Author name:
احمد محسن كامل الشريفي
Supervisor name:
سمير شاكر عبد الله اللبان | علي محمد هادي الربيعي
Abstract:
تسجل العديد من العروض المسرحية حضورها المتميز على الساحة الفنية من خلال ما تطرحه من اساليب اخراجية جديدة تحاول في الوقت نفسه التمرد اما على القوانين الارسطية او اللا ارسطية في اسلوب جديد يمزج ما بين القديم والطرح الجديد المؤدلج والمؤسس وفق رؤى خاصة تنطلق | Most of the theatre performances recorded, its distinctive presence through what it presents from new directorial methods, at the same time it's trying to rebel either against the laws Aristotelian or not Aristotelianism, in a new style mixing between an old and new narration based on special vision ,it proceeds from aesthetic and art concepts agree on one principle, which is producing a dramatic show ,to do its assignment. And here most of the shows strived to care in the presented dramatic article, and then drift towards the visual and audio pillars which form the distinctive dramatic image ,from this the dancing stage show has taken its aesthetics trait, through the Diversity and the difference between these elements and then run towards the inevitable confrontation with the methods of receiving which had a great effect on modeling shows like these based on this the researcher endeavored to study his subject (the aesthetics of the graphical formulation in the dancing and drama show) The research included four sections as the following : the first section of the research has specialized in the in the Methodological framework for the research ,it included the research problem in the following exclamation( Do the techniques of the dancing dramatic show acquire aesthetics differ from the available techniques in the typical dramatic shows ?and if there is a change ,what are the reasons behind it? while the importance of the research and the need for it, to highlight on the study of the pictures and its formulation in the dancing dramatic show ,as it’s a theatrical sex has a lot of artistic mistakes and aesthetics on the text and show level, however the goal of this research included (Recognize the aesthetics of the photographical formulation in the dancing theatrical show , Recognize the techniques of the audio and image, that distinguish the dancing drama from the drama sorts. while the research limits have been defined according to time between (2000 - 2014) and spatially (Iraq, Syria ,Egypt ,Germany) ,objectively study the aesthetics of the image formulation in the dancing theatrical show ,the first section has concluded by identifying the basic terms, which appeared in the title of the research. while the second section has specialized in the theoretical framework and its signs , the previous study has included four studies, 1 - the first section studied the concept of the image (Aesthetically, philosophically ,physically and cinematically) 2 - while the second section studied the image and audio techniques in the dancing theatrical show. 3 - the third one included study the dancing theatrical show in terms of (concept , origin, difference). 4 - the forth section included Theories and experiences of the directorial, technique and theatrical in the dancing drama. 5 - this section has concluded by the previous studies which are : A - bashaar abid al ga"ni al azawi , the techniques of the image formulation in the stage show ( PhD thesis introduction to the council of the college of art ,university of Babylon , 2012) B - layla Mohammed ali , Choreography and the actor performance in the Iraq stage ( PhD thesis introduction to the council of the college of art ,university of Babylon , 2012) 6 - Also the signs resulting from the theoretical framework and the most importance are : A - some interested think that the development of the picture in the stage art generally and dancing drama specially due to its correlation with the postmodern theater which called for the involvement of the image in its imaginary illusion in terms of breaking the techniques of the traditional text and the stage personalities as its merely images in the theatrical space to intermittent scenes it may be interconnected aesthetically but it doesn’t give the same idea, whence cancel the time and place. B - the actor in the dancing theatrical show lives a state of duplicity between his real personalities and what comes out from body dancing movements stem from the origin of the self - acting and objective ,and the AL TAGREEP AL BERSHATI was present to break the reincarnation Al Stanislavski ,the body is the only way to fill the space and to give the picture its dimensional structural and functional and, it's of two kind expressive and formative function.C - the concept and Origination of the dancing drama has linked with the movements of unleash the women and the conflict between the ego and the other , From where the female openness to all the fields and closing the physical identity. the dancing drama don’t proceed in its subjects to discuss the moral values in its Humanitarian perspective but to be armed with artistic and performing complex sides which make the receiver confused in front of the shown picture , D - the dance stage it’s an experimental style in the nature of the graphic formulation, it isn't committed to a manner or a certain idea , dependence is on the ability of the director and designer to create a state of communicative inside the image of the play itself E - the individual art experiences and having the self - ability was a significant role in the dancing western stage through liking the dancing movements with plastic arts including (draw and Sculpture) the dancing drama to become (image - dance)(form - dance) and to emphasize on the interaction role between the mind and body to produce meanings and to make this intermixture refers to the regularity and harmony in the art unit. while the third section included the research procedures ,the research community , The research sample, Research Methodology, The search tool, Sincerity of the tool , The stability of the tool, Statistical methods, analysis stability, Steps of the analysis then test the samples and five Iraqi theatre shows have been chosen (Up down - down up, Ahermean) and Syrian play (human) and Egyptian play (Between dusk and dawn) and Germany ( Mephisto) to analyze it and find out the research goal. while the fourth section has included the result of the research which the researcher reached to it ,also the conclusions , recommendations and proposals and proved the sources, references and appendices and the summary in English language
