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النزعة الشخصانية في النص المسرحي الامريكي == The Tendency for Personalism in the American Theatrical Text

Author name: غصون محمد عبد المطلب فتاح
Supervisor name: محسن عبد الحسن ناصر السعدي | حميد علي حسون الزبيدي
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Babylon
First pages:

جدلية المؤتلف والمختلف في سينوغرافيا العرض المسرحي العراقي == Dialectic recombinant and different in the scenography of the Iragi theatrical show

Author name: بردي عطية ثابت
Supervisor name: رياض شهيد الباهلي
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

التورية واشتغالاتها في تقنيات العرض المسرحي العراقي المعاصر

Author name: شيماء حسين طاهر عباس
Supervisor name: حيدر جواد كاظم العميدي
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Babylon - College Of Fine Arts
Language: Arabic
University location: Babylon
First pages:

الميتافورم في العرض المسرحي العراقي المعاصر

Author name: حسين جاسم محمد حمزة الجبوري
Supervisor name: اسماء شاكر نعمة شبر
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Babylon
First pages:

اساليب تصميم المكان في المسرحيات الشعبية العراقية

Author name: مالك نعمة المالكي
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

التوظيف الدرامي للرؤية التشكيلية في المنظر المسرحي العراقي

Author name: اسيل ليث احمد العزاوي
Supervisor name: ضياء انور حبش التكريتي
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

البناء الموسيقي لعروض المسرح الغنائي في البصرة

Author name: ناصر هاشم بدن
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

اللياقة البدنية المسرحية واثرها في مرونة جسد الممثل : برنامج تدريبي مقترح

Author name: صفاء الدين حسين جمعة التميمي
Supervisor name: فاضل خليل | عبد الكريم كاظم الامام
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

المكان في مسرحيات شكسبير وتحولاته في عروض المسرح العراقي : نماذج منتخبة

Author name: طالب عبد الحسين فرحان الشمري
Supervisor name: بهجت رشاد شاهين | محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

التوظيف الدرامي للاغنية في العرض المسرحي العراقي

Author name: عبد الكريم حميد نادر
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

شعرية المخيال البصري في العرض المسرحي العراقي المعاصر == POETICS OF OPTICAL IMAGINAIRE IN THE IRAQI CONTEMPORARY THEATRICAL SHOW

Author name: سمير عبد المنعم محمد القاسمي
Supervisor name: اسماء شاكر نعمة شبر
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Babylon
First pages:

مفهوم الاختزال التقني في العرض المسرحي العراقي المعاصر == The concept of technical shorthand in the contemporary theater of Iraq

Author name: فاطمة عبد العزيز عبد الرسول عزيز بقلي
Supervisor name: حيدر جواد كاظم العميدي
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Babylon
First pages:

تفكيك الخطاب البصري ودلالاته في العرض المسرحي == The Visual Image in the Islamic Arabic Art And Its Impact on the Contemporary Iraqi Architectural Form Analytical Study

Author name: قاسم مؤنس عزيز
Supervisor name: جلال جميل محمد
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الشعرية في تكامل العرض المسرحي العراقي == Poetics In Integration of the Iraqi Theatrical Show

Author name: اسماء شاكر نعمة
Supervisor name: احمد سلمان عطية | جلال جميل محمد
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Babylon
First pages:

الوظيفة الدرامية للموسيقى في عروض مسرح الطفل العراقي == The dramatic function of music in the Iraqis Child Theatre

Author name: زيد سالم سليمان
Supervisor name: علي عبد الله فجر
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

المنظومة الضوئية وتغير المكان في العرض المسرحي العراقي == Lighting System And The Change of Place In Iraqi Theatrical Show

Author name: علي محمود محمد السوداني
Supervisor name: قاسم مؤنس عزيز
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

جماليات توظيف برامجيات الحاسوب في سينوغرافيا العرض المسرحي == The Aesthetics of Employing Computer Softwares In The Scenography of Theatrical Show

Author name: راوية جبار حسن
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان المسرح يعد حصيلة لتكامل النص مع الاداء الصوتي والحركي للممثلين ومدى انصهارهم مع المنظر والاضاءة والازياء، وهنا تظهر امكانية استخدام برامج الحاسوب في جزء من المنظر والمؤثرات الصوتية والضوئية وباستخدام تكنولوجيا العرض هذه مع بعض برامج الحاسوب مثل ( 3D G | The theater is considered as a product of text integration with voice and kinetic expression of the actors and their interaction with the scenery, lighting and costumes. Hence, we can find a possibility of using a computer in a part of the scene, sound and lightening effects. Using display technology by some computer programs such as (3D Graphics) and (Virtual Reality) can configure the sense of depth and different views that commensurate with the desired show. It is also characterized by dynamic capabilities which are not available in the traditional decor based methods. For example, dynamics allow making a change on the display elements with taking advantage of other video presentations to be an integral part of the background. The actual or real effects are to invest the non - final maximum energies for the PC in the creation of artwork tools and symbols, reproducing voice and image so that it its impact on viewers (sometimes) would exceeds the reality and beyond sometimes. The actual effectsoffer its tools to the computer user; would make it dive into an experience that is so close to reality. So the researcher has divided her research into four chapters : Chapter I - Research methodological framework : it includes the research problem, its importance, the need to it, its goals and limits. It ends with defining the following terms : (beauty, employment, software, computer, theatricalscene) Chapter II - it contains a theoretical framework for the research and previous studies, including four sections : First : the aesthetics of modern experiments in the formation of the scene. Second : technology and experimental trends.Third : the aesthetics of design by the computer (Digital Arts). Fourth : lighting devices used in modern theater. Finally, this chapter shows the indications that the theoretical framework ended up with.Chapter III : it includes the research procedures which the whole research was consisted of. It is limited to the Iraqi and Arabic theatrical performances. The samples of the research on the other hand were deliberately chosen by the researcher and for the following rationales : 1. The samples represent the research problem, its importance and its objectives. 2. The extent of disparity between the theatrical directors which the researcher has highlighted their scenes on a play that was embodied by their theatrical shows. 3. Archival sources of theater shows provide the sample of the research. Regarding the research methodology, the researcher has adopted the analytical approach in the presentation of theoretical framework, also adopted the descriptive approach in the presentation of samples brought by the whole research.As for the research tool, the researcher relied on the indicators that resulted from the theoretical framework.The research samples are : 1. Adding Machine directed by (Ronald Wells)2. theatrical play (Play) directed by (Lance Jarafa)3. The use of technology in the play of (Othello) directed by (Salah Qasab).Chapter IV has included research results and conclusions, then the list of resources and supplements. Finally, it ends with an English abstract.

خصائص السينوغرافيا في عروض المسرح الاحتفالي العربي == Characterastics In Cenographic Peresentation of Festival Arabian Theater

Author name: باسم محمد احمد حسن الجبوري
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بعد انقطاع وغفلة يعود من جديد البحث في ما هيات المسرح الاحتفالي العربي وعناصره السينوغرافية التي يتشكل منها، بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، مع محاولات اللحاق بركب العصر الحديث والاستفادة القصوى من كل ما | After the interruption and inattention back from New research into what Hiatt theater festive and elements Alcinograveh that make up as an art reflects the patterns very special , and in direct contact feelings and the feelings of the spectators , with attempts to catch up with modern times and make the most of everything that will lift the format presentation for display theatrical techniques and technology , ranging from architectural buildings play to their equipment , technical and professional to the possibilities available in the project sound and follow the movement of Representative above the stage and keep up with the spirit of the times to create a scene of theatrical and methods of implementation and formulation of places of different widths and advanced capabilities of the types of theatrical lighting and the use of historical costumes and contemporary and develop plans integrated to form a celebratory spectacle in the form of the final presentation.In this study addresses the researcher in the first quarter represented the methodological framework of the research problem and the need for him by asking about the properties of Alcinogravea in theater ceremonial and its ability to influence the final wording of the composition of the image visual display and audio , as well as the importance of research in the theme of scenography and its relationship with the theater festive addition to research objectives and limits of temporal and spatial and objectivity, in an attempt to extrapolate the reality of the Arab theater and the vital festive spirit of the times in providing theatrical performances and then determine the terms contained in the title as well as operational definitions for the researcher.In the second chapter of this study , a theoretical framework which is divided into three sections , the first section for the celebration in the Arab and global concept and who are advocates of ceremonial and who are the pioneers and founders. The second section focuses on the tributaries and the main pillars of the festive scene. The third section included Achtgalat Alcinogravea elements in the festive display.And Of space theater and its many forms and theorist playwright ( decoration) and the aesthetics of lighting, costumes , makeup and accessories play various music and sound effects and actor , as active agents in the composition and formation of the system visual and auditory display of theatrical festive , and then dealt with previous studies and the resulting theoretical framework of indicators to contribute to the formulation search results.The third chapter objective measures search by selecting the research community and the samples and the method selected in addition to the research methodology , tools and methods and then analyzing samples for five presentations of the Arab theater festive chosen by Qsidia to get to the search results and discussed in the fourth quarter to reach final conclusions of the research and recommendations and proposals Hutea this study, sources and references that have been approved in addition to the research summary in English.The researcher reached several conclusions , including : 1 - data Alcinogravea and employment within the space of the play one of the methods adopted to create a pluralistic vision directorial heritage dramatic text to read more from Arab filmmaker 2 - rely festive theatrical presentation on the potential of the image of plastic and visual effects and audio generated by Alcinogravea in an attempt to give the ceremonial spectacle , and in a harmonious unit within the theater space 3 - reinforced Alcinogravea attract spectator to the theater after the festive mobilized all available means and that was difficult to achieve in the past aesthetically in theater 4 - become the dominant elements Alcinogravea authority in theater ceremonial speech to achieve intellectual and emotional values desired by the theater in various experiments to highlight the diverse aesthetics at all levels dramas

التحولات التقنية لمناظر المسرح العراقي خارج مسرح العلبة == Technical Moves of The Iraqi Theater Views Outside The Box Theater

Author name: منى سلمان محمد
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ساعد النموذج المغلق بوصفه تجربة سابقة على تاسيس تجارب لاحقة وخلق حيز مسرحي يتكشف عن تشكلات جديدة لخطاب عرض يعتمد مشهدية منظرية لا تمت الى مرحلة زمنية بصلة، وان تعدد القراءات يستدعي تحولات ومتغيرات مستمرة للامكنة المتخيلة ضمن صياغات لامكنة مستقبلية، اذ ظه | The closed model helped as a previous experience in setting subsequent experiences and in creating a dramatic apace that discovers new selections for dialogue depending on a panorama that is not related to any era. The many readings require continuous changes for the imaginary place within formulas for future places as there have been diversities to activate the place because it is related with the philosophical idiogy for each era.The Greek texts were characterized by the stability of the panorama without a change and the harmony within the unit as it was related with the political idiology of the era. While the panorama in the Roman stage depended on the shape and style of the Greek panorama until the appearance of the panorama taken in 100BC. The philosophical view of the medival panorama was influenced by the church view of place consisting of three parts : Sky, earth and hell.The foundations of panoramas in the vision and philosophy of the renaissance era came as a result of having a different view of the new world that made it lose its faith in the past through duality in the areas of sciences, philosophy and political doctrine. The panorama changes influenced the spectacle view of each era. The many places expressed the depth of place, their, out, tangeable, imaginative and objective. In addition, the light director helped in inventing big spectacles. Illumination tends to distribute the shadows and to multiply the places and to have changes in vision to turn the equation in the traditional theatre in that it adds a new existence within an extended frame or flexible space. From here transfer is done from "the Achledes place to an undulated extension". The Achledes place has its own characteristics in which it becomes limited away from the subject of research or exploration. But the technical changes through out the theatre eras made the feature of getting away from the tradition of place, its principles and rules among the most important aspirations towards new horizons for a theatre expressing a future vision. Therefore, the theatre worked with optical corners in finding new formulations that changed the vision cites through selectional and portrayal understanding to make the panorama open to modern currents in viewing the era that helped in choosing places for showing in the circus sequares, streets, churches and relics. Accordingly, the research is divided into four chapters. The first includes the systematic frame - the problem, the significance, the importance which sheds light on the dramatic view and its changes. As for the aims, they are set to find out the technical moves of the Iraqi dramatic shows outside the theatre of box. The scope of the research has come through standing the panorama and its technical moves that come according to the special boundaries of Baghdad from 1987 - 1999. This chapter ends with a list of definitions.The second chapter, the theoretical frame and the previous studies, is divided into three sections, the first deals with the technical moves of the international theatre, the second with the technical moves of the modern age and the third with the types of shows of the theatre of outside the box. The third chapter deals with the procedure including, the community, sample, method, tool with an account about the technical moves the Iraqi theatre had and an analysis of the samples. The fourth chapter is about the results and discussion. The research ends with a list of sources and references in Arabic and English.

جماليات تحولات المنظر في عروض المونودراما العراقية == The Aesthetics of Scene Transformations At Iraqi'S Monodrama Plays

Author name: فرزدق قاسم كاظم عبد الله
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: شكلت عناصر بنية التشكيل الجمالي لتصميم المنظر المسرحي في عروض المونودراما نقطة ارتكاز مهمه في بيان صياغة تحولاته التي تفرض سيطرتها على المتلقي، مما يدفع به الى ان يتفاعل معها ليستقرا دلالاتها وفق دائرة الاحداث والتي تاخذه بعيدا في عوالم الروح الامتناهيه ح | The sequences of elements of scene structure transformations at the monodrama plays play an important role to demonstrate its aesthetics that impose its control upon the audience, which push them to react with these transformations to recall their signs in accordance to the events and take them so far to infinite soul worlds, where sensitive and ideological enjoyment are generated; thus, this thesis titles (The Aesthetics of Scene Changes at Iraqi Melodrama Shows) came into being. The researcher determined its scientific paths at four chapters. They are : The First Chapter : it included the syllabus framework and contained the problem of the research and its need. The problem is determined by the following question : How did the designer deal with the Play Structure Elements changes of the scene till showing them to the aesthetic reading at the melodrama play? The activating the aesthetic of play scene form structure elements via their changes during the melodrama play leads to enrich the mental and sensitive realization of the audience; as there is no similar study specialized in this theme, the need for this study raised. It also contained the importance, aims, limits and terminology (Aesthetic - transformations - Play Scene - Monodrama). The Second Chapter : its included the theoretical framework that contained four parts. They are : a - Part One : The Aesthetic Concept at The Western Philosophy.b - Part Second : The Scene at the Modern Play Trends c - Part Third : The Scene transformations and their signs at the Play. d - Part Four : Elements Visual Occupation at the Monodrama Play. This chapter contained as well a list of previous studies that dealt with monodrama as main theme, such as : 1 - Hussein Ali Haref’s Study (The Technical Features of Monodrama). It as a literary study related to the melodramatic text. 2 - Nuha Abbas Jawad Sheweleiah’s study (Alienation at Iraqi Monodramatic text). She interested with Alienation concept at the monodramatic text. Then she reached the indications that resulted from theoretical framework. These indications are : a) The elements of aesthetic form structure of the play and its features of the audience sensitive reactions and motivate them to react to recall its expressive signs that grant them metal and sensitive enjoyment. b) The mechanism of aesthetic scene transformations move into two directions; the first : Iconic Aesthetic transformations and The second : Symbolic Aesthetic transformations. The Third Chapter : it represented the Methodology Framework. It contained the community, syllabus, tools and methods of selection and analyzing the samples of the research. The sample contained the following plays : 1. (The Hunchback) monodrama, the scene is designed by Falah Ibrahim 2. (Achilles Return) monodrama, the scene is designed by Emad Mohammed 3. (I at the dark research) monodrama, the scene is designed by Awatif Naem4. (The Gone Days) monodrama, the scene is designed by Sami Al Hesnawi5. (Alienation) monodrama, the scene is designed by Suhail Al Bayati. The Fourth Chapter : it included the results, discussions, conclusions and suggestions. The most important results are : 1 - The designer achieved the ideological aesthetic reading of the monodramatic scene in accordance to structure form elements transformations within the limits of the symbolic level at the monodrama plays (the samples analysis).2 - The designer sought to use slight raw materials to build the scene order to enable the actor to change its aesthetic particulars in harmony with the events during the play as is the case with (The Gone Days) and (the Hunchback). Finally, the researcher fixed a list of references, supplements and this English Abstract.

جماليات الماكياج في عروض المسرح العراقي == The Aesthetics of Make - Up For The Iraqi Play

Author name: ذكرى عبد الصاحب عبادي
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اعتمد بناء وتشكيل الصورة المسرحية من انبثاق المسرح حتى يومنا هذا على صور شعرية وفن معمار الفضاء المتسع المعاني والدلالات التي تتسم بها الشخصية المسرحية وما يحيط بها والتي من خلالها يتلاحم المتفرج بالممثل في اجواء تطهيرية صادقة المشاعر والاحاسيس اتضحت ملام | This research deals with the mechanism and the aesthetics of make - up for the Iraqi play performance. The problem of the research concerns with the imitation of natureand the principle of illusion of reality and to what extent the artists of make - up tried to achieve. In chapter two : the researcher discusses the aesthectic frame of make - up according to the ideas of the philosophers.The chapter discusses The scintefic frame of make - up such as Anthropology , Biology , Sociology , Psychology and Anatomy.This chapter also deals with the artistic frame of make - up Concerning Design and Compotion so the effect , of the elements of the other aspects of theatre Visual such as costumes , scenery , lighting on make - up concerning line , shape mass , Color , and texture. chapter three of this research deals with analyzing the mechanism and aesthetic aspects of make - up in five Iraqi play productions. The researcher reaches the following conclusion : 1. The straight make - up were used for most of thos plays and character make - up for som of them.2. There was no need too achieve the principle of illusion of reality for the make - up of the samples.3. In one of the samples the artist of make - up used the Clay for covering the faces and bodyes of the actors instead of vsing the materials of make - up. 4. some of the aesthetic touches were used for few characters.5. No effects of the other elements of the visual Theatre on make - up appear specially the effects of the stage lighting.

جماليات السينـوغرافـيا فــي العرض المسـرحي : نماذج من المسرح العراقي == The Aesthetics of Scenography For The Theatrical Performances

Author name: جبار جودي جبار العبودي
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: في ظل انفتاح العالم على مختلف انواع العلوم والتكنلوجيا والمنجزات التقنية التي شكلت العصب الاساسي في الحياة المعاصرة بدات التجارب المسرحية بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، بدات هذه التجارب محاولات اللحاق | This research deals with the problem concerning the authority of the aesthetic elements in the scenogrphy for any play production and the ability to cause their effects in the final form of the stage pictures. The goal of the thesis is to define the aesthetics of scenography considering the dominating authority for the Iraqi theatrical productions and the role of the main factors in showing the images of the directors and the designers. In chapter two , the researcher reviews the resources dealing with the subjects. Section one of this chapter reveals and discusses the opinions of some scholars about the conception of scenography and the development of its implications through out the history of the theater. The researcher chooses the opinions of the three well - known play directors and designers - Adolf Apia , Robert Wilson , and Taduez Cantor. In section two of the chapter , the researcher discusses the aesthetics of scenography elements - the actor, the make - up, the costumes, the scenery , the accessories , and the theater building architecture. In chapter three , the researcher anal sizes the aesthetics of scenography of, three Iraqi play productions : The first is ( picnic ) adapted and directed by (Ahmed Hassan Mussa) , and ( Jabbar Juddi ) is the scenogerahper. The second is ( Cerfew ) written , directed , and scenogerahpy by ( Muhannad Hadi ). The third is ( The Blood Horse ) adapted ,directed and scenogerahpy by ( Jabbar Juddi ) , The text of this play was adapted from ( Macbeth ) of Shakespeare. In the fourth chapter the researcher discusses the results of his analysis and reaches the following conclusions : 1/ The theatrical performance depends a lot on the visual theater nowadays more than the others.2/ It is important to achieve the harmony between the visual , the auditory, the kinetic element and the dramatic element according to the vision of the director.3/ The aesthetics of scenography could be achieved only in well equipted stage.4/ The authority of scenography dominates the contemporary theatrical performances.5/ In order to achieve the aesthetics of scenography successfully it is necessary to manipulate the plastic elements.

ثنائية الادارة والانتاج في تسويق العرض المسرحي العراقي == Duality of Management And Production In Marketing of Iraqi Theatrical Show

Author name: احرار صيهود حسين
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The world has known the importance of management and production in achieving successful businesses that people could actually benefit from. The world has known too how important that these administrative and productive operations should be accompanied by others that deals with business marketing. Just like there are commodity products achieve profitability direct material, if successful, there are also service products achieve profitability moral and material direct and indirect.The artistic activity, in general, and the theatrical one, in particular, is one of the these activities or businesses that achieve profitability moral and material, as well as help spreading awareness and increasing the level of culture in the countries. To pay attention to the administrative, productive and marketing aspects will emphasize that the community is being developing and progressing. Therefore, this study has came to emphasize the importance of both management and production in marketing the theatrical show and help achieving its goals and reach for the artistic, aesthetic, and cultural aspects in the country. All this because the three operations of management, production and marketing have been taken and discussed in order to having the theatrical show successful.Chapter one of the study which shows the methodological framework, addresses its problem, its need, its importance, its objectives and its limits as well as identifying its terms. While chapter two of the study which shows the theoretical framework that comes in three sections : the first addresses the concepts of managing production and marketing, the second addresses the management and production in a theatrical show, and the third addresses the duality of management and production in marketing a theatricalshow. Then, the researcher comes up with indications of the theoretical framework as follows : 1. That management is considered like a factory of making resolutions and a field for arranging resources in order to use them to achieve specific goals - like results.2. That management is one of the operations of achieving results through the effect of a manner in a framework of a specific environment.Chapter three of the study, which shows the procedural framework, addresses its society, the sample and tools and study methodology, in addition to analyzing the samples according to the indications of the theoretical framework.Chapter four includes the results, conclusions, and recommendations of the study. It ends with list of resources, appendixes and an abstract in English.

تقنيات الفضاءات المتعددة في عروض المسرح الاكاديمي : عروض كلية الفنون الجميلة - بغداد - انموذجا == The Multiple Technical Spaces Performance, College of Fine Arts Baghdad As Sample

Author name: بلال وليد شامل حسين
Supervisor name: رياض شهيد علي الباهلي
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: نشات الدراما في فضاءات متنوعة وواسعة وتبعا للمحيط المكاني والزماني والتجمعات البشرية, ولكل حدث او عمل فضاءه الخاص, حتى بدا نشوء الدراما بالوحدات الثلاث التي نظر لها الفيلسوف والمعلم الاول ارسطو واصبح للممثلين فضاءهم الخاص في السفوح العالية على شكل نصف د | Drama Originated in a variety of spaces , spacious and depending on the perimeter of the spatial and temporal and human populations,the concept of private space philosophers since the Greeks and for each event or work space where his own. As the Dionysus rituals were in wide open spaces as in open air in honor of the god, until the emergence of the three units Aristotelian drama and became representatives of their space where audience is seated outdoors to watch the performanceAnd with the development of societies across the stages of history came out ideas and put art and development in various areas of life, including the Architectural Engineering, which contributed a great contribution to the invention, innovation and development in the theaterThe space of the actors changed a great deal depending on the ages that passed by, and the most prominent style of the Greek and Roman Open through eras canon and squares even began to stage Renaissance and built theaters, including traditional and became viewable dramatic special character in terms of the relationship and communication between the representatives and the audience.Since the late nineteenth century and early twentieth century, what happened in the world of innovations in modern technology reflected the theatrical art in terms of lighting and its effects and music, and many other techniques.Many ideas and visions of directors and designers emerged out of the idea of choice for space for treatment of the text and the choice of the appropriate place allows and highlight theater and offer different flavors especially after the emergence of the modern filmmaker in the nineteenth century.The directors and designers try to present their performances outside the traditional box theater, they have chosen several places such as yards, streets, coffee shops, houses, and even historical and Archeological places and garages. Some denied the space of closed and box theater and call for theater to go back to its origin and to the beginning of it.The peoples of different and diverse cultures has their own footprint and that are commensurate with the nature of the space in which they reside performances, whether rituals l or ceremonial or traditional techniques using scenery, lighting, music, customs , properties and make - up play important role with special cultural touches in the basis of the success of the theater..The researcher selected the title of his research ( The multiple technical spaces performance ,college of fine arts Baghdad as sample ).The research is divided into four chaptersChapter One : systematic framework consists of the research problem and the need for it, the importance of research, the goals of the research, the limits of the search, and determines the terms.The second chapter contains a theoretical framework and contains a concept of space and multiple spaces for performances includes the aesthetics of space in the theater and the various technologies in the space of theaterThe third chapter of the research is the proceeding which includes : The researcher studied twenty theatrical performances presented In a variety of places by the College of Fine Arts at the University of Baghdad, The researcher have chosen three samples deliberately.Macbeth was presented in the courtyard of the Department of Performing Arts. the second play( The republic of AlGawahiri ) was presented at a big wedding hale in Erbil the third play was ( of refraction) , was presented in the gardens of the college of fine Arts. Chapter IV : consists of the search results, and conclusions, recommendations ,proposals ,a list of sources , references and a summary in English.

التحولات الدلالية اللونية في السينوغرافيا المعاصرة == The Colorful Significant Changes In The Contemporary Scinography

Author name: فلاح كاظم حسين
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان كل المتغيرات والتحولات في انتاج مستجدات السينوغرافيا القائمة من الواقع المعيش على المسرح، الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة. اذ يسهم في بنية العرض المسرحي وسائط تقنية متعددة يتم توظيفها من قبل اختصاصيون في مختلف الانشط | All the variables and changes in the product of the new things that base on the actual condition that is depended on the theatre, which was not be and will not be for from these changes and new development. It contributes in the building of the theoretical show and there are many technical means that are employed by specialists in different scientific activities like : musicians, engineers of lights and sound effects and optical tricks as well as the formation, architecture and fashion designers, however, the theatre depends today on different expressive techniques that are represented in using sound and body language and its elegance to produce the meaningful expression through formation and shaping the gesture movements and music and dancing to make the receiver interact with them. Also, in all these techniques, the theatre needs to make a practical study for the technical changes especially the colorful ones, and it is the subject of research. So, the changes, in the theatre, are not the outcome of today; but they do have an origin in the present days until they reach to the new cinematic language that fabricated its forms in technical currents and directions; which had appeared and spread especially after the Second World War in all Europe and United States and the Arab world. These currents have used the technical tools and their significance and functions in different creative operations to find out their capacious in different creative operations to find out their capacities, dimensions and aestheticism and thoughtful applications. And that is named "The Colorful Significant Changes in the Contemporary Scinography" which deals with the study of understanding the alternations and how to produce the colorful significance inside the temporary scinography? Also, the study includes four chapters in addition to the abstract, results, and conclusions. The first chapter includes the methodological framework, the research problem and its need. Then, the researcher illustrates the researcher's importance throughout the changeable operation to produce the singnificance inside themodren Scinography, and thereafter he explains the research aim that is represented in ( illustrating the colorful Significant changes in the temporary Scinography); in which tine research illustrates the terms limitations like change , Significance, and Scinography. Besides, cheapter two mentions (the theoretical framework) and it includes three topics, they are as fallow : 1 - The first topic is the significant changes in the theoretical show.2 - The second topic is the color and its concept, psychological characteristics in theoretical show. 3 - The third topic is the deviation color and the Scinography elements.And the chapter has ended in pointing at the previous group studies by concentrating at the indicators from which the theoretical framework is produced, and chapter three deals with the found procedures which include the intentional samples that are represented in the following theoreticalshowws; 1 - ) The play of Atael in the Kitchen, that is authorized by; SamiAbd al - Hameed in 1996.2 - ) Macbeth play that is authorized by : Salah al - Kasab in 1998. 3 - ) Saedrah play that is authorized by Fadel Khaleel in 20014 - ) Ghosts play that is authorized by : Adel Kareem in 2004 - 2005..5 - ) Ali al - Wardi play and his opponent that is authorized by : Akeel Mahdi in 2008.Besides, the syllabus and tools of the research with its analysis that is represented in : 1 - ) The theoretical framework.2 - ) The compact discs.3 - ) The photographs.Therefore, making analysis for the samples and indicating the colorful significant changes that are used is another step.Finally, the fourth chapter includes the results that are found or got by the researcher and then the conclusions with the suggestions and recommendations. Also, the sources are mentioned with the annexes. Ultimately, we have mentioned the abstract in the English language.
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