البحث — المستودع الرقمي العراقي

نتائج البحث: 25 من أصل 2,207

الخطاب الشعري في لافتات احمد مطر

اسم المؤلف: محمد وليد محمد

الجامعة: جامعة البصرة - كلية الاداب - قسم اللغة العربية

اسم المشرف: ضياء راضي محمد الثامري

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: البصرة

الصفحات الاولى:

شعر رثاء الامام الحسين ( عليه السلام) في العراق ابتداء من سنة 1100هـ حتى 1350هـ : دراسة فنية The Poetry Of Elegizing Imam Hussein ( Peace Be Upon Him) In Iraq Beginning From 1100 A.H. Till 1350A.H. Artistic Study

اسم المؤلف: خالد كاظم حميدي الحميداوي

الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية

اسم المشرف: علي كاطع خلف المحمداوي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: اللغة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: النجف

المستخلص: Since the peoples' culture, their intellectual progress, and their position among the nations' and peoples' culture are contingent upon their thinkers, creative geniuses and experienced leaders, I started to deal with this subject believing in this vision and discussing the authors opinions reading their minds and notions about the personality of Imam Hussein (peace be upon him ) as he represents a prominent signpost of super honour and immortality, and it would be of most important if we knew about the emptiness of the critic field that took up the elegic poetry of Imam Hussein ( peace be upon him) during the Middle Age as a subject equivalent to its other critical studies.The thesis form and its scientific subject required to be devided into chapters preceded by an introduction and ended with a conclusion followed by a summary about the elegists of Imam Hussein (peace be upon him)mentioned in this study. The introduction dealt with the Husseini elegizing march formed during the Pre - Middle Ages, and the form it adopted as a method, then the disagreement and agreement points of the nature of the Husseini elegizing during the Middle Age. In the first chapter, I dealt with the structural form of the Husseini elegizing, in which I studied the setup of the poem, stanza, sonnet and pentameter, followed by a talk about the fictional narration, which is considered as a texture connecting the poem parts.While the second chapter revealed the nature of the language of these elegies, their expressions, structures and styles. The third chapter studied the rhythmic setup of the Husseini elegy, and was devided into two sections. The first dealt with the extemal rhythm represented by rhyme and meter, while the second one studied the internal rhythm such as paronomasia, run - on lines, rhyme, internal rhyme and repetition. As for the fourth chapter dealt with the poetic image constituents and divisions of personification, embodiment and humanization. The study required an analytic descriptive method that tends to be somewhat normative.The references that the researcher adopted were distributed to the poetic divans (printed manuscripts), in addition to the poetic collections that included the poetry of this era. While the old and modern books of criticism, rhetoric, grammar and linguistics were my basic references. The difficulties I faced were many , of them were the long subject of the study which resulted in the multiplicity of the poetic texts, difficulty of reading the manuscript due to the intermixing of the copies lines, and the fewness of the references that studied this era that led the researcher to buckle down to arrive at a number of results , of them diminishing the belief that this era is called the (Dark Age) due to the multiplicity of the literary works produced during it - rather the literary production is the most outstanding phenomenon of its creativeness and existence, in addition, the Husseini poem had comprehended all types of artistic setup in terms of its external form, its structure pattern , maintaing the pedigree of its language and contents, and its being free from grammatical mistakes, as well as using the meters and rhymes that were greatly used during the pre - Middle Ages. The most important feature that distinguishes this period is its sensuous images which constituted a great portion of its total.This study could not be achieved without the great efforts presented by the Assistant Professor, the Supervisor of the thesis, Dr. Ali Gatea Khalaf Al - Muhammadawi for his invaluable guidance and striking advice which were the best support to arrive at these results.Recommendations : At last I'd like to review a set of suggestions, the most important of them is inviting the researchers to write creatively about this era as it is worthier to be studied and to reveal its concealed pearls, and to study those poets separately as I'm sure that we would get a great linguistic and literary heritage. I also suggest studying the Husseini elegizing in the other countries during the Middle Age.

الصفحات الاولى:

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

اسم المؤلف: قاسم نجم عبد الربيعي

الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية

اسم المشرف: علي كاطع خلف المحمداوي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: النجف

المستخلص: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

الصفحات الاولى:

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

اسم المؤلف: حسين لفتة حافظ الزيادي

الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية

اسم المشرف: حاكم حبيب عزر الكريطي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: دكتوراه

اللغة: العربية

السنة: 2007

مكان الجامعة: النجف

المستخلص: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society

الصفحات الاولى:

اثر التراث الجاهلي في الشعر الاموي The Pre - Islamic Heritage Effect On The Ummayad Poetry

اسم المؤلف: حسين عبد حسين

الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية

اسم المشرف: حاكم حبيب عزر الكريطي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: دكتوراه

اللغة: العربية

السنة: 2007

مكان الجامعة: النجف

المستخلص: Each nation has its own heritage which it celebrates as it is considered one of its continuation and immortality basis, a heritage that ensure interconnection of its present time with past reaching the future. Our literary heritage, especially the Pre - Islamic one has derived its facts from the nomadic environment to which it belongs, so it portraited it in the truest way of expressing its values, habits, traditions, thought, achievements and exploits. Hence, it has become a mirror in which the life aspects manifestations would be reflexed, and an alive image of the life status prevailing that period.This heritage has remained as a fountain from which the poets drew their need throughout ages of them is the Ummayad Era.The nature of the subject required that the research should be organized in three chapters preced by an introduction and a preface and followed by a conclusion.In the introduction, I referred to the heritage concept linguistically and conventionally, explaining the objective and the artistic causes hidden behind the Ummayad Poets inclination towards the Per - Islamic heritage and investing it in their poetry.In the first chapter, I have deal with the social tradition represented by the virtuous and the habits Arab values ,the Arab days, and the historical personalities and hreed horses and camels.While in the second chapter , I have studied the intellectual tradition and what legends and beliefs it contains such as AlGhurab, Al - Shaqraq, Al - Haman, Al - Sada…etc.In the third chapter,I have deal with literary and artistic tradition.In the literary tradition I stopped at the names of the poets that the Ummayad poets took from ,and educated in their poetry.Also I have stopped at the proverbs as they considered a social art and one of the literary culture's fountains while in the artistic tradition I talked about the poem artistic structure which is comprised the introduction, details and the main purpose. In addition, I have studied the language in words and in structure and stopped at some structures found in the Ummayad poem.As for rhythm, I have explained the nature of the poetic meters that the Ummayad prefer when writing poetry and studied the artistic image explaining the extent of the Ummayad poets’ being affected by their ancestors and their following them whether on thelevel of the single verse or a set of verses, or an the level of the whole poem. In the conclusion, I have reviewed the most important results that the research reached, of them were the following : ?? The heritage of any nation do not stop at the margins of a specific era. It is a continuous series that takes from each era what enriches it as influence and being influenced is acharacteristic accompanying each heritage.?? The literary heritage(artistic objective) is the main source of writer's education in general, and the poet in particular.?? The nomadic Arab values the Arab inherent have taken their to the Ummayad poets under the influence of the party that has blazed again.?? The Ummayad poets have made the pre - Islamic days one of their education sources, and utilized them in their as they were considered a record of their ancestors’ achievements and exploits ,and exploits, and bright pages of the history of their life.?? The Ummayad poets utilized the myths to relive their feelings and sentiments through subjecting then to their artistic experiences and their psychological sufferings.?? The poets’ talk about the poetry finds was not stamina from a belief or faith, but it is an attempt to show their artistic abilities, and their differentiation from their companions.?? The Ummayad poets followed their ancestors’ method in the artistic structure of the poem which is formed of three parts(introduction, details and the main purpose), with stopping at the margins of the sheer imitation, but they strived for renwal inside that arts framework.?? The pre - Islamic language was the basis that the Ummayad a doped in poetizing their poems, as there is no attempts to replace that nomadic language by other one.?? Most of the images that appeared in the Ummayad poetry were derived from the desert environment in which they were brought up or were close to.?? Their being affected by their ancestors’ image has been varied from the sheer negative imitation to perceiving those images and subjecting tem to their personal experiences then adding some adding some artistic touches to them.

الصفحات الاولى:

الاتجاه البياني في الدرس البلاغي القراني الحديث Rhetoric Trend In Modern Koranic Eloquent Lesson

اسم المؤلف: احمد عويز حسين

الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية

اسم المشرف: علي كاظم اسد الخفاجي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: اللغة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: النجف

المستخلص: Since ancient time the eloquent lesson has formed a field (in which the issue of Koranic miracle) occurred which has been still one of the serious issues in the Islamic thinking , so arguments increased and views conflicted about this miracle. It is no doubt that the agreement point that unified scholars and their views is statement of the rhetorical miracle in a way that even the rhetorical lesson was a fruit for several questions which raised by the Koran and in which the scholars engaged, and this is what permitted the birth of rhetoric which contains books that is hard to be enumerated and explains secrets of the biggest Arabic book.The eloquent lesson formed the corner stone among rhetoric researchers particularly if we look to its widespread for the ancient people. In spite of the increase of these studies, some contemporary researchers could classify and study them and make use of their efforts in such studies, but I do not know if one of these scholars who dealt with the Koranic rhetoric has specified (the rhetoric trend in the modern Koranic eloquent lesson) an independent academic study that reviews its studies and explains their approaches and their different views. Thus, I see submit a study of this important Koranic field that might fulfill a part of this gap.I would explain that I do not mean by the word "modern" the "modernity", but I mean its general meaning which is studies in our present time , as well as I did not deal with university theses for the limited period of writing the master thesis and the difficulty of counting such studies. I did not deal with the studies that adopted the scholastic understanding so the research is based on observing published studies that exceeded the scholastic understanding; thus this falls into two parts : 1 - Studying the rhetoric from its widest significance.2 - Studying the rhetoric in the light of the term "image" if thecontemporary lesson in the light of the evolution law of sciences entailed theobligation of knowing the heritage effort and its results, it should be of a wide scope so I think explaining two points : did the rhetoric lesson make use of the heritage , have a contemporary perspective of it, or stay centering around the heritage understanding without adding anything to it?The profile of the research entailed to include two parts that contain four chapters, as well as two introductions and a conclusion as fellows : The first part is specified for those who taught the rhetoric in its widest significant. Its introduction explains the heritage understanding of the rhetoric. The first chapter of this part is specified for researching the significance of the term "rhetoric", its limits, and its researches for those scholars. The second chapter is written to explain the views and texts of those scholars in their practical studies. The second part concerned of studying those scholars who deal with rhetoric in the light of the concept of the term "image". Its introduction explains the concept of the term "image" and its attachments for ancient and modern scholars. The first chapter of this part is specified to deal with the significance of the term "image" and its limits for those scholars, while the second chapter explains their views and texts in their practicality of the Koranic text.The material of the research is formed from basic references, as well as some ancient references like (Miracle Evidences) and (Rhetoric Secrets) for Aljrjani , (Discoverer) for Alzarakshi ,and others.The scholarly honesty entails referring to closely related studies of this research, like ( Artistic imaging theory in Said Kutb ) for Salah Abdul Fatah Alkalidi, and the master degree thesis ( Rhrtoric trend for Koranic expression in Dr. FadhilAlSamra'ai ) for Saad Juma Salih ( Unversity of Dyala). Though these studies are important in this respect, , their trending still do not explain the features of the rhetoric trend as a whole.The research concluded the following results : 1 - The term "eloquence" appears to those scholars who research it in its widest significance into categories : some scholars considered it the rhetoric as a whole, some of them see it combining (eloquence and semantics) others make it parallel for the concept of verse, and another scholar makes it represented in all the secrets of the Koran in its letters and words. Those scholars agreed to research it on the (Phonological and Semantic) level in four constituents (letter, word, sentence and text)2 - Their approach in researching the Koranic letter concerned in letter contexts, and they see that a letter has its own meaning resulting from considering explicitly; thus, there is no addition, alternation or estimation in letters.3 - Their approach in researching the word concerns in following it in its contexts and counting it; therefore, this leads them to stating the thorough (intention) in Koranic uses, so I refuse stating the (synonymy) in the Koranic text.4 - Their approach in researching the Koranic phrase concerns in two points : phonological aspects in which they researched the phonological combinations which are produced from combining letters and words in the Koranic verse. The semantic aspect which was researched by some scholars in the light of concept of verse without showing the structural phenomena , while others concerned in researching these phenomena and explaining their semantic effects. 5 - Their approach in researching the coherence and textual cohesion is clear in the observation of relating verses and chapters with weakness relationships and in the research of semantic and musical accord phenomena, thus; this is what make them closely related to the researches of the ancient scholars of relativity , in addition to the contemporary text scholars.6 - The view of AlJarjani of (imagining meaning) is parallel to the term of (artistic trueness) for the contemporary scholars.7 - They disagreed on the significance of the term of image into categories.Some of make use of heritage and offer a contemporary definition which is finding a relationship between two realizations that are not related , and others see it stick in mind when a certain expression is heard , which is also a modern understanding , while others see it lays in researches of the known rhetoric.8 - Their approaches in researching the image came into two categories. Someof them moved into a description tendency concerning of observing the movements of concrete things from the reasonable to the perceptible without getting into other idiomatic details in addition to their concern in observing the general artistic phenomena , while others moved from a standard tendency starting from mentioning the rule and bringing witnesses as evidence for them. It concerns in limitness and classification; thus , their results often do not differ from the results of ancient scholars.Finally the researcher recommends the importance of studying the academic effort of university theses and researches which represent the rhetoric trend in the modern Koranic lesson which is a worthy researching subject.I thank all those who help and make it easy for me to produce this thesis in its final form and thanks for God.

الصفحات الاولى:

المولد والمحدث في المعجم الوسيط : دراسة لغوية The Generting And Up Dataing Tearm In Al Wseed Dictiory As Alngual Study

اسم المؤلف: وليد حمدي عبد الغريب المشهداني

الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية

اسم المشرف: خليل ابراهيم حمودي السامرائي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: اللغة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

المستخلص: وتعد هذه الخلاصة هي ابراز المواضع في البحث والمستخلصة منه، فان اللغة بصورة عامة قائمة على مبنى ومعنى، وهما اللفظ ودلالته، فان مشكلات العربية المتعلقة بالدلالة اكبر واعقد بكثير من مشكلاتها المتعلقة باللفظ؛ ذلك ان الدلالة تتعرض للتغير والتبدل والتطور اكثر م | The Arab language is always. processing continually with all life. Stages, its life is depending upon its speater and its renewing within word development.In order the linguistics and phynolism, agree on. undoubted fact up it. saing, a language is a life as other. life thing subjected to the growing law. and belonging. to devel opment nature, we are, however, will not go as far. to believe compeea compeleally. in this passage, or in other words, we don’t under stand. the elvelopmen tearm and we will not accept. the gap dhat. isoiateel us or it from the folkiore or uprooting from it, hs no expectable that we ignore tearm and principle by all meam, that the opinion thatwe shold. adopt in dhis issue that language development in from. Of it qulifi cation, teams and amethodlyy listed by the linguistics, Accor ding or keen. on to the social. commemtmemt methodolgy is not as aguarding ship. implementet. on or langual conspet or akind one pold op inion and yesrrvation privcy. on thought or selfsh but rather it is akind of commentment in the practcal. teams and issuerquired in this issue, or dealing with this case and or cousion requir. to do or job to the. language, thuswe become occur in this study and keem on general. methodologyin spire, that the language still has theability to provd what is the best, and title on society we live. This study presentied, that. the arbic language is the most wide suprior. langnge what we rech till now is few or abit of imformation. amd most of imformatiom has dided out as the responser s passed the way well. This study cmposs of three. chapters, the first one I s divided in to seven (7) researchs In the first chapter. I deal with ALWASSD, and the first research incounler to its outher autograqhy, the secmd one his works. this is, however, is qlso. discussing the studen and the critisis, the fourth : reseawch is discuss its postion among otherworks, then the fifth research is about his methode and aproche iwhile the sixth one in its referemce, I isted the seventh 7th as ablamce contract. beteen ALWASSED (inter midi) dictonary and the orgnal langnage text. the second chapter is composs. of ten (10) researches, the first one is identifing the gemerter as a alangnage, the 2th one is in reform, the 3th. research is showing. the community rule in recognazed the generating, the 4th on is shwing the jmportamt of the generted stndy, the 5th on, however, is rumning around. the historical pont view the 6th. is concering in refermce and gemeratiry the 7th. one is discussing the meaming and its weak point. The 2th one is about. the symintic and contemt. the gth in idintifing and the gener ated its kind The concluison in first chapter or in the bth research. concluion about generating idientifed and recognizing. Langnage tearm the jth chapter is divided in twa, I in conted in the. first the upgreter in the lamguage, the 2th is about. the upgreater peform, the 3th recognizeek. historical point of upgreater. or followed by the 4th researchjst. subject concering the upgreater study improve, the 5th one is deeleaing, the understaanding historical view, the 6 th researche subject is abot. theupdating in the language, the 7th. in symantic end its changing, the 8 th in context and. symintices. then the 9 th in gemerated understinding and its forms the conclousion of. the first chapter. in the 10 th reseach. is about the langual standerds understanding. This study. composs of 3 chapter, the first one is divided in to 7 reseaches in the first chapter, dealing results and recommendtions, hoping. to siasifed the whole rerchse reauirement with the updading in languaye, the 2th researehg is about updataing. in reform, them the third is about the historical point view joof. updating, them the 4 th one. on the importamt the updating study, the 5 th on the Egpition langual. society and privte and individuau role, the 6 th research. Subjeect is abut. the updading in the languge, then the 3th unite. con culded by the 7 th resrvaion Ials. concluded. the whole. research by

الصفحات الاولى:

الغربة والحنين في شعر الجواهري

اسم المؤلف: محمد حسون نهاي

الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية

اسم المشرف: سحاب محمد رشم الاسدي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

البناء الفني في شعر ابن زمرك الاندلسي 797هـ The Technical Struchure Of The Verse Of Ibn Zumrak Al - Andulsi

اسم المؤلف: علاء طالب عبد الله العاني

الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية

اسم المشرف: سحاب محمد رشم الاسدي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: دكتوراه

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

المستخلص: Islam ruled Andalucia for eight centuries during which Arabs Iaid the foundations of a great civilization. Andalucia became the bridge on which the Arabic culture crossed to Europe. When conflicts and domestic differences spread, the nation split up and became too weak to stop the Christian attacks in the north of the island. However the Arabic cultural heriage remained as a witness of the Arabic mental talent represented in various fields of Knowledge. Hence research work should reveal those distinguished masters of literature and their precious treasures. Ibn Zomrak was of those masters who marked an important stage out in the history of Arabic thought in Andalucia during a critical period of a threating collapse. He lived in the first half of the eighth Higri century and became one the distinguished people of the cultural movement in Grenada where litrary life flourished despite the deteriorated political conditions and the retraction of Arabic rule and the fall of the big bases in Andalucia. Ibn Zomrak was one of the Andalusi poest hose poetry was characterized by Keebing the inherited from and exploring new ideas , meanings, and images. He was one of many other poets whose potry needs to be exblored and revealed to readers to establish one pillar in the Andalusi studies. This study attempts to shed light on one of the poets of Andalucia whose poetry was scattered out in various Andalusi and east and west Arabic countries. The study collected, analyzed and verified his poetry and put it in its proper place among the poetry of his contempoatry great poets such as Ibn Elkhateeb, Ibn khatima, Abi - El - Bakaa, as he had a great aristic talent of writing poetry. The study is made up of an introduction, four chapters, and a con clusion. The introduction deals with the poet's evvironment which represents the geographical, political, cultural and constructional aspects of Granada; the birthplace of lbn Zomrak, and all of its surroundings such as hills, mountains, rivers, gardens, etc. In the introduction l referred to the policy adopted at home and abroad and the treaties of reconciliation and and friendship between the Kingdom of Granada and its neighboring countries. part of the inteduction tackled the conflicts among the members of the ruling family and the political relationships between the Kingdom Granada and the friendly Kingdom of Morocco ( Kingdom of Bani Mareen ) and the enemy Christion Kingdom of Castilla and Argoon. Then I dealt with the cultural environment and the literary development as a result of Bani Nasr's encouraging of a group of distinguished poets, thinkers, linguists, scientists, and doctors and the establishing of Yousofiya School and recruiting the best qualified teachers for it

الصفحات الاولى:

النكــت فـي القـران للمجاشعي ( ت 479هـ ) : دراسة نحوية

اسم المؤلف: طالب فرحان سعـود

الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية

اسم المشرف: محمد علي حمزة سعيد الاسدي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: اللغة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

الفنون البديعية ودلالاتها في الحديث النبوي الشريف : دراسة في متن صحيح البخاري

اسم المؤلف: احمد شكر محمد مهاوش

الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية

اسم المشرف: جبير صالح حمادي القرغولي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: اللغة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

المستخلص: The Quran and the honest speech and the other Quranian studies are the origin step for the grammatical studies , the speech science after the Quranian science are the best sciences and the highest sciences. I achieved my hope in this matter (subject) of studying when I chose this subject. So I wanted to study one of grammatical arts in the speech of our prophet and after series of advices and suggestions come (The excellently arts and its signs in the honest speeches of our prophet study in deep saheeh AL - Bukary) the tattle in this study by the suggestion of supervisor Dr - Jaber AL - Qurakuly and encouraged me some reasons the first : the subject didn't deal with it in academic way except some signs in number of some resources which dealt with some speeches concerning the grammatical sides (The prophet speech from the grammatical side) for Dr - Iz AL - Deen Ali Sayeed and (the literature of prophet speech) for Dr - Bakry Shayk A mean and (the arts photo in prophet speech) for Dr - Mohammad AL - Sabbak. The second : The Quaranian studies took large space as compared with the studies of the prophet speech , which didn't take as they deserved from studies specially the grammatical side. The third : the attractive sights for the beauty of the honest speech through the discovery of the product of the excellent arts in. Nowadays we found numbers of the sounds set out from here and there and wanted the study of the AL - Badea science and the study should be accurate and concerning with psychological state for the authors which appeared in the production of phonetical aspects. From here was my studies presented by the best book after the God's book. From the honest speech books adopted by Abi Abid Alla Bin Ismaeal AL - Bukary (256) whose speeches are taken by the sciences : - At the beginning specify the understanding (AL - Badea) in language and repairing and studied how AL - Badea developed from Ibn Motaz (298) and ended by the speaker AL - Qezweny (739) and dealt with the importance of AL - Badea and explained the effects of the prophet speech. The first door was in tittle (The excellent arts in the prophet speech practical speech) and the first chapter was in tittle (The excellent arts in the honest speech) The researcher dealt with AL - Badea arts (the methods and matters) The researcher dealt with all the matters and supported by the Quran and poems , and also the researcher stopped in front of each art and known them. He followed their beings in the honest speech presented from that by numbers of evidence. The second chapter carried the tittle (The excellent arts pronounced in the honest prophet). The researcher dealt with AL - Badea arts and he depended on the same way which depended in chapter one. While the second chapter it came with atittle (Applied the excellent arts in phonotic level) The researcher dealt with the excellent phonetic art which presented in chapter two from the first door , and analysis the evidence which came in each art in accuracy. The researcher ended with a conclusion contained the major thoughts and the important results which he arrived it. The research depended on (saheeh AL - Bujary) the major research for speaches , and also depended on some of the explaination of AL - Bukary , as AL - Kermany explaination (786) called (saheeh Abi Abid Alla Al - Bukary with Al - Kermany detailed) and the explaination of AL - Aeiny (855) called (The readers with the explaination of saheeh Al - Bukary) and the explaination of AL - Qsstlany (923) called (Irshad AL - Sary for saheeh Al - Bukary) and he also depended numbers of grammatical books from the beginning from the book (AL - Badea) to Ibn Motaz (296) to (grammatical arts) for Dr - Ahmed Matloob , then (Arabic grammatical) for Dr - Nasir Halawy and Dr - Talib Mohammad Al - Zawbay , and others explaination and qurnian studies (AL - Kashaf) for AL - Zarkashy and (The skilful of AL - Quran science) for sweaty and there were some of the aspect of language (Alain Dictionary) for Kahlil Bin Ahmed AL - faraheedy , and (The dictionary of the language measurement) for Ibin AL - Fares (Lisan AL - Arab) for Ibn Manthoor helped the research with phonetical evidence. I should mention for the difficulties which faced the research , as the resources which talked about the prophet grammer which needed accuracy because said by the prophet who get Divine inspiration , and also the safety conditions which surrounded the country which effected on the researcher to get the resources in the libraries or from the people who have such kinds of this science even they could find in the city , Baquba , So all the difficulties faced the researcher because of the American occupation and we ask our God to remove it from our chest. I grate my friend shaher Jalal AL - AZi for his generousity and helping me too much , and also I grate each one helped me from near or far. I put my work in front of good teachers , so I wish they admired with it. I ask for request if there is amistake. I ask my God to accept my work and I thank my God too much because of the benefit I get. Finally I beg my God to bless my work and Allah's blessing and peace on our prophet Mohammad

الصفحات الاولى:

علل التعبير القراني عند السمين الحلبي (ت756هـ) في كتابه الدر المصون

اسم المؤلف: رنا هادي صالح الالوسي

الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية

اسم المشرف: جبير صالح حمادي القرغولي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: اللغة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

ديوان ابن حجر العسقاني شهاب الدين ابي الفضل احمد بن علي بن محمد الكناني العسقاني (773 - 852هـ) : دراسة وتحقيق Poetry of Aben Hajar Al Askalane : Artistic Objectivity Study

اسم المؤلف: حامد خلف محمد احمد الدليمي

الجامعة: جامعة الانبار - كلية التربية

اسم المشرف: حامد مزعل حميد عبد الراوي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: الانبار

الصفحات الاولى:

الاتجاه النفسي في النقد العربي القديم حتى نهاية القرن السابع الهجري The Psychological Direction In The Ancient Arab Criticism

اسم المؤلف: ابراهيم محمد سرهيد

الجامعة: جامعة الانبار - كلية التربية

اسم المشرف: عبد السلام محمد رشيد الدليمي

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: الانبار

الصفحات الاولى:

برنامج تعليمي لمهارات تصميم الازياء ومكملاتها لطلبة معهد الفنون التطبيقية

اسم المؤلف: خالدة عبد الحسين محسن الربيعي

الجامعة: جامعة بغداد

اسم المشرف: منير فخري صالح الحديثي ناصر حسين الربيعي

الموضوع العام: العلوم التربوية

الموضوع الدقيق: طرائق تدريس التربية الفنية

الدرجة: دكتوراه

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

الابعاد الفكرية والجمالية للانية الخزفية الاغريقية The Intellectual and Aesthetic Aspects of the Greek Ceramics Pottery

اسم المؤلف: زينب سامي عبد المطلب العامري

الجامعة: جامعة بابل - كلية الفنون الجميلة - قسم الفنون التشكيلية

اسم المشرف: عبد الحميد فاضل البياتي

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الخزف

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بابل

الصفحات الاولى:

الابعاد المفاهيمية والجمالية للدادائية وانعكاساتها في فن ما بعد الحداثة The Aspectual and Aesthetical Dimensions for Dadaism And It’s Reflections on Post - Modernity Art

اسم المؤلف: الاء علي عبود سعيد الحاتمي

الجامعة: جامعة بابل - كلية الفنون الجميلة

اسم المشرف: علي شناوة وادي

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الفن المعاصر

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بابل

الصفحات الاولى:

الاسس الفنية لبنية التصميم الزخرفي The Artistic Bases of the Structure of decorative Design

اسم المؤلف: يسرى خضير عباس

الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم الخط العربي والزخرفة

اسم المشرف: خليل ابراهيم حسن الواسطي

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الخط والزخرفة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

المقاربات الجمالية للاتجاهات الاخراجية في تشكيل العرض المسرحي : نماذج مختارة من مهرجان القاهرة الدولي للمسرح التجريبي - الدورة السابعة عشر Aesthetics Assimilation of Direction Inclination in Formation of Theatrical Play

اسم المؤلف: حازم عبد المجيد اسماعيل

الجامعة: جامعة بغداد

اسم المشرف: سامي عبد الحميد نوري

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: دكتوراه

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

جماليات المحاكاة في اداء الممثل المسرحي The Aesthetic of mimos and the performanance of the Actor

اسم المؤلف: ياسين اسماعيل خلف

الجامعة: جامعة بغداد

اسم المشرف: وليد شامل حسين

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: دكتوراه

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

حوار الفنون بين المسيحية والاسلام The Diologue of Arts between Christianity and Islam

اسم المؤلف: حيدر عبد الامير رشيد الخزعلي

الجامعة: جامعة بابل - كلية الفنون الجميلة

اسم المشرف: عباس نوري خضير الفتلاوي مكي عمران راجي

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: التربية الفنية

الدرجة: دكتوراه

اللغة: العربية

السنة: 2007

مكان الجامعة: بابل

الصفحات الاولى:

العلاقات البنائية في تكوينات زخارف سامراء الجصية

اسم المؤلف: هاشم جارح لازم

الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم الخط العربي والزخرفة

اسم المشرف: عبد الرضا بهية داود

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الخط والزخرفة

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

اساليب التعبير في نصب الجندي المجهول في العالم

اسم المؤلف: سامر جاسم الحلو

الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم الفنون التشكيلية

اسم المشرف: جبار محمود حسين العبيدي

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: النحت

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

التعبيرية في رسوم الفنان اسماعيل فتاح الترك EXPRESSIONAL TRANSFORMATIONS IN THE WORKS OF ART OF ESME'EL FTTAH AL - TURK

اسم المؤلف: قصي نزار مهاوي الطليباوي

الجامعة: جامعة بغداد - كلية الفنون الجميلة - قسم الفنون التشكيلية

اسم المشرف: سلام جبار جياد السوداني

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الرسم

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى:

الرمز والترميز وتطبيقاته في النصوص المسرحية العراقية (1965 - 2005)

اسم المؤلف: نداء هاشم خضير

الجامعة: جامعة بغداد

الموضوع العام: الفنون الجميلة

الموضوع الدقيق: الفنون المسرحية

الدرجة: ماجستير

اللغة: العربية

السنة: 2007

مكان الجامعة: بغداد

الصفحات الاولى: