البحث — المستودع الرقمي العراقي

نتائج البحث: 4 من أصل 4

المتغيرات الاخراجية في العرض المسرحي العراقي ما بعد 2003 == The Direction Variables In The Iraqi Theatrical Show Post 2003 - Period

اسم المؤلف: سعد عزيز عبد الصاحب

اسم المشرف: عقيل مهدي يوسف

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تعتمد المتغيرات الحضارية والانسانية على عدد من المحددات في ضوء حاجة الانسان في تغير معطيات حياته من شكل لاخر، لذا تبعت هذه المتغيرات اشكال الحياة الاخرى ومنها المجال الفني بصورة عامة والفن المسرحي بصورة خاصة، والذي انبثقت منه صيرورات جديدة، حاولت ان تغير | Civilization and human variables depends on many determinants through the need of man for variables through the man need to variable his life from one form to another. Therefore, these variables have followed other forms of life including art in general and theater in particular. That has flowed from new issues which tried to variable the traditional issues in to new ones, which the receiver has not been familiar in their essence. But these are not common among us through intellectual and aesthetic components as well as new techniques that continued to present many reading and perspective (dialectic) for the social, economic and political events within the context of artistic show and with the style and attitudes of directors, as wee as their dramatic and directive attitudes. That is with a direct effect of the political variable on the theatrical structure and discourse.The research contains, in its structure framework - the problem of study - the following question.Has the artistic (directive) variables founded new theatrical traditions on mechanisms of theatrical directive, that we can talk about variation of direction style and vision after opening of new horizons of expression?The impotence of the study lurks in dealing and detecting transitional period from the date of modern Iraqi theatre - i.e post - 2003 according to the artistic direction that happened.The objective of the study lurks in treating and detecting the variables, terms mechanism and styles of the Iraq direction in the post - variable shows.The theoretical frameworks were confined in two inquiries, the first shows the directive perspective and the ideological transformation of the modern European theater IN Germany, England, Ireland, Russia, and playwright and their theatrical perceptions and readings of the social, economical, and political realities as well as the uprisings and coupes and the consequential effects.The second inquiry deals with the directive attitudes and variables in style in the Arab Theater post - 1967 war in Egypt, Morocco, Syria and Lebanon in openness on the directive forms, scripts and the scenegraphical techniques that were invented in the post war era.The comes an inquiry about the finings of these two inquiries until we tackle the previous studies and their relation to the title, and inquiries of the thesis, the Direction variables in the Iraqi Theatrical show post - 2003 period.The third chapter is procedure of the thesis. the inquiry stars with directive tendencies before the change 1992 - 2002 which unfolds the directive tendencies and attitudes in relation the delaing with patterns of performance and the stenographic forms before change.The sample of the study was chosen randomly out of the research community for having resource, reference, photographs, CDs, and the printed texts and the shown scenes of the live shows.The samples were : 1. the play of this life triumphs.2. the play Ali Al - Wardi and Hi Rival.3. the play Death and the Virgin.4. the play curfew.5. the play pawns.6. the play hatchback of new terdam.7. the play dream in Baghdad.In the descriptive approach in analyzing then above sample, in the fourth chapter, the research what he finds out in the conclusion as well as an index of the recourse and references an abstract in English

انساق العلاقة بين جسد الممثل والسينوغرافيا في العرض المسرحي : ماكبث انموذجا

اسم المؤلف: جواد كاظم حسن الحسب

اسم المشرف: فاضل خليل رشيد

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

تنوع اساليب الاداء التمثيلي في المسرح المدرسي : عروض البصرة انموذجا 1999 م - 2009 م == Diversity of Performance Styles Representative Theatre School Offers A Model of Basra

اسم المؤلف: حيدر صالح دشر

اسم المشرف: عبد الكريم عبود عودة المبارك

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة البصرة - كلية الفنون الجميلة - قسم الفنون المسرحية

اللغة: العربية

مكان الجامعة: البصرة

الصفحات الاولى:

المستخلص: يشكل المسرح المدرسي ظاهرة فنية مسرحية تعبيرية مهمة كونه موجه الى شريحة اجتماعية لها دورها في بناء المجتمع.ومن خلال اهداف هذا المسرح المتنوعة في التعليم والتربية والتوجيه والتثقيف والترفيه فان الجانب الادائي يشكل عنصرا اساسيا وم | Schooling Theatre represents very important Artistic and expressive theatrical phenomenon for being addressed social category that has it role in building the society. Through the various objectives of this theatre in education , learning, guidance and entertaining , the performance factor make up a primary important element of forming this theatre and activate its objectives; accordingly , the different types of this theatre requires from the actor to act based on acting methods related to the form of schooling theatre which are divided into the following : 1. Schooling theatre shows inside the class 2. Schooling theatre shows inside the school3. Schooling theatre shows outside the schoolThrough this division , the researcher observed the operations of these various methods within the above divisions, and he observed its different types and used by the actor by his research titled ( variety of methods of casting roles in theatre of Basra typical theatre. The research comes up with four chapters , the researcher initiated with the methodological chapter which represents the problem and the importance of the research besides its objectives which summarized by revealing ( variety of acting performance methods in schooling theatre and observe the visual channels in those methods to a achieve the objectives of show forms in schooling theatre). Furthermore, this chapter includes the time and place and subjective borders , through the title of the research , the researcher observed the most important terms and have procedural definitions for them that conform with its subject. As for the second chapter , it is related to the theatrical framework that includes three important sections which are as follows : First section : - Schooling theatre , the beginning and the development Second Section : - Forms of shows in schooling theatre Third Section : - Methods of acting performance in Schooling theatre The second chapter dealt with confirmation of the most important previous studies and to recognize the extent of it similarity with our field of study , and finally the chapter includes the indications of theatrical framework. The third chapter is a procedural one that contains on collection of applications to select the criteria of subjective analysis of sample chosen by the researcher after has done full survey on schooling activity in Basra governorate particularly the center of Basra , he tried to choose ( Al - Farahidi Typical School) to try out the sample of the research related to the first type ( inside the class) ,and the second type ( inside the school) through selective shows , as for the third type , the researcher intentionally chose a show presented by students of Fine Arts College during the Fifth Child Festival in Baghdad. The Forth chapter dealt with results , conclusions and recommendations , and finally , he presented the most important references and recourses used in the research besides summary in English.

الانعكاسات السياسية في عروض المسرح العراقي المعاصر == Political Reflections On Modern Lraqi Theater Peeformance

اسم المؤلف: سعدي مهدي غربي

اسم المشرف: رياض موسى سكران

الموضوع العام: الفنون الجميلة

السنة: 2010

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى: