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دلالة المفردة القرانية بين اللغويين والاصوليين == Quranic single indication among linguists and fundamentalists

اسم المؤلف: فاضل كامل محسن الموسوي
اسم المشرف: رحيم جبر احمد الحسناوي | عامر عمران الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Spin thesis about Quranic single between linguists and those who call them naming linguists and scientists assets any fundamentalists The 1 yen confined to their work in the building jurisprudential evidence that will help the jurist in the development of legitimate issues of concern to people's lives of Muslims and organize their lives in this world and the Hereafter significance. Thesis dealt with as significant when linguists old and modern significance when fundamentalists in all doctrines. Then dealt with single and clarity in the Holy Quran and the reasons for this clarity as scientists have identified and how to judge that the single clear or ambiguous and put them Metrology that define it and how they differed in that he divided them see that some of the strange and mysterious vocabulary others see it as clear and as long as the development of scientists have significance and knew through their studies or explanatory language is not strange and Agmod in the Koran because all the vocabulary purely Arab, as stipulated in more than any decent but some ignorance Bdalaladtha because it is used in the private Magamhm invited themThe Anatoha strange and mystery. And has made Linguists great efforts identify the vocabulary and implications aid of tribes and their members and not all tribes. Then the fundamentalists came after that was the voltage multiplier and accuracy finite because their work entails provisions of the legitimacy of governing if people in Alehiatin The rulings in very precise based on the consequences of the studies in Mbahz wordy. I have found your search phrase from the results Perhaps the most prominent focus on attention on the fundamentalists studies being more accurate than linguists studies .etbin researcher that the students that crowned to this type of study and Eugdoa scientific comparison between linguistic studies and the study of fundamentalism in the field of single Koranic .nsol reconcile what God loves and is pleased that he is Hearing pr

الفضاء الشعري عند العرجي (ت 120هـ) == A thousand Jewish people believe When General Raji (T 120 e)

اسم المؤلف: نور عبد الستار عباس ابراهيم
اسم المشرف: امل عبد الجبار كريم الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: الحمد لله رب العالمين، وخالق الانسان، ومعلمه البيان والصلاة والسلام على نبيه محمد(صلى الله عليه وعلى ال محمد وصحبه اجمعين) وبعد.. ان مفهوم الفضاء الشعري واحد من اهم المفردات التي دار حولها خلاف في تحديد مفهومه ،وقلت الدراسات التي تختص به في شعر الشعراء مقارنة بالدراسات التي تهتم بالرواية فمن اجل ذلك قمت بدراسة الفضاء في شعر العرجي الذي قلت الدراسات التي تناولته فلست ازعم اني اول من تناول العرجي بالدراسة فهناك رسالة (سرى سليم عبد الشهيد المعمار)(البناء الفني للعرجي) فهي وواضح من عنوانها دراسة فنية وسبقتها دراسة رافعة سعيد السراج التي اختصت بدراسة العرجي من زاوية حياته وعصره فقط، لكني اقول باني اول من درس الفضاء عند هذا الشاعر الاموي ،فهو قد انماز بفضاء جميل من الامكنة والازمنة التي تفرد بها وان كان في بعض المواضع سار على نهج سابقيه لكنه اضفى عليها من شخصيته واسلوبه الذي تفرد به، دراستي لم تخل من الصعوبات لكنها لم تكن كبيرة فمن بين تلك الصعوبات هي ترددي في اختيار المنهج الذي اعتمد عليه في التحليل لكن استقر تفكيري على ان اقوم بدراسة هذا الموضع على وفق المنهج الوصفي التحليلي. جاءت هذه الدراسة في ثلاثة فصول،فالفصل الاول يختص بفضاء الشعري الزماني فقد انقسم هذا الفصل على مبحثين تناول المبحث الاول الفضاء الزماني في المنظور النقدي،والمبحث الثاني تناول الفضاء الشعري الزماني بعدا جماليا،اما الفصل الثاني فاختص بدراسة فضاء الشعري المكاني وانقسم على ثلاثة مباحث تناول المبحث الاول الفضاء المكاني في المنظور النقدي ،اما المبحث الثاني فتناول الفضاء الشعري المكاني بعدا جماليا ،اما المبحث الثالث فتناول البعد النفسي للمكان ،اما الفصل الثالث فاختص بدراسة التشكيل الفني للفضاء هاجس الزمن نموذجا ويشمل الظعن ، الطلل ، السجن ، المراة وختم البحث بقائمة باهم النتائج التي توصلت اليها وقائمة بالمصادر والمراجع ومخلص للبحث، واخيرا اتقدم بالشكر الجزيل والثناء الجميل الى استاذي المشرفة (دـ امل عبدالجبار الشرع) واخر دعوانا ان الحمد لله رب العالمين | Praise be to Allah and peace and blessings be upon the Prophet Muhammad (peace be on Muhammad and companions) and. ..The concept of poetic space is one of the most important vocabulary that House disputed in the conceptualization and differed in defining what is included mtkhts time without place? or a place without time? it proliferated on it and each supports the view argument or evidence, this problem started in the novel by the hair, and then began studies on the study of the poetic space.The main reason that prompted me to choose this topic further study is to prove that the poetic space not limited on time without a place or location without time it includes Monday and extend to include vision and motivation that made me choose alarjie group and single him in this study because the poet say studies haven't addressed the study singled out space when this poet, only letter (Sri Salim Abdul Shahid architecture) (technical construction llargi) are clearly entitled technical study and the earlier study said Sarraj whose specialized crane Study of alarjie group in terms of his life and his times only, in order to point out that the alarjie group as other poets the RPR in a beautiful space, places and times that their uniqueness, though in some places went to approach of his predecessors but he gave it a personality and style of the uniqueness and for this and that I wanted to do this study.My education was not without difficulties but not large among those difficulties are choosing the frequency approach adopted in the analysis but settled thinking I study here the descriptive analytical but it comes out in some few places linked to the semiotic and reason back to the researcher who saw the need for diversity in order to get better vision.This study came in four chapters, the first chapter in the time it has split this chapter three detectives first episode dealt with the concept of time in terms of linguistic and philosophical, religious, and section II dealt with dual time and includes two night and day and bi - past, present and fertile and arid binary, either section III specialized study method is the accessor and the anticipation and narrative styleChapter II dealt with the study of the image has divided the two sections address the first spatial image of Islam to the Hijaz and the image of women in society, either section II dealt with the spatial image of nature, both silent and animated and color picture.Chapter specialized study place has split into three detectives first episode dealt with the concept of place of linguistic and philosophical and literary cash, either section addressed the types of place I gave up studying two types of pet place (House) and place Maadi (prison) either section II dealt with the aesthetic dimension of space (capillary altelal) and psychological dimension of the place (alienation), chapter IV dealt with the study of revelation has divided the two sections deal with the first episode of natural vision included see altelal and see the animal and rational vision of either section II dealing with frivolous and political vision Human vision and the two see each other and seeing, and seal with a list of the most important findings and a list of sources and references and dedicated to research

جدل العام والخاص في شعر رشدي العامل == THE ARGUMENT OF THE GENERAL AND THE PARTICULAR IN RUSHDI AL - AMEL'S POETRY

اسم المؤلف: راسم احمد عبيس الجرياوي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: فقد حظي المنجز الشعري للجيل الخمسيني في العراق باهتمام بالغ وعناية فائقة وحفاوة كبيرة من النقاد والدارسين والباحثين المختصين بالشان الادبي بوصفه علامة فارقة وسمة بارزة ومميزة للحياة الادبية في العراق في تلك الحقبة التاريخية المهمة، لما انماز به ذلك النتاج من مواصفات موضوعية وتقنيات فنية وسمات اسلوبية حتمت على النقاد ان يقفوا امامه بالاجلال والاحترام والاعجاب والانبهار والانكباب عليه دراسة على نحو الوصف العام السطحي تارة او القراءة الفاحصة والتذوق المتاني والغوص في ابعاده الفنية العميقة تارة اخرى، ومن ثم مقاربتها في ضوء المناهج النقدية الحديثة المختلفة، فضلا عن استيفائها للمحاكمة والمساءلة في اطار المقولات الفلسفية والتصورات المعرفية الحديثة. وارتكازا على ذلك فان اختيارنا للمقولة الفلسفية (جدل العام والخاص) ليس من باب البذخ الثقافي او التبطر المعرفي او الثراء الفكري، وانما ينبعث من الواقع الجديد ورهاناته ومعطياته، وضرورة التعاطي الجاد مع حاجاته والاستجابة الواعية لمتطلباته في محاولة منا لمواكبة عجلة التطور في ميدان البحث العلمي التي تحتم علينا تحديث منظومتنا المعرفية والثقافية لتنسجم مع ممارساتنا المعرفية.وقد شابت الدراسات السابقة للشعراء العراقيين توجهات ايديولوجية بالدرجة الاساس، ايديولوجية بوصفها العام التي لا تتصل بتوجه سياسي اذ توزعت بين انتقاء الشعراء المدروسين، وانتقاء الطريقة التي يتناولون بها شعرهم. ولقد خسر اولئك الشعراء الذين تبنوا توجهات غير ايديولوجية جماعية وايديولوجية في ان، ومنهم الشاعر (رشدي العامل) الذي تبنى في شعره ايديولوجية جماعية وايديولوجية شخصية، اما العامة فقد تجلت بتوجه وطني وما يعج به من ارهاصات، واما الشخصية تجلت بقصائده التي خص بها زوجته وابنه بوصفه منتميا للحب في هذا السياق. ويبدو ان الدراسات السابقة لم تستطع مراعاة هذا التشابك بين الخاص في شعر رشدي العامل والعام فيه، اذ كانت تشدد على الخاص تارة وعلى العام تارة اخرى. والحق لا يمكن لايما دراسة ان تصل الى نتائج دقيقة من دون ان تراعي هذا التشابك بين جدل العام والخاص في شعره. ويعد رشدي العامل واحدا من الشعراء الخمسينيين الذين عاصروا جيلين اولهما : جيل السياب، وثانيهما : الجيل الستيني، وهذا التعاصر بين الجيلين اعطى لرشدي العامل ثقافة واسعة واكتراثا شعريا كبيرا، ولكن على الرغم من وقوعه بين جيلين الا انه بقي يعاني الاهمال والتجاهل ويرزح تحت وطاة النسيان وعدم الاكتراث ويئن من شدة الغبن والظليمة ولم تسلط عليه الاضواء كما سلطت على الشعراء الرواد والاجيال التي تلتهم، الامر الذي دعا بعض النقاد الى اطلاق تسمية (الجيل الضائع) عليهم من مثل (سعدي يوسف، وحسين مردان، ويوسف الصائغ، ومحمود بريكان، والفريد سمعان... وغيرهم)، وهذا الضياع دعاني الى تعقب شعر رشدي العامل وانارته واظهار سر جماله، ومن هنا تاتي اهمية الموضوع، يزاد على ذلك هو ان رشدي العامل لم يكن معروفا عند الكثير من الباحثين، وهذا ما زادني اصرارا وحرصا على ابراز شعره ودراسته، حتى انني لم اكن اعرفه الا بعد ان طرحه علي استاذي المشرف، فقد ذهبت وبحثت عنه لاتعرف عليه وعلى شعره فوجدته شاعرا عراقيا مبرزا حتى ان بعض النقاد يعده من الشعراء الرواد، وقد عاش حقبة ثقافية مزدهرة، وقد عثرت على ثماني مجاميع شعرية له، فضلا عن قصائد متفرقة لم تنشر لا في المجاميع الشعرية ولا في المجموعة الشعرية الكاملة التي طبعتها (دار المدى)، وكانت مبثوثة في الصحف والمجلات فضلا عن امتلاكه كتابات نقدية كانت مبثوثة في الصحف القديمة، وهذا الامر اعطاني حافزا وشجعني على لمس مواطن الايجاب والسلب في شعره، اما السبب الاخر هو قلة الدراسات التي تناولت شعره بالتعقيب والدراسة مقارنة باقرانه؛ لان اغلب الذين يدرسون الحقبة الخمسينية يركزون على الشعراء الرواد، ومن ثم ينتقلون الى الشعر الستيني، اما جيل العامل فلم يلتفت اليه الا قلة وهذه القلة لم تركز على شعره ولكنها تنظر اليه نظرة عابرة خاطفة، عدا ثلاث رسائل درست شعر الشاعر وكان فيها جهد يحمد، كانت الاولى (شعر رشدي العامل دراسة لغوية)، والثانية (الرومانسية في شعر رشدي العامل)، اما الثالثة (نحت في ضباب، شاعرية رشدي العامل).اما موضوعنا فتكمن الصعوبة فيه؛ لاني لم اجد رسالة او اطروحة او كتابا يدرس (جدل العام والخاص) وهذا جعلني الاقي صعوبات جمة، فضلا عن قلة المصادر التي تناولت رشدي العامل ما عدا اشارات مبثوثة في بعض المصادر، اما الصعوبة الاخرى فتكمن في كتابات العامل وكتابات النقاد الذين تعقبوا شعره بالدرس والتحليل، وتكمن صعوبة تلك الدراسات والكتابات في انها منشورة في الصحف القديمة في السبعينيات والثمانينيات فضلا عن مطلع التسعينيات، وهذه الصحف لم اعثر عليها الا بعد عناء وجهد كبيرين. اما المنهج الذي اعتمدته في دراستي فهو المنهج التحليلي الذي يعتمد على تحليل النصوص وابراز ما فيها من جودة وجمالية، فضلا عن المنهج التاريخي والنفسي لما لهما من اثر في اظهار فنية الشاعر. وقد اشتملت الدراسة على اربعة فصول مسبوقة بمقدمة وتمهيد ومنتهية بخاتمة تضمنت اهم ما توصلت اليه من نتائج وقائمة بمصادر البحث ومراجعه. اختص التمهيد ببيان مفهوم الجدل لغة واصطلاحا واراء الفلاسفة والكتاب فيه فضلا عن تعقب تطور الجدل في العصور الادبية. وبين ايضا مفهوم العام والخاص لغة واصطلاحا واراء الفلاسفة والنقاد فيه، مردوفا بتاسيس نظري جمالي لمفهوم العام والخاص. اما الفصل الاول فكان بعنوان (العام والخاص في الموضوع الوطني في شعر رشدي العامل) وقد ضم توطئة بينت فيها نبذة عن الوطن ومفهومه وكيف تطور عبر العصور وكيف كان يطلق عليه قديما. وقد ضم ثلاثة مباحث، الاول : الثورة، والثاني : الغربة، والثالث : السجن والظلم. وجاء الفصل الثاني بعنوان (العام والخاص في رومانسية رشدي العامل الشعرية) وتضمن ثلاثة مباحث، الاول : الحزن في شعره، والثاني : الحب، والثالث : الطبيعة.وكان الفصل الثالث بعنوان (العام والخاص في حضور المراة في شعر رشدي العامل) وقد اشتمل على مبحثين : المبحث الاول : المراة الحقيقية ضمن ثلاثة محاور : ا - المراة الزوجة.ب - المراة الام.ج - المراة الحبيبة. والثاني تناولت فيه المراة الرمز. اما الفصل الرابع والاخير فكان بعنوان (العام والخاص في توظيف التراث في شعر رشدي العامل) وقد اشتمل على توطئة بينت فيها مفهوم التراث وماهيته عند الشعراء، ومن ثم قسمته الى ثلاثة مباحث، كان الاول بعنوان (مرجعية التراث الديني)، وتضمن كل ما له علاقة بالدين من مثل القران الكريم والحديث النبوي الشريف واهل البيت (عليهم السلام) والصحابة، والمبحث الثاني فكان بعنوان (مرجعية التراث الاسطوري)، اما الثالث فكان بعنوان (مرجعية التراث الادبي). ولا ادع قلمي يفارق يدي حتى اذكر باعتزاز كبير استاذي المشرف الاستاذ الدكتور علي ابراهيم محمد الذي قوم بدقته وملاحظاته هذا العمل، باذلا في سبيل ذلك وقتا وجهدا طيبين، فاسال الله ان يجزيه عني افضل الجزاء.واخر دعوانا ان الحمد لله رب العالمين، والصلاة والسلام على النبي الهادي الامين واله الطاهرين | Each historical stage and era has its own cultural discourse which suits its proposals, cognitive tools which cope with its bets and achievements, and logic which suits its orientations. A good proof of this established eternal fact that is deeply rooted in the human mental frame is examining the innovative texts by using new philosophical ideas and modern literary criticism tools which prevail our culture.Development, modernization and renewal are characteristics of life in all its aspects and fields. Thus, all the aspects of life, whether material or morale, are subject to this eternal inevitability and are governed by this omnipotent logic. Therefore, the inquest of innovative texts by using modern philosophical ideas and criticism tools has become an urgent need and necessity which neither represents one of the forms of inevitability that no one can escape its fangs and grip nor avoid its dominion.Depending on what has been mentioned earlier, the researcher's choice of the philosophical (the Argument of the General the Specific) is not a kind of cultural splendor. Instead, this choice has been motivated by the new life or reality in all its bets, the necessity of the serious treatment of its needs, and conscious response to its demands in an attempt to cope with the wheel of development in the field of scientific research which necessitates the modernization of our cultural and cognitive systems to match our new pursuits.Rushdi AL - Amel is one of the poets of the fifties who are contemporary to two generations of poets : the generation of the pioneers and the generation of the sixties. This has given him wide education and great interest in poetry. However, unlike the pioneers and the following generations, AL - Amwl has remained unknown and the lights have not been shed on him. For this reason, some critics call AL - Amel and other poets like Sa'diYousuf, Hussein Marwan, Yousuf Al - Sa'gh, Mahmoud Braykan and others "the lost generation." It is this loss that makes the researcher follow Al - Amel's poetry to shed light on it and highlight its beauty. In brief, the reason behind choosing this topic is that researchers, the cultured and even the specialists do not know Rushdi AL - Amel. In fact, researcher himself didn't know about AL - Amel before suggesting the topic by Prof. Dr. Ali Ibraheem and Prof. Dr. HasanDakheel Al - Ta'i. As for which is based on analyzing texts in addition to the historical and psychological method which are necessary for showing the techniques used by the poet.The study has been divided into four chapters preceded by a preface and introduction and ended by the conclusions.In the preface, the researcher explains the linguistic and technical meanings of the concept of argumentation, and follows the development of argument in literature. In addition to this, the linguistic and technical meanings of the concepts of the general and the particular, the opinions of philosophers and critics have also been tackled. The first chapter is entitled (The General and the particular in the topic in Rushdi AL - Amel's poetry) includes a preamble and three sections : the first is specified to the Revolution in AL - Amel's poetry; the second is about alienation while the third is about imprisonment in Rushdi's poetry.The second chapter is entitled (The General and the Particular in Rushdi AL - Amel's Romantic Poetry). It includes three sections. The first is about sadness, the second is about love while the third is about the nature. The third chapter which is entitled (the General and the particular in the presence of the woman in Rushdi AL - Amel's Poetry) is divided into two sections : the first section is about the true woman and it includes three axes : a. the wife b. the mother c. the beloved. On the other hand, the second section is concerned with the symbol of the woman.As far as the last chapter is concerned, it is entitled (the General and the Particular in the Employment of the Heritage in Rushdi AL - Amel's Poetry). It is composed of three sections : the first is about religious heritage, the second section is concerned with the legendary heritage while the last deals with the literary heritage.Finally, the study has come up with the following findings : 1. Argument is the dispute between two issues so that each person tries to defend the issue which he or she adopts by strong evidence.2. In the era of evolution, the argument has disappeared and the word (logic) has been used instead of it. But philosopher Kent has brought it to life again with an additional meaning.3. The general and the Particular are present in every phenomenon and they are strongly related to each other to the extent that the general cannot be known without studying a large number of particular instances.4. Rushdi AL - Amel is one of the poets who love their country very much because of the injustice and the oppression which he has been subject to.5. Most of poetry which deals with alienation is concerned with internal alienation which governs the general external.6. The poet's experiment in prison has given him poetic richness and provided him with a chance of meditation and mental motivation.7. AL - Amel's romantic is near to realism and pun at the same time.8. Love in AL - Amel's poetry is not for the beloved. It is symbolic love for the country and childhood. It is spiritual love and not physical.9. It is found that the poet's relation with the "wife" woman is personal and not general.10. The "beloved" woman has been given greater attention in Rushdi AL - Amel's poetry than the other aspects. 11. Rushdi AL - Amel tries earnestly to make use of the poetic heritage from different generations, as well as making use of western poetry.12. It is found that AL - Amel has drawn from others and tried to modulate what he draws to serve the context of his own ideas

المنابع الثقافية للشعر العربي في القرنين الثاني والثالث الهجريين == Cultural Sources for Arabic poetry In the second and third centuries AD

اسم المؤلف: سعد علي جعفر المرعب
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: وفي خضم المعطيات الثقافية المؤثرة والمتاثرة بالبيئة الزمانية والمكانية نجد المضامين الثقافية للشاعر تظهر في دلالات النص المنتج , فالادب عامة والشعر خاصة منجز من منجزات الثقافة ومعطى من معطياتها المعرفية والذهنية . فحسن اختيار المعارف التي ترفد ثقافة الشاعر لا تؤدي دورا في حسن استعمال الالفاظ وجودة اختيار المعاني فحسب بل تعطي للمنتج رؤى واسعة في استيعاب مدركات الحياة ومعطياتها والتعبير عنها , فالتجربة الشعرية هي نتاج للثقافة المكونة من الشعور والفكر . تاتي اهمية دراسة المنابع الثقافية في كونها توضح المؤثرات الفكرية والقيمية في الاتجاهات العامة للمجتمع والاتجاهات الخاصة للشعراء المتاثرة بظروف النشاة والفكر والثقافة والمذهب على حد سواء فتاثر الشاعر ببيئة ما يكون المنبع الذي يؤثر في العمل الفني على حسب استيعابه لمؤثرات ذلك المنبع , فالشعر نشاط فكري معقد يوظف المنابع الثقافية في اخراج منجزه الادبي معتمدا في استيعابها على عقلية الشاعر ومدى استجابته للمنابع الثقافية , فيكون الشاعر متعاملا مع البؤر الثقافية المحركة للحياة بشكل مستمر موظفا دلالات الالفاظ في التعبير عن نوع المنبع او المنابع التي ينتمي لها , فتاتي اهمية المنابع الثقافية في عدها محفظة ارشيفية يجد فيها الفرد الشرح الوافي لسلوكه وفكره الذي هو جزء من السلوك والفكر الجمعي لمجتمع ما في عصر بعينه . تم اختيار موضوع اطروحتي (المنابع الثقافية للشعر العربي في القرنيين الثاني والثالث الهجريين) فكانت المدة الزمنية لهذا البحث تعتمد مع التقسيم السياسي في سقوط دولة ما وقيام دولة اخرى على التقسيم الفني لان دراسة التطور الادبي لايمكن ان يكون ظاهرة فجائية تقترن بتغير نوع الحكم وبمجيء دولة وذهاب اخرى بل يتمدد العصر الادبي بعضه على بعض الاخر . فلقد بدا في القرن الثاني على اساس بدء حدوث تطور شعري جديد نتيجة المتغيرات الخطيرة والعميقة الاثر التي جدت في حياة الجماعة الاسلامية فكان الهدف المركزي معرفة مدى تقبل شعراء كل عصر لانواع الثقافة الموروثة والاسلامية والمستجدة ومدى تاثيرها بالمنجز الشعري لدى كل منهم , فلكل عصر خصوصيته النقدية التي تجعلنا نتساءل عن مدى تاثر الدور الثالث والاخير من العصر الاموي بالثقافة المستجدة ومدى ميله الى الثقافة الموروثة وانكفائه عليها وتمثله للثقافة الاسلامية مع ملاحظة طريقة التوظيف الفني والبناء الشعري والصياغة الاسلوبية , ثم نتساءل عن العصر العباسي الاول ومدى تمثل الشعراء المخضرمين الذين عاشوا في عصر الدولة الاموية وادركوا الدولة العباسية والمولدين المنابع الثقافية حيث الحضارة والثراء والترجمة والمذاهب الفكرية والفلسفية والفرق السياسية مع انقسامهم ايضا الى شعراء الطبع والالتزام بعمود الشعر وشعراء الصنعة واستعمال الافكار العميقة والصنعة الفنية والبلاغية ومعرفة مدى تمثلهم لانواع الثقافة وكيفية التعبير عنها والمقارنة مع شعراء العصر العباسي الثاني حيث الانفتاح الكبير في الحضارة والثراء والترف والاتجاهات الفلسفية ومعرفة مدى تاثرهم بانواع الثقافة وكيفية تمثلهم لها وطريقة التعبير عن الثقافة المستجدة والناي عن الثقافة الموروثة والاسلامية ومعرفة شعراء كل عصر الذين مثلوا اتجاها في تمثلهم لمنبع ما او اكثر . اما منهج البحث في الاطروحة فكان المنهج الوصفي التحليلي ليتناسب مع المنابع الثقافية وتطبيقها على الاغراض الشعرية عاقدا موازنة بين شعراء البادية والحجاز في العصر الاموي وشعراء الطبع والصنعة في العصر العباسي الاول وشعراء الصورة في العصر العباسي الثاني معتمدا استخدام المنبع على الاغراض الشعرية في كل العصور متناولا الشعراء اصحاب الدواوين . ومن المصاعب التي واجهت البحث هو البحث عن الشعراء الذين يدخلون تاريخيا وفنيا ضمن مرحلة البحث فكان يجب علي الرجوع الى كتب التراجم والاعلام والسير للتاكد من الشاعر والمعلومات التاريخية التي تخصه فكان نتاج هذا العمل الشاق ماتكون لدي في الملحق الاول من تراجم الشعراء مع ذكر المصادر التي يرجع فيها لكل منهم, ثم واجهت البحث مشكلة الحصول على الدواوين الشعرية للشعراء والبحث عن مظانها ووضعها بين دفتي البحث فضلا عن المشكلة العويصة التي واجهت الجانب البحثي في تقسيم الشعراء لانه من الخطا وضع حدود فاصلة دقيقة بين العصر الاموي والعصر العباسي الاول والثاني تعود لاسباب هي طول المدة الزمنية التي بقي بها الشاعر على قيد الحياة فضلا على انه ابعد مايكون عن الصحة وضع حدود فاصلة تماما بين العصور وعلى الاخص من الناحيتين الاجتماعية والعقلية , وعليه فاني تعاملت مع شعراء العصر الاموي والعصر العباسي الثاني بالرجوع الى مناسبة القصيدة او الشخص الذي قيلت فيه لمعرفة دخولها ضمن مدة البحث من عدمه , هذا فضلا عن السيرورة والشهرة الادبية له في عصر ما ومعاصرته لمجموعة من الشعراء وتفاعله معهم ايجابا او سلبا واسلوبه الادبي المختص بعصر بعينه فكل هذه المعطيات تعتمد في عده ضمن مدة بعينها . وهذه الدراسة حلقة من سلسلة دراسات وبحوث اكاديمية سبقتها ومن اهمها على سبيل المثال لا الحصر : - 1. الشعر والتاريخ : د . نوري حمودي القيسي (كتاب). 2. المنابع الثقافية الاولى للشاعر الجاهلي : د . عادل البياتي (بحث). 3. عناصر الوحدة الثقافية في الشعر العربي ماقبل الاسلام : د . محمود عبد الله الجادر (بحث). 4. المنابع الثقافية للشعر العربي قبل الاسلام : مزاحم علي(رسالة). 5. المنابع الثقافية للشعر العربي في عصر صدر الاسلام والعصر الاموي : د . عباس محمد رضا (اطروحة) . 6. ابو تمام ثقافته من خلال شعره : د . ابتسام مرهون الصفار (كتاب). 7. ثقافة المتنبي واثرها في شعره : د . هدى الارنؤوطي (كتاب). 8. اثر التراث في الشعر العراقي الحديث : علي حداد (كتاب). 9. المرجعيات الثقافية الموروثة في الشعر الاندلسي عصري الطوائف والمرابطين : حسين مجيد الحصونة (اطروحة). 10 . التراث في شعر المحدثين : عدنان كاظم مهدي(اطروحة) . وقد تشكل الهيكل النظري للاطروحة من مقدمة وتمهيد اوضحت فيه الثقافة لغة واصطلاحا , واثر الثقافة في الشعر , ثم قسم الموضوع الى ثلاثة فصول فكان الفصل الاول الثقافة الموروثة فاشتمل على توطئة واربعة مباحث هي الموروث الشعبي والثقافة التاريخية والثقافة القيمية الاجتماعية وثقافة الامثال , ولقد تعمدت اغفال الشعر بصفته موردا للثقافة الموروثة لانه سيدخل البحث في باب التناص وهو بحث يختلف عن موضوع البحث ببيان الاصول والمنابع الاولى للثقافة لكونها ابعد من الشعر , اما الفصل الثاني فاشتمل على توطئة وثلاثة مباحث هي ثقافة الاقتباس القراني , الثقافة العبادية والعقائدية , وثقافة القصص القراني , اما الفصل الثالث الثقافة المستجدة , فاشتمل على توطئة ومبحثين هما الثقافة السياسية والعقلية , ثقافة القيم والمعارف الاجتماعية الجديدة واخيرا اشكر الاستاذ الدكتور عباس محمد رضا المشرف على هذه الاطروحة الذي لولاه لما خرجت هذه الاطروحة بالهيئة التي وصلت اليها | The culture represents the intellectual side of individuals and communities alike, but is the basis of human thought in the production and development of creativity, and then determine the culture identity of the community in the dimensions of the physical and moral culture of a society is the source of values and actions of individuals belonging to him and through him can be understood and taught. In the midst of cultural data affecting the environment and affected the temporal and spatial find cultural contents of the poet reflected on the implications of the text and its impact product technical literature has in general and poetry in particular accomplishment of the achievements of the culture. We have chosen the subject of this thesis (Headwaters cultural Arabic poetry in the second and third centuries Alahjrien) Thus, this period of time dependent with political division in the fall of a State and the other on the division of technical, Regarding the research methodology in the thesis was a descriptive analytical approach statistical commensurate headwaters with cultural and applied to the purposes of poetry. This study is an episode of a series of studies and academic research before it, may pose a theoretical structure of the thesis of an introduction and then smooth the theme section into three chapters, Was the first chapter inherited culture Vachtml a prelude and four Detectives culture is legendary and historical culture and culture values social and culture of Proverbs, Chapter II Vachtml on the preparation and the three sections is the culture of the quote Quranic, culture, worship and faith, culture Stories Qur'an, Chapter III comprising the preparation and Mbgesin two political culture and mentality, culture and values of the new social knowledge

البحث الدلالي في كتاب معارج الاصول للمحقق الحلي ت676هـ == Semantically Research for Attitudes of Fundamentals of the researcher Jaa'far Ibn Hassan Al - Hilly (676 H)

اسم المؤلف: نبراس حسين ايوب الموسوي
اسم المشرف: حامد عبد المحسن كاظم الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The study tries to answer the following questions :  Were the Arab scholars aware of the idea of 'Semantics' and it applications?  What is the position of the Arab semantic research in relation to the modern semantics?  What are the semantic efforts made by Almoohaqiq Alhili in his book 'Marej Alesool'?  What is the significance of the modern semantic studies done by Almoohaqiq Alhili from a modern semantic point of view? The study tries to shed the light on the semantic efforts of Almoohaqiq Alhili in his book 'Marej Alesool'. He is considered as one of the innovators of the fundamentalism. His book was one of the best books in fundamentality and it is the third book by Imams in jurisprudence after the book of 'Altharieah' 'expedience' by the master 'Almurtadha' and 'Alaidah' by alshaeik 'Altusie'. It is considered as of the books of comparative fundamentality because of it has included a number of jurists like Abi Haniefa and Alshafieai of Ahl alsuna (traditionalists) discussing a number of fundamental issues. The researcher tried to make use of the modern semantic approaches in discussing the semantic topics done by Almoohaqiq Alhili to arrive at a vivid vision and a real realization. The study falls into three chapters, introduction, preface and the conclusions. The preface includes the semantic issues of Almoohaqiq Alhili and some of his classifications like 'Alsharaea' ,' Almutabar', 'Almasael Alaziea' and 'Almasael almasriea'. The First chapter deals with the idea of 'speech' and its definition, utterance and its definition and the multiplicity of the relationship B between the verbal and meaning as well as the results of such multiplicity. The second chapter tackles reality and metaphor and the border lines between them. Also, it discuses whether the rhetoricians and linguists have discussed the distinction between the metaphor and reality. The study has also handled the semantic aspects of metaphor and reality from a fundamentalist point of view as well as making a comparison between Almoohaqiq Alhili and Alsabki. In the third chapter, the researcher has explained the semantic contextuality and it influence on Almoohaqiq Alhili including its applications in the form of order. Last but not least, the study has come out with a number of conclusions :  The study has found out the truth of the real understanding of Almoohaqiq Alhili to the semantic development and its phenomena.  Almoohaqiq Alhili has realized that there is no real effect of usage in deciding the meaning of words, but the words are not described before usage except by reality as well as the issue is related to the terminology.  The study has comprehensively focused on the efforts of Almoohaqiq Alhili taking into consideration verbals and its semantic aspects as well as in the understanding of the legal texts.  The study has proved that Almoohaqiq Alhili has realized the effect of context in deciding the meaning and the semantic and dictionary effects of words on the text. Also,he realized the significance of arrangement of words in text as well as their referents inside and outs.

الاثر النحوي لابن جني في كتاب المقاصد الشافية في شرح الخلاصة الكافية لشاطبي ت 790هـ == the effects of ibn jinni ,the grammatical on the book(almaqassid al - shafiyah ala al - khulassah al - alkafiyah) for shattibi (790a.h.)

اسم المؤلف: خير الدين علي الهادي سليمان داود
اسم المشرف: صالح كاظم عجيل الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الدلالة الزمنية عند الرضي (ت686ه) في شرحه على الكافية == THE TIME INDICATION BY ALSHAREEF ALRADHI IN HIS ANALYSIS ON AL - KAFIA

اسم المؤلف: عذراء ضاري ضبع العزاوي
اسم المشرف: فالح حسن كاطع الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Al Radhi has a language sense and gives the language text his indication time. He looks to the text for its synonyms not from dull phrasing only and he realizes that these types help the time indication and make it for specific time and added for the original text. This is clear that the semantic in the thought of Al - Radhi it is not separated from text. He believes that the Arabic language even if it is no has the three genres IFAAL, YAFAAL, AND IFAAL. And these types changes by a new ways of writing added to them. Al - Radhi in his book shaarh al Kafaia (28/4) about the numbers of time indication because of these synonyms.The research divided into three chapters .Chapter one : The time indication for the past verb.Chapter two : Time indication for the past verb.Chapter three : The time indication for the order verb and others.The research end by its conclusion and by its results and the references of this research depend on the old and modern books

كلام الامام علي (عليه السلام) والصناعة النحوية : دراسة في النقد النحوي == Imam Ali's(pbuh) speech of grammatical rules study in grammatical criticism

اسم المؤلف: حيدر هادي خلخال الشيباني
اسم المشرف: رحيم جبر احمد الحسناوي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This research, which is characterized by the words of Imam Ali and the grammatical industry, is a study of grammatical criticism. It seeks to critique grammatical rules based on incomplete extrapolation and correct some of the grammatical rulings that are based on the words of the Emir of the Believers. In its language and composition, has come in accordance with the criteria of Arab scholars in the right to cite it, but did not get entitlement in the grammar lesson for the reasons we mentioned the most important in the body of this letter, the grammatical provisions hostage martyrdom, but it is said that the witness in the grammar is the same. The main idea that the research aims to highlight is reflected in our protest of the provisions of the Amir of the faithful in modifying a number of grammatical rules that grammarians have forbidden or limited to poetic egoism, as well as the construction of grammatical rules that were never mentioned by grammarians within the limits of what I have seen. The importance of this topic is that it is considered the first research in which I think that highlights the importance of the words of the Imam in addressing the lack of extrapolations in which the Arabic grammar in many different disciplines, the Arabic grammatical rules as a result of the extrapolation results, The approach of the grammarians, especially the later ones, in bridging the gaps that their interpretation of the language and its manifestations and uses were based on was based on the measurement, not by re - tracing and surveying, unless the ancients could stand it from the books of the Arab heritage, including (Nahj al - Balajah). Wael grammar. It was adopted in the graduation of the texts of Imam's speech and documenting the explanation of (Nahj al - Balajah) to Ibn Abi al - Hadid al - Mu'tazili by the achievement of Professor Muhammad Abu al - Fadl Ibrahim, except in some texts based on a more famous and famous narratives between the explanations of the approach. I carried a witness to the Imam and said in one of the books of the Arab heritage, we reported in the amendment of a certain grammatical rule. The method of research required dividing it into three sections and paving the way forward and concluding with the most important findings of the research and a list of its branches, a summary in English. The first was the concept of extrapolation in language and terminology, the second in its types, the third in the relationship of extrapolation by the total extrapolation, the fourth in the relation of the extrapolation by subtraction, the fifth In the reasons of lack of induction with representation, and held the sixth demand for the importance of the words of the Imam in addressing the lack of extrapolation of grammarians with the mention of concise examples of that I mentioned in the chapters of the letter and chapters, and then concluded to highlight the most important motives behind the reluctance of most grammarians to quote his words in the escalation. As for the first chapter, I studied it (what was prohibited by the grammarians and was mentioned in the words of the imam) and started it with a slowness in the statement of the prohibition of the grammarians, and then divided it into two chapters. The prohibition of acts and letters was in two parts : the first of the acts was in three rules, the second of the letters and the annexation of four rules. As for the second part, it was included in the presentation of what the grammarians carried out on the poetic necessity and mentioned in the words of the imam. It was opened with a slowness in which I mentioned the concept of necessity in the language and the term. It briefly explained the doctrines of Arab scholars in the poetic necessity, and consisted of two chapters. (The poetic necessity as proven in the speech) has formed of five rules, and the second chapter bore the title (the poetic necessity in the deletion and other issues) has been divided on two topics, studied in the first (the poetic necessity in the deletion) and three rules, (Poetic necessity in other matters) and the inclusion of four s promising. As for the third chapter (the latter), it was marked by (unless it is referred to by the grammarians and mentioned in the words of the imam), which paved the way for him to explain the negligence of the grammarians to a number of grammatical methods as a result of their lack or failure to follow the language and grammatical patterns. (Unless the grammars refer to it in the two styles of the section and the condition), and it was in two sections, including the first (unless the grammars refer to it in the style of the section) and it has two bases. The second (unless the grammars refer to it in the style of the condition) has two rules as well, and dealt with in the second chapter (unless the grammarians refer to it in other matters) and held six rules. The conclusion was presented by the most important findings of the research. The tributaries of the research included books of language and grammar, old and modern, and language adaptations, and books of interpretation and the Prophet's Hadith and poets, and explanations of the approach of rhetoric, studies, letters and research related to it, as well as a number of recent studies that sought to get acquainted with the ancient grammarians, The Qur'an or the Hadith of the Prophet (peace be upon him), I mention from them (evidence of clarification and correction of the problems of the correct mosque) to Ibn Malik, and (studies of the style of the Qur'an) of Sheikh Muhammad Abdul - Khaleq Adaimah, (grammarians and Qur'an) (Arabic grammar) by Dr. Mohamed Samir Al - Labadi, and "The Inferior Induction and Its Impact in Arabic Grammar" by Dr. Muhammad Ibn Abdul - Aziz Al - Omairini and "The Prophetic Hadith in Arabic Grammar" by Dr. Mahmoud Fajal. The phenomenon of prohibition in Arabic grammar), and other sources and references that we have proven in the list of tributaries of research. The study has devised a method based on the theory of the question to be studied from grammar books and Mara'i language

الراي غير المستحسن في التوجيه الصرفي == Opinion is not recommended in the exchange guidance

اسم المؤلف: ماجد محمد كاظم عمشان
اسم المشرف: امين عبيد جيجان الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to Allah, praise be to Allah, who taught by the pen, Taught man that which he knew not, and prayers and peace be upon the best of His creation and the most eloquent of Baldhad pronunciation of the Prophet Secretary Mohammed bin Abdullah and his family who go God bless them abomination and cleanse them cleansing, and his companions Almentajabin the good guys, and after : It is no secret to the specialists in the Arabic language as the science of discharge from the great importance of high and prestige among Arab science, not how it is Arab balance, and its known origins of the word of Arabs from appendages entering them, so this flag needs all the Arab people of whatever needed, but this science has not exhorts including DAI its flag as of study and research; Perhaps the reason for this is due to the rigidity of this science and the difficulty and accuracy, and this is witnessed by senior scientists, the son of harvest : (said (but this kind of knowledge of what was elusive difficult begun before knowing as such, then Ji after; to be Alartaad in as a footstool to enter it)), says the son of a bird in it : ((I would not see grammarians may Habera for ambiguity aware discharge, abandoning authoring the classification, only a few of them)) Adding to this science complex and the difficulty of some of the morphological views and the summer is stated or arbitrariness or weakness, and so the words and phrases that indicate disapproval of these views, and that's what prompted me to highlight those views, Ali pay some of the views of others is advisable that burdened this science and has been compounded by complicated convened by, so I decided to go into the SINGLE CAB this research, which they called (opinion is not recommended in morphological guidance).I did not find - within these Aldrash - that none of the scientists have stated disapproval of the opinion of the views and what I found is the words and phrases indicating disapproval toward saying : it Tklfo weak, not Bmtin, far away, the view, the likelihood of a consensus I do using preference such as their saying : this is the first, which I measure, as is well known, the likelihood of a consensus indicates a lack of desirability of the opinions of others. Since the objective of this study is to address the concept is not necessarily words that there is a text of the disapproval is enough to understand the words of the world, it is advisable not opinion from the views of any word or phrase that indicates that.I found that the balance of morphological What is the only way educational brief knows whereby the learner conditions of speech of originality and increase vowelization and modify and when we say that the balance of morphological know Him letters appendages of assets does not understand this it is he who reveals that even recognize the letters appendages by rules and principles exhaust Proof of this is that we can not weigh the floor only after knowledge assets letters of appendages by the disposal of those rules and then comes the role of morphological balance to deliver that information to the learner Ba_khasr phrase

شعر عبد الامير جرص : دراسة اسلوبية == The poetry of Abdul - Amir Jaras Stylistic study

اسم المؤلف: تارا خالد خلفه
اسم المشرف: صفاء عبيد حسين الحفيظ
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: It's became known that the Iraqi poetic text is a diverse text , that opens to the continuous experimentation field which does not settle down or rest , This text that has seen many transformations, Alterations, Creation and re - creation operations that contributed at maintaining the continuity of its leadership, The '90s Iraqi Poetic text was able to achieve a great artistic richness during its emergence, By a good group of Iraqi poets, Including "Abdul Amir Jaras ", That his mature writings imbued the creativity pouring rain on the land of Iraqi poem fertile, and as a Modernist poet, and as a modernist poet, he deliberately breached the standard poetic language, Employing new structures and syntheses, That contains a lot of sarcastic Paradoxes of the '90s tattered prevailing situation. Abdel - Amir, whose poetry experience has matured in the 90s' of the last century, But as the sons of his generation of poets, His poetry did not take its right of literature study, And didn't receive the attention of researchers, Despite the fact that his texts contain very dangerous and influential images and poetry flashes. From here I grew a desire to study the phenomena and features that characterize his poetry in accordance with the modern approach that reveals the secrets of the text and its interrogation as stylistic. And as the Methodological necessity required this research, To be divided into a preamble, three chapters and a conclusion, In the preface : we briefly presented the most prominent stylistic phenomena of the Iraqis poets of the 90s' generation, Speaking about the impact of intellectual, political, social and economic conditions in their poetry, Then we gave an overview of the life of the poet and a translation of his biography, And then we discussed the different circumstances that formed his experience .As for the first chapter, entitled (audio level) : it was built on two subjects, The first subject dealt with the internal rhythm, Which was addressed to the rhythm of (repetition) and (parallelism),While the second subject dealt with external rhythm, In which we studied the (weight) and (rhyme).The second chapter on the other side, entitled (structural level), included four topics, In which we discussed the most prominent structural stylistic phenomena, In the first subject we studied (query) and in the second (negation), In the third (appeal), in the fourth (submission and delay), the fifth (time), Which is divided into three sections (overlapping, fading and absolute) time, With making statistical tables for all previous phenomena to reach more accurate and objective results .In the third chapter, entitled (Semantic Level), it included three topics : first (semantic fields), Which was devoted to talk about the most prominent fields contained in the poet poetry such as (field of nature) and (flags field and personalities), And in the second section We dealt with (The picture) which is divided into : (mental image) and (sensory image), In the first one We dealt with the (symbolic image) and the (mythical image), In the second (optical image) and (haptic image). And as for the third section it included (image semiotics) and was divided into (punctuation marks), (whites and blacks) and (Typographical space.) And as for The conclusion : it included a summary of the most important results we have reached in the research, Then a list of sources and references and a detailed index of the topics.

ردود الشهاب الخفاجي (1069 هـ) النحوية في حاشيته (عناية القاضي وكفاية الراضي) على ابي حيان الاندلسي (745هـ) == Responses AI - Shihab al - Khafaji (1069 AH) In his entourage (the attention of the judge and the adequacy of Radi) syntactic at Andalusian Abu Hayyan (745 A) Grammatical study

اسم المؤلف: رغد فيصل غازي حسين الياسري
اسم المشرف: وائل عبد الامير خليل الحربي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: All praise is Allah, the Lord of all worlds, the prayer and peace upon the prophet Mohammed the informer and the faithful advisor and upon all his honorable and good relatives and his selected followers, so : The Quran remains affluence the flux, constantly tender does not expire wonders and does not create a large number of post, it has alternated it understood at the scientists of different backgrounds and persuasions, The grammar take care of it , than rhetorical and was considered by the interpreter, and hopes, stopping him speaker, and reported him to landscapes and writer, did not prevent one of them and his response, but all of THEM he found the finish, and carried about giving the secretariat Remember of wrongdoing and slippage, they return to Safe officer (grammar) to achieve what he sought, to the status of this science of Galilee, which takes us mist where the word of God spokesman and his heart conscious - Imam Ali y and where his disciple Aldua'ly - in order to request a great reward from God with reflection in the Koran I had the privilege to serve as arbitration - and I am inferior to that - in my studies : Responses AI - Shihab al - Khafaji (1069 AH) In his entourage (the attention of the judge and the adequacy of Radi) syntactic at Andalusian Abu Hayyan (745 A) - Grammatical study - . Necessitated the nature of the research that builds on the three chapters preceded pave highlights something of a biography of social and scientific Shihab focusing on the interests of grammar, it is a multiple concerns, including the moral and doctrinal, and his works, the value of his entourage, and the profile of the scientific status for those who confronted Shihab to reply (Abo Hayyan Andalusian), and the methodology of Shihab in its responses to it, and recite these chapters finale included the most important results of the study, and a list of Brackes that drank them this message, and the first chapter included matters where Shihab's response to Abi Hayyan in contacts, with two sections , Pena at first, the responses in Lifting the monument and traction motif and then banned them from the exchange, the second in building them.We have dedicated the second chapter of the responses in the acts, the issues went be divided into two sections the first is the action of the verb in terms of necessary and infringement, cosine and decreases, and the decrease and increase, taking into account the order of acts which in terms of disposition and inertia, while the second section was in the express act and direct, taking into account his time in the ranking, followed by starting the past tense.The third chapter in the responses of Shihab in glitter letters, as well as contain two sections, the first in Conjunction traction and the second in another character is mentioned in the first.The approach adopted in the edit Applied issues of the responses described analytically boot differed patterns from issue to issue, according to the consequences of the nature of the response Shihab, sometimes grammatically depends incorporation grammar of the question, and sometimes linguistically if its mouth in a statement meaning or significance, or a prelude readings retransmitted reply, and the latest styles so that the dispute simplifies directly in matters that branched where the dispute.The analysis is based upon the statement that tolerate deliberate composition of the object inflectional mentioned parsed the Koran. Displays after the opinion of Ab1 Hayyan and meet him cold Shihab, who often have a three - pronged Authority (Zamakhshari and oval opinion Shihab) and by virtue of his explanation Oval student Scout interpretation, are discussed his evidence after the breakdown of the stand when the pursued them or when you are derived by the opinion of painstakingly balancing views modernists in attempt weighting between the opinion of Abi Hayyan and Shihab.I extend my sincere gratitude After God of His attributes to disclose a nominee and that the people of this hard work and time great teacher supervisor Dr. Wael Abdel Amir Khalil. Parts of Me God richly rewarded.Our last supplication is all praise to Allah, the Lord of all words and prayer and peace be on the faithful prophet and all his honorable relatives.

شعر ابي دهبل الجمحي : دراسة جمالية == Poetey Abe Dahbl Al - jamhi An aesthetic Study

اسم المؤلف: علي محسن حسين المعموري
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The attempt to search and detect the product of the poet and knowledge purposes is very important, because he is a poet crystallized in the period in which popularized a lot of poets, namely the Umayyad period, as it is well - known poets of the Quraysh five. His hair has endured a lot of aesthetic values of all kinds, whether moral, religious or political, so that was the product of a track those values. Since the subject of aesthetic values of an overall theme and laws inclusive can not be confined to a particular aspect or particular rules, but that there is a definition of findings can be placed under the title is ((everything beautiful desirable)) or in other words ((all that is desirable from perfect) ) on this aesthetic values are a set of values refers to the common cultural rations are the assessment of needs and desires. Or with respect to the approach it has adopted a curriculum based on the semiotic theory Qremas applied by some models of the poetry, and it was applied in two aspects of the theory are : Besides global form when Qremas circumscriptum (the sender and the addressee and the actor and the subject and helper and exhibitions). The second aspect of the credibility that box Yum detected by the health and whether or not to say.The message included the preparation it addressed dealt with the concept of aesthetic value in the language and terminology and philosophy. As well as the life of the poet Abu Dhbl Jamhi it dealt with all that it involves, from his birth to his death.The first chapter dealt with it : what the beauty and the beauty of nature, both silent and moving each one of them divided into several types.And dealt with in the second section of the human beauty, dividing into two parts.The message included the preparation it addressed dealt with the concept of aesthetic value in the language and terminology and philosophy. As well as the life of the poet Abu Dhbl Jamhi it dealt with all that it involves, from his birth to his death.The first chapter dealt with it : what the beauty and the beauty of nature, both silent and moving each one of them divided into several types.And dealt with in the second section of the human beauty, dividing into two parts. Aesthetics internal rhythm of the bell music and redundancy in all its types in terms of repeating letters and words and tools. The second topic dealt with the external aesthetics of rhythm and rhyme of weight. The third section handled semiotic study of the subject.Researcher have come to a set of conclusions : that looking at the beauty of a woman made the poet looks at her most than it is to see it> Separating control parts of the body one by one and laid down in a plate full of poetry dimensional. The fight poet in a political subject of religious In an era dominated by the bloodshed made it highlights in its aesthetic value of self - suggestive to his courage and Frosath. The beauty and aesthetic value science and broad and complex and confined to literary side gave valuable results, including the associated reason and moral aspects of them, including the associated self - perfection

الضمير في شعر المتنبي : دراسة لغوية == The Pronoun In Al - Mutanabi'S Poetry. (Grantntatical Study)

اسم المؤلف: كاظم حنون صجم الخفاجي
اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Al - Mutanaby is a great poet. He lives in the fourth century of The Hijra. e was born in 915 and died in 965. e is well known , worldwide poet in the east and the west. The orientalist. Rejest · Blashir mentioned in his book ( Abu Al - Mutanaby ) many chapterseveral sections. He discussed Al - Mutanay's divan ( collection of poems ) the first chapter among the Arabian ( environment - communities ) in Iraq d in Mesopotamia and in Persia and in beyond river land. In the second hapter it deals with communities of Egypt and Syria. In the third chapter it als with this subject in the Arabian west. In the fourth chapter it handle ith influence of Al - Mutanaby divan in the modern time. In the fourth hapter it discussed the west knowledge of this poet.In a titled chapter undere title ( Al - Mutanaby and the orientalist. was mentioned that Al - Mutanaby's poetry has drawn the attention of the ientalist in the seven century, specially in the year Goliou born( 1656 died 1667 ) has published his poetry. The first one , who has introduce him idely to the west , was ( J.J Reisik ) died in 1774 ) in his book (patterns om the poetic Arabic Art ) is orientalist has published sixteen piece of Al - Mutanaby poetry in the ear 1665 about love poetry and two elegies with Germany translation. So e west knew Al - Mutanabby. This fame and this immortality in the world as justified.here must be many secrets beyond this poetic immortality. This study tries discover the secret of this secrets. It also studies how did the poet used e moved of the Arabian grammar ( the pronoun ) with all its details and Ahe details are as the following ! it is subject in ninety places and its variety is o : it's divided in to two parts ( plain and hidden ). The plain pronoun has o kinds : connected and separated with variety of the receiver , some times o the absent. All this found in two parts ( masculine and feminine ).here were some difficulties faced this research. They are : 1 - Many commentaries for this divan ( collection of poems ). The books and the indexes mentioned 52 commentaries about it. additionally many books deal with this subject (pronoun) in grammar and rhetoric. · he intensivo scientific themes may be a difficulty. For this divan. I've chosen Al - Wahidi commentary for Al - Mutanaby poems , mentioned in the preface.2 - One of the problems that faced the research , may grammar men , refused (reject) that the poet used definite pronouns , in his divan, and in the whole commentary of this divan and he mentioned the grammatical mistakes , for example ( lbn Jiny) , born 392 A.H. in his big explain (Al - Fussin and also Al - Aukbori in ( Al - Tibyan Fi Sharah Al - Diwan).It was necessary to explain the grammatical opinion of this poet. The poet replied to this questions because he was contemporary ( in the same thing) with lbn Jiny. So the privacy of this commentary required that it must be divided in to two chapters. I've made the first chapter in to four sections. They are : 1 - The first : I've studied connected subject pronouns2 - I've studied separated subject pronoun.3 - I've studied the connected object pronouns. ( each chapter contains tworesearches. The first what agrees with the general use ( agree with grammar) The second research what was discussed by grammar men ) The second section was put in three chapters. In the first one I've studied the appearance and the hiding and in it , there are three researches : 1 - Pronoun 2 - separated pronoun 3 - The hidden pronoun.In the second, I've studied the origin of the pronoun (The reference of the pronoun ). In it there are many researches. The definite and the numerous.and what has no reference (origin) , and the reference of the pronoun of the later nounsIn the third chapter. I've studied the meaning of the pronoun and it's influence effect.n researches : satisfaction he masculine meaning ( sufficiency) meaning by singular or double or plural d asking and gives meaning and lengthening the meaning. All this is einforced by poetry examples.1 wish I could find one of immortality secret , of this poet by this study Good is helper

نقض الغرض في العربية : دراسة صرفية نحوية == Refutation Of Purpose In Arabic (A Morphological And Grammatical Study)

اسم المؤلف: حيدر حسين عبيس
اسم المشرف: حامد عبد المحسن كاظم الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: معلوم ان الموانع في العربية كثيرة ومن يتتبع مواطنها لمعرفة ما يختلجها من علل او اسباب يتطلب منه ان يكون ملما بالحقائق اللغوية، مدركا بتصورات اللغويين اتجاه تلك العلل، وهذا ليس بالمطلب السهل بل يحتاج الى حسن التفكر وطول التدبر، وكان من بين هذه | It is known that there are so many ways refutation forms in Arabic and the person who wants to investigate how they work to know their limits or functions should own a wide comprehension concerning linguistics facts. He should realize the aim behind these forms. Of course, understanding that concept is not easy and it needs a high mental ability in addition to rich material from the researcher. He must know what exactly he looks for among many topics inside the linguistics which is known as ( Refutation of Purpose).The importance of studying this aspect comes from that it depends to one of the chapters of the book of (the features ) for Ibn Jiny which is ( Prevention of Refutation of Purpose) which implies lingual matters that avoid refutation forms that Arabians used to use in their common language styles what motivated me to continue studying this concept to reach its aims and the reason behind that concept according to certain principles that submit to mental logic. Through preface chapter, I have discussed the concept of (negation of purpose) and how it could be explained. Through the first chapter which is titled as (negation of Purpose in grammatical chapters). Inside the subdivision of the first chapter, I discussed negation of purpose in singular and plurol forms. In the second subdivision, I have discussed it form origin point of view. The second chapter is under the title (Refutation of Purpose in grammatical Phenomenon). In first subdivision, I have discussed refutation of purpose in brief. In the second subdivision, I discussed refutation of purpose in grammatical issues. In the third subdivision, I mentioned refutation of purpose in definite and non - definite. The fourth subdivision is about refutation of purpose from rink side. The fifth subdivision talks about refutation of purpose in deletion and finally in the sixth subdivision refutation of purpose with multiple means.The third chapter deals with (Refutation of Purpose in grammatical styles) which is listed as the first subdivision is about refutation of purpose in statement styles and it contains (speciality style) ( exception style) ( preference style) (certainty style). The second subdivision deals with refutation of purpose in request composition styles such as ( interrogative style) (warning style) and (calling style). The third subdivision implied refutation of purpose in non - request composition style such as (astonishment style) (appreciation and dis appreciation styles). With God's help to finish this research, I 've got some results. The research has put a definition to a concept of (Refutation of Purpose) as being the preventer to prevent any purpose to deform an aspect whether it has been lingual or in meaning. The research has also clarified that (Refutation of Purpose) is a clear phenomenon in existence and meaning and it forms an important notice in any linguistics job while they are discussing the general body of Arabian language as its being an essential part of Arabic that cannot be ignored. The first linguist who mentioned that concept was Abo Ali Al - Farisi who has transmitted this branch of knowledge to his student Ibn Jiny under the title of (Refutation of Purpose). Finally, I thank God for granting me luck and good will to finish this research.

المركز والهامش في القصيدة النسوية العراقية (2003 - 2013) == The Centre And The Margin In The Iraqi Feminist Poem (2003 - 2013)

اسم المؤلف: شهد سلام عبد حسون
اسم المشرف: ايمان عبد دخيل
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to God, the creator of the universe, including, inclusive and people for the day no doubt, prayer and peace of God's creation Mohammed bin Abdullah, and his family, his companions, believers him elected, and afterCultural studies focused on post modernism (center\ margin) to break the idea of dominant center focus on crushed categories, it don’t specify a particular direction, but reflected on the joints of all life.Thus, this dualism either case conflict between them or need each other, then came the feminist movements (emanating from cultural studies) focus on feminist product, who put the margin position for long phases of monetary studies, as it remained stationed around the male and speech output from text, exceeding what you write women to express themselves or their surroundings. And it was our attention more the accomplished creative Iraqi women, especially issued after 2003 until 2013 (study period) and that this selection does not necessarily mean that we dealt poets careers of poetry began in this period specifically, but our intention hair who wrote and published after the war, both whether the poet calculated on this generation or the previous one. The attempt to stand at (center/ margin) at the thought of women and product creative take directions several, but openly in this work we have tried to knowledge of more than one side, as is the study of topics and try to develop dual - core and the margin by which the first chapter, to try to stand on these bilateral Using verses followed in writing Alharafa the second quarter, leading to alpges about feminism and identity of the center and the margin in the final chapter. During our study of the poem women in this stage we have reached awide range of names and count the larger aggregates, to allow the field of study to cover them all, so we have tried in our choices to diversify the forms, to show an overall vision , and a clearer picture of the poem women at thatPoint, not limit ourselves to the names of famous or high - value experiments only.

الانساق الثقافية في رسائل الجاحظ (ت255هـ) == Cultural Formats In Jahez Messages (255 AH)

اسم المؤلف: مثنى حسن عبود الخفاجي
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Cash studies have done and did not sit in the modern and contemporary on Cultural done protruding cash and reality, and had Abu Usman among trace a few of the old intelligentsia unbroken attention counterpart on the part of the largest public vast majority of researchers and scholars Arabs, and remained read mine fertile and Mcnza thickly lesson literary and rhetorical and even cash in the Arab culture, but what draws attention really is the scarcity of cultural studies that have been the heritage of bigeye through the ages and offset to some extent lack extinction and annihilation, and this is what stimulated the researcher and encouraged him towards the foot on the approach Gahzi text, Baltae cultural exchange tools, procedures and strategies monetary mechanisms large numbers, that deal with cultural material, including linguistic texts as cultural speeches overflowing serious connotations and brimming with heavy contents and the carrier of the culture of the times, which were produced under Islamic rule, and the heir to the features and Twabah and brands negative and positive, and is involved with its institutions and overlapping with their contexts and responsive to the bets and requirements and influenced and influential Bhawwadth all the circumstances, and here the central dogma espoused by cultural criticism believes in the need to approach the texts in light generated culture him; which requires the development of texts in the womb of cultural contexts snare him from all sides, if, seeking access to the results of Ttoshh specific and respectful of accuracy, objectivity and scientific far, these are cash mental nominated by the study and adopted by the researcher Barutea grasped the most trustworthy in the bigeye read messages and relentless pursuit to discover the cultural formats mingled in the cultural discourse year, which is the fundamental objective of the study diligently in order to nail him. It was Astefaina messages bigeye, among other writings to be material anatomical these to our study, the starting point of fully represent us to the awareness of cultural criticism and responsive to him, who is trying to focus on the margins of cultural material, and struggling for the sake of all phenomena care and practices that were suffering from neglect and oppression and suffocation and repression The expulsion and absenteeism on the part of the previous monetary practice, as naive and menial and trivial and practices vile and despicable and ridiculous does not deserve attention phenomena does not require study, Vrsail bigeye not partaken so large share of the study, which won him the other writings Kalpaan and Signifying, animals and even stingy, here is worthwhile to point that we adopted in our study on three different editions investigation messages bigeye, the first achievement of Dr. Abdul Salam Mohammed Haroun, the second investigation, Dr. Ali Bou Melhem third achievement Mr. Hassan Sndoba; in order to accommodate all Almtozaah messages on the three editions written by bigeye. Material research, nature and recalled that the study is divided in three chapters : above each one entrance represents the threshold is a must to enter the Mnachath and ambiance and tourism in the internal Aoualemh, preceded by an introduction and followed by a conclusion included the most important findings of the research through the study, and download the first chapter address (assets, buildings and cultural exchange) and included four topics are : the concept of cultural criticism, and the roots of cultural criticism, and the concept of the text in cultural criticism perspective, the concept of the cultural pattern, and carry the second chapter title (format obedience to the Abbasid authority and defend), and included two topics, namely : the other dropping sectarian represented the people of modern Salafi doctrine Imami Shia religious other and suppress incarnated the Christians, carrying the third quarter and the last address (coordinated social Almadlj aligned), and included two topics is the other two : aligned chromatography (concentrated blacks and the marginalization of the egg), and sexual bias (concentrated men and the marginalization of (women

خطاب النقد الادبي عند ادوارد سعيد == Edward Said Discourse On Literary Criticism

اسم المؤلف: حيدر علي عبود الطفيلي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to Allah, and peace and blessings on the beloved and descriptive and good creature Secretary Muhammad, his family and the divine good and lasting curse their enemies to do the day of judgment, and yet... The Edward Said of the most critics controversial intellectual of the twentieth century, due to Grandma in cash speech, in addition to numerous factors, including upbringing, education and exile, but the topics covered and private (identity remain, Orientalism, culture, imperialism, and the other, worldly criticism ) is the biggest reason for his feisty critical features mostly, and abroad for critical theory of modern lines being sees it did not meet the aspiration to detect significant text and scaled the reader into the trap of specialization, academic and wandering in the maze of text. Speech came (Said) speech opposed to the structure of Western discourse, being made culture and history which afford grand narratives, revealing knowledge of the system that drives the self - made and the other, and the statement of the concept of cultural power that drives the literary and cultural production process, according to what you are. Said cash speech represents a long legacy of philosophical and linguistic, cultural, and so you see dealt with most of the themes that are the focus of conflict and a mismatch between the intelligentsia conflict, and Ajtrah through cash Amaagath a different understanding and new.Class (Said) of the most important pioneers who sat and contributed to the emergence of cultural criticism that dealt with cultural issues and the mechanism in a way out of the curriculum in schools and literary texts address the way. Said hybrid cosmic also see it, it is named compound (Edward Said) to the birth of Palestine and his travels between Egypt and Lebanon, study the migration to America and Britain made him exiled by force and act all this was stressful to deal with topics dominate the self - free industry and the other spunResearch methodology required to deal with the topic as it goes to be divided in four chapters and boot, and see that it has been able to focus on the concept or question revolved around the thesis, which are worldly critical discourse when (said)? The boot under the title (the speech, awareness and concept) and search the boot so problematic discourse and critical literary and the comprehensiveness of literary criticism and its limits, in other words, is the meaning of criticism mainly about the high literature? What is the meaning of literature in the product of any text? And how the role of culture and history in the text? That is why we stood on the word speech in the broad sense that brought him (Foucault) and used (Said) and thus move (Said) in all Ntegath within this holistic vision that sees the speech includes literary aesthetic criticism as well as a natural extension of cultural factors that affect the text. The first chapter was titled (the foundations and pillars in the said cash speech) As mentioned a little while ago it was (said) hybrid philosophical, linguistic, psychological and social thought, so we raised four axes represent the foundations and pillars that influenced them (Said) and Interview by directly sometimes indirectly at other times.Axis philosophical forward it to most philosophers who came mentioned in the monetary his speech, although we did not stand on most of them but we believe they are the most important in the visions that carried a private in the monetary his dominance, as well as goes the rest of the other hubs in a simple introduction to his life and ends with research in this chapter focus on topics which carried the earthly dimension for each axis and therefore Find walking towards the detection of intellectual heritage of the worldly (said).The second chapter was titled (worldly cultural criticism of Orientalism example) Because the (said) represents one of the pioneers of cultural criticism Find the concept of cultural criticism concept and references that led to his appearance began to have these terms of reference agreed with the terms of reference (Said) in terms of focusing on the worldly events in read the text and move away from the pillars of the metaphysical, then envisioned research and cultural exchange mechanisms, which focuses on non - adherence to monetary theory and the institution and after this introduction Turn Search towards the vision (said) to the concept of cultural criticism worldly theoretically through some of the visions and ideas put forward in embedded which was written by, and applied through book Orientalism and thus was read culturally analysis Tabakie worldly and this is what search him.Download Chapter III Title (worldly Monetary Alabestama culture and imperialist example) is an exchange of knowledge and based on Arcologgio Foucaultian fossils of the earliest mechanisms of cultural criticism and criticism worldly in particular, and this is what Layer (said) in the book of culture and imperialist, The path of research about the concept of imperialism and its manifestations holds concept different cultural authority controlling peoples colony and how to make them search for the conflict of knowledge / power zone, and then between research worldly cash engage through the concept of narrative and cultural resistance and a series of novels adopted by the (said) in a statement narrative move in the field of cognitive detection, said to see I've dish ( Foucault) Drilling Alarclogi revealing worldly knowledge - based analysis of the dimensions of the imperialist narratives.Three chapters made search was more like a development critical to speech (Said) of cultural criticism to criticism of knowledge and then to the idea of basic research on the nature of the secular criticism, came fourth chapter under the title (the secular foundation cash and achievement) questioned this chapter theoretical research for the book (the world's text and critic) which represents Based theoretical research on the development of cash, according to (Said) and the necessity to find a criticism of worldly beyond cultural criticism and critique of postmodernism, has treated research issues addressed by the (said) within the book and of the concept of the worldly, text, text, identity, and intellectual cosmic, or the concept of critic, and theoretical migratory, and the American Monetary left - wing, religious and cash, these concepts overlap on the one hand with the culture on the other hand are cash concepts touches the spirit of criticism, bearing movement (Said) Cash visions of a three - start of the world's text critic, so the search is going on about these essences.The conclusion of this journey is the station with the most prominent search results that were ultimately to this outlook in a speech (Said) cash. It must be noted that the search has not committed to a specific approach and the need to request this topic has relied on the analytical method, texts, research and Dialogue The reason that the subject taught monetary field. I would like to extend my thanks and that was a minor for the best fulfillment of the right of the professor and the mother noble tender overwhelmed me and the beauty of the great spirit of Dr. Hana Abdul AL - saida of all that effort and provided guidance was Mother Yes and yes oriented.Have been made in this work do my best despite the circumstances that were surrounded and God knows it, it was the lack of a decent enough to incorrigible your fingers voltage least bounty to God and to my teachers and virtuous Praise be to Allah

البناء الفني للموشح العراقي == The Technical Structure Of The Iraqi

اسم المؤلف: رؤى حميد منديل
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure

تعدد الاوجه النحوية في شروح الصحيفة السجادية == The Several Grammatical Possibilities In The Explainings Of Al Saheefa Al Sajjadia

اسم المؤلف: زياد قاسم دريس الطائي
اسم المشرف: شعلان عبد علي سلطان
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This research deals with a very important subject in the Arabic grammar , which is the several grammatical possibilities. This research reveals the relation between the grammatical meaning and contextual meaning in the text. Out of the kind of Almighty God , He makes Alsaheefa Alsajjadia the place of study. Because of the importance of this holy work and the holy statue ,It contains the most eloquent words , meanings and the greatest content. Certainly it is a great miracle professed by Imam Zain Al a'abedeen , Ali Ben Alhussein , ( peace be upon him ). This study tries to go deep in the text of Imam Alsajjad to depict the different grammatical possibilities and its discussion that are presented by the explainers of Alsaheefa that's why the title becomes the several grammatical possibilities. This study contains three chapters that preceded by a preface , an abstract in the end and a section for the resources. In the preface , I presented the explainers of blessed Al Saheefa on whom I depended on in the study with a reflection of their policy of explaining for each of them. The first chapter dealt with the reason behind the differentiation in the explaining o f Al saheefa. In the second chapter we have a study to the manners of the different grammatical possibilities in the explainings of Al saheefa for that it contained three sections ; the first is the manners of differentiation in directing the word , the second is the manners of differentiation in directing the sentence and third is the manners of differentiation in directing the semi sentence. Studying the critics that declared by explainers on the grammatical possibilities is in the third chapter which is divided into two sections ; the first is the manners of criticism and second is the basis of criticism. After all , I spent a lot of time to manage this work and if I succeed it will be out of generosity of Allah ( to whom all be ascribed ) and it will be the cause of the instructions of Dr. Sha'alan Abd Ali Sultan. If I don’t succeed it will be the cause of my little experience but I think it is enough that I tried.

نثر المعري : دراسة في ضوء النقد الثقافي

اسم المؤلف: محمد حليم حسن الكروي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

فساد الراي النحوي في العربية == The Corruption Of Grammattical View In Arabic

اسم المؤلف: عهود صبر راهي الزيادي
اسم المشرف: حامد عبد المحسن كاظم الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Chpter one studiesthe corruption of grammatical view'in nouns, it consists thses sections, the first deals with symptoms structurs, the secerd studies Al - Tawabea, while the third deals with miscellaneous. Chapter two deals with the corruption of grammatical view in verbs. It consists of these sections preceded by introduction a bout the verbin Arabiclanguaga. Sectionone studies kana and its sister " verbs to be "and what like them. The seand seation treats what is related to the verbs and its parts. Seation three studiesthe rauns of the verbsand transitive verb.Chapter three studiesthe corruption of grammatical view in letters, It consists three srctions, section one deals with the corruption of grammatical view in mono letters, section two andiesition dual and triple letters , while the third seation deals with the corruption of grammatical view in quadrilateral letters.Chapter four consists of three seations, the first concerns with the corruption of grammatical view in the exception, the sucand different - in rnost cases - from one grammerion to a nother and from school to a nother. This lead some grammrtians to reject many of previous and contemporary provisions when ~ they realize that this view is corrupted and describe it as break the rules of compatibility and harmony between the grammatical phenomena and effairs. From this, the searchin this topic doesnot slope at theseproblems, but it goes to search in grammatical roots, standing and questioning what is behind thses problems. In order to be grammatically corrupted or corruption ~iew of the grammarians.That is why this study is under the title (The Corruption of Grammattical View In Arabic)·Following these views and standing upon their reasons lead to expansion of this research, and analyzing the grammatical is sues is to reach to the essence of its corruption. So, this study contains in troduation, foun chapters, and followed by conclusion of what the search gets efreasults. The intereduction consists of the concept of the corruption and its roots In The name of Allah, The merciful and Compassionate. Thanks for God who makes the thanks as a key for - his mention. He creates the fhings speaking in his praise andthanks. The pray and peace are upon the prophet Mohammed whose name is derivative of God's name (Al - Mahmood) , upon his pure family of virtues and generosity , upon his selected followers , and upon those who follow them in charity to the day of judgment. The corruption of view for Grammarias - has special importance for what cansequentit of effairs and provisions which relate to grammatical phenomena by the grammerians a bout linguistic material, observing what changes might occur and takeing carefor it's use. All these allow the grammarian to take these viwsand select between them dependanding upon evident in his acceptance or rejection of grammatical view or material. So, normally for these view are to be varified, depending upon the source which they are taken from according to mductive effort. This effort is by the ancient grammarians whose views because essential, to build upon it theprovisions and results. They are

شعر ابي تمام : دراسة بنيوية تكوينية == Abu Tammam Poetry Structural , Formative Studying

اسم المؤلف: ايناس كاظم شنبارة الجبوري
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: All researchers agreed that the poet Abu Tammam represents an important poetical school in the history of Arab's verse, that is because of his poetical experiment represented a modifying stage in the Arabic innovation, he transferred the experiment from the emotion to the intellect and from the instinct to the meditation and prying. I presented in my current research a new reading to the verse of Abu Tammam according to the structural and formative method. That comes after an accurate study to Goldman's method and adjust his procedural tools notably in his book ( Hidden God) and I came up with that the method is about four major corners, first is : Discovering the vision of the world for Abu Tammam and then find the conceptual path that joined him with the conceptual level that represented him and make him one of its individuals. After understanding reading to his verse aimed to discover the referring environment that ruled the poetical experiment and give it the final shape. Finally, reading the structure of the Early AbbasiEra from all economic, political and cultural sides and discover the dominant conceptual structure at that time which resulted in producing that level and forming its individuals by that way exclusively and the impact of that over the formation of Abu Tammam 's verse. The early Abbasi Era is different from all other eras that preceded it, most distinguished things are : Culture and conceptual opening on the out world led to the cultural mixing between the culture of Persian, Greece , India with the Arab culture. Many conflicting conceptual schools have turned up. One of the schools is Almuatazila as the most important conceptual and cultural school represented that era and dominated all its joints and extended to the extent that Almamoon declared that it is the formal ideology of Abbasi state. Almuatazila school depended upon the mind among all conceptual schools, it analyzed the religion and prying the universe and solved problems depending upon the mind thoroughly. That came as a logic result due to the culture of the school that relied on the Greece philosophy. We can find out these prints very clear in the verse of Abu Tammam and in his conceptual attitude that he was well - known of his producing a poetic vision in which mind is raised over the instinct and emotion. In addition to the dominance of the philosophical style over his poetic language that push some researcher to return his roots to the Greece and Roman. The conceptual changes that occurred in the structure of Abbasi Era have affected on the politics and made the era of Al - Mammon is different from other eras and then affected on the society, culture and the intellect till Abu Tammam came up with a extraordinary poet as a logic result to the changes of the era.

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري == The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

اسم المؤلف: علي قيس حمزة الخفاجي
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.

نظم الحوار في سورتي (الكهف) و(مريم) : دراسة في الدلالة النحوية == Dialogue Coordinate In Two Surats (Al - Kahf And Maryam) A Study In Grammatical Significance

اسم المؤلف: نبا حميد بكيع المسافري
اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Koran is miraculous, as the highest speech, it cannot keep up with it or get close to it. It is still outrigger for scholars. So, it is the wider field and the sufficient spring from which scholars water their topics in all ages. This study attempts to show the significance of dialogue coordinate in both surats (Al - Kahf) and (Maryam), how the dialogue coordinate has been built in both surats, the arrangement of its linguistic structure (fronting, delaying, repetition, elision, and mention) and the styles on which this coordinate has been built. This study comprises three chapters, in front of them, there is introduction, named (the significance of the dialogue coordinate) deals with the concept of the dialogue in the language and in the convention as well as its figures and styles. The first chapter, (structural styles), presents two sections : the first section ( the request or demand styles) such as : interrogative, imperative, inhibition, prayer, call, please, show, customize), the second section includes the unrequested styles that are not found in both surats except the style of ( Al - Qassam). The second chapter, ( the predicate styles), shows the concept of the predicate, language and convention, the predicate purposes, and its styles : ( the primary predicate, the requested predicate, and the denial predicate).The third chapter, (the dialogue structure), has three sections : The first section deals with the fronting delaying style and significances and intimations that belong to this style. The second section presents the repetition style such as the repetition of some sounds, some words, and sentences. The third section shows the phenomenon of elision and mention , the scientists' opinions about it and what its significances are. Finally, there is the conclusion that includes the most important results arrived at this study, as follows : 1 - The composition styles, as in : interrogative, imperative, inhibition, prayer, call, please, show, customize. They are considered as one of the contents the principal dialogue and they are found highly in the two surats (Al - Kahf) and (Maryam). 2 - Most of the interrogatives that found in the Quran dialogue in both surats (Al - Kahf) and (Maryam) are interrogatives about events that have happened or will happen which refer to something that is movable and renewed and this suited with the verb that refers to the occurrence. 3 - The repetition records the distinctive structural style in the Quran dialogue especially in the surat of (Maryam). 4 - The dialogue coordinate in both surats has more than one significance, some related to the vocal side, and other related to the abstract side.

منجز جبران خليل جبران الادبي في الدراسات النقدية == Artificial Deeds of Jubran K. Jubran In Criticism Studies

اسم المؤلف: حمزة عبيس عبد السادة الجنابي
اسم المشرف: حسن دخيل عباس الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ? Jubran K. Jubran tried to undermine the manhood values that have marginalized woman and make her so far, he called for the equality with man in duties and rights, and push away the oppression and persecution she suffered from due to the manhood dominance being affected by feminine movements in west. ? In spite of many good relations , Jubran K. Jubran has made, but he never get married with any of them, may be the reason behind that was Odeib's complex. ? Jubran K. Jubran criticized classic values and traditions that prevailed the past Lebanon community exclusively, the eastern community generally, that made the woman as a trade for sale or purchase and not seen as a human has the right in choosing her husband by herself without and pressure may she face.? Jubran K. Jubran has criticized both autocratic and religious authority during the period he live in Lebanon, which persecute poor and weak people worst persecution, they made their luxury via poor and weak people, that motivated Jubran K. Jubran to be the outspoken of poor people by his literature. ? The artificial deeds of Jubran K. Jubran discovered defects of the structure of Arabian community that glorify the past, and compliance under its rules and traditions although it doesn’t match the modern life and development and that was the main reason behind the unconsciousness of the east generally.? The literature of Jubran K. Jubran a liberation tool for any spoiling to the freedom of human or any violation to it being affected by Marccism beliefs, and the thoughts of French revolution that called for freedom, equity and fair, plus to his affection by his friend (Mary Haskil) who was well known of socialist beliefs. ? Belief of Jubran K. Jubran in sneaking belief, and immortality of love made him to believe that , the life of human get integrated through multi born and combined after integration with the eternal self. ? Jubran K. Jubran made himself as a social preacher via his literature to criticize the non - responsible acts of fathers like wasting money and deprive their families from respectful life needs, that act was triggered due to his father's non - responsible behavior with his family. ? He has renewed the classic narrative gender through his affection by western literature so he invented the modern fiction that based on fictional structure, concerned with drawing the characters, imaging the environment, concern with story, correlation of events and its growth using a language that involved verse and narration. ? Jubran K. Jubran based the article as an artificial new kind of born from ancient artificial arts like messages of the old Arabian literature. ? He renewed the form of classic Arabian poem as he get rid of the classic form (column verse) so he created the parts - verse, he made the tacit Arode of verse which was considered as a defect by the critics, so the poet become an integrated unit.? The renewal has included the language of Jubran K. Jubran, he tended to public language and desert the past people language of dictionaries terms. ? Jubran K. Jubran and his fellows called the pencil - association for the spiritual love to be included in the verse and exceed the sensual love. ? He deserted his natural sensations to focus on civil live and its materialism, to exceed its external description and consider it as loving mother and melted with it spiritually. ? Jubran K. Jubran clings with humanitarian self, trying discovering its secretes, he meditated it as the closest one to himself because of the homesick he suffered during his abroad living, his missing to family invented the meditation verse in his works.
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