اسم المؤلف:
مهند مسعود جميل
اسم المشرف:
بلاسم محمد جسام
المستخلص:
يعيش الرسم اليوم حالة من الوجود الجديد على مستوى العرض والاسلوب معا، فقد غادر بعض مستوياته التاريخية والثقافية ليس في الادوات فحسب وانما في وجوده المكاني.ان اية مراجعة لتاريخ الرسم سوف تدلنا على بعض اقتراحاته، منها المتحف وقاعات العرض، والاقتناء الخاص | Drawing lives on the case of a new presence on the level of presentation and style together, have left some of its historical and cultural in not only the tools, but in the presence of spatial.That any review of the history of painting will guide us to some of his proposals, including the museum and exhibition halls, stakeholders in the acquisition of this kind of art, namely systems that are interested labels : artist’s subjects, its recipients, and place of display.But today, some of the vibrations of structural injured joints that pattern, and the foundations of the new approaches stand the place in front of an active and influential when it became seeks, to intensify the kind of new relationships, as it became architecture and one of the most important humanitarian needs, and moved to the New World Center, identity and presence, and set up a series endless data of contemporary life.This research is interested in one of them is to stand on the ability of architecture to attract art to it as an aesthetically pleasing, meets what has been termed the needs for humans as well as lend a cultural identity on the places, so the correlation between architecture and painting one of the pillars of cultural venues and is a global phenomenon and humane public.Accordingly, The current research is trying to study these points And outputs, was based on a systematic four chapters : Chapter One : In the two sections dealing with the first following topics : structural transformation of art and architecture in the third millennium, references conceptual, theoretical needs of emerging - places, modernity and coordinated environmental needs, art and the needs of the architecture of the interior, architectural style, environmental data in art and architecture.The second section deals with the following topics : art and ether, attendance photography, painting and wall. Chapter II : in two sections : the first includes the following titles : receiving and handling, and display modes, art and production places, methods of presentation, display elements (scenography)The second topic : the alienation of aesthetic, architectural design Chapter III : In the first two sections : Art and Architecture in Iraq The second is the maintenance of the national cultural heritage Chapter IV : Results, conclusions and recommendations and proposals. Then sources and references.Results : 1. The art key role in satisfying the desires of Neanderthal and psychological needs , emotional and existential , which indicates the interaction of art and human whole.2. Architecture and art refers to ideological and religious expression, which select models and types of concordance between technocracy as the Renaissance and beyond.3. Was the walls of the graphic display methods, which bases on the type of art called the parietal art, present a work of enduring architectural form.4. Drawings shares on the facades of Architecture in the age of modernity in the emergence of models and patterns, and create new environments for Architecture and propose new styles of painting.5. Cities became in the era of modern systems place for media and advertising, making the drawing takes new aesthetic forms such as writing on the walls and illustrations and advertising.Conclusions : 1. There are fundamental forces prevailed against the presence of art and architecture in the spatial environment, artist, architect, and the new jobs, which make up a whole new aesthetic and proposes a system to correspond to the races at the expense of individuality in the type of art on the historical level.2. Contemporary techniques has become an alternative to the idea of the murals painted for building, making this art takes atrophied in the joints of contemporary spaces.3. The Architecture in Iraq did not contribute in giving proposal which met between art and space; we cannot establish a pattern of contemporary test, because of the absence of the rule aesthetic and architectural patterns.4. Almost the art of Iraq drawing loses it presence in architectural places, for cultural reasons, popular, and the propensity to alternative methods based on the decline in public taste.Recommendation : In light of this study and its findings, the researcher recommends the following : 1. Building a curriculum process between drawing and architecture and sharing needs, to build awareness of contemporary places. 2. Trying to make the drawing goes out to public places and in the space of interior design without anchoring in the exhibition halls. 3. Planning to cooperate with the institutions responsible for the city lay the foundations for the presence of Iraqi art in the joints of buildings for both the public and private sectors. 4. The introduction of new approaches to the drawing go by methods appropriate areas with major transformations architecture and the environment together. Suggestions : An update of the current research suggests a researcher conducting a number of scientific studies and research of the following : 1. Alienation between architecture and art in contemporary spaces. 2. Deconstruction in architecture and art, conceptual approach
