Author name:
لواء تقي عبد نور العيساوي
Supervisor name:
فاروق محمود عبد الله الحبوبي
Abstract:
The place has played a prominent role in the modern narrative texts, since it has become a major unit in it; where the concept of place has witnessed an expansion of symbolic, symbolic and aesthetic, the exposure opens wide horizons to the aesthetics of the narrative text as well as its symbolism and functionBased on the above, critics have been working on the subject of the place after it, which is the basis of narrative work, not only as an area in which events occur, but as a means to probe the depths of the human sense associated with conscience and what belongs to it. The place of the earth, the home and the homeland, and what surrounds these things and other intimacy and belonging , Hostility and division, all of which have profound artistic values, connotations and purposes.Thus, the importance of the place appears in its cultural, psychological and political dimension, on the one hand, and its artistic dimension, which is characterized by its profound impact on the elements of novel construction on the other, is clear. This has made many critics and scholars cast their allegiance in this field. Some of them claimed leadership, The study aims to trace the origin of the study of place in the modern Iraqi narratives, and examine this critical discourse through a descriptive methodology with an analytical vision aimed at The study of the place in the modern Iraqi narratives, its origins and trends. The researcher reported from the sources that I meant to study the place in the Iraqi monetary studies, which formed the main motto in the construction ofBthe thesis, As well as Arab and Western sources, which provided us with a wide area of movement and research.This thesis came in a preface, and three chapters followed by a conclusion that included the main findings of the researchWe devoted the preface to address the problematic of the term, and to stop the research when the critics used the terms (space and space), and what these terms of the overlap of semantic and procedural.The first chapter was entitled "The Origins of the Study of Place in Literature". This chapter was divided into three sections. The first one was concerned with the study of the place in the Western scholars. The emergence of the place phenomenon in Arabic literature.In the second chapter we studied the mechanisms of studying the place in the early Iraqi studies. This chapter was divided into three sections, the first one was concerned with the study of dividing the place and the second studied the construction of the place, description and composition. ). The third chapter was entitled (Directions of the study of the place). It was divided into two sections, the first one was concerned with the study of the external direction. The course included the contextual monetary methods adopted by the critics in the approach of the place. This course follows the texts that guided the critics in the approach of the placeWe can summarize the main findings of the research as follows : - The development of the concept of place and completed as a theory that has an effective influence in the Western criticism by the French critic Gaston Pacheler, who studied the placeCaesthetically. This achievement was manifested in his famous book "Aesthetics of the Place ... : " - In spite of the delay of the Arab monetary achievement regarding the place, it recorded a turning point after the second half of the twentieth century, as the new concept of the novelist place began to appear in creative products and narrative money. However, it remained within the limits of the special glimpses that did not meet the theoretical level, Cash. - The Iraqi cash register was the pioneer in opening the horizon of Arab criticism on an issue that was not aware of the Arab culture. This was manifested by the Iraqi critic Yassin al - Nasir, who presented a realistic social vision of the place's relationship with the text - The research concluded that the Iraqi critic directed to monitor this dominant element (place) and its approach according to the monetary trends according to the intellectual and cultural backgrounds that emanate from it. The critics did not move away from two viewpoints, the first is an external trend and the other is a useful internal trend of contextual and textual monetary approaches in dealing with Literary texts.In conclusion, I would like to thank and thank all the media theologians, and our last prayer is to thank God, the Lord of the Worlds, and to pray to His Messenger, the faithful, the God and His Companions.
