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الطفولة في شعر رواد قصيدة التفعيلة في العراق : دراسة موضوعية فنية Childhood In Pioneering Poets’ Free Verse In Iraq (An Objectivity Artistic Study)

اسم المؤلف: سجا مجيد حميد
الجامعة: جامعة بغداد
اسم المشرف: فاطمة حيدر علي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: The Iraqi pioneers poets (Al - Sayyab , Al - Bayati , Nazik Al - Malaika , and Al - Haidari) affected by symbolism that linked at that period to the West and found its reaction at Arab Mation , including Iraq , They used a symbol of childhood in their poetry, There was differences among poet's childhood and as a result each poet influenceel with circumstance , where he live : for example AL - Sayab who lived in countryside and lost his mother at age of four or six his poetry connected with a losting mum and paradise , on the other hand AL - Bayati covered with hardness of city that lost the innocence of childhood , but Nazik her poetry represnted with the lovely life of childhood and playing on the sand also we see homelessness in AL - Haidary poens through his pesimists ponit of view for life.The poets used a symbol of childhood to fight the Authority by showing the defect of government in too ways : a - The authority shouId potect children because the represent the future. b - The children , women and old people are the weakest part in ‚me society and the cant face the cruelty of power people ‚ in my research I examined the phenomenon of at their poetry escaping from chilhood and found that their memories related with the village or city where they lived and I looked for the reasons and found they compensated their failure by looking for a period of childhood that represented for them a green oasis and beginning at the life also the study appears the capability of poets to use the childhood a symbol of diffrent meanings to show their experiences and goal in the life depending on their belief ideology ‚ their love and sacrifise for the homeland.
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نقد البلاغة : دراسة في المشروع البلاغي للدكتور محمد العمري Rhetoric Criticism Study In The Rhetoric Project Of Dr. Mohammed Al Omari

اسم المؤلف: زينب ميثم علي
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: فقد بينت النظريات والمناهج النقدية المعاصرة, بعد تفعيلها قراءة النص ان النصوص التراثية قابلة للتشكل وفق تصور حديث قد يختلف عن تصور منتجها, وقد اتضح مدى عمق كشف هذه النظريات للاسس التي ارساها بلاغيو العرب, التي كانت, ولا تزال محط انظار كبار النقاد والباحثي | Showed the theories and methods of monetary modern yet activated to read the text that the traditional texts are constituted in accordance with the perception of an interview differs from the perception of governing, as evidenced by the depth of these theories and foundations established by the Arabs, which was and still is the focus of attention leading critics and researchers rhetoric, reflected this perception in the project Dr. Mohammed Omari in reading the Arab eloquence, and it was the title of our research "Rhetoric Criticism study in the rhetoric project of Dr. Mohammed Al Omari" to solidify this perception, came divided Find the three seasons after booting between the Biography scientific Dr. Mohamed Omari, the concept of criticism of rhetoric, either the first chapter was titled "terms of reference of the project" has included three sections are : References Greek, Arabic and references, and the third section of Western references.The second chapter entitled "read the rhetoric" and included three topics are : the history of rhetoric, which included the history of magnificent poetic, and the date of the statement of rhetoric, and the date of the public rhetoric, the second section theories of rhetoric, which included the receipt of Western theories, Arabic and theories, while the third section was titled criticism rhetoric, which included cash of trends in rhetoric, and rhetoric bosses, and rhetorical Studies in cash.The third chapter, entitled "rhetorical project," which included three sections weakness : the concept and the term that was affiliated beneath terms that re - flick about, localized terminology, innovative and terminology, while the second section titled theoretical dimension included poetic discourse, discourse deliberative Hajaji, and of public rhetoric , while the third section came under the name Applied oriented included voice applications graphic, persuasive applications deliberative, public rhetoric applications. He concluded several search results Perhaps the most prominent. - Greek, Arab and Western Omari Project, it was the Greek in the establishment of the theoretical basis deliberative side persuasive, while formed to study the root acoustic balance, while contributed Western references in the order of these topics and consistency in a new configuration. - Track Dr. Omari in "read the rhetoric," its history and progress and the different sciences receive literature and speech from rhetorical to another in spaced periods of time, noting obtained evolution, as explained various theories special Ultimate received.
الصفحات الاولى:

دراسة الرواية العربية ونقدها في رسائل الماجستير في اقسام اللغة العربية بجامعة بغداد 2004 - 2013م A Study Of The Arabic Novel And Its Criticism In The M.A. Theses In The Departments Of Arabic Of The Univeristy Of Baghdad 2004 - 2013

اسم المؤلف: زهراء جاسم كاظم جاسم
اسم المشرف: نجم عبد الله كاظم الدايني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بغداد
المستخلص: The critical and academic studies demonstrated a great interest in the Arabic novel and exerted much efforts in the search, analysis and follow up of its different types, elements, artistic techniques, and narrative structure, that's why we proposed that our study be centered on the academic studies that focused on the Arabic novel through the search and analysis depending on criticizing the criticism. Our concern was limited to the M.A. theses in the department of Arabic in the University of Baghdad in the time period (2004 - 2013). The study has been divided into three chapters and twenty theses discussing in their content different concepts of the novel have been investigated. The study starts with a preface having three axes. The first has to do with literature, and the literary genres, and the second is related to the novel, criticizing and illustrating the stages the novel passed through since its rise until we received it the way it is and as has been studied in the thesis. The third axis contained an introduction of criticizing criticism, its concept and essentials. The first chapter (studying the contents and the subjects) has been divided into three sections introduced by a preliminary section clarifying the importance of the contents for the realistic novel in specific and for the novel in general. The study, in the first section, deals with subjects related to the (city and the society) dealt with by most of the university theses. The second section, on the other hand, dealt with the subjects related to (the exile, and the diaspora) after being considered by the academic researcher a phenomenon that pervade the Arabic novel in general, and the Iraqi novel in specific as a result of the wars and the policies of the governing regimes. The third section was dedicated to the (hero and the human models) that has a vital and fundamental role in the society and its social issues including the class, cultural and moral disparity The second chapter (studying the artistic structure) started with an introduction clarifying the importance of the narrative form in the structure of the novel. This chapter has been divided into two sections, the first one was dedicated to studying the artistic elements of the novel (time, place and character). The second section was concerned with studying the artistic techniques of the novel such as (ways of introducing the characters, a description and a dialogue) according to what the M.A. theses have addressed. The third chapter, on the other hand, (the viewpoint and the narrative structure) has an introduction clarifying the importance of the narrative structure and the importance of the narration. The chapter has been divided into three sections. The first section is related to the (narrative structure elements) including the narrator, the narrated, and a narrated to. The second section, in its turn, is related to (viewpoint and the narrative types) while the third section dealt with the (narrative structure) and what it implies of language, style, and structure arrangements. The research has ended with a number of findings listed in its conclusion.
الصفحات الاولى:

السيرة الذاتية النسوية في العراق Women Curriculum Vitae In Iraq

اسم المؤلف: رنا رياض فياض
الجامعة: جامعة بغداد
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: The subject of the study deals with the search for "Biography of women in Iraq" proceeding from the fact that this topic highlights an important aspect of the literary and cultural product of Iraqi women, that is represented by autobiography, which is especially important in the modern age for it can introduce information on the lives of people and communities throughout important multiple historical periods, this autobiography side with the official history which is written by the authorities away from the people's pulses and pains that are often obscured, therefore this study comes to cast the light on important aspect of these biographical works and sought to expose the side of women's contribution in this area.In culture, the importance of biography subject, that is considered as literary art, which found its way, expanded and published in the Arabic culture in general and it scored success records in writing personal and public history for writers of biography and in different styles, so this topic has been chosen after reviewing a number of topics. And after researching, we found that studying feminine biography is very importance. The importance of this literary art in academic studies for the time being is because these biographies offer live testimonies for important historical areas. This claim can be confirmed by the large number of biographies which is printed daily worldwide and the global demand for acquiring this type of writing, so Ilooked for Iraqi woman to find where she put her footstep in this area and found that there is no academic study devoted to tracking the feminine product of biography in Iraq, while this biography reserves a paramount importance as a cultural and civil indicator of the developmental process of the Iraqi society progress with the beginnings of the woman's movement, which has devoted its efforts in the field of women's rights to teaching and education, which later on developed into a participation of women in political conflicts, and the witness on the historical stages experienced by Iraq starting from the Ottoman occupation, the royal area of Iraqi history and the struggle against dictatorial authority down to events of the years after 2003.Finally, the study aimed to reveal the reality of Iraqi woman in addition to the disclosure of the reality of writing the feminine biography in Iraq, as it is described as a part of the Iraqi cultural reality.The frame of the study dealt with 11 biographies of Iraqi women, whether the biographies are written by a man, an Iraqi woman or by non - Iraqi hands, they are all considered within the framework of the women's biography.Hence the research was divided into introduction and preface which dealt with women biography and awareness of writing.The research discussed writing biographies for a number of Iraqi women writers in an effort to disclose the presence of women Iraqi writers who wrote biography in a way that makes writing a biography is common in Iraqi culture, trying to present the problems with that type of biographies in a time with too many types which helped in putting a different pathway between men biographies and women biographies, through which women tried to get their freedom. - The first chapter (from the body to self), dealt with the status of Iraqi woman previously and how she was treated and how she sought to have an identity, in addition to the application on some biographical models. - The second chapter (feminine point of view), dealt with the narrator and how he became an external narrator once, internal or aware narrator at another time, which had been applied in some biographical models. May be the motive that made me stand on the concept of point of view and the narrator, even though they are criticizing point of views on which had been talked about with prolixity, is tendency of writing in the text of women biography, while she is trying to hide in order to narrate her biography in different styles, including what it contains of confession, taboo, and confusions, so that the narrator took an active role in narrating divertive texts of biography. - The third chapter (maps and concept of place in the women's biography), dealt with the place in terms of being locked or open which was shown that through the application on some biographical models. Finding that the place is the most predominant in this biography because of its relation with the woman who is a result of eastern culture which makes her prisoned in a closed place.The most prominent finding which our research reached is that the Iraqi woman possessed an identity. And proved her presence and became side by side with the man completing him , not behind or following him.
الصفحات الاولى:

تضمين مشاهد القصة الموسوية في الشعر الاندلسي عصور (الطوائف، المرابطين، الموحدين، وبني الاحمر) Inclusion Of Scenes From Musa Story In Andalusia Poetries In ( Tawaef ,Murabit , Muahdeen And Beny Al - Ahmar )

اسم المؤلف: رغد فاضل علي
الجامعة: جامعة بغداد
اسم المشرف: فاطمة حيدر علي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: The importance of Andalusia Poetry in the four periods : Tawaef , Murabit , Muahdeen and Beny Al - Hmar that includes Quranic story ( the story of the prophet Musa ( p b u h ) technical and sin poetry acquiring high skilled aspects.Through it the poet showed his ability and culture by his continuous communication with holly Quran.It shows inclusion of Quranic words , terms and expressions in both reference and indication according the mechanism of construct texts and include them in Andalusia poetry through various thoughts and doctrines.Also through motives that could introduce the poetry according to the necessity of the motive either this motive was religious or social.Then it reach the poetic image that is based on giving poetic speech a sensitive scene that penetrate the mind of the perceiver to bring the image as soon as possible and visual dimension which gives the originality and roots to the poetic experience specially it is mixed with religiousaspect in the prophet Musa story.
الصفحات الاولى:

الظواهر الاسلوبية في شعر زاهر الجيزاني Stylistic Phenomena In Zahir Al - Jeizani Poetry

اسم المؤلف: رحيم خنجر جوني
اسم المشرف: جاسم حسين سلطان الخالدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The poet Zahir Al - Jeizani is one of the seventy s generation poets that seeks for the renewal and contrary the form and content of the modern poem.He started with the vertical poem as a traditional exercise , after that he wrote the rhyme poemaffected by the pioneers liveliness.Then he wrote the prose poem. The headline of my research “ Stylistic Phenomena in Zahir Al Jeizani Poetry “ that suggested by my teacher Dr Jassim Husein sultan Al - Khalidi. I found it as a worthy , because it is one of the subjects that didn’t teach on the higher studies level. In addition to that , my desire to study the modern Iraqi literature that represents the natural resource for our literary legacy for different ages and the cultural and critical poetry that Al - Jeizani has , was another motive in studying this poet according to the stylistic manner and the fewness of the modern stylistic studies of the seventy s generation and be limited to artistic and analytic studies. The importance of this study is the concentrate of the stylistic phenomena that distinguish Al - Jeizani poetry and how it connected with him and psychological affect on him. The first chapter is about the phonetic level (rhythm structures )and it is divided in to three topics , the first topic included the frequency studying as an artistic expressional need in the poetic text.The poet made it as a style in many contexts such as words, verbs , letters ,sounds and punctuation marks frequency. The second topic is about the revolving phenomenon as one of the modern poem requirements and its psychological and emotional on the poetic text. The third topic is about variety of the rhythm and types of the rhyme according to the mental requirements and modernism in the modern poem structure. The second chapter is about the level structural and included the stylistic structural phenomena in the poet language. It divided in to three topics , the first one is about the question and calling phenomena as a stylistic request that covers his poetry and helps to motivate the poetic meanings.the second included the verbs tenses far from the obligated tense and how the poet gave it new standards by changing the tenses to make the poem as pulsing or living tissue The third topic included different stylistic patterns that came in his poetry like the pronouns structures and the advancing and retardation that came as a stylistic variety.The third chapter was specialized for the reference level. the first topic deals with the meaning glide with the presenting of the metaphor manner according to the poetry mode. The second chapter is about the colours by describing them as stylistic phenomenon that contribute with the richness of the poetry mode. The third one is about the accord phenomenon by describing as a n artistic and cultural phenomenon in the modern Iraqi poetry and its historic , koranic and literary usage.
الصفحات الاولى:

الملامح الشعرية في روايات طــه حامـد الشبيب The Poetics Of The Narration In The Novels Hamid Al - Shabeeb

اسم المؤلف: رجاء عبد داود سلمان الزكي
اسم المشرف: سلافة صائب خضير العزاوي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: This study tackles the theme of the Poetics of the Narration in the Novels Hamid Al - Shabeeb. The study is subdivided into a Preface and three chapters. In the preface we studied the concept of poetics in narration and its meaning. Chapter One studies the levels of the peoticlangauein the novels of Hamid Al - Shabeeb tackling in the first inquiry the ideological level, in the second inquiry we studied the expression in the third inquiry we tackled the psychological level, the fourth inquiry we studied the narrative space. In Chapter Two we traced the poetics of time in three inquiries : the first is about the narrative of time, in the second inquiry we study the level of the duration (duration). The third inquiry is about the level of recurrence. The third inquiry follows the poetics of the place in the first inquiry includes the dimension of time and its types. He narrative place comes in the second inquiry.We included in the Conclusion the most important findings of the study : 1 - The concept of poetic language is the most accepted in the poetic language, because poetic language is more expressive and better in status. In addition to that it beaches the rules ofthe ordinary language. It also displaces it and reconstructs it again in new structural order. Poetic language composes the non - compassable.2 - Time includes recalling and foreseeing. Recalling is the process of remembering the incidents from the past and calling them to the represent time by the similar to these events. The foreseeing means anticipating the future. Maybe this is related to dreams sprang from optimism and excitement.3 - For the place and its importance as far as the novel is concerned. Place includes the closed space and the open space. There is also the realistic place and the imaginary place in the novel. In the end of the dissertation were listed a list of the references and resources and an abstract in English.
الصفحات الاولى:

الظواهر النقدية في رسالتي (التوابع والزوابع) و(الغفران) : دراسة موازن

اسم المؤلف: حسين ريحان عبد الزوبعي
اسم المشرف: شاكر محمود عبد السعدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
المستخلص: The discussion can be summarized as follows : Praise be to Allah, and the best pray and peace upon His prophet Mohammed, and upon his followers and companions. My thesis entitled ( Critical Opinions on the Altawabaa Wal Zawabaa and Alghufran theses; Comparable Study ) consist of the search on a subject arousing debate and controversy that is is there an influence between the two writers in these two theses. Some scholars see there is an influence between Almaree and Ibn Shuhayd, and other think the reverse, and the third one stand equitable between the two writer, they say that there is no influence between the two theses. All of this issue with all its reflections and what is aroused about it was a good reason for me to investigate and search about the truth through the search in the opinions and the critical thoughts which is found with in the two theses, then to find if there is an influence between of them or not. This is a new vision about the influence issue but in another hand it became scientific more than being a controversy and supposed issue. Thus I find it is necessary to divide me thesis into a preface and four sections and an end. I have focused on the nature of the criticism at the Third and fourth centuries(Hegira).Through the first part I have talked about the biography of the two writers and about the content of the two theses. In the second part I have talked about the critical opinions in the Altawabaa and Alzawabaa thesis, and at the third part I have displayed the critical opinions in the Alghufran theses, while at the fourth part I have displayed the equality between the two theses and I have centered on four items formed into four parts; at first section I have talked about the main issues that the two writers had participated in their study and this issues are; pronunciation and meaning, mode and artificiality, old and modern and the poetic steals. The second section is about what is Ibn Shuhayd write about, and the third section is about what is Abu Allaa wrote about, while the fourth section was about the equality of the language between the two researchers on there theses, and the style of them in displaying the critical issues within his thesis. After the search and the study for the critical issues which is found in the two theses I have find that there is no influence between the two critics in their critical opinions more over in their language and their style and this mean that the issue of influence and effect is not found because the huge difference between the soul and the mentality of the two writers and between the subject of the two theses. Thus it is acceptable the say of those who say that there is no influence between the two critics in there theses because of the mentioned reasons and we approve the saying which say that there is influence between the two writer in there Islamic point of view through the ( Alesraa Wal Miraaj Story ) and (fairies world ) and ( the last life )and what is mentioned in the Holy Qur'an and Sunah and a description to its people and its views concerning to Paradise and its hellfire concerning to the Hell.
الصفحات الاولى:

شعر الرابطة القلمية : دراسة سيميائية The Pen League Poetry A Semiotic Study

اسم المؤلف: جيدم فاروق عبد الحكيم الونداوي
الجامعة: جامعة بغداد
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
الصفحات الاولى:

الحجاج في شعر الصعاليك فـي العصـرين الجاهلي والامـوي

اسم المؤلف: جنان خالد ماهود الجواري
الجامعة: جامعة بغداد
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: The present research probes into the portrait of argumentation in AlSalik's poetry. The significance of this research derives from the crucial role played by argumentation in the active intellectual life. This research makes use of modern literary theories in examining AlSalik's poetry. Previous research has overlooked this issue examining other issues like the linguistic or rhetoric aspect of this kind of poetry. It is worth noted that most of AlSalik's poetry is full of argumentation, persuading attempts and submissiveness making it argumentative and far from being simple. This research has dedicated itself to the examination of this kind of poetry from the Pre - Islamic era to the end of Umayyad era. It is theoretical and applied research in nature falling into three chapters with an introduction. The introduction entitled "The Argumentation and its Development" tackles what is meant by argumentation and how it is evolved! Start with defining argumentation linguistically and technically, and following its historical development for westerners and easterners. Chapter one entitled" Elements of Argumentation" has three sections. Section one deals with the AlSaluk poet in the Pre - Islamic, Islamic and Umayyad eras and the reasons behind the emergence of such kind of poets like the poverty, the tribal system and self - conditions. Section two sheds light on the audience of the AlSalik's poetry such as the tribe and the people in the power position. And section three presents the subjects of AlSalik's poetry like adventures, elegies, praising, etc. Chapter two explains the different types of argumentation and arguments. It has two sections. Section one spots light on the various types of argumentation such as acting argumentation, interpreting argumentation and measuring argumentation. Section two deals with the two main types of argument based on Perelman's taxonomy. Chapter three, on the other hand, is divided into two sections. Section one lists the main mechanisms or techniques of argumentation adopted by these poets to persuade their audience including linguistic tools (such as lexical choices, argumentative conjunctions and some verbs), rhetoric tools (such as simile, metaphor and allegory) and metrics (such as antithesis, antonymy and metaphor). Section two is a detailed analysis of Alshanfri's poem shedding lights on his biography and the argumentative nature of his poem. It details the main techniques of argumentation used by the poet in persuading his audience. Finally, the research has been concluded with the main findings achieved highlighting that AlSalik's poetry is not naïve in its nature rather it is based on reasoning which affects the audience and their means.
الصفحات الاولى:

نقد السرد في مجلة الموقف الادبي (2005 - 2015)م The Narrative Criticism In The Magazine Of Al - Maoqif Al - Adabi 2015 - 2005

اسم المؤلف: جعفر محمد ونان جاسم
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بغداد
المستخلص: This Search Three adoptions : Cultural adoption posed represented by Almoqif Al - Adabi Magazine as it belong to the press and literature at the same time, and critical adoption by virtue of the modeling, critical adoption by virtue of detection and analysis and these three adoption came together to sets up construction structure of research ,the search turn around in the critical text that derived by critical Research, previous and studies that associated by Almoqif Al - Adabi Magazine so we will try to read accurate reading according to the persuasive means and its formative dimensions.Based on the search of the famous snappy repartee stating the following : that there asymmetrical experiences of critics have up to match in visions and consequences in parallel with that there is a difference in the platforms - with mostly - the political aspect.The aim of this research to the disclosure of the monetary values of the narrative in the Studies of the magazine moral position monthly rotating issued by the Arab Writers Union, integration requires research to capture the reins of assets and understated academic research.This attempts to search to answer the questions of banking : What is the relationship between the narrative terminology? How they were able to critics force of the issue of the disorder and after the terms of stability? And the impact of the literary theories in establishing the rules of the narrative which can define the meaning of the narrative indication and enriching the function and do a diversity of critical curricula monetary literacy? On the texts of the critical different application configuration and establishment; and that tended to appropriate evidence as registrars right ,accordingly.The criticism pass through of accomplished narrative Arabic and international levels and stages of development of the task, we will reveal in the body of the search for appropriate studies magazine criticism with this development arose configured, and we wander in view is correct, it was obliged to read carefully the magazine prepared within the framework of the extended time - frame of the number (405) of 2005m and number (523) of 2014; therefore those numbers directly from the Arab Writers Union, and I could not possessing banknote digitally; as well as the knowledge and briefed the preparation of other magazine starting from the first issue.The research ends with a conclusion with the most important findings of the research with the research recommendations, in this regard i don’t miss offer grateful thanks and respect for their modest effort , the head of council and the members, who bore the trouble reading this modest effort, apologized to them; if there are seen any errors and faults including those incumbent upon me gratitude for parents
الصفحات الاولى:

الشخصية في روايات احمد سعداوي The Character In Ahmed Sa'Adawy's Novels

اسم المؤلف: بشرى رياض جوير
اسم المشرف: سهير صالح ابو جلود
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: This thesis which titled (The character in Ahmed Sa'adawy's Novels) aims to study a Narrative term that is (the character in the novel). The study divided in to an introduction, two sections and conclusion.The introduction studied the characters and its transformations in the Iraqi novel after 2003, and Ahmed Sa'adawy as a novelist. The first section is titled (the types as character). Its divided, in turn, in to three chapters : the marginal character, the mythicized character, and cultured character. The second section is titled (The Image of language), which divided, in turn, in to three chapters. The stylization, the dialogue and the intermediate forms, and the Aliens genres.This thesis has come up to a conclusion summarizing the final academic results. I hope that this thesis gives its benefits in the future studies to help researchers concerned with the world of narrative.
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التناص الديني في شعر الغديريات : موسوعة الشيخ الاميني انموذجا Religious Intertextuality In The Poetry Of The Ghdeeriyat From The Encyclopedia Of Sheikh Amini As A Model,

اسم المؤلف: بشرى خضير شمخي
اسم المشرف: هناء فاضل سلمان الدليمي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2017
مكان الجامعة: بغداد
المستخلص: My thesis entitled : (Religious Intertextuality in the Poetry of the Ghdeeriyat from The Encyclopedia of Sheikh Amini as a Model,), in which I applied one of the concepts of modern criticism which is Intertextuality on the poems taken from Islamic Heritage. My goal is to contribute to the revival of the heritage by using modern approaches.I studied the Ghdeeriyat poets from the first century after Higrah to the sixth century. The number of poets whom I studied their poetry of Ghadeeriyat is fifty - five. I have noticed that religious intertextuality was limited to the interaction with purely Islamic sources, such as the Koran, the Sunnah, biographies, and histories. That approves that these Ghadeeriyat are totally influenced by Islamic resources, as they did not demonstrate any other effects derived from other religious traditions.Koran was the cornerstone in the construction of intertextuality among poets, employing its words, phrases and connotations, using its style and reflections in a productive and interactive way. This interaction with the religious text demonstrates the evolution of the religious intertextuality. The tangible images varied in their texts including visual, auditory, and taste, it contributed to supplement the text with artistic beauty, continuous movement and imagery creativity reflecting the dominance of the sensory image in this accomplished poetic, which has added to the Arabic poetry creative a clear touch cannot be overlooked by unbiased critic.We have found that the poets of the Ghadeeriyat until the sixth century AH had been committed to the rhythm and did not follow those who tried to abandon them. They have totally turned away from composing poetry by feet of five rhythms, which are : the Hazaj, Madeed, Muqtadhab, Mudharia and Mutadara. In which they did not compose even one line. That may be because their desire to cope with inherited Arabic poetic, and respecting the recipient, as well as the lack of adequate freedom of expression and prolong the poem in these rhythms.The poets of the Ghadeeriyat preferred rhymes ending with vowel sound over that ending with constant sound in which they did not abandoned the Arabic poetic teste. The Ghadeeriyat were full of internal music, especially in the late centuries, reflecting the attention of poets to this arts after Ibn al Mua’taz had established the Badee’ and the style of modernize poets who followed Abu Tammam.
الصفحات الاولى:

الفضاء الشعري في الغزل الاندلسي من الفتح حتى نهاية عصر الطوائف

اسم المؤلف: ايمان حميد هدرس الزيدي
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
الصفحات الاولى:

معانـي التسامح في الشعر الاندلسـي من الفتح حتى عصر الموحدين

اسم المؤلف: انتظار عبـد علي محيي عبـد
اسم المشرف: مقداد رحيم خضر
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
الصفحات الاولى:

الصبر في شعر بني الاحمر : دراسة فنية The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

اسم المؤلف: محمد حسين جاسم العيساوي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory
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طيف الخيال في شعر العصر العباسي الثاني (334 - 656 هـ) : دراسة موضوعية فنية Imagination In The Poetry of The Second Abbaside Era : An Objective Artistic Study

اسم المؤلف: بتول احمد سليم
الجامعة: جامعة بغداد
اسم المشرف: روناك توفيق علي النورسي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The concept of imagination is part of the Arabic poem. Poets of the pre. Islamic times (Jahilite) and subsequent eras had been keen on this topic, as this is closely related to the human identity or self. It also reveals personal experience poets had and describes their feeling and sentimental value. With varying degrees which reflect their feelings and sufferings. For the poet, imagination is an unexpected visit , delight , and a gift.The important of this topic lies in the fact that it helps the poet to strongly express his own sentiments and sufferings. It is an outlet for his feelings. Imagination has its own signification which is not confined to woman’s imagination but extends to other scopes that enable the poet to achieve psychological balance following a state of anxiety and confusion he has experienced.This study has revealed on important theory in the Arabic literature insofar as the phenomenon of imagination is concerned, that is Al - Shareef Al - Murtadhaa’s theory which involves a relationship between the soul and the body and which shows the strong connection between this on the one hand and imagination and dream on the other hand. The point is that it is the soul that sees what it sees in dreams and that this comes in poetry in the form of metaphor.It is in imagination that poets could describe their suffering from the long time they live in, that is ‘night’ Night is a symbol of severe suffering because of its darkness and gloom. The poet finds himself alone fighting hopelessness and anxiety; he lives in a state of psychological forlornness , longing for past memories engraved on their minds and hearts.This study has shown that there are in Arabic literature celebrated figures of their respective eras, but unfortunately totally forgotten in the present era. It is hoped that the present study may pave the way for future researches to show some of these poet’s outstanding contributions to Arabic literature, especially to the concept of imagination. These poets superbly wrote eulogies, elegies, love poems , etc.The study has adopted an analytical approach in dealing with the poems analysed to show what implicitly and explicity these poems involve.This thesis includes an introduction, three chapters, a conclusion, and bibliography. The introduction defines the concept of imagination in language and poetry. It also offers a psychological treatment of imagination from the point of view of psychologists.Chapter one is devoted to studying the motives for imagination on the part of a number of poets of the Abbaside Era, to show imagination means to any one of these poets.The second chapter has dealt with the relationship between imagination and the various purposes of poetry, such as eulogizing, elegizing, flirting, etc. Imagination is closely related to the poet’s psychology.Chapter three offers an artistic treatment of the poetry of imagination via studying poetic image based on figures of speech like simile, metaphor, metoying, and musical rhythm which includes outer music which, in turn, involves rhyme, metre, feet, etc. Furthermore musical rhythm encompasses assonance, pun, paronomasia, repetition, etc. The chapter also summarizes the conclusions arrived at
الصفحات الاولى:

الصورة اللونية في الشعر الايوبي Chromaticity In Poetry of Al - Ayoubi

اسم المؤلف: نبراس كاظم ابراهيم الدفاعي
اسم المشرف: رباب صالح حسن
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: This study seeks to statement chromatography impact in shaping the imagination of the poets in the Ayyubid period, an era that interested in literature and poetry, and the most prominent themes of spinning and description of nature, This study was conduct
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الطفولة في شعر بدر شاكر السياب : دراسة موضوعية فنية The Childhood In The Poetry of Bader Shaker As - Sayyab : An Objectivity Artistic Study

اسم المؤلف: يوسف سعد خليف
اسم المشرف: منذر محمد جاسم الديري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: الحمد لله رب العالمين والصلاة والسلام على اشرف الانبياء والمرسلين محمد عليه افضل الصلاة واتم التسليم وعلى اله الطيبين الطاهرين وصحابته الغر الميامين ومن تبعهم باحسان الى يوم الدين.اما بعــد : فقد وقع اختياري على الشاعر ق | After this study named the childhood in the poetry of as_sayab and its different subjects, can number result that was the fruitage this study that came before it introduction studied the childhood in the Arab poetry through all age.• The Arab gave the c
الصفحات الاولى:

البناء الفني في شعر ابراهيم بن الحاج النميري الاندلسي (ت793هـ)

اسم المؤلف: ياسر فواز احمد سالم الفراجي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
الصفحات الاولى:

الزمان والمكان في روايات نجيب الكيلاني The Time And Space In The Novels of Najeeb Algailani

اسم المؤلف: وجدان يعكوب محمود
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بغداد
المستخلص: The novel is a type of literature, characterized by strong relationship between its constituent elements, both the time and space which they are an elements of the novel can not be separated from each other. We can not imagine a time without a space or a
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شعر لبيد بن ربيعة العامري وابو ذؤيب الهذلي : دراسة تحليلية موازنة Labid Bin Rabeaa Al - Amery & Abu Thayb Al - Huthly : Analytical Study Balance

اسم المؤلف: هناء شمس الدين عبد الله
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: This is a study in an ancient Arabic poetry, search in the life of two poets who lived in the age of aljh…. & Islam whom are " Labid bin Rabeaa, & " Abu Duabe Al - hodaly".I have divided the search into two chapters, in the first chapter I Studied the p
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الصورة الفنية عند الشعراء العميان في القرنين الثالث والرابع الهجريين Artistic Picture At The Blind Poets (In The Third And Fourth Centuries)

اسم المؤلف: هبة محمد سلمان الجميلي
اسم المشرف: سوسن صائب سلمان المعاضيدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2010
مكان الجامعة: بغداد
المستخلص: بعد الرحلة التي قطعتها على صفحات هذه الرسالة، ابد لي من ذكر اهم النتائج المستخلصة منها، والتي يمكن ان يحصل عليها الباحث وهو يدخل في عالم بعيد بعض الشيء عن المفاهيم التي تناولها الشعر من الحب والحياة والغزل والدخول الى عالم المكفوفين، على انني حاولت في | This theses consist of a very deep study of the blind poets and the effect of their blindness on their psychology and relationship with other poets in the Islamic society at their time, and how did the complexity of blindness developed and reflected negat
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الالوان ودلالاتها في شعر ابن زيدون وابن خفاجة الاندلسيين : دراسة موازنة Significance of The Colors In The Poetry of Ibn Zaidoun And Ibn Khafajah Andalusians : Study Budget

اسم المؤلف: هبة عامر فاضل
اسم المشرف: علاء طالب عبد الله العاني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: After moving in this research must summarize the highlights presented the issues and findings are : 1 - The color of great importance in Arabic poetry in general and poetry of Ibn Zaidoun and I'm Khafajah private.2 - The color of important phenomena ass
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