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لسانيات الجملة في ضوء نظرية الحجاج : قصيدة بانت سعاد مثالا == Sentence Linguistics In The Light of The Argumentative "Banat Suad" as An Example
اسم المؤلف:
ايمان قاسم حسن
اسم المشرف:
نصيف جاسم محمد الخفاجي
الموضوع العام:
اللغة العربية وادابها
السنة:
2020
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
جهود الباحثين العراقيين النحوية في دراسة كتاب سيبويه من 2001-2017م
اسم المؤلف:
عبير خزعل خلف هلال
اسم المشرف:
عثمان رحمن حميد الاركي
الموضوع العام:
اللغة العربية وادابها
السنة:
2020
الموضوع الدقيق:
اللغة
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
الدلالة النحوية عند ابن جني == Grammatical Denotation for Ibn Jinee (D. 392 A.H.
اسم المؤلف:
اوس احمد علي
اسم المشرف:
عثمان رحمن حميد الاركي
الموضوع العام:
اللغة العربية وادابها
السنة:
2020
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
سوسيولوجية الاسطورة في القصة العراقية القصيرة : دراسة في البناء والرؤية == The legend's Sociology in the Iraqi short story Study in construction and vision
اسم المؤلف:
علي ستار جاسـم حميد
اسم المشرف:
خالـد علي ياس
الموضوع العام:
اللغة العربية وادابها
السنة:
2020
الموضوع الدقيق:
الادب
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
الاثر البلاغي لظاهرة الاتساع في اسلوب القران الكريم
اسم المؤلف:
هدى صيهود زرزور العمري
اسم المشرف:
باسم محمد ابراهيم الفهد
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
الادب
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
مخيلة الحرب في الشعر العراقي بعد 2003 == The war fancy in iraqi poetryafter 2003
اسم المؤلف:
عبد الهادي حسين كامل
اسم المشرف:
اياد عبد الودود عثمان الحمداني
الموضوع العام:
اللغة العربية وادابها
السنة:
2020
الموضوع الدقيق:
الادب - النقد
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الكلمات الدلالية:
الشعر العراقي + الحرب + بعد 2003
الصفحات الاولى:
المستخلص:
وتعد مُخيّلة الحرب واحدة من المداخل الجديدة التي تبنتها هذه الدراسة فيما اختصت زمنيًا ما بعد 2003، وتداعياتها السياسيّة والاجتماعية والنفسيّة، وقد صاحبها تغيّر كبير على مستوى التقبل والإدراك والوعي، ومثلت هذه الدراسة محاولة جريئة في الدخول إلى عمق الشعرية العربية في العراق، فالمُخيّلة واحدة من أهم الأركان المتأسسة عليها المنظومة الخياليّة التي اختصت في تلقي الحرب بوصفها ظاهرة بل بوصفه موضوع ضمن ثيمات عامّة، ظهر خطابه واضحًا في الشعر العراقي، إذ اختلف في التلقي بعد هذه المدّة، فأصبح حرب مصير ووجود وكيان تأسست عليه حياة العراقي، كلّ هذه المعطيات شجعتني وألهمتني كثيرًا في الخوض عن الغمارات التي مثلتها، وهذه الدراسة ذات منحى تجديدي في التعامل مع مصطلح (المُخيّلة).
المصادر:
👁 مشاهدة
اللغة السردية في روايات لطفية الدليمي == The Narrative Language in the Novels of Lutfiya Al-Dulaimi
اسم المؤلف:
الاء قحطان عبد الرحمن
اسم المشرف:
سعيد عبد الرضا خميس
الموضوع العام:
اللغة العربية وادابها
السنة:
2020
الموضوع الدقيق:
الادب
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
القارئ في كتب اعجاز القران == The Reader in the Books of Quranic Inimitability
اسم المؤلف:
ليث سامي علوان
اسم المشرف:
اياد عبد الودود عثمان الحمداني
الموضوع العام:
اللغة العربية وادابها
السنة:
2020
الموضوع الدقيق:
الادب
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
الاصول في النحو لابن السراج : دراسة في ضوء اجراءات تحليل النص النحوي == The Fundamental Concepts in Grammar of Ibn Sirraj Study in the Light of the Syntactic- Textual Analysis Procedures
اسم المؤلف:
صفاء نصرالله ردام جاسم الشمري
اسم المشرف:
ابراهيم رحمن حميد الاركي
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
اللغة
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
فاعلية الحركة في الصورة الشعرية عند ابي تمام والبحتري : دراسة موازنة == The Effectiveness of the Movement of the poetic Image of Abi Tammam and Al-Buhturi balance study
اسم المؤلف:
ثامر علي مهدي
اسم المشرف:
اياد عبد الودود عثمان الحمداني
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
الادب
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
شعر جيل الستينيات في العراق : دراسة موضوعاتية == The Poetry of the 1960's Generations : A Thematic Study
اسم المؤلف:
زينة محجوب حسين
اسم المشرف:
علي متعب جاسم
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
الادب
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
معاجم المصطلحات النحوية عند المحدثين : دراسة تحليلية موازنة == Lexicons of Morphological Terms for Narrators : A Comparative Analysis Study
اسم المؤلف:
علي احمد ابراهيم الجاووشي
اسم المشرف:
غادة غازي عبد المجيد
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
اللغة
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
البحث اللغوي عند الدكتور غالب المطلبي == The Linguistic Research of Doctor Ghalib Al Muttalibi
اسم المؤلف:
ايمان علي سعدون
اسم المشرف:
غادة غازي عبد المجيد
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
ظاهرة المنع في الدرس الصوتي العربي == Obstruction Phenomenon in Arabic Phonology
اسم المؤلف:
حنان محمود حسين
اسم المشرف:
عثمان رحمن حميد الاركي
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
اللغة
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
الرسائل القرانية المفردة لاية او سورة : دراسة منهجية لغوية == Quranic Thesis for a Verse or Surah :A Systematic linguistic Study)
اسم المؤلف:
مـنى رشيـد سلمان حبيب
اسم المشرف:
اياد سليمان محمد
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
البحث الصرفي عند المرادي في كتابة شرح التسهيل == Morphological Research at Murade (d 749 A.H.) in His Book Sharih Al-Tasheel (The Explanation of Facilitation)
اسم المؤلف:
مها خالد سرحان
اسم المشرف:
محمد بشير حسن
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
انماط التصوير الشعري في كتاب الفرج بعد الشدة للتنوخي : دراسة وتحليل == A Study and Analysis of Styles of Imagery Poetry in the Book Al - Farag Ba'd Al - Shidaa (Relief After Severity) for Al - Tanoukhe
اسم المؤلف:
منى رفعت عبد الكريم
اسم المشرف:
وسن عبد المنعم ياسين
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
الادب
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
رواية الشخصية : دراسة في الرواية العراقية الحديثة من (2033 الى 2017م) == Character Novels A Study in Iraqi Modern Novels (2003-2017)
اسم المؤلف:
زبيده جلال جاسم
اسم المشرف:
نوافل يونس الحمداني
الموضوع العام:
اللغة العربية وادابها
السنة:
2019
الموضوع الدقيق:
الادب
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
صورة الذات في شعر الشريف الرضي == Self - Image in the Poetry of Al Shareef Al Radhi
اسم المؤلف:
قاسم كريم احمد حمد الخولاني
اسم المشرف:
اياد عبد الودود عثمان الحمداني
الموضوع العام:
اللغة العربية وادابها
السنة:
2016
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
المستخلص:
The idea of the study is to investigate the poetry of Al Shareef Al Radhi (d.406 A.H.) in a way that leads to the self - image in it. If we want to reach that aim, we should know the self and the image in isolation. Then, observe the poetry that contain it. Al Shareef Al Radhi is a poet that introduced himself to Arabic literature through his poetry.The significance of the study lies in carrying the name of a famous poet whose poetry still recited a thousand years since his death. On the other hand, the type and quality of his poetry that can be suitable to any type of scientific and critical studies.Al Shareef Al Radhi is regarded as the most accurate poet in description in his poetry. His poetry is the most accurate in documenting his life stages , the depth of his personality , and the secrets of his soul. He is regarded as one of the great Arab poets of all times. He was distinguished by the richness of his poetic art and the variety of the topics that it addressed. So, his poetry is regarded as a huge classic heritage that affected the literary and linguistic ideology to the extent that some of the early authors put him on the lead of all Arab poets of all time.Al Shareef Al Radhi was born in the fourth Hijri century (359A.H.) which is the peak of Islamic civilization. The Abbasid age is regarded as the greatest age in the Islamic history. It was the age of civilization, science, literature, intellectual opening. The fruit of that age was the names of the scientists and writers that reached to us. This advance was accompanied by the greatest episodes of political conflicts between the foreign interference represented by Buyid dynasty and Abbasid authority. This led to a great diturbance in the lifestyle ,especially, social life. It1created severe class differences to the extent that some have a huge fortune and others cannot afford their food.Al Shareef Al Radhi's family suffered from those circumstances. Adhudh Al Dawla arrested his father and imprisoned him in the caslle prison in Fars and confiscated his estates in 369 A.H. Al Shareef Al Radhi was only ten years old at that time.This study is divided into three chapters proceeded by an introduction and a background entitled "On the Concept of Self - image : A Theoretical Introduction". In the first chapter, which is entitled " Triggers of Self - occurring and the Crystallization of Image", the researcher discussed the triggers of his poetry which is accompanied by his poetic genius to write the greatest poem. One of these triggers is Islam and his strong faith and his noble origin because his fifth grandfather is Imam Musa bin Jaafar Al Khadhim (PUH) and connected to the golden chain that reaches the Prophet Mohammed (ABAPUH). The other poetic trigger is Arabism that was in his blood and a characteristic of his poetry as well as the social circumstances which is dealt with in a dedicated chapter due to its effect on the poet. His poetry was originated from his suffering. The last section of this chapter was devoted to discuss the poet's genius and innovation.The second chapter discussed the Beduinism which was a characteristic of his poetry by his pride in himself , self - mirror, and sense of exile.In the third chapter, the researcher discussed the compound self concept by following the dominant pattern and religious belonging. It also discussed the conservative self and the rebellious self.2The conclusion discussed extracts of self - image in the poetry of Al Shareef Al Radhi and the following findings of the study : 1. Al Shareef Al Radhi renewed Arabic language and vocabulary by the noble meaning of his poetry and innovating new vocabulary and others derived from imagination.2. His poetry was yearning for the genuine Arabic traditions. He was not affected by the appearances that corrupted the Islamic ethics which was clear in his metaphors.The conclusions also contained a recommendation which is the need for studying the poetic text in a qualitative way because it can respond to any critical method and carries a precious heritage.
👁 مشاهدة
القصيدة النسوية في الشعر العراقي الحديث بين الرؤيتة الابداعيتة والتجربتة الذاتية : نازك الملائكة وبشرى البستاني مثالا == Feminist Poem in Iraqi Modern Poetry between Creative Vision and Self - Experience (Nazik Al - Malaika and Bushrah Al - Bastani as Models)
اسم المؤلف:
ميسون عدنان حسن علوش السعدي
اسم المشرف:
علي متعب جاسم
الموضوع العام:
اللغة العربية وادابها
السنة:
2017
الموضوع الدقيق:
الادب
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
المستخلص:
The study of women's legal and what is produced by women in literature, especially poetry, it required to search in self - experience of the poet , firstly Women, and secondly her creative vision in writing her experience , for the purpose of detecting her internal worlds.The study was reported many visions and critical issues imposed by the nature of the subject as it focused on the study of self - experience which required briefing the outer circumstance of the text and at the same time the analysis of text structure and the interpretation of it connotations.Above - mentioned, the study divided into an introduction , preface, three chapters , conclusion and a list of sources and references . The preface entitled (self - experience and creative vision in the perspective of literature).The first chapter entitled (Feminist and ideal interval), it included two sections, the first one devoted the accomplishment poetry of Nazik Al - Malaika under the title (Feminism and the nonappearance in the poetic text of Nazik Al - Malaika), while the second section has been allocated for the accomplishment poetry of Bushrah Al - Bastani under the title (women speeches and ideal interval in Bushrah Al - Bastani poetry).The second chapter, entitled (Feminist loyalty among text thresholds and symbols of women) , it included two sections : the first one for the poet Nazik Al - Malaika under the title (Feminism and symbols of women in the text thresholds for Nazik Al - Malaika), while, the second section was for the poet Bushrah Al - Bastani under the title (Feminism and symbols of women in the text thresholds for Bushrah Al - Bastani(.The third chapter entitled (Feminist between event space and women memory) which included two sections : the first under the title (The representations of feminism and its effectiveness in the event to Nazik Al - Malaika) and the secondsection entitled (feminist dialectical, event effects and the reality of women to Bushrah Al - Bastani).Finally, the study ended with aconclusion included a set of results and a list of sources and references, which varied between old and modern, for the purpose of scientific rigor and objectivity.I would like to extend my sincerest thanks , appreciation and gratitude to the great heart which includes all his students without discrimination my supervisor Dr. Ali Muta'ab Jassim, who was so kindly act through standing by me during the writing period , choosing the topic , supplying the most important sources, opening the doors of his home and his library for students candidates tirelessly or fatigue, retracing the footsteps of the study step by step. He never be a stingy in outpouring generosity , value, guidance and advice.
👁 مشاهدة
شعر تميم بن مقبل في الدرس النقدي العربي القديم == The poetry of Tameem Bin Mukbil in The Classical Critical Lesson
اسم المؤلف:
مخلص سليم جاسم دلي
اسم المشرف:
وسن عبد المنعم ياسين الزبيدي
الموضوع العام:
اللغة العربية وادابها
السنة:
2017
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
المستخلص:
The Importance of this study stems from the maven personality of Tameem bin Mukbil as he has his own finger print on Arabic literature specifically as he was pagan characteristics in his thoughts , spirit , habits and traditions Tameem respected Islam , but he believed that this religion separated him from his beloved wife "Aldahmaa" . He couldnt stop loving her and longing for her , although he married her after his fathers death as shy was his fathers wife originally . So he must treat her as a mother ,But he loved her and treated her as a beloved .Tameem was brilliant at description , love , pride , Satire , compliment , lamination complaint , wisdom and preachment which were dominant in the pre - Islamic literature . He used various eloquent styles like simile , metaphor and antonomasia beside other prosodic phenomena . He was a Muslim with a pagan spirit .
👁 مشاهدة
الاطلاق في الاحكام النحوية
اسم المؤلف:
اياد عبد الجبار احمد الويسي
اسم المشرف:
نصيف جاسم محمد علي الخفاجي
الموضوع العام:
اللغة العربية وادابها
السنة:
2017
الموضوع الدقيق:
اللغة
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
👁 مشاهدة
القصيدة الومضة في الشعر العراقي المعاصر حتى 2010 م : دراسة فنية == The Coruscation Poen in Contemporary Iraq Poetry up to 2010 : artistic
اسم المؤلف:
سجى عبد الرضا هاشم العزاوي
اسم المشرف:
نوافل يونس سالم الحمداني
الموضوع العام:
اللغة العربية وادابها
السنة:
2016
الموضوع الدقيق:
اللغة
الدرجة:
ماجستير
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
المستخلص:
Development is still going on in life and all fileds, especiallyliterature. Its development is of crystal clear impact on society itselfas it is regarded the mouthpiece of aggrieved and their righteousvoice. It is my love of poetry that urged me to be directed to thismajor and it was the plase of care and thought. Therefore I madeup my mind to delve in my depth so as to figure out whatsoeverport and cons in the inside of it.After thinking for a while, I have made up my decision, with theassistance of my supervisor, in choosing a topic in literturegenerally and poetry specifically that is dealing with the artisticside. After keen reading and cogniting the topic chosen was TheCoruscation Poem in Contemporary Iraqi Poetry up to 2013 : anArtisic Study I have labored hard to afford a portrait of the artisticvalue of the poem in literary devices system which mightcontribute in the expression. As far as I know, there is no previoussimilar study in the coruscation save the (Coruscation Poem) by(raed Jaradat) in Almustansiriya University which is a Ph.D.dissertation written in 2014 . Unfortunately , I did not have accessto this dissertation nethier in libraries nor by means of the authorhimself . As for me, I have shed light on poets of coruscation fromthe beginnings of the poet Ahmed Safi Elnaja up to the last of the2013 poets, wishing yet that I did not forget any f them.Throughout collecting the information and sources, and embarkingon writing the thesis. I have found out that the outline of the thesisis to be comprising of a perfase, three chapters of three sectionseach and a conclusion .The prefase tackled the scope of the term focusing mainly on thewhere and when was the beginning and flourishing of coruscationpoem, whether it is of valus or not, names it is known in andnumber. The first chapter, which is concentrating on coruscationas image, is subdivided into three section the first dealt with thesimile and its devices that are included in the poem, the secondtackled personification, incarnation and metaphor in the poem inaddition to defining it via my analysis of the poem, while sectionthree was alloted to the metony my image in which I have dealtwith everything comprising metonymy and its artistic image through analyzing the poetic texts.Moreover, chapter tow is dedicated to the study of condensation and is divided into three section. The first contained semantic and stylistic condensation the second was entitled condensation and shadows of meaning while the third was about condensation anachronism and its relation to coruscation poem. In the third chapter I studied coruscation in terms of prosody. It is also divided into three sections; the first was about assonance and alliteration in coruscation and their relation to each other the second dealt with repetition and contrast while the third was entitled coruscation prosody and whether it has a phonetic prosody. It might be worth noting that despite the difficulties and obstacles faced in terms of lack of pervious studies and references, yet, I was capable of achieving this study wishing it to be in the service of literature.
👁 مشاهدة
البحث الدلالي في كتاب الايضاح في شرح مقامات الحريري للمطرزي ت610هـ == Semantic Investigation in Al - Edah Book in the Explanation of Maqamat Al - Hariri for Al - Mutarizi
اسم المؤلف:
همم راضي عليوي
اسم المشرف:
محمد بشير حسن
الموضوع العام:
اللغة العربية وادابها
السنة:
2017
الموضوع الدقيق:
الادب
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
المستخلص:
Maqamat Al - Hariri is important literary texts since it represent a lovely literary type in human souls till now. So, the linguists pay attention to it by explaining and clarifying its ambiguities and investigating itsbeautiful areas. Al - Edah book is one of these explanations but itparticularizes from others in that it cares to the semantic side making the linguistic levels its own beginning. So, the researcher pays attention tothis explanation in that she revel the authors’ cleverness. This studyconsists of three chapters. The first one entitled (phonetics andmorphological level) which consists of two sections. The first one (phonetics level) deals with two topics, alternation among voiceless sounds like alternation between (التاء and ,(الھمزة and the alternationbetween voiced sounds and it deals with alternation between (مالفتح والض )and other things. The second section deals with morphological level. It deals with topics like derivation, rigid, minimization, attribution, plurals, and others. The second chapter is entitled (grammar level) which deals with topics like indication of inclusion, deletion, and indications of some names and letters. The third chapter entitled (indication sections in Al - Mutarizi) which deals with two topics, the first is (singular words indication) and ( semantical development)
👁 مشاهدة
شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة == Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study
اسم المؤلف:
خالد فائز ياسين
اسم المشرف:
خالد علي مصطفى
الموضوع العام:
اللغة العربية وادابها
السنة:
2017
الموضوع الدقيق:
الادب
الدرجة:
دكتوراه
الجامعة:
جامعة ديالى - كلية التربية للعلوم الانسانية - قسم اللغة العربية
اللغة:
العربية
مكان الجامعة:
ديالى
الصفحات الاولى:
المستخلص:
This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.
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