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شعرية العنونة عند الشعراء الرومانسيين : دراسة سيميائية == Peotical titled with in Romantics Aletter produced

اسم المؤلف: نهى محسن عبد الكاظم الاعرجي
اسم المشرف: حسن دخيل عباس الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: العرب ولا سيما الرومانسيين في نهايات القرن التاسع عشر وبدايات القرن العشرين ، بعد تاثرهم باساليب الشعر الغربي، وقد كان لهم السبق في ترسيخ موضوع عنونة القصائد الشعرية في الشعر العربي الحديث، وهو امر لم يلتفت اليه الشاعر العربي قبل ذلك التاريخ. فالشاعر العربي القديم لم يعن بالعنونة، فكانت القصائد انذاك تعرف من خلال حرف رويها، او مطالعها، او المناسبة التي قيلت فيها، او مضمونها. الا ان الشعراء الرومانسيين احدثوا نقلة نوعية في هذا الميدان باختيارهم عنوانات معينة لقصائدهم، يميزون من خلالها قصيدة عن اخرى، ويمنحونها هويتها المستقلة، ويغرون المتلقي بقراءتها، فضلا عن كون عنوان القصيدة علامة تحيل على موضوعها، ومفتاحا يفتح القارئ من خلاله مغاليق النص الشعري، وبوابة يسبر من خلالها اغواره.وعلى الرغم مما بذله الشعراء الرومانسيون من جهد كبير في التفنن في عنونة قصائدهم بعناوين تستحق الدراسة والتحليل، ولا سيما تلك التي تكون لغتها منزاحة، وفيها شيء من الغرابة والمفارقة، لم يلتفت احد من الباحثين الى دراسة هذا الموضوع، لذا عقدت العزم على اختياره موضوعا لبحثي ودراسته عند ابرز شعراء الرومانسية في الشعر العربي الحديث، ولا سيما شعراء ابولو الذين عملوا على ترسيخ الرومانسية وانضاجها، فبلغت على ايديهم اوج ازدهارها، في حين اخترت من شعراء المهجر ايليا ابي ماضي الذي اثبت براعة في انفتاح نمط جديد من الرومانسية تتداخل فيه النزعة الرومانسية مع الفلسفة، فجاء برؤى جميلة في في موضوعات التفاؤل والتشاؤم والتامل في الكون والحياة والنفس الانسانية. وقد رايت ان عنوانات قصائد هذه النخبة من شعراء الرومانسية كفيلة باعطاء صورة واضحة عن شعرية العنونة في شعرهم، فاجتهدت في مقاربة عنوانات اخترتها مختلفة في بنيتها التركيبية، وفي وظيفتها، وفي دلالتها، واثرها، في موضوعات الرومانسية المتعددة، ولا سيما تلك العنوانات التي تستفز المتلقي، وتثير الفضول في نفسه، فتغريه بقراءتها وفك شفراتها. وقد قامت المقاربة على وفق معطيات المنهج السيميائي، بوصفه المنهج الانسب، وذلك لما يختزله العنوان من دلالات مختلفة تمنحه شعرية خاصة , وذلك في محاولة لفك شفرات عنوانات القصائد التي تم اعتمادها في الدراسة. على ان ذلك لا يمنع من توظيف بعض المناهج الاخرى كالمنهج الوصفي او المنهج التحليلي.وقد اقتضت المادة العلمية ان يكون البحث على ثلاثة فصول تعقبها خاتمة. فقد جاء الفصل الاول تمهيدا في العنونة ومصطلحات النقد ) في خمسة مباحث، فتابعت في المبحث الاول العنوان في التراث العربي : القران الكريم ، والشعر العربي بعصوره المختلفة، فاشرت الى افتقاره الى عناوين تسم قصائده. وتناولت في المبحث الثاني العنوان ماهيته ووظائفه، واختصت المباحث الثلاثة بمصطلحات النقد، وهي على التوالي : مفهوم الشعرية، ومفهوم السيميائية، ومفهوم الرومانسية. على ان هذه المصطلحات هي من المصطلحات التي يتم تدوالها في دراسة وتحليل اي من النصوص الادبية سيميائيا . وارتبطت هذه المصطلحات مع بعضها لتشكل قاعدة الانطلاق نحو دراسة العنوانات المنتخبة. وقد اختص الفصل الثاني بدراسة بنية العنوان في الشعر الرومانسي، فجاء في مبحثين : تناول المبحث الاول بنية العنوان المفرد، فيما تناول المبحث الثاني بنية العنوان المركب.واما الفصل الثالث فدرست فيه موضوعات العنوان الرومانسي دراسة سيميائية، فجاء تحت عنوان (العنوان علامة دالة على موضوعات الرومانسية)، وقد توزع على ثلاثة مباحث بحسب الموضوعات التي تحيل اليها العناوين، وهي على التوالي (الحب والطبيعة والتامل ) مستشهدين بامثلة مما انتجه الشعراء الرومانسيين من عناوين تجسدت من خلالها تلك المصطلحات النقدية التي اشرت اليها في الفصل الاول. وقد توج البحث بخاتمة تضمنت اهم النتائج التي توصل اليها.وقد قامت هذه الدراسة على مصادر اساسية من اهمها عتبات جنيت من النص الى المناص لجيرار جنيت , وعلم العنونة لعبد القادر رحيم , والسيموطيقيا والعنونة لـ جميل حمداوي، وغيرها من المصادر التي اغنت البحث بمعلومات قيمة. وقد واجهت الباحثة بعض الصعوبات التي تطلبت جهدا وعناء اضافيا , ومن هذه الصعوبات عدم الحصول على المصادر الاساسية الا بعد جهد ومشقة, وقد تهيا لي استاذ مشرف يمتلك سعة في العلم والمنهج وسعة الصدر , وافاض علي بعلمه وملاحظاته السديدة التي قومت البحث فله مني جزيل الشكر والتقدير واسال الله ان يمد في عمره ليفيد منه طلبة العلم .وفي الختام اسال الى الله تعالى ان يجعل هذا الجهد المتواضع معينا لمن سيضع بحثا مماثلا او يقرا السميائية من زاوية اخرى وعليه توكلت واليه انيب | The titled poetic in the poetical texts for the romantic poets tried to be away from the styles of poetry which are dominated and affected by the western poetic styles . It works with its critical new theories ,so the romantic poets had their new approach taking in their consideration the focus on the title is a it is a unit of the poetical texts units .The most recognized things that they had reached during the searching rip are : 1 - the Arabic poetic heritage doesn’t care about the title, so it gives substitutes for it in the Arabic paganism poetry or even at the early era of Islam .so under this state, the title still absent and it didn’t have any attention until the end of 19th century and beginning of 20th the century.2 - the romantic poets were offered by the western texts styles and they took that on their texts trying to be nearby through extracting those styles - which were in the western text - to the Arabic texts to break classic Limits which were put by the Arabic poets as means for their texts. The romantic poets tried to exchange that.3 - the romantic poets succeeded in styles and dealing with the texts titles so according to this concept, so the subject content requires dividing the search into three chapters, preceded by preface and followed by conclusion .the preface came under this tit le : (The Title in the Arabic poetry triage ). The first chapter came under the title : (Titling and Critic Issues ).In it , there is approaching for the terms : ( The title : its meaning and its importance , poetical , Romantic ) . The second chapter came under the title : (the title constructing in the romantic poetry and its function ) .It included two subjects (the constructing content of the title ) And (the romantic title function c) The third chapter which is known by ( subjects of the romantic title , study ). In it , there is a concentrating on all of : (love and nature and medication ) then I mentioned - at the end of the research - the conclusion which contained the most important results which are achieved through the search. At last there is a list of the resources and references and a summary in English Language.

الفضاء الشعري عند العرجي (ت 120هـ) == A thousand Jewish people believe When General Raji (T 120 e)

اسم المؤلف: نور عبد الستار عباس ابراهيم
اسم المشرف: امل عبد الجبار كريم الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: الحمد لله رب العالمين، وخالق الانسان، ومعلمه البيان والصلاة والسلام على نبيه محمد(صلى الله عليه وعلى ال محمد وصحبه اجمعين) وبعد.. ان مفهوم الفضاء الشعري واحد من اهم المفردات التي دار حولها خلاف في تحديد مفهومه ،وقلت الدراسات التي تختص به في شعر الشعراء مقارنة بالدراسات التي تهتم بالرواية فمن اجل ذلك قمت بدراسة الفضاء في شعر العرجي الذي قلت الدراسات التي تناولته فلست ازعم اني اول من تناول العرجي بالدراسة فهناك رسالة (سرى سليم عبد الشهيد المعمار)(البناء الفني للعرجي) فهي وواضح من عنوانها دراسة فنية وسبقتها دراسة رافعة سعيد السراج التي اختصت بدراسة العرجي من زاوية حياته وعصره فقط، لكني اقول باني اول من درس الفضاء عند هذا الشاعر الاموي ،فهو قد انماز بفضاء جميل من الامكنة والازمنة التي تفرد بها وان كان في بعض المواضع سار على نهج سابقيه لكنه اضفى عليها من شخصيته واسلوبه الذي تفرد به، دراستي لم تخل من الصعوبات لكنها لم تكن كبيرة فمن بين تلك الصعوبات هي ترددي في اختيار المنهج الذي اعتمد عليه في التحليل لكن استقر تفكيري على ان اقوم بدراسة هذا الموضع على وفق المنهج الوصفي التحليلي. جاءت هذه الدراسة في ثلاثة فصول،فالفصل الاول يختص بفضاء الشعري الزماني فقد انقسم هذا الفصل على مبحثين تناول المبحث الاول الفضاء الزماني في المنظور النقدي،والمبحث الثاني تناول الفضاء الشعري الزماني بعدا جماليا،اما الفصل الثاني فاختص بدراسة فضاء الشعري المكاني وانقسم على ثلاثة مباحث تناول المبحث الاول الفضاء المكاني في المنظور النقدي ،اما المبحث الثاني فتناول الفضاء الشعري المكاني بعدا جماليا ،اما المبحث الثالث فتناول البعد النفسي للمكان ،اما الفصل الثالث فاختص بدراسة التشكيل الفني للفضاء هاجس الزمن نموذجا ويشمل الظعن ، الطلل ، السجن ، المراة وختم البحث بقائمة باهم النتائج التي توصلت اليها وقائمة بالمصادر والمراجع ومخلص للبحث، واخيرا اتقدم بالشكر الجزيل والثناء الجميل الى استاذي المشرفة (دـ امل عبدالجبار الشرع) واخر دعوانا ان الحمد لله رب العالمين | Praise be to Allah and peace and blessings be upon the Prophet Muhammad (peace be on Muhammad and companions) and. ..The concept of poetic space is one of the most important vocabulary that House disputed in the conceptualization and differed in defining what is included mtkhts time without place? or a place without time? it proliferated on it and each supports the view argument or evidence, this problem started in the novel by the hair, and then began studies on the study of the poetic space.The main reason that prompted me to choose this topic further study is to prove that the poetic space not limited on time without a place or location without time it includes Monday and extend to include vision and motivation that made me choose alarjie group and single him in this study because the poet say studies haven't addressed the study singled out space when this poet, only letter (Sri Salim Abdul Shahid architecture) (technical construction llargi) are clearly entitled technical study and the earlier study said Sarraj whose specialized crane Study of alarjie group in terms of his life and his times only, in order to point out that the alarjie group as other poets the RPR in a beautiful space, places and times that their uniqueness, though in some places went to approach of his predecessors but he gave it a personality and style of the uniqueness and for this and that I wanted to do this study.My education was not without difficulties but not large among those difficulties are choosing the frequency approach adopted in the analysis but settled thinking I study here the descriptive analytical but it comes out in some few places linked to the semiotic and reason back to the researcher who saw the need for diversity in order to get better vision.This study came in four chapters, the first chapter in the time it has split this chapter three detectives first episode dealt with the concept of time in terms of linguistic and philosophical, religious, and section II dealt with dual time and includes two night and day and bi - past, present and fertile and arid binary, either section III specialized study method is the accessor and the anticipation and narrative styleChapter II dealt with the study of the image has divided the two sections address the first spatial image of Islam to the Hijaz and the image of women in society, either section II dealt with the spatial image of nature, both silent and animated and color picture.Chapter specialized study place has split into three detectives first episode dealt with the concept of place of linguistic and philosophical and literary cash, either section addressed the types of place I gave up studying two types of pet place (House) and place Maadi (prison) either section II dealt with the aesthetic dimension of space (capillary altelal) and psychological dimension of the place (alienation), chapter IV dealt with the study of revelation has divided the two sections deal with the first episode of natural vision included see altelal and see the animal and rational vision of either section II dealing with frivolous and political vision Human vision and the two see each other and seeing, and seal with a list of the most important findings and a list of sources and references and dedicated to research

جدل العام والخاص في شعر رشدي العامل == THE ARGUMENT OF THE GENERAL AND THE PARTICULAR IN RUSHDI AL - AMEL'S POETRY

اسم المؤلف: راسم احمد عبيس الجرياوي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: فقد حظي المنجز الشعري للجيل الخمسيني في العراق باهتمام بالغ وعناية فائقة وحفاوة كبيرة من النقاد والدارسين والباحثين المختصين بالشان الادبي بوصفه علامة فارقة وسمة بارزة ومميزة للحياة الادبية في العراق في تلك الحقبة التاريخية المهمة، لما انماز به ذلك النتاج من مواصفات موضوعية وتقنيات فنية وسمات اسلوبية حتمت على النقاد ان يقفوا امامه بالاجلال والاحترام والاعجاب والانبهار والانكباب عليه دراسة على نحو الوصف العام السطحي تارة او القراءة الفاحصة والتذوق المتاني والغوص في ابعاده الفنية العميقة تارة اخرى، ومن ثم مقاربتها في ضوء المناهج النقدية الحديثة المختلفة، فضلا عن استيفائها للمحاكمة والمساءلة في اطار المقولات الفلسفية والتصورات المعرفية الحديثة. وارتكازا على ذلك فان اختيارنا للمقولة الفلسفية (جدل العام والخاص) ليس من باب البذخ الثقافي او التبطر المعرفي او الثراء الفكري، وانما ينبعث من الواقع الجديد ورهاناته ومعطياته، وضرورة التعاطي الجاد مع حاجاته والاستجابة الواعية لمتطلباته في محاولة منا لمواكبة عجلة التطور في ميدان البحث العلمي التي تحتم علينا تحديث منظومتنا المعرفية والثقافية لتنسجم مع ممارساتنا المعرفية.وقد شابت الدراسات السابقة للشعراء العراقيين توجهات ايديولوجية بالدرجة الاساس، ايديولوجية بوصفها العام التي لا تتصل بتوجه سياسي اذ توزعت بين انتقاء الشعراء المدروسين، وانتقاء الطريقة التي يتناولون بها شعرهم. ولقد خسر اولئك الشعراء الذين تبنوا توجهات غير ايديولوجية جماعية وايديولوجية في ان، ومنهم الشاعر (رشدي العامل) الذي تبنى في شعره ايديولوجية جماعية وايديولوجية شخصية، اما العامة فقد تجلت بتوجه وطني وما يعج به من ارهاصات، واما الشخصية تجلت بقصائده التي خص بها زوجته وابنه بوصفه منتميا للحب في هذا السياق. ويبدو ان الدراسات السابقة لم تستطع مراعاة هذا التشابك بين الخاص في شعر رشدي العامل والعام فيه، اذ كانت تشدد على الخاص تارة وعلى العام تارة اخرى. والحق لا يمكن لايما دراسة ان تصل الى نتائج دقيقة من دون ان تراعي هذا التشابك بين جدل العام والخاص في شعره. ويعد رشدي العامل واحدا من الشعراء الخمسينيين الذين عاصروا جيلين اولهما : جيل السياب، وثانيهما : الجيل الستيني، وهذا التعاصر بين الجيلين اعطى لرشدي العامل ثقافة واسعة واكتراثا شعريا كبيرا، ولكن على الرغم من وقوعه بين جيلين الا انه بقي يعاني الاهمال والتجاهل ويرزح تحت وطاة النسيان وعدم الاكتراث ويئن من شدة الغبن والظليمة ولم تسلط عليه الاضواء كما سلطت على الشعراء الرواد والاجيال التي تلتهم، الامر الذي دعا بعض النقاد الى اطلاق تسمية (الجيل الضائع) عليهم من مثل (سعدي يوسف، وحسين مردان، ويوسف الصائغ، ومحمود بريكان، والفريد سمعان... وغيرهم)، وهذا الضياع دعاني الى تعقب شعر رشدي العامل وانارته واظهار سر جماله، ومن هنا تاتي اهمية الموضوع، يزاد على ذلك هو ان رشدي العامل لم يكن معروفا عند الكثير من الباحثين، وهذا ما زادني اصرارا وحرصا على ابراز شعره ودراسته، حتى انني لم اكن اعرفه الا بعد ان طرحه علي استاذي المشرف، فقد ذهبت وبحثت عنه لاتعرف عليه وعلى شعره فوجدته شاعرا عراقيا مبرزا حتى ان بعض النقاد يعده من الشعراء الرواد، وقد عاش حقبة ثقافية مزدهرة، وقد عثرت على ثماني مجاميع شعرية له، فضلا عن قصائد متفرقة لم تنشر لا في المجاميع الشعرية ولا في المجموعة الشعرية الكاملة التي طبعتها (دار المدى)، وكانت مبثوثة في الصحف والمجلات فضلا عن امتلاكه كتابات نقدية كانت مبثوثة في الصحف القديمة، وهذا الامر اعطاني حافزا وشجعني على لمس مواطن الايجاب والسلب في شعره، اما السبب الاخر هو قلة الدراسات التي تناولت شعره بالتعقيب والدراسة مقارنة باقرانه؛ لان اغلب الذين يدرسون الحقبة الخمسينية يركزون على الشعراء الرواد، ومن ثم ينتقلون الى الشعر الستيني، اما جيل العامل فلم يلتفت اليه الا قلة وهذه القلة لم تركز على شعره ولكنها تنظر اليه نظرة عابرة خاطفة، عدا ثلاث رسائل درست شعر الشاعر وكان فيها جهد يحمد، كانت الاولى (شعر رشدي العامل دراسة لغوية)، والثانية (الرومانسية في شعر رشدي العامل)، اما الثالثة (نحت في ضباب، شاعرية رشدي العامل).اما موضوعنا فتكمن الصعوبة فيه؛ لاني لم اجد رسالة او اطروحة او كتابا يدرس (جدل العام والخاص) وهذا جعلني الاقي صعوبات جمة، فضلا عن قلة المصادر التي تناولت رشدي العامل ما عدا اشارات مبثوثة في بعض المصادر، اما الصعوبة الاخرى فتكمن في كتابات العامل وكتابات النقاد الذين تعقبوا شعره بالدرس والتحليل، وتكمن صعوبة تلك الدراسات والكتابات في انها منشورة في الصحف القديمة في السبعينيات والثمانينيات فضلا عن مطلع التسعينيات، وهذه الصحف لم اعثر عليها الا بعد عناء وجهد كبيرين. اما المنهج الذي اعتمدته في دراستي فهو المنهج التحليلي الذي يعتمد على تحليل النصوص وابراز ما فيها من جودة وجمالية، فضلا عن المنهج التاريخي والنفسي لما لهما من اثر في اظهار فنية الشاعر. وقد اشتملت الدراسة على اربعة فصول مسبوقة بمقدمة وتمهيد ومنتهية بخاتمة تضمنت اهم ما توصلت اليه من نتائج وقائمة بمصادر البحث ومراجعه. اختص التمهيد ببيان مفهوم الجدل لغة واصطلاحا واراء الفلاسفة والكتاب فيه فضلا عن تعقب تطور الجدل في العصور الادبية. وبين ايضا مفهوم العام والخاص لغة واصطلاحا واراء الفلاسفة والنقاد فيه، مردوفا بتاسيس نظري جمالي لمفهوم العام والخاص. اما الفصل الاول فكان بعنوان (العام والخاص في الموضوع الوطني في شعر رشدي العامل) وقد ضم توطئة بينت فيها نبذة عن الوطن ومفهومه وكيف تطور عبر العصور وكيف كان يطلق عليه قديما. وقد ضم ثلاثة مباحث، الاول : الثورة، والثاني : الغربة، والثالث : السجن والظلم. وجاء الفصل الثاني بعنوان (العام والخاص في رومانسية رشدي العامل الشعرية) وتضمن ثلاثة مباحث، الاول : الحزن في شعره، والثاني : الحب، والثالث : الطبيعة.وكان الفصل الثالث بعنوان (العام والخاص في حضور المراة في شعر رشدي العامل) وقد اشتمل على مبحثين : المبحث الاول : المراة الحقيقية ضمن ثلاثة محاور : ا - المراة الزوجة.ب - المراة الام.ج - المراة الحبيبة. والثاني تناولت فيه المراة الرمز. اما الفصل الرابع والاخير فكان بعنوان (العام والخاص في توظيف التراث في شعر رشدي العامل) وقد اشتمل على توطئة بينت فيها مفهوم التراث وماهيته عند الشعراء، ومن ثم قسمته الى ثلاثة مباحث، كان الاول بعنوان (مرجعية التراث الديني)، وتضمن كل ما له علاقة بالدين من مثل القران الكريم والحديث النبوي الشريف واهل البيت (عليهم السلام) والصحابة، والمبحث الثاني فكان بعنوان (مرجعية التراث الاسطوري)، اما الثالث فكان بعنوان (مرجعية التراث الادبي). ولا ادع قلمي يفارق يدي حتى اذكر باعتزاز كبير استاذي المشرف الاستاذ الدكتور علي ابراهيم محمد الذي قوم بدقته وملاحظاته هذا العمل، باذلا في سبيل ذلك وقتا وجهدا طيبين، فاسال الله ان يجزيه عني افضل الجزاء.واخر دعوانا ان الحمد لله رب العالمين، والصلاة والسلام على النبي الهادي الامين واله الطاهرين | Each historical stage and era has its own cultural discourse which suits its proposals, cognitive tools which cope with its bets and achievements, and logic which suits its orientations. A good proof of this established eternal fact that is deeply rooted in the human mental frame is examining the innovative texts by using new philosophical ideas and modern literary criticism tools which prevail our culture.Development, modernization and renewal are characteristics of life in all its aspects and fields. Thus, all the aspects of life, whether material or morale, are subject to this eternal inevitability and are governed by this omnipotent logic. Therefore, the inquest of innovative texts by using modern philosophical ideas and criticism tools has become an urgent need and necessity which neither represents one of the forms of inevitability that no one can escape its fangs and grip nor avoid its dominion.Depending on what has been mentioned earlier, the researcher's choice of the philosophical (the Argument of the General the Specific) is not a kind of cultural splendor. Instead, this choice has been motivated by the new life or reality in all its bets, the necessity of the serious treatment of its needs, and conscious response to its demands in an attempt to cope with the wheel of development in the field of scientific research which necessitates the modernization of our cultural and cognitive systems to match our new pursuits.Rushdi AL - Amel is one of the poets of the fifties who are contemporary to two generations of poets : the generation of the pioneers and the generation of the sixties. This has given him wide education and great interest in poetry. However, unlike the pioneers and the following generations, AL - Amwl has remained unknown and the lights have not been shed on him. For this reason, some critics call AL - Amel and other poets like Sa'diYousuf, Hussein Marwan, Yousuf Al - Sa'gh, Mahmoud Braykan and others "the lost generation." It is this loss that makes the researcher follow Al - Amel's poetry to shed light on it and highlight its beauty. In brief, the reason behind choosing this topic is that researchers, the cultured and even the specialists do not know Rushdi AL - Amel. In fact, researcher himself didn't know about AL - Amel before suggesting the topic by Prof. Dr. Ali Ibraheem and Prof. Dr. HasanDakheel Al - Ta'i. As for which is based on analyzing texts in addition to the historical and psychological method which are necessary for showing the techniques used by the poet.The study has been divided into four chapters preceded by a preface and introduction and ended by the conclusions.In the preface, the researcher explains the linguistic and technical meanings of the concept of argumentation, and follows the development of argument in literature. In addition to this, the linguistic and technical meanings of the concepts of the general and the particular, the opinions of philosophers and critics have also been tackled. The first chapter is entitled (The General and the particular in the topic in Rushdi AL - Amel's poetry) includes a preamble and three sections : the first is specified to the Revolution in AL - Amel's poetry; the second is about alienation while the third is about imprisonment in Rushdi's poetry.The second chapter is entitled (The General and the Particular in Rushdi AL - Amel's Romantic Poetry). It includes three sections. The first is about sadness, the second is about love while the third is about the nature. The third chapter which is entitled (the General and the particular in the presence of the woman in Rushdi AL - Amel's Poetry) is divided into two sections : the first section is about the true woman and it includes three axes : a. the wife b. the mother c. the beloved. On the other hand, the second section is concerned with the symbol of the woman.As far as the last chapter is concerned, it is entitled (the General and the Particular in the Employment of the Heritage in Rushdi AL - Amel's Poetry). It is composed of three sections : the first is about religious heritage, the second section is concerned with the legendary heritage while the last deals with the literary heritage.Finally, the study has come up with the following findings : 1. Argument is the dispute between two issues so that each person tries to defend the issue which he or she adopts by strong evidence.2. In the era of evolution, the argument has disappeared and the word (logic) has been used instead of it. But philosopher Kent has brought it to life again with an additional meaning.3. The general and the Particular are present in every phenomenon and they are strongly related to each other to the extent that the general cannot be known without studying a large number of particular instances.4. Rushdi AL - Amel is one of the poets who love their country very much because of the injustice and the oppression which he has been subject to.5. Most of poetry which deals with alienation is concerned with internal alienation which governs the general external.6. The poet's experiment in prison has given him poetic richness and provided him with a chance of meditation and mental motivation.7. AL - Amel's romantic is near to realism and pun at the same time.8. Love in AL - Amel's poetry is not for the beloved. It is symbolic love for the country and childhood. It is spiritual love and not physical.9. It is found that the poet's relation with the "wife" woman is personal and not general.10. The "beloved" woman has been given greater attention in Rushdi AL - Amel's poetry than the other aspects. 11. Rushdi AL - Amel tries earnestly to make use of the poetic heritage from different generations, as well as making use of western poetry.12. It is found that AL - Amel has drawn from others and tried to modulate what he draws to serve the context of his own ideas

الحاكمية في فكر الامام علي (عليه السلام) : دراسة في ضوء الانساق الثقافية == MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS) IN THE LIGHT OF THE CULTURAL PATTERNS

اسم المؤلف: عبد الامير دلي مجباس الزيدي
اسم المشرف: وليد شاكر نعاس الرفاعي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS)Praise be to Allah, the Lord of the worlds, and peace and blessings be upon the master of the messengers and his purified progeny and companions .Magistracy or assuming power has been one of the topics that attracted the attention of man throughout ages and it has been the focus of his thought and most engaging concern because of what this issue has been characterizedwith as regards its being the source of the misery or welfar and happiness of the society ; hence it has been realistic and a living matter or affair which is inevitable and unavoidable. Chapter two is entitled "manifestations of the magistrate" in which the researcher dealt with, in a critical study, important issues in the Islamic history such as allegiance in addition to practicing the magistrate by Imam Ali(AS) and those who preceded him as well as those who came after him.Chapter three carries the title ' patterns of conformity and differences" in which the researcher dealt with the extent of the conformity of the magistrate practices with the Islamic revivalistic constructive project within the historical, patrimonial and juristic patterns of Imam Ali (AS) and other rulers.A conclusion has been annexed to the research in which most of the findings and general and specific outlines have been included in addition to a comprehensive bibliography of sources and references.The conclusion of our prayer will be : Praise be to Allah, Lord of the Worlds! These steps have been accompanied by a series of difficulties distributed between the topic difficulty and the abundance of the scientific material which the thesis haswithin this framework.The structure of the research required that it contain(s) a preface and three chapters followed by a conclusion . The preface has been devoted to highlighting the broad concepts of magistrate and cultural criticism .The chapters have been as follows : The title of chapter one is " scope of identity" in which the researcher has dealt with the nature of the pre - Islam Arab incubator socially, religiously and economically. Later on the well - known changes took place on the Arab field after the advent of IslaDespite the difference in people's thought , religion, culture and the discrepancy of their languages, magistrate remained an obsession irking those who incline towards it and sacrifice everything to have it in his command and to sit on its throne.So it is conspicuous that the study of this topic is of great significance especially in an era or epoch which represented the first dose for that age : an age in which the flame of assuming power glowed , specifically in the thought of a man whose period of governance was full of hidden patterns or formats not yet revealed neither by history books nor ancient critical studies.In this person , practicing magistrate varied according to philanthropy, religious culture , knowledge of the basics of religion and the extent of consistency with what religious law2 and custom through the prophet Muhammad (peace be upon him and his purified progeny).

شعر ابي دهبل الجمحي : دراسة جمالية == Poetey Abe Dahbl Al - jamhi An aesthetic Study

اسم المؤلف: علي محسن حسين المعموري
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The attempt to search and detect the product of the poet and knowledge purposes is very important, because he is a poet crystallized in the period in which popularized a lot of poets, namely the Umayyad period, as it is well - known poets of the Quraysh five. His hair has endured a lot of aesthetic values of all kinds, whether moral, religious or political, so that was the product of a track those values. Since the subject of aesthetic values of an overall theme and laws inclusive can not be confined to a particular aspect or particular rules, but that there is a definition of findings can be placed under the title is ((everything beautiful desirable)) or in other words ((all that is desirable from perfect) ) on this aesthetic values are a set of values refers to the common cultural rations are the assessment of needs and desires. Or with respect to the approach it has adopted a curriculum based on the semiotic theory Qremas applied by some models of the poetry, and it was applied in two aspects of the theory are : Besides global form when Qremas circumscriptum (the sender and the addressee and the actor and the subject and helper and exhibitions). The second aspect of the credibility that box Yum detected by the health and whether or not to say.The message included the preparation it addressed dealt with the concept of aesthetic value in the language and terminology and philosophy. As well as the life of the poet Abu Dhbl Jamhi it dealt with all that it involves, from his birth to his death.The first chapter dealt with it : what the beauty and the beauty of nature, both silent and moving each one of them divided into several types.And dealt with in the second section of the human beauty, dividing into two parts.The message included the preparation it addressed dealt with the concept of aesthetic value in the language and terminology and philosophy. As well as the life of the poet Abu Dhbl Jamhi it dealt with all that it involves, from his birth to his death.The first chapter dealt with it : what the beauty and the beauty of nature, both silent and moving each one of them divided into several types.And dealt with in the second section of the human beauty, dividing into two parts. Aesthetics internal rhythm of the bell music and redundancy in all its types in terms of repeating letters and words and tools. The second topic dealt with the external aesthetics of rhythm and rhyme of weight. The third section handled semiotic study of the subject.Researcher have come to a set of conclusions : that looking at the beauty of a woman made the poet looks at her most than it is to see it> Separating control parts of the body one by one and laid down in a plate full of poetry dimensional. The fight poet in a political subject of religious In an era dominated by the bloodshed made it highlights in its aesthetic value of self - suggestive to his courage and Frosath. The beauty and aesthetic value science and broad and complex and confined to literary side gave valuable results, including the associated reason and moral aspects of them, including the associated self - perfection

الهوية في روايات علي بدر بعد عام 2003 : دراسة في ضوء النقد الثقافي

اسم المؤلف: غصون عزيز ناصر
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

مظاهر البهجة في الشعر الاندلسي من الفتح الى نهاية عصر الطوائف == Features Of Delight In The Andulsian Poetry From Conquer To End Of Al - Tawaif

اسم المؤلف: عارف عبد الكريم مطرود
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Naturally , man loves nature and likes to enjoy it to add to his delight happiness , hope , tranquility , satisfactian and smile. Therefore , beauty is necessary to complete his essential needs without which he can not live happily and to help him bear his being and do things. Beauty arouses optimism and sense of communication and makes our life full and perfect intellectually and socially. Thus , it is a distinguishing sign between developed and underdeveloped societies. Man is also used to abandon all that may disturb felicity of his life. During his search for sources about the different times of the Andulsian era , the researcher found out great interest in those aspects of life that recalled painful sad memories of grief and distress. As examples of such studies , we may notice : Sari Mohammad Al - Samadi "Sadness in the Andulsian Poetry in the Fifth Hijri century " M.A. Thesis , Yarmuk University , Jordan , 1990 ; Baseem Abd Al - Adheem Abd Al - Qadir " Poetry of Captivity and lmprisonment in Andulsia " Ph. D. Dissertation , Ein Shams University ,1994 ; Abd Al - Lateef Mahmood Majeed " war poetry in Andulsia From Conquer to Collapse of the Khilafa " M, A. Thesis , Mustansiriya University , 1987 ; Fawaz Ahmed Muhammad Al - Taei " lmage of the Foreign Enemy in the Andulsian Poetry in the Fifth Hijri Century " M.A. Thesis , Mosul University , 2002 ; Ibraheem Abd Wehayib " Poetry of Calamity in Andulsia From Establishment of Al - Muwahadeen State till Collapse of Bani Al - Ahmar State " M.A. Thesis , lmam Muhammad Bin Sauood lslamic University , 1984. There were also the studies of different types of elegy that also evoked sadness. The researcher had not found a study or a research either directly or indirectly that tackled feelings of joy , delight or happiness or that described the Andulsians as happy , glad and optimistic people living in a peaceful beautiful place that gave them satisfaction and entertainment. As a result , the researcher attempted , in this study , to investigate the reasons behind the smile , happiness , delight and gaiety of the Andulsisns by studying the different aspects of their life that their poets depicted. The aim was to study the features of delight in the Andulsian poetry from the conquer till end of Al - Tawaif (cults) era. This period was selected for study because of the very little disturbance that eccurred during it. The study made use of many sources of language , literatare , history , psychology and religion in addition to biographies and it included an lntroduction , five chapters , conclusions , bibliograghy and abstract in Arabic. ln the introduction , the linguistic and semantic meanings of delight and its synonymes were highlighted. Chapter one describes nature as the purest and most inspirong factor of motivation for poets. The Andulsian poets chanted for nature and , in turn , it presented to them happiness , pleasure , gaiety and ecstasy. That was reflected in the way they brightly coloured their images and meanings with delight and call for entertainment and happiness. Chaptr two showed how the Andulsian poets admired the charming , tender and beautiful Andulsian woman who created smile , enjoyment , hope and radiance and who was the real motivator of delight and happiness that every Andulsian was looking for. Chaptr three reviewed delight in the parties of the Andulsian Artists where we could notice different activities of literature , singing or drinking. Those parties documented the cultural , social and psychological aspects of the Andulsan society and the way the Andulsian people used to entertain themselves. The Andulsian people were relaxed and gentle with the smile always covering their faces with gaiety , humour and happiness. Chapter four studied delight in both religous and secular occassions and celebrations of the Andulsians and shed light on the inherited habits and customes that they adopted to delight them. There were those poets who were keen to establish and deepen these traditions in the Andulsian heritage. Some periods in history were brihgt and full of happiness and tranquility that all people looked for to enjoy and refine the soul. Chapter five identified the prominent artistic characteristics of poetry of delight in Andulsian as far as language , style , imagery and music were concerred. As for language and style , the researcher picked out the words that expressed delight and discussed some linguistic styles the poets used to express delight. As for imagery , the researcher referred to the different models (same of them were new) that the Andulsian poets used to show delight. ln the artistic musical side. the researcher noticed that poetry of delight had music of very high taste which reflected the state of the poet within the very atmospheres that motivated delight , tranquility and psychological relax. Finally , study of delight in Andulsian poetry was determined by the condition of the poet which was an outcome of the events. Thus , it was not out of the motivators of happiness and gaiety to attain hope. Man is a group of feelings of both happiness and sadness and happiness is the origin because it is the closest to the innate psyche of the human.

البنية الفنية في الشعر البصــري المعاصــر 2003 - 2012

اسم المؤلف: اسماء حسين علاوي
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Prise to Allah, the lord of the worids and prayers and peace be upon our prophet Muhammad (Allah bless him ) the Basris poem has seen a drastic change after the political and Cultural marginalization,cultural and Alamranjo Baathist wars Experienced Basri,s write AD if it came before this message tagged(potic scene in Basra in ( 2003 - 2012 before studying in the artistry constructon ) In order to give a general idea of the poetic scen in basra after the year 2003 AD especially after the availability of media freedom and cultural obtained by the literary community after this year, And note the most important aspects of aesthetic values in the values in the poem,and how to keep pace with the renewal movement which won contemporary Arabic poetry lately. The research planrequired to be distributedon the fornt and three chapters a conclusion arrange and include the most important findinges of the research. Followed by a list of sources and references Regularity of the first quarter - which it dealt with poetic langug - in two section aftermy mulch in , the language of poetry As discutioned in the first section Lexicon Basri,s poetry with reference to the most important terms that they are received has adopted a study wordy …..this study wordy as density and spread the noodles aggregtes, despite the fact that the visual poem water poem as it is rich in water and verbally ,…and belongings, so they have enriched the visual lexicon of words nature , and with it , the duration Harbingees of ideological , economic, security, and social , religious and many , so they,influenced the visual lexicon wording of his belongings. The second part, which hasstood at two axes dealtwith in the first axis of linguistic performance methodsand may join this axis And has included this axis performance heritage( religious and literary )and performance languge (daily communication ( spoken words ) And it should be noted that in this topic ( spoken words ), which meant research is not necessarily words, slag words, it may be relevant. Cassical roots, because of the large numberof Shiites and circulated among people………… become words circulating. The methods Alonmhau,ah where some style of order( such as the question and appeal and order) as well as denials that much receipt in the visual poetry and tried to highlight the impact upon the visual poet by citing models lattice supports Manchu him , and the second chapter, entitled to have come (lmage has addressed poetic) in tw section after mulch in the image of poetry, addressed in the first part , the most important means to form the poetic image when visual poet, such as the exchange of perceptions, including the ( diagnosis, and embodiment, and stripping ), and dealt with freelancing senses and their impact on the image of poetry , as well as and the relative contrast, this study has reinforced models of visual poetry to illustrate thess methods. The second topic dealt with sensual image patterns after the presentation of the most important types of poetic image when scholars and critics , boot the subject of overlapping picture and after , addressed the study and analysis of image sensory different Bonamtha( optical image including mobile and fixed , and color , and audio image , and gustatory ,and tactile ,and olfactory )and allocated chapter III of the study( rhythm), In order to be more specific search and influential in this section you have an inventory of poetic texts weighted sample in orderto be applied to research in this area , I have indicated in the first pillar of this research to the most important weight. Thesecond axis has studied the Rhyme The second axis has studied the consolidated Rhyme (statistics),and Rhyme vehicle (diverse) with lattice models citation describes these two types And return the prose poem in the second setion of the recorded presence in the movement of the internal rhythm after that was eliminated in the first section , as the second section devoted to the study of the internal rhythm,with three methods often overlap and intersect with each other ……. Or assist each other with other ways to escalate the internal rhythm movement, as addressed (rhythm sound, repetition, alliteration ) with a range of martyrdom poetic texts on each style and statement analysis and the effectiveness of these techniques to the enrichment of the internal rhythm.

سعيد الغانمي دراسة في جهده النقدي == Saeed Al - Ghaanimy Astudy In His Critical Effort

اسم المؤلف: كوثر عبد الغني نايف التميمي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study (saeed AL - Ghanimy - Astudy in his critical effort) tries to shed light on the product of one of the Iraqi critics,and to be acquamted with his works and opinions in the critical field who is saeed AL - Ghanimy. AL - Ghanimy has been known as a critic,a translator, alingwst a philosopher, and a scholar in Archaeology and different cultures, but his critical works did not gain the deserved fame in critical studies. So, this study, to our knowledge, is the first study specialized in the critical effort of saeed AL - Ghanimy. We have found that his critical outcomes are classified according to three domains : Theoretical and practical criticism of poetical texts,Theoretical and practical criticism of arrative texts,and general criticisms.so, it was necessary to form the plan of the study according to these three domains.so, the study falls into three chapters preceded by an introduction then a preamble and coneluded by the final resnlts. It is clarified in the following The preamble which is classified accoreding to three points : The autobiography of saeed AL - Ghanimy,his culture components, and his works list. Chapter one : Reading poetry in saeed AL - Ghanimy criticism it deals with AL - Ghanimy's reading of the poetical texts in both the theoretical and the practical levels. Conerning the theoretical level, it deals with both modernism and poetry as it was presented by AL - Ghanimy. On the practical level, poetical sample are studied after being analysed by the critic. Chapter two : Reading Narratives in saeed AL - Ghanimy's criticism. This chapter falls into two sections. The first one deals with the critic's theory throughout the imagination and identity topics.The second section deals with studying AL - Ghanimy's implementations in narrative texts. Chapter Three : Theoretical Issues. It consists of two setions. The first one discusses AL - Ghanimy's opinions in Modern Iraqi criticism. The second seetion deals with the critic's opinions in extinct heritage literature and its relationship with the pre - Islamic literature. The study is coneluded with the results the researcher found followed by alist of the resources adopted in this study

الاقبال على الحياة عند شعراء العصر العباسي حتى نهاية القرن الثالث الهجري

اسم المؤلف: وداد يعقوب سلمان الحراك
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الحجاج في شعر ايليا ابو ماضي

اسم المؤلف: محمد علي حسين الحسني
اسم المشرف: فهد محسن فرحان
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The research aims to study the poet Elia Abu Madi through argumentation theory, he studied in the first chapter three sections the first is : the limits of pilgrims and means of persuasion, addressed the concept of pilgrims and purpose, with the theme, and its relationship with neighboring concepts, and proved the existence of the pilgrims in the hair, eating in the second section formula evidentiary pilgrims rhetorical studied persuasive kinds of ways when the researchers handled Ten Ways and discussed and finished them to a specific result, and eat in the third section of philosophy persuasive pilgrims rhetoric by shining a light on the cognitive dimension, philosophical, and psychological, and pragmatic, in the production of rhetoric.The second chapter studied types of speech Hajaji through the diversity of the speech in terms of its theme, addressed the pilgrims philosophical and philosophical and mystic and religious was for each speech, especially in inferred foolproof method, Vantdb so practical texts by the poet proved through this multi - dimensional, and their role in the formulation of persuasion to move to the topic The second, which dealt with the rhetorical mechanisms adopted by the poet started as a means of persuading Vsult light on two techniques Oslopeten : the question and repetition; it formed two phenomena distinct in speech poet and Delta on the persuasive purpose and a clear contrast to the other stylistic techniques, while the third section rhetorical representation tool studied dimension metaphoric and Simulators, which formed a phenomenon as obvious as a kind and in a speech rhetorical poet, a - kma see Seat - rhetorical techniques evidenced by the pilgrims in the Office of the poet.Chapter III dealt with three topics was the first in the types of arguments adopted by the poet to convince recipients that were on the three types of arguments is the foundation of reality institution and arguments on fact and arguments value was for each type of these kinds of arguments derivative thereof. The third section addressed the problematic fallacy in the speech he studied poetic fallacy definition and problematic presence fallacy in the hair and then eating kinds of fallacies when the poet and poetry texts eating from the text of the poet as examples of these fallacies.The third topic researcher tried to be applied where he studied two poems of the poet and poetry addressed them applied all the tools studied by researcher Find calls for pilgrims and integrative search ends here to conclusion.

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا == Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

اسم المؤلف: لؤي صيهـود فـواز التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.

جماليات الاستشهاد بالقران الكريم في كتب التراث الادبي العربي

اسم المؤلف: فرحة عزيز محسن
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Quran citing takes a distinctive status in the critical work due to the great importance in determining the cited situations and matters.The writers s and authors are soncerned with citing at cuIturaI , religious and Literary references ( the aesthetics of citing of holy Quran in the Arab literary legacy books ).There are many reasons motivating the writers and critics to cite from the Quran text. This Quranic citing gives the text beauty and magnificence It heIps to discovere context and posside suggestible relations between terms and meanings. The thesis is divided in to three chapters in adduction a preface in which : it has studied the meaning of citing linguistically and idiomatically and its nature ,its motivtes , its reasons and its. It also contained three chapters. In the first chapter : we have studied the linguistic level in three parts, the first part deals with the grammatical level the second is semantica and third one is with morphological level. In the second chapter : we have studied the rhetorical level in three parts : the first part is Al - Badee'a science matters , the second is graphical matters and the third one is on the semantic matters. For the third chapter we have studied other levels , it has four parts. In first part, we have remedied the religious level. The second was concerned on the political level, third was on the intellectual level and the fourth one related to the social level. in the end we have mentioned the results, findings and research references. After all, in the these efforts, the researcher has not claimed that she reaches to perfection in this thesis, perfection only belongs to Allah.

ملامح الدرامية في شعر الاغتراب النسوي العراقي الحديث == Dramatic Structure In Modern Iraqi Female Poetry Of Expatriation

اسم المؤلف: جنان عايد محمد الحسيني
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Poetic drama has been an important subject that draws much attention since lyricism has begun to lessen and be replaced by ways of depicting the different problems that people face in their every - day life. Thus , it is necessary that the poet be aware of this change and the relation between drama and poetry. This depends on his / her view of the dimensions and levels of the text in the discourse and his / her recognition of the artistic work he / she is performing and through which the poet embodies the drama that includes conflicting events and persons who make the temporal and spatial frames of the dialogue in its multi - direction aspects. This study is about the dramatic structure in modern Iraqi female poetry of expatriation. Woman is always considered as the weakest and most narcissist creature who attempts to prove her active existence and presence in a narrow - minded society that once cam cells her identity once establishes it depending on her supremecy on man. She is more skillful especially in poetry of expatriation. While she is away from her homeland , she tries to be a part of the reality of expatriation. She expresses that through her sensitivity and warm feelings and , at the same time , is facing the tragic life and the painful reality. Even though , she is the most able to face all types of political , economic and social expatriation in the society. The researcher has noticed a substantial link between the poetic drama and expatriation and to how the Iraqi female poet expresses that in her poetry. This study consists of an introduction , three chapters and a conclusion. The introduction defines drama and expatriation and establishes the origin of the relation between drama and poetry or one side and between expatriation and loneliness on the other to define and limit those notions in their final form in light of modern studies. The researcher also highlights female poetry and how it responds to the situation especially that the Iraqi female poets live outside their country. The question is how able they are to embody the dramatic structure in their poems and to express the feelings of expatriation. Chapter one is made of three sections and discusses elements of the dramatic performance. The three sections are about the dramatic event , the dramatic characters and dialogue and conflict respectively. Chapter two , " Techniques of contemporary poems " , consists of two sections : The disguise on the level of the symbol and the disguise on the level of the myth respectively. Chapter three includes two sections : the first is about place and the second is about time. The conclusion includes the important results of the study ; among which is the overlap of drama and poetry as for as form and content are concerned. The study also reveals the nature of relation between expatriation and loneliness and their effect on those who are expatriated while they are seeking to prove their human existence against conflicts and crises. The female poet finds in her texts an outlet and escape from her expatriation and a reflection of her inside. She is firstly a woman and then she is a poet. She , as a female , has the characteristics of motherhood and homesickness. All that expressed in the dramatic structure of female poetry of expatriation.

شعر كشاجم : دراسة اسلوبـية == Poetry Kashajim ? Stylististic Study

اسم المؤلف: سارة محمد حمزة
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The object of this study is to determine the style aspects in the poetry of Abu AL - Fath Kashajim Al - Ramly Muhammad ibn Al - Hussain. It appears in the from of preface and three chapter. In the preface I mentioned something about the poet personal life , his poems and his position among his contemporaries simply , then I Tackett with the stylistics and its concepts , types and its relations with other literary concepts and sainces like language , rhetoric , critisim. Also I tackled with the subject of (style changing) in western studies which was known in Arabic studies as ( Al - Inziyah Al - udnl). The first chapter was to the right matic level and some subjects under lined it. The first the outer thematic level of poems which divided into two parts ( meter , why me scheme ). the second contains the sequence technique with all its types (voice , derivational and introduction ) Also I took alliteration of word ) types ( completed , non - completed ) derivational and other types. the third chapter concerning as pacts found , in the poetical collection of kashajim. Who second chapter is a study of construction level of poetry , and its divided in to three papers. the first is about the styles of poetic discourse (Nida style vocative partich (A - ya) ) , Is tifham (interrogative Amrw , Alnahi , the article "Aya" pat at the first position more than the others used in his poems. The third chapter tackled with semantic level in kashajim poetry , and it has three divisions. The first about similarity level , it contain similarity style and rhetorical borrowing. the second one is about Alknuya wara style ( the nearest meaning not the direct , I talked about (Alkinaya metonymy ) the third paper is about textual derivation intersexuality and this divided in to religions and literal.Religions textual derivation has two divisions , one related with Holy Quran and other with propend Muhammad traditions (Al - Hadeeth). The literal contextual derivation took two types poetic and proverbial , the I condnde my research study with bricf conclusion contained the most important results , with a full bibliography of references I benefited from them

القيم الجمالية في شعر شعراء الطبقة الثالثة الجاهليين == The Aesthetic Values In The Poetry Of The Third Generation Jahili Poets

اسم المؤلف: فاطمة حميد يعكوب التميمي
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:

النظرات والعبرات للمنفلوطي : دراسة بلاغية

اسم المؤلف: شهد محسن عبد
اسم المشرف: عبد الهادي خضير نيشان
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: this study dealed with al - manfaluti's literature , looks and lessons (rhetorical study) according to the analytic method.it studied rhetoric , semantics preface and upgraders verbal.it included an introduction , preface and three chpters.the preface dealed with al - manfaluti's literature within the rang of criticizes and the criticizers opinions about it. the first chapter was rhetoric which studied simile , mataphor trope and metonymywhilst the second chapter was named (semantics) in which studied structures fronting , delation , omission , stating, definition , un definition statement methods : - interrogative , command , prohibit and vocative where as the third chaptertalking about upgraders verbal in its both phonetical types like , rhyme and paronomasia.and abstract like : - antithesis , compasability , good reasoning , qouoting and modulation.as the conclusion had the core of the result of the research

الهجاء والسخريـة في شعر الحطياة وابن بسام البغدادي : دراسة موازنة == Satire And Sarcasm For Al - Huttaya’A And Ibn Bassam Al - Baghdadi A Balanced Study

اسم المؤلف: سلمى كاظم نمر العتابي
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After this long journey in the world of references and resources which have given me a lot of enjoyment I am about to embark on the end of my journey, here we should mention the most important results of this research : The way of balance was not easy, but risky because it is a thorny way and comprehensive process. Balancing between Al - Huttaya’a and Ibn bassam Al - Baghdadi - in their satirical sarcastic poetry she light on whatever concerned the two pets and revealed the hidden aspects of their lives and the influences in their satirical course depending the analysis and deduction in an objective way. The research revealed the circumstances surrounding the two poets. Their effect was one which is the hard circumstances that surrounded them and created two troubled, worried and troubled characters. There were incentives for their satire and sarcasm some was psychological and some was personal, social or political. The psychological incentive was stronger for Al - Huttaya’a while the political incentive was for Ibn bassam.For the trends of satire and sarcasm for the two poets, they share some and each was unique. The subject of satire which they share is self - satire, family (father, mother and siblings), the social segments like stingy people, cowards, liars, fools, etc. Also, they satirized the statesmen like caliphs, viziers, and rulers. The technical study took the great part of the balance the two poets for the inquiries and sections included, especially imagery like simile, metaphor and metonymy. For language they differed from each other in some aspects like the satirical tone : Al - Huttaya’a was characterized by his Bedouin language with its eloquence, while Ibn Bassam's language is simple and popular. The poetic segment is the dominant form on their satirical verse. They used some of the technical methods like interrogation, imperative, prohibition, interdiction, vocative, etc. The poets’ interest with the poetic rhythm : internal and external, in terms of meter and rhyme, the two poets did not get away from the meters of Artbaic poetry which were found by Al - Khalil bin Ahmed Al - farahidy. They also cared for the aesthetic devices like repetition, inlaying, segmentation, calembour, paronomasia, antithesis and opposition, etc.In the balance of critics, the two poets have gained a high satirical rank. Both were masterful of their arts and they were called ‘the poets of satire.’The satire of Al - Huttaya’a is modest and away from obscenity while that of Ibn Bassam was obscene.Al - Huttaya’a was outstanding in personal satire, while Ibn Bassam was remarkable in his political satire due to the bad political circumstances. Finally, this study tackled the hidden aspects of the two poets Al - Huttaya’a who lived between pre - Islamic period and Islam and Ibn Bassam Al - Baghdadi who lived in the Second Abbasid Era.

تصميم المشاهد السينوغرافيا في شعر رواد قصيدة التفعيلة == Scenography In The Poetry Of Metric Foot Poetry Pioneers

اسم المؤلف: زينب جبار حمود
اسم المشرف: ثائر عبد المجيد العذاري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:

الحجاج في شعر الكميت بن زيد الاسدي == The Protest Of Al - Kumait Bin Zaid Al - Asadi

اسم المؤلف: رشا فاضل سواري
اسم المشرف: عبد الحسين عبد الرضا العمري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The protest(Al - Kumait bin Zaid Al - Asadi). This study displays the subject(The protest of loyalty) as described it as a wide range for the protest,and that made it related to the problematic which rasied by rhetoric and lingual speech and communcation.The study includes perface and three chapters : The structure of protesting text, logical indications in Al - Kumait poetry and the protest and poetry. The preface dealt the concept of the protest and loyalty as language and idomatically.It tried to find relations between the protest and loyalty because they are very important in the speech protest. The first chapter ,the structure of the protest text is dedicated to search in the concepts of the structure and the protest text and the methods of its structure and characteristics and the most important conditions which are underlied the protest in certain textand the most important features which distanguish it for the other texts. The second study dealt the linguistic structure of the loyalty of the protest text. The second Chapter offered the connection the protest with figurehead logic under the title of logical signs in AL - Kumait which is divided into two sections the first is in the meaning of the connotation, logic and showing their linguistic and idomatically meaning and this Section dealt with the meaning of the logical connotation and its functions in the protest of Al - Kumait potery by focusing on a group of the concepts such as connections, the factors ,the principles, relationships , power and peace of protest and results power and metaphorical sayings that located at the top of the protest peace.The issues are consisted which raised by the implications of mental , natural and objectivity and protest of these indications that served each issue presented by the poet. The third chapter which called ( the protest and poetry) was set aside an applied the elements of protest for the adults ,it is a study of aesthetics that the protester depending on them.The research is divided into two sections.The first in the protest of the poetic dialogue and the second presented the connotative and aesthetical aspects for the poetic image and appearing the hprotest aspect from it.

الظواهر الاسلوبية في شعر زاهر الجيزاني == Stylistic Phenomena In Zahir Al - Jeizani Poetry

اسم المؤلف: رحيم خنجر جوني
اسم المشرف: جاسم حسين سلطان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The poet Zahir Al - Jeizani is one of the seventy s generation poets that seeks for the renewal and contrary the form and content of the modern poem.He started with the vertical poem as a traditional exercise , after that he wrote the rhyme poemaffected by the pioneers liveliness.Then he wrote the prose poem. The headline of my research “ Stylistic Phenomena in Zahir Al Jeizani Poetry “ that suggested by my teacher Dr Jassim Husein sultan Al - Khalidi. I found it as a worthy , because it is one of the subjects that didn’t teach on the higher studies level. In addition to that , my desire to study the modern Iraqi literature that represents the natural resource for our literary legacy for different ages and the cultural and critical poetry that Al - Jeizani has , was another motive in studying this poet according to the stylistic manner and the fewness of the modern stylistic studies of the seventy s generation and be limited to artistic and analytic studies. The importance of this study is the concentrate of the stylistic phenomena that distinguish Al - Jeizani poetry and how it connected with him and psychological affect on him. The first chapter is about the phonetic level (rhythm structures )and it is divided in to three topics , the first topic included the frequency studying as an artistic expressional need in the poetic text.The poet made it as a style in many contexts such as words, verbs , letters ,sounds and punctuation marks frequency. The second topic is about the revolving phenomenon as one of the modern poem requirements and its psychological and emotional on the poetic text. The third topic is about variety of the rhythm and types of the rhyme according to the mental requirements and modernism in the modern poem structure. The second chapter is about the level structural and included the stylistic structural phenomena in the poet language. It divided in to three topics , the first one is about the question and calling phenomena as a stylistic request that covers his poetry and helps to motivate the poetic meanings.the second included the verbs tenses far from the obligated tense and how the poet gave it new standards by changing the tenses to make the poem as pulsing or living tissue The third topic included different stylistic patterns that came in his poetry like the pronouns structures and the advancing and retardation that came as a stylistic variety.The third chapter was specialized for the reference level. the first topic deals with the meaning glide with the presenting of the metaphor manner according to the poetry mode. The second chapter is about the colours by describing them as stylistic phenomenon that contribute with the richness of the poetry mode. The third one is about the accord phenomenon by describing as a n artistic and cultural phenomenon in the modern Iraqi poetry and its historic , koranic and literary usage.

الملامح الشعرية في روايات طــه حامـد الشبيب == The Poetics Of The Narration In The Novels Hamid Al - Shabeeb

اسم المؤلف: رجاء عبد داود سلمان الزكي
اسم المشرف: سلافة صائب خضير العزاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study tackles the theme of the Poetics of the Narration in the Novels Hamid Al - Shabeeb. The study is subdivided into a Preface and three chapters. In the preface we studied the concept of poetics in narration and its meaning. Chapter One studies the levels of the peoticlangauein the novels of Hamid Al - Shabeeb tackling in the first inquiry the ideological level, in the second inquiry we studied the expression in the third inquiry we tackled the psychological level, the fourth inquiry we studied the narrative space. In Chapter Two we traced the poetics of time in three inquiries : the first is about the narrative of time, in the second inquiry we study the level of the duration (duration). The third inquiry is about the level of recurrence. The third inquiry follows the poetics of the place in the first inquiry includes the dimension of time and its types. He narrative place comes in the second inquiry.We included in the Conclusion the most important findings of the study : 1 - The concept of poetic language is the most accepted in the poetic language, because poetic language is more expressive and better in status. In addition to that it beaches the rules ofthe ordinary language. It also displaces it and reconstructs it again in new structural order. Poetic language composes the non - compassable.2 - Time includes recalling and foreseeing. Recalling is the process of remembering the incidents from the past and calling them to the represent time by the similar to these events. The foreseeing means anticipating the future. Maybe this is related to dreams sprang from optimism and excitement.3 - For the place and its importance as far as the novel is concerned. Place includes the closed space and the open space. There is also the realistic place and the imaginary place in the novel. In the end of the dissertation were listed a list of the references and resources and an abstract in English.

شعر الرابطة القلمية : دراسة سيميائية == The Pen League Poetry A Semiotic Study

اسم المؤلف: جيدم فاروق عبد الحكيم الونداوي
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الجهود النقدية حول شعر محمد مهدي الجواهري == Criticism Efforts About The Poetry of Mohammed Mahdi Al - Jawahri

اسم المؤلف: وجدان يحيى حافظ الكفائي
اسم المشرف: حمزة فاضل يوسف
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace be upon the Prophet Noble and The God of the good and virtuous. After : He has raised Jeweler hair Shelley illustrious contemporary to him and delayed him monetary efforts, which was compounded by the accumulation of these efforts on his hair, Vtnolh critics and different visions of multiple approaches and they are unanimous in its leadership classical stage in modern Arabic poetry and renovated and out all the modalities of the flags of literature poetic classic Kalrsafa and Zahawi, this is what enticed the researcher to choose the monetary efforts revolved around the Jeweler felt the subject of his doctoral thesis. After extrapolation of literary criticism, which revolved around Jeweler hair and determine the curriculum and vision required the processing of these efforts of the various plan consists of a boot and three chapters dealt with in the boot of poetry and monetary environment in which the capillary landmarks formed when the jeweler, so what the environment from the impact in shedding light on the nature of the text cash, which constitutes the other party off the poetic text, which has the most prominent role in efforts to raise this cash around Jeweler hair and, by contrast, there was the highlight of the poetic text Majaal text Jeweler in order to touch the art feature text Jeweler restricted to this study. The first chapter has assumed the contextual study of curricula that have been text Jeweler according Vaaih cash visibility prevailing at the time and the judge read poetry in terms of its relationship to what surrounds him of the reasons for and the circumstances and conditions, has entailed four sections. Took the first part, the study of the historical method, which Jesper Gore subjective experience of the poet read through external influences, while the second section has assumed social study curriculum, and the third on the curriculum or the Impressionists (influence), while the fourth section has assumed study Integrative approach. The second chapter went to the induction scriptsapproaches in the study of Jeweler hair. The third chapter Jeweler hair as an engine in cash, came in two sections : I dealt with them according to the poetic form artistic effervescence who took a three - way distribution deals with language, image Ptholadtha rhetorical, and poetic rhythm, both internal and external. The second topic : Eating poetic subject in the text of the jeweler and how it was able to move out the subject of cash denominated in the text which is not aesthetically pleasing, and discussed two important issues : the social issue and the multiplicity of readings cash, women and the multiplicity of monetary readings. Thus ends the thesis to the conclusion and summary results and classification of sources. Can not afford the researcher after the completion of the offer to the joints of her research, however, suggests that it is beholden to her teacher supervisor Prof. Dr. (Fadel Hamza Yusuf) for his help and support every day of the search, Vdzah Me God richly rewarded.I extend my sincere thanks and gratitude to Shiyoukhi in the way of science, particularly professors of the Arabic Department at the Faculty of Education - University of Qadisiya and each of the D me a helping hand to achieve my purpose, God Vdzahm Me penalty benefactors. And Praise be to Allah, the Lord of the Worlds

الصبر في شعر بني الاحمر : دراسة فنية == The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

اسم المؤلف: محمد حسين جاسم العيساوي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory
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