عرض: 25 50 75 100 النتائج

نتائج البحث: 7 من أصل 7

الفاظ اجزاء الانسان في نهج البلاغة دراسة في الحقول الدلالية PARTS OF THE HUMAN BODY AND THEIR MEANINGS IN NAHJUL BALAGHA OF IMAM ALI(AS)

اسم المؤلف: مخلص عبد الزهرة رحيم الكناني
اسم المشرف: علي فرحان جواد
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: This research aims at numerating the parts of the human body in NahjulBalagha of Imam Ali (AS) and showing the impact of context in determining the meaning and channeling it and knowing the intention the addressee and the purpose of the discourse in addition to drawing the attention of researchers to focus on the human body and consider it physically, socially, culturally and symbolically as regards structure ,text or context in which that utterance is organized to discover itssemantic dimensions , semiotic vagueness and how it is employed and what distinguish it for Imam Ali (AS).The nature of the research and its content required that it is divided up into a preface and four chapters precede an introduction and sealed by conclusion .As for the preface , it has dealt with the meanings of the utterances of (stature and mere body ) in its first part where the term has been specified alongside te limitation of the research . Accordingly, the study of these utterances has been conducted with reference to language and usage . Part two has dealt with the utterances of the stages of man's creation . Chapter one has included the study of utterances denoting the head and face and what is annexed to them . It has been divided up into seven sections which are as follows : utterances relating to the ear and what is annexed to it, utterances relating to teeth and what is annexed to them, utterances relating to the nose and what is annexed to it, utterances relating to the head and what is annexed to it , utterances relating to the hair and what is annexed to it ,utterances relating to the eye and what is annexed to it, utterances relating to the mouth and what is annexed to it and finally utterances relating to the face and what is annexed to it. Chapter two has been devoted to the utterances relating to the man's trunk and what is annexed to it. This means that the reference is made to the utterances relating to the apparent and hidden of the back and belly which has been in their turn divided up into six sub - sections which are as follows : utterances relating to belly and what is annexed to them, utterances relating to the side and what is annexed to it, utterances relating to the chest and what is annexed to it , utterances relating to the back and what is annexed to it ,utterances relating to the neck and what is annexed to it and finally utterances relating to the heartand what is annexed to it . Chapter three has focused on utterances relating to the extremities and what is annexed to them which has been divided up into three sections which are as follows : utterances relating to the arm and what is annexed to it, utterances relating to the leg and what is annexed to it and finally utterances relating to the hand and what is annexed to it .Chapter four which is the last chapter has dealt with general utterances which has been arranged in two sections which are as follows : general utterances relating to the part of human body and utterances for the general parts of the human body and that which relates to them. After the conclusion theresearch hassupplied a comprehensive bibliography of sources and references.The research is based on the analytical descriptive approach where the text has been the judge and criterion and a source for extracting findings. The research , therefore, has arrived on the following findings : 1 - It has been made clear that the meanings of the utterances relating to the human body in NahjulBalagha that that category is open to many sciences some of which concerns naming the parts forming the body or stature , others are concerned with their movements and their indicative and social dimensions, some are religious pertaining to their behavior in an Islamic religious framework relevant to creation, life and resurrection . However, some of which relates to jurisdiction pertaining to sanctity of the body and its bounds as regards the other; while others are intellectual or conceptual pertaining to the body symbolism at a certain level.2 - The study has made manifest the usage meaning of theutterances mentioned in the research . The researcher has tried to provide a compact or terse meaning for the usage origin by the Imam.3 - The Imam (AS) has affirmed the close relation between the speaking and mute communication in some of the NahjulBalagha texts while in other texts , he has shown the conflict among them as in his saying " nobody conceals anything but it appears in the slip of his tongue and lineaments of his face" in which case he has affirmed the superiority of the mute language over the speaking one because some of the lineaments of the face can replace the speech which has been proved only in the fifties of the last century.4 - The use of the Imam has been characterized in some utterances by the Quranic oriented quotations despite the different of purposes which clearly indicates the Quranic approach , while other texts have been characterized by serving the Quran in some places to interpret some Quranic verses . He has relied in using some utterances totally on the Quran and the tradition of the Prophet (P.B.U.H) and the classical speech of the Arab such as the utterance of the "leg" . This clearly shows the linguisticauthority of the author ofNahjulBalagha.5 - The usage of the utterances of the parts of human body by the Imam has a great impact on the morphological and lexical studies for the Imam has used out of his own accord as regards some of the morphological forms and constructions. Meanwhile he has added some unknown plural forms. He has also preferred some plural grammatical views and measures in addition to giving preference to some languages and dialects of the Arabs

الشاهد القراني عند السلسيلي في كتابه شفاء العليل في ايضاح التسهيل : دراسة نحوية

اسم المؤلف: محمد حميد زامل الزيادي
اسم المشرف: عايد جدوع حنون
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:

الحاكمية في فكر الامام علي (عليه السلام) : دراسة في ضوء الانساق الثقافية MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS) IN THE LIGHT OF THE CULTURAL PATTERNS

اسم المؤلف: عبد الامير دلي مجباس الزيدي
اسم المشرف: وليد شاكر نعاس الرفاعي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS)Praise be to Allah, the Lord of the worlds, and peace and blessings be upon the master of the messengers and his purified progeny and companions .Magistracy or assuming power has been one of the topics that attracted the attention of man throughout ages and it has been the focus of his thought and most engaging concern because of what this issue has been characterizedwith as regards its being the source of the misery or welfar and happiness of the society ; hence it has been realistic and a living matter or affair which is inevitable and unavoidable. Chapter two is entitled "manifestations of the magistrate" in which the researcher dealt with, in a critical study, important issues in the Islamic history such as allegiance in addition to practicing the magistrate by Imam Ali(AS) and those who preceded him as well as those who came after him.Chapter three carries the title ' patterns of conformity and differences" in which the researcher dealt with the extent of the conformity of the magistrate practices with the Islamic revivalistic constructive project within the historical, patrimonial and juristic patterns of Imam Ali (AS) and other rulers.A conclusion has been annexed to the research in which most of the findings and general and specific outlines have been included in addition to a comprehensive bibliography of sources and references.The conclusion of our prayer will be : Praise be to Allah, Lord of the Worlds! These steps have been accompanied by a series of difficulties distributed between the topic difficulty and the abundance of the scientific material which the thesis haswithin this framework.The structure of the research required that it contain(s) a preface and three chapters followed by a conclusion . The preface has been devoted to highlighting the broad concepts of magistrate and cultural criticism .The chapters have been as follows : The title of chapter one is " scope of identity" in which the researcher has dealt with the nature of the pre - Islam Arab incubator socially, religiously and economically. Later on the well - known changes took place on the Arab field after the advent of IslaDespite the difference in people's thought , religion, culture and the discrepancy of their languages, magistrate remained an obsession irking those who incline towards it and sacrifice everything to have it in his command and to sit on its throne.So it is conspicuous that the study of this topic is of great significance especially in an era or epoch which represented the first dose for that age : an age in which the flame of assuming power glowed , specifically in the thought of a man whose period of governance was full of hidden patterns or formats not yet revealed neither by history books nor ancient critical studies.In this person , practicing magistrate varied according to philanthropy, religious culture , knowledge of the basics of religion and the extent of consistency with what religious law2 and custom through the prophet Muhammad (peace be upon him and his purified progeny).

اناشيد الطفولة في الـعراق1880م - 1940م : دراسة موضوعية فنية Children's Songs in Iraq 1880 - 1940 A.D An objective and artistic study

اسم المؤلف: حسيـــــن عطيـة علوان الس لطاني
اسم المشرف: علي هاشم طلاب الزيرجاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: The poetic texts that came smooth - spoken out of the mouths of children's song poets to be poured in the ears of our dear children are verily worth of studying and contemplation to explore the contents which they followed in order to nurture our young generations who are considered the basic edifice for each society in terms of spiritual nurturing and a good mentality promoting their thought when young and aiding them in old age.As a result of feeling of the importance of these children's songs for the child's taste and for winning his desire and care, the researcher opted that the topic of the thesis will be (Children's Poetry in Iraq) . But after a discussion with the supervisors and for objective reasons , it has been agreed to have the topic as (Children's Songs in Iraq : an objective and artistic study) which is a part of Children's poetry so that we could shed light on children's songs in Iraq from 1880 - 1940.,to show Iraqi people and the whole nation ,about the pure poets and religious men and feeding parents and linguistics and a group of famous Iraqi poets, for their efforts in poetry concerning national ,religious moral and scientific for new generation and giving high patron ship and pure for proud hearing and know the methods they use for targeted direction .The reason behind our stop for the year 1940 A.D is that; we shoud identify the beginning because it was unknown ,since there were no preceding theses to determind this period,to start from where it had finished,after we had deeply discussed in this thesis ,we should stop in the limit of the aspects which should be very clear,this was because this thesis is the only one in Iraq which is specialized in children's songs,and we put a beginning in the year 1880 A.D,when we calculate sources that fit the requirements for the thesis up to the year 1940 A.D,we stop to the overcoming of the different aspects , because past sixty years enriched the thesis and covered all what we need,if add other information ,there is a need for another thesis, because of the big efforts which were neglected and not studied.There are several reasons make us choose this title ,thus we seek all narrating works written concerning children's songs before weapply for postgraduate study this was the first.Secondly the necessity of revealing and showing in different theses in Iraqi and Arab universities,to know the names of those poets and their efforts in this modern literature which was mentioned previously throughout this thesisThirdly ;knowing their writings and distributions in this literature and their participation with others in editing poetic groups relating to children's songs and their efforts in this fieldFourthly ,attaching senior of the Iraqi children's poets and their verse ,they passes through this verse simply not deeply.in such that one of the famous Egyptian researchers in children's literature (Dr Ahmed Zalad ) could not distinguish the senior between (Al rusafi and Mustafa Jawad) in his thesis in children's literature)( origins, concept ,pioneers)168Fifthly ;necessity of knowing the figures of speech which Iraqi children's poets had deeply discussed and how they make benefit from these styles to serve the new generation and the effort done by each one sixth;Sheding light on the methods of using story , poetic play ,myth ,symbol..as could we get away and would they study these things in their verse during their beginning.Seventh;determine the poetic pioneering for each group pf poets and know the most important artistic criteria Eighth;Explaing the ambiguity for many researchers and university theses and distinguishing between poetry . As such, the thesis has been assigned a preface in which we have studied songsidiomatically and conventionally as well as their roots in Arabic poetry . We have traced the origination in classical Arabic poetry and the development in modern Arabic poetry, and we have discussed the viewpoints of both Iraqi and Arab scholars. We have also uncovered many views that have no tangible reality.Chapter one has been devoted to the origination of children's songs in Iraq and their development in Ottoman and British rule and upon the formation of the Iraqi state till the actual formation down to 1940.Chapter two is about the vision or objective goals where we have studied the enthusiastic, sentimental,educational,sociable,psychological and entertaining goals.Chapter three has been devoted to the technical study in which we dealt with the language of the songs, their forms and music. We have presented a detailed study regarding the musical leadership of the Iraqi poets of children's songs supporting our argument with poetic texts.The research has arrived at the following findings : 1. The people of Iraq being scholars, poets, men of letters and educators had for each of them an initiative and a minaret in the fields of poetry, literature, science, language and art in general. We havenot been motivated to assert this out of prejudice and partiality , rather we have been impressed by the facts of achievement. It has become, therefore, clear for us that they had the leadership in the children's song throughout the whole Arab world and for eighteen good years.2. The efforts of men of religion, linguists , great poets , judges and educators have been exerted to find poetry that was fit for children nurturing their tastes without exhausting them in its reading or its being hard for understanding . All this was around the last quarter of the 19th century A.D.3. Those noble prominent people forced their way to find very short , original and newly - used meters . They were preceded by none to such an extent that their poetic and musical leadership became the model for coming generations and the pole molar around which the songs evolved.4. The first category of the first generation was less varied in topics because it stressed the national, religious and moral aspect while the second category came to complete what the first overlooked. Then the second and third generations came and so on and so forth. They were more open - minded to all constructive topics , contents and noble sublime purposes.5. It has been manifested that more than twenty two works in forms of a single collection of poetry or joint collections have contained more than one hundred and fifty songs . A quarter of this effort has not been achieved by the whole Arab world even after its publication in the Arab journals and papers.6. Great linguists such as Mustafa Jawad and Islamic historians such as Mahmood Al - Mallah and Sheikh Qassim Al - Sha'ar have joined hands with great poets such as Ar - Russafi and the philosopher Az - Zahawi to produce this innovated poetry . This renders invalid the claim that children's poetry attracted only the weak and incapable poets. Rather, the converse was true.7. Reclining on some objective visions (goals) such as the enthusiastic vision in its being the love of homeland was one of the findings in the research. This also includedfeeling proud of self - esteem and the political life in Iraq and urging the people to resist colonialism.8. As far as poetic language is concerned, they laid emphasis in their poetry on war utterances which won the first place . As for the utterances of glory and pride , the word glory has been mentioned eleven times and pride eight times while other words were mentioned in less frequency.9. The poetic images for those pioneers were carefully selected in special spiritand scientifically so that it could be at the disposal of the child's taste. The poets were found to be acquainted with all forms of rhetoric devices.10. As regards the external music, the acatalectic ramalmeteroccupied the first rank followed by the acatalectic rajazandkamilrespectively,while other meters followed them. The rhymes had also similar presencewhere the nun rhyme won the first place.11. For internal music , the alliteration won the first place followed by the repetition.12. As for the methodology ( trends), they touched upon it in a transparent way. They aimed at the deliberate use of educational, social and psychological matters.13. It has become manifest that the vision of the ancient classical poet was different from the modern one according to the environment and culture for each age . The ancient poet wrote for his child while the modern poet looked at the child asan independent entity with capabilities and desires14. Accordingly and as Dr. Omar Ahmed Al - Talib has proved as regards the child's theatre and what the research has proved, the last quarter of the 19th century and specifically the year1880 was the real birth of children's literature in Iraq and the Arab homeland in general under the leadership of Iraqi children's song poets

الاتساق النصي في السور القرانية المستهلة باسلوبي الشرط او القسم

اسم المؤلف: جبران شاطي معلك الهلالي
اسم المشرف: صاحب منشد عباس الزيادي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: The subject of search is (The Cohesion textuality in the surahs of the Holy Quran initiated by condition or section), and the Cohesion is the sound, lexical, and grammatical relationships and tools that appear on the the text and link the parts and unite their meaning, and is one of the seven criteria set by the Robert de - Beugrand and Dressler which supposed the text to text, and these criteria result from the modern linguistic studies in the 1980s, to bypass sentence and starting to text in linguistic analysis.The choice was some verses of the Quran, the most informed text in existence, are the verses of Quran that starts in two styles condition or section; because these verses starts with tool of cohesion tools, linking two sentences or phrases for each other.The nature of the research required to have three chapters : first chapter (Sound cohesion), and discussing four are : Quranic comma, and paronomasia, syllable parallelism, and intonation, and second chapter (Lexical cohesion), and discussing two : recurrence and the lexical accompaniments, and third chapter (Grammatical cohesion), and It is in three are : reference, ellipsis, and Conjonction. and prior to the introduction, which showed the concepts text and cohesion, and then moved to establish cohesion in some arab heritage, books and followed by a conclusion stating the most important results are : 1 - back to the Finder differencein ratios that means cohesion of precious surahs sample study, reference types, intonation, conjunetion, and tying anniversary, Quranic comma, ellipsis, and Conjonction by condition or section, the contrast, the most visible. and the examples syllable parallelism, and some kinds of paronomasia and recurrence and lexical accompaniments less than its predecessors. While scarce or no examples of antagonism recurrence, and lexical substitution.2 - Meet precious surahs texts - in often - cohesion sound tools and lexicography and grammatical, and more what unified tools consistency per the Quranic comma as a Union, and paronomasia, syllable parallelism, and intonation for example; if anything it shows deliberate expression of the Qur'an in the selection and choice of its text, which gives it high strength in cohesion, make the receiver felt by simply receiving the text.3 - Most precious surahs studied surahs makiah are more verses with limited, and to intensify the idea, and concise wording, and this required purpose which addressed this surahs, it means to confirm the oneness of Allaah, and prove the fact gathering and calculation, reward and punishment, and other things related to the origins of the faith, not the need for redundancy and detail; the Parties means consistency closer together, if not in a single verse in the verses or verses are contiguous; And convergence that makes them more coherence and interdependence, and more reveal the purpose of this surahs.4 - Tools for grammar and coherence means more control and most of the sound and lexical tools, and make sure the reference that more elements of coherence in surahs, especially conscientious, the researcher can hardly find any or devoid of conscience, or the name of the signal, or compare, or the demonstrative pronoun, and this was in all its manifestations : endophora, exophora, anaphora, cataphora, walbadet, tribal, close and distant, in varying proportions.5 - the study proved that the exophora reference transmitting the assignor to the assignee beyond text can lead to cohesion, but provided that the receiver, its cultural inventory, and with the help of the place of revelation, and the circumstances and surroundings, functioning, and so on, to determine this element through which explains the assignor, if this condition exposed the veil which was passing the assignor and consistent text, until the assignee assignor thumb removal cohesion and in difference to what some scholars of this type does not work on text, increased casting so they may be more effective in creating other types of texts to achieve a standard of harmony and the standing, as well as cohesion

الطبيعة في شعر مكفوفي العصر العباسي The Nature In The Poetry Of Blind Poets Of Al Abbassi Era

اسم المؤلف: وسن حسين غيث الظالمي
اسم المشرف: عامر صلال الحسناوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: After a long journey, joyful and fun with blind people in the world of nature we looking forward now to see the results of this trip and we review the most important thing we came up with : The psychological factor has played an important role and essential in the orientation of the blind toward nature in which he found a safe haven, to escape from the community was a hostile environment for him. Multiple cognitive and cultural resources for poet blind, provided him confounded cognitively culturally Thera, had the largest share of this stockpiling return to the product of poets sighted; since found a blind wellspring Bmaanyh and his words that cemented in his mind and filled the depths of his soul, he took draws, including wills him meanings and images of nature, and which appeared excellence where Bashar and Maari, as he leaned on the language inherited by coming in in language daily - the first sources of culture blind cognitive - represented by parables, and he has brought the blind signals Koran which carried descriptions of nature, and who help him in drawing pictures descriptive, as well as tributary ideals and goes, and tributary to read and see, and found the researcher's role Zip historical and legendary in the poetry of nature; since summoned the poet blind symbols of personalities historical, and legends belong to nature, and had Me'ri a distinct presence in calling these symbols; indicating the depth of the culture, and intellectual maturity. Entered the nature formative element in the formation of the poetic image when the blind poet, and stirred his imagination and Ncttha, and expanded its horizons, and become rich Balchbhet drawn pictures and images which reflect the different fertile imagination. Description of nature, like the blind poet of poets sighted, and in the collection and described between tradition and innovation, and came a picture of nature is often mixed with the rest of the purposes of poetry, and rarely came in the form of separate pieces. Occupied the descriptions of the camel and horse center stage in systems poets blind departing from the benefits of those animals Fmdoa statement descriptions, forms, and colors - for Khil - , while the rest of the animals was calling the poet blind her for the purposes of spinning or praise or lamentation or spelling - including awarded the horizon simulator or prepared him, including his expressive many of the tributaries - and not for the description itself only rarely. More poets blind from the description of the bird in the animated nature, focusing primarily base on their voices and a private bathroom, which interpreted his voice according to the psyche, it was happy two thousand in his voice twitter and vocals, and was sad like his voice has a scar and crying, while such Algrab - code Banshee - in most images guide fences and separation. Most of the descriptions of the plant came overlapping with other purposes poetic when poets are blind, and Mbthoth within them, and rarely pure Maogdna description of the plant, which was of the tribe of Ben Altaaoive where the largest share outstanding on the rest of his companions in this area. Suffered the blind poet of the length of the night to move around a fixed Vleilh With regard to the lexicon industrial nature, has described the poet blind ships relying on a picture ship descriptions of camels and horses, aided in completing his portrait of poetry this much of the descriptions of the desert, and the poet in all of this compares between his ship and the camel, and how she does not feel defrauding a sailing the river, and had superiority to Bashar and dad Hes in this area, have also been blind to describe the depths of the buildings as well as exposure to mention dilapidated homes, fully demonstrating the superiority of the blind poet blind in this area because it excelled in the accuracy of the description. In the field of industrial tools Hafez arms in the Abbasid era to the status they had since the pre - Islamic era, received the sword replaced the lead of offensive weapons in the abundance of material noodles contained when the blind, has mastered in accurately described as male parts, and its industry, and its qualities, and its impact on resolving the bout, and replaced swords and Indian Mishrefeh replace a head start and progress on the other, followed by a spear, shield, which then accounted for Maari as among his peers, while not share and bow attend impressively between several blind war. I have to stop the blind poet to describe tools lighting of candles and lanterns taking of forms and qualities to express what it feels are suggestive art. Pervaded the poetry of the blind as winery Fathdthoa for undimmed and serenity pictures of visual spectacular grabbing the receiver to the beauty of the formulation and the magnificence of their descriptions, Vngnoa paid to the concerns, Margen on the color and characteristics, as well as the value of psychological Altnafisah, and was distinguished for Bashar in the field description winery and tools drinking. Drawing poet blind pictures of scenes of the desert through his trips to the land of acclaimed mediated camel, described and its share and walk in the tread rugged, noting the rigors of travel and the difficulty faced by them in order to reach acclaimed, for a lot of tender first, then to boast Pfrossith II; being prowling float lonesome and alone. It was a blind poet pause on the ruins of the fees and what they contain and landmarks, Vahtam out, and absorbed a lot of the traditional meanings mentioned by the poets sighted, he asked and complained and cried and pictures of homes and the effects of their charges and the impact of rain and wind on them. Deliberately poet blind to the coloring of his paintings of poetry, the desire to keep up with the sighted was adopted in image color on the covenantal audio and especially the poet, the blind, who could not give a true picture of the color of a given, but he was able to give indications of the colors by his concept to her, and it was white checkered and black are the most presence of the rest of the colors, perhaps due in to the psychological impact of these colors in the lives of the blind, being in permanent conflict with the light in the shadow of darkness eternal imposed equally upon, and as usual it was the largest share in these pictures colorimetric Bashar and Maari who Tfoqa - Godh - frequent and even on other newly blind. The auditory sense is most present in the poetry of nature, followed by olfactory, and tactile, Valdhuqah. Taking freelancing senses dimension poetic special when the poet blind making of images and compositions phones in the poetry of nature painted painting Bogdan poet, and pulse sense, is up talent poet blind and creativity peak in the use of compositions poetic visual, auditory, and olfactory and gustatory, and plays a sense of the poet blind delicate an important role in moving his mind about this line of rationing artwork. Have revealed chapters message as well as the substantive results, the results of other art, was the fact that most of the poems of nature when the blind had been organized on the seas long, took the sea long space bulk of the hair nature, followed by (full, simple, generous) and the use of the poet for this seas Related Activations long; for shows and separates accurately manifestations of nature, as well as the weights of poetry such as (shun, and Lilt, and light) and the seas again came about very few (k Almnsarh, and prolonged, and convergent), as we found through research that the poet uses rhymes that are clarity and power, such as a character (Alaba, and signifier, and ra, and harvest), as well as the use of rhyme both types of absolute ones and restricted, has had a rhyme broken luck and abundant in the poetry of nature when the blind, and followed embraced, and then open the rhyme restricted did not appear in the poems blind but in a way few. As for the rhythm of internal Fimthelh repetition; since sought poet blind by repeating words to assert the idea that, while repeating the letters aims to make a melody musically rhythmically rest his vocal and Thuah, as well as a common method of recycling in the poetry of the blind, and subjected to the atmosphere of emotional psychological; to achieve Using convergence moral terms, as they could through alliteration and Altbara to achieve harmony of music in the context of the House of poetry, as well as impart these methods of semantic and moral values on the hair nature. Shred poet blind in the formulation of an image of nature formulation of fine art, it has more of the use of similes; since used the analogy of different types (the sender, and the total, and detailed, and eloquent, and inverted), moving from similes sensual, to comparisons technical suggestive expressed taste poet blind, who was tends to innovation, and innovation in the poetic image, as well as the emergence of style (metaphor) as a means; to deepen the significance of meaning through use, not for what put him, and had to borrow tools attend the largest of metaphor declarative, and the style (metaphor) has shown the poet blind desire for non - disclosure, or disclosure of the meanings that was Eptgaha directly, resorted to metaphor for character, and for metonymy described, this method of taking a way to achieve what aspire. Most of the methods demand was orbiting the emotions psychological poet, and receiver alike, and for this reason is often found poets blind out about the real meanings to gloss metaphorical; what gives him the freedom to express their feelings and make the recipient to contact and communicate with what he says poet. As regards (Reliable Wholesale) has appeared in Poetry Nature Methods synthetic contributed to the enrichment of meaning, and the strengthening of the building, and clarity in showing the positions that have a link with affection poet blind, and his imagination, and these methods are (submission delays, Chapter interfaces, and male and deletions). After these are the most important results of the question raised by this study, do not pretend it Facts final for granted, but at the same time figured I done everything I can in order to access them, and in conclusion, I would put this study made it my best, and I tried what I could display which opens the way for new studies of the nature of poetry when the blind in the other literary ages, and praise be to God always.

التوجيه الصرفي في كتب مشكل اعراب القران في القرنين الخامس والسادس الهجريين The Morphological Channeling In The Books on The Obscure of Parsing The Quran In The Fifth And Sixth Century

اسم المؤلف: رقية سجاد حسن
اسم المشرف: علي فرحان جواد
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: This study deals with the morphological channeling in three books the common subject matter of which is the obscurity of the parsing of the Quran. These books are : 1.Mushkil '?rab 'al - Quran by Makki Ibn Abi Talib al - Qaisi (d.437 A.H.).2.Kashf al -