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ردود الصبان على النحاة في حاشيته على شرح الاشموني == Al - Subban's Responses To Grammars In His Morgan On Al - Ashmony's Explanation

Author name: احمد صفاء عبد العزيز
Supervisor name: عادل شحاذة علي الخزرجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Many reasons led to the difference of scientists in putting the syntactic Grammar in Arabic language. And among these reasons : The difference of the curriculums which are depended by the scientists in basing the language. These curriculums submit to the circumstances of the culture, place , and time. Thus, the difference became an eminent feature of the Arabic features. And plenty of scientists responded the other opinions which differ from theirs. This is a research I dealt with the syntactic Grammar in the Arabic Language through a scientists responses from the scientists of the twelfth century of hegira, the eighteenth century A.D. that is Mohammed Bin Al - Subban Al - Masri in his margin on the explanation of Al - Ashmoni, on the millennium of Ibn - Malik. This research has included anticipation of Al - Subban's life and his scientists culture, Besides, I dealt with his margin too by description and analysis ; which are followed by three sections. The first section deals with his responses to the scientists of Al - Amzar. It consisted of five parts. And I dealt with his responses to Al - Ashmoni ( the explanation's owner ) and to Ibn - Malik ( Al - Mutin's owner ) , in the second section. I dealt with in the third section his responses his. Sheik ( teacher ) , Yousif bin Salim Al - Hafni, because Al - Subban was very interested in the opinions of his master ( sheik) Al - Hafni, then I shorter the results of the research Qht an end. And some fruit of this research , that it revealed for the researchers the style of this world in its dealing with the syntax and its acceptance or rejection to the other opinions. The reseach has proved that the doctrine of Al - Subban was Basari without any fanaticism. And he was helped by the availability of syntactic such as hearing and the existing of the withess or the acceptable scale. Moreover , his margin of the explanation wasso important one since it contained so many opinions , and different sayings which are related with their owners.

الفنون البديعية ودلالاتها في الحديث النبوي الشريف : دراسة في متن صحيح البخاري

Author name: احمد شكر محمد مهاوش
Supervisor name: جبير صالح حمادي القرغولي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Quran and the honest speech and the other Quranian studies are the origin step for the grammatical studies , the speech science after the Quranian science are the best sciences and the highest sciences. I achieved my hope in this matter (subject) of studying when I chose this subject. So I wanted to study one of grammatical arts in the speech of our prophet and after series of advices and suggestions come (The excellently arts and its signs in the honest speeches of our prophet study in deep saheeh AL - Bukary) the tattle in this study by the suggestion of supervisor Dr - Jaber AL - Qurakuly and encouraged me some reasons the first : the subject didn't deal with it in academic way except some signs in number of some resources which dealt with some speeches concerning the grammatical sides (The prophet speech from the grammatical side) for Dr - Iz AL - Deen Ali Sayeed and (the literature of prophet speech) for Dr - Bakry Shayk A mean and (the arts photo in prophet speech) for Dr - Mohammad AL - Sabbak. The second : The Quaranian studies took large space as compared with the studies of the prophet speech , which didn't take as they deserved from studies specially the grammatical side. The third : the attractive sights for the beauty of the honest speech through the discovery of the product of the excellent arts in. Nowadays we found numbers of the sounds set out from here and there and wanted the study of the AL - Badea science and the study should be accurate and concerning with psychological state for the authors which appeared in the production of phonetical aspects. From here was my studies presented by the best book after the God's book. From the honest speech books adopted by Abi Abid Alla Bin Ismaeal AL - Bukary (256) whose speeches are taken by the sciences : - At the beginning specify the understanding (AL - Badea) in language and repairing and studied how AL - Badea developed from Ibn Motaz (298) and ended by the speaker AL - Qezweny (739) and dealt with the importance of AL - Badea and explained the effects of the prophet speech. The first door was in tittle (The excellent arts in the prophet speech practical speech) and the first chapter was in tittle (The excellent arts in the honest speech) The researcher dealt with AL - Badea arts (the methods and matters) The researcher dealt with all the matters and supported by the Quran and poems , and also the researcher stopped in front of each art and known them. He followed their beings in the honest speech presented from that by numbers of evidence. The second chapter carried the tittle (The excellent arts pronounced in the honest prophet). The researcher dealt with AL - Badea arts and he depended on the same way which depended in chapter one. While the second chapter it came with atittle (Applied the excellent arts in phonotic level) The researcher dealt with the excellent phonetic art which presented in chapter two from the first door , and analysis the evidence which came in each art in accuracy. The researcher ended with a conclusion contained the major thoughts and the important results which he arrived it. The research depended on (saheeh AL - Bujary) the major research for speaches , and also depended on some of the explaination of AL - Bukary , as AL - Kermany explaination (786) called (saheeh Abi Abid Alla Al - Bukary with Al - Kermany detailed) and the explaination of AL - Aeiny (855) called (The readers with the explaination of saheeh Al - Bukary) and the explaination of AL - Qsstlany (923) called (Irshad AL - Sary for saheeh Al - Bukary) and he also depended numbers of grammatical books from the beginning from the book (AL - Badea) to Ibn Motaz (296) to (grammatical arts) for Dr - Ahmed Matloob , then (Arabic grammatical) for Dr - Nasir Halawy and Dr - Talib Mohammad Al - Zawbay , and others explaination and qurnian studies (AL - Kashaf) for AL - Zarkashy and (The skilful of AL - Quran science) for sweaty and there were some of the aspect of language (Alain Dictionary) for Kahlil Bin Ahmed AL - faraheedy , and (The dictionary of the language measurement) for Ibin AL - Fares (Lisan AL - Arab) for Ibn Manthoor helped the research with phonetical evidence. I should mention for the difficulties which faced the research , as the resources which talked about the prophet grammer which needed accuracy because said by the prophet who get Divine inspiration , and also the safety conditions which surrounded the country which effected on the researcher to get the resources in the libraries or from the people who have such kinds of this science even they could find in the city , Baquba , So all the difficulties faced the researcher because of the American occupation and we ask our God to remove it from our chest. I grate my friend shaher Jalal AL - AZi for his generousity and helping me too much , and also I grate each one helped me from near or far. I put my work in front of good teachers , so I wish they admired with it. I ask for request if there is amistake. I ask my God to accept my work and I thank my God too much because of the benefit I get. Finally I beg my God to bless my work and Allah's blessing and peace on our prophet Mohammad

اسلوبية الحجاج في نثر الامام الحسين عليه السلام == Stylistics Argumentation In Prose Imam Al Hussein (A.S.)

Author name: احمد سميسم علاوي الطوكي
Supervisor name: عبد الباقي بدر ناصر الخزرجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: الحمد لله رب العالمين والصلاة والسلام على اشرف المرسلين وخير الخلق اجمعين محمد خاتم النبيين وعلى اله الاخيار المنتجبين، واللعنة الدائمة على اعدائهم من الاولين والاخرين الى قيام يوم الدين. تعد الدراسة حول ادبيات الامام الحسين(عليه السلام) من | To study the literature of Imam Hussein (peace be upon him) is considered one of the richest academic studies due to its linguistic , literary and human richness which enables researchers to sail with holiness sails in the niche which was and still is appreciated and reverenced by all religions and nations. The journey in the stylistics of argumentation in Imam Hussein's prose (peace be upon him) falls into an introduction , three chapters and a conclusion. The introduction presents different critical approaches (semiotic, deconstructuralism structuralism , cultural interactive reception approach ) touching upon the stylistic approach which is used in this study. Argumentation was handled in the past and present touching upon the most important theorists (Perlman, Dikro). Then , the study tackles Imam Hussein's argumentation reference (peace be upon him) , and the relationship of argumentation with the title of the study explaining that the study is stylistic rather than argumentative. The first chapter is “ The Voice Level “. It includes four sections : the first one is “ Repetition ” which is about the types of repetition of letters , articles and utterances ; in addition , it touches upon the rhythmic level. The second section handles “ Alliteration “ which is one of the most important internal music elements that give the text a rhythm which is received by recipients attractively and interestingly since rhythm strongly draws attention. Alliteration is reflected in the Husseini discourse with different levels as it comes to a full alliteration for one time , incomplete alliteration for three times : twice which are subsequent and once which is present , incomplete alliteration ( of Mutraf type ) is mentioned three times. The third section is about alliteration which is one of the major types closely linked to prose. It is considered a basic indicator in the Husseini discourses structure, endowing it with a rhythmic energy which have a substantial impact on the recipient. The fourth section is concerned with the “ hidden rhythms “ which relies on recipient reaction ; four examples have been chosen : surprise rhythm, the rhythm of silence, the conscience and the rhythm of idea.The second chapter touches upon the structural level ; it is a reading related to the structure of the language ; i.e., the syntax of a sentence is structurally linked to its syntactic indication. The relationship between meaning and structure is an overlapping relationship. The chapter falls into four sections. The first section handles interrogation addressing the concept , the tools and the words appearing in this section (hamza, ma , hal , keifa , ein ). The start is with hamza being the most widely used. The second section is entitled “Condition” which gives conditional sentence the possibility of communication with the recipient producing , in the text , a suggestive high - energy , adding semantic light and attracting the recipient to the producer. The tools frequently recurrent in Imam Hussein's texts are : In, Man , Low , Idha , Lowla) ان , من , لو , اذا , لولا ). These tools have a significant presence in the product of lamam Hussein (peace be upon him), giving a remarkable stylistic feature.The third section is Al - Nahy Style “Prohibitive style”. This style or approach suggests a self orientation resulted from a psychological conflict concerning the prohibited demand or target and how to respond to it relying on the will of the person and the extent of his/her awareness of the importance of the demand or the target which gives the text an atmosphere of tension felt by the receiver who will be aware of the mental impact in text.The fourth section handles Command style.This section is arranged according to the figurative purposes of this style in accordance with the sequence of its recurrence in the texts (advice and guidance, absence of constraints, humiliation and degradation, honor). Chapter III studies semantic level which is one of the important fields that are concerned with exploring the semantic changes resulting in uncommon deviation in language, searching new images which enriches the text with semantic meanings. This chapter focuses on the semantic relationships which heavily affect the process of transforming significance and changing meanings. The chapter falls into four sections. The first section is “ The Structure of Similarity “ as it is one of the most important methods to evaluate and determine the sense and diagnose the meaning in the context. Through similarity relationships , a creator combine his/her emotions with their similar ones in the external reality.The second section is the “ Neighboring Structure “. This type of structure acquires its significance from the semantic texture when it deliberately drifts getting the creative text from familiarity area to the area of recipients.The third section is “ Exchange Structure “ which is fulfilled in the metaphor movement between the sensory objects and their implications creating relations which surprise recipients , paving the way for two different graphic scene which would not have been accomplished without the splendor of the exciting Functions.The fourth section is “ Antagonism Structure “. The most important implications of this concept , as a stylistic feature since it belongs to the figures of speech , is producing contrast depending on the creation of an idea matched with another idea, something visible containing something hidden. Contradicting dualism is considered an important pillar of rhetoric and , at the same time , a linguistic structure of language influential in creating realistic visions

التقنيات السردية في روايات سعد سعيد == Narration Techniques In Saad Saeed's Novels

Author name: احمد حميد فرحان ساجت
Supervisor name: حيدر فاضل عباس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Criticism represents the world of exploration, identification and solutions if any. I, myself, have a personal interest in modern literature, especially, novelistic criticism. This has led the present study to choose narration techniques used in Saad Saeed's novels as its subject of investigation. Saeed's novels have been under - researched and are worthy of scholarly investigation from a structural perspective. This study explores the techniques and tools upon which Saeed's novels are built as well as the artistic development of his novels. The study has three chapters with an introduction which introduces the notion of narration in relation to its inception and development, the nature of narration and a biography of the novelist under investigation. Chapter one deals with narrative construction, divided into three sections, namely, narrative patterns, storyteller and story told and vision. Chapter two is concerned with narrative layout, divided into three sections, namely, time, place and continuance. Chapter three presents narrative components, divided into three sections, namely, incident, dialogue and description. It is ended with a concluding section. At the end of this study, the main narration techniques with their different types are identified, the way of critical analysis from a structural perspective is clarified, and the six novels of Saad Saeed are thoroughly investigated and covered. Through the structural perspective, one can find out how criticism can be based on logical and analytical bases far away from a general view, novels can be seen as a complete construction with multiple tools and techniques, besides the success of novel can be contrasted and analyzed compared to others

الولاء الاجتماعي واثره في الشعر الاندلسي : دراسة موضوعية فنية من عصر الطوائف حتى سقوط الاندلس 400هـ - 898 هـ == Social Impact Of Loyalty In The Andalusian Poetry - An Objective Study Of Art - From The Era Of Denominations Until The Fall Of Andalusia (400 AH - 898 AH)

Author name: احمد حسون حربي
Supervisor name: محمود شاكر محمود
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الخلاف النحوي عند السيرافي في شرحه لكتاب سيبويه

Author name: احسان علي حمود
Supervisor name: حسن جعفر صادق البلداوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

جهود محيي الدين الدرويش البلاغية في كتابه اعراب القران الكريم وبيانه

Author name: ابراهيم منذر عريبي شاطي العزاوي
Supervisor name: فائز طه عمر التكريتي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Salahaddin
First pages:

الثنائيات المتضادة في شعر ابن الرومي == The Opposing Binaries In Ibn Al - Roumy Poetry

Author name: ابراهيم محمود سليمان صالح الجميلي
Supervisor name: فرج منسي محمد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Anbar
First pages:
Abstract: The study has a title (The Opposing Binaries in Ibn Al - Roumy Poetry ) to study the side of many sides relating with the great poetter in the third century A.H.The research contents of three chapters and the end preceed with the introduction and boot. I had studied in the boot the statement of the binaries then the concept of the term (opposing binaries) in the ancient and criollos.In the first chapter with the title (The Emitters of the binaries and the opposing binaries in Ibn Al - Roumy Poetry) This chapter has 2 subjects and signal to the third chapter. The first subject is the social motivation. The second subject is the psychological and the religional motivation. The rest of the 2nd chapter has the title (The Opposing binaries in the level of the linguistic structures in Ibn Al Roumy Poetry) contents of the first subject is the conformation. The second subject is retaliation. The third subject is the opposite and the replacement. The fourth subject is the alliteration and the fifth subject is the exportation (back the miracle of the breasts). Then the third chapter came which contents of proem and three subjects where the first subject is about the comperative image. The second subject is about the partial image. and the third subject is about the dramatically image

البناء الفني للموشح العراقي == The Technical Structure Of The Iraqi

Author name: رؤى حميد منديل
Supervisor name: فرحان بدري الحربي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure

ادب الامام زيد بن علي عليهما السلام : دراسة موضوعية فنية

Author name: اسراء محسن حديد حسن
Supervisor name: مثنى عبد الرسول مغير الشكري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Praise be to God, peace and blessings be upon theprophet, and his household divine good and followed them until the Day of religion, prayers forever, and cut off their number. After.. The idea started for the study of literature Imam Zaid bin Ali, "peace be upon them" from the perspectives settled upon conviction researcher, in the forefront of my admiration Islamic literature and fields and figures, and themes, and issues, and my desire to study a media Al al - Bayt pure, reviving the memory of them by standing on the great heritage, which worthy of study, and the care and attention it, according to find out it from studies, and found that the literature Imam Zaid "peace be upon him" has not been studied academic study means it literature, and his themes, and his criticism, has increased my admiration for the high level of literary shown by the literary heritage of Imam Zaid "peace be upon him "The prose in particular. This is making it one of the no doubt Imam Zaid "peace be upon him" a descendant of the house that they know every thing about the science.I have the desire to find the ways this topic for the reasons that I mentioned.The literature Imam Zaid "peace be upon him" was over the package of studies, and it was mostly revolving around the jihadist side of the revolution, Imam against the tyranny of the Umawy, as well as other research, and articles urged express side of the Imam, in particular is an ally of the Koran, and therefore these studies did not stand impediment to study Academy means the substantive aspects of monetary and technical literature Imam Zaid "peace be upon him."I have derived the message elements and its components from the nature of the literature of the Imam, and his exact extrapolation (prose and poetry), as it appeared on highlighting the substantive and technical aspects, and reservoirs creativity, literary group on type literary at ImamIt has dictated the nature of the research that divide by three chapters preceded by a preface, followed by the finale, proven sources and references.The preface determines the validity of literature documenting Imam Zaid and investigation of literature without mentioning the obligations for it, as well as some sources were not inclusive of all literary offspring, came preface examiners and critic it.The first chapter discusses the genre when the Imam and I mean (poetry and prose), was recorded last significant presence at the Imam Zaid "peace be upon him." The six sections, namely, (public speaking, and praying, and debate, letters, wills, and poetry).And the holding of the second chapter on the issue of the subject, divided in three sections, the first I dressed politician, religious II, and the latter social.The final chapter handled the technical study, which included three sections, the first linguistic structure, and the second where she studied architecture and graphic departments, came last, highlighting the rhythm and its impact on that express intended meaning.Then this study concluded conclusion embodied the most important results reached by this study, and try hard research explored and presented to the space of literary study, which means the study of the heritage of the people of the house, "peace be upon them."The study is based on an inductive approach descriptive, politely Imam foremost text is lost along the reference line, which was based on research it, and informed by some external information, but he had not reckoned, but soon it was back to the text and simulated.It studies that have reported such research is the study of Dr. (Mussa Aboud Khabt) tagged (Literature of Imam Hussein, "peace be upon him," the technical and moral his issues), as reported them in many places in this search. Conclusion : the confession thanks to my teachers at the College of Quranic Studies, University of Babylon honor meditate on something openly, and secretly and openly, and committed him myself as long as I live.As my teacher supervisor Prof. Dr. Muthanna Abdul Rasul Shukri, was the first of this research has great interest and care for no addition of thanks or recognition thanks acknowledged by the injury, so he pointed me choose. r this blessed subject, He refers to choose the good subject

تعدد الاوجه النحوية في شروح الصحيفة السجادية == The Several Grammatical Possibilities In The Explainings Of Al Saheefa Al Sajjadia

Author name: زياد قاسم دريس الطائي
Supervisor name: شعلان عبد علي سلطان
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: This research deals with a very important subject in the Arabic grammar , which is the several grammatical possibilities. This research reveals the relation between the grammatical meaning and contextual meaning in the text. Out of the kind of Almighty God , He makes Alsaheefa Alsajjadia the place of study. Because of the importance of this holy work and the holy statue ,It contains the most eloquent words , meanings and the greatest content. Certainly it is a great miracle professed by Imam Zain Al a'abedeen , Ali Ben Alhussein , ( peace be upon him ). This study tries to go deep in the text of Imam Alsajjad to depict the different grammatical possibilities and its discussion that are presented by the explainers of Alsaheefa that's why the title becomes the several grammatical possibilities. This study contains three chapters that preceded by a preface , an abstract in the end and a section for the resources. In the preface , I presented the explainers of blessed Al Saheefa on whom I depended on in the study with a reflection of their policy of explaining for each of them. The first chapter dealt with the reason behind the differentiation in the explaining o f Al saheefa. In the second chapter we have a study to the manners of the different grammatical possibilities in the explainings of Al saheefa for that it contained three sections ; the first is the manners of differentiation in directing the word , the second is the manners of differentiation in directing the sentence and third is the manners of differentiation in directing the semi sentence. Studying the critics that declared by explainers on the grammatical possibilities is in the third chapter which is divided into two sections ; the first is the manners of criticism and second is the basis of criticism. After all , I spent a lot of time to manage this work and if I succeed it will be out of generosity of Allah ( to whom all be ascribed ) and it will be the cause of the instructions of Dr. Sha'alan Abd Ali Sultan. If I don’t succeed it will be the cause of my little experience but I think it is enough that I tried.

تلاحق الاساليب الانشائية في نهج البلاغة : دراسة دلالية == Sequence Of Composition Styles In Nahj Al Balagha Semantic Study

Author name: دعاء شاكر كاظم
Supervisor name: عدوية عبد الجبار كريم الشرع
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Praise to ALLAH with him the whole praise is started, with him the speech is concluded, and peace be upon the best creation Muhammed AL Mustafa and his immaculate house holders and his comrades.the subject of the thesis is about the composition styles ,What related to the previous studies an important study had proceeded me for the researcher Faten Fadhel.the study was titled (the sequences in Nahj AL balagha its levels, functions and features) the sequences of composition styles was mentioned in her study which is immature form as phenomena in a chapter under the title ( the structural features as it was meant for sequences of styles and it is a new study in its subject.in my study, I depended on the investigation approach to the style sequences in nahj AL balaga so the study chapters should be divided because of the plenty of styles in it. That resulted imbalance of thesis chapters.the subject and its scope of knowledge should go within a plan which consists of three chapters , conclusion , index ,sources and references so the preface is a definition of sequences and its concept.the first chapter was titled (the sequences of similar styles ) and it was divided for seven sections : so the first section consisted of order sequence , the second section included interrogative sequence , the third section included negation sequence ,the fourth section included vow sequence ,the fifth section include : exclamation sequence, the sixth section include appeal sequence , the seventh section include invocation sequence.the second chapter which was under the title the different sequence included two sections : the first section sequence of two different styles ,the second section sequence of three different styles.the third chapter was under the title ( the interpolated styles) and it was divided in to two sections : interpolated of different styles , and the second section include the interpolating of similar styles respectively.The thesis went within one approach in its text. According to the plenty in everything mentioned in it. I used the book (explanation of Nahj AL balagha for aben abe al Hadeed wich in vestgated by Muhamed abo AL fadhl Ibraheem.The thesis had depended by its cybernetic on different sources and references.my final prayer : - praise to ALLAH the lord of the world , peace and prayer on Muahammed and his immaculate house holders.

الابعاد التداولية في معاني القران لـ (الفراء ت 207هـ) == Pragmatic Dimensions Of The Meanings Of The Qur'an According To Al - Farrah 207 Ah

Author name: زينب عادل محمود الشمري
Supervisor name: رحيم كريم علي الشريفي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الحذف والتقدير في كتاب : كشف المشكلات وايضاح المعضلات لجامع العلوم الباقول ت : 345 هـ : دراسة نقدية == Omission And Prediction In The Book Of “Kashf Al - Mushikilat Wa Eedhah Al Mu’Athilat” For Jama’ Al U’Lum Al - Baquly (543 A.H.) Critical Study

Author name: هند مناضل عباس
Supervisor name: حسن عبيد المعموري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Omission is a vast topic in the study of Arabic. Arabic is a language of terseness. Omission is one of the two methods of terseness in Arabic. These two methods are : terseness of limitation and terseness of omission. Arabic native speakers averted from complicated structures; they were more inclined to use simple and easy structures. Quran was revealed in Arabic; it is, however, a heavenly book, miraculous in its lexical, semantic, and stylistic systems. Each word in Quran serves a purpose and is accurately placed, not arbitrarily. Therefore, the statement : there is omission of a particle, word, phrase or sentence is unsettled argument amongst classical and modern scholars. Hence, grammarians adopted the approach of omission and prediction in Quran since their purpose is to parse, to teach the grammar of Arabic, and to find out the abrogators and abrogated. Nonetheless, this approach does not necessarily befit Quran since it is imperative to understand Allah's speech without omission - dropping words - or prediction - adding non - existent words which are not mentioned in the original text to refer to certain meaning. Accordingly, there would be deviation the intended meaning (referent) to which utterances - particles, verbs, phrases, and sentences - are used. Essentially, in Quran, each particle, word, and Sura is connected to one another in meaning and reference as if they are connected rings that should not be separated which, in turn, shows one secrete of the Quranic miraculousness.The reason of choosing this topic is basically motivated by the suggestion of my supervisor. After having read Keshif Al Musshkilat (Revealing Conundrums), I found it, for the most part, basing the analysis of the Quranic text on omission. Almost all the pages contain a parsing possibility or a grammatical explanation that is based on omission. Accordingly, I came to the realization that this topic is of critical importance and worthy of investigation and study. Therefore, seeking the help of Allah, I entitled my topic of inquiry as : Omission and Prediction in the book of “Kashf al - mushikilat wa Eedhah al Mu’athilat” for Jama’ Al U’lum Al - Baquly (543 A.H.) - Critical Study.The study is divided into three chapters prefaced by a prologue entitled “The concepts of omission and prediction and Al Baquly's approach” and followed by epilogue contains the findings of the investigation. The three chapters are as follows : chapter one, omitting particles, includes the discussion of omitting prepositions, the interrogative “hamzah”, “in” of infinity, “fa’a” of the result clause, and “waw”. Chapter two, omitting nouns, focuses on omitting “Mubtada, khabar, object, the praised, the disrepute, and tamee’z, mudaf, and matu’uf, and a’aid. Chapter three, omitting sentences and clauses, includes omitting the result clause in the conditional sentence, the answer of the oath, the sentence of qaul, the sentence modified by an adverb, and the clause of a preposition.

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري == The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

Author name: علي قيس حمزة الخفاجي
Supervisor name: محمد شاكر ناصر الربيعي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.

اثر الاستعمال اللغوي لاسلوبي الاستفهام والنفي في الدلالة القرانية

Author name: زاهد جميل هاشم الحسيني
Supervisor name: علي عبد الفتاح محيي الحاج فرهود الشمري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The topic of the research is "The Effect of Lingual Usage of interrogative and negative in The Quran's connotation" , and it has great importance at the field of indicative studies, because it shows or (for showing) the type of negation or (denial), and interrogative as lingual and typecast. As well as modern connotation rely on the type of lingual way and its connotation' s Indicatives and through this kind of study could understand the development In the public field of life for all people relying on the depiction of the lingual type, and what it produces of semantics with regard to target audience (addressee). The Thesis included introduction , and it has research summary and flatten (pave) the language of "Quran" , and its knowledge mysteries, and the first chapter deals with the grammatical effects towards connotation. On the other hand the second chapter ; the effect 'of interrogative type in connotation. Finally, the third chapter deals with the effect of negation on connotation, at the end of it we find the results of the research as well as resources and references

نظم الحوار في سورتي (الكهف) و(مريم) : دراسة في الدلالة النحوية == Dialogue Coordinate In Two Surats (Al - Kahf And Maryam) A Study In Grammatical Significance

Author name: نبا حميد بكيع المسافري
Supervisor name: علي عبد الفتاح محيي الحاج فرهود الشمري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Koran is miraculous, as the highest speech, it cannot keep up with it or get close to it. It is still outrigger for scholars. So, it is the wider field and the sufficient spring from which scholars water their topics in all ages. This study attempts to show the significance of dialogue coordinate in both surats (Al - Kahf) and (Maryam), how the dialogue coordinate has been built in both surats, the arrangement of its linguistic structure (fronting, delaying, repetition, elision, and mention) and the styles on which this coordinate has been built. This study comprises three chapters, in front of them, there is introduction, named (the significance of the dialogue coordinate) deals with the concept of the dialogue in the language and in the convention as well as its figures and styles. The first chapter, (structural styles), presents two sections : the first section ( the request or demand styles) such as : interrogative, imperative, inhibition, prayer, call, please, show, customize), the second section includes the unrequested styles that are not found in both surats except the style of ( Al - Qassam). The second chapter, ( the predicate styles), shows the concept of the predicate, language and convention, the predicate purposes, and its styles : ( the primary predicate, the requested predicate, and the denial predicate).The third chapter, (the dialogue structure), has three sections : The first section deals with the fronting delaying style and significances and intimations that belong to this style. The second section presents the repetition style such as the repetition of some sounds, some words, and sentences. The third section shows the phenomenon of elision and mention , the scientists' opinions about it and what its significances are. Finally, there is the conclusion that includes the most important results arrived at this study, as follows : 1 - The composition styles, as in : interrogative, imperative, inhibition, prayer, call, please, show, customize. They are considered as one of the contents the principal dialogue and they are found highly in the two surats (Al - Kahf) and (Maryam). 2 - Most of the interrogatives that found in the Quran dialogue in both surats (Al - Kahf) and (Maryam) are interrogatives about events that have happened or will happen which refer to something that is movable and renewed and this suited with the verb that refers to the occurrence. 3 - The repetition records the distinctive structural style in the Quran dialogue especially in the surat of (Maryam). 4 - The dialogue coordinate in both surats has more than one significance, some related to the vocal side, and other related to the abstract side.

الصبر في شعر بني الاحمر : دراسة فنية == The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

Author name: محمد حسين جاسم العيساوي
Supervisor name: فاضل بنيان محمد الجنابي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory

لوحة الافتتاح في المفضليات والاصمعيات : دراسة تحليلية وموازنة == The Opening Panel At Al - Mofadaliat And Al - Asmaiat An Analytical Study

Author name: محمد جعفر زامل الساعدي
Supervisor name: رزوقي هاشم حافظ الموسوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The opening panel at AL - Mofadaliat and AL Asmaiat"The study examined the opening panels in the AL - Mofadaliat and AL Asmaiat was setting in the poems with paintings in AL - Mofadaliat (66) poem.While in the AL - Asmaiat (24) poem. The opening panels of varied opens the poems between poets (altelal , kin , contest , plam , grey hair , the complaint of the night and complaining about women).The research analysed the different opening panels in the AL - Asmaiat and AL - Mofadaliat in different eras , we noted that there is alink from the panel opening and purpose , and through our induction plate opening in AL - Mofadaliat and AL - Asmaiat , we notedthat the build in these plates have two sections : opening panel single ( simple) and the opening of complex. Women occupied a distinct space and has had her editorials ( altelal and descent ) and may be real or symbolic. In the painting of ( Plame ) maintains the poet for his defense of rejecting a requirement of the people who Plame him certain that life is his only chance for glory or honour the work is at risk achieve individual and social successes. It seems philosophically controversial poet about life in too late on the vineyard , the vine will ensure his survival.In palming the grey hair , we find the poet collides with grey hair as a time - shift has a concern and as a result of the brutality described by others of weakness and disability , tries to address those by memories of the past full of trophies and adventures , in the sadness we find the poet made it a means of showing his ideas associated with the reality of death , and sometimes poets used in these paintings by subtraction narrative based on dialogue , especially in the modern poet who blame him in the poem of pride.In a complaint from the women who represented the poet's wife and no complaint in the opening picture of the mood of the poet , what was it only be a symbol of the suffering.Either the complaint of gray hair , the poet in the opening ceremony were psychic scream for important sense of alienation felt by man who suffers from graying.In reporting the night there was a complaint from the long night with bogeys , and it was not the night emotionally ( because the image of the suffering poet , a symbol of life with sorrow , and found in poets an outlet for their emotions and feelings and especially not hurt their feelings in their joy and sorrow.In the dream he found emotional outlet poet escape mechanism have once again selected through a daydream that caressed by creating a professional image , the individual's feeling of inferiority to overcome that feeling , and this was achieved in dreams. Poet's used names of women and places in various paintings of AL - Mofadaliat and AL - Asmaiat and in poetry wights they used long seas to fit a long side of soul in the poetry. Either the rhymes have used the easy rhymes and absolute more restrictive.

المعنى النحوي بين النظرية والاجراء في القران الكريم == Grammar Meaning Between Theory And Wage - Earners In The Qur'an

Author name: غسان صبري موسى حبيب الشويلي
Supervisor name: زهير محمد علي الارناؤوطي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: In the name of God the Merciful : Most wrote the meanings of the Qur'an and expressing exposure expressing vocabulary and sentences and questions morphological and meanings of tools, most of which can be several of exercise matters, and I saw that this disregard for the purposes of grammar analysis, and the loss of the learner Bgith of the benefits of express and exchange and the meanings of tools; because the student receives mixed images of styles and makeup They can not combine them to make them a thorough understanding of, and approach and clear, incapacitate to have sufficient skill to understand the theory of assets, and linked Applied procedures, and I saw that the unification of the theoretical and procedural side assesses the logical relationship between the consideration and analysis, and instills in the mind and tongue organization skills ready to work successful, with the abolition of different faces what may and likely of passports syntactic, and us Akectha, and replayed, and the statement of the face probably the evidence, which prompted me to provide scientific research indicating in a limited range of purposes and the statement dispersed the elements of verbal, and semantic components of the installation depending on the place and the article directories, and their relationship, grammatical and semantic discovery performed by the composition in the presence of tools, and the general context of expression.

النص التاريخي في روايات عبد الخالق الركابي == The Historical Text At The Novels of Abdul Khaliq Alrikabi

Author name: عادل عباس عطية جلو الخالدي
Supervisor name: عبد الله حبيب كاظم التميمي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: Our study entitled (The Historical Text at the Novels of Abdul Khaliq Alrikabi ) has been distributed on three chapters presided by preface , which deal with presenting some terms related to the history with the novel , the first chapter specified with readings of the historical text contents in the novels and its contents details and its objectives , besides to analysis these contents and compositions in three chapters ; the first one for speech of historical references in novels and the second we have analyzed where the political historical contents as being phenomena in the novel , the third chapter we have analyzed the social historical contents , while the second chapter has been specified to readings of functional means of the historical text in the novels , in two topics , the first one to discover the areas of presenting the historical text , the second for the technical of its presenting , the third one specified for to understanding the historical awareness presenting in the novel , the first topic to discover the historical critical awareness , the second for study the historical meditation awareness We can say that the comprehension of historical text in Abdul khaliq Alrikabi novels tackled with many historical sides , and it has own privacies and justifications. Her. we should refer that the novelist invested the historical text successfully , this result comes from the variety of writer's ways and techniques, we concluded to a fruitful results. - We concluded that historical reference point in all novels is specific from one side and shared with others on the other side. the specification comes from writer's concentration on one of historical stages with all its events and historical cases. A selection been from this historical stage from its resent historical and political issues and contemporary issues almost , shed light on it and prepare for it everything needs. To give the reader a massage of contents. sharing process we mentioned means that most novels shared in the process of recording history concerning shared condition these condition dominated with rational existence in novels. it means that historical cases found in this novel and may be found in another one as a part of its text contents. inside novels the writer presents Iraqi history beginning with ottomans age , British colonial age , monarchy age , and republic age till recent age. - We concluded that Abdul Khaliq Al - rikabi novels were full of political contexts paralleled with other novel contents. without any contrasts may found. These novels contents come as historical texts. it seems that political text of history has the widest existence , which tackled with contents of war , political power, revolution , and novels also full of social cases of importance, like historical cases of countryside , poloticovl cases of society and historical cases of civil society , and general cases about society , and social changes. - We concluded that Alrikabi depend on ways and techniques to prepare historical text and indicated that it has two properties inside it : the first about point or bases of preparing history text. The novelist has his own method to make use of history and that process appeared in the three forms. first it comes at the beginning of context, the other one inside it or out of the context besides the presence of history in novel generally according two techniques : the repetition and narrative - image. - Al - Rikabi have presented a critical and meditative realization of history in his works from many points of view, that critical realization reapers ented in the analysis and explanation which done by the anther on history text in his works. The meditative realization represented in the anther connection of historical past with the recent and future days.

صورة المراة في كتب الامثال : مجمع الامثال للميداني انموذجا == The Image of Women In The Books of Proverbs Proverbs For Complex Field Model

Author name: زينب حسين كاظم حسون المحنه
Supervisor name: سرحان جفات سلمان
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: وقد خلص البحث الى ما ياتي : 1 - غلب على الامثال التي ترسم الملامح الحسية الجميلة للمراة النزوع الجمالي الوظيفي حيث تصور تلك الامثال جمال العينين، والفم، والانف او الوجه عموما، واكثر اعضاء الجسد الانثوي تعبيرا عن الجمال، كما تصور ايضا الاشكال المادية ا | . the parables of the sensory profiles of beautiful women's aesthetic tendency career so imagine those parables the beauty of the eyes, mouth, nose, face, and most members of the female body as an expression of beauty, and visualize the physical forms that adorn the female body, making body image as a form drawn by two main elements : some members of the female body and some elements of the decoration of those members on the other hand, the image is drawn forms of entity are Some members of the body and forms borrowed is some means of decoration.2. suggest body image as a form of proverbs a functional rather than a humanitarian or compassionate utilitarian tendency rather than a humanitarian aesthetic purist, and it seems that the reason here is due to the predominance of emotion that wither after owning men for women because there is a sense of emotional need rather than the human value of love between men and women; so dominated by (material love) on (love Louisa).3. revealed parables that depict women as body performs the functions of the instinctive tendency of predominant nationality at the expense of emotional tendency in the human data, so these parables is portrayed as a body (a sexual gratification) to make a positive latthakk on humanitarian data devoted passion of love as much as matthakk in physical data saturation not moment desire to enrich human affection and compassion that God only in a few models did not draw clearly proverbs is remarkable as the platonic love that show up at his door.4. painted parables picture the female body a two - way first temptation : the self and the other : beauty alias means decorations, were proverbs connected to the first direction such as : (the well - being of almnakh innovation) less presence of proverbs painted the second trend as : (not a perfume after the bride). He is captured through the predominance of sensory beauty in the familiar set apart.5. the predominance of sensory data of the parables in the portrayal of women through her body as beautiful or as a form of sexual expression of dominance tendency possession, and yearning to embrace direct, sensual and fun wilt causes fun, legibility, and spiritual implications.6. the mother represents the best image for women in Proverbs women close to the man and one of the broadest and most exciting images and prevalent until the Arabs prove ancestry mother and recognize its boast.7. the dominance of masculinity with a dominant feature in dealing with women and viewed it as a tool for youthful sex and reproduction.8. does not mean a negative image and the process of society and its traditions and customs that are devoid of women women made famous and known by intelligence and business acumen and wisdom and discretion. The image of women because of the calamities and wife traitor of the picture and in Proverbs welioaziha only a vulnerability wematnalh of conquering the community, demonstrating the kind of close association between perception of it being a troublemaker, Banshee and the picture which justify entitlement to punishment and deliberate humiliation.9. graphic image was full of similarly applications of all kinds, cannot overlook the study, since it is possible to read the parables as Intertextuality outer and inner rivers difficult chapter in knowing which is the oldest ideals or other ytenas with text, and note that for the icon to appear in the same order after any character in the story is a symbol of the ideals of then either legend was less visible from the ico

القصيدة الحسينية في موسوعة ادب الطف للسيد جواد شبر : دراسة في الموضوع والفن

Author name: انعام مطشر جابر يوسف
Supervisor name: طلال خليفة سلمان
Specific topic: Language
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الصورة الحسية في شعر السجون الاندلسي == The Sensory Image In The Poetry of The Andalusian Prisons

Author name: اسماء بدر محمد العوادي
Supervisor name: قيس حمزة فالح الخفاجي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The scope of the Islamic state expanded in Andalusia, and there were many poetry where topics of sync with the breadth of the different forms of life, knowledge and literature in the country, and has the effect of nature and the way of life on the poetic image in that country and the style of building poetic image and appearance among poets emerged, and it was this appearance coincided with the evolution rapid and remarkable style building poem Andalusian and those buildings that formed them.The first search in any poetic phenomenon requires research in general hair objective and initial and direction of research in these poetic phenomenon, and this was the reason for the emergence of a comprehensive monitoring case that prerogative the research, and monitoring that has been directed towards poetry Andalusian general then about the image it is Special, and then more particularly sensual image.The appearance of the sensory image in the poetry of Andalusia was not a new invention of them, but was depending on the style of the whole Arab poetry extensions and building in the world in general, only to find the face of his energies towards monitoring sensory image as represented by the patterns and structures and methods of the appearance and the terms of reference and fantasies, in the poetry of the prisoner Andalusian. It is known that the poet has slender sense, susceptible, toward any experience going through, how if that experience is the prison?!Search imprisoned Andalusian poetry faces two important issues, namely the issue of prison concept and de facto and the nature of life in prison and manifestations of creativity in prison, and the other issue is the image of sensory modalities appearance and levels, and is the biggest issue in the monitoring and the pairing between the prison and the whole consequences process, and the sensory image with all its difficulties on the level of poetry and scope researched for.Revealed the scope of the search through the buildings that have been handled through with search terms, has appeared find divided pave the four chapters and a conclusion, and preceded by the introduction represents the threshold for entry into placed research has dealt with in the boot concept prison in language and terminology plus poets imprisoned in Andalusia and the definition of their names and places of imprisonment, and extended incarceration, and the reason for their imprisonment, and his imprisonment.The first chapter was titled areas sensual image has this title included titles subsidiary, addressed the optical image, image, audio and image taste and image touch and image olfactory and mentioned poetry which was told one of these types of images, has required research division of the visual image on the partial sections : a visual image kinetic visual image of light and optical image color, image and audio on a hostile voice and the voice of a pet, and the image on the touch sensation seeking, pressure and sensation of pain and burning sensation and cold. It has also reminded the senses and the two exchanged noon meeting in poetry imprisoned in Andalusia.And included the second chapter on the terms of reference of the sensory image was able poet imprisoned Andalusian be employed to serve the poetic text Andalusian a religious references (the Koran and the Hadith religious ritual), or references realistic represents the fact that lives by the poet prisoner Andalusian or memories that lived outside the prison, or literary references include verses of poetry before the era of the Andalusian poet which included in his verses cited in prison to give a poetic text, and there is no poet did not come from other poetry which represents has another life. Include (Proverbs), or historical references include the total historical facts which came to us from previous eras, the amount represented by the well - known historical figures and important cities and centers of civilization, or social resources, including social customs and traditions of the names.The third chapter in which we dealt with the other's sensory came on two topics included the first part, the counter persons particular, represents the other anti - Andalusian poet imprisoned Minister Prince and the jailer and prisoner - associated.The second topic studied the continuers who intercedes for relevant includes parents, friend and beloved, resorts Andalusian poet imprisoned them for decreasing what it joins it from the torment and darkness inside the prison or to be intercessors at him from his imprisonment.The fourth chapter includes graphic patterns of sensory image and dealt with image simulations and allegoricalness image to the fact that those picture a source of the poetic image formation.Finally, it is necessary to point out the difficulty I faced in the search, on the process of getting collections of poets imprisoned in Andalusia.If I had a word of thanks and gratitude I extend it to my teacher Dr. Qays Hamzah al - Khafajy, what I found him the world who does not spare his knowledge and when hit by the study and researcher of guidance and ask God to prolong his life, and bless him with health and wellness, and Praise be to Allah, the Lord of the Worlds.

الصورة اللونية في الشعر الايوبي == Chromaticity In Poetry of Al - Ayoubi

Author name: نبراس كاظم ابراهيم الدفاعي
Supervisor name: رباب صالح حسن
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This study seeks to statement chromatography impact in shaping the imagination of the poets in the Ayyubid period, an era that interested in literature and poetry, and the most prominent themes of spinning and description of nature, This study was conduct
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