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الانتقالات بين التنظيم السردي والاثراء الجمالي في الفيلم الروائي == The Transition Between The Narrative Organization And The Richness of Beauty In The Narrative Film

اسم المؤلف: خضير عبيس جياد القريشي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان قضية الانتقال على مستوى الخطاب الفيلمي, هي قضية الانتقال البصري اي تغير بؤرة التركيز في عملية تحول وانتقال من بؤرة سردية الى بؤرة فكرية وجعلها مركز الاهمية والانتقال. والكثير من التبعات التي تلزم ذلك المشهد الفيلمي, وتستدرجه تبعا لمتطلبات ذلك الخطاب وب | There is a clear coup at the Mongol, at the transition from the metaphysic to modernism and after appears the portraiting process that encode every dramatic ,literary, economical, scientific - scene in a film, with lots of effects that adheres to the scene and coincides the hierarchy of that speech ,and in the way that works with it by every means of communication, where cinematic portraition has delt with , the narrative transferring as a means of connectivity to the narration of films, whose importance comes from its being one of the cinematic language elements and the connection between the units and the narractive scenes in the film narration which has been formed with arts equation : formafive, dramatic, cinematic, in all reading necessaties for the show, mechanism and idea. The innovation of beauty is read with a new different equation, inferred from the story and the novel, cinema, theatre, dancing m curving, and this result can greatly affect the reader to understand the film scene, through the movement of its parts and turn down its outlook and inner side in the reading to reach the transactions or contradictions exists in the film, to be adjusted to accommodate the commencement and multi - reading For the show through informing and inferring for unfinished reading. So, the researcher decided to deal with (the transition between the narrative organization and the richness of beauty in the narrative film ) , as a field for his research. The researcher is composed of an abstract and for sections. The first section includes the framework that embodies the problem of the research and the need for it in this section specified the method in which movements applies the narrative organization and beauty richness in narrative film , and the way in which transitions are represented in extending the film tale which makes it start forward to research about the boundaries of meaning and significance in the narrative film , then the importance data as a means of connectivity in the film narration and how to activate it , so that the film tale would gain meaning or moving on the transition levels in the narrative film and connect the parts of the film tale. So the purpose of such researchers is to state the paradox in the term, perception and its definition to establish theoretical concepts, important for researcher and presenting these concepts on film vision and the partial applications coincide it in the cinematic work through the role that narrative transitions play in developing the film tale and giving the meaning that it aims. The boundaries of the research.The special boundaries were open since that the cinema is not an innovation that can be specified by a place in the world; but, innovation is sprung in every place in the world in the cinema production.So is the time boundaries the research is not limited to a period of time ; but exists on the film performance all over history ; and for the purpose of the research , the researcher specified the period of time since it came with specimens of films that worked the narrative transition in such a way that it could present her innovation role in connecting the parts of the film tale and in film specimens that belong to the modern narration , then specifying and defining the terms (transition , narrative organization ,and richness of beauty procedurally.. Section two : theoretical framework It includes three parts : Part one (narrative transitions in the expressing means one of art.) that deals with the transition process in the collective art from a locative art to subsequences of time, the researcher believes that transmission are limited of the portraits that contain more than one action allowing to move from one action to the other , and the researcher also deals with the transition in the narration of the novel since it is the nearest to the film art and the time separation that occurs in the narrative process of the novel , as it has transmission on the level of the time ,place ,and action and the reciprocal relationship between the novel and the film to make use of the novel technique in the narrative , and the novel to make use of cinematic techniques in the process of the production and the movement of the camera , and that was connected to the novel since there is a similarity between the novel and the film.They are under the same reading which is the narration with reservation to the specification of each expressing medium with what each own of the specifications of the other medium Part two : (Transition in the narrative film) It deals with the mechanism of transition and the process of its occurrence on the level of the film performance since it is complementary for the work of art, or describing it as a necessity of beauty on the collective and formative level of the narrative film and the transitions of the production in the technical side of the narrations works by the elements of the cinematic language which is considered as one of the transition means between the action and pushing the film tale forward. Through innovative effect that expresses it in an audio and video tape. Part Three : (richness of beauty in the narrative organization for transition) It is the innovative mechanism that accomplish the narrative structure process for the film tale through its similarity and difference in the arranging process for what is narrated in the film, performed or not. There are trails, inferred in the research, which the researcher used as a guide to analyse his specimens that has been submitted to some experts in the acoustics and vision department; which are : 1 - The narrative transition is represented for the necessity to change the career of the narration specimens in the novel film; so, it produced a kind of action Development and discovered new in formation.2 - The narration depended on the backlash or the professy action which leads to complete the tale in the expressing way which is clear for the receiver.3 - The function that transition performs is the series of transmissions between one section and another of the relations, represented among the things produced to make the tale be understood and of references and its contribution in transition between views in objective narration specimens to self and vice versa on developing the film action.Section three : performance setting. Three film specimens are analysed in this section. First : love in them of choleru. Second : The reader. Third : Babel.Research Performance it is the references of the theoretical framework which exports have agreed on with some modification for some references sadapting the research performances. Unity of analysis : The whole film scene. Section four : It contains the results, conclusions, recommendation and suggestions of the research.Some results of the research.1 - The narrative transition represented an important aspect in changing the direction of story narration , producing a picture between the objective and self narration in the novel film.2 - The transition established the connection of two or more stories to clarify the relationship among them, though they were uncongenial in the daily life and not apparently connected, but it is produced for ideal cases in most of its aspects and not available for the regular receiver.

التجارب الاخراجية النسوية في السينما العربية == The Female Directional Experiments In The Arabic Cinema

اسم المؤلف: ايمان حمادي عبد الامير محمد علي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استعانت المراة منذ القدم بالعديد من الوسائل للتعبير عن نفسها. وقد تطورت هذه الوسائل بصورة تدريجية عبر مراحل التاريخ. فلم تجد منفذا يعبر عن ذاتها افضل من السينما، لتنقل عن طريقها الكثير من المعلومات والافكار والمضامين لكونها تمثل اشمل واعمق اداة فنية، وفك | Since ancient times women used many means to express themselves. These methods have evolved gradually through the stages of history. Did not find an outlet for expressing themselves better than the movies, meant to deliver a lot of information, ideas and content as they represent a broader and deeper technical tool, and intellectual able to express the problems of society revealed its specificity, thus contributing to the development and change. Since the beginnings of the establishment of cinema in the Arab world women were very enthusiastic to promote the cinema of the Arab and able to occupy the great work of art representative and prolific and productive, as well as fought battle of film directing, has emerged since then, the names of the output pioneers were able to defy the silence and isolation and Imahdn the way for other outputs and register the lead in directing fiction of Arab women and they (Aziza Amir, and joyful Hafez, Fatma Rushdi, Amina Muhammad), then followed by having so many names and from different Arab countries were able to prove their presence and play a full role in the process of intellectual development that fall within the the door of development and the impact that Iozvhn see them through the technical work of art to choose to and affected.Which managed to films made of them reverse the problems of society and from the problems of women through Enayathn content - references and intellectual as well as the technical aspects that go into the heart of the artwork.I found these concepts resonate through the contents of the present research came Title (women's directorial experiences in Arab Cinema), which can be summarize as follows : Find attended several of the chapters, the first chapter dealt with the problem of determining the research questions formulated in accordance with : Would the director was able to acquire speech reflects the aspirations of the film or only on the man? Is it the form of facts to the different perspective of women in community issues? Is there is privacy in dealing with these issues? The features of that discourse and modes of formation of a cinematic visions and the difficulties of entry in the realm of film directing.The objectives of the research are : 1. Disclosure on the topics addressed by the women (the director) in Arab cinema.2. Disclosure on the mechanisms of recruitment of directorial vision and their relationship to highlight the intellectual content.The second chapter covered a theoretical framework which consisted of several sections included : the first output from the experience of Women in Arab cinema extrapolation historically.The second included the topics addressed by the filmmaker.And take care of hiring the third directorial vision to highlight the intellectual content into the work of filmmaker and he went out the theoretical framework is a summary of indicators of substantive literature search.The third chapter action research has contained the research method chosen by the researcher in order to bring the nature of the research is descriptive method, which involves the analysis, then the research sample was chosen Qsidia, and search tool, and the unit of analysis, and certified tool.Chapter IV - where the results were focused on two parts : First - What is the subject of directing feminist attached (there are linking a clear and explicit issues faced by women and was bringing it through the intellectual content within the imaginary events).Second : The technical wizards for Women directorHence the conclusions may carry this chapter also the recommendations and proposals, as well as on the last page contains a list of sources, and then supplements and finally there is the abstract in English.

القيم الاجتماعية في افلام محمد شكري جميل == Social Values In Mohammed Shukri Jameel Films

اسم المؤلف: علاء مكي عبد الهادي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث التعريف باهمية الفن بشكل عام والسينما بشكل خاص من خلال امتلاك خاصية التاثر والتاثير في المجتمعات الحديثة، واعطاء لمحة موجزة عن اهتمام اهل الحضارات الاولى في العالم في هذا الجانب لاسيما في العراق القديم وشرح العلاقة بين الفن والمجتمع التي تش

توظيف الدراما في الاعمال التعليمية التلفزيونية == Employing The Drama In Educational TV Works

اسم المؤلف: عدنان كاظم منسف علي
اسم المشرف: عصام عيسى علوان السامرائي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: على مدى تاريخ الحياة الانسانية بقيت الحاجة ماسة للتطورات التقنية التي تزامن المسيرة التعليمية بمختلف تدرجاتها ومستوياتها بسبب العلاقة الجدلية التي ربطت ما بين التعليم كحاجة انسانية واجتماعية وما بين التطور التقني كوسيلة تساعد في تذليل الصعاب وتيسير استخدا | Over a range of human life history, the need remained urgent to technical developments that concur the educational course with its different gradations and levels due to the controversial relation associated between education as a human and social need and the technical development as a means helps in surmounting the difficulties and facilitating the use of cognition to serve and promote the society; therefore, this study tried to take the suitable ways to achieve the maximum possible advantage of education effectiveness through employing the available means to increase the productivity of education like using the drama and employing it within the educational TV works in order to help in adding a kind of suspense and excitement on those TV works and increasing their attraction in the target audience. Hence, the researcher divided his research entitled (Employing the Drama in Educational TV Works) into four chapters. The first chapter came under the title (The Methodological Frame) including the research problem summarized in the following question (What is the role of drama in the educational works and how is it employed in those works? And what are the artistic treatments of drama in the educational works?). The researcher referred to a group of aims he intended in his current research process which were as the following : 1 - Identifying the forms of employing the drama in educational TV works. 2 - Revealing the drama treatments in educational TV works. As to the research limitations, they are confined to the study of drama works of Iraqi, Arabic and international educational programs and movies for the period 2005 - 2010. The second chapter was entitled (The Theoretical Frame and Previous Studies) including three sections under the following titles : Sections one/ The Drama and Education Technology under the contemporary TechniquesSection two/ The Forms of Drama Employment in Educational TV Works Section thee/ Artistic Treatments of Drama in educational TV works This chapter also included a number of previous studies approximate this study. The researcher also got out with a number of indicators as a theoretical summary of what the theoretical frame revealed. The third chapter addressed the procedures done by the researcher consisting of the method used, research population, research sample and its selection justifications as well as the research instrument and the analysis unit besides the analysis of the selected TV samples (Prophets' stories - Dora - the Ice Age - Fridge - Tilley Tapez). The fourth chapter contained the final results, the most prominent of which were : 1 - It was shown that some educational TV works accept the work of drama in them and employing it within their internal structure with variant ratios according to the form of artistic treatment of drama elements and the nature of directing vision of the work maker. 2 - The dolls used in educational TV drama works had a great capability of explaining and conveying the scientific material to the target audience through the fantasy form of dolls presented through the reality of drama characters. 3 - The researcher observed the distinct employment of picture scientific imagination in cartoon films taken from realistic scientific facts within the structure of educational TV works executed by cartoon films with methods facilitated the process of addressing the scientific topic and embodying it in an artistic, interesting, exciting and attractive form to the receiver.4 - It was shown through the analysis that the TV works executed by the three dimensional (3D) technique were the most working and effective types as embodying the drama characters and places in a semi - realistic way. The research also arrived at a group of conclusions, recommendations and suggestions as well as a list of references and sources the researcher relied on in his research besides some appendices and the research English abstract.

التوظيف المجازي للصوت في الدراما التلفزيونية

اسم المؤلف: احمد عبود العسال
اسم المشرف: عبد الباسط محمد علي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يحتل الصوت في الاعمال الدرامية التلفزيونية، مساحة واسعة على مستوى التوظيف والتعبير، فالى الجانب الوظيفي لعناصر الصوت من حوار وموسيقى ومؤثرات وصمت في تشكيل ودعم البنية السردية للصورة في العمل الدرامي اصبح اليوم وفي ظل التطورات التقنية للصوت قيمة جمالية في

المعالجات الجمالية والفكرية لحكايات الف ليلة وليلة في الخطاب السمعي البصري العالمي == Aesthetical & Intellectual Treatment of One Thousand Night And Night (Arabian Nights) At The Global Audiovisual Discourse

اسم المؤلف: صالح علي الصحن
اسم المشرف: صباح مهدي الموسوي | متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اذا كان احد الاسباب التي دعت الى اختيار موضوع الف ليلة وليلة مادة بحث هو الاهمية الكبيرة التي لاقتها الليالي عند الغرب، فان تعدد اشكال الاهتمام والتناول هو الاكثر تحفيزا، والاشد فضولا، لمعرفة كيف ينظر الينا الاخر بخطاب سمعي بصري، وذلك ما اشارت اليه ا | One of the reasons to select one thousand night and night as a material , for its great importance in the west and variety kind , from attention and dealing with it that is most motivated The more curiosity, is how the other look to us. And that the reply of art, culture map and its races engaged several kinds and forms , from the ways of dealing , and difference of styles. that increase us proud as Arab and Orientals , the owner of one thousand night and night , that appear in aesthetical & intellectual aspect among international culture. ((This book needs it urgently, in international group of Art and as source of pleasure with out any end , and it is an international photo book. In spite of all nations told folk stories , but this magic book is enough for us )) and that the researcher had design research plan By chapters. Began in methodical frame , to expose research problem and its need for it and the importance of the research , and the aims of research and to limit the border of the event for rhetorical frame and previous studies the researcher divided in to three topics , first , one thousand night and night in Arabic tells , and that concentrated to discover description of old Arab narration and role of book , one thousand night and night in it period of rising the book and act of receiving from the others. And discovering the narration style in Arabic night and the composition of narrative structure and way of tale with frame , and diagnosis wonderful aspects in tales and multi - point of views. The second topic dealing with the size of interference it in international culture and that began with the first beginning for translation these nights and its development to pass to European arts in stage , music , constructed arts , cinema , and television , 1 - This lines were written by the writer HERMAN HIS , FAKHRI H. ALKASAB (( Famous people 's opinion the book of AL - LYALI which is well known public Folk journal , State house for Cultural Affairs , Baghdad 1989 ) page 150Also in the international poetry and international novel and story tat discovered by wide horizontal Where Arab nights emphasized on its art position in international culture generally. The third topic dealing with fields of cinema and television and level of adoption of one thousand night and night that complied with rule and requirements of optical language , after it limited forms of dealings and level of Treatment , and that represented by figure , tale frame , and wonderful description sex and oriental environment , and also searching to discover critical analysis reading , for a great numbers of films , and TV program produced on the international level while it take one thousand night and night as subject. The researcher discovered the clear differences in aesthetical & intellectual Treatment and the act of different faced by Arab nights , from clear difference in the way of adaptation near or far , In part with out intellectual and aesthetical attitude , for the producer and manufacturer of optic work. The researcher came out with sane important indications, such as multi forms of dealing and diversity of level of Treatment, and the role of act form with optical and audio element in aesthetical enrichment and these treatment include multi aims. And regard attempt of translation for content historic origin for Arab nights intersect with culture of the orient and the west in some times. and in Arab values. The third chapter depend up drawing procedures of the research and to limit methodology and its sample , and to identify its tool , depending upon unite of analysis represent in optical sceneThe research selected three analysis sample , the first is cinema film. Second TV services and third TV film with cinema spirit. Where there are rich material benefit the research to detect , analysis and arriving aims. The four chapter, the research came out with same results such as diversity of forms of dealing with one thousand night and night tale and that dealing carry different point of views , able to be erosion the speaking and figures and take it as an argument To put the orient in the lower stage and respond with civilized struggle matter Although , this dealing holding with oriental type of telling , and effected with it. After making technical high skills available in aesthetical Treatment according to point view of the west. The researcher , emphasized on some notes in result field is that Arab tales are rich heritage , enriched a lot of international works , diversely with its intellectual contents and its aesthetical Treatment , and with some diversity in opinion on intellectually and aesthetically. The research , recommended some suggestions to draw attention to one thousand night and night tale , and transfer the important events to audio - optic work , and never leave to erosion by others.

الاساليب الجمالية والفكرية للاعلان التلفزيوني العراقي المعاصر

اسم المؤلف: ماجدة سلمان محمد
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتميز الاعلان بانه قوة اقتصادية واجتماعية، ويعتمد نجاحه على ما يتضمنه من قيم فكرية وجمالية، وليس مجال بحثنا العمليات التي يحيل اليها النشاط الاقتصادي للاعلان، فقد حاولت انماط من الاعلان ذات سمات جمالية وفكرية ان تخرج عن النموذج الاستهلاكي الى افاق اكثر ان