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تمثل الاحتلال الامريكي في الرواية العراقية 2004-2014 == Representation of American Occupation in Iraqi Novels ( 2004-2014)

اسم المؤلف: اسامة عبد الصاحب محسن الناشي
اسم المشرف: باسم صالح حميد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاثر اللغوي للقراءات القرانية في توجيه الاحكام الشرعية عند علماء الامامية == The Languistic's Effect Of Qur'anic Readings That Is Directing The Shari 'A Rullings To The Sciences Imamia

اسم المؤلف: احمد طالب محمد الياسري
اسم المشرف: صالح هادي شمام القريشي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المحظور اللغوي في معجم تاج العروس من جواهر القاموس للزبيدي (ت1205هـ) : دراسة دلالية

اسم المؤلف: احمد صابر راضي
اسم المشرف: طارق الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الابعاد التداولية في تفسير التبيان للطوسي (ت460هـ) == The pragmatic Dimensions in interpreting of AL-Tbian for AL-Toosi (D on 460A.H )

اسم المؤلف: احمد شنيشل مساعد
اسم المشرف: صالح هادي شمام القريشي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

غريب نهج البلاغة == The stranger in " Nahjubalagah

اسم المؤلف: عبد الكريم حسين عبد السعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: By the name of God the all merciful, thanks to his grace, and peace upon his greatest profit Muhmmad bin Aabdillab. There is no daute that Nahj Albalagh in the highest situation of the Arabic eloquence, for that many of Arabic linguestics - ainsent and modern - do their best to explane it's words and sentences in their books and researches.This research is stepping on the same way of those, it studied the stranger in Nahj Albalagh which had been jaid by Aliyy unbnu Abi Talib peace upon him and collected by Alshareef Al Radiyy. ( 406 A.H.). This research divided in preface four parts, and a conclusion. The first part is apreparated one, it is in two chapters, the first chapter studied the strange in the Arabic language in general. And in the ( Nahj ) particularly . The second chapter studied the ( text ) firming, and it's regestredment, there were three kinds of texts. a : texts conteporared Al - emam Ali peace upon him. b : texts precedied AlRadiyy several hundreds of years. c : texts conteporared al Radiy's collecting of Nahj - albalagah.The second part was studying the strangest of the word. It had three chapters. I studied in the first one the strangment of the singular word. And in the second chapter I studied the strangment of the word in meaning, in the third chapter I studied the strangment of the word in it's etymology. I studied in the third part the strangment of structure in three chapters. I specified the first one to the strangment of the whole sloup, the second chapter to the strangment of the speech because the irregularity of the word or because of their entangledment. The third one was about the strangment of the speech because of the highness of it's elocuence.The fourth part of this research was about the strangment of rhetoric building it had also three chapters. The first chapter was about the strangment of the ( eloquence system ), the second one was about the ( rhetoric science ), and the third one was about the strangment of the tripic system. I ended my research with a conclusion, which I explain in it the most emportant results. At last I would like to thank God for my successful in this research, after that I would like to thank my professor Dr. Abdullah Ahmed Aljubouri who guided me in this research and we landed together on the shore of Nahj - Albalagah safely.

المدارس الصوتية عند العرب : النشاة والتطور == Schools Of Phonology In Arabic : The Rise And Development

اسم المؤلف: علاء جبر محمد الموسوي
اسم المشرف: عبد الله احمد الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الحمد لله حمدا كثيرا وسبحان الله بكرة واصيلا، والصلاة والسلام على رسوله الذي ارسله بالحق مبشرا ونذيرا وشاهدا وهاديا وسراجا منيرا، وعلى اله الذين اذهب الله عنهم الرجس وطهرهم تطهيرا. وبعد : فالصوت ظاهرة طبيعية،تستلزم وجود جسم في حالة اهتزاز او تذبذب،وهذه | Ancient Arab scholars spent invaluable efforts within the area of Arabic phonology. These efforts prove that such scholars are fully aware of the nature of sounds and the speech organs which were accurately described. Laws and rules for sounds were set up and the relationship between these sounds were shown. These efforts and contributions are easily recognized by Abualaswad Al - Dwali's self - observation and Al - Khalil Bin Ahmed's classification of speech sounds. The latter described speech sounds from an articulatory point of view which had laid the foundation for a school called lexical phonology. In addition Sibawaihi classified Arabic speech sounds in terms of place of articulation. Such a classification gave rise to what is called the grammarians' school of phonology.It is beyond dispute that the subfields of Arabic linguistics are interrelated to one another and to the Glorious Quran. It is very rare to find a given topic which is for instance, purely morphological, i.e. other levels of linguistic analysis are in valued in it. Due to this characteristic, there is a variety of studies as far as the general attitude of works is concerned.The present study sets itself to gather the contributions of these schools of phonology and clarifies the procedures followed by the leading figures of each school. Such schools have been classified in the light of the aims behind studying the phonological material. Accordingly, five schools have been investigated in the present work. In addition, an introductory chapter entitled "schools of phonology and knowledge Heritage by Arabs' is devoted to the perspective of the study and how far it is applied to the schools of phonology by ancient Arab scholars.As for the first chapter, it is concerned with the school of "lexical phonology" and how those "lexicophonolgists dealt with the phonological material. The leading scholar here is Al - Khalil Bin Ahmed Al - Farahidi who was taken as an example by other lexicophonologists. The second chapter is devoted to the treatment of phonological material by Arab grammarians who gave rise to the "grammarians' school of phonology." within this school, the phonological study underwent development which started before Sibawaihi. It is true to say that the latter brought it to maturity. in his famous book " Al - Kitab". The third chapter is named as "The phonology school of Readers". The efforts of a group of scientists have been dealt with. Those scholars gave priority to the phonological study which farmed the basis for their investigations. The fourth chapter concerns itself with the treatment of the phonological material by some Muslim philosopher. They investigated the material from a physical and articulatory standpoint. Although such a school had lasted for a long period of time, it had not attracted a large number of scholars. Concerning chapter five, it has studied the phonological efforts of rhetoricians. These efforts have not been given due attention by previous studies. The study of phonology by those scholars is not a marginal one, rather it is serious and systematic. Al - Kahalil Bin Ahmed Al - Farahidi organized his dictionary (Al - Ain) on the basis of phonology to give the lexical units a phonological arrangements. As to Sibawaihi, he focused on the study of Arabic speech sounds in order to precisely investigate assimilation. He maintains that he described the letters of the dictionary so that one can recognize where assimilation is possible or not. Regarding the rhetoricians, they adopted a totally different approach to study sounds where the theory of articulation of sounds is considered as a rhetorical and critical criterion to judge whether a particular word is standard or not. Scholars of readings are concerned with how sounds are articulated or produced. The dealt with the distinctive features characterizing speech sounds. They also viewed speech sounds from a physical point of view
الملخص:
المصادر:

المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

اسم المؤلف: تغريد ضياء مشفي الفخري
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

التوجيه السياقي في تفسير مقتنيات الدرر وملتقطات الثمر للحائري (ت1353هـ) == Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar " By Al - Haeri ( Dead 135A.H )

اسم المؤلف: يوسف عبد القادر عبد سلوم الحسني
اسم المشرف: لطيفة عبد الرسول عبد علي الضايفي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الحمد لله رب العالمين والصلاة والسلام على اشرف خلقه اجمعين محمد واله الطيبين الطاهرين واصحابه الامناء على كتاب رب العالمين ورسالة سيد المرسلين.وبعد.نال جهد المفسرين الاوائل على مر القرون عناية من المفسرين جيلا من بعد جيل وعناية الباحثين الذين حاولوا ال | Praise to Allah , God of all the universe and peace be upon the most honorable of his creatures Mohammed Peace be upon him and his pure and good family who were trustworthy people upon the Holy Quran and the message of master of messengers ,and then : - Efforts of pioneer interpreters over centuries got great care by interpreters generations after generation and the concern of researchers who tried to acquire what were presented interpretation efforts.Knowing that pioneer interpreters had presented an important and unique outcome as they were proactive in offering scientific items and rare interpretations through their abundant knowledge , aware of the secret of that great book. The latecomers of interpreters beneficiated from that great efforts with their outcome. But we did not deny that we got privacy explanatory and unique. This description included Al - Haeri interpretation which was called " Muqtanayat Al - Durar And Multaqatat Al - Thamar " which was complete interpretation of Holy Quran in twelve volumes by Mir Ali Al - Haerti Al - Tahrani in which we studied. This book was verified by Mohammed Waheed Al - Tabsi Al - Haeri and reviewed by Mohammed Taqi Al - hashimi which we saw contextual directing phenomenon as one of its important characteristics that enabled the researcher to justify a method in interpretation exceed partial interpretation of holy Quran interpretation based upon pronunciation and meaning or upon limited sentence to the text of Holy Quran which characterized the current interpretation.Therefore our research did not concentrate upon partial sides in interpretation , but depending on a plan not only concentrate upon single word or pronunciation , sound and morphological formulas , which was the issues studied by two researchers focus on Al - Haeri method and linguistic efforts concerned. Accordingly the title of the study was : " Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar By Al - Haeri ( Dead 1353A.H )". The research was divided into three chapters preceded with preface regarding introduction of the interpreter due to its rareness translation , his method of interpretation , context theory and what were said about it from the pioneers of this trend in linguistic research and their researchers.Regarding first chapter , it was under the title of contextual directing of syntax which dealt with contextual directing multi - aspects syntax and syntax narration and grammatical differences , besides the effects of grammatical instruments in context. Second chapter dealt with the title of contextual directing of grammatical structure which included contextual directing of structure symptoms and grammatical transfer. Third chapter dealt with site directing in Holy Quran speech. Then the circle was expanded to include sentences limitation as directed to discover final guidance.which came as follow : Site directing in communication with prophets , good people , with Muslims and heathens , besides comprehensive speech for others regardless belief status. Conclusion consisted of the most prominent results reached by the researcher which will be useful in studying Holy Quran interpretation such as adopting context directed for interpretation whether grammatical or site ( circulation ) or text.

اعتراضات شراح التسهيـل علـى ابـن مالـك : دراســة نحوية == Objections Commentators Easing The Son Of The Owner Grammatical Study

اسم المؤلف: محمد علي عبد الله العنبكي
اسم المشرف: سامي ماضي ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Thankfully praise befits His Majesty, and his power is great, Praise be to God, who honored the humanity, Islam and made us proud, and honored us with AF, and prayed to God to His Prophet Muhammad and his companions and the divine. Almentajabin The best language the language of the Qur'an (Arabic), (down by the spirit secretary. On your heart to be omniscient. (Arab spokesman Amin) (poets 193 - 195) It is the scientists who Ulloa this art sincere devotion, and made his way most of their Ibn Malik (d. 672 AH), he left his book, easing a great impact in the Arab, and held the high status among the authors who wrote in his time; to collect it the grammar in summary, it was a rich students science - sufficient for its lengthy This effect has been demonstrated in a tribute to the scientists, including Ibn Khaldun (d. 808 AH), which decided to book the facility the son of the owner to have absorbed all of the transfer of rule He said his Damamana (d. 827 AH) : "Book collecting benefits collect frequent, and disclosed his words GLT value was every word of it Dora, do not be meddling in the bounty of the income from the door to engage him, and if you count other waste there is no doubt that the mayor Resulting in an idea of choosing the subject of consolidating a set of grammatical issues objectionable to a set of annotations, which invited me to Osgelh subject of my thesis (b objections commentators easing the son of the owner grammatical study), nor would argue that I add to this study to the son of the owner of a male, nor to His glory, glory, it is late in the developed decades in the male and fame, who revived the study as fees and landmarks Tamsh What objections commentators easing the son of the owner, but to complete what was initiated by former grammarians, it is an attempt to discuss their objections with reference to deaden diverse books. Our aim of all this is to reveal the truth of what went to him commentators in their objections to the son of the owner, walked in and whether it is scientifically objective attitude? Or if their objections tend to criticize the abstract without any evidence The previous studies that have taken place on this subject, they are two studies The first study, presented by researcher : the patience of quality, Ph.D., entitled (the annotations easing grammatical study of the budget), submitted to the Faculty of Education, Ibn Rushd, Baghdad University, 2013 The second : the objections of Sheik Khaled al - Azhari the son of the owner in writing (noble connector to about easing), the researcher Mohamed Ibrahim Hassanein, a (research) submitted to the Al - Azhar University, Faculty of Arabic Language in Cairo and study distinguishes this study from others they deal with most of the annotations easing printed, unlike previous studies, they examined the objection explainer explainer on another, as well as so that my work is based on a set of annotations objector by the son of the owner followed by a conclusion and Mazan Thesis are arranged in four chapters and boot, He studied the boot : (objection grammar : The term and concept), and devoted the first chapter of the study (curriculum commentators facility to object grammar of the son of the owner) and consisted of three sections. The first curriculum objection grammar when commentators and the second objection grammar patterns when the commentators, and the third : Types objection grammar when commentators The second chapter : studied (objections in introductions and grammatical nominative or indicative), was in two sections; the first : the objections in the grammatical introductions, and the second : the objections in the nominative or And singled out the third chapter of the study (grammatical objections in Mouncobac), and consisted of three sections, the first lesson : the objections in Mufaullac, and the second : the objections in the exception case, discrimination, and studied the third topic : the objections in the name of that and her sisters and And dealt with in the fourth quarter : (grammatical objections in the addendum and disciples prepositions), and split on the three sections, the first of which he studied : the objections in the addendum, and the second : the objections in the disciples, and the third objections in prepositions. The conclusion, they included the most important findings of the study, followed thesis bibliography of sources and references. The approach taken in this study, it is the historical method balancer through the collection of objections cited by the commentators on the son of the owner, and then I put a title for each issue objectionable and studied grammatical study, turned away from the text of the objection, as reported by son of the owner, and documented from the source, and then submit a summary outlines the substance of the objection, objection and discuss the extension of the views of grammarians, and income statements it is probable or weakening contained objections, as well as the graduation of the different evidence, whether from the Koran, or the hadith, or the words of Arab poetry and prose both suppositions.For this thesis it has objected to a number of difficulties stand in the forefront unavailability of some of the explanations printed, as well as that the large size of the one explanation and the multiplicity of its parts, we find that explanation headmaster army arrived to (a tenth part), as well as so obvious difficulty in the search for the words of objection when commentators and this march, making a trip this thesis uphill was not affordable. And I have to thank him right thanks and praise my teacher supervisor, Dr. Sami past Ibrahim, who provided me with the directives of sound and views bright since the idea of choosing subject so firmly established on its market, and endured with me to read it and follow it, and that persistence with science students, Vdzah God Me the good of what may reward byAs well as to each of did to me known, professors are generous, and dear friends, and make special mention of them d. Raad Karim Hassan, as well as d. Eyad Suleiman, and Mr. Amer apparent Alabadana, ask God to Adzehm richly rewarded I conclude my voice the words of Sheikh Qalqashandi : "To be excused for standing by, the results of ideas on different Alaqraih not come to an but spent every one of the estimated capacity of (God does not burden any soul. But what Otaha) (divorce 7), God and the womb had stood on the omissions or error Vosalehh, Aadhira not Aazla, and Mnala not Naila, it is not acquitted of the absurd, but the shelter of God and Asm, has been said : the book Kalmklv not be extradited from culpability, and brings with him the pen; and God Iqrnh luck! and instructs it to clear through! (and compromise I put my trust in God, but he and I turn to him) (Hood 88. Researcher

تداخل الانواع الادبية والفنية في شعر الجيل التسعيني العراقي == Overlap Of Literary And Art Genres In The Verse Of 1990s Generation Of Iraqi Poets

اسم المؤلف: كريم عجيل صاحي الهاشمي
اسم المشرف: طالب عويد نايف الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لا يخفى على المختصين بالادب والنقد ان النص المتداخل يمثل وحدة نصية تتسم بالاشكالية الادبية والفنية معا، الامر الذي يؤسس مطلبا لكشفها ورصدها في النصوص الابداعية من هذا النوع، التي تعد مجالا رحبا للدراسة والبحث، لما ينطوي عليه من كثافة لغوية تعبر عن خفاي | The 1990s Iraqi poets generation isconsidered as one of the important generations of Iraqi poets in the field of culture and literary criticism due to the fact that its poets have acquainted themselves with the achievement of the former generations and attempted to comprehend it within adeep artistic vision in order to establish a trend guided by awareness of these visions and broad enough to embrace their different orientations and aspirations on the level of vision and art. This achievement was flexible thanks to its transformational structuralism from the lyrical poetic patterns to the dramatic narrative ones that came as a response to the requirements of denotation through anew formulation springing from the creativity co - occurring with the multiple literary genres. Overlap means that a single genre enters into various interrelations rendering it acceptable by the receiver through utilizing its formative elements and using them as new elements and tools of this new generated art (poetry) in order to create the aesthetic pleasure and to bring verse into the domain of the open text that can embrace fine arts.The verse 1990s generation of Iraqi poets overlapped via a series of stylistic and artistic techniques that consist with the textual content of their poetic texts due to the structural peculiarity of the course of poetic structure in spite of the confusion and looseness inflicted by modernism approaches that seek to remove boundaries separating literary genres, even though they did not cancel the delicate internal characteristics between them. So the approaches mentioned remain in bad need of them and their existence is necessary to identify the amount of displacement that ensues or the new deviation in their generalities that tend by their overlap to formulate and merge with other genres through the flexibility that the 1990s poem providesThe overlap between the poetic and the narrative has become clear. The dissertation came across many details that indicate the kind of this overlap, its methods and styles and these were studied according to the predominant ones of which. It has also become clear that the poem of the 1990s Iraqi generation of poets is a flexible one in terms of its theme and style and embraces the fields of modernism and consequently embraces the ideas and visions of their composers in the midst of hard circumstances surrounding their lives yet the broadness of vision entertained by this generation poets made them overtake the epic without isolating themselves from its painful details.These mechanisms that cope with verse came to be one of its aesthetic foundations that distinguish it and made it a text open to overlap with the other genres in their interaction and communication with each other let alone their consistency with the allegorical poetic discourse structures which represent a concomitant feature of the verse genre. The narrative techniques have become predominant in the text components, for verse represents a pure creative field but it infiltrates to all other fields able to put up with its effectiveness in infiltration and its ability to create a montage that renders the poetic production of images and others consistent with its delicate details through different axes as illustrated in the textual corpora.The 1990s text entails that time is not fixed because it represents a frame of the text and is involved in the crux of the textual structure and its organization.Reading the poetic achievement of the 1990s Iraqi generation of poets, we may conclude the presence of a great interactive recognition in the patterns of setting structure formulation and its prominent presence in their poetic texts on both the single structure and the total structure of H - setting a matter which shrouded their texts with aesthetic and technical features that the receiver can feel in their verse, for its well - known that man by nature deeply related with place. Undoubtedly, the poet, therefore pays special attention to it and his relationship with the place is exceptional and his recognition of its effect is tremendous and this results in a peculiar relation between the poet and the place with an interactive dynamism that generates different meanings. The poets of this generation made use of the interpretive level and its broad scope to embody the theme of event in a concomitant way that combines both the real and the imagined. It may also show the dynamism of the event and highlight it by the role that the characters play in the narrative poetic text and their unity in a relationship that reveals the nature of the event and its type when it relies on different religious and folkloric references.It has also become clear that the 1990s generation of Iraqi poets wanted to introduce a poetic achievement far from adherence to boundaries that separate it from the other artistic and literary genres, their achievement, therefore, was rich with overlap with these arts in a way that opens a large scope of stylistic and technical exchange a matter which characterized it with the feature of interaction through the employment of contextual structure techniques and textual structure styles. It is obvious that the poet was deeply concerned with the overlap between cinema and poetry and it is easy to conclude that the 1990s verse in Iraqi overlapped with cinema art and the fields of imagery that it employs follows the rules and techniques of this art to the extent that its well - known procedural tools allow both on the level of acting and direction. Cinema was one of the most important arts that overlapped with verse and through this overlap, it enables the poet to express his views and ideas in accordance with the features that characterize cinema. It is clear for all those concerned with cinema now important are the audio and the visual effects in the production of the cinematic picture, for these effects play an auxiliary role in the completion of the picture and making it easy to comprehend on the part of the receiver in order to emulate the real life that the cinema clips is tackling.It was revealed that this overlap was based in accordance with apattern of diverse and multiple structure in which poets resort once to following a traditional system of cinematic art and portraying things as they are in real life, and another follows the new trend of this art and avoid the exact imitation of real life in the pictured narrative material. It is not hard, anymore for the literary text receiver to observe that literary arts of various types are overlapping to the extent that it's now possible that they meet and introduce a single creative discourse for they all seek to perform an aesthetic effect on receives via expressive diversification and indication that crystalize the vision of its producer. Literature attempted to make use of painting effects through the diversification that overlap between verse and other arts permits and tried to paint with words. The employment of painting in 1990s verse was not confined to sketching the picture and embodying its dimensions via words alone but the increase in this employment in most their poetic texts so it overtook it in a manner that make it a participant in the acts of characters when they imitate a certain scene

المعايير النصية في كتاب تحف العقول عن ال الرسول لابي محمد بن علي الحراني (ت 381 هـ) == Textual Standards In The Book Of Minds Jewels Of Prophet's Family

اسم المؤلف: قاسم صاحب كريم الاسدي
اسم المشرف: صالح هادي شمام القريشي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study sought to apply the methodology text linguistics represented the seven criteria that classified all of the de Bojerand, and Drssler, and made her mainly from the basics of text, and the most important components.It has adopted the method of selection to choose texts of sermons and governance, and necessitated the nature of the subject and the material available that includes research on the introduction and preface, three chapters and a conclusion.I began to boot three sections, the first section dealt with the life of Shaykh Ibn Harrani Division, and related, where he was born and his studies and his scientific stature and moral and elders and his students and his death and its effects. The second section was the definition of a book (Antiques minds for each apostle) and its content and its place and accounted for and sources. The third section, was in linguistics understandable language text of the text and the impact of the Arabs in the text studies, and the concept of the text and idiomatic origins when linguists, and edit terminology. And I discussed in the first chapter, which relates to the text and are standard : foundries (Cohesion) and harmony (harmony).And it worked first internal structures of the text - grammatical ones - which is the formal means of cohesion that connects parts of the text among themselves; from about : repetition, and the definition or identification, referral, and deletion, and linking.The second and singled in the FAQ relations, to detect the manifestations of harmony enjoyed by the sermons and governance, including the antagonistic relationship or (bilateral antibody) and the relationship overall, and cutting - relationship is why the result and relationship requirement answer and the relationship of the question and answer and addendum relationship and the alternative relationship.And was based Chapter II : over related Bmstamla text, whether it is a product of the text, or Mstamla, two standard : intentional (Intentionality), and acceptability (Acceptability), the first and singled on the study of the purposes of the author and analyzed, and what was purports to deliver it to the recipient, including the concept of intentionality, and concept to the ancient Arabs and the direct and indirect purposes when the ancient Arabs, and intent from the perspective of text linguistics, direct and purposes (phenomenon), and the purposes of indirect (hidden).The second and singled in the acceptability of the texts of sermons and rule the recipient and its interaction with her, and to achieve textual property, including the concept of acceptance or admissibility, and acceptance from the perspective of text linguistics, and the mystery and acceptance and understanding and acceptance, and the factors that help the recipient to understand and types of reading in the process of understanding the receiver, and acceptance of linguistic lesson of the Arab perspective.The third chapter was reciting in relation to the physical and cultural context surrounding the text, including the standards : media (Informativity) and Almqamah (Situationality), then intertextuality surrounding it, eat concept of linguistic and terminological and.Me was the first section of media study and concept and media in sermons and governance, and the media in sermons and governance, and in the media and as a metaphor and information.The second topic I care study Almqamah, and regards this standard on the occasion of the text, and related material and cultural context and the position and the circumstances context in linguistic lesson Arab, and when grammarians and Albulageyen and commentators, and when linguists modernists, and the types of context, and context internal or linguistic, and external context, or the context of the situation, Oosyak place, or Almajeryat.The third section of the highlights intertextuality, and the extent of its prevalence in the texts of sermons and judgment, and his contribution to the building reads, and the delivery of its purposes to the receiver, and ensures intertextuality language and idiomatically, and intertextuality in linguistic lesson Arab, and forms of intertextuality in Antiques Minds book (proverbs and governance), Direct and intertextuality (Tnas Transfiguration) and intertextuality indirectly (Tnas rough), and intertextuality with the Koran, and intertextuality with the Hadith, and intertextuality with hair, and intertextuality with proverbs..Then concluded the thesis conclusion, said the most important of our findings, and proven sources and references, which was based on our research.

المتن والهامش في الكتاب لــ ادونيس : دراسة نقدية == Text And Margin In Adonis's "The Book" : A Critical Study

اسم المؤلف: عز الدين صخي خضير
اسم المشرف: عصام عسل حسن العتابي
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The thesis deals with the text and the margin in Adonis's "The Book" A Critical Study. It describes the central saying which dominates the content of The Book on special level. On the other hand, It dominates the history of the population on public level. It is a hegemony throwing light on Adonis's view point who has uttered the culture of the transformed text. It springs from philosophical basis, believing in the principle of move due to the move of reality, leading to guarantee the Adonisian pure transformation, that forms an intellectual, knowledgeable, innovative and aesthetic break off with what is prevalence in the Arabic and global cultures.Adonisian text is interwoven one; many philosophies and culture has melted within it. Therefore, his text is a combination of poetry and intellect simultaneously. The Graphic and textual structure of the Book has gained a special importance; on hand described as a new innovative writerly text, history is dissolved within it. On the other hand, described as a science embracing all types of cultures - sometimes they cross with poetry and other time they meet with it. The former reveals the hegemony and persecution; the latter glorifies the innovation and liberation, and between this and that the opposition between text and margin, emerges the former glorifying, and the latter critical, within them dialectic occurs at which time is existed in its three dimensions (the past, the present and future) - exposing and knowledgeable - leading to the victory of the text over the margin and that is through presenting unified and comprehensive vision about reality. Its principal relies on the principle of motion; It leads the necessity of transformation. Through the induction of the whole content of "The Book" it turns out that the graphic and textual structure same as pyramid; religion serves as its basis, cylinder is composed of text and margin, and its top is the vantage point. So the start is deconstructive mode, its conflict is exposure and the salvation / vision, A structure each part of it inescapably depends on the other; and this combination of parts leads to vision / salvation. The hypothesis of thesis attempts to be proven from the introduction to the conclusion. It divides thesis into an introduction and three chapters discussing the reading of the text and margin in Adonis "The Book"; it depends on three pivots; first fundamental; second foundation; and the third the term which seeks for the potential exemplar of knowledge beyond Adonis's creative and intellectual idea. On the light of the exemplar, the term "the text and the margin in The Book" will be specified. The first chapter is The start / Deconstruction which discusses the tools of Adonis's critical view point toward The Stable / The religion. The first tool : the rebellion against the sacred; the second : the glorification of sin. Chapter two is The Conflict / the revelation which throws light on the dialectic of text and margin leading to exposing knowledge. That is achieved through three points; first is the combinative structure of The Book; the second is the dialectic the history of authority / the margin. The third is the dialectic of glorification / the body. Chapter three is salvation / visions which consists of a comprehensive vision discussing its singularity and its optimistic / pessimistic dimensions. The systematic and academic process of thesis ends up with conclusion which recapitulates the important results of the research, on intellectual level is that man in the absolute center of universe. On the creative level is that poetic writings do not correspond with axioms. However it is a perpetual transformation producing suspicion and anxiety in all certainties.

نقد البلاغة : دراسة في المشروع البلاغي للدكتور محمد العمري == Rhetoric Criticism Study In The Rhetoric Project Of Dr. Mohammed Al Omari

اسم المؤلف: زينب ميثم علي
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: فقد بينت النظريات والمناهج النقدية المعاصرة, بعد تفعيلها قراءة النص ان النصوص التراثية قابلة للتشكل وفق تصور حديث قد يختلف عن تصور منتجها, وقد اتضح مدى عمق كشف هذه النظريات للاسس التي ارساها بلاغيو العرب, التي كانت, ولا تزال محط انظار كبار النقاد والباحثي | Showed the theories and methods of monetary modern yet activated to read the text that the traditional texts are constituted in accordance with the perception of an interview differs from the perception of governing, as evidenced by the depth of these theories and foundations established by the Arabs, which was and still is the focus of attention leading critics and researchers rhetoric, reflected this perception in the project Dr. Mohammed Omari in reading the Arab eloquence, and it was the title of our research "Rhetoric Criticism study in the rhetoric project of Dr. Mohammed Al Omari" to solidify this perception, came divided Find the three seasons after booting between the Biography scientific Dr. Mohamed Omari, the concept of criticism of rhetoric, either the first chapter was titled "terms of reference of the project" has included three sections are : References Greek, Arabic and references, and the third section of Western references.The second chapter entitled "read the rhetoric" and included three topics are : the history of rhetoric, which included the history of magnificent poetic, and the date of the statement of rhetoric, and the date of the public rhetoric, the second section theories of rhetoric, which included the receipt of Western theories, Arabic and theories, while the third section was titled criticism rhetoric, which included cash of trends in rhetoric, and rhetoric bosses, and rhetorical Studies in cash.The third chapter, entitled "rhetorical project," which included three sections weakness : the concept and the term that was affiliated beneath terms that re - flick about, localized terminology, innovative and terminology, while the second section titled theoretical dimension included poetic discourse, discourse deliberative Hajaji, and of public rhetoric , while the third section came under the name Applied oriented included voice applications graphic, persuasive applications deliberative, public rhetoric applications. He concluded several search results Perhaps the most prominent. - Greek, Arab and Western Omari Project, it was the Greek in the establishment of the theoretical basis deliberative side persuasive, while formed to study the root acoustic balance, while contributed Western references in the order of these topics and consistency in a new configuration. - Track Dr. Omari in "read the rhetoric," its history and progress and the different sciences receive literature and speech from rhetorical to another in spaced periods of time, noting obtained evolution, as explained various theories special Ultimate received.

السردية في اخبار نفح الطيب من غصن الاندلس الرطيب == Narrativity In Anecdotes Of "Nafh Al. TIb Min GhusN Al.Anduls Al. RatIb

اسم المؤلف: رائد يونس لفتة
اسم المشرف: سناء ساجت هداب
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This dissertation is designed to stady the narrativity of anecdotes in Book of "Nafh? al. T?ib Min Ghus?n al.Anduls al.Rat?ib".The dissertation consists at an introduction and three chapters. The introduction is dedicated to deal with aspects at the title in three topics, as follows : 1. Narrativity and Narratology.2. Narrativity and Anecdotes.3. "Nafh? al. T?ib" : the book and author.The first chapter which is entitled as "Anecdote as a genre" is devoted to high light the definitions of anecdote and its sources, in two sections : Section one : Elements of anecdote.Section two : Sources of anecdote.The second chapter which is entitled as "The Narrative forms" concens with the forms of anecdote in three sections : Section one : Tale.Section two : Story.Section three : Biography.The third chapter which is entitled as "The Temporal Series of Events" falls in tow section : Section one : Conflict.Section two : Event Description.The dissertation has com up to a conclusion summarizing the final results.

اللسانيات الانثروبولوجية منظور معرفي لدراسة بنية الثقافة العراقية

اسم المؤلف: جواد كاظم ابراهیم التمیمي
اسم المشرف: علاء جبر محمد الموسوي | علي زیدان الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التناص الديني في شعر الغديريات : موسوعة الشيخ الاميني انموذجا == Religious Intertextuality In The Poetry Of The Ghdeeriyat From The Encyclopedia Of Sheikh Amini As A Model,

اسم المؤلف: بشرى خضير شمخي
اسم المشرف: هناء فاضل سلمان الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: My thesis entitled : (Religious Intertextuality in the Poetry of the Ghdeeriyat from The Encyclopedia of Sheikh Amini as a Model,), in which I applied one of the concepts of modern criticism which is Intertextuality on the poems taken from Islamic Heritage. My goal is to contribute to the revival of the heritage by using modern approaches.I studied the Ghdeeriyat poets from the first century after Higrah to the sixth century. The number of poets whom I studied their poetry of Ghadeeriyat is fifty - five. I have noticed that religious intertextuality was limited to the interaction with purely Islamic sources, such as the Koran, the Sunnah, biographies, and histories. That approves that these Ghadeeriyat are totally influenced by Islamic resources, as they did not demonstrate any other effects derived from other religious traditions.Koran was the cornerstone in the construction of intertextuality among poets, employing its words, phrases and connotations, using its style and reflections in a productive and interactive way. This interaction with the religious text demonstrates the evolution of the religious intertextuality. The tangible images varied in their texts including visual, auditory, and taste, it contributed to supplement the text with artistic beauty, continuous movement and imagery creativity reflecting the dominance of the sensory image in this accomplished poetic, which has added to the Arabic poetry creative a clear touch cannot be overlooked by unbiased critic.We have found that the poets of the Ghadeeriyat until the sixth century AH had been committed to the rhythm and did not follow those who tried to abandon them. They have totally turned away from composing poetry by feet of five rhythms, which are : the Hazaj, Madeed, Muqtadhab, Mudharia and Mutadara. In which they did not compose even one line. That may be because their desire to cope with inherited Arabic poetic, and respecting the recipient, as well as the lack of adequate freedom of expression and prolong the poem in these rhythms.The poets of the Ghadeeriyat preferred rhymes ending with vowel sound over that ending with constant sound in which they did not abandoned the Arabic poetic teste. The Ghadeeriyat were full of internal music, especially in the late centuries, reflecting the attention of poets to this arts after Ibn al Mua’taz had established the Badee’ and the style of modernize poets who followed Abu Tammam.

التعليل اللغوي عند المنتجب الهمذاني (ت643هـ) == Linguistic Reasoning When Al Muntjab Al Hamadhani ( Tel : 643 E)

اسم المؤلف: ايمان علي عباس
اسم المشرف: علي جميل احمد العبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research deals with the study of the phenomenon among the most prominent linguistic phenomena that took care of them Almentjb al Hamadhani (d. 643 AH), a phenomenon reasoning linguistic it caught my attention the severity of his testimony from the reasoning in the directives are rarely found displays the question or read what it is that he goes to reasoning to prove authenticity or mistake in his unique expression of the glorious Koran book, frequent forwarded to his unique Durrah in explaining the poem when I was able to stand it and found it just as some of them described as explaining the lengthy useful based mostly on the reasoning method is that the loss of his detailed explanation led to be limited this research in books Durra unique and unique book; so was the title of the study (linguistic reasoning when Almentjb al Hamadhani (Tel : 643 e) In order to detect the extent of the reasoning when latecomers from the people of the seventh century through the study Almentjb as one of this century scientists. And stand on the reasoning patterns , and goals he has in both books , and the extent Tgayerh according to the nature of each book of them. As well as the desire to contribute to highlight the linguistic heritage , and take it out into being ; this has got the task of producing this heritage from the vaults and studied a number of researchers , is that this heritage is still in need of further study and research , and it must be given care and attention

الفضاء الشعري في الغزل الاندلسي من الفتح حتى نهاية عصر الطوائف

اسم المؤلف: ايمان حميد هدرس الزيدي
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

مظاهر التمرد في الشعر الاندلسي : دراسة موضوعية فنية == The Forms of Rebellion In Andalusi Poetry : Artistic Objective Study

اسم المؤلف: محمود شاكر محمود
اسم المشرف: اسماعيل عباس جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The dissertation tries to define the term Rebellion and enumerate its from in the Andalusi society, through the Andalusions poerty that reflects their reality.After an enormous effort, the dissertation defined the Rebellion as a human phenomenon that tak

اراء الفراء النحوية في كتب النحويين حتى نهاية القرن العاشر للهجرة : دراسة في ضوء الخلاف النحوي == Grammar of Al - Farra’A In Grammarians’ Books Until The End of The Tenth of Hijra Century

اسم المؤلف: قاسم علي دويج
اسم المشرف: جاسم محمد عبد العبود
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في نهاية هذه الرحلة العلمية الممتعة الشاقة والصحبة الطويلة القيمة للفراء, احمد الله واشكره شكرا يليق بجالته وعظمته على عطائه وتوفيقه, ففاضت بركاته وحقق لي ما صبوت اليه, وا بد لكل عمل من نتائج, اعتقدت باهميتها, لذلك نوجز اهم ما توصلت اليه الدراسة ب

البلاغة الجديدة : دراسة في مفاهيم الشعرية واللسانيات المعاصرة == New Rhetoric - Study in poetic concepts of contemporary linguistics -

اسم المؤلف: وليد فرحان علي
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

كتاب المصادر في القران للفراء (ت207هـ) : دراسة وجمع وتحقيق == Al - Masader Book in Quran Karim for Al - Fara'a ( died 207 H) Study , Collection and Investigation

اسم المؤلف: وردة علي مردان
اسم المشرف: عبد الاله ابراهيم عبد الله
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الخطاب النقدي حول جهود ابي هلال العسكري النقدية والبلاغية قديما وحديثا == Critical discourse"Abu Hilal efforts on monetary and military rhetoric Past and present

اسم المؤلف: ندى سالم عيدان الطائي
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اعتراضات المرابط الدلائي (ت 1090 هـ) على الدماميني (ت 827 هـ) : دراسة نحوية

اسم المؤلف: ميساء طه خماس
اسم المشرف: صالح هادي شمام القريشي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

مفاهيم علم لغة النص عند سيبويه == The Concepts of the text linguistics by Sibawayh

اسم المؤلف: مرتضى مزيد جبر
اسم المشرف: صالح هادي شمام القريشي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
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