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التعقيد ما بين النظام والفوضى في تصاميم الفضاءات الداخلية == The complexity between the system And the chaos in interior space designs

Author name: ياسر كريم حسن الطائي
Supervisor name: علاء الدين كاظم الامام
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad

التحـولات الشكليـة في تصميـم الفضاءات الداخليـة الاسلاميـة == Formal Transformations in the Design of Islamic Interior Spaces

Author name: محمد ثابت محمد البلداوي
Supervisor name: قبيلة فارس المالكي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
Key words:
  • التصميم الداخلي
  • الفضاءات الإسلامية
  • التحولات الشكلية
First pages:
Abstract: تشكل المساجد أقدس المباني العامة لما تمثله من سجل واضح للمستوى الحضاري والمعماري المتطور لأي عصر، وقد شهدت خلال الحقب التاريخية المتعاقبة عمليـات التطور والتحول في تصميم فضائهـا الداخلي، ما جعلهـا شواخص فنية إلى جـانب كونها مراكز إشعاع روحي وفكري وعقائدي، لذا فإن دراسة التحولات الشكلية في تصميم الفضـاءات الداخلية للمسـاجد، ومراحــل تلك التحوّلات والتغيـرات وأثرهـا فـي معالجـات التصميم الداخلي للمسـاجد في العـالم الإسلامي، من الجـوانب الضروريـة والمهمـة فـي تشخيص عوامل التحوّل الشكلي وآلية التأثير على مفردات التصميم الداخلي ولاسيما في فضـاءات المصلـى لـتلك المسـاجد، انطلاقـاً من المشكلـة البحثيـة أعـلاه، وضـع البـاحث الأهـداف، وهي: 1. تعزيز الصلة بين المعرفة النظرية. 2. تشخيـص التحـوّلات الشكليـة للفضـاءات الداخليـة الإسلامية وتشخيصها. استناداً إلى ذلك حدد الباحث في بحثه المساجد الإسلامية ويضمنه العالم العربي، ولاسيما العراق للقيام بتحليل تلك المساجد والتوصل إلى النتائج المعرفية. وأورد الباحث تحديداً لبعض المصطلحات من خلال استعراض المراجع والمصادر المتوفرة لديه، تلك المعلومات الأنفة الذكر هي الأساس الفكري للفصل الأول من البحث. أما الفصل الثاني فيأتي تحت عنوان الشكل والفضاء، والذي يتضمن مبحثين، الأول يتخصص في الشكل باعتباره الهيئة التي نعبر بها عن المحتوي أو المضمون، ويتضمن تلك العوامل الطبيعية والتكنولوجية والإنسانية، وعوامل طابع العصر المؤثرة في الشكل. على أن دراسة بنية الشكل تكون بدارسة علاقات بنائه المنجزة وفق قواعد رياضة شديدة التنظيم. أما الفصل الثالث، فيتضمن ميدان البحث (المسجد وفضاءه الداخلي – المصلى) الذي يتضمن مبحثين، الأول يختص بتقديم المسجد لغةً واصطلاحاً ووروده في القرآن الكريم والسنة النبوية الشريفة. أما الثاني فيختص بمكونات المسجد وطرزه،والخصائص التصميمية له. وكذلك تصميم الفضاء الداخلي للمسجد ولاسيما المصلى. ولأجل توضيح آلية تحقيق البحث لأهدافه المعرفية، يذكر الباحث في الفصل الرابع إجراءات بحثه، الذي استند إلى المنهج الوصفي في هيكليته الإجرائية.على أن اختيار العينات في المجتمع الأصلي استند إلى الطريقة العمدية من خلال الأنماط الأربعة لبناء المساجد، وهي: النمط المتعددة الأعمدة، والنمط ذو الأواوين الأربعة، والنمط ذو القبة المركزية، والنمط الحديث. ويعطي الباحث مسوغات لاختيار تلك العينات استناداً إلى الرقعة الجغرافية المترامية الأطراف، وتحديد الفترات الزمنية التي ازدهرت فيها بناء المساجد وتطويرها، وكذلك طبيعة التقنيات الحديثة الموظفة في تلك المساجد. ولأجل تحقيق أهداف البحث واستناداً إلى المنهج المتبع فيه، فقد قام الباحث بإعداد استمارة تحليل العينات المتضمنة على فقرات رئيسة وثانوية. وعرضت الاستمارة على الخبراء المتخصصين في مجال التصميم والتصميم الداخلي بشكل خاص. إذ قُوِّمَتْ وصُوِّبَتْ بعض الفقرات لتكون مهيأة للعمل بها. وأخذ الباحث بنظر الاعتبار في بناء الاستمارة على التأكيد في فضاءات المصلى، ولاسيما العناصر التصميمية (المحراب والمنبر والأعمدة والمعالجات التصميمية والمكملات الأخرى). وفي نهاية الفصل قدم الباحث وصفاً للعينات وتحليلاً شاملاً لكل عينة من عينات المجتمع الأصلي، ومن ثم عرض النتائج والتوصيات والمقترحات ونذكر بعضها: - إن التحوّل الحاصل في طبيعة وضع الإضاءة ومواقعها إلى وجود أشكال جديدة لتلك المصادر الضوئية مثل المثبتات على الجدران أو تلك المصممة مع شكل العمود، ولاسيما الموجودة في مسجد الرسول (ص). - التأكيد على مفـهوم الجاذبية والانتباه إلى نقاط القوة والإسنـاد في الفضـاء الـداخلي. - ظهور مقـياس ضخامة الحجم الـفضائي مؤشراً للتحوّل الشكلي للـفضاء الـداخلي. ويشتمل البحـث على بعـض المخططات الأفقيـة والمقاطـع العـمودية للمساجـد، وتوضيح البعـض الآخر بوساطـة صـورة توضيحيـة. وأشتمـل البحـث على قـائمتين للمصـادر العربيـة والأجنبية مع ملخص البحث باللغة الإنكليزية.
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الاختلاف بين البنى الشكلية وبيئة المكان في الفضاءات الداخلية == The difference between the formal structures and the environment of the places in the interior spaces

Author name: علي محســن زايــر
Supervisor name: نـوال محســن علي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

العقيدة الاجتماعية احد الضوابط الاساسية في التصميم الداخلي للابنية السكنية في بغداد

Author name: مناف جعفر مهدي
Supervisor name: طالب حميد الطالب
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

بنية التصميم الداخلي في القاعات الكبرى : دراسة تحليلية

Author name: عبد الصمد رفيق الخالدي
Supervisor name: عبد الرضا بهية
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

المعنى والتعبير في عملية تصميم البيئات الداخلية

Author name: رعد حسون خضير
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
University: University of Baghdad
University location: Baghdad

المستقبلية في التصميم الداخلي بين الافتراض والتحقيق : دراسة تحليلية لمستقبل تصميم صالات الفنادق

Author name: ميادة فهمي حسين علوان الحيالي
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

اشتراطات التصميم في بيئة الفضاءات المفتوحة لمدينة بغداد : دراسة تحليلية لفضاءات المطاعم المفتوحة == The Design Conditions in the open space environment for Baghdad city An analytic study for the open restaurants spaces

Author name: فاتن عباس لفتة الاسدي
Supervisor name: ساهر محمد قاسم القيسي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

جدلية العلاقة بين البنية الوظيفية والبنية الجمالية في التصميم الداخلي == The Dialectical of the relationship between the Functional structure and the Aesthetic structure in the Interior Design

Author name: بدرية محمد حسن الحاج فرج
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

بنية الخطاب النقدي في التصميم الداخلي للفضاءات الانتاجية : دراسة تحليلية

Author name: زينة فهد عثد السادة
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Industry is a basic reason for occupies admiration and interest among a lot of international and Arab countries, including our country Iraq which is converted with new concepts that commensurate with entitled value for the industry, as Iraq seeks to develop its national economy through the consolidation of production and improved performance combined with expansion in finding a shortened and cleared ways in supporting promoting various industries, and for the purpose of achieving the production process aims must be taken health and scientific methods, that can be achieved through the creation of an appropriate work environment with its specification for all production facilities, whether plants, factories , or work - shops to boost the morale and psychological for workers in productivity spaces, therefore the attention of researchers (interior designers), related with the internal environment of productivity spaces considered a design and formative process, because there is a fundamental relationship between the work spaces and production level.In order to access unique and correct reading in understanding and studying of critical discourse in interior design of productivity spaces, on the grounds that criticism is a set of advanced operations of specialized awareness, which can extrapolate the productivity spaces based on analysis, weather with the vision of undercover parts in of spaces structure and their readings, or vision of all then move to the parts, and in the induction and conclusion process there are secrets behind the apparent productive space detected by the critics (designers), Btaktehm stage description and analysis to uncover hidden relationships pressing, deep brown, Altaalqat system in the productive space. Therefore, the need arises to go into this area by going to the literary and artistic studies, for the purpose of clarifying the general concept of critical discourse, and to clarify the historical background, and the most important cash curricula modern, it will highlight the critical discourse in interior design as one of the letters to which it applies what is in the critical discourse of literary.It is critical discourse in addition to material critical of themselves (productive space particularities and its mechanisms and its interactions with draw close), the target and the receiver that directs Monetary him a critical process that must critic institutions (interior designer), that puts it under a scientific mechanism is not without its philosophy, based objectivity in theory and practice attempt an intellectual theory, data for the philosophical vision of monetary modern curricula. So felt the researcher to choose researched address (critical discourse structure in interior design productivity of spaces), to be the subject of a research addresses an important aspect of the merits of interior design, this study focused on the important aspect of the monetary process of lighting, and the basis not get up cash without it, is the speech which is a pillar of science in various fields of knowledge, especially if the concept of the speech concerned with the study one of the most popular concepts and traded in the cash Cultural Movement and the Arab Bank.Find rely on theoretical study and analytical study of the spaces in the city of Baghdad in the Karkh and Rusafa sewing labs, research has been divided into four chapters. The first chapter included the research problem and its importance as well as to clarify and define the objectives and limits and define the most important terms contained therein. The second chapter dealt with the theoretical framework and previous studies, which included theoretical framework of three sections, addressing the first part, the study of the concept of the speech, and the second section dealt with cognitive and intellectual structure of the criticism, and the third section has included cash curriculum structure of modern interior design productive spaces. And devoted the third chapter to research procedures, as has been the adoption of the descriptive approach in the research sample analysis, marked by two models of spaces productivity with the preparation and organization determine axes analysis form, based on the theoretical framework that has been adopted part of them as a criterion and basis in the process of analysis indicators.CThe fourth chapter, has included the results of the sample analysis models in the light of the results have been discussed to draw

الدلالات الفكرية والجمالية في تصميم الفضاءات الداخلية == Intellectual And Aestheticconnotations In The Design of Interior Spaces

Author name: رجاء سعدي لفتة
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Looks Researchers from designers internal and architects about renewal in their quest to achieve the aims functional and aesthetic response to the requirements of the living human being contemporary, so it meant the study "connotations of intellectual and aesthetic design spaces Interior" to find a link between the connotations of intellectual and aesthetic in the act of design objective and functionally. And the lack of study dealing with the subject of intellectual and aesthetic connotations in the design of interior spaces, and for the purpose of bridging the gap and the lack of knowledge in this area.So ensure that the first chapter on the research problem that summarized the following question : Does the data intellectual, aesthetic and adopted within the general concepts of interior design its required role in the opera houses designs?. Or that there occurred variables have been adopted concerning those aspects when initiating design spacesrole of the opera? The important data are included to provide an intellectual and aesthetic role contribute to supplement the opera companies and institutions involved in the internal spaces designs textured scientific knowledge have a presence in translatingdesign to reality cosmetic formulations carries the meanings and implications of intellectual and aesthetic. Down to the objective of this research, which represents disclose intellectual and aesthetic connotations of the internal spaces of international opera houses. And the adoption of the limits of temporal and spatial search that was the main study hall for seven of the role of the opera world (Australia, Egypt, Paris, Norway, Scotland, China, Oman) for the period from 1974to 2012.And contained the second quarter on previous studies and theoretical framework, which included four Detectives first (verb significance), while the second part guarantees the (semantic property), and third (semantic aesthetic), and finally meant the fourth section (developments formal aesthetic spaces of the role of the Opera), and after the completion of theoretical framework was extracted indicators adopted by the form analysis axles. The third chapter was devoted to research procedures where the researcher followed the descriptive method for analysis through the analysis of the seven models of international opera houses spaces.Among the findings of research are : Adoption of intellectual frameworks according to its historical variations in the design of buildings opera houses, each according to its terms of reference, which are thus reflected on the external and internal appearance, and depending on the cohesion between the urban fabric of the building and incidence within the social and cultural environment and heritage. And the emergence of mixed functional and aesthetic throughout the investments made by the designers all walks of life, and it comes from Advanced aware of my design was dictated by intellectual imperatives and its data to be imposed on the designer alignment and harmonization of vocabulary space. Through the contents of ideas and their significance, whether subjective or objective, or is the theory relied upon by the designer in the design space of Procedure of the hall's main role of the opera world, confirm the harmonization formal environmental, came this assertion to install a mechanism to promote and partnership between the building and surrounded by the words, which were reflected in clear the internal data as well, which is clearly manifested in the choice of items and processors that has. Illustrate the innovative dimension identify determinants attributes, and by addressing the ceilings and rises, walls and floorsand afford values and color, and benefit from the strengthening of relations link between the board space and worker his items. Activation of the internal space design elements such as : lines, textures, sizes and color values, optical, and benefit from the raw materials and what happened from the development, which provided the inner space in a variety of ways and unfamiliar, Also concluded Find the most important conclusions, including : Conformation and semantic representation and symbolic transformations such as an integrated part of the functioning of a link between the symbol and the history..As well as mixing clear and precise them.. integral formalism with the design elements of the space of the opera, that is the only representation formed lighting, furniture, finishes and materials textile dimensions important in it. That interaction semantic - functional and aesthetic between different patterns represented in opera houses meant impact of where meanings and deepening confirms relational format - space, the environment and architectural body was both. Down to the recommendations and proposals, and finally the list of sources and supplements.

الثنائيات كاستراتيجية في تصميم الفضاء الداخلي المعاصر == Duality Is Strategy Interior Design Space Contemporary

Author name: اسيل ابراهيم محمود منصور
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The man lives in an era of abundance of intellectual and monetary approaches have sought to integrate these approaches and concepts to explain by his life and at different levels, with interior design is one of those levels, which are linked directly responsive functional and aesthetic requirements, and what was the man always aims to balance the internal Vdhaih which is through the formation correlated with the material, and having experienced that relationship and the passage of time and with differing intellectual concepts to the ongoing debate remained interior inbuilt an unspecified number of diodes starting construction intellectual even stages of implementation and then understanding the recipient. In order to shed light on the bilateral placed and their impact in contemporary interior design space for the purpose of bridging the gap cognitive in this area has been discussed in the research.Therefore research includes four chapters, In chapter one it has been crystallizing the problem of the research, in the (lack of clarity of cognitive perception about construction logical, intellectual, and objective strategy of building interiors within the concept of dualities), So the research importance lies to demonstrate the role of dualities in contemporary the interior design, While the Research goals is to find and study the duality effective strategy in design od internal space in contemporary studies, and intellectual fields. Further to fix, install the limits of research and the most important idioms.Chapter two included the literature review; through display studies addressed the issue of duality, and within the terms, & reference near to the Interior design. While the theoretical frame, which included three sections, first one deal with duality concept through launch and discuss duality disciplines near the Interior design, and extract frames selected the university for those dualities, while the second one deal with design strategies, which discussed thoughtful construction and rationale of the design, and construction of intellectual, while the third topic deal with infrastructure interior design, through characterize the design elements,& duality in investigative language of internal space, & privacy. Chapter two ends by display the indicators, which led the search procedures.Also, Chapter three include the research procedure, where the researcher adopted to find descriptive approach, as one of the methods of scientific research methods, which is used in the data collection, & expression. It has been relying on the (Lionel Marge) strategy, which dealt each side with the analysis, & interpretation of data and questionnaire, for three structured global projects, as well as by adoption of such way, as content analysis were analyzed in the Ph. D thesis, at the college of Fine Arts, University of Baghdad, Department of interior design, as an example of logical study.The research ends by the chapter four, which present the results of analysis, then the conclusions, which include the interior design, it is accordance with the strategy and be duality in first side of logical, that builds the idea of design, is through the organization of the study in accordance with the methodology consists of the fundamental. In the second aspect of these duality, is construction applied and be through the data of a design is built on the basis of relationships, & these being the relationships either virtual or esoteric, for either single - sex or heterosexual. The interior design goal is to create a balance between the dualities parties that does not happen the balance only after polemical, & permanent conflict between the duality parties. Also researches contain recommendations and future studies.Researcher

انعكاسات السرد في التصميم الداخلي == Narratives Reflections In Interior DESIGN

Author name: حارث اسعد عبد الرزاق السعيدي
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: This search is based on a common truth but missed by those who work in interior designing (ID) field such as historians and theorists, which states that the interior designs of temples and palaces of old civilization of Mesopotamia and the other civilizations that followed are considered as one of the narrative literature media that belongs to this civilized society or that, the truth that is still valid through Evangelical stories narrated by murals painted on churches interiors and the inwrought of Qur'ans stories garnishing interior walls of masjids and Mosques in the present time, as we know, language started as pictures embodying expressions of visual language unveiling meanings and significance, as humanity continued to grow, so did writing by getting its own entity that cannot be explained only by certain group of people, limiting its expressional ability so that wide scope of people won't be able using it, which led it to disappear and losing many of human experiences made by these communities and vanished forever.In accordance with the growth happened in the early and middle of the twentieth century, a group of narrative literature theorists called to use more than one way to convey their literature messages and experiments away from spoken and written form of language to ensure establishing their human experiments, to be understood by more recipients and expanding the audience using these messages with their new implications form, one of their saying was that visual entities have elements qualify them to be communicative language has its own alphabet in accordance with communicative components of this interactive environments, Following this a group of interior and architecture designers, Simultaneously, appeared calling to use the narrative literature as designing style model to produce equable significance interior designs, active in creating designing forms that differs from the traditional basis, one of the most controversial movements is the Deconstruction Movement in architecture and interior designing for this movement pioneers depended on one of narrative literature theorist, in spite of the production of this movement and the ones that are related to this synthesis approach between narrative and designing was either na1ve and limited to lateral metaphors has no intellectual dimensions out of the assimilation or metaphor, or appeared to be very odd cannot be explained even by the experts in criticism of art which led recipients to dislike its interior spaces and communication interrupted between them, that's why it didn't succeed to ensure narrative to be a clearly defined designing approach, with clear elements enough to be used by all those who work in this field for most of this style is subject to inner narrative vision and this limited narrative tools which is inspired from narrative in addition to the difference from designer to another, and incompleteness of designing vision of the sensory language alphabet enabling us to activate narrative as designing approach so can all those who work in designing to adopt it in disseminate ideas and their forward - looking vision concerning subject they embody through materialistic mold, and functional and environmental considerations they work with when designing interior spaces, when analyzing the above said a problem emerged which is (the bsence of designing forms that can be used effectively to reproduce narrative speeches as approach adopted by designer to create modem interior designs), many factors enhanced the importance of the subject most notably is the theorists instructing in interior designing field to improve designing method in way that activate the narrative approaches being one of the interior designing styles followed to achieve interior designs with future aspects in educating interior design practitioners in teaching and in the practical side.This vision came out of this study is based on aiming to describe general rules for readable message in narrative showing the ability to be used in the seen message of interior design. In order to start search it was important to define its methodical terms so that the subjective term appeared through studying Intellectual and technical concepts in narration and ways to employ them as new creation strategies constructing shape formations in modem interior design. Time term in this research defined by the interior design projects done by pioneers of deconstruction movement through the period from 2005 up to 2010. While place term is defined by interior spaces done in In global projects (entertainment and cultural) within the continent of Europe exclusively. Then defining the most important idioms in this research to conclude the first chapter of the thesis (dissertation).According to that early mentioned in this research led to rely on literary studies that pointed many aspects of the concept of narrative that emerged in the form of a theoretical framework consist of two chapters, the first addresses the issue of transforming narration in language and way to read it in interior design and what the narrative structure included such as narrator, narration and addressee and its reflections in interior design. While the second chapter we pointed out the structural foundations of the system of fiction such as character, event, place, time and mechanism with their reflections on the dimensional values in interior design projects. After that we discussed the former studies which discussed same subject of this research which enabled us, supported by what earlier has discussed in theoretical chapters through concluding indicators build on the basis of test tools in procedural chapter and that it represented an achievement for the first phase of the research approach in solving the pro bl em.While second step which is applying concluded theoretical form that has been implicated in the third chapter in which we discussed procedures and steps followed in research on its present form in order to achieve the objectives of the research, starting with the description of the approach adopted in the research which is a descriptive approach as well as the phenomenological approach in the analysis, and identify theresearch community and the election of the sample according to research on several criteria that fit with the goal of research, then we dealt with aspects survey of the building tool by creating survey application tool and check its apparent credibility verifying the validation of the tool by external analysts in the company researcher, so we can measure the relationship between the variables according to the note form for analysis then to discuss the results in the fourth chapter to draw conclusions and the most notably were : • narrative stimulates our minds to clarify our vision of design in internal projects since we are encouraged to confer complexity in our thoughts to activate unexpected innovative solutions achieving the appropriate between vision and the completed design.• Efforts to form and support our designs by the narrative is the same that help the interior space recipient to understand us better and more effectively deliver the visual message to them.And search came out with some of the recommendations, most notably : - • The interior design theorist must take in consideration, when heading towards other fields of knowledge to gain from, defining the limits of concept without leaving them fuzzy and with unknown potentials.• Designers have to embrace the idea of promoting the impression of the interior space nature in harmony with time and place in a way that support the designing event and confers upon it drama in aesthetic and functional performance of interior design.Finally, to pave the way for research in the future indicating the beneficiaries of the research.

التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية == The Pun Between Design Thought And Applied Reality In Internal Spaces Thesis Advanced

Author name: زينب عبد العالي عبد الباقي
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث موضوعة التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية، لتوضيح مفهوم التورية كمصطلح لغوي استخدم في البحوث الادبية وكون هذا المصطلح يشمل على معاني يمكن تسقيطها في تصميم الفضاءات الداخلية، لذا تمثلت مشكلة البحث عبر التساؤل ال | The research dialing with the pun between thought designing and applied reality in internal spaces , to Clare the pun concept as language term that used in literature research , and cause this term includes meanings that can used in interior spaces design , so that the research problem presented by the fooling quotation : - What available prospect in pun application in interior spaces treatment?the research has four chapters of the chapter I the problem of search (What are the pun application in the internal design spaces).It will address this problem by searching the title ( the pun and it applications Between designing thought and applied reality ) was the target of research depending on the problem that has been identified it : - - the definition of the pun concept and the extent of the involvement in designing thought type - Possibilities of pun applied in interior design the importance of the research was in : - the fact that the single new term and effective in interior design has not been addressed by the researchers from before, so it is a culture of modern design adds beautiful photos recipient the user , so its important.The research limitations included1 - the limits of objective : to study the pun subject applications in General interior spaces.2. The limitations of places : interior spaces commercial shopping centers, malls in the United Arab Emirates 3. limitations of temporality 2005 - 2014was followed by terms defection paragraph that used in the search , the secnd Chapter its theoretic farm in cloud three research the first one about pun concept ( language - Art - philosophy ) Second one it about designing thogh the third one about the pun and it applications in reaallty by using modern ticnecal.the theoretic frame get same indicators based onb An analysis of the models, Chapter three is the research methodology, which included descriptive approach in the analysis of Sample form included observation and analysis models and pictures of models aplecations , and the last fourth chapter Forms annulling the results of extracted from the analysis of the models and the results and conclusions The recommendations and proposals, the most results are : - 1. For the pun location of the space is implicit within its location in template I totally verified as part of and More of a part of the space and verified as being relatively includes all space, as the theme of the second template still disguise verified for relatively part of space, and is non - verified for more than a part and each space. The template III was lacking in mhwz is implicit in sites for more than a part and is relatively verified For the part of the space2.. Indications that is implicit in the template for special meaning it earned in appearance and implicit and also is the meaning of the second, the indications disguise is partially achieved for special meaning for the meaning of it is unachieved I (AVIC I) and but it achieved for relatively displayed, either for the template III is relatively achieved. And the most important conclusions were : 1. Modern packaging technology is no longer the most important applications is implicit in space, and that Its presence in a deliberate and systematic it buried a lot of unwanted also helps to highlight the function The inspirational within the space in which we recognize and deeper 2. The application of the technology that is implicit in interior spaces is the success of the application of modern technology as a tool which Technical Help is implicit in that apply within interior spaces.3. The tool is implicit is the technical The modern packaging technical B and this is no technical Technical packaging of the most important tools of the Help technology application is implicit in space, and that there is a lot of techniques, but that it is implicit packaging is one of the most important space

الانعكاس الجمالي للتفاعل البيئي في اثراء تصاميم الفضاءات الداخلية == Aesthetic Reflection of The Interaction of Environmental Enrich Designs Interior Spaces

Author name: صلاح الدين قادر احمد الجاف
Supervisor name: جبار محمود حسين العبيدي | لطف الله جنين عبد اللطيف
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: If any civilization has the estethic and its environment beautiful you'll feel design next to Ihorha and translated language unique and special Amzjha people are aesthetic in a very magnificence, where is the interior design of the systems aesthetic cognitive vehicle to fit on a Masasat interactive producer and overlapping and associated knowledge contiguous may be real or phenomenon which makes this specialization added to the cognitive level specialties who needs an outstanding level of expertise and performance or outstanding level of analysis and synthesis, and that as well, it must check to see intentional provide the data for such interaction and the inevitable overlap. That the situation of intellectual trying Almmazjh between thee formations fact objective and our understanding of it as a tool or utility and a means to achieve the goals of utilitarian and functional in order to maintain the composition necessitates the existence of this interaction. And that this interaction is live that raises a conflict within the Concept itself and system design seeks to interact and continuity and renewal, That's where the form of the environment and estethic result from the interaction of three basic components through the needs and requirements and types environment which components dynamic configuration, and then fixed factors which are determinants in the composition of the interior, such as patterns and interaction of these Alaoml that determines how that form the body of the Interior. This means the integration of factors, continuity and the inability to be separated in the environment design which is always a mirror that reflected ones, which lead to enrich spaces of the Interior, through the meanings and multiple interpretations andconnotations and abundance of the elements interacting to achieve a system design simple or complex In light of this.. The study objective reflection of the aesthetic of the interaction of environmental enrichment and its importance within the internal space of houses residential, is important in interior design, where lies the study, said in a statement that the awareness of the environment has become a necessity designed by the nature of this age and that what struck the environment from imbalance and disorder of thehuman environment This has become imbalance is growing rapidly unusual, that the goal of clarify Alatarmufahimi the interaction of environmental and aesthetic reflection to be a Bmanihama texture integrated and comprehensive and their impact on interior designs, whether existing urban areas or the environment for new components of the interior design elements Where that take advantage of the philosophical concepts of the environment and its components and enriched and its aesthetically pleasing design reflected on housing designs and commensurate with the culture and habits of everyone to keep pace with the progress and evolution. As unveils what carries Avcarelvelsfah and theories that you need to identify them and highlighted and an understanding of the attempt to take advantage of them. The study also trying to shed light on the philosophical concepts of beauty and the design and estethic idea and innovative sense of aesthetic idea. It is by recognizing the aesthetic organization and keep it within the phenotypic traits. Which aims to refine and refine and enrich the development, in order to realize the rights and the aesthetic appearance in nature and the technical and business aspects of behavior It can illustrate the importance of studying the interaction of environmental andaesthetic reflection of the following points The interaction of environmental and aesthetic reflection of the environment help to personal growth because it gives new possibilities for the behavior and recognize that the interaction of environmental and aesthetic reflection at teak and place a sense of intimacy and thus love with the place and belonging and Esida the spirit of cooperation As the study of this research was to enrich the library and try to fill the void is clear in this matter and as a result of the lack of technical studies and the process by which this subject is specialized to demonstrate the concept of interaction artistic Darcyan and researchers in the fields of interior design of the interior spaces and promote relevant theoretical knowledge, including the promise of opinions and explanations - based philosophical related to the environment and estethic with expression guaranteed in the aspects of the intellectual environment of the Interior, and also contribute to enhancing the possibilities of the use of semantic systemsdesign in spaces Interior and enrich the interaction of the internal environment and the extent of their relationship in the processors aesthetic design with the organization of the elements of the inner space environment within a philosophical frameworkAnd through informed researcher on many spaces interior modern residential, it was found necessary to identify the implications of the aesthetic of the interactions of environmental, where the use of philosophical concepts of the environment and itscomponents and enriched and its design reflected aesthetically pleasing designs housing and commensurate with the culture and habits of everyone to keep up with the progress and development and consistent with the area and the size of the internaldeterminants that it was necessary to exit the position illustrates the aesthetic reflection of the interaction of environmental enrichment designs interior spaces and consistent with the privacy of research topic, consisting of four chapters.. Making it afertile field for study in theoretical research and analytical For this researcher found that includes the (first quarter) formulation of the research problem which can be summarized by asking the following : What are the elements of environmental interaction of reflection to enrich the aesthetic designs interior spaces?.. In light of this objective researcher research focused in determining the tributaries of the interaction of environmental and aesthetic level reflected in enriching designs interior spaces, and through study and exploratory.. The researcher found that the study did not address it one of the researchers.. This is found justified logically and scientifically focused on clarifying the goal of research... As for the limits of research has identified in terms of the substantive study of the reflection of the aesthetic of the interaction of environmental to enrich spaces of the Interior, as included limits the spatial and temporal study spaces, interior designs for residential global contemporary countries continents (Asia, Europe , and South America), especially for the period from 2000 m - 2012 m.. As the researcher also define many of the terms relevant to the subject search In order to reach the objective of this research was to draw the second quarter your theoretical Blotar.. To study includes three sections in this chapter It first section dealt with the concept of beauty based on clarifying the concept of aesthetic philosophical thought.. With reference also to the study of the concept of reflection and stages Ncaha and theories, have adopted all of these threads to review many of the aesthetics of environmental and spatial and the most important characteristics of vision aesthetic andbehavior, experience and preference and judgment aesthetic to illustrate the importance of beauty to be the starting point and the base of the current study While focused second part, on a study to identify the concept of interaction and theories and objectives as well as the concept of environment, history and forms and elements and the mechanism of interaction of environmental through identity, and the types of Alostnvaa also discussed topic on the concept of place philosophically and their interaction with the place and organize space and characteristics of interactive spaces interior design The third section has included review of the concept of enrichment in interior design, levels and conditions and the role of beauty in enriching thought inventive and attractions visual rechaer in design and factors affecting it, also addressed the topic enrich the meaning innovation through artistic taste with reference to the role reversal aesthetic perception and mental In interior design enrich the image of the place through interaction chromatography It must be pointed to the adoption of a researcher in this chapter on the tables, charts, illustrations for the subject of study.. As well as from the picture Alfotgraveh for some modern residential spaces as well as the adoption of the researcher to some photographs of the interior designs that have been obtained from the references and sources, and adopting as examples and basic underlying base build a theoretical framework.. The researcher also to draw the most basic indicators that resulted from the three theoretical framework Investigation The third chapter specialization in determining the subject of research procedures, since it relied on the descriptive analytical approach has included research community schedule includes (6) states.. from within (7) continents, which showed a whole diverse and varied for the constituent elements of the space residential houses... Since that study is looking for the tributaries of environmental interaction, has been relying on intentional selective method of sample of the original research community.. Which has been on the track select models sample research elected that serve the purpose of the study and the closest to achieve, and the (6) states of the total (3) continents at a rate (45%) of the research community, and because it has been designed thoughtfully for the interior design and architectural , has also been selected based on the views of experts in the field of scientific and professional competence In order to achieve the goal of the research, based on the approach, it has adopted a researcher at the collection of information relating to research on the scoping study and landing sites marked by form numbers as a tool to gather information. And then the numbers include identifying Form axes analysis, consisting of primary and secondary passages have been organized according to the scientific method to search.. This is in addition to the experience of the researcher in theadoption of illustrative photos Models Search designs. For the purpose of confirmation of the validity and comprehensiveness of the analysis tool, has been presentation form Conversation analysis on a group of competent experts to demonstrate the comprehensiveness and validity to achieve the goal of the research..For the purpose of the correct application of the tool on the research sample, then resorting to extract stability analysis The fourth chapter has included discussion of a number of results within (three) main axes achieve the goal of the research and the findings of the research study to analyze the models elected, based on the means statistical.. In the light of the results and discuss the researcher to a range of results within this chapter, which was including1 - that the possibility of enriching the aesthetic employment was achieved in all samples2 - The design environment created by and interacted within the range of symbols and they owned the meaning or set of meanings that crossed from fiction was a cause for change and interaction3 - The traditional strategy of shape and material used and the nature of the user as well as light colors was one of the fundamentals of enriching the interior spaces Finally annexation Search List of Arab and foreign sources and a summary of the study in English.. Researcher and so could that complements the research process with the help of God Almighty

خطاب التصميم الداخلي وانعكاسه السلوكي في فضاءات السلطة : قاعات البرلمانات انموذجا == Discourse of Interior Design And Its Behavioral Reflection On Spaces of Authority : Parliaments Chambers A Sampling

Author name: علاء الدين كاظم منصور الامام
Supervisor name: سعد علي يوسف البصري
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages: