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صورة الاله في الالواح الفخارية العراقية القديمة == The Images of God in The Ancient Iraqi Pottery Plaques

اسم المؤلف: مصطفى جواد كاظم الحسناوي
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

البنائية للخزف النحتي الهولندي المعاصر : دراسة تحليلية

اسم المؤلف: سجى رسول نفل
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الدراسة الحالية اعمال النحت الخزفي البنائي الهولندي للفترة الممتدة بين (1970 ـ 2008) في ضوء تطورها ودلالاتها الفكرية، وقيمها الجمالية، ومرجعياتها، فضلا عن ان الباحثة لم تعثر على دراسة اكاديمية سابقة مباشرة تقترب من موضوع الرسالة الحالية الموسومة

تاثير استخدام اوكسيدي الزنك والتيتانيوم لانتاج زجاج الخزف البلوري == The Effect of Using Zinc Oxide And Titanium Dioxide To Produce A Crystal Glaze

اسم المؤلف: احمد جعـفر حسين الـشمري
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث الحالي امكانية انتاج زجاج خزف متبلور ينضج بمدى حراري عال(1250 م) باستخدام اكاسيد الزنك والتيتانيوم كـمكونا رئيسيا للتبلور وباستخدام زجاج قلوي جاهز(Alkaline Frit glaze) بعد اجراء التحليل الكيمياوي للحصول على زجاج يلائم طبيعة البحث كما حددت | The research is dealing with the ability to produce crystallized Stoneware, Sensing in high range temperature by using alkaline frit glaze as the clay had been appointed, by adding simple amount of unsold material. The materials caused crystallization (ZnO) and (TiO2) in various proportions after treating (ZnO) and (TiO2) screening it to secure its melting in glazes. The results that researcher had done are valued and a selected ,sample has chosen ,after doing many modifications on the group of (ZnO) and (TiO2) upon the appearance of the clearly crystal by ( sight ). Titanium Dioxide was added to the group of zinc to know the influence of the in the crystal of zinc after that the colored oxides averse added which they were (CuO), (CoO), (MnO2), (TiO2.FeO) and (Fe2O3) in various proportions to show the beauty of the crystallized Stoneware. The researcher concluded within the experiences that there are many reasons that confine the produce of the crystallized Stoneware pottery in perfect way like the solid material and the addition of oxides which cause the crystallization in huge a mortal more than it is usual and the right application of equality and thickness and appoint the degree of crystallization and duration and cooling time upon scientific an accurate base.In the laboratory many tests had done and the result was that the examination of (X.R.D) showed that many crystals of new materials appeared after the disappear an of glazes

تحولات صورة الجسد في الخزف المعاصر == Converting The Image of Body In Contemporary Ceramic Works

اسم المؤلف: علية محسن عبود الصياد
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لعبت صورة الجسد في الفن دورا كبيرا ومهما في تطور الفكر والمعرفة الانسانية، وساهمت تحولات صورة الجسد التي اعتمدت الازاحات الكبيرة في تاريخ الفن بافراز تحولات في الاسلوب والية طرح صورة الجسد في مختلف البنى التشكيلية والتي تضمنت الابداع كاحد اسس هذه التح | The body image in art has played a major role to develop the thought or mind and human knowledge, and the converts of body image has contributed to depend on large displacement in history of art to sort the innovation as one of bases to this conversions the body image has moved in the art of pottery in side the mechanism of its matter and the style of it forming and technical style to take its specialization to be emerged to rests of Arts. This abstract includes the study of matter of conversion of body image and recognize its specification in contemporary Iraqi pottery that includes four chapters.The First chapter contains the problem of Abstract and its wondering and an importance of abstract and then its aims upon the observation the important conversion of body image in contemporary Iraqi pottery, and then the boundaries of time abstract that limits (1970 - 2010) and place, then specifying the terms, upon to the need of abstract and process identifications, bet the second chapter that has been divided to three approaches, in the first part of first abstract talking about the confirmation of philosophical and intellectual concept of conversion, in the second part it has been specified to a concept of body image that contains philosophical concepts for body and throw the light on it, at the second approach the showing was made for conversion of body image in art in civilization to deals the body image in ancient Iraq. The body image in Egyptian arts, the body in Greek arts, the body image in Islamic art and its conversions, and Abstract continues to reach the third approach to deal the conversions of body in contemporary pottery. But the Third chapter has been specified to the procedures to select that society, specimen, the tools of sample classification, the tool of analyzing and its concept and then analyzing the samples that have been received to five samples (inspire body image symbol body image, advertising body image, pragmatic body image, realistic body image) have been classified upon to the sample classification tool and its specimen. At the fourth chapter, the results of abstract and its conclusion and recommendation and suggestion, have been acted, and then English, Arabic references, appendixes and images and the researcher has reached to the numbers of conclusions are : 1. It has been appeared significant cross and time cross to appear the body image in potteries that exchanged that emerging and absence upon to the social, intellectual stresses to move to body image to another and from idea to idea.2. The searching always about obscured intercepting beyond the concept and referring to another concept and those referring subject to intellectual, social environmental potteries.3. Body image subject to references either Rafidain it mean old Iraq thought, the order the references of Islamic thought, the order the reference of Islamic thought and oppress to borrow the symbol, inspire, and borrow by color, shape and the style of formation some times, or contemporary references inside modern art school.4. The mythological borrow animal ports for example the horns, feet of birds, wings, and heads of animals upon to the partial idea, where this body becomes alternative body.5. Denoting the image of body for man and woman together a mostly to appear in front of you in pottery samples to indict the human social sense of contemporary Iraqi pottery.6. The abstract shapes performs to play inspiration with mind and sometimes it does out recognize between the shape that takes fake shape and the body is absent, so, the body in case non concisions will be a bent incase of naked form and the surface of body try to expose it by many significant ways methods.7. The web of bodies and clothes stretch to the analyze long and contemporary pottery analyze long and contemporary pottery formation to emerge the body image by different meaning or significance.8. The body image has become a special sign denotes with discontinuing that does not be appear only for special environment or an idea (Death, Birth, the relation ship each other) and continuing the advertising about a case or an idea.9. Borrowing the body image natural shapes to emerge in it and contain grovel and rocks and trunk of tars, color of soil to execute that image in contemporary pottery.10. The fertile body image converted to advertising body image and alternative body image and typical body image inside the beauty specification (style women) and body building a modern idea.11. Pragmatic body image subject to the relation of pottery with received to show the achievement, those carvers, the mind and message that will be in received boundaries and interact with him by borrowing the human, social and enliven mental meaning or vocabularies.

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة == The Using of Egyptian Paste Technique To Product Glazing Bodies

اسم المؤلف: نبيل مصطفى محمد الركابي
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة == Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

اسم المؤلف: طه حنش سلمان الربيعي
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

المقاربات المضامينية في موضوعات الفخار الرافديني والفارسي == Similarities Content Mesopotamian And Persian pottery

اسم المؤلف: عمار عبد الكاظم مهدي الكريطي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المفردات الدينية وتمثلاتها في الخزف العراقي المعاصر == Religious vocabulary and Tmtheladtha in contemporary Iraqi faience

اسم المؤلف: علي غضبان سكر علي الحسناوي
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

التعبيرية التجريدية وانعكاساتها على الخزف العراقي المعاصر == Abstract Expressionism and its reflection upon the contemporary Iraqi ceramics

اسم المؤلف: اسعد جواد عبد مسلم الشباني
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

دلالات اشكال المنحوتات الفخارية في العصر البابلي القديم (2004 - 1595 ق.م) == SEMANTICS FORMS OF POTTERY SCULEPTURE IN ANCIENT BABYLOION ERA (2004.1595)B.C

اسم المؤلف: حازم عبودي كريم السعيدي
اسم المشرف: محمود عجمي جاسم الكلابي | حامد عباس المعموري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى: