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الخصب وتمثلاته في فخار العراق القديم == fecundity and its representations in Iraqi Ancient Potteries
اسم المؤلف:
عبد الوهاب رزاق عبيد الدليمي
اسم المشرف:
محمود عجمي جاسم الكلابي
الموضوع العام:
الفنون الجميلة
السنة:
2010
الموضوع الدقيق:
الخزف
الدرجة:
ماجستير
الجامعة:
جامعة بابل - كلية الفنون الجميلة - قسم الفنون التشكيلية
اللغة:
العربية
مكان الجامعة:
بابل
الصفحات الاولى:
👁 مشاهدة
الكتل السالبة وفاعليتها في الخزف العراقي المعاصر == Negative Mass & its effctiveness Iraq Modern Faience
اسم المؤلف:
شيماء حمزة رديف الخفاجي
اسم المشرف:
عبد الحميد فاضل البياتي
الموضوع العام:
الفنون الجميلة
السنة:
2010
الموضوع الدقيق:
الخزف
الدرجة:
ماجستير
الجامعة:
جامعة بابل - كلية الفنون الجميلة - قسم الفنون التشكيلية
اللغة:
العربية
مكان الجامعة:
بابل
الصفحات الاولى:
👁 مشاهدة
التكرار وعلاقته بالاسلوب في الخزف العراقي المعاصر == The Repetition and Its Relationship with Style of Contemporary Iraqi Faience
اسم المؤلف:
هدى عبد الحسين جبار العباس
اسم المشرف:
محمد علي علوان عباس القره غولي
الموضوع العام:
الفنون الجميلة
السنة:
2010
الموضوع الدقيق:
الخزف
الدرجة:
ماجستير
الجامعة:
جامعة بابل - كلية الفنون الجميلة - قسم الفنون التشكيلية
اللغة:
العربية
مكان الجامعة:
بابل
الصفحات الاولى:
👁 مشاهدة
جماليات العتمة في الخزف العراقي المعاصر == opaque Aesthetics in The Iraqi Contemporary ceramic
اسم المؤلف:
خالد جبار اسود العبيدي
اسم المشرف:
عامر خليل ناصر الشجيري
الموضوع العام:
الفنون الجميلة
السنة:
2010
الموضوع الدقيق:
الخزف
الدرجة:
ماجستير
الجامعة:
جامعة بابل - كلية الفنون الجميلة - قسم الفنون التشكيلية
اللغة:
العربية
مكان الجامعة:
بابل
الصفحات الاولى:
👁 مشاهدة
نظام الاختلاف في الخزف المعاصر == The System Difference in the Contemporary Faience
اسم المؤلف:
تراث امين عباس الخفاجي
اسم المشرف:
مكي عمران راجي الخفاجي | عبد الهادي محمد علي
الموضوع العام:
الفنون الجميلة
السنة:
2010
الموضوع الدقيق:
الخزف
الدرجة:
دكتوراه
الجامعة:
جامعة بابل - كلية الفنون الجميلة - قسم الفنون التشكيلية
اللغة:
العربية
مكان الجامعة:
بابل
الصفحات الاولى:
👁 مشاهدة
جماليات الاشكال الزخرفية في الخزف العراقي المعاصر == The Aesthetics of Decorative Figures In Contemporary Iraqi Ceramics
اسم المؤلف:
مهدي نوري عبيد السبهان
اسم المشرف:
صباح احمد حسين الشايع
الموضوع العام:
الفنون الجميلة
السنة:
2010
الموضوع الدقيق:
الخزف
الدرجة:
ماجستير
الجامعة:
جامعة البصرة - كلية الفنون الجميلة
اللغة:
العربية
مكان الجامعة:
البصرة
الصفحات الاولى:
المستخلص:
تتاثر الانجازات الفنية عادة بحسب نوعية البنية الثقافية للعصر والخطاب الذي تبثه هذه الثقافة ذلك ان الحضارات القديمة ارسلت بلاغها عبر منجزاتها , ولما للفخار من اهمية قصوى ورغم ارتباطه بدا بالنفعية الا ان سطحه اصبح فيما بعد نصا مقروءا متناميا فيه ال | The Artistic achievements are usually stirred according to the cultural structure of the generation age and the message conveyed by the culture , the ancient civilizations ceramic is thus crucially important and beneficial , However it has had readable surface with growing aesthetic a wariness, Methods of ceramic figures building have developed and varied , bringing out figure system , thus decorations by all kinds covered ceramic surfaces with symbolic indications , These creations reflected the spirit of the ages and through stages a solid base of original civilization was founded which have enable contemporary arabistic to develop their free intellectual views. The aesthetic sense has crockery during the Balioarteological ages inspite of the beneficial purposes of crockery , the ceramic artists could decorate their ceramic objects with particular engraves. which have inspired the contemporary artists. Some works of contemporary artistes are distinguished by making ceramic figures on ceramic surface.The monographic of this study aims at explaining the conception of the aesthetic system producing the ceramic body. Doing so enable us to enrich the knowledge medium with the research thesis ( The Aesthetics of Decoration Figures In Contemporary Iraqi Ceramics ). This research paper includes for basic chapters.The first chapter is concerned with the research main issue , importance , and need. It aims to identify the decorative figures in the contemporary ceramics and fined related terms and definitions.The second chapter is related to the theoretical frame it's result and results of previous studies. This chapter is further concerned with four topics. The first topic is intended to study the aesthetic philosophy ; the second one is about history entrance on ceramics art , the third topic is about shape and the fourth one id about history of decoration.Chapter three is concerned with procedures of the research using descriptive and analytic style. The research selection includes works of some ceramic artists during a limited time.The research sample includes ( 25 ) ceramic works chosen from the original selection in an intentional way. Chapter four is concerned with the statement of important results as follows : 1. Shapes balance in terms of contents and units on ceramic surface which showed aesthetic appearance. This created stability state result from the balanced ceramic works in addition to color harmony and mass balance.2. Among the aesthetic characteristics of ceramic components are the symmetrical decorative shapes which symmetrically depend on both ' X ' and ' Y ' axes.3. Ceramic figures beauty is made prominent by repetition characteristic in which units and items are related closely by drawing ceramic items repeatedly with out change.4. The Arabic letter appeared to be elegant with an arranged position with other letters , especially when it is used as a decorative figure in the contemporary ceramic. Therefore the ceramic artist manipulated the letter in two ways : Firstly , calligraphy was done with recognized script rules but in an occasionally repeated letter shapes and drawings. The letter was also drawn in a way so that repletion and symmetry were clearly apparent.In the second way , the letter was drawn and made with free - script rules.5. The geometrical elements decorative shapes with arrangements , symmetry , repletion , balanced and counter linear relations among them contributed to clear manifestation of the aesthetic aspect of the contemporary ceramics. The decorative construction of items was represented by triangles , rectangles , squares and circles
👁 مشاهدة
العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا : دراسة تحليلية == The Formulative Relations And Aesthetics of The Contemporary Pottery Formation In Germany (Analytical Study)
اسم المؤلف:
ازهار محمد علي محمد الجبوري
اسم المشرف:
جبار محمود حسين العبيدي
الموضوع العام:
الفنون الجميلة
السنة:
2010
الموضوع الدقيق:
الخزف
الدرجة:
ماجستير
الجامعة:
جامعة بغداد
اللغة:
العربية
مكان الجامعة:
بغداد
الصفحات الاولى:
المستخلص:
يعني هذا البحث بدراسة (العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا)، مسلطا الضوء على انظمة من العلاقات الشكلية التي تولدت داخل البنية الفنية للمنجز الفني والكشف عن هذه الاساسيات في العملية الابداعية وعن طبيعة الحركة التشكيلية الالمانية ال | The research is concerned with the Formalitive Relations and Aesthetics of the Contemporary Pottery Formation in Germany. It sheds light on the systems of formalitive relations in the creative process and also on the nature of the Contemporary Pottery Formation in Germany, specially pottery and earth ware which bears the characteristics of and senses of the formaltive relations and the aesthetics of the pottery in expressing the new raw material and methods, and that manner of treating these relations focusing on the structuralism of component units of the pottery work through the formal distribution of the artistic items.The study was divided into four chapters. The first chapter is concerned with the problem which is the aesthetic and formalitive treating of the relations and the elements common in the Contemporary Pottery in Germany and importance, objectives, limits of the study as well as determining the terminology. The second chapter is the theoretical framework, which tackles the importance of the form in terms of appearance and the method of appearance for the philosophers and critics and artists inside the structure of the art work. the chapter included four inquiries. The first inquiry included the importance of form in Contemporary pottery and the dialectic relation between form and content. It also included several pivots such as the showing the alterations of form for the movement of art like the modernized classic, Romanticism and for the critical attitudes like structural, semiotic, deconstruction, and modernism and what follows reaching up to the concept of aesthetic in the modern art.The second inquiry treats the nature of the formaltive structure of Contemporary pottery in Europe through citing some of the school of arts starting with realism and ending with brutalism. The third inquiry tackles in general the theme of pottery represented in Contemporary pottery in Europe and in stating the most important European potters who practiced pottery and whose works are studied. The fourth inquiry states the nature of contemporary German pottery through reference to some of the German potters, the pioneers in particular. The third chapter is a base for the application of that base according to systematic method that makes the studied sample of the researcher of the original community in order to reveal the objective of study and analysis the formal relation of the German potters.The results were attained through the stating and studying the pottery samples to which the fourth chapter is allocated. The researcher reached to the following results : 1. The correlative relation between the art of pottery and pottery of sculpture which comes through the elements of plastic art and the primary principle as common shared unit.2. The appearance of the formatlive relation in the Contemporary Pottery Formation in Germany as tight relations through a common mechanism which used in achieving.3. The German potter tends to the structural relations of the form in some of the potter and sculpture works and according to the artistic view of the theme.4. A movement among the items of the artistic achievement was generated through the effects of the German references which activated the artistic, which rendered the characteristic of totality and unity to the achived work of art.5. the formalitve relations Contemporary Pottery in Germany comes in the feature of the formalitve specially ion the style of the German potter and the existence of a common relationship between the potter and the sculptor in creation shapes such as geometric shapes and abstract.6. The German potter merged together pottery and sculpting with maintaining the particularity of each, but in a method that invest the technique of painting in his achieved works.7. The appearance of varied technique which has had the role in taking the used raw out and in the manner of using it in the achieved work. The chapter also tackled the concluded findings and the suggestions an d recommendation which the researcher found necessary.
👁 مشاهدة
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