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السرد في مقاتل الامام الحسين (عليه السلام) حتى نهاية الدولة البويهية (447هـ) == The narration in the fighter of Imam Hussein (peace be upon him) until the end of the state of Bohiyya (447 A.H

Author name: زهراء عبد الحميد غالي زغير المسعودي
Supervisor name: حربي نعيم محمد الشبلي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

توظيف الموروث في شعر ذي الرمة ت117هـ == Implementing the Folklore in The Al Remma's Verse ( born 117 H.)

Author name: عباس فالح عبيس الجنابي
Supervisor name: حسن حبيب عزر الكريطي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: The phenomenon of implementing the folklore in Arabic poetry is considered one of the important phenomena that made literary people start to a wide space of semantics. Thus, ' Thu Alrema' is one of the poets who used to implement the folklore in his verse. In spite of the scholars and learners' interest in his verse; still there are some aspects that are I great need to study to investigate what creative are hidden in his verse. Therefore, the folklore influenced him and led the researcher to adopt as a topic entitled " " .Thus, the choice did not come from nothing, rather the researcher's attention to the poet's verse. That is in addition to my supervisor's suggestion, Hassan Hebeeb Al Greati. Besides, no one of scholars and learners showed a desire to study the folklore in its poetic text.So, I found myself sailing in his verse. Nature of the study demanded to be divided into three chapters preceded by a preface and followed by conclusion and a list of references. The preface talked the folklore and its impact on the poet's education clarifying its definition and importance to poets.The first chapter is devoted to studying the religious folklore. It is divided into two sections, the first is the quotation which included quotation from the Holy Quran and the hornable prophet's teachings.The second chapter studied the literary folklore which mentioned proverbs as a source that polished the poet's talent and the poetic plagiarism.The third chapter investigated the historical folklore. It has less material in comparison with other chapters due to the shortage of the historical folklore in the poet's verse. It mentioned Arabs' days, recalling the historical and religious characters, and recalling the tribes.The study ended with conclusion that displayed the most important results of the current study. It was followed with a list of references

مكاتبات ابن قاضي العسكر العلوي (ت 762ه) : دراسة تحليلية

Author name: حوراء فريق عبيد الهلالي
Supervisor name: كريمة نوماس محمد المدني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

المظاهر السردية في شعر السيد الحميري (ت 173هـ)

Author name: نعمان جرو علي نصار
Supervisor name: حربي نعيم محمد الشبلي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

الانا والاخر في شعر وزراء العصر العباسي (132ـ447هـ)

Author name: رنا طارق عبيس كريم
Supervisor name: فهد نعيمة البيضاني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: ان دراسة الانا والاخر في شعر وزراء العصر العباسي للمدة من (132_447 هـ) عدة مطلب لا يمكن تحقيقه الا بالنظر الى مكنونات الوزير وخفاياه المرتبطة ببنائه النفسي وتفاعلاته الاجتماعية , ورؤيته للاشياء من خلال منظور قائم على التحليل والاستقراء العلمي لتجربته الادبية . صحيح ان ذلك لا يمثل سابقة جديدة الا ان كل البحوث والدراسات الادبية لابد ان تقترن بمثل هكذا منظور او ان تعتمد على منهج معين في التحليل , بيد ان السابقة الجديدة , تكمن في الوزراء انفسهم , فهم الذين عكسوا باشعارهم صورة الاخر , فكانت اشعارهم نتاج بيئة خاصة اجتمعت فيها جميع المظاهر من الترف والثراء والعلو . وعلى النقيض عانوا في قسم من حياتهم , بؤس وعذاب ومرارة والم اما من سجن او حب او منفى , وانمازت كل حقبة من حقب تجاربهم الشعرية بابداع فني قائم على علاقة جدلية بين الانا والاخر. اذ يكشف لنا (الانا ) عن وجود اخر , فلا يمكن معرفة ماهية الذات الا من خلاله , فهو مراتها , التي نظر من خلالها الى الاخر الانسان والى حركة الزمان , وتحديات المكان , والطبيعة وما بها من الوان , حتى تحولت ذاته الى مملكة من الاحاسيس , والهواجس والمشاعر اتجاه الاخر. اعتمدت خطت البحث تمهيدا وثلاثة فصول وخاتمة , ضمت اهم ما توصل اليها البحث من نتائج.اهتم التمهيد بدراسة الانا والاخر لغويا واصطلاحا , ودراستهما وفق محاور ثلاثة , نفسي , ادبي , اجتماعي . وخصص الفصل الاول بدراسة : الانا التجليات والحضور وكان بمبحثين , واتبعنا الفصل الاول بالثاني الذي اهتم بدراسة : الاتفاق والاختلاف بين الانا والاخر , وضم الاخر الاعلى في المنزلة والاخر الادنى في المنزلة , كمبحث اول واما المبحث الثاني فاختص بالاخر المساوي في المنزلة , اما الفصل الثالث : فكان تحت عنوان , الزمان والمكان الوجوديان اخر, وقد اشتمل على مبحثين الاول ضم : الزمن الوجودي اخر وضم المبحث الثاني المكان الوجودي اخر , كما وضم الطبيعة كاخر مكاني . _ كان النص هو الحكم الاول والاخير في تجلينا للنصوص وما توصلنا اليه من نتائج كانت نتاج عمل تحليلي نفسي لتلك النصوص من اهمها : _ ان الانسان بطبيعة الحال يشعر في اغلب الاحيان بذاته المتعاظمة , وبحسب طبيعة وقدرة كل انسان يتم التعبير عن تلك العظمة في الذات , والوزير كاي انسان دفعته قدرته الادبية ومكانته الاجتماعية عن التعبير عن ذاته المتغطرسة شعرا .الا انه كاي شعر مر بظروف قاسية في حياته جعل منها محطات انكسارات في شعره , عدت من افضل ما قاله الوزير الشاعر العباسي ؛ لكونها نابعة عن عاطفة ووجدان تكاد تكون اكثر صدقا من اي تجربة شعرية اخرى. _ تمثل الاخر عند الوزير العباسي بالحاكم وكانت علاقته به متباينة , فتارة تربطه به علاقة محبة اساسها القرابة او المصلحة, وتارة تراه وزيرا ثائرا على حاكمه ؛ وذلك سببه العلاقات او الخلافات السياسية او الاجتماعية . _ وتمثل الاخر عنده ايضا بالادنى منزلة كالجواري والغلمان الا انهم شكلوا له جزءا من حياتهم ؛ اذ شكلوا اخر توافقي معه ._ كان الدهر والليل والشيب والموت من علامات الزمان المؤثرة سواء سلبا وايجابا على الوزير الشاعر فكان هاجس الغياب عن السلطة يتبعه من خلال الشعور باحد هذه العلامات . كما وشكل المكان اخر بنوعيه الاليف والمعادي والطبيعة كذلك ؛ اذ كان له الاثر الفاعل في رسم ملامح وطبيعة الحياة عند ه .

الصحيفة الرضوية الجامعة : دراسة اسلوبية

Author name: الهدى شمخي عبد المطلب الموسوي
Supervisor name: كريمة نوماس محمد المدني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

الواقعي والمتخيل في روايات غائب طعمة فرمان == REALITY AND IMAGINARY IN THE NOVELS OF GHAIB TUMA FARMAN

Author name: رؤى يعقوب لفتة الكريطي
Supervisor name: محسن تركي عطية الزبيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: The novel is among the literary arts that derived its literary permanence through its artistic homogeneity with the other tributaries. The majority of Arab writers take historical facts as the material in which they created their creativity. There are narrative texts based on a common historical reality, and in the way they built the superficiality of the narratives of the historians to the richness of the narrative text as they immersed themselves in the depths of reality to pick out the pearls that stand out most clearly. Gaib Tuma is one of the writers who Inspired reality and images around him in an impressive way.The aim of this study was to reveal the artistic perspective of the novelist through the facts. He tries to identify the extent of his interaction with real events and the search for the dimensions of the semantic behind the adoption of real narrative and imagined in his literary work.The study included a preface and three chapters with a conclusion. Preface deals with the relationship between reality and the imagination. It gives glimpses of the life of the writer because of the close link to his literary output.The first chapter is entitled "Hero of Reality and Imaginary in Gaib Tuama Farman Novels ". It is based on three questions that preceded the settlement of the chapter : "Personality and Social Reality, Personality, and Political Reality, Personality, Alienation and Isolation."The second chapter is titled "The Place of Realistic and Imaginary in Gaib Tuama Farman Novels ". It is composed of three questions that are issued in preparation for the chapter (the place of home, the hostile place, the open and closed places).The third chapter is entitled " Events and Times are Real and Imaginary ". It is included three questions. These are (the successive construction, the alternating construction and the construction of inclusion). The descriptive analytical approach imposed by the nature of the critical study is adopted in order to become familiar with the subject. Finally, the study ends with conclusion which contains the most important findings of the study : Tales of the Gaib Tuama revealed a technical relationship that combined the text of the fictional novel with the real mechanic through the narration through which the narrator brought his real facts. A knowledge of the mixing of reality and imagination. He highlighted the lives of the poor and simple people, and his novels were truly history without history.The description of the place in his novels is a testimony to the political events, which he described in most of his texts through the movement of personalities and wandering through the streets and sitting in cafes.

تميم بن المعز لدين الله الفاطمي في كتابات الــدارسيــن قديــما وحديــثا == Tamim Bin al - Muizz Li - Dinillah Al - Fatimi In Older and modern writings Scholars

Author name: حوراء عبد صبر عبد الله الشريفي
Supervisor name: محمد حسين عبد الله المهداوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: Tamim Bin al - Muizz Li - Dinillah Al - Fatimi, is really considered as one of poets who lived in Egypt under the reign of The Fatimid dynasty. For him there is printed poetry collection causing a bunch of critical reactions. And for his study, there are many older and modern scholars who endeavored to deal with and commenting on his character, poetry and poetic language either negatively or positively. Due to my quite extreme want to study the Fatimid literature and being so interested on its literature in this phase, my teacher Doctor Mohammed Hussein al - Mahdawi did suggest this research title for me to study. He himself pointed out to me its seriousness as being a qualified subject to study due it represented a phenomenon in the Arabic literature either it has what it has or what has not. This study is composed of an introduction and three chapters and epilogue, with resources and references list. So, the first chapter is particularly dealt with the poet's life study by the older and modern scholars in three researches. The first Research contained his life in Morocco and Egypt and his rule period in it, and what has been said about all. And The third research is really specialised to study what has been said about his culture, religion, poetry book and his passing away. The second chapter is entirely concerned of studying what has been said about his poetry in older and modern times. It consists of two researches, the first research is composed of what has been said on his poetry in older times, while the second research on what said about his poetry in modern times, presenting the various opinions on all that. On the third chapter the researcher is completely concerned on the older and modern scholars tendencies in the poet study and giving valuation on his literature production negatively or positively. And the second research is dealt with the modern scholar tendencies in his poetry study, and choosing in this chapter to use the term ( tendencies) instead of ( methods). As most scholars who studied Tameem , really did not apply the method tools to describe this method as ensured one with its own regulations and origin, using the term( tendencies) are more comprehensible according to our point of view for such kind of studies. Finally, we ended it up with an epilogue in which we summarised all the important dimensions of our thesis. And the most distinguished results which have been seen and finalised the thesis with the resources and references list which has been varied between the older and modern literature studies and historical studies concerned on Tamim poetry sides, adding to the published researches in the Arabic and local bulletins. As a matter of fact the researcher indeed relied upon using the analytical method in this study, analyzing , discussing, clarifying and confirming sometimes and objecting on other times.

الصورة الشعرية في المجلات العراقية المحكمة من 2003 - 2016م == The Poetic Image In The Refereed Iraqi Journals From 2003 - to - 2016

Author name: عبد الستار جبار عطية دهام
Supervisor name: خضير عباس درويش
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: تتناول هذه الدراسة قضية الصورة الشعرية في مظهر من مظاهر النقد الاكاديمي العراقي المتمثل بالمجلات العراقية المحكمة ،ضمن فترة زمنية تمتد لثلاث عشر سنة من اصداراتها ،وهي قراءة للجهود النقدية تشتغل على استجلاء وسائل تشكيل الصورة الشعرية ،واتجاهات دراستها،وقضاياها ،ومناهج المتبعة في رصدهواتحليلها ،وقد جاءت الدراسة على تمهيد ،و اربعة فصول رئيسة ،وهي ما ياتي : - التمهيد : الصورة الشعرية (المصطلح والمفهوم) - الفصل الاول : الصورة الشعرية وتحولاتهات ،وهو فصل تاسيس ،حاولنا فيه ان نضع الركائز الاساس لقضية الصورة الشعرية ومبانيها ضمن رؤية نسقية ، ويدور هذا الفصل على محاور رئيسة هي : الصورة الشعرية المصطلح والمفهوم، الصورة الشعرية رؤية تقليدية، الصورة الشعرية رؤية تجديدية، الصورة الشعرية في النص المتداخل - الفصل الثاني : وسائل تشكيل الصورة الشعرية، وهو على محاور متعددة هي : التشبيه، والاستعارة ،والكناية ، ثم هناك وسائل اخرى جاءت بنسبة قليلة وهي : الرمز،التناص ،المفارقة،التضاد، الشكل الكتابي والتقنيات السينمائية، الاسطورة، القناع، المعادل الموضوعي،اللغة المعيارية - الفصل الثالث : اتجاهات دراسة الصورة الشعرية وقضاياها، وهو على محاور متعددة هي : ،الاتجاه الموضوعاتي ،الاتجاه الحسي،بناء الصورة الشعرية،قضايا الصورة الشعريةالفصل الرابع : مناهج دراسة الصورة الشعرية ونتائجها،وقد قدمنا عرضا للمناهج واهميتها ،ووظائفها ،وبعض اشكالياتها،ثم تناولنا ما جاء في البحوث من مناهج مستعملة ،او ملامح منهجية وفق استنباط للاليات المتبعة فيها ،فكان ان تصدر المنهج الفني المناهج الاخرى، ثم المنهج الموضوعاتي ،ثم المنهج النفسي، فالمنهج الاسلوبي ،وهناك مناهج اخرى استعملت بقلة في البحوث محل الدراسة وهي : التحليل الثقافي، الموازنة منهجا، المنهج المقارن،المنهج السيميائي،جماليات التلقي، ثم التقنيات السينمائية منهجا، القضية الاخرى في هذا الفصل تتمثل بنقد نتائج البحوث ،وهي على منحييين : نتائج متشابهة ،ونتائج مختلفةوقد توصلت الدراسة الى نتائج كثيرة منها : - بينت الدراسة قصر التعريفات المتعلقة بالصورة الشعرية ،واغفالها مسارات حداثية للنص الشعرية وتحولاته ، فلم يكن لهذه التحولات اثر في تعريفات الصورة ،وخاصة فيما يتعلق بالتداخل الابداعي في النصوص الشعرية ،وكذلك تحولات النص في القصيدة الرقمية التفاعلية ،وطبيعة الصورة الشعرية في هذه التحولات - جاءت البحوث محل الدراسة على اتجاهات مختلفة في طبيعة دراستها ، وكانت دراسة الصورة من جهة وسائل تشكليها تمثل النسبة الاكبر بين البحوث ، وتاتي دراسة الصورة من جهة موضوعها في المرتبة الثانية من حيث الكم ،ثم دراسة الصورة من جهة الحسية والذهنية ،ثم دراستها من حيث البناء،وهناك قضايا نقدية متفرقة في البحوث تناولت جوانب متعددة للصورة الشعرية - رصدنا منحيين في دراسة الصورة الشعرية في البحوث محل دراستنا، الاول ،وهو مسار تقليدي ويمثل القسم الاكبر من هذه البحوث،والثاني، تجديدي او يحمل ملامح تجديد في ويمثل فئة صغيرة من هذه البحوث - استعمل الباحثون مناهج مختلفة في دراستهم للصورة الشعرية وكان المنهج الفني على راس المناهج في هذا المورد ،ثم المنهج الموضوعاتي، والمنهج النفسي، فالاسلوبية ،ثم مناهج اخرى استعملت بقلة، منها النقد الثقافي ، والموازنة ، والسيميائية - كان استعمال المناهج في اغلب البحوث من غير وعي منهجي ،ولم يكن هناك تاسيس نظري للمناهج المستعملة في كل البحوث ، فجاء تصنيفنا لها بناء على ميلها الى منهج ما عبر قراءتنا لها ،وقد ذكر قسم قليل من الباحثين المنهج الذي استعملوه في بحوثهم | This study deals with the issue of poetic image in the manifestation of the Iraqi academic criticism represented by the Refereed Iraqi journals , within a period of time spanning thirteen years of publications, a reading of the criticism efforts are working to clarify trends in the study of poetic image, and issues, trends, and methods used in monitoring and analysis, the study came to preliminary, and four chapters of the Chairperson, as followsChapter One : The poetic picture and transformations, which is the founding, in which we tried to lay the foundations for the issue of poetic image and its buildings within the framework of a vision, and this chapter revolves around the main axels : the poetic image term and concept, poetic image traditional vision, poetic image renewal vision, poetic image In the nested textChapter Two : the means of shaping the image ، likening ،metaphor، metonymies، and means otherChapter Three : Trends in the study of poetic image in Iraqi journal, which is on multiple axels : the thematic trend, the sensory trend, the construction of poetic image, issues of poetic imageChapter Four : Methods of studying the poetic image and its results. We presented an overview of the curriculum and its importance, its functions and some of its problems. Then we discussed the research methods used or the methodological features according to devising the mechanisms followed. , The psychological approach, the methodological method, and there are other methods used in a few of the research under consideration : cultural analysis, budgeting methodology, comparative approach, synaptic approach, aesthetics of reception, and then cinematic techniques approach, the other issue in this chapter was criticism of research results, On both sides : Similar results, different resultsThe study reached many results, including : - The study has shown that the definitions of poetic imagery and the absence of modernist paths to poetic text and its transformations have no effect on image definitions, especially with respect to creative interaction in poetic texts, as well as text transformations in the interactive digital poem and the nature of the poetic image in these transformations - The research under study on different trends in the nature of study, and the study of the image of the means of formation represent the largest proportion of research, and the study of the image on the subject matter in second place in terms of quantity, and then study the image on the sensory and mental, and then study in terms of Construction, there are sporadic monetary issues in the research dealt with multiple aspects of the poetic imageIn the study of the poetic picture in research, we examined the first, which is a traditional course and represents the bulk of this research. - The researchers used different approaches in their study of the poetic image. The technical approach was at the top of the curriculum in this resource, then the thematic curriculum, the psychological method, the stylistic, and other methods were used in a few, including cultural criticism, - The use of the curriculum in most of the research is not systematic awareness, and there was no theoretical foundation of the methodologies used in all research, the classification came to them based on their tendency to a method of reading through them, and a small section of researchers the method they used in their research

العتبات النصية في قصص جاسم عاصي : دراسة سيميولوجية سردية

Author name: كرار حيدر عباس الاسدي
Supervisor name: عبد الامير مطر فيلي الساعدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

الحواس في دواوين اصحاب المعلقات العشر == The Effectiveness Of The Senses in The Owners Of The Ten Pendants

Author name: حنان مهدي مال الله مهدي الخفاجي
Supervisor name: علي ذياب محيي العبادي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: This research has clarified the role of the senses in the formation of sensory images .This means that the important of senses is not limited to the performance of it's function which is realized of itꞌs senses .Another importance is invested by the write in particular , he produced a poetic color of his poetic poetry ,which is the sensory images through which he could express his ideas and feelings ,or convey his experience and that the imagination of poet and his proficiency and technical tools of his role contribute to the completion of the formation of those images ,the senses the first role in this . there is no sense of perception of what imaginative and creative. The Media recorded asignificant presence on The images , which was written by the revolutiouaries of the ten pacts . The image is full of brightuess and clarity especially analogy Made The recipient embodies The suffering of The poet or lives his joys .. All This Meeting of The senses Are Named compound images . In each of the chapters of this research ,he dealt with one sense ,except for the first chapter one to the limited number of sensual images that were studied by the poets of ten pendant and I presented in the mechanism of the senses at the beginning of each chapter and also mentioned the images that the poet invested more than one sense in its composition to be a compound images composed at The Meeting Of The senses are name compound image

البنية السردية في روايات سعد محمد رحيم == The Narrative Construction in Sa'ad's Mohammed Reheam Novels

Author name: نور جواد كاظم الكركوشي
Supervisor name: رفل حسن طه الطائي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: The Narrative Construction in Sa'ad's Mohammed Reheam NovelsThe novel is considered the era epic due to its great significance within all topics it deals with when the writer skilled his work and was able to run his instruments in addition to his simplicity in presenting the case that he indirectly wanted to tackle. Accordingly, the current study got benefit from the modern superfluity method in studying one of the most prominent literary Iraqi men; he is the novelist Sa'ad Mohammed Reheam who characterized by a variety literary product of story, novel, intellectual, economic and literary studies, and journalistic articles. Our interest, in the current study is limited to his narrative product since his story product has already been studied in a master thesis.The study contained a preface and four chapters. Within the preface, the researcher dealt with the narration concept and the narrative construction. Then, the study talked about this concept from the Arabic and Western critical perspective and later a brief about the novelist's life, works, rewards, and his novel translation.First chapter is devoted to the narrative temporal. Second chapter discussed the narrative spatial which is regarded one of the most important base in the novel. third chapter mentions the most important element in the novel, that is the characters. fourth chapter is devoted to the narrator and the addressee (narrated to). The study was ended with a conclusion which contained the most significant results and a list of references and bibliographies that depended on in the current study.

المـظاهر السردية في شعر ابن الرومي (ت 283 هـ) == Appearances in the narrative poetry Ibn al - Roumi ( d . 283 AH )

Author name: احمد سالم عبيد الشمري
Supervisor name: علي كاظم محمد علي المصلاوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: This study, entitled "The Narrative Phenomena in Ibn al - Roumi's Poetry 283 AH," aims at studying a characteristic of Ibn al - Roumi's poetry, which the scholars did not address, despite the large number of pens that dealt with the study of his poetry, which motivated me to choose it as the title of my thesis. The study of the study was organized in four chapters preceded by a preface, followed by a conclusion summarizing the talk about the most important findings of the study, and then a list of the most important sources and references. A brief introduction to the two parts of the subject is summarized : the first is a brief definition of the poet, and the second is the concept of narration. The first chapter entitled "Personality" as one of the important elements in the process of narrative construction, dealt with the study of the most prominent types of personality according to the abundance and importance in poetry, divided into three types : the president (hero) and secondary (help) and women(belove) The second chapter is devoted to the study of the event to show its role in the narrative text, as it is one of the most important elements of the narrative process. The study is divided into two sections. The first topic dealt with the study of the two types of events (external and internal) He replied in his poetry, namely the orchestral (sequence and embedding). In the third chapter, entitled "Dialogue", the study was divided into two sections. The first topic examined the most prominent types of dialogue mentioned in Ibn al - Roumi's poetry. It was divided into two parts : external dialogue and internal dialogue. In the second section, I studied the most important types of methods by which dialogue was achieved (question, appeal, command). The fourth chapter, entitled "Time and Place", is divided into two sections. The first topic dealt with the axis of time through the study of the most prominent time (real and psychological), as well as the study of the temporal relations of studying the techniques of speeding up the narration, And sales. As for the second topic, it examined the axis of "place" in two types : the pet and the ma'adi, with a statement of how the poet treated with the place that took a distinct area of his hair. In this study, I relied on a number of sources and references that dealt with the study of the narration and Ibn Al - Roumi's poetry, especially his poetry book by Dr. Hussein Nassar, as well as some doctoral dissertations, master's thesis and related scientific research. The study concluded with a number of its findings, the most prominent of which are : The study revealed that the narrative was not a single phenomenon in an era, or a poet, but it extends from the roots of the pre - Islamic era to the present day. The study reached Ibn al - Roumi's poetry was a zakra in the narrative narratives such as personality, event, dialogue, time and place, and these features combined a clear narrative feature in his poetry if not complete. The study found that the character was clear in the product of Ibn al - Roumi, as it was often stated in his poems, the main character was a broad presence in his hair is easy to identify, as well as the secondary character that was complementary to the work of the main character, ) Was to attend a prominent narrative feature, and show the importance of character in the poetry of Ibn al - Roumi of the types that it contained, as it represents the main axis that revolves around the events of poetic text . The presence of the element of the event in Ibn al - Roumi's poetry was an essential element of the rest of the other narratives, being a set of facts and deeds depicting the act of characters. The study concluded that dialogue in Ibn al - Roumi's poetry has taken many forms, such as external dialogue (dialog) and internal dialogue, and this contribution has contributed a great contribution in portraying the psychological state of the poet narrator, as well as his contribution in drawing characters easily and easily. The element of time has a broad presence in Ibn al - Roumi's poetry (both real and psychological), and I believe that the reason behind this, especially in the real genre, is the large number of love councils, as well as the battles that took place in the Abbasid period. Often associated with the night, is that the poet finds the right time to express his pain and grief for what he experienced from the scourge and calamities. The element of place has taken a distinct place in his hair types (pet and maim), although the place of the family had the largest share, perhaps because of the sense of the poet / narrator of his true affiliation, that is where he found himself.

تحليل النص القراني منطلقاته - ومناهجه

Author name: عادل حريجه كزار محمد الخفاجي
Supervisor name: امجد حميد الفاضل
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

الزمان والمكان في شعر شعراء تغلب == Time and Place in the poetry of Poets of Taghalab

Author name: منى عبد الرزاق فخري الياسري
Supervisor name: علي ذياب محيي العبادي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: The study deals with the temporal and spatial issues mentioned by the poets of Taghalab. Poets of the beat . The study consists of three chapters. The first chapter divides into three sections. The first section focus on "Day " and "Tomorrow", section two tackles "Night" and "Day" whereas third section deals with "Finite tense". Chapter two deals with the sections (place pet and hostile location). Third chapter studies the artistic image in poetry of poets of Taghlab. The first section studies of tenmporal simile and spatial simile. The second studies the visual sensory and audio. Finally the study ends with conclusion, appendix, a list of sources and references

الشعر العراقي في المهجر (1968 - 2003م) : دراسة نقدية == The Iraqi Poetry In Diaspora (1968 - 2003) Critical Study

Author name: اسامة محمد مهدي الحسناوي
Supervisor name: عبود جودي عبود الحلي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: Art is a creative humane activity that is affected by the nature of the social religious qualities of human.So it is a record that keep exploits , values and the history of the nations. For that reason thesis deals with a vital part of the Iraqi poetry ,which appeared in the diaspora as a result of complex circumstances.This study includes a preface ,four sections and a conclusion.Through the conclusion the researcher shows the most important results and recommendations he had out.The researcher certainly benefited from some important sources in order to accomplish the thesis.The sources including : 1 - The Arabic poetry ,its issues and phenomena by Dr. Is AL Deen Ismail 2 - Representing's of Modernity in the culture of of Iraqi by Dr.Fatima Al Muhsin3 - The language of the Arabic poetry by Dr. Al Saeed AL WWaraqee researcher throughout the study.1 - The concept of poetry is interrelated with to other concept belonging to its semantic field. Refusal and revolution.Refusal is apart of rebelling which is a wide concept include other concepts such as metaphysic refusal and negative refusal.2 - Refusal has shown a willing obligation by poets with issues of society as being members and leaders who are wiling to achieve their hopes for freedom and justice.3 - Poetry of refusal has a role in calling for challing and rejection of oppression in all its types.4 - The literary product is an achievement for poetry of refusal in Iraq.All efforts have to be collaborated to achieved and spread. The researcher calls be for all institutions to do their best to collect this product. The researcher is ready to present any help in this field

عبد الواحد لؤلؤة جهوده النقدية والادبية == Abdul Wahid Lu,Lu,A, His Critical And Literary Efforts

Author name: عـماد كاظـم خـضـير العـبـيـدي
Supervisor name: سعيد عدنان المحنة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: Critic Abdul Wahid is a Lu,lu,a,of critics who have contributed, in a clear way to strengthening the reality of literary criticism in Iraq and the Arab world, to his efforts over the past 40 years. He was a lecturer at the university and participated in scientific conferences organized by academic, cultural and literary institutions in various countries of the world. As well as his books in literary criticism, which collected all his research and lectures in this area, which amounted to ten books, dealt with various types of literary criticism in poetry, story, novel, play and art biography. Where he investigated the literary productions of Arab and international, explaining and explaining and analyzing and criticizing what was on board. Providing a clear service to the Arab reader.Not only that, he was one of the most important Iraqi translators. He translated many books and research from English to Arabic, and vice versa. It was the result of his translations that the transfer of the most important literature of the West to the Arabs are careful in dealing with the Western text after found a mix of foreign concepts and terminology that was translated to the Arab as he is in it and was in literary criticism deals with the text on the basis of a general human feeling and comprehensive, Does not belong to a particular class, nationality, or class.This study deals with all the efforts of the critic Abdul Wahid to explain, detail and analysis, an attempt to reach the search in its midst and uncover the syllables, to know the value of these efforts, and their impact on the Iraqi and Arab achievements of literary criticism

اثر الرصافي في الجواهري

Author name: خلود ثعبان يوسف الاسدي
Supervisor name: سعيد عدنان المحنة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

الاقناع في الشعر السياسي الاموي 41هـ - 132هـ

Author name: رحيق صالح فنجان
Supervisor name: حسن حبيب عزر الكريطي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: This study aims to indicate the concept of verbal acts and the most important theoreticians, and their roles in persuasive speeches of political poets of political parties in the Umayyad : Umayyad, Shiites, khawaarij and Zubairians. In fact verbal acts not intended in this instance acts known grammatical but verbs that work to accomplish certain situations which turn words into deeds or informative, guidelines or expressive as Discourse and harnessed to the task of their persuasive in changing the receivers' thoughts and behavior through drawing them emotionally and intellectually to share, accept, or refuse. So such varied acts adopted by poets between guidelines and Expressionism is to convey the voice and ideas of them indirectly. However, those linguistic and rhetoric methods may suggest different meaning implicitly. So that, they fit the nature of poetic language in their hints, brevity, and symbolism. Besides those tip styles of constructional methods and associative techniques led to obtain an expressive function which declared through the political community visions of poets in two tracks : first : the rejection of the political reality imposed on them and the Umayyad policy governance style, was a mask fit disappear behind those emotions partially, appear to some as a symbol of strength and power, while others appear as a symbol of authoritarianism and imposed on them and the Umayyad policy governance style. while others appear as a symbol of authoritarianism and tyranny and violation of SC and Bayat in receiving the reins. Second : they way for their parties and maximizing prestige and show symbols in sacred religious icon image analogue to prove its legitimacy in succession

العنف السياسي في روايات هدية حسين == Political Violence In "Hadiya Hussein" Novels

Author name: رغد عبود جودي الحلي
Supervisor name: عبد الامير مطر فيلي الساعدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: This research studies the violence in the Iraqi novel feminism taking the Iraqi novelist (Hadiya Hussein) as a case study through the following ten novels : (Girl of Khan 2001, After Love 2003, On the Way to them 2004, Glass of Time 2006, Rain of God 2008, Women of Thresholds 2010, To Be Afraid 2012, The Rock of Hilda 2013, Riyam and Kafa 2014, Time of Joy 2015).The study monitored the forms of political violence and its consequences which appeared in these novels, where the novel became a literary form that portrays the problems of society, no longer an imagined tale for entertainment and fill the leisure, so extrapolated fiction texts sponsor to clarify implicit cultural formats that disappear in and grow with the development of it.The war had a largest share and most hideous in the forms of political violence, and the novelist has shown with possibility of brilliantly that the war does not burn soldiers only, but reflected its impact on the joints of the whole society, and woman has a large share of that fire, she is sponsoring in his absence and the shelter for the family, in addition of her lost and pain, as well as the psychological impact of the distorted life after the war on her, and the ensuing devastation.The research has highlighted the three wars of Iraq, which included the studied novels, namely : (1980 - 1988 Iran - Iraq war, the occupation of Kuwait in 1990, the occupation of Iraq and the fall of the Iraqi government in 2003).The immigration was a sign of bad reality, that echoed in the scene of the novels, and was politically motivated in this study, where the fear of the tyranny of the former regime, the cause of one of them, while immigration in the other coincided with the occupation of Iraq, and in third, it was after the occupation to escape from sectarian violence, which popularized in those dark era of the history of Iraq.In addition, the other forms of violence didn't forgot in this study, such as physical torture, economic blockade, the ruling party and its uniqueness of the provisions of the control of the country and the liquidation of opponents, as well as the chaos and sectarian killings, which became popular after the occupation.Thanks to everyone who helped me and support me in my career, thank God, Lord of the Worlds

رسالة التوابع والزوابع لابن شهيد الاندلسي في دراسات المحدثين == The Message Of The Disciples And The Calamities Of The Son Of Andalusian Martyr In The Studies Of Modernists

Author name: عمار فاضل صاحب الاسدي
Supervisor name: علي كاظم محمد علي المصلاوي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: Praise be to Allah, the Lord of the Worlds, for whom I have entrusted and to whom I seek refuge, and peace and blessings be upon the Most High, God created the Seal of the Prophets and Messengers of our Master Muhammad (peace be upon him and his family) and on his good and pure family. Because of the prestige and beauty contained in the message of the disciples and the calamities, and because of the skill that was formulated in it, it has become a center for research and study by the modern scholars who tried to study it from all aspects and follow the places of creativity and follow - up that came and study the elements that formed. The researcher will try to follow these studies and criticism and describe the mechanisms used by the researchers in the study of this message, along with the curricula that made it a starting point to explore the areas with the most important monetary issues that stopped Then this work is marked by (the message of the disciples and the calamities of the son of Andalusian martyr in the studies of modernists). The nature of the subject of the study, necessitated that the study comes in the introduction and the preparation of five chapters and conclusion. Download boot address (the life of the son of a creative martyr),The first chapter under the title (the message of the disciples and the whims of their motives, sources and subjects)The second chapter deals with "the rhetorical arts in the message of the disciples and the calamities"The third chapter deals with the elements of storytelling in the message of the disciples and the calamities.The fifth chapter bore the title (between the message of the disciples and the scourges and the forgiveness) and the chapters were accompanied by a conclusion that included the main findings of the research, The approach followed by the study is the descriptive approach, as it was suitable for such studies, it helped me to deal with the ideas and opinions put forward by the updated scholars in regard to the message of the disciples and the calamities, but it was thanks to what is said to him but to stand a pause of reverence and greatness to The Honorable Professor Ali Kazem Mohammed Al - Maslawi, who was honored to be a graduate student to complete this thesis. The modern scholars tried to learn in many aspects in the message of the disciples and the calamities, which they relied on in some of them on the studies of the ancients, and in others they tried to go out to the artistic and aesthetic matters in the message of the disciples and the calamities.

لغة الشعر عند عارف الساعدي == Poetic Language To Arif Al Saidi

Author name: عباس عبد الحميد عدنان الموسوي
Supervisor name: عبد الامير مطر فيلي الساعدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: Due to the poetic tendency formed by modern currents towards new poetic horizons that lead to appearing individual creations; poetic prints started the spoiled Iraqi poetic scene limiting its identity as a new style in the achieved text image. Arif Al Saidi was one of the famous experiments that took part in supplying the literary climate in general and the poetic one in specific for what was achieved by this poet of texts with modern and contemporary spirit. Out of this complexity, it is necessary for the poetic language to witness a case of transforming responding for the stimuli of the modern expansion and emergence for it is described as the incubator of more comprehensive for whatever the underlying poetic textual structures imply. This formed a motif which drew me to engage in poetic language. It is one of the Iraqi poetic experiment with its uniqueness of form and content. This is what recognizes it or makes it very close to the nation's experiment. Nature of the study demanded the thesis to contain four chapters preceded by a preface and followed by conclusion included the most important results. The preface has two sections. The first included the poetic language concept and its turn in the poem constructing. The second tackled Arif Al Saidi's experiment and his poetic achievement. That's why it was entitled Arif Al Saidi : the experiment and affiliation. Concerning first chapter which is entitled poetic rhythmical constructing, the researcher talked about rhythm in his poetic texts. Second chapter which is entitled constructing poetic vocabulary, the researcher dealt with studying the poetic vocabulary that is described as basic foundations that the poet built his linguistic building. Third chapter which is entitled structure of poetic construction, the researcher showed the prominent expressive harmonies that participated in the poetic language construction. Fourth chapter that came under the title constructing the poetic image. Here, the most important image devices were mentioned that the poet resorts to incarnate creative experiment. The current study followed the analytical descriptive approach which depends on interrogating the poetic texts and exploration the prominent stylistic phenomena and their analysis to reach the poet's interests and his artistic ability. In brief the real value of Arif Al Saidi's poetry lies in their deviation of the familiar linguistic, ready - made, and repeated forms especially that the Iraqi poet's sensation in particular and of Arif Al Saidi's in specific belonging to a new limited poetic generation or to a particular group ( for example stanza poetry). It was a pushing power towards more privacy and to be distant isolated of rumination, repetition, and fluctuation in the first position of the particular poetic experiment. That was in spite of its privacy and depth. It is the matter that has deep penetration in the daily, marginal, neglected, and the ignored in the Iraqi real movement

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

Author name: امل عبد الرحيم جمعة القره لوسي
Supervisor name: حسن حبيب عزر الكريطي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

الحوار في المقامات الحريـرية واللزومية : دراسة موازنـة

Author name: امينة ثعبان يوسف نجد الاسدي
Supervisor name: عدنان محمد ال طعمة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:

جمالية المفردة والتركيب في مكاتيب الامامين جعفر الصادق وموسى الكاظم عليهما السلام == Aesthetics Of The Word And Expression In The Two Imams' Correspondence, Ja'Afer Al Sadiq And Musa Al Kadhim ( P.B.U.T)

Author name: حسين فاضل عيسى الحلو
Supervisor name: جنان منصور كاظم الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: تداخل مفهوم الجمال مع النقد والفلسفة والفن والبلاغة، ولكنه كسب استقلاله في الدراسات الحديثة فهذه الدراسات قد اعطت ابعاده النهائية حتى بات للجمال مذاهب ومدارس، وتحول الاهتمام بالجمال من الجوانب الفلسفية الى المذاهب الادبية والنقدية.يحاول البحث الكشف عن جم | Aesthetics concept interfered with criticism, philosophy, arts, and eloquence. But it gained its independence in the modern studies, for these studies gave its ultimate dimension, to the extent that it has own ideologies and schools. The interest in aesthetics transferred from the philosophical sides to the literary and critical ideologies. The study tries to discover the word aesthetics and its manifestation hints in the construction by selecting a traditional text and still keeping with a lot of aesthetic and virtual elements. The study tries, in addition to its induction and observation for aesthetic elements in the text, to understand the aesthetic philosophy in content from the function and goal sides, whether it is psychological, social, and so on. Nature of the subject demanded that the study is divided into an introduction, preface, three chapters, conclusion, and a list of references. Concerning the preface, it was entitled ' an introduction to aestheticism with a definition of correspondence'. It was divided into two branches. The first was entitled ' an introduction to aestheticism : roots and concepts'. It tackles some topics such as emergence and definition of the concept in the Old Greek and Arab studies. Then, it stated the concept - aestheticism - in the modern studies. The second part of the preface had an idea about the author of Imams' correspondence book, and definition of Imams' correspondence with clarifying their importance. First chapter which was entitled ' aestheticism of the musical level' was divided into three sections. The first which was entitled 'aestheticism of repetition' dealt with the extent of musical activity that can be achieved by repetition in the correspondence with taking into account of non - separation between this function and other functions of repetition. The second section which was entitled ' aesthetics of rhyme' came to uncover discovering functions of this musical style in the correspondence. The most prominent of these are rhythm and caring of listener's psychological aspect; whereas, the third section was devoted to ' aesthetics of alliteration' that had its influence on the text in the form and content levels. Second chapter was entitled 'aesthetics of structural level'. It has two sections. The first is composition styles. It included interrogative, imperative, and vocative; as well as efficiency of each style and its influence in achieving aestheticism in the text, in addition to efficiency to implement other functions. The second section dealt with the conditional style with clarifying its means and use of every one concerning structure and text coherence. Third chapter was about ' aesthetics of semantic level'. It has three sections. The first is concerned with aesthetics of simile. The study showed other functions that simile implied such as psychological or social functions : the second section tackled aesthetics of metaphor. The study also showed what is the benefit of metaphor. Finally, the third section discussed aesthetics of metonymy.
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