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مدرسة بكر بن وائل الشعرية

اسم المؤلف: رضية فاضل جاسم
اسم المشرف: مصطفى عبد اللطيف جياووك
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2001
مكان الجامعة: البصرة
الصفحات الاولى:

رسائل الادباء الى الخلفاء والوزراء والامراء حتى نهاية القرى الرابع الهجري : دراسة تداولية

اسم المؤلف: رحاب فيصل عبد الوهاب المناع
اسم المشرف: محمد عبد كاظم الخفاجي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2019
مكان الجامعة: البصرة
الصفحات الاولى:

التلمذة الشعرية في العصر العباسي بين النظرية والتطبيق

اسم المؤلف: حنان بندر علي العبودي
اسم المشرف: ماجد عبد الحميد الكعبي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: البصرة
الصفحات الاولى:

القصيدة الاعلامية في الشعر العراقي المعاصر منذ عام 2003 الى 2017م Informative poem at Contemporary Iraqi Poetry Since2003 to 2017

اسم المؤلف: باسم حساب راشد العبادي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2017
مكان الجامعة: البصرة
المستخلص: The reader of the contemporary Iraqi poetic works after the year (2003) and in the framework of poetic literature finds the emergence of poetic texts within the context of the media investing aesthetic through transmission to a means or a publicity holder, or news of what is outside the text in the basic degree ... This led to a decline in aesthetic value Within its teleological dimension in front of the topics arising from the conflict of ideological and ideological differences of the Iraqi society and the result of the new reality of cultural openness. This is justified by the adoption of poets in the construction of texts on the elements of popular attraction : objectivity, such as politics, religion, faith, doctrine and important events, and artistic with visual, musical, visual, inspirational, direct, and spontaneous, motivational, emotional, etc. to achieve propaganda, The political ... Through this, the idea of (the media poem in contemporary Iraqi poetry since 2003) was the subject of study ... What distinguishes our study is its comprehensiveness of the manifestations of the thematic issues in a period of time has not studied any study in this area, the era after 2003, which dealt with the poetic output until the end of 2017 as this period of the product is rich in conflicts and media issues ... As for the methodology of the research, the researcher adopted a descriptive and analytical approach based on monitoring the most important subjects in which the poets participated and then analyzing the texts to uncover the most important means of popular and artistic mass appeal adopted by the poets as informational marketers. The nature of the study imposed the paths of the work and was divided into three chapters preceded by a preliminary and followed by a conclusion and a list of sources and references. The introduction under the title (Political, Social and Cultural Changes in Iraq after 2003 was a brief reading). The first chapter came within the title of the media poem term and roots. It included three topics. The first topic was entitled (The media poem is a reading of the term). The title of the second subject (roots of the media poem in the Arabic poetry from the ignorance to the Abbasid period) Poeticism of the 20th century media poem) The second chapter was entitled "The manifestations of politics, the homeland, the society in the media poem" and included three topics : the first topic (the political poem), the second section is its title (homeland in the media poem) The third chapter entitled "The features of the active scene in the media poem" came in the first section entitled (religion in the media poem .. manifestations and multiple visions). The second topic was titled (manifestations of the interaction of the event in the media poem) The title of the third section (Other manifestations in the poem Media). The chapters were concluded with a conclusion that dealt with the most important findings of the researcher in this study.
الصفحات الاولى:

شعر الارجاني : دراسة فنية

اسم المؤلف: وداد يعقوب سلمان الحراك
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2000
مكان الجامعة: البصرة
الصفحات الاولى:

الغزل في شعر جرير : دراسة فنية

اسم المؤلف: هاشم طه عبد الصمد اليوسف
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 1989
مكان الجامعة: البصرة
الصفحات الاولى:

شعر الاعمى التطيلي : دراسة موضوعية وفنية The poetry of Al - A’ama Al - Tatuauli An objective Artistic stady

اسم المؤلف: عبد الله عبد الشمخي
اسم المشرف: جنان محمد عبد الجليل
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: البصرة
الكلمات الدلالية:
  • شعر - اندلسي
  • عصر المرابطين
  • الاعمى التطيلي
المستخلص: تعد الاندلس واحدة من اهم مراكز الحضارة العربية، التي اشرقت على اوربا، التي كانت قابعة في ظلام التخلف والضياع، ولذلك فان في التراث الاندلسي الكثير من الكنوز التي لم يكشف عنها، ولم يمط اللثام عن نصاعة اشراقتها الزاهية. ان الاعمى التطيلي واحد من الشعراء الاندلسي المهمين، فقد كان يجمع بين نظرة الاجلال والتقدير التي يحملها لاسلافه من المشرقين، جاهليهم واسلامهم وامويهم وعباسيهم، فضلا عن تاثره بجماليات بيئته وبخصوصيتها الحضرية والفكرية، وهذا مادفعني لدراسة الشاعر مستعينا بالمصادر القديمة، وبالاخص ذخيرة ابن بسام، وطراز ابن سناء الملك. غير ان المنطلق الرئيسي للداسة كان ديوان التطيلي، الذي حققه د. احسان عباس، والمستدرك الذي اعده الدكتور محمد مجيد السعيد، مستفيدا من المناهج النقدية لخلق رؤية شمولية تحاول ان تحلل النص وتكشف النقاب عن جماليته وخصوصيته. هذواقد اثرت الاستغناء عن التمهيد الذي يتناول الشاعر وحياته، فقد كان في المقدمة الضافية التي اعدها الدكتور احسان عباس للديوان ما يغني عن التكرار والاعادة، وقد اشرت الى الظروف السياسية والاجتماعية للدولة المرابطية في اثناء فصلي الدراسة الموضوعية، لما لها من صلة بها. توزعت الدراسة على ثلاثة فصول، تناول الاول منها الاغراض الوجدانية، وضم اربعة مباحث، كان الاول للغزل بشقيه الحسي والمعنوي، وقد وجدت ان الغزل الخاص بمقدمات القصائد، كان حسيا تقليديا، في حين كانت قصائده الغزلية الخاصة، تصطبغ بالحزن والالم، وتنحو نحو السرد القصصي الممزوج بالغنائية، مما يذكرنا بالشعر العذري، كمواجد الغزل بالمذكر في موشحاته الذي نعتقد انه تقليد فني يقصد ابراز البراعة والترويج عن النفس. اما الرثاء، فنلاحظ ان رثاءه لزوجته اتسم بصدق الشعور، وحرارة العاطفة، مما جعله من روائع المراثي الاندلسية، مما يميزه عن الرثاء للاخرين الذي كان تقليديا لاعاطفة فيه. وتناول المبحث الثالث الشكوى، فقد تناولت فلسفته في الحياة والموت، ونفوره من الحياة التي حرمته نعمة البصر وجعلته محتاجا لغيره، ويمتزج هذا مع الزهديات التي تناولتها في المبحث الرابع من هذا الفصل. اما الفصل الثاني، فقد تناولت فيه الاغراض الموضوعية، اذ وقفت عند المديح للوزراء، والقضاة وغيرهم، وقد وجدت ان مدائحه تكاد تكون تقليدية مكررة بصورة المشارقة، كمواقفت في المبحث الثاني عند شعر الوصف، فدرست وصف الطبيعة الصامتة والمتحركة، ومظاهر الحضارة، ووجدت ان اوصافه تاثرت كثيرا بكف بصره الذي جعله يصف معتمدا على اوصاف الاخرين لا على رؤية جمالية خاصة. ووجدت للشاعر رؤية جمالية واضحة في العتاب، اذ يستفيد من عاهته في الاستعطاف وطلب العون من الاخرين. وانفرد الفصل الثالث للاغراض الفنية، موزعا على ثلاثة مباحث، اختص الاول باللغة والاسلوب، فوجدت ان الفاظه تراوحت بين السهولة والجزالة، افصح فيها الشاعر عن ثقافته القرانيه والشعرية، مما منحه اسلوبا متينا، امتاز بطول النفس مبرءا من الاسفاف، مستفيدا من الوان البديع المختلفة في حين ادخل في موشحاته اللهجة العامية واللغة الاعجمية في خرجاتها. اما مبحث الموسيقى فقد وجدت الشاعر قد ركز على الاوزان الطويلة، عدا قصيدتين من مشطور الرجز، كمراكز على القوافي الذلل، مبتعدا عن الوحش والنفر من القوافي، كما ان الوشاح استطاع بحسه الموسيقي المرهق ان يوزع انغامه بشكل هندسي رائع على خارطة القصيدة، كما استعان بتعدد القوافي والاوزان في الموشحات، التي توزعت بين الموشح التام هي الغالبة. اما في الصورة فقد درسنا الصور البسيطة والمركبة واللوحة، وقد اعتمد الشاعر على ما اختزنته مخيلته من صور نشات من ثقافته لا من رؤيته وقد ابدع في التشكيل واعادة صياغة صورة، اي اعتماد على ذهنه لا مشاهدته، وصوره يولدها من العدم فهو يقلب المتعارف عليه ولكن بشكل مقنع، فالفكرة لا يتناولها كما هي وانما يولد منها المعاني، فهو يميل الى التفكير الخاص (التفكيك) فالطابع العام هو التامل الذهني عكس المبصرين، فعالمه داخلي في كثير من الاحيان، وقد اثر فقدان البصر في صورة التي اخفق في بعض منها. وفي الختام لا يدعي الباحث لبحثه الكمال فهو لله وحده، لكن عذره انه ساح في طريق وعر، وجمع مناهج شتى، هدفها اضاءة وابراز معالمه الجمالية فالدراسات الانسانية ليس فيها احكام مطلقة | The skillful and creative poet, Al - Aama Al - Tatauli has not gained what he deserves of study and investigation that might correspond to his importance as one of the poets of Andulsia who wrote verse and Muoshahs and who tackled all poetic genres. He is also considered as prominent Washah (writer of Muashah) in Andulsia. For these reasons, the researcher chose this poet to be the subject of his study. As a starting point, the poetic text is taken as the basis of the study. The other approaches of criticism were then utilized to analyse allThe aspects of the text due to the importance of the political , social and psychological immediate influences on any work of creation. he study consists of three chapter. There is no special biography of the poet because the researcher found the comments of the editor about the life of the poet at the beginning of the collection of his works as enough and because there is no significant information to add about this question. Chapter one is concerned with studying the subjective genres of the poet, i.e love, elegy, complaint, and religious devotion. Each of these genres is presented in a separate subsection.Chapter two is a study of the objective genres of his poetry, i.e. praise, description and blame. The genre of praise includes praising of clergymen, judges, princes, women and the infloential men in the state. Description also includes desscribing still and moving nature in addition to describing arms and weapons. Chapter three includes the artistic analysis, it discusses the language, the techinque, the internal and external melody and the artistic image including the simple and compound ones and the portait in the poetry of Al - A ama Al - Tatauli. The researcher arrived at the following condusion : - The poet tackled most of the known poetic genres where he either imitates or innovates but within the known rhythm and framework of the Arabic poetry. - His poems of praising are characterized by the deletion of the introduction and directly going through the main purpose of praising . - He was the first to do this . Besides he made an innovation in one of his introduction where he blamed life in a style of religious devotion. - The poet was behined in the genre of description in comparison with the other poets of his time in Andulsia because of his blindness. - The poet was characterized by his firm technique and soft and eloquent words that flow smoothly and easily to make very sweet music He did so by making use of the different kinds of eloquency such as similie , homonymy , and metaphor in addition to his Knowledge of music and his writing of Muwash which is mainly based on music. - He derived his images from his poetic education and the stock of his imagination . - He tend to mental imagination , abstraction and untying and he has his own internal world
الصفحات الاولى:

رموز القران الكريم

اسم المؤلف: جيهان فضل الحجاج
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2006
مكان الجامعة: البصرة
الصفحات الاولى:

النص في خطاب علي حرب النقدي

اسم المؤلف: هشام يونس جاسم الياسري
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2011
مكان الجامعة: البصرة
المستخلص: / the text in terms of meaning and intention which used to be the text represents an essetial and most important core for modern and post - modem studies and the theories of the new critical scene. It has become a fertile field of knowledge in which critics and linguists indulged. Thus several and different theories and theses emerged, each tackling 'text' in view of its own principles , methodological and epistimological procedures, such as the russian Formalism, Neo - Criticisim, Structuralism, ~ermutics,andTextualism ,etc..These critical theories have produced different and contradictory v1s10ns of 'text' that intersects with the old vision both in its methodological and epistimological field. With the new critical visions, a bouycot has been established between the text and the writer, who used to dominate ultimate concern of critics and scholars. This bouycot eventually led to the announcement of"the writer's death".After this death of the writer, the text began to be associated with the reader, according to the 'Reader Response theory' which inserested itself in the reader and his/her reading and response.The idea of the present research started with my reading of the Lebanese writer Ali Harb's writinigs which, I believe, include an epistimological and methodological approach of the 'text' and its reading that deserves to be chosen for study. When I told my supervisor, I found that he agrees with me in his assessment of the topic's theoretical and epistimological richness embodded in the introduction of of a comprehensive and integrated textual vision enriched by a reading vision that goes along with it in addition torevealing the bases and epistimological principles out of which this vision came and flourished.The philosophical ahievement of post - modernism has become an important source from which this vision took a lot.Furthermore, this vision is an investable and applicable critical approach that can be adopted in text reading.Besides, this topic is a novel one that has not yet been studied before.The first chapter of the thesis falls into three sections. The first one deals with the etmology of the term 'text', covering its linguistic meaning, multiple meanings,and its metaphorical meanings. The second section tackles the concept of 'text' in scholastic circles and its integration into the other intermingled and overlapping concepts and its fluctuation from one specific scholar to another. Section three touches upon the definition of the term, revealing the difficuty faced in this task due to the differences among schools that used the term.Chapter Two deals with the term 'text' in Ali Harb's critical discource.It falls into three sections,too. The first tackles the the theme of textual identity; the structure of the text can be said to have two aspects : the phonological and the reading aspects. The section tries to show the characteristics of both. Section Two studies the text features; it tries to clarify each to open the way to Section Three which is devoted to study the concept of 'text' in Ali Harb's critical discourse.The third chapter studies the types of text and the bases for their differences due to which they are classified into types, showing the features of each text type. ··Chapter Four falls into two sections. The first deals with the critical possiblities for the reader and the possibilty of multi - readings for the same person of the same text. Section Two tacles the the reading of the text showing its nature, requirements, characteristics, and purposes.It, also, tackles the types of readings clarifying the epistimological vision that makes a specific treatment of a text determined by the text type. The chapter concludes with an account of Ali Khattab's reading approach which he uses in his critical endeavours.Lastly, the results of the study are introdused.
الصفحات الاولى:

جماليات الصورة البصرية في القران الكريم

اسم المؤلف: سلام حديد رسن المالكي
اسم المشرف: حسن جبار محمد الشمسي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2008
مكان الجامعة: البصرة
الصفحات الاولى:

الدراسات القرانية في اثار عائشة عبد الرحمن : دراسة لغوية The Quaranic Studies In The Works Of Aisha Abd Al - Rahman

اسم المؤلف: شروق محسن كاطع
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2006
مكان الجامعة: البصرة
المستخلص: The Quranic Studies have occupied a distinictive place in the literary studies , due to the fact that the holy text was the centre of the attraction of the researchers. Dr. Aisha Abd Al Rahman bint Al Shatie had Al Shatie had the great favour in establishing the bases for literary interpretation.The Short suras of One single topic were the major matter for her study in applying for ideas and in her eloguent analysis. In addition , She tried to imvistigate the most remarkabh linguistic and rhetorical aspects in her interpretive analysis so as not to tresspass intellectual issues that She Surveyed in her Quranic treatments.Then , the research was divided into two parts : the first part , the •, linguistic studies. It includes two chapters. The first chapter entitled the semantic sections ; and the methods that Dr. Aisha has followed to deal with the Quranic text via lexical meaning,, the contextual meaning to reach the most important semantic phenomenon that characlerises her Quranic stndies is the phenomenon of collocation. Chapter Two delimits Some grammatical issues that She studies cwefully like Some substitution letters , extra letters , ellipsis places and contextual filteriston.The second past entitled " the rhetorical studies " consists of three chapters. The firrt one is " eloque.nt sections " We surveyed the eloguent arts that Dr. Aisha passed through in her rhetorical study of the Quranic text. We studied the linguistic metaphor, mental metaphor , etc.Chapter Two represents sections from Semantics which include many rhetorical arts : swearing, questioning, forwarding back warding , definition , economy , repetition , etc. We also studied corefully two arts : intervention and parallelism.Chapter Three includes her view of the Quranic genius via her ideas in The researchers of the geniues , and the study of the most important genius phenomenon which is suras openings. the research ends with a conclusion of the most important rcsutes.In conclusion , 1 wonld like to confess that I did m~· hcst to achieve this research.
الصفحات الاولى:

البنية السردية في الادب القصصي لامنة الصدر The Narrative Structure In Fiction Of Amina Al· Sadr

اسم المؤلف: علية طالب جواد الحجامي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: البصرة
المستخلص: This thesis applies the modern narrative technique , linguistic narratology , to analiyze thenarrative structure of Bint AL - HUD A stories • linguistic narratology, represented byRonald Barthes, Gerard Genettee and Tsvetan Todora , concerns with linguistic aspects ofnarrative discourse : narrator ,techniques narration ,and the relationship between narrator•, narrate and discourse • where as semantic narratology ,represnted by Vladimir prop andGreimas , concerns wuth the content of narrative acts rather than the narration ,for itattempts to discover the logic of acts succession.The narrative structure of discourse is formulated of three parts (Narrator, Narratee,discourse) what is being narrated).The thesis is of introduction , three chapters and conclusion..The first chapter steidies the nattator, for it is considered the core of narration.. thischapter is of three sections ,plus theoretical Introduction. the theoretical introductionanalyizes the relation between narrator, author, and the implied reader •• while the firstsection studies the relation between narrator and narration •. this section is divided in totwo parts : 1 - The undramatized narrator.2 - The dramatized narrator.The research do not refer to semi - dramatized narrator , for the research did not it in theauthor stories •..The second section studies the narrator location , and the third section studies thenarrators functions.••The second chapter studies the narrate , which represents the second aspect of narrativestructure.This chapter is of three section : 1 - The narrate and his importance in narrative structnre.2 - The form and location of the narrate.3 - The fnnctions of the narrate.The third chapter studies the discourse (what is being narrated ), Which represents thethird aspect of the narrative strncture •.This chapter is of three sections : 1 - The character ,its types and way of representation.2 - The action , its importance and action building systems.3 - The time and place of narrative setting.
الصفحات الاولى:

الهوية في روايات علي بدر بعد عام 2003 : دراسة في ضوء النقد الثقافي

اسم المؤلف: غصون عزيز ناصر
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: البصرة
الصفحات الاولى:

مظاهر البهجة في الشعر الاندلسي من الفتح الى نهاية عصر الطوائف Features Of Delight In The Andulsian Poetry From Conquer To End Of Al - Tawaif

اسم المؤلف: عارف عبد الكريم مطرود
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: البصرة
المستخلص: Naturally , man loves nature and likes to enjoy it to add to his delight happiness , hope , tranquility , satisfactian and smile. Therefore , beauty is necessary to complete his essential needs without which he can not live happily and to help him bear his being and do things. Beauty arouses optimism and sense of communication and makes our life full and perfect intellectually and socially. Thus , it is a distinguishing sign between developed and underdeveloped societies. Man is also used to abandon all that may disturb felicity of his life. During his search for sources about the different times of the Andulsian era , the researcher found out great interest in those aspects of life that recalled painful sad memories of grief and distress. As examples of such studies , we may notice : Sari Mohammad Al - Samadi "Sadness in the Andulsian Poetry in the Fifth Hijri century " M.A. Thesis , Yarmuk University , Jordan , 1990 ; Baseem Abd Al - Adheem Abd Al - Qadir " Poetry of Captivity and lmprisonment in Andulsia " Ph. D. Dissertation , Ein Shams University ,1994 ; Abd Al - Lateef Mahmood Majeed " war poetry in Andulsia From Conquer to Collapse of the Khilafa " M, A. Thesis , Mustansiriya University , 1987 ; Fawaz Ahmed Muhammad Al - Taei " lmage of the Foreign Enemy in the Andulsian Poetry in the Fifth Hijri Century " M.A. Thesis , Mosul University , 2002 ; Ibraheem Abd Wehayib " Poetry of Calamity in Andulsia From Establishment of Al - Muwahadeen State till Collapse of Bani Al - Ahmar State " M.A. Thesis , lmam Muhammad Bin Sauood lslamic University , 1984. There were also the studies of different types of elegy that also evoked sadness. The researcher had not found a study or a research either directly or indirectly that tackled feelings of joy , delight or happiness or that described the Andulsians as happy , glad and optimistic people living in a peaceful beautiful place that gave them satisfaction and entertainment. As a result , the researcher attempted , in this study , to investigate the reasons behind the smile , happiness , delight and gaiety of the Andulsisns by studying the different aspects of their life that their poets depicted. The aim was to study the features of delight in the Andulsian poetry from the conquer till end of Al - Tawaif (cults) era. This period was selected for study because of the very little disturbance that eccurred during it. The study made use of many sources of language , literatare , history , psychology and religion in addition to biographies and it included an lntroduction , five chapters , conclusions , bibliograghy and abstract in Arabic. ln the introduction , the linguistic and semantic meanings of delight and its synonymes were highlighted. Chapter one describes nature as the purest and most inspirong factor of motivation for poets. The Andulsian poets chanted for nature and , in turn , it presented to them happiness , pleasure , gaiety and ecstasy. That was reflected in the way they brightly coloured their images and meanings with delight and call for entertainment and happiness. Chaptr two showed how the Andulsian poets admired the charming , tender and beautiful Andulsian woman who created smile , enjoyment , hope and radiance and who was the real motivator of delight and happiness that every Andulsian was looking for. Chaptr three reviewed delight in the parties of the Andulsian Artists where we could notice different activities of literature , singing or drinking. Those parties documented the cultural , social and psychological aspects of the Andulsan society and the way the Andulsian people used to entertain themselves. The Andulsian people were relaxed and gentle with the smile always covering their faces with gaiety , humour and happiness. Chapter four studied delight in both religous and secular occassions and celebrations of the Andulsians and shed light on the inherited habits and customes that they adopted to delight them. There were those poets who were keen to establish and deepen these traditions in the Andulsian heritage. Some periods in history were brihgt and full of happiness and tranquility that all people looked for to enjoy and refine the soul. Chapter five identified the prominent artistic characteristics of poetry of delight in Andulsian as far as language , style , imagery and music were concerred. As for language and style , the researcher picked out the words that expressed delight and discussed some linguistic styles the poets used to express delight. As for imagery , the researcher referred to the different models (same of them were new) that the Andulsian poets used to show delight. ln the artistic musical side. the researcher noticed that poetry of delight had music of very high taste which reflected the state of the poet within the very atmospheres that motivated delight , tranquility and psychological relax. Finally , study of delight in Andulsian poetry was determined by the condition of the poet which was an outcome of the events. Thus , it was not out of the motivators of happiness and gaiety to attain hope. Man is a group of feelings of both happiness and sadness and happiness is the origin because it is the closest to the innate psyche of the human.
الصفحات الاولى:

البنية الفنية في الشعر البصــري المعاصــر 2003 - 2012

اسم المؤلف: اسماء حسين علاوي
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: البصرة
المستخلص: Prise to Allah, the lord of the worids and prayers and peace be upon our prophet Muhammad (Allah bless him ) the Basris poem has seen a drastic change after the political and Cultural marginalization,cultural and Alamranjo Baathist wars Experienced Basri,s write AD if it came before this message tagged(potic scene in Basra in ( 2003 - 2012 before studying in the artistry constructon ) In order to give a general idea of the poetic scen in basra after the year 2003 AD especially after the availability of media freedom and cultural obtained by the literary community after this year, And note the most important aspects of aesthetic values in the values in the poem,and how to keep pace with the renewal movement which won contemporary Arabic poetry lately. The research planrequired to be distributedon the fornt and three chapters a conclusion arrange and include the most important findinges of the research. Followed by a list of sources and references Regularity of the first quarter - which it dealt with poetic langug - in two section aftermy mulch in , the language of poetry As discutioned in the first section Lexicon Basri,s poetry with reference to the most important terms that they are received has adopted a study wordy …..this study wordy as density and spread the noodles aggregtes, despite the fact that the visual poem water poem as it is rich in water and verbally ,…and belongings, so they have enriched the visual lexicon of words nature , and with it , the duration Harbingees of ideological , economic, security, and social , religious and many , so they,influenced the visual lexicon wording of his belongings. The second part, which hasstood at two axes dealtwith in the first axis of linguistic performance methodsand may join this axis And has included this axis performance heritage( religious and literary )and performance languge (daily communication ( spoken words ) And it should be noted that in this topic ( spoken words ), which meant research is not necessarily words, slag words, it may be relevant. Cassical roots, because of the large numberof Shiites and circulated among people………… become words circulating. The methods Alonmhau,ah where some style of order( such as the question and appeal and order) as well as denials that much receipt in the visual poetry and tried to highlight the impact upon the visual poet by citing models lattice supports Manchu him , and the second chapter, entitled to have come (lmage has addressed poetic) in tw section after mulch in the image of poetry, addressed in the first part , the most important means to form the poetic image when visual poet, such as the exchange of perceptions, including the ( diagnosis, and embodiment, and stripping ), and dealt with freelancing senses and their impact on the image of poetry , as well as and the relative contrast, this study has reinforced models of visual poetry to illustrate thess methods. The second topic dealt with sensual image patterns after the presentation of the most important types of poetic image when scholars and critics , boot the subject of overlapping picture and after , addressed the study and analysis of image sensory different Bonamtha( optical image including mobile and fixed , and color , and audio image , and gustatory ,and tactile ,and olfactory )and allocated chapter III of the study( rhythm), In order to be more specific search and influential in this section you have an inventory of poetic texts weighted sample in orderto be applied to research in this area , I have indicated in the first pillar of this research to the most important weight. Thesecond axis has studied the Rhyme The second axis has studied the consolidated Rhyme (statistics),and Rhyme vehicle (diverse) with lattice models citation describes these two types And return the prose poem in the second setion of the recorded presence in the movement of the internal rhythm after that was eliminated in the first section , as the second section devoted to the study of the internal rhythm,with three methods often overlap and intersect with each other ……. Or assist each other with other ways to escalate the internal rhythm movement, as addressed (rhythm sound, repetition, alliteration ) with a range of martyrdom poetic texts on each style and statement analysis and the effectiveness of these techniques to the enrichment of the internal rhythm.
الصفحات الاولى:

سعيد الغانمي دراسة في جهده النقدي Saeed Al - Ghaanimy Astudy In His Critical Effort

اسم المؤلف: كوثر عبد الغني نايف التميمي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: البصرة
المستخلص: This study (saeed AL - Ghanimy - Astudy in his critical effort) tries to shed light on the product of one of the Iraqi critics,and to be acquamted with his works and opinions in the critical field who is saeed AL - Ghanimy. AL - Ghanimy has been known as a critic,a translator, alingwst a philosopher, and a scholar in Archaeology and different cultures, but his critical works did not gain the deserved fame in critical studies. So, this study, to our knowledge, is the first study specialized in the critical effort of saeed AL - Ghanimy. We have found that his critical outcomes are classified according to three domains : Theoretical and practical criticism of poetical texts,Theoretical and practical criticism of arrative texts,and general criticisms.so, it was necessary to form the plan of the study according to these three domains.so, the study falls into three chapters preceded by an introduction then a preamble and coneluded by the final resnlts. It is clarified in the following The preamble which is classified accoreding to three points : The autobiography of saeed AL - Ghanimy,his culture components, and his works list. Chapter one : Reading poetry in saeed AL - Ghanimy criticism it deals with AL - Ghanimy's reading of the poetical texts in both the theoretical and the practical levels. Conerning the theoretical level, it deals with both modernism and poetry as it was presented by AL - Ghanimy. On the practical level, poetical sample are studied after being analysed by the critic. Chapter two : Reading Narratives in saeed AL - Ghanimy's criticism. This chapter falls into two sections. The first one deals with the critic's theory throughout the imagination and identity topics.The second section deals with studying AL - Ghanimy's implementations in narrative texts. Chapter Three : Theoretical Issues. It consists of two setions. The first one discusses AL - Ghanimy's opinions in Modern Iraqi criticism. The second seetion deals with the critic's opinions in extinct heritage literature and its relationship with the pre - Islamic literature. The study is coneluded with the results the researcher found followed by alist of the resources adopted in this study
الصفحات الاولى:

الاقبال على الحياة عند شعراء العصر العباسي حتى نهاية القرن الثالث الهجري

اسم المؤلف: وداد يعقوب سلمان الحراك
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: البصرة
الصفحات الاولى:

فنون البديع في الشعر الاندلسي : بنو الاحمر انموذجا Arts Of Rhetoric In Andalusian Poetry Banu - Al - Ahmer As A Sample

اسم المؤلف: اسامة عبد العباس عبد اليمة حمود
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: البصرة
المستخلص: Andalusian Literature represented a shining page in the History of the Arab Literature for its creativity and enrichment of the literature; and the Poetry of Banu - al - Ahmer was only one part of that literature for its real enrichment.As the Age of Banu - al - Ahmer was the last of the Andalusian literary age,I decided to study an artistic angle no researcher has ever tackled ,i.,e., (The Arts of Rhetoric of the Andalusian Poetry - Banu - al - Ahmer as a sample).This does not mean that there were no such studies that proceded this one. There were many studies in the field that tackled the poetry of the Age, which we referred to i9n the Introduction of the research. I decided to make my study to the poetry of this age in following way : a forward and three chapters precede by an introduction, followed by a conclusion and results. The forward is a kind of entry to the study, which came into two subjects : the first is a bird's eye - view about rhetoric and our point of view and the other is a general view about the Poetry of Banu - al - Ahmer.In Chapter One we study (the Musical Arts) represented by : alliteration, studding, reversing the first part of the line with the second, all types of repetition, division, recreation, reverse and replacement and "the necessity of what is not possible".Chapter Two deals with (The Arts of Playing) - these arts are given this name "playing" ,as we mentioned and explained in the Introduction - we gave it a short definition - represented by puns and emphasizing praise to resemble slander, and good reasoning an ignoring the knower.In Chapter Three we studied the (Moral Arts) ,which include : counterpoint, synonymy, peer account, citation, embedding and exaggeration. There is a point I would like to draw attention to ,viz., the inequality in their dealing with the arts of rhetoric and ours in talking about them. The conclusion illustrated the most important resulted the researcher got to followed by the resources we made use of in competing our research. I traced, in my study, the poetry of the Age from the books and poetry books I could get and from the books that studied the poets along with their poetry.Finally, this humble effort is nothing but a fruit of continuous hard work.For what suffices is that I did my best ; so if I made something good ,then thank Allah. But If wronged ,then it is my own weakness
الصفحات الاولى:

قراءة الخطاب الاستشراقي في الثقافة العراقية المعاصرة : مجلة الاستشراق العراقية انموذجا

اسم المؤلف: محمد جاسم محمد الاسدي
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: البصرة
الصفحات الاولى:

الحجاج في شعر ايليا ابو ماضي

اسم المؤلف: محمد علي حسين الحسني
اسم المشرف: فهد محسن فرحان
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: البصرة
المستخلص: The research aims to study the poet Elia Abu Madi through argumentation theory, he studied in the first chapter three sections the first is : the limits of pilgrims and means of persuasion, addressed the concept of pilgrims and purpose, with the theme, and its relationship with neighboring concepts, and proved the existence of the pilgrims in the hair, eating in the second section formula evidentiary pilgrims rhetorical studied persuasive kinds of ways when the researchers handled Ten Ways and discussed and finished them to a specific result, and eat in the third section of philosophy persuasive pilgrims rhetoric by shining a light on the cognitive dimension, philosophical, and psychological, and pragmatic, in the production of rhetoric.The second chapter studied types of speech Hajaji through the diversity of the speech in terms of its theme, addressed the pilgrims philosophical and philosophical and mystic and religious was for each speech, especially in inferred foolproof method, Vantdb so practical texts by the poet proved through this multi - dimensional, and their role in the formulation of persuasion to move to the topic The second, which dealt with the rhetorical mechanisms adopted by the poet started as a means of persuading Vsult light on two techniques Oslopeten : the question and repetition; it formed two phenomena distinct in speech poet and Delta on the persuasive purpose and a clear contrast to the other stylistic techniques, while the third section rhetorical representation tool studied dimension metaphoric and Simulators, which formed a phenomenon as obvious as a kind and in a speech rhetorical poet, a - kma see Seat - rhetorical techniques evidenced by the pilgrims in the Office of the poet.Chapter III dealt with three topics was the first in the types of arguments adopted by the poet to convince recipients that were on the three types of arguments is the foundation of reality institution and arguments on fact and arguments value was for each type of these kinds of arguments derivative thereof. The third section addressed the problematic fallacy in the speech he studied poetic fallacy definition and problematic presence fallacy in the hair and then eating kinds of fallacies when the poet and poetry texts eating from the text of the poet as examples of these fallacies.The third topic researcher tried to be applied where he studied two poems of the poet and poetry addressed them applied all the tools studied by researcher Find calls for pilgrims and integrative search ends here to conclusion.
الصفحات الاولى:

الثنائيات الضدية فــي شعر المتنبي : دراسة في الموضوع والفن Binary Oppositions In Poetry Al - Mutanabbi

اسم المؤلف: مهدي مخيلف كاغد الصبيحاوي
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: البصرة
المستخلص: This Thesis Comes to attempt to describe some of the manifestations : ( Binary oppositions in poetry Al - Mutanabbi).Showing in itself Contradiction between the two cases each of them about the other stands the opposite of the case of the antibody.But which cares about the plan followed, It appeared in the preface, three chapters and a conclusion. The preface in three axis the 1st concept of binary oppositions language &idiomatically But the second preface axis imported studies in Consciousness and ancient eloquence and third axis in field of binary oppositions Modern Monetary Studies and contemporary. Interested in the first Chapter study some Binary oppositions in poetry Al - Mutanabbi and it contains five topics ( ego/poet, other (life /death,young/old age , dream/ impertinent / glory/humiliation The second chapter interested for study forms binary oppositions the level of language ,and consist in content three forms , the first binary oppositions the level of direct verbal antagonism , second for binary oppositions the level of Exile and proof. And comes third under title binary oppositions for the level of Paradox.And the third chapter consist of binary oppositions for the level of Image for two axis ,the first about the image antithesis constrictive. Second studied texts application in poetry Al - Mutanabbi. Then the research ended with conclusion with the most important which resulted in the study.
الصفحات الاولى:

مفهوم الشعر في الموروث الادبي القديم The Concept Of Poetry In The Old Literary Heritage

اسم المؤلف: بتول نعمة علي الموسوي
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: البصرة
المستخلص: The concept of poetry is considered the centre point around which all issues of the old criticism move. most of literary views and critical theories are connected to this concept. This is why our research is devoted to show the features of Arab poetry in critical and rhetorical heritage. The title of this paper is "The concept of poetry in The Old Literary heritage". We do that to know the essence of this aesthetic structure and creative art by which Arabs doted all over ages. This paper consists of four chapters preceded by an introduction and ended with a conclusionIn the introduction , we explained the function and importance of poetry in heritage to show its position which is above all arts because it has a great importance in Arab social , cultural and life. The first chapter is about "The factors which effect the crystallization of poetry concept". These factors were psychological factors which move poets to say poetry and the comfort which poetry makes. There are also environmental factors (social , natural, political and cultural). We also show religious factors and moral ideals and their effect on poet's verse. The second chapter is about the study of poetry concept and its rhetoric. It also shows development and changes that took place. It also focuses on the poet's concept of poetry since pre - Islam age until the Abbasid age. The third chapter is about critics' concept of poetry through the issues of old criticism such as articulation , meaning , meter , rhyme scheme , and plagiarism. We also explained their critical views and things they agree or disagree with. The fourth chapter is about the study of poetic image because it is means which gives beauty, vitality and motion to poetr. The poetic image has an effect on the receiver. It also has relation with imagination and rhetoric styles through which different patterns of image are generated. The conclusion has the results made by a tour among criticism books.
الصفحات الاولى:

صورة البطل في كتب المقاتل الحسينية : دراسة في ضوء النقد الثقافي Image Of The Hero In The Books Of The Fighter.. Hosseinieh Study In Light Of Cultural Criticism

اسم المؤلف: علي محمد عبد الرضا
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: البصرة
المستخلص: This message has sought to highlight the perfect picture of the Arab Muslim hero, as drawn by the Arab cultural patterns, represented by Imam Hussein (AS) and his family and his companions in Karbala finest representation, and my studies came in three chapters preceded by a preface, followed by a conclusion. The boot has dealt with the concept of the language and idiomatically hero, the hero image in heritage, then proceeded to kill off the definition of the language and idiomatically, then the definition of books fighter, and the statement of significance between those of the other books of literature, The first chapter was entitled (the image of the hero through the other) in two sections, the first image : ( hero through the other equitable), while the second : ( hero image through the other peer), Chapter II Anonth : ( hero image through dialogue), was visits with human elements, including (sidekick placebo, and real), and the other with elements of non - human, and includes (age, animals and dialogue Gin), to come third chapter titled (Picture hero in hair fighter) and includes poetic purpose (pride praise Lament), to come Conclusion to show what I could stand it results from the praise of God and the virtues of acceptance pleading with him, he responds to pray
الصفحات الاولى:

بلاغة الاقناع في مقالات غازي القصيبي في ضوء مبادئ ارسطو الاقناعية Rhetoric Of Persuation In The Essays Of Ghazi Al - Qusaibi In Light Of Aristotilian Principles Of Persuation

اسم المؤلف: شيماء عثمان محمد
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
السنة: 2016
مكان الجامعة: البصرة
المستخلص: Modern studies of rhetorics are interested in persuasion as one of the objectives in realistic prosodic discourse that involves displaying personal thoughts and ideas by employing certain technique to contribute to persuading the addressee of the discourse directed to him.Aristotle was the first who talked about persuasion and described in details the techniques and stages in prosodic discourse in his book ‘Oratory ’. Thus, the researcher preferred this book to be the main source and guide in our study of the techniques of persuasion in essays of Ghazi Abd Al - Rahman Al - Qusaibi, which were gathered from newspaper a journals and edited in a book.A question might be raised about the validity of studying such essays that belong to an independent genre with its own characteristics and aims. The answer is that the two genres ( essay and oratory) are similar in type. Both of them are realistic prosodic discourses and thus can be built by the same tools of persuasion. On the other hand, Aristotle began his work in this book by classifying oratory into three types : argumentative, consultative and proving. He assigned specific characteristics for each type as we will mention in details later. The researcher found an artistic and objective similarity between consultative oratory and essay specially in the aims behind using them.Additionally, Greek oratory at that time, in addition to drama, was a well - known and common tool of communication with people to convey thoughts, ideas, suggestions, and reforms. With time, techniques of communication developed and the press emerged and thus essay becomes one of the genres that can achieve the same aim intended by oratory. Furthermore, topics and subjects of ancient and modern Arabic and western rhetorics were influenced by the Greek rhetorics and ideas of Aristotle. Those subjects and ideas were not assigned to be conveyed in a certain specific genre. Rather, they were conveyed both as prose or poetry and not in a specific genre. All the reasons mentioned above led us to study rhetorics of persuasion and the techniques it utilizes in essay writing in light of the techniques that were set as bases for oratory.Our main source in this study is Aristotle’s ‘Oratory’, translated from Greek and introduced by Dr. Abd Al - Rahman Badawi and published by the House of Public Cultural Affairs in the Journal of Afaq Arabbia, Baghdad, **edition.The researcher adhered to Aristotlian principles in persuasion. Accordingly, the study is divided into an introduction and three chapters. The introduction highlights three points. The first point is abaut rhelorics in language and terminology and its status and development for the Greeks and its relation to persuation. The secand is persuasion in language and terminology, persuasion in verbal communication, introducing the idea of persuasion by Aristotle and stages and participants of persuasion. The third point tackles the essay and its types.Chapter one ‘ Source of the Proofs’ starts with preliminaries in which we show what it is meant by the source of the proofs and Aristotle’s opinion of them. The chapter includes three sections; a section for each source. The first section is about the speaker ( the orator) and his impact on persuasion and his scientificity and ethics that help him achieve persuasion. Section two sheds light on the speech of the orator and what participants and proofs it should contain to contribute to achieving persuasion. Section three talks about the listener (the addressee) and what should be the effect on him so as to persuade him of what is said.Chapter two ‘ The Style’ starts with a long section of preliminaries because of the much details about Aristotle’s style. The chapter includes three sections. Section one is about the linguistic style that contribute to achieving persuasion whereas section two is about the rhetorical styles as represented in the rhetorical images. Section three tackles the other styles including those mentioned by Aristotle i.e. narration, saracism and rhyme as techniques that support towards persuasion.In the preliminaries of chapter three ‘Sequence of the Discours’, the researcher talks about the parts of speech of Aristotle and the method that should be followed to classify them. In section one of the chapter, the researcher discusses the introduction and its types in essays of Ghazi Al - Qusaibi : section two discusses the intext and section three is about the conclusions.The Study arrived at some conclusions concerning the most important techniques that Ghazi Al - Qusaibi used to persuade his readers about the thoughts, ideas that he wrote to them and that might developed the society culturally, politically, and economically. Definitely, the researcher faced some difficulties; the most complicated of them is that the text of the book of oratory itself is translated and not the origin. The style is sophisticated and some of the expressions are ambigious; its terms are different from those known in books of Arabic rhetorics and in modern rhetorical studies. This difference can be obviously seen in the illustrative examples put by Aristotle for every term. The expressions were very abbreviated and shortened especially those when Aristotle talked about ethics of the speaker and how they could be reflected in his speech. Consequently, the researcher depended on books of modern linguistic and rhetorical studies that are concerned with rhetorics of discourse and pragmatics in language
الصفحات الاولى:

وسائل الاقناع في كتاب منة المنان في الدفاع عن القران للسيد محمد محمد صادق الصدر Persuasion Means In Minat Al - Minan Book For Defending Al - Quran

اسم المؤلف: فرقد جاسم محينة
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: البصرة
المستخلص: Definitely the persuasion is a theory which has been taken deep roots in the western tradition, as Aristotle had written his famous book (Eloquence art) unveiling in it the most distinguished means of persuasion in the persuasion theory such as the eloquent morals (ITOS), and(BATOS), the receiver emotions and (logos) the arguments and evidences. In the Arab tradition, the persuasion theory is appeared clearly and openly, in the rhetoric with Hazim al - Qurtajni as he intermixed between what is poetic (imaginable) and what eloquence (persuadable) according to the varieties in the rates between them, pursuant to the eloquence nature and its purpose. During the twentieth century some western studies has focused light upon this theory. The most important studies of are the book titled (fresh eloquence) which has been written by (Chaim Perelman) with (Olbricht Tetka) as Chaim has given life to the persuasion theory in eloquence in his book, bringing a persuasive function to the rhetoric, plus the aesthetic function.Under the light of what has been mentioned of the summary clarification on the persuasion theory, our study to the book (Minat al - Minan) has been given within the framework of this theory, due to the presenting of the persuasion theory clearly in the book purpose. Therefore, this study has been written in three chapters preceded with introduction and followed by an ending. in the introduction the persuasion concept I have researched the language and the term and the persuasion activity components in its practical dimension and the persuasion rooting in the western and Arab traditions.This study has three chapters; in the first chapter I have researched about the persuasive nature in Minat al - Minan book. In the first research I have studied the initial dimension for the persuasion through its features which have been formed of such as (title suggestive, introduction revelation, withdrawal method). Therefore, its features have been shaped as defined as persuaded means driven for attracting the receiver and push him argumentatively for entering inside the text subject. In the first research, also, I have studied the conversational dimension as defined ad persuasive way, presented the persuasive mode which has been committed by Sayyid al - Sader (God may sanctify his soul) and continued in his book. In the second research I have studied the persuasive method (passages of the persuasion operation) which has been clarified how the persuasion operation may become in the Minat al - Minan book)In the second chapter, I have studied the persuasion communicated means, in the first research I have been researched the continuation in the persuasive eloquence, focusing under its light the speech variety method and the speech conversation and the speech arrangement and the psychology impact in the speech as defined as the most distinguished persuasive means of al - Sader. In the second research I have research the persuasive communication with the receiver. As these levels which are personified with the receiver by the direct model and upon the receiver of the undirected model and the special (assuming) receiver and the (mind) imaginable receiver. In the third chapter, I have studied, the most important language and mind means for the persuasion. I have studied in the research of the language way in argumentatively style and the test effect, and the eloquence in the rhetoric. And I have researched in the mind means of persuasion in the induction conclusion, and the persuasive in the standard conclusion, finally I have ended up the research in the finale, including the most important results which I have researched.In this study the research I have depended on analytic descriptive method done terms as defined as the argument way enlighten in the book (Minat al - Minan) for defending the Quran, then analysing it according to the persuasive dimension in it.
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