اسم المؤلف:
موفق عبد الوهاب نوري
اسم المشرف:
طه حسن عيسى الهاشمي
المستخلص:
Represents the myth a job reaches of the art film ,which has been since its beginnings on hiring myths and tales of heroic and taken fertile material cinematicproductions ,as legend has a manner narrative has the ability to reshape theembodiment of the legendary act ,and building the characters and places exoticism ,depending on the legendary building elements ,within the building drama coherent ,evolving on the basis of acts and embodied visually ,making the myth more ability inaffecting, and affected the computer software, and is owned by the technical capabilities to build personalities, places and the acts hacks, in re - incarnation of many of the myths of our time, this is why the researcher to define his research title of : (infrastructure drama of tale the mythical and mechanisms of Functioning in cinematic infrastructure), were divided research four chapters, were as follows : The first chapter (methodological framework) and included the research problem that have been identified by asking the following : What is the function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms?Then the importance of research : the fact that the myth is not an event happened in the past and over, it is like the present of the current affairs of our lives was the individual or collective. We are in this current time need to re - read the vocabulary of history, mythology stands at the forefront of this vocabulary and is a model for the movement to change our identity and interference in drawing our history, so we have to be aware of the myth and the feasibility study and understand its meaning and a sense of value as a treasure of the treasures of human knowledge.As well as research goal : containing the detection function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms.And the limits of the search centered study dramatic infrastructure of tale of the mythical and mechanisms of functioning in the cinematographic infrastructure and seal the first chapter identifying the most prominent of the terms contained in the thesis, such as the title (infrastructure, myth, drama, then the procedural definition of the mythical tale of).Second Chapter : (the theoretical framework and previous studies) : The researcher dividing the three sections : Section one : infrastructure dramatic to legend : the researcher of the term infrastructure in summary form exposure as well as the concept of the drama, and the origin of the myth as a term and concept and its relationship to literature and other races, and the most important curriculum addressed, as well as the flags of the most legendary cash, and also talked about the genesis of the myth and the most prominent characteristics, and their functions, and then touched on the structural analysis of the myth.The second topic : dramatic structure of tale of the mythical elements : it touched the researcher to the dramatic structure elements, based on the arguments of Aristotle, and clauses of employment of these elements in order to embodiment the mythical tale operations.The third topic : Building cinematic tale of the mythical : was it touched to the modes are handled by the cinema legend, and the specificity of Cinema and its capabilities in the incarnations the the narrative and news, by employing elements mediator cinematic language, which is characterized specificity, and the researcher that construction cinematic to legend should stand up on the basis of function as an three main axes, are the elements of cinematographic language and the narrative cinematic, the shape of the film.After the completion of the detective was reached to a number of indicators that represent the results of the theoretical framework, these indicators have been offered a number of experts arbitrators in order their dependence as tools for the analysis of the sample, and the second quarter ended review the previous studies.In the third chapter (research procedures) and ensure that this chapter the research methodology as the researcher depends on the descriptive analytical method, which describes the phenomena and configuration and the representation of its operations and circumstances prevailing, and this is what allows access to achieve the objectives of the research through observation and analysis, and search tool depending on the theoretical framework of indicators , which represents the findings of a researcher from the second quarter, and after that, the researcher presented these findings to a group of experts and arbitrators, and the unit of analysis in which adopted the researcher (scene) unit of analysis used in his research samples analysis process, and the research community as it chose researcher deliberate sample in order to reach the desired results, the research sample chosen by the researcher is two films legendary film industry, and finally the sample analysis, which was two films : 1 - Wrath of the Titans2 - The Lord of the Rings - The Two towers - Fourth Chapter : Results and conclusions : after sample analysis the researcher to a number of findings, including : First, the plot is based on the film of the legendary film, as well as the dramatic structure, the voice of the narrator, who is trying to show cause and effect and the evolution of the legendary events, as demonstrated in the research sample movies (The Lord of the Rings - The Two towers - Wrath of the Titans).Second : The rise building legendary place on the attributes of exotic color - coded to make it a semantics exceed functions familiar place, as demonstrated in the research sample movies (Lord of the Rings, and the wrath of the mighty.)Then reached the conclusions to include the theoretical framework and the research sample, including : 1.legendary figures in the film beyond the functional level of the three dimensions to become relevant functional value, representing a range of human values and ethics naked rather than the fictional characters2. intellectual the dimension appears in the legendary film, across employment of simulation dramatic actor for the characters and legendary the actsas well as the elements of the employment the mediator language cinematic in the production of the level of rhetorical parallels the dramatic nature of the simulation.The researcher then put some of the recommendations and proposals, and seal research a list of the sources that have been drawn upon in order to complete the search as well as the appendices, and finally abstract in a foreign language
