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البنية التشكيلية لشكل الثور في النحت العراقي المعاصر == Plastic Structure of Ox Shape At The Contemporary Iraqi Sculpture

اسم المؤلف: منى يونس عبد الجبار يونس عبد الجبار الجنابي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study deals with study of ( Plastic structure of OX shape at the Contemporary Iraqi scdlpture ) , it comprises Four Chapters , First Chapter to demonstrate the Study Problem , its significant , its necessary , its target , and determine most important idiomsmentioned at the study.the study Problem inciudes raise limited questions about these study , and answering to that questions through debate main subject that connect to effect of human being at ancient period which is appearin the modern Art action as atopic subject submitted ti study through embodiment in modern Iraqi sculpture actions , and it should be adopted for intellectual and artistic composition to identify its essential.second chapter ( theoretical framework )comprises three topics , first topic deals with the concept of structure , second chapter concern with Iraqi environment effect on composition of OX s shape by course of time on distant ages , third chapter concernsstructure of OXs shape at modern art. chapter three includes study approach , in which researcher review Research population and its sample selection in addition to research tool and its approach. chapter four Ends with research results , conclusions , recommendations , andsuggestions , some of the results that study reach are : - 1 - Add aesthetic value for art action that embodied of OXs shape which has the content that interject subjective and objective of expression through forming of shape till it reach to a limited manner which hold that value , in addition to the intellectual value.2 - It is possible to set a value evaluation that on the vision simples of the OXs shape that has a determinants that embody by external form which determine the simple value that the action refer to it in this manner or embodiment.3 - the vision formulation of OXs shape in some samples has a decorative composition dominated by the nature of old Iraqi traditions that has its own reflect influence on such a simple of contemporary Iraqi sculpture.4 - Some of the OXs shape has a subjectivity plastic composition that alters the shape construction an aesthetic value more than objective one.

التوظيف الجمالي لمنحوتات النافورات في اوربا == Employment Aesthetic of Fountain S Sculptures In Europe

اسم المؤلف: حيدر صبيح عبد الله
اسم المشرف: هادي مشهدي عجيل
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: When sculpting overpasses the temples I the beginning, a kind of interactive paring has happened with its advance that acquired it development and diverse effect. The most important pairing is the combining of sculpting monuments with the aesethic and the effect of fountains, water has acquired water a structural transformation from mere monuments into self - existing as a center of inspiration into the group of activities : ? The aesthetic : employing the water towards an merger with the sculpting to be complimentary.? Psychological : for what water present of the psychological data the basis of life and prosperity.Because the thing accepts merits from the sculpting form when it is combination with water, history of sculpture has passed about forty centuries starting from Mesopotamian, Romans reaching not modernism and postmodern.Since water is regarded one of the pillars of life and the mark of existence and a peculiarly of prosperity, richness and happiness, with all that connotations unrestricted additions to literature and art , specially sculpturing. These are the periods which reveal the points and setting and the results of the aesetithic for the waterfountains as a result of a combination that is not free of interaction on the level.The research needs investigation and digging the interaction in addition to a systematic interpretation with all the calls for investment in that employment with aesetithic developed dynamitic data.The researcher in the cognitive field presents the performance combination between the sculpturing as art that depends on the block with its three dimensions and the interactive movement of water with the text to be a stylistic structural part which is combined with a mechanism that is producing the final form with an interpretation implementation which adds a lively interactive.Besides these ideas, the research depends the ideological implementation which achieve success.Chapter One represent the theoretical of the study, by finding the problem, the aim, the limits and the need for the study as well as defining the terminology.Chapter Two is the theoretical and cognitive framework so that the researcher could achieve the intellectual bases of the aim and the indicator equation analysis depend on the first inquiry : thepsychological dimension of water in the human self and the aesetithic employment.The researcher shed light on what could be achieved by water as a vital element in effect of building the psychology of man. The artist can invest in these information with scientific validity, the second inquiry is the theoretical framework is about the sculpting of fountains and its stylistic development. It is an investigatory inquiry which evaluate the most important findings.The researcher ends the theoretical framework with the third inquiry that shows the aesthetic employment of water in these fountains and that form the sculpting art. These indicators which are produced by the theoretical framework which can proved its analysis of the aesetithic employment. The samples of the research form the site of revealing the results which is achieved the aim of the study which lead to the achievement of the conclusion and recommendations. This researcher in that achievement realizes that the area of her research is regarded new in the Iraqi and the Arabic level. This reveals the importance and the movement of the fountain sculpting in Europe as an important source in the Arab East. This can characterize the thesis of originality in that field

المتخيل النحتي في الواقع الافتراضي : دراسة تطبيقية == Sculptural Imaginary In Virtual Reality Experimental Study

اسم المؤلف: ماهر حسين علي الحبوبي
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص البحث في محاولة اثبات امكانية الحاسوب الالكتروني كاداة تطبيقية في تجسيم وانشاء مخططات لاعمال نحتية في الواقع الافتراضي كمشروع متخيل لدى النحات لعمل نحتي ينوي تنفيذه. فقد تراءت مشكلة البحث امام عيني الباحث لدى ملاحظته وجود برامج حاسوب قريبة او متخصص | Boils down to search in an attempt to prove the possibility of the computer as a tool applied in materializing and the creation of sculptural works in virtual reality imagined as a sculptor to work with sculptural intends to implement. Perceived research problem has appointed researcher at the front of the note the existence of computer software or near specializes in sculpture and composition can benefit from the development of the traditional methods in the output of sculptural works such as dispensing planning paperwork (Sketch) or scale models (thumbnail) commonly used in recording and output sculptural works created and that cannot give the impression of a real sculptural work , especially in terms of the real size and blending with the specified space for display the goal of the work environment sculptured saving money , time and effort , add to edit the image with the sculptor imagined to broader horizons during organizing formal ties to these programs from a high potential to change and modification of shapes, which cannot be carried out only through the injunction by the user (sculptor). The researcher in the first chapter and the goals of identifying the problem and the importance and limits of the search, where the objectives were as follows : Statement of the possibility of a computer in the development of the initial steps of the finished sculpture. The research identifies ways that show the diverse sculptural works using the techniques of computer programs (3DsMax, Maya, Photoshop, Z Brush, Cinema 4D) and with modern versions only because of their potential novel lacks its older versions. In the second quarter it was the duty of the researcher to explain in detail what the term means and imagined sculptural statement types and divided it from the vocabulary of. Then been identified as exemplified by the image imagined when the artist generally and then sculptor especially during the discussion of the mental processes that contribute to the formation of a mental picture and then discussed with the sculptor in the output stages of the sculpture has been in this first section of the second chapter. As for the second part, in which the researcher has shown what it means to the term virtual reality with an attempt to identify the potential of computer and duties in addition to the work of the system as a whole, especially in the process of Manifesting. The researcher also reviewed the most important programs currently available to the user sculptor and specialized forming and modeling operations with an indication of the most important characteristics of positively and negatively, and this was in the third section. To illustrate these capabilities are available in the software selection researcher felt sculptural work is physically present in the true reality and its application to these programs in virtual reality was the selection of the ancient monument Kahramana of the late sculptor Mohammed Ghani Hikmat.The first stages of such a solution to the problem that led to the indicators determine the logical relationship between the imagined image and the computer as a tool to help implement the executive sculptural work in virtual reality, which can be summarized as follows : 1 - The need to develop analytical side with the sculptor to be able to analyze the shape to its basic components and these components to the re - engineering of its assets.2 - Develop a plan for the implementation of sequential commands for the program.3 - Study variables that can occur in the form during the installation process and modeling. On the basis of the indicators that emerged at the end of the second quarter felt researcher adoption of the experimental method and the request to determine what supplies the basic application and reached through the theoretical aspect of the study sample. He chose researcher all Aanalat formations of sculpture, which gradually in complexity formal between simple and complex as a research and adoption programs modeling two - dimensional and three - dimensional (which have been selected on the basis of its development and the possibility of their use and reliance on the production level) has been applied to these works to demonstrate the possibility of a computer in the application forms from the imagination of the sculptor with an explanation of the application process for the purpose of confirmation of the results, this has been in Chapter III. Has resulted in the actions carried out by the researcher to the emergence of a number of findings and conclusions, the results proved the possibility of the computer as a tool to record initial perceptions of the sculptor and an embodiment of these perceptions to a three - dimensional image can be saved and add amendments to it, and the comparison between the photos and choose the situation appropriately expressive and aesthetically pleasing, including. In order to confirm these findings, the researcher within the expertise to provide a draft proposal for the establishment of sculptures (Polyphonic and memorable, realistic and abstract) in three different locations (Square intersection tunnel police - Baghdad, the interface is complex catalog Mansour Mall - Baghdad, an exhibition hall artistic closed) represents the business environment of sculpture (monuments or exhibitions) and with the help of computer programs for the entire application modeling with each proposal and to develop a sham and video recordings for the purpose of comparison. The researcher in this videotapes put odds change the shape of the monument, the environment or materials with comparable on the basis of natural lighting or artificial with the change of viewing angles in all the time he registered for the purpose of giving more space to compare the shapes and set changes that can be entered on the block sculpture or presentation of the proposed space. As a result of group comparisons have concluded search as a result of the application the possibility of using the computer as a tool documentaries initial sculpture instead of the traditional methods of registration and of drawings paper (Sketch) and scale model (thumbnail) which cannot give the right impression on the bloc proposed when zooming in addition to the open ranges wider in front of the sculptor to diversify and edit pictures imagined starting from the idea and the end of the registration process of the display

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية == Features Experimentation In Theater Iraqi Academic

اسم المؤلف: حسنين صادق عايد علي
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).

تمثلات الفن البدائي في النحت الحديث == Resemblance of the Primitive Arts in Modern Sculpture

اسم المؤلف: علي حسين كاظم الجنابي
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

التاويل في التشكيل النحتي ل (جان هانس ارب)

اسم المؤلف: طيف محمد نجم الموسوي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

جماليات التشكيل النحتي في الحضارة النبطية : البتراء انموذجا == Aesthetic of Sculpture Forming in the Nabati civilization Al - batra'a as a Sample

اسم المؤلف: سامر حسام علي الشلاه
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

تصميم منحوتات الحديد لفن ما بعد الحداثة == Iron sculpture design of post modernism art

اسم المؤلف: فرات عماد صاحب
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى: