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الجواز النحوي في كتاب المقاصد الشافية لابي اسحاق الشاطبي (790 هـ) == Gift Grammatical in the Al - Mughasid Al - shafiah Book for the Abi Eshaq Al - Shatebi (790H

Author name: سرور علي جبار
Supervisor name: عبد الجبار عبد الامير هاني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: فقد حظيت ظاهرة الجواز في النحو العربي باهتمام النحاة القدماء واولوها العناية التامة في مصنفاتهم النحوية ، ولكن اذا ما تتبعنا الكتب المصنفة في النحو لم نجد من خصها بمصنف مستقل ، وانما جاءت مبثوثة في ابواب النحو ومسائله في كتب النحاة ، والكتب التي وضعت في الخلاف النحوي ، وكتب معاني القران والتفسير وغيرها ، غير انها حظيت باهتمام بعض الباحثين المعاصرين فخصوها بدراسات مستقلة منها ( الجواز في الفكر النحوي ) للاستاذ الدكتور محمود حسن الجاسم ، و( الجواز النحوي ودلالة الاعراب على المعنى ) لمراجع عبد القادر بالقاسم الطلحي و( الجواز وعدمه في احكام النحويين من سيبويه حتى منتصف القرن الرابع الهجري ) لحمدة عبد الله صالح ابو شهاب وغيرها من الدراسات . واعتمدت في هذه الدراسة على اهم المصادر النحوية المهمة منها كتاب سيبويه والاصول لابن السراج وشرح التسهيل وغيرها فضلا عن دراسات سابقة عنيت بدراسة الجواز النحوي منها ( ظاهرة الجواز في النحو العربي كتاب سيبويه نموذجا ) للدكتور محمد عبد كاظم الخفاجي ، و(الجواز النحوي في العلامة الاعرابية عند الفراء وسيبويه دراسة في كتابي معاني القران والكتاب ) للباحث خليفة محمد خليل الصمادي . اما منهجية العمل فقمت على استقراء نماذج ثم تصنيفها على فصول بالارتكاز الى المناظرة بينهما ، ثم تناقش الجواز النحوي الوارد في المسائل المدروسة وعرض الحجج والادلة التي تؤيد ذلك الجواز وبناء على ما سبق فقد جاءت الرسالة في تمهيد ، وثلاثة فصول وخاتمة ، وانتظم تحت كل فصل ثلاثة مباحث كما مبين في ادناه : التمهيد وقد ضم فقرتين : الاولى في تعريف الشاطبي وبيان اهمية (كتاب المقاصد الشافية ) عبر شرحه لالفية ابن مالك ، والثانية : في بيان مفهوم الجواز لغة واصطلاحا ونشاة الجواز وادلته ، واسبابه ، وفوائده في النحو العربي . وجاء الفصل الاول في دراسة الجواز النحوي في العلامة الاعرابية في ثلاثة مباحث، تناول الاول : الجواز من الرفع الى النصب ، وتناول الثاني : الجواز من النصب الى الرفع ، وتناول المبحث الثالث : الجواز من النصب الى الجر . اما الفصل الثاني : فجاء لدراسة الجواز في قواعد النحو التوجيهية وسمي بقواعد التوجيه لانها لا تخص بابا معينا ، وانما تتعلق باسس التحليل النحوي عامة اذ قد يحتاج اليها النحوي في اي باب ، ليتوصل بها الى الحكم السليم ، وضم هذا الفصل ثلاثة مباحث : الاول في الجواز في الرتبة النحوية ، والثاني : الجواز في الوظيفة النحوية ، والمبحث الثالث : في الجواز في متممات الجملة . اما الفصل الثالث : فتناولت فيه الجواز في الباب النحوي ، وجاء في ثلاثة مباحث ايضا ، المبحث الاول : الجواز في الحروف والادوات ، والثاني : الجواز في الوظيفة النحوية ، والمبحث الثالث : الجواز في الضمائر . ويطيب لي ويسعدني ان انسب الفضل الى اهله وذويه عملا بقول الرسول محمد ــــــ صلى الله عليه واله ــــــ : «لا يشكر الله من لا يشكر الناس » فاتقدم بجزيل الشكر والامتنان اعضاء لجنة ال الى مشرفي الفاضل الدكتور : عبد الجبار عبد الامير هاني ، على جهوده العلمية التي اضافت للبحث معلومات قيمة ، جزاه الله خير الجزاء ، واشكر كل من مد لي يد العون في طريق انجاز هذا البحث ، ولاسيما والدي العزيز اطال الله في عمره ، واساتذتي في قسم اللغة العربية واخوتي وزملائي . وبعد فما كان في هذا البحث من جهد طيب فبفضل الله ومنه ، وما كان فيه من هفوات وعثرات فهي من قصور نفسي ، وحسبي اني بشر يخطئ ويصيب ، اسال الله سبحانه ان يجعله خالصا لوجهه يوم لا ينفع مال ولا بنون . | This study deals with (Grammatical permission in AL - Makaased Al - Shafia) book by Al - Shatibi).My study is an inductive and descriptive study depends on some grammatical subjects and some grammarians opinions. This study shows grammarians proofs that they alleged in the permission of some grammatical matters.Also it mentions Shatibi's role. They study consists of the following : - 1 - Introduction ; 2 - Preliminary chapter ; 3 - Three chapters and 4 - conclusion The preliminary study has three topics . The first topic defines Al - Shatibi 1 - 2 - The second topics states the importance of the book in explaining (Alfiat Ibn Malik). ) 3 - The third topic studys the permissibility in language and idioms . expressions and stated its beginning in Arab grammar , advantages , divisions and justifications . The first chapter deals with grammatical permissibility in parsing . it divided into three surveys according to original signal . The second chapter deals with study of permissibility in the instructive grammar , grammatical functions. The integrators of grammatical sentence The third chapter entitled permissibility in grammatical section which divided into three surveys : the permissibility in determiners and letters ,omit and assumption in grammatical sentence and pronounsThe conclusion contain the results.

منامات الوهراني ومقاماته ورسائله : دراسة سيميائية

Author name: زينب عذافة طعمة المالكي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

اثر توالي حروف الجر في بناء النص القراني

Author name: منتهى جنديل محسن
Supervisor name: ازهار علي ياسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الاثر الثقافي في شـعـر لـبـيـد بن ابي ربيعة العامري == EFFECT OF LABID PEOTRY

Author name: رباب قاسم كاوش
Supervisor name: جنان محمد عبد الجليل
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: وامجادها نهل من مناهله شعراء العصور التالية ولايزال يمنح الكثير.من هنا اتجه العزم وتملكتني الرغبة في الوقوف وقفة متانية عند نتاج شعر شاعر من شعراء المعلقات الا وهو لبيد بن ربيعة العامري، الشاعر الفارس الجاهلي الاسلامي فلا غرابة ان يحمل شعره من الكنوز ما حمل من (الاثر الثقافي) مما امكننا من استنطاقه وعدم اغفاله رغم كثرة الدراسات التي انصبت على شعره سواء كانت دراسات لغوية ام ادبية، الا انها لم تتناول هذا الجانب (الاثر الثقافي) تناولا جادا وافيا بل ربما وردت اشارات عابرة هنا هناك.ومن الدراسات التي اضاءت السبيل امامي اذ اعتمدت اساسا على الديوان الذي حققه الدكتور احسان عباس وقدم له بمقدمة عن الشاعر فقد افدت منها الكثير فضلا عن نسخة اخرى من ديوانه.وقد افادت الباحثة من كتاب يحيى الجبوري الموسوم (لبيد بن ربيعة العامري) ودراسة اسلوبية للباحث عبدالله محمود الموسومة ب((لبيد بن ابي ربيعة العامري وشعره الاسلامي))، ودراسة الباحث حسن سعد الموسومة ((تجربة الشعر والصراع النفسي عند الشاعر المخضرم لبيد) للباحث م. م. حسن سعد، وهناك دراسات اكاديمية تناولت بالدراسة والبحث توظيف الاثر الثقافي مثل توظيف الموروث الثقافي في شعر النابغة للباحث عيسى هشام، وتوظيف الموروث في شعر الاعشى للباحث وسام عبدالسلام توظيف والموروث في شعر عدي بن زيد العبادي وامية بن ابي الصلت للباحثة سناء احمد سليم، وهذه الدراسات كلها جرت تحت اشراف الدكتور احسان الديك وغيرها من الدراسات التي اطلعت عليها لاتجاوزها باحثة وفق ما يمليه علي شعر لبيد.فضلا عن المصادر القديمة كالشعر والشعراء، والحيوان، والبيان والتبيين، ومروج الذهب، وبلوغ الارب في معرفة احوال العرب، والمفصل في تاريخ العرب قبل الاسلام.فقد كانت هذه الكتب وغيرها روافد امدت البحث بمعلومات قيمة.اما ما يخص منهج البحث فهو منهج تحليلي ينطلق من النص الشعري مستقرئا مستنطقا الاثار الثقافية التي تلقي بظلالها على الصور الشعرية وتلونها وتؤطرها. وان كان البحث لا يقف عند حدود هذا المنهج بل افاد كثيرا من معطيات المنهج الاجتماعي والتاريخي الذي اضاء الجوانب المحيطة بالنص.هذا وقد توزع البحث على ثلاثة فصول يتقدمها تمهيد يكشف عن مفهوم الاثر لغة واصطلاحا وكذلك الكشف عن الثقافة وعلاقتها بالشعر.اذ جاء الفصل الاول بعنوان (الاثر الديني) الذي تناولت فيه اثر الدين الاسلامي في شعر الشاعر وتوظيفه لشخصيات واحداث اسلامية وردت في القران الكريم ثم تتبعت الاثر الديني المشترك فضلا عن الصور التي تظهر بعضا من مظاهر الديانة اليهودية والنصرانية.اما الفصل الثاني (الاثر التاريخي والاسطوري) وتناولت فيه توظيف الشاعر للشخصيات التاريخية الوقائع والاحداث التي عاصرت الشاعر والاحداث والوقائع التي سبقت عصره فقد مزجت الفصل التاريخي بالاسطوري لكون الاسطورة تعد جزءا من التاريخ فنرى لبيد قد وظف بعض الاساطير العربية القديمة في خطابه الشعري .وكان الفصل الثالث بعنوان ((الاثر الاجتماعي)) فقد تناولت فيه اثار المجتمع والعادات والتقاليد في شعر لبيد وكيف وظفها واستلهمها في شعره.ثم اعقبت ذلك بخاتمة تضمنت خلاصة ما توصل اليه البحث من نتائج وهنا لابد من التنويه على ان جهد الباحثة انصب حول استقراء الاثار الثقافية ولم يفرد للدراسة الفنية مباحث خاصة وان جاءت ضمن التحليل وذلك لاسباب منها ان هذه الجوانب قد اشبعت دراسة وتحليلا قديما فضلا عن حرصنا على عدم الوقوع في تكرار الشواهد فيما لو افردت بفصل خاص والتزاما منا بعنوان الرسالة (الاثر الثقافي في شعر لبيد).وفي هذا المقام اتقدم بالشكر الجزيل لاستاذتي الدكتورة جنان محمد عبد جليل التي اقترحت الموضوع فاشكرها لحسن ظنها بي.تبقى هذه الدراسة مجرد لبنة في صرح تراث خير امة اخرجت للناس فان وفقت فمن الله والا فما انا الا طالبة علم ومن الله التوفيق. | The pre - Islamic poetry will remain a source of creativity and a truly translation and honestly of the nation's influence and its glories achievements of the nobility of the poets of the following ages and still giving a lot amount . From, here, I determined and possessed the desire to stand a careful pause when producing poetry of the pendants poets of Labid Ben Rabya Al - Amiry, the knight of the pre - Islamic poet .It is not surprising that his poetry carrying from the treasures that no one carries from the ( Cultural impact ), which cannot be overlooked of his poetry despite the many studies that focused on his poetry that range from language studies or literary studies, but it did not take care of the cultural side (Cultural impact ) very seriously, and perhaps there have been signals not essential here and there .There is no doubt that these studies lit the way in my frontthat I mainly based on the Poets Collection, which was published by Dr. Ehsan Abbas on date 22 / / and gave an introduction about the poet that benefits a lot of others as well as the other copy of the Poet Collection . Also , the book Publisher by YahyaAl - Juboury in the titleof ( Labid bin AbiRabiaAl - Amiry).The Master degree study of the student Abdullah Mahmood in the title of (Labid bin Abi Rabia Al - Amiry and his Islamic Poetry).And the study in the title of (The Experience of thePsychological Conflict ofThe Poet veteran Labid ) by the researcher M. M . Hassan Saad.As well as,the ancient references sources such as (Al - Haywan ), (Al - BaianWalTabyeen ) and ( Mouroj Al - Thahab) , ( Belough Al - Erabfor The Knowing of TheConditionof The Arab ) and ( The clarification of The history of Islamic Arabs ) . These books and others tributaries provided valuable knowledge and information .But for the method of the research it was theanalyses method beginning from the original poetic text then carrying on then questioning the cultural effects that cast its shadow over the poetic pictures and couloredthem and framed them as well . Although, the research does not stand stillat the limits of the boarders of this analyses approach, but reported about many of the data of the Social approach and the Historical approach that lit the atmosphere around the text .The research has been divided into three chapters preceded by a study that reveals the concept of the linguistics and the terminology, as well as the reveals of the culture and its relationship with the poetry .The first chapter in the titled of ( The Religious effect ), which deals with the impact of the pre - Islamic Religion in the poetry of the poet of Labidand the research to workup totheVerse wisdom in his textsWhile,Chapter two in title of ( The Historical and the Legendary Effect ) that deal with the workup of the poet of the historical figures and personals and the facts and the realityof events that preceded the era of the poet . Then he had mixed the historical chapter with the legendary chapter due to the legend is part of history.Then we see that Labid has employed and worked up some of the ancient Arabic legends .The third chapter in the title of ( The Social Impact and effect ) which deals with the effects of the Society, customs and traditions in the poetry of Labid and how heemployed in his poetryThen, followed by a conclusion that included the results that the Researcher have reached and finds out from the research

الدعاء في نهج البلاغة : دراسة تحليلية في انماط التركيب ودلالات الصوت والبناء الصرفي

Author name: امجد جيجان يوسف محيي الحلفي
Supervisor name: خليل خلف بشير
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: لاشك في ان البحث في علوم اهل بيت النبوة (عليهم السلام) هو شرف لكل باحث وطالب علم يامل ان يغترف من معين اسفار ال محمد لا سيما امير البلغاء والمتكلمين في سفره الخالد (نهج البلاغة), اذ يعد هذا الكتاب من حيث المكانة الدينية والموضوعات التي حواها بعد كلام الخالق عز وجل وكلام النبي (صلى الله عليه واله وسلم), فكان ذلك دافعا للبحث في احد موضوعاته بما شكله من نص ديني ابداعي, وقد اقترح الاستاذ المشرف موضوع الدعاء فيه, فقبلت الفكرة كون موضوع الدعاء يعد من الموضوعات الزاخرة بالعطاء الروحي والبيان اللغوي, فقد شكل الدعاء عند امير المؤمنين (عليه السلام) بابا من ابواب بلاغته؛ ليرفدنا بنص لغوي حتوى معاني لغوية متعددة, وجاءت الدراسة تحت عنوان(الدعاء في نهج البلاغة دراسة في انماط التركيب ودلالات الصوت والبناء الصرفي)؛ لنتعرف على اهم الميزات اللغوية والدلالات التي شكلت هذا الدعاء, وجاء البحث على تمهيد وثلاثة فصول ثم خاتمة بينت النتائج التي توصل اليها الباحث, تضمن التمهيد : الدعاء لغة واصطلاحا, وفضيلة الدعاء عند امير المؤمنين (عليه السلام), ثم جاء الكلام عن اداب الدعاء عنده (عليه السلام), وكان الفصل الاول بعنوان (انماط التركيب الخبري) وفيه قسمان التركيب الاسمي في جزئيها المبتدا والخبر، وكذا في التركيب الفعلي التي وزعت بحسب الفعل على قسمين تركيب الفعل الماضي ووتركيب المضارع, اما الفصل الثاني فكان بعنوان انماط التركيب الانشائي, وقد كان على ثلاثة اقسام الاول تركيب النداء, والثاني تركيب الامر, اما الثالث تركيب النهي, واما الفصل الثالث فحمل عنوان (دلالات الصوت والبناء الصرفي الادعية في نهج البلاغة) وجاء على قسمين من اقسام الدلالة الاولى الدلالة الصوتية والثانية الدلالة الصرفية، ولم اتعرض للدلالة النحوية؛ لان ما تقدم في الفصل الاول يدل عليها، وضم البحث خاتمة عرضنا فيها اهم ما توصل اليه البحث.اما المصادر فقد استعنت في الاصل على خمسة شروح للنهج كان اهمها, شرح ابن ابي الحديد, ونفحات الولاية للشيخ ناصر مكارم الشيرازي, , ومنهاج البراعة في شرح نهج البلاغة لحبيب الخوئي, وفي ظلال نهج البلاغة لمحمد جواد مغنية, وشرح نهج البلاغة لابن ميثم البحراني, وغيرها من المصادر التي توزعت بين القديم والحديث, ولعل اهم ما واجه الباحث من صعوبات هو عدم وجود شرح لغوي واف لنهج البلاغة يمكن الاعتماد عليه, فالشروح المتداولة والمعتمدة في البحث تطغى عليها الجوانب العقائدية والتاريخية, ومن الصعوبات كذلك المساحة الضيقة للنص الدعائي فلم يكن النص كبيرا ليعطي للباحث حرية البحث والتقصي والاستشهاد. في النهاية اسال الله تعالى توفيقه فهو خير ناصر وخير معين والحمد لله تعالى اولا واخرا | The current study sheds light on the linguistic structure of the text of prayer in Imam Ali's Nahj Albalagha (Peak of Eloquence) and on its semantic level in many respects : investigating the sentence of prayer in terms of its nominal and verb phrases; developing the patterns of prayer, which is represented by the vocative case, command, and prohibition and their semantic aspects, as well as highlighting the syntactic and phonological significance of the text.Additionally, the study expresses the deep meaning implied by the text and its association with the originator of the text, the most knowledgeable of the secrets of language and its implications. The study also explicates the relation of prayer as a linguistic unit and as a spiritual connection between the worshipper and the worshipped tailored in a highly elegant style of politeness, formed by Imam Ali (P.B.U.H.)

الهجاء والسخرية في شعر الجزار السرقسطي الاندلسي : دراسة في البنية الموضوعية والفنية == Spelling And Irony In The Andalusian Poetry Gazzar Alsergsti : A Study Of The Structure Of The Substantive And Technical

Author name: صفى صبيح كريم
Supervisor name: خالد لفتة باقر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The Arabic literature has the Spelling and irony , and the Arabic writers gave the importance to the Spelling and irony to take their whole share of literature.The reason behind is that the Spelling and irony are close to the human soul, and are loveable to it, where the humor and irony are matters the create a space amid poetic narrowness. In reality, the poetry is a way that a poet uses to express what he or she feels inside, such as pain or happiness.The introduction showed in its pages that poet lived in the fifth century AH. Even though , it did not mention date of birth neither death.However , that the first chapter of the research has discussed. he looked for motives to create humorous poetry in his poems.These motives could be internal or external motives. The poorness and poverty were internal factors in himself. The external factors were pinted to his opponent Al - Borji, which take much space of his poetry due to a conflict happened between them ,Therefore , he leaned towards humor. He ridiculed his career and his mind by striipping it for science and perfection, it carry a sample in its lingual composition in a text. Then, it is responsible for exciting the reader in one side, and create a poetic picture that can express about the poet,s psychic subconscious mind in other side,making the poetic picture to have the ability to be absorbed by the erceiver and convenient to his ironic expressions.The compositional tendency was important to provide the poem beauty by giving the sayings inspirational measure fits to their lingual position. This allocation was to bound the humorous topics fir his opponent Al - BorJi not another. whereas , he deleted sentences which were their deletion for reasons like embarrass in mentioning some cursing vocabularies.The Stylistic tendency moved up in command , call and question to ensure the activity of directing the critism to a person who he wants to criticize in his poems.then,he come up with metaphorical meanings pointed to his opponent directly emerging a poetic due to these methods which are sharing the texts dy utilizing them physical means realized by senses like vision (color).The color had a dig share in most of his texts such as black , white,and yellow.The color dominated implicitly inside his ironic poems by using vocabularies imply to the color factor,which he appeared directly in other poems.The diagnose based on the age and it had the major part.where he added physical components like a hand and so on.with reference to incarnations, the poet had revive the morale inside bodies moving inside a text to give beauty to the ironic texts,which a reader see when he reads them.The poetic image based satirical in poetry jazzer attribute quotes from the Koran and Hadith, to confirm that poet was abeliever end uncertainty for gloss and include in the xocabulary of koraic of his vereses. Researcher

مطالع الموشحات الاندلسية : دراسة تحليلية فنية == Andulsian Terza Rimas Technical Analysis

Author name: وفاء عبد الحسين فليح
Supervisor name: خالد لفتة باقر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Andulsian terza rimas are dominated by subjects of liquor , courtship and nature depiction. This study investigates and analyzes the artistic image in the prelude of the terza rima and the rhetorical types that reflect this image. The study is made of an introduction and three chapters. in the introduction , the researcher reviews the concept of image both in language and in terminology for the traditionalists and the modernists. Chapter one consists of two sections : section one studies the psychological significance in the artistic image where as the second section deals with the social and national Significance of this image. chapter two completed the previous one in that it tackles the elements of the artistic image in the Andulsian terza rima. It is made of two sections , the first section shows the element of place in the artistic image. the second section illustrates the sensual and mental images. Chapter Three is an artistic analysis of the preludes in the terza rimas. It contains three sections. The first section analyzes terza rimas of courtship and liquor , the second analyzes those of nature depiction where as the third one analyzes terza rimas of eulogy and elegy. The study made use of various references of literature , linguistics and rhetorics in addition to biographies in both meghreb and Levant.

خطاب التكليف في القران الكريم : دراسة دلالية == Commitment Speech In The Holy Quran

Author name: سجى محمد حنون محمد
Supervisor name: ازهار علي ياسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Grace be upon Allah, the Lord of the Worlds, and Allah’s blessings and peace be upon Mohammed and his holy household…The holy Quran was sent down to our Prophet with its marvelous abundances of sacredness, eloquence, rhetoric, regulations and rules in a remarkable rhetoric stylistics that would amaze recipients. With this great values, Quran is full of various discourses; one of those being the “Assignment Discourse” that occurs with different forms and manners following the kind of recipients and contexts. The title of this study is “Commitment speech in the Holy Quran : Denotative Study”. What forces the researcher to choose this topic is the fact that it combines two sciences; Glottogony and Linguistics, which are important sciences in human life. Among difficulties faced the researcher is the vastness of the subject matter compared to the time limits of the study.As for accredited references, they can be shown as follows : 1 - Linguistic glossaries, like Al - Ain Glossary and the Arab’s Linguistics.2 - Linguistic sources, like Al - Kitab for Sibawayh, and Al - Muqtadhab for Al - Mubarad.3 - Denotative references, like Grammar Meaning for Prof. Dr. Fadhil Salih Al - Sameraee.4 - Interpretation references, like the Al - Bahr Al - Muheet and Fatih Al - Qadeer The academic theses accredited by the researcher include “The denotation of linguistic persuasion and intimidation in the Holy Quran”, as well as “Rules verses of the Holy Quran”.Research outline is formed by a preface and three chapters : - The preface is entitled “The assignment concept in Language, the Holy Quran, and Glottogony” - The first chapter is entitled “Denotative influence for the command and prohibition styles in assignment discourses”. This chapter is made of two sections; the command concept and assignment denotation, and the prohibition concept and assignment denotation. - The second chapter is entitled “the explicit assignment discourse, which includes four sections : * Section 1 : Assignment discourse by explicit command style.* Section 2 : Assignment discourse by explicit prohibition style.* Section 3 : The denotation of combining both command and prohibition styles in a same text.* Section 4 : Influence of some linguistic contexts in the direction of discourse denotation of explicit assignment discourse. - The third chapter deals with “Implicit assignment discourse”. It includes three sections : * Section 1 : Detecting assignment by the reporting style.* Section 2 : Detecting assignment by the structural style.* Section 3 : Detecting assignment by the linguistic and adverbial style.The study ends up with a conclusion showing all results obtained through the study.Hoping Almighty Allah to accept this simple effort. Praise be to Allah, the Lord of the Worlds

كتاب اخبار الزجاجي : دراسة لغوية == Al - Zijaji Akhbaar : A Linguistic Study

Author name: عمر عبد الهادي مطر الزهير
Supervisor name: محمد عبد كاظم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: كتاب اخبار الزجاجي من كتب الامالي الجميلة الذي احتوى على كثير من الفوائد في اللغة العربية، وقد اخذت في دراسته مقسما عملي على تمهيد وثلاثة فصول وخاتمة. تكلمت في التمهيد عن وصف الكتاب وما احتوى بداخله من مواد مختلفة من اللغة. وقد جعلت الفصل الاول من الرسا | Al - Akhbaar is one of the most important books of the famous. Scholars in Arabic language Al - Zijaji who dears in this book with number of famous literary texts. Al - Akhbaar was the subject of the M.A. thesis done in Basra University entiled "Al - Zijaji Akhbaar : A linguistic study". The study falls into an introduction, three chapters and conclusion. The introduction presents a deseription of Al - Akhbaar showing the Syntatic and morphological issues in the book. The first chapter is devoted for the Syntatic issues and their reasons and why Al - Zijaji has chosen the problematic issues in Syntax. The second chapter discusses the Syntatic reason because Al - Zijaji is one of the pioneers in investigating reasons. The third deals with the important linguistic, morphological and Phonological studies in Al - Akhbaar.

الجملة في ديوان المعبد الغريق للسياب البناء والدلالة == The Sentence In Collection (Temple Drowning ) For Sayyab Syntax And Semantics

Author name: مهند احمد ابراهيم
Supervisor name: عدنان عبد الكريم جمعة السالم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The study is a wholesale basis in the understanding of the text , You may enter the world of the poet and reveal the meaning and connotations Thus, it opens the doors of the textTelly can be important in this letter the following : 1 - Sayyab did not come out too much about grammar originally syntax LittleThe impact of poetic weight in the formation of wholesale sometimes.2 - Linguistic context and the impact on the feelings of the poet syntax Since carrying a poet of conditions inside the poem.3 - Sayyab used two types of sentences which do not depart from the actual nominal and it is characterized by the palace and height. 4 - Find among the reasons for being in the Palace Wholesale literary position summary. 5 - Find between the delete of the sentence and the reasons for it. 6 - Find among the reasons for sentence length and the elements that led to the complete length in the poetic image. 7 - Sayyab ties linking his sentences moral and verbal. 8 - The most important contextual relations in linguistic cohesion sentence in the poetry collection. 9 - The temple is drowning ( customization , situational , ratio, dependency ). 10 - Sayyab adopted wholesale methods clearly , namely : A - It came a private Alastvhambesaagh style , in charge of your feet and often the last tool Interrogative. B - Call style came in and out of some compositions from the original for the purposes of rhetorical. C - This style came in different formats and different connotations. D - Exclamation style came in different formats , exclamation Balastvham , and the appeal , and so on.E - Came wishful thinking style (Leigh , though ).F - Apply condition method and delay came , and overlapping methods with him , as occurred Answer condition.G - Diversity among temporary exile and life imprisonment , according to entering the tool on the nominal and actual sentence.

الثنائيات الضدية فــي شعر المتنبي : دراسة في الموضوع والفن == Binary Oppositions In Poetry Al - Mutanabbi

Author name: مهدي مخيلف كاغد الصبيحاوي
Supervisor name: فالح حمد احمد الحمداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This Thesis Comes to attempt to describe some of the manifestations : ( Binary oppositions in poetry Al - Mutanabbi).Showing in itself Contradiction between the two cases each of them about the other stands the opposite of the case of the antibody.But which cares about the plan followed, It appeared in the preface, three chapters and a conclusion. The preface in three axis the 1st concept of binary oppositions language &idiomatically But the second preface axis imported studies in Consciousness and ancient eloquence and third axis in field of binary oppositions Modern Monetary Studies and contemporary. Interested in the first Chapter study some Binary oppositions in poetry Al - Mutanabbi and it contains five topics ( ego/poet, other (life /death,young/old age , dream/ impertinent / glory/humiliation The second chapter interested for study forms binary oppositions the level of language ,and consist in content three forms , the first binary oppositions the level of direct verbal antagonism , second for binary oppositions the level of Exile and proof. And comes third under title binary oppositions for the level of Paradox.And the third chapter consist of binary oppositions for the level of Image for two axis ,the first about the image antithesis constrictive. Second studied texts application in poetry Al - Mutanabbi. Then the research ended with conclusion with the most important which resulted in the study.

البنية الايقاعية في شعر احمد مطر == The Rhythmic Structure In Ahmed Mater'S Poetry

Author name: زهراء عبد الكاظم محمد المظفر
Supervisor name: عبد الواحد زيارة اسكندر المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Ahmed Matar is known for his own peculiar style, in particular his Lafitat, i.e. ‘Banners’, that has made him a well - known poet in the Arab world filled with anger against their political systems and governments. His poems are characterized by a sarcastic style. Therefore, some like to call him ‘the king of poets’. His poems have studies from different perspectives by a number of researchers. While some researchers, such Ahmed Ghuneim who has dealt with the elements of creation in his poetry and Abulkareem Al - Saeedi who has focused on the poetic narration in his poetry, some others, such as Khalid Jaffal Lafta and Tahsin Hasan Jasim have studied the stylistic aspects of his poetry concentrated and the techniques of the poetic formation in his poetry respectively. However, none of them has spell out the rhythm in his poetry. After having consulted my supervisor, I have come up with this title : THE RHYTHMIC STRUCTURE IN AHMED MATER’S POETRY This study adopts two approaches, viz. historical and descriptive; it is divided into three main chapters preceded by a foreword and an introduction and followed by a conclusion. Chapter one which is titled ‘The Structure of the Prosodic Rhythm’ spells out the poetic meters along with their contexts and the types of rhymes in Ahmed Matar’s poems.Chapter two, for its turn, which is titled ‘The Structure of the Phonic Rhythm’ confines itself to different types of rhyme, such as that of lexical items, lines, texts, rhyme.As for the third chapter titled ‘The Structure of Musical Rhythm’, it focuses on the most important factors that contribute to enriching his poems’ rhythm, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and so forth.The rhythmic structure in Ahmed Mater’s poetry has been studied by means of identifying the most important elements of such a structure and the main factors that influences and enriches the rhythm in Ahmed Mater’s full collocations of poems. Having carefully examined the poems, I have discovered that the Ramal Meter is the most dominant one in his poems, followed by the Rajis Meter, and then the rest of meters.In his poems, the rhyme has played a significant role in enriching the rhythmic structure of his text. The study shows that the poet, Ahmed Matar, banking on his linguistic and stylistic ability, has utilized a great number of stylistic features, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and the like in an attempt to add artistic touches to his poems. To sum up, this study has focused on one of the most famous poets in the Arab world filled with anger against their political systems and governments. I hope that this study could provide the reader with an explanation to the most important elements of the rhythmic structure utilized successfully by the poet.

ثورات العلويين ومواليهم في شعر العصر الاموي : دراسة في الموضوع والفن

Author name: كريم حميد منشد سحيب الخلف
Supervisor name: احمد حياوي السعد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

صورة البطل في كتب المقاتل الحسينية : دراسة في ضوء النقد الثقافي == Image Of The Hero In The Books Of The Fighter.. Hosseinieh Study In Light Of Cultural Criticism

Author name: علي محمد عبد الرضا
Supervisor name: ضياء راضي محمد الثامري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This message has sought to highlight the perfect picture of the Arab Muslim hero, as drawn by the Arab cultural patterns, represented by Imam Hussein (AS) and his family and his companions in Karbala finest representation, and my studies came in three chapters preceded by a preface, followed by a conclusion. The boot has dealt with the concept of the language and idiomatically hero, the hero image in heritage, then proceeded to kill off the definition of the language and idiomatically, then the definition of books fighter, and the statement of significance between those of the other books of literature, The first chapter was entitled (the image of the hero through the other) in two sections, the first image : ( hero through the other equitable), while the second : ( hero image through the other peer), Chapter II Anonth : ( hero image through dialogue), was visits with human elements, including (sidekick placebo, and real), and the other with elements of non - human, and includes (age, animals and dialogue Gin), to come third chapter titled (Picture hero in hair fighter) and includes poetic purpose (pride praise Lament), to come Conclusion to show what I could stand it results from the praise of God and the virtues of acceptance pleading with him, he responds to pray

المرجعيات الثقافية في شعر اديب كمال الدين == Cultural References In Adeep Kamaladeen'S Poetry

Author name: ياس عوض رشيد البصري
Supervisor name: علي مجيد داود البديري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.

حداثة ابي تمام في ضوء النقد العربي القديم حتى نهاية القرن السابع الهجري == Abu Tammam'S Modernism From The Perpective Of Classical Arabic Criticism Till The End Of The Seventh Hijri Century

Author name: رنين ناظم يوسف
Supervisor name: مسلم حسب حسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This research studies modernism of Abu Tammam on the basis of the theory of classical Arabic criticism which consisted of rules and conditions put by the Arab critics and applied by the poets to make their poetry eloquent and solid with clear and vivid meanings.But Abu Tammam was keen to deviate from all these rules and principles in his poetry. Al - Amidi considered him as a rebel against the common foot of poetry because he played on words in his poems and became fond of rhetorics and figures of speech which he used extremely. Consequently,his poetry was corrupted by the heavy use of antithesis and paronomasia. Thus, he became the target of a strong movement of criticism that represented the conflict between the old and the new.Classical Arabic poetry was a summary of the experiences of the old poets. It directly expressed the social, cultural and intellectual aspects of their life. It was characterized by features of clarity of expression, agility and simplicity of language because it was natural and not superfacial. That was the case in the Arab poetry during the pre - Islamic time, beginning of lslam and the Ummaid era in addition to the majority of the poetry of the Abbasid era during which the way of living of the Arabs changed from nomadism to urbanism. Thus, there appeared a type of new Arab poets who had special knowledge and high education like Bashar Bin Burd, Muslim Bin Al - waleed and the most prominent of them was Abu Tammam.Modernism of Abu Tammam went far beyond the familiar in his illogical and unreasonable similies and metaphors. There was no appropriateness in his metaphor and no approximation in his similies. Besides, he played on words and used too much antithsis and paronomasia. He was good in some of them but not so in the others. That caused the Arab critics to attack him and refused his poetry which they said it deviated from the common foot of the Arabic poetry that was defined by Al - Marzooqi to have seven categories. any studies of criticism were conducted about Abu Tammam and his poetic school. This study is made up of an introduction,three chapters and conclusions. Chapters one and two consist of three sections each. Chapter three contains two sections.The introduction highlights modernism of poetry as viewed by the classical Arabic criticism both literally and as a term. It also reviews the concept of modernism since its appearance till the time of Abu Tammam. Chapter one is interested in the questions of imitation and nnovationin that Arabic criticism. Section one of the chapter shows the attitude of the linguists and narrators of the modern poetry, the position of khalef AL - Ahmar and his experience in criticism and the position of the critics of the classical poetry which they considered as the highest model that Arab poets should imitate and create in their poetry as a product of the individual liking. Section two is devoted to discuss modernism in relation to the theory of the foot of poetry that was represented in the seven categories as introduced by ALMarzooqi in the introduction of his book Commentary on Diwan of Ardor of Abu Tammam. The section also explains the principles of the poetic imagery in similie and metaphor and the role of poetic imagination to bring about new images and novel meanings that reflect beauty and psychological effect.Section one of chapter two discusses modernism in the poetry of Abu Tammam and the rules of the poetic language in the theory of Arabic criticism. The section also shows what was accepted and what was not in his language. The section shows how Abu Tammam, very heavily, used the rhetorical patterns especially antithesis and paronomasia where he was unsuccessful in some of them and good in others. Section three tackles the poetic meaning and the logical and mental characteristics that should be available in these meanings to be correct so that the poetry be undertood. This was agreed upon by the old Arab critics such as Qudama Bin Jaafar, Abi Helal Al - Askari, Abd Al - Qadir Al - Jirjani, Hazim Al - Qirtajinni and others. The section includes description of the meanings and their relation to the levels of description as far as exaggeration and excessiveness are concerned in that Qudama Bin Jaafar considered excessiveness as the best of the two schools of description.Finally, the section discusses ambiguity and complexity as products of corrupted poetic composition. Chapter three deals with modernism in the rhetorical image, modernism and the changes modern poets add to poetry in this concern. Modern poets paid more attertion to the form rather than to the meaning in their poetry. That led to the appearance of a new poem with specific features particulavly concerning the rhetorical image that depended on similie and metaphor. The poets started using these styles in new ways that were unfamiliar to the Arabic liking and taste. The first section of this chapter deals with similie and description and the rules put by the Arab critics to achieve approximation between the two sides of the similie; otherwise the similie would be exotic and not allowed. It was conditioned that the description contained most of the cases being described. The section mentions some samples of the similie and description in the traditional poem which the critics considered as better in comparison to the modern similies and description that deviated from the artistic critera and the common poetic taste. Section two talked about the metaphor and its definition by the Arab critics and availability of the conditions of approximation between the metaphoric expression and what it stood for. However, modern poets, particulary Abu Tammam, did not adhere to these conditions. Thus, Some of their metaphors were controversial. The conclusion presents the results of the study; the most important of which are that the classical Arab critics had a theory of criticism reflected in the opinins they stated in their books and set by Al - Marzooqi in the 5 Hijri century in a systematic approach that was finally shaped in what was later known as the foot of poetry that included seven categories and each of these categories represented a critical measurement of a certain question in poetry.

اسرار التعبير القراني في تفسير تسنيم للعلامة الشيخ عبد الله الجوادي الاملي دام ظله

Author name: ميثم عزيز جبر
Supervisor name: احمد رسن صحن
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study starts with a preface discussing four points : AlAamily translation, the reason behind calling his book (Tasneem), and his method in Tafsir, the meaning of Secrets according to Al - Aamily, and the meaning of expressions in linguistics and terminology. In the first chapter (the secrets of words in Koran) the researcher discussed the linguistic meaning of the word in three sections : firstly the reason behind choosing a word in particular, secondly the secret of morphological form, thirdly the secret of definiteness and indefiniteness. The second chapter (the secrets of sentence in Koran) studies the meanings of the sentence and it is of two section : the first one is the secret of declarative sentence and its processes as deletion, backward and forward, and restriction. The second section is the secrets of the construction of the sentence as the imperative, negative, interrogative, and proclamation sentences. The third chapter (the secrets of the text and Koran) discusses the meanings and linguistic structures and rhetorical themes in more than a phrase as being intervented and the text title. It is of three sections : the first one is the secret of apostrophe. The second is about conjunction and disjunction. The third is about the secret of agreement in which the researcher mentioned the meanings of agreement and holy Koran. It is of three sections : agreement among Ayat in one Surah, agreement of the title of the Surah with its contents, and the agreement of the beginning and the end of Surah. Research methodology : The researcher’s method in this study is choosing the subject followed by a general overview about it. Then mentioning the most important samples mentioned by A - Aamily in the title and discussing each one respectively after viewing the opinions of the interpreters. After that the study shows the opinion of AlAamily to see what is the new addition. Results : The researcher has ended with recognizing the meaning of the secret according to Al - Aamily in linguistics and the reason behind it. Also the researcher detected the secrets of the word, sentence, and the text and what purposes and meanings they have and connecting all these things with external facts because the interpreter sees that all of these recording words of Koran express universal facts in existence because it is an inspiration from the Almighty Allah. The researcher also tried to expose several rhetorical themes such as clarifying forms of the text like apostrophe, conjunction, and agreement among Ayat by applying the modern textual norms of sentential multiplicity, cohesion and coherence. Then identifying the notion of text and modern linguistics and applying it to rhetorical Arabic heritage.

الحكم العطائية لابن عطاء السكندري (ت709هـ) : دراسة اسلوبية == Al - Hakame Al - Attaiah To The Son Of Ataa Alscandary (D. 709 AH) : Stylistic Study

Author name: علي عبد الحسن جاسم ال جليهم
Supervisor name: خالد نعيم الشناوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Sufi literature is still tender fecund for study and research, because of its aesthetic attributes and expressed for the cognitive values, was (Al - hakame Al - Attaiah) by Ibn Ataa Allah Alscandary texts the value that was quite popular among the commentators, but it has not received from researchers proper attention, and described these texts as a brief and intense significance of the rule,described strongly foundries and beauty method, and the number is ( 264 ) text , so we chose the stylistic study to enter into their world of knowledge and aesthetic.The stylistic one of extrovert studies, which made its way in a statement properties up. The stylistic set of performance measures that practiced modalities structures linguistic statement relationship analysis and detection of functional and aesthetic characteristic values of the text itself, and it revealed the modalities of speech and description it includes aspects aesthetic, so it was the text of the son of a tender of Alexandria, the focus of the study, as the study came across three chapters, the first we dealt with the vocal stylistics in sections three, the first of the stylistic impressionism, and the second stylistic expressive, to be the end of the chapter by vocal suggestive, where he emerged as sound as an influential element in giving the impressionist aesthetic dimension effect actor in a dynamic text with the time, was the interlocking Semantic present at all levels.The second chapter titled ( stylistic Almorvo synthetic) , divided into four sections , we discussed in the first of the major structures , consisting of the text, and came detective others to look at ( the accumulation junctional parallel , formats nominal and actual sentence, and then formats the methods), respectively , has emerged as a standard text as a selection of suits and cognitive capabilities so as to create the recipient to retrieve assets and roots that provided the text of cognitive his visions , and had the thrill element prominent role in creating the necessary excitement in most word.The last chapter titled ( stylistic textural and contextual ) in two sections , the first of the stylistic formative brought together several themes : ( stylistic title, axis words , stylistic pilgrims and reasoning , brevity , partitioning , text unit) while we checked stylistic contextual in subjects ( simile , metaphor , metonymy , intertextuality , irony ).The study concluded that the most prominent stylistic features in Ibn Ataa text lies in weaving standard formats intense significance interconnected knowledge , taking to each other , it has emerged as vocal stylistics , including added aesthetic aspects that will improve the text, giving dimension impressionist great importance in most word.The isomorphism derived from the similarity and contrast linguistic structures an actor and a distinctive to the Ibn Atta text , as prevailed most of the texts balance, and attended other features indicate the stylistic creative and Albasimologih foundations from which , as evidenced by his choice of title or his penchant for pilgrims and reasoning and other.

التمثيل السردي في روايات عالية ممدوح == The Narrative Representation In Alia Mamdouh’S Novels

Author name: امجد محمد رضا عودة
Supervisor name: عقيل عبد الحسين خلف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The first chapter explored how actions are represented in Alia Mamdouh’s novels and consists of three sections. The first section examined transferring of real action (non - fiction) into words by containing real dates and events. The second sections explored biographies which is an account of someone’s life. The third section explores fiction which is nonrealistic events and actions.The second chapter investigates description. This chapter is divided into three sections. The first section studies description of reality. It focuses on the external (physical) description of people and places. The second section looks at character (person) description. The final section explores the description of imaginary characters and events which do not exist in the real world. The third chapter focuses on focalization. The first section of this chapter is internal focalization which is based the narrator. While the second section discuses external focalization which is divided into Palpable and abstract.This thesis is accompanied with a conclusion that summarizes the results of the research. As well as, an appendix which gives an introduction of the novelist (Alia Mamdouh) including her biography and major works that are used in this thesis. It also contains a table listing all the actions, description and focalization within these works. The narrative representation in its different shapes, forms, and patterns is widely present in people’s lives. Thus, it is open to the different requirements of writing and rhetoric through which thoughts and beliefs are conveyed to the reader. It highlights the diverse concepts which shape the way a narrative is written. One of the most prominent concepts that is taken into consideration is The Narrative Representation and how to embody it in novels. Since it is contains the problem, similarity, visualization, conversation, impersonation and embodiment of what is present in the human mind into a narrative format. In other words, how to transform what can be imagined into live words in the form of narrative. This thesis will discuss the narrative in Alia Mamdouh’s novels and is divided into an introduction, three different chapters and an appendix. Each of the first and second chapter contains three sections while the third chapter contains two only. The introduction discusses what representation is in terms of definition and its different concepts. Then it moves on to reveal its origin starting with Plato then Aristotle and ending with the Arab philosophers such as Ibn Rushd, Ibn Sina and al - Farabi. Representation is then discussed by the view of scholars of Arab Rhetoric such as al - Jurani, Al - sakkaki and Hazim Al - Qartajanni. Then it is investigated in the Orientalism study. There is a discussion of the relationship between representation and narrative and finally the development of the narrative representation.

الاثر الدلالي للحذف في القصص القراني : دراسة في الجملة == Meaning Of Deletion In The Quranic Stories : The A Study In The Sentence

Author name: سكينة باقر حسون
Supervisor name: عبد الجبار عبد الامير هاني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The Holy Quran has different methods to attract and convince people towards religion. Telling stories is one of these methods. Stories in the Holy Quran are used to serve the basic human task which is leading people to belief by the styles of looking at the previous nations and learning lessons from their positions towards their prophets. Besides, Mohammad, as the last sent messenger,made use of reference to those stories about the previous prophets and how they patiently stood agains the unbelievers and resisted difficulties to accomplish their missions.Introducing the stories in the texts of the Holy Quran suits the intention behind employing those stories. Linguistically, Quranic stories are not isolated by themselves or separated from the main linguistic structure of the Holy Quran; but they are placed in a very highly rhetorical artistic style with in the miracleous Quranic context. Moreover, the linguistic and rhetorical phenomena and styles used in the Quranic text also make use of the stories. Deletion is one of the styles that syntasts consider as linguistic phenomena whereas rhetoricians consider it as a kind of abbreviation that characterizes the linguistic structure of Arabic. The Holy Quran uses deletion in a rhetorical way fall of indications to convey the meanings and intentions targeted in the text.The purpose and the idea behind deletion in the Holy Quran is in harmony With the linguistic and artistic build up of the story.The approach adopted in this study is the syntactic rhetorical one. Chapter One is devoted to study deletion in the predicate of the sentence and whar is more than the predicate like the object. Chapter two is about deletion of the independent clause and the syndesis sentence in the Suras in addition to deletion in syndesis and conditional sentences. Chapter three studies deletion of many sentences and this move from syntax to the area of rhetorics to achieve the artistic brevity in the story.After full study of the intentions and pragmatics of the story texts in the Holy Quran and identifying places of deletion by the descriptive inductive method and discussing opinions of the syntasts, the interpreters and the commentators and preferring the opinion that agrees with the text of the Quranic story, the researcher concludes that the linguistic structure of the Quranic stories has achieved the rhetorical, semantic and aesthetic purposes That benefit these stories to achieve their purpose of serving the religious objective.

اسلوب الحذف والتقديم والتاخير والاعراب في سورة النمل : دراسة نحوية == Omission, Inversion And Syntaxes Style In Al - Namil Qur'an Verses A Grammatical Study

Author name: هيثم عبد الزهرة رباط المنصوري
Supervisor name: عبد الحسين المبارك
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: According to the importance of language in general and the grammar in particular in solving the problems of the structure and the clarification of its meaning , I have made up my mind to give my research the " omission, Inversion and syntaxes styles in Al - naml Qur'an verses ( A grammatical study") , getting the advantage of the elements of this Indication in understanding the Quranic verses and discovering their Indications. The research consists of : The introduction , the preface , three chapters and conclusion. In the introduction I defined AI - Naml Quranic Chapters as a noun , an order , a virtue , a content and then as a grammatical indication through the clarification of its meaning Linguistically and terminologically , and determining its importance in the interpretation of the holy Quran.In terms of the three chapters , they are presented as follows.Chapter 1 : In this chapter 1 discussed the phenomenon of deletion 1 and clarified its meaning , its importance , its features , and the efforts of the grammarians in studying it , in addition to its relation with metaphor , preciseness , its purposes , its divisions , its conditions , and its applications in AI - Naml Quranic Chapter.Chapter 2 : I allocated this chapter to show the reversion , so I mentioned its definition and the influence of the word position on it in addition to the argument among the grammarians in some of its kinds. I also showed its types , purposes and its existence in AI - Naml Quranic Chapter.Chapter 3 : I used this chapter to explain the difference in syntax and its influence on the verity of the interpretational meanings and the importance of the syntactic marks and the difference in this importance. Then I showed its divisions, its reasons and its applications.The Conclusion : In the conclusion I clarified the results the I obtained from this research

التناص في شعر دعبل بن علي الخزاعي (148 - 246هــ) : دراسة تحليلية == Intertextuality In The Poetry Daabl Bin Ali Al - Khuzai

Author name: خالد حمد لفتة
Supervisor name: ثائر عبد الزهرة لازم البصير
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This research on the study of intertextuality in poetry Daabl bin Ali al - Khuzai based on descriptive analytical method for monitoring the phenomenon of intertextuality and stand at the roots of the present text by describing the phenomenon and attempt to interpret within the poetic text and the productivity of intertextuality, which represent in two forms : intertextuality direct and indirect and smelting its mechanism and imbibe it by the analysis of poetic texts. The nature of the search warrant to be an introduction and preface,three chapters and a conclusion.The preface consists of two sections , the first included the poet's life and his poetry , the second, is the concept of intertextuality lingual and the terminologically , the views of Western critics, its Arabic roots and display visions Arab critics, old and modern.The first chapter deals with the religious intertextuality through two sections , the first is the intertextuality with the Holy Koran ,the second section focusing on intertextuality with the Hadith and sayings of Ahl al - Bayt. The second chapter was to study the literary intertextuality through two sections, the first intertextuality with poetry and the second intertextuality with prose. The third chapter is considering the historical intertextuality of the three aspects , intertextuality with area and time and intertextuality with historical events.The researcher has approved at the end of the study conclusion explained the summary of research and its findings and a list of sources and references

الشخصية في روايات ميسلون هادي

Author name: ابتهال نوري احمد
Supervisor name: عقيل عبد الحسين خلف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: A fiction character is highly important in making events, formatting dialogues, and taking up space. In addition, it has other functions that differ from a character to another. This study addresses the novel character as a narrative entity in post - change Maysloon Hadi's novels. In the introduction, the researcher starts defining the novel character and its importance, and then (the character and the narrations) is studied where the character takes the role of the narrator to convey subjective and other narratives.After that, (Maysaloon's style of characterization in her novels) is studied where one can find that the writer adopts two ways : telling (pictorial) and revealing (dramatic). In the telling style, she uses the omniscient voice once and the character voice at another time. In the latter, she uses the implications of verbs, dialogues, and monologues. Furthermore, she uses the implications of nouns to present her characters.Then, this study examines (the character narrated to) where we get the character narrated to by a second side. It was dominant in Maysaloon's novels. Sometimes, the narrated - to character can be a main one, which is less used. Consequently, this study concludes that the fiction character is highly important in the post - change Iraqi novel, particularly in Maysaloon's novels.This study arrived at several results. The most important of these results is the inclination of the character to narrate the other narratives more than the subjective narratives in that a character tries to reveal man more than revealing itself. A character is revealed either through telling or through revealing style to suspend the reader and make him know the characteristics of each character alone

انماط تركيبية في الحوار القراني : قصة موسى انموذجا == Structural Samples Inthe Qur’an Dialogue : Moses Story Asa Sample

Author name: مقداد عبد العظيم فاضل
Supervisor name: عبد الجبار عبد الامير هاني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: تتناول هذه الدراسة الانماط التركيبية للجمل الواردة في خطاب المحاورة في قصة النبي موسى، فقد كان الحوار في القصة ميدانا تطبيقيا لهذه الدراسة، ولابد من الاشارة الى ان المقصود بالانماط التركيبية للجمل، هي تلك التراكيب المستقلة التي ترد بعد فعل ( القول ) | This research deal with types of sentences structures for sentences that occurred in the dialogue of Moses story. Moses tory got great deal of different teachers in different studies like( literature ,Artistic, metaphorical, linguistic ,and negotiation )But the dialogue structure in the story I can't find any synonym for it ,so the Researches Title (Structural Samples In AL - Quraan Dialogue( Moses Story as Sample).Structural Samples In AL - Quraan Dialogue( Moses Story as Sample )This subject suggested by my teacher supervisor Ph. AbdualjabarAbdualamir Hani, and I was interested to know about AL Quran Secrets.This subject relay on verses in Quran and this give priority among other studies.I have to explain that this study doesn’t cover all structure types occurred ,for its multi numbers and short time for writing in one year.so the researcher study just common dialogue structures.The study included in three chapters preceded by preface ended by the conclusion including the result of the research so the preface referred to the two terms (Dialogue and structure) in language and in term and also structural sample ,and the verb of saying because dialogue depends on verb of saying.In the first chapter is (Simple structure and compound structure ) It was taught : un restricted simple structure ,restricted, confirmed, ,negative (verbal and nominal)and also referred to conditional structure which is the condition and swear that compose of two parts the original and the branch.While in the second chapter it occur under the title (Enlarged structures) we studied the enlarge (large compound sentence) enlarge by number, enlarge by articles and some enlarged structure by dialogue.And the third chapter under the title (Omitted Structures)and it deals with reduce vocabulary or sentence.This study depends on the Arab grammarians(the old and modern)and the explicit people says, and these says and opinions that issued from them can be consider as solution for analysis.The analysis weight between the two factions semantic and pragmatic ,the first one concerns with grammar and its explanation while the second function focus on the functions of these structure and the partial points of these in general. In all these I depend on deceptive analysis for structures and its types that I use to study and I got big benefit from group of books like(AlTanweer, AlKashaf ,Albaher ,AlmohidandAlmizan) and other booksand also some scientific books of Al Quran and Metaphor ,in adittions to some books of modern like ph. Mohammed Hamasa,Ph.SaeedHsaanBahiry,ph.FadilSalihAlsamaraei and others.My study results some conclusions : Dialogues is cooperative operation going between different parts ,and can't be found unless there is differences in research ways and spoken languages comes occur after the saying verb because after he says a speech and this verb always refers to past simple picture and mostly occur masculine and it clear why it occur like that. Because the confirmation is on Moses character ,and some verbs occurred like (inspired and call).It is cleared that the dialogue of the prophet Moses be considered the longest and the largest as his dialogues with the lord (Allah) may that belong to the nature of context of prophetic message that require explanation andpersuasion.Dialogue Structures expressed significant these structures like the following : 1.Simple structure : that compose from predicable and predicative. 2.Compound structure : that compose two predicative that includes condition and conclusion and swear.3.Enlarged structures : which occurs in different shapes and different pictures, the enlargement achieved by in simple sentence by the big sentence ,numerical and other articles.4.Omitted sentences : that compos all deleted from articles ,nouns ,sentences, says,.Finally this research paper is just humble work that I did all my best from energy and effort for AlQuran Language and for Arabic language and its immortal structures ,I ask my God (Allah)to guide me to the knowledge and prevent me from mistakes ,No one will be neighboring to me more than (Allah),and Finally My great thanks to (Allah )

تداولية الخطاب التفسيري في كشاف الزمخشري (ت538هـ) : السور المكية انموذجا == Pragmatics Of The Explicatory Discourse In Al - Zamakhshri?S Kashaaf : The Example Of Mecca?S Verses

Author name: سارة عودة جابر
Supervisor name: عامر عبد محسن السعد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, who has been humiliated for his ability and caused merciful(kindness) reasons. The prayer on the messenger of the best religions. The honourable of the whole creation of God. Mohammed and his virtuous household family and companions. The pragmatics is accounted as one of linguistics branches. It appeared recently for the purpose of studying the semantic (meaning) and makes it more accurate in usage. And in its methodical described the whole complete and comprehensive curriculum in the studied language for teaching the speech in its positions and its different forms according to the intention of the speaker and the conditions of the audience who receive it. If the linguistics has focused(concentrated) on internal performance and levels in studying language and interested in both issues structural and traditional, so that the pragmatics is more accurate because it is interested in the poles of the communicative process to ensure communication. The importance of the topic dealt with the significance of the speech within the light of the context and the surrounding positions. Since the prospector(Alkashaaf) is an interpretation oration (speech). So that the curriculum pragmatics approach will allow that speech to track the language properties of interpretation at all levels especially the indication that is necessary to interact with the oration language thus the interpretation concentrate on semantic (meaning) since the meaning is the core of the communicative process in the pragmatics, so there are bridges between interpretation curriculum represented in (Alkashaaf) and the lingual approach represented in the pragmatics and this issue gives the research a great significance because it will end to a definite result that in our heritage (tradition) aspects (remarks) or theory of pragmatics.The researcher tries to answer on the following questions;1 - Why did Al - zamakhshri write his interpretation ?2 - Who is the beneficiary from the interpretation?3 - How could he influence the recipients?4 - How was the language of interpretation with him? The aim of the research is studying the interpretation completely ( comprehensively) far away from the silence of the text connecting it with the different positions and searching for both goals productive and untold (silent) with stating (expressing) the influence which happened on recipient himself. All this through approaching the traditional text with modern linguistics analysis to find common denominators between deliberative linguistics and our linguistics heritage especially the rhetorical lesson. In the nature of the research divided into preface and three chapters followed by a conclusion with the most important result.The preface includes determination the deliberative term and its relation with the religious oration (speech) especially interpretation.Chapter one applies (speech Acts in interpretation oration for Al - zamakhshri) and divided into two topics : The first in the direct speech Acts. And the second in the indirect speech Acts. Chapter two applies (Argumentation in interpretation speech for Al - zamakhshri) and divided into three topics : 1 - The concept of Argumentation 2 - The features of Argumentation curriculum.3 - The Argumentation scale and its devices.Chapter three is about Deixis and divided into three topics after an introduction about the concept of Deixis and their topics as the followings : 1 - Personal deictics.2 - Timeporal deictics.3 - spatial deictics. And finally we ask praise be to Allah, Lord of the world
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