - The psychological aspect has a strong connection with the work of art as a value that achieves a kind of spiritual connection between man and his subject. The psychological dimension of Van Gogh appears to be a centre of the human subject to introduce its suggestions about the work of art.3 - The elements of formation and its relations have semantic indications for alienation. Van Gogh expresses an emotional feature, not as decoration, but according to a subject system and as a deep philosophical and spiritual concept. The search also includes : Proven sources, supplements, abstract in English.

دلالات الحب في الفن التشكيلي العراقي المعاصر

Author name: حاتم عباس بصيلة
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
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